#do they not want one of the most important characters to have a love interest the audience actually would care about

[fluxweeed]

Hii, I just discovered your fics and am reading my way through them. Love, love, love the ones I’ve read so far.😊 I was just wondering what your favourite Draco is you’ve written, and what your fave Draco is in fics written by others? ☺️

ACK thank you!! what a question!! i've considered this v carefully and it turns out i have………a lot of thoughts. i will keep them under a cut so nobody is accosted with a full 700 words of my Draco Opinions 😂 so my quick answer is:

my fave draco i've written: the taste of țuică my fave draco ever: rookie moves by peu_a_peu

draco is an interesting one for me bc i don't really LIKE him? but i have sooo many feelings about him. really not sure i could summon the same fervour for harry, for example, who is my number one boy forever and always.

(i saw a thing once that said a pairing becomes ur otp when u relate to one of the characters and want to fuck the other one, and 🙈 i mean, i think you're supposed to relate to the gryffindor, aren't you. whoops.)

OKAY SO HERE'S THE UNHINGED DRACO MALFOY ESSAY BY FLUX W. EED.

listen. i love and respect people who are Refined Draco enjoyers. connoisseurs of redemption arcs. appreciators of majestic malfoy bone structure and ethereal grey eyes and soft windswept hair. fans of dracos who insult harry (with hidden affection) and who are a bit snobbish (in a rich, sexy way) but ultimately have realised the error of their teenage years and have become a better person. perhaps this draco has built a potions business and helps the aurors. perhaps he IS an auror. either way, he has a biting sense of humour, maybe, but he's a good guy.

unfortunately, the draco of my heart is a horrid mean little rat man.

i've never actually managed to write him the way i love him. i tried to aim for immoral bastardy in what's mine is yours but i got so caught up in trying to nail the feelsforbreakfast-style humour in the narrative that i ended up focusing much more on that and much less on writing genuine bastardhood.

i've written him as reserved and clever (in the four doors – this draco was written entirely for @jovialobservationanchor, who had a weak spot for closed-off academics with soft centres) and as a traumatised self-loathing mess (in two to lie and to some extent for lack of wanting and say no to this) and hopelessly sexually/emotionally horny for one harry james potter (in, um, most things) but i've never managed to capture the genuine cruel streak and flawed personality that is sooo so important to me.

WHICH IS WHY i picked țuică!draco for my favourite of the ones i've written. he's still a bit too emotionally intelligent to be Just Right, imo, but i think he's maybe the closest? he's unrepentantly rude to people. he's not attractive. and he has a streak of self-destructive fucked-upedness that is some form of wartime guilt, but certainly not a pretty one.

HOWEVER. rookie moves?? NAILED it. i adooored how genuinely fuckin MEAN he is, even tho he's an auror. i love love LOVED that he's kind of bad at his job in a way that's in complete opposition to how drarry!draco is often written these days:

The look on Malfoy’s face was not only troubling, Harry realized, but familiar. At once activated and dead behind the eyes, like an invasive species in an ecosystem that could not check it. It was the look of the meanest fucking teenager Harry had ever known, giving in to his urge to bully.

-

What Malfoy wasn’t good with was people. Despite his repeated insistences that his upbringing had equipped him with impeccable manners and a facility with society intrigue, the truth was that he rubbed almost everyone the wrong way. He was, undeniably, annoying. Witnesses were put off by his snide, dismissive tone, and he didn’t know how to coax out information with curiosity, warmth, or strategic silence.

that's not to say unrepentant cunt draco is the only one for me!! i DO enjoy the classic redeemed drarry draco!! i love a quirky draco, à la wwpwcs or maya's drop dead gorgeous. gallaplacidia's draco is sooo painful for me to read (complimentary) that even though i adore her fics, i still haven't read them all bc i have to space them out, for my health. and i'm sure there are dozens more dracos that i'm forgetting how much i like – basically, as long as he isn't super suave, absolutely gorgeous and/or obviously tom felton, i'm on board.

#also ohsodraco i'm lowkey starstruck that ur in my inbox + ao3 comments #i've been following u from my main acc for approx a thousand years #i'm all aflutter #also speaking of being starstruck #v glad that peu doesn't seem to have tumblr so she might not see me being weird about her fic AGAIN #nobody send this to her god #i've embarrassed myself enough as it is #ALSO. i have a poll saved in my tumblr drafts abt that 'otp = want to fuck/relate to' theory but i am too scared to post it #bc i'd be so embarrassed if it got like 2 votes lmao #someone with a Following pls promise to reblog it so i can gather data bc i'm sooo interested to know whether it's true

[wishjacked]

Happy #WebcomicDay!! :D

This year we're celebrating the process of making pages... so below the cut I've got a bunch of pictures sharing how I go about making pages of my evil post-apocalyptic workplace sitcom, Cargo!! :D

So! My process!!

Writing-> I think sometimes there's pressure to "write" your comic a certain way, I see people talking about script format and stuff a lot. That really doesn't work for me, though! I write my "first draft" script in short scenes on scrap paper, in whatever order they come to me. Sometimes a scene will just be one or two lines, and then a little description of what I want to happen in the rest of the scene.

Later I type the scene up, and write the "connective tissue" that fits between the disjointed scenes so they all flow together like they ought. I don't do page breaks or even character tag or action notes hahahaha I like it to be as BASIC as POSSIBLE so it's easy to edit. And since I'm the person drawing it I can almost always remember who's supposed to be saying what lmao

I edit a lot, but the most major editing is also probably the last bit... when I letter my pages usually I realize "they would never say that" and so I end up rephrasing everything. My art brain is sometimes waaaaay better at phrasing hahaha. Like you can see in the finished page for this script I rewrote like basically all of it, and actually went back to the original "sketch" script in a lot of places.

Thumbnailing-> my thumbs are really big, I draw them with markers on printer paper and keep them in a binder!! I like to thumb scenes in batches and I also usually write my dialogue on them, just so I can read through them before (and while) I draw to get a feel for how the pacing works. :)

Sketching-> OH sketching is also really hard for me! I don't have a good visual imagination so it's really important for me to make sure I have good references. Last year I was especially focusing on setting.

My comic is set in Florida. I'm lucky in that I used to live there and still go back to visit sometimes, so sometimes I can gather my own reference images! But more often I start on Google Maps or Zillow, trying to find buildings that have interesting features or the right kind of "look" for what I want. I'll also look up other interesting elements, my comic is set in a post-apocalypse and I'll research home gardening and things like that which people would probably have.

For example, in this set in chapter 7, I used Google Maps images, photo references of indoor hydroponic gardening, and like, 90's-00's hacker computer setups haha. Also my BFF Roomstyler.com, where you can make 3d house interiors haha!!

Lineart-> I LOVE lineart it is my favorite!!!! I sketch and ink two pages at a time, and it usually takes somewhere between 10-12 hours to do both steps.

I actually think my art looks best when it's just lineart... but I think my STORY is better with color, like it makes it clearer and easier to read and it has a better atmosphere HAHA.

Colors-> I think it usually takes me 4-6 hours to do 2 pages (I haven't timed myself as consistently as I time my lineart and sketching). I have a big file with small copies of my previous pages that I color drop from, and my characters are all flats only. The limited palette that I use is also really handy, it streamlines coloring a LOT.

Finishing Touches-> aka I steal mercilessly from my one true love, my internet home, the beautiful and blessed Wikimedia Commons

I put lots of overlay layers on my art! I like textures so having some strange little textures or pictures on things makes my art feel a lot more finished to me.

And finally my very most favorite ✨finishing touch✨ is the bright colored/patterned gutters that I use. Here are some of my favorites that I've made and used in the past!

And that's all!! I hope you guys have a very happy Webcomics Day and find lots and lots of wonderful new things to read!!!

#WebcomicDay #Webcomic Day #my art #webcomics #webcomicsday

[prettycottonmouthlamia]

I am now at least far enough away from the incident that I can give some more articulately expressed opinions about Kriemhild and that part of Traum, and also my general bugbears when it comes to Higashide. To really elaborate on them, I want to make a point of comparison to show this isn't just like, bias getting in the way, and that's Caster.

Well Medea. Obviously.

Caster has a really big advantage going for her over characters such as Semiramis and Kriemhild. She has two gigantic and well-written visual novels backing her up. While the first thing you probably think of when it comes to Caster is her relationship to Kuzuki, you can probably think of a bunch of different things that you know Caster for. Caster's relationship to Kuzuki is a big part of her character, but it is not the only part of her character, and most importantly, it adds to her character. It is in and of itself a jumping off point for discussing her relationship with Jason, how that has affected her, and what Caster is looking at her future for.

Bu it's not her entire character. She still has a very complex relationship with Saber, and Hollow Ataraxia's character interactions with her and the rest of the cast are all interesting, not to mention her own interactions with Kojirou either. She exists as a character beyond that, and that is also very likely why Kuzuki is just not a factor in F/GO at all. She is a strongly written character that is recognizable without him.

When it comes to Semiramis and Amakusa, Apocrypha itself is written fine although I don't really believe in the two of them having real chemistry with each other, especially as time has gone on and more of Semiramis backstory has come out, Amakusa feels very written in but without the proper framing to me to make it work. But as time has gone up, unlike with Caster, Semiramis has had her entire character swallowed up by this relationship, even though canonically she shouldn't really remember it. This is obviously to some extent fanservice, but this is a problem, because it means that Semiramis stops existing as her own character. There are entire interludes about her history that are boiled down at the end to just being about Amakusa. If you want to know Semiramis like you would Caster, you can't.

A good relationship adds to the character, it does not BECOME the character. This is especially weird because Amakusa has had a lot of interesting screen time and character writing without Semiramis being present. It starts to feel like there's only really one important character in the mix. There's Amakusa, and Amakusa's girlfriend. That's weird.

Kriemhild is that on turbo, but the issues with her writing go even further. At least with Semiramis, while her relationship with Amakusa is strange, it's not necessarily contradictory. It's definitely odd, but not out of question. Kriemhild, especially for those who have summoned her and didn't go through Traum quickly, is in a contradictory boat. She clearly in her dialogues does not like Siegfried, even if she still loves him, and it's also clear he is directly responsible for a ton of hurt that she felt. This is consistent of what we know of Siegfried, it makes sense that he would do these things, we've already seen him do it in Apocrypha. Here, we are being asked to confront the human cost of that. In Apocrypha, he's not screwing over anyone we care about. But here, he's directly hurting people, and by extension, leading to their death.

Siegfried's actions are not portrayed particularly nobly, they're considered mistakes, at least in part chiefly by Siegfried who wants to live a life doing the right thing now. So it makes sense that Kriemhild would be extremely bitter and angry at him. He...abandoned her, and didn't even explain himself. That's extremely fucked up.

For almost the entire chapter in Traum, we're not given any indication that there is going be a flip-flop in character motivations. Kriemhild is portrayed, consistently, as being antagonistic to Siegfried. She wants her revenge on him, she calls him leftovers, she talks about destroying the world he keeps trying to save. Zhang Jue hides away Siegfried not because he believes that Kriemhild will turn on the realm for him, but because, as a Berserker, Kriemhild is likely to become extremely unstable upon seeing him.

Even later on, when Siegfried approaches Ritsuka and asks for a favor, the most likely conclusion to come to, knowing Siegfried, is that he wants to fulfill his wife's revenge. That makes sense from a character perspective. Siegfried's actions have consistently trended towards those that self-sacrifice to protect others.

The problem when it comes to Kriemhild is that it is both contradictory to what we've been communicated with in the story, and that the end result is that it destroys her character. It is both bad, and quite frankly, very cheap. It's a cheap use of the love conquers all trope. In the span of one to two sentences, Kriemhild implicitly forgives him for everyone that he's done, reverts to a lovey-dovey wife, and even reneges on everything that to this build are the foundation of her existence as a Servant.

It turns Kriemhild into nothing, into what is insanely flat, because all of her depth has been removed. What is left is a character that is entirely one-dimensional. Nothing exists for Kriemhild past her love of Siegfried anymore. There's no discussions about hurt or pain or the twenty years of vengeance beyond Kriemhild immediately turning a double face on it.

There's not a nicer way to put this, so let's just get it out of the way now. Siegfried will continue to be a character independent of Kriemhild. Unlike say, Sigurd, whose character is primarily defined on his relationship with Brynhildr, Siegfried's character is not defined really at all by his relationship to Kriemhild. Kriemhild has no path from here, and as we can glimpse in further events, her character is entirely defined by her relationship with Siegfried. What are her character motivations past this point? Well obviously its not ANY of the ones we took pain to previously establish.

This is classic, textbook, misogynistic writing. Kriemhild has been turned into a lamp.

Siegfried is a very popular character, and I imagine for a lot of people, there is incentive to ignore all of this. Siegfried is getting his happy ending, he's getting his wife back. But if you cared about what Kriemhild's character was, this sucks tremendously. Reconciliation is not off the table, but what happened is not reconciliation. It's not anything resembling that. Kriemhild essentially loses all of her agency, so dramatically she dies after this happens.

Like at least Urobuchi would have just killed her.

#fate grand order #im not giving this character tags #and also im not super interested in defenses of this

[heliza24]

In which I try to figure out Armand:

My brain has been ticking away thinking about Armand ever since episode 2.1. I have been fascinated and irritated by Armand in the off-season, so to speak, because I love Daniel and relate to him so much, and I know Armand is going to be very important to him. But we were given so little of Armand last season it has just felt impossible to get a grip on what his deal is. I am admittedly not a book reader, but I also feel like these feelings are still justified because the show version of Armand is so different than the book, in circumstance at least. So he’s the character I’m most interested in this season.

We still didn’t get a lot of him in ep 1, but I’ve been thinking about him and synthesizing some of the stuff that people have been saying about him in interviews, especially about his relationship to control. I’m specifically thinking about Hannah describing him as “Louis’s creature” and saying that he’ll do whatever Louis wants, and that this is part of their sexual dynamic as well. I think this makes sense with what we’ve seen in the trailers; it seems like Louis is the more sexually dominant one between them. So Armand is happy to be more of a sub in the bedroom and in their original flirtations. Maybe in their earlier dynamic as a couple too, we’ll have to see. Meanwhile, he’s in the background, arranging scenery, pulling strings, trying to do everything he can to hold onto Louis and keep him at least passingly happy. This, by the way, perfectly meshes with his role as director at the theatre. Never in the limelight, but always in control. (The stage management school of sexuality, if you will.). I think that emphasis on control probably becomes more pronounced as the years go on, and Louis is sitting in his grief for Claudia and more of their initial spark dies. But it also perfectly explains the Rashid act. Armand is comfortable playing a servant role. He’s comfortable observing from just off stage. He’s comfortable doing those things if it means ultimately having a better grasp on the way the scene unfolds.

For his part I think Louis is probably drawn to the way Armand seamlessly irons out the bumps in his life. The penthouse is a cage, but Louis is his own jailer; Armand isn’t the one keeping him there. There’s probably an interesting comparison to be made against Lestat here. Lestat revels in melodrama and high emotions, while Armand is intent on maintaining a facade of calm stability. It makes sense to me that Louis would have leaned into this facade, even if he knew it was partially a falsehood, after losing Claudia. I think this is true even around Claudia’s death. It was easier for Louis to forget and forgive whatever part Armand played in it, and allow Real Rashid to hide those diary pages away, than to really reckon with Claudia’s death.

I think Louis requested the interview as part of his general goal to narrativize and soften his own memories and grief, and Armand acquiesced in order to keep Louis. The original goal of the interview was for Louis to convince himself he really had killed Lestat, literally and maybe emotionally too. I think it’s possible that Lestat is back in the picture somehow and the interview is Louis’s last ditch effort to convince himself not to return to his maker. But then of course the whole thing goes off the rails and Louis ends up facing down his true memories for the first time in years. It makes sense that when put in an uncomfortable situation- watching Louis talk about Lestat- Armand would default to his old role of manipulating things from the wings of the metaphorical penthouse stage. Him stepping into the interview is a big departure from that, and shows how effectively Daniel has rattled him.

So how this plays against Daniel is interesting. Armand is putting on a big show about how he and Louis were able to manipulate Daniel in San Francisco. But I wonder how true that ever really was. I imagine even in San Francisco, Daniel represented a completely opposite dynamic to Armand’s relationship with Louis, which would have hooked Armand’s attention. If Louis appeared in control on the surface, but relied on Armand’s ability to arrange the periphery of his life, Daniel would have appeared to be easily (and perhaps happily) dominated, but resistant to Armand’s larger attempts to control his life. Obviously I don’t know exactly how they’ll play out a 1970s devil’s minion scenario. But I imagine that Daniel’s addiction, and Armand’s misguided attempts to protect him from it, will play a role in whatever kind of break up and memory erasure ensues. Whether it was the addiction or his personality or something else, there was some element of Daniel that was too wild for Armand to tame. He threw him back into the pond, all memories of being snared on the fishing line erased. And it’s entirely possible that Armand feels this loss of control very deeply. As heartbreak and loss, but also as a scary moment when his grip on the love that he needs in his life faltered. It’s possible that the break up with Daniel made him even more determined to control outcomes with Louis. And it’s also possible that the pain that he felt when he originally lost Daniel is causing him to revise and edit his own memories of his relationship with Daniel. If Daniel broke Armand’s heart, it would be a lot easier to remember him as a silly boy Armand manipulated in tandem with Louis than someone Armand actually found fascinating. Admitting otherwise means admitting his own weakness. So memory becomes the monster, again, even if you are the one controlling the vampire amnesia.

For what it’s worth, I currently think that Louis doesn’t know about Armand’s past with Daniel. I don’t think Louis would be as vulnerable with Daniel if he knew. And that would point to Armand once again subtly manipulating and managing Louis, completely hiding his connection to this mortal from him.

Regardless, I don’t doubt that Daniel was less fearsome in San Francisco than he is now in Dubai. (The show’s insistence that an elderly disabled man is just as powerful in his own way as an immortal vampire is perfection, and it makes me want to kiss all the writers on the mouth). He’s even less controllable by Armand than he once was (if he ever was), and he’s intent on finding out Armand’s truth, and the truth of their connection. I was really struck by Assad saying in an interview that the thing that Armand wants most is acceptance. He craves love and acceptance, but is terrified to show his real self and be vulnerable. Thats why he’s continuing to play stage manager to Louis’s love. But Daniel is coming for his true self in Dubai whether Armand wants it or not. And I imagine that is both extremely confronting but also ultimately attractive to Armand.

I deeply hope we get to see Daniel crack Armand’s sense of control. I hope we get to see Armand being vulnerable to Daniel and Daniel being receptive to that. I also hope we get to see Daniel facing down Armand as the source of his trauma (because being stalked, bitten, and then having your memories forcibly repressed is trauma, even if Daniel was attracted to Armand through it). I hope we get to see the way that trauma and fear and desire and love intermingle. And I also hope that when Daniel breaks Armand’s sense of control and sees his true self, he still likes what he sees. Because I would like Armand to get that acceptance from someone, even when his worst tendencies are laid bare.

(Oh, and while I’m making predictions- I’m not worried about 70s Devils Minion not happening, or them interacting in the 70s but it not turning into some form of romance. There is simply no better way to add stakes to the Dubai iterations of the characters than to give them this hidden history, and Rolin has talked extensively about needing to bring Daniel into the story in a personal way and crank up the conflict happening in Dubai. The penthouse is no longer just a framing device, but a site of active conflict and growth, and the only way you do that is exploring past and future DM dynamics. In ep 1 it’s still mainly acting as a frame, but I’m really excited to see its importance grow over the season).

Armand is such an intriguing mystery, but if I’m right about some of this stuff I actually relate quite strongly to him too. (I am reminded of a Brennan Lee Mulligan quote, where he describes characters you love/play as being garages attached to your actual personality of a house, and sometimes some piece of writing or improv shoots a sniper rifle perfectly through the garage door into the house and hits you in the heart)

@bluedalahorse warned me that this is how you really get stuck on a ship, when you see pieces of yourself in both characters, and I do fear that she is right.

So we’re really in it now, is what I’m saying. Send me your Armand thoughts, I want all of them. I will be counting down the days until episode 5 and obsessing until it airs. I’ll check back in on this meta later, I guess, to see how correct or incorrect I was.

#interview with the vampire #iwtv #my meta #devils minion #armand #armandaniel #daniel molloy

[thenameisgul]

The thing with Castiel is that he had a lot of storylines that had potential to develop, but were cut short for whatever reason I don't understand: like Godtiel, humancas. For example, with humancas, an entire season could be devoted to exploiting that, it could be a separate storyline unrelated to Sam or Dean, he could meet other angels and have to solve problems himself. etc. But no, they abandoned it after a few episodes, for what? to make Dean not look like an asshole for abandoning Cas when he was most vulnerable, so as not to divert the audience's attention away from two brothers? I have a feeling the writers kept Cas/Misha around because of his popularity with fans, but never gave him the status he deserved for a character with so much potential and importance to the story line. I'm only in ss10 and heard that Cas is treated even worse in the later seasons, I don't know if I should continue watching or not.

Listen if there's one thing I realized pretty early on when I was finally watching season 7 after a decade long break, was that in the Supernatural universe, there was no other character that was as interesting and multifaceted as Castiel.

The second thing I realized was that it was not a very good thing for the showrunners to have a supporting character be like that when your entire show revolves around two brothers.

The reason they killed off Castiel in early season 7 was because they wanted the show to go back to being about Sam and Dean and with Apocalypse over, they didn't know what to do with Castiel. But clearly, he was too popular and they brought him back because the network itself told them to bring him back.

Now, a good writer would've been able to find a balance to keep Cas' story relevant and entangled with the Winchesters, as they did in season 6 but with Kripke leaving the show and new management in the writer's room, that didn't happen.

I almost, almost get it? Like, you have your story, you have your lead characters and people love them but suddenly you bring a supporting character who becomes an instant fan favorite, who's, debatably, a lot more interesting because of the history you gave him but never intended to explore and now he's sticking around so you just don't know what to do to make him not take over the narrative? You make him weak.

Cas couldn't have stayed the badass, powerful angel who's lived for a millennia because then that'll require the show to have villians even more powerful than that to be any competition and that leaves the Winchesters irrelevant.

So they tamed him down alot, which in itself wouldn't have been such a bad thing, especially if they went with the human!cas arc for longer like you said but to do that would've meant they couldn't use Cas as an easy way out of all winchester's problems and they needed that too so 🤷‍♀️

My main problem with all of that, mostly comes from the fact that, and I may be wrong here, but it seemed like the writers actively resented misha/castiel for being popular. Like he was, in misha's words "a foil to the boys" and while the writers couldn't let him go because the show would lose ratings, they actively diminished him. The random demeaning comments about Castiel from other characters, especially, from dean seemed a little too pointed. Not to mention how the producers actually publicly said 'misha wasnt a good actor' when he's literally one of the best actors on the show!

So yeah, if supernatural had better writers, or atleast if they kept hold of the good ones (because there were some good ones) they could've given Cas and the show a better story.

I hate to say it but they did it to Sam too. Sam was such an complex character but they just stopped trying after a while with his character. So I guess it was a theme with these writers.

And as a Castiel fan, its frustrating, I gotta say that. But you know what the best part is? that no matter what they did, how dumb the storyline they gave him he still came out as the most interesting character every time. So there you go.

So I'd say watch the show, its really good when it gets good or maybe just open Misha's page on Supernatural wiki and only watch his episodes if that's your thing because tbh, you wouldn't miss much if you left the rest. lol

#supernatural #castiel #destiel #dean winchester #misha collins #spn #sam winchester

[miraculouslbcnreactions]

How would you have handled the other miraculous holders?

I would have massively cut them down. The season two lineup was fantastic, though you could get away with two or three more. Eight really is about the max you can hit for a team before you start bloating the characters assuming that you're only dealing with one central group. If you're dealing with lots of side teams, then things get more complex.

There's a concept in writing called "Kill your darlings," which I'm only mentioning so that you have something to Google if you want to know more than what I'm about to tell you. The basic idea is this: to tell a good story, you need to be willing to cut things you like if they're detracting from your overall story.

As a personal example, I really like Juleka and Rose. I think they're cute and I like putting them together as a couple. But narratively speaking? They don't matter. You could cut them from the story and nothing would change because they're just casual friends to Marinette and Marinette really doesn't need more close friends for the stories I want to tell. Add in the fact that Purple Tigress and Pigella have awkward power sets that aren't all that interesting and, yeah, my love for these two does not override the fact that they have no place in the stories I want to tell. So I find ways to mention Juleka and Rose from time to time and I use them in a scene when I can, but most of the time? They're not in my stories because the goal of my stories is usually love square shenanigans and not showing off a cute healthy sapphic couple.

Similarly, the goal of Miraculous is the tales of Ladynette and Chatdrien, so the focus needs to be on them and these extra characters are really not needed. A fact that's super clear because of how underdeveloped the side heroes are. Most of them get a single recruitment episode and that's it. There's no build up to establish them as solid heroes, leading to them eventually being chosen. It's all shoehorned into 20 minutes and then largely ignored after that. I mean, Nino has been Carapace since season 2 and he's in a mere handful of episodes, none of which are all important character moments outside of his initial debut. The only temp heroes with anything interesting going on are Viperion, Queen Bee, and Rena Rouge/Furtive.

If I HAD to include the other holders? Then I would have massively cut back the love square content and come up with ways to power up the butterfly so that the extra heroes felt necessary. I might have even brought in additional forces of evil to battle. I also would have given the various team member clearer roles and given them their miraculous full time because you really do need to make massive changes for the team setup to work.

Team shows are wildly different from dynamic duo setups. Compare Kim Possible to Teen Titans and think about how different the focus is. Kim Possible has two very clear main characters while the supporting cast takes back seats. Teen Titans doesn't have a clear main character. All five Titans are given a chance to shine as the main character shifts from episode to episode and even season to season with each Titan getting a chance to be the center of an ongoing plot. If you want to have a team while keeping Chat Noir and Ladybug at the center of the story, then you need to build that team around them which you really can't do if you have a massive team of 18. A smaller team, though? You can make that work. For example, I still think Chloe's recruitment should have been a chance to give Adrien a character arc around boundaries and trust because it's really hard to jump into parent/child conflicts. Starting with a best friend one with the same vibe is a much easier path.

#ml writing critical #ml writing salt

[thethingsweneversaid]

I honestly don't get how the people that think byler isn't realistic because they would need a lot more time to build up their relationship for it to make sense, are the same people that think Will getting another random love interest out of nowhere is super realistic and what they hope for

#like Will suddenly having another love interest wouldn't need a shit ton of build-up #or do they just want a shallow side character thrown in at the end for will to suddenly be head over heals for #throwing away all the scenes showing how deep and real will's love for mike is #do they not want one of the most important characters to have a love interest the audience actually would care about #also byler doesn't need build up like at all they just need to explain mike's behaviour #byler endgame #byler #stranger things #mike wheeler #will byers

[wavebiders]

Thinking about how most of the time when you have the option to stay quiet during a companion quest you get approval for letting them handle it and sometimes even get disaproval for talking over them

And then with Shadowheart's quest speaking up with Viconia not only gives a +5(while *keep silent* gives nothing) but also if you don't do that she will look genuinely scared when Viconia asks you to hand her over

#girl just wants someone to love her and stand up for her😭 #I've been choosing to stay silent for all my pt's since I'm so used to letting the companions handle their own quests #so I always get the scared look at Viconia's offer #which is heartbreaking but makes perfect sense #she's spent most of her life being used and abused by her caretakers whose love was so desperate for #of course when confronted with that trauma she's gonna have a moment of doubt in regards to the person she loves now #but turns out just standing up for her beforehand cuts that panic short! #anyway I just think it's a very interesting character detail that having someone vocally have her back #is more important than leading the confrontation herself #bg3 #shadowheart #also not to get overly self-indulgent #but you know that one poem about how to the author being butch means this feeling of chivalry towards other girls? #that feeling is part of why this romance works so well for me #Shadowheart isn't weak and she is the hero of her own story #but you do kinda get to be her knight in shining armor so to speak you know? #larian did a great job of balancing that with still making sure she has enough agency and stands on her own #and without ever making it feel like the romance is mainly geared towards men #I appreciate that

[vaugarde]

havent read tbc but i think its so funny how shadowsight seems to be popular to the people i follow just because “the narrative treats him like all the female characters do so hes an honorary girlie”

#and by ''how the narrative treats him'' they mean badly ofc bc apparently everything is blamed on him repeatedly #w no one realizing that he was manipulated and the narrative being retconned just to say hes actually a screwup who was never good #and everything genuinely is his fault bc why else would he listen to an evil cat in starclan #like. damn that really is something theyd do to a female protagonist #also the only ppl ive seen hating on him do it for boring and stupid reasons so im inclined to like him out of spite #bc ''he has an ILLEGAL name in this universe. hes a TIGERDOVE kid. hes a FANFICTION made REAL'' ok well hes the most interesting one. so. #not like anything he actually does in the narrative it seems. plus the other two protags sound boring as hell #''oh im sad i couldnt get w the boy i like. now i love another guy but its forbidden. oh and my leaders possessed ig.'' #''SIGH i wish people didnt compare me to my cringe OUTSIDER dad. also i see ghosts and i hate this its cringe'' #''also my sister is a legacy name after an important character from the previous arc but who cares'' #and then shadowsight is like ''since i was an infant i had excruiciating seizures and visions. i threw myself into a river as a sacrifice #i am suicidal. i got manipulated by an evil man into possessing my great uncle. everyone outwardly wants me dead for it #everyone blames all of their problems on me and expects a lot from me. i got demoted for it. my only support is my close family #and even then they have to suffer the extreme guilt of not being able to help me with literally anything #also the antagonist wants my mom dead for my own existence. i have lost so much #i am literally blamed by god for everything thats happened to be despite being used by them since i was an infant and thats where my story e #ends'' #like fuck. yeah he is an honorary girlie to me. i barely know u man but like i support u. cmere be my pet cat #echoed voice

[welcometogrouchland]

Lesbian Stephanie Brown...oh you're so real to me

#ramblings of a lunatic #on the one hand do i think her genuine romantic interest in Tim is a really important part of her early character??? #yes it contextualises a lot of her behaviour especially when you compare Tim to other men in her life who treat her far more poorly #ON THE OTHER HAND #do i think her strongest most fulfilling and most equal (and homoerotic) relationships are almost exclusively w women??? #yes #do i think steph is often a victim of her role as tims love interest meta-narratively?? YES very much so (thoughts still cooking tho- #-bc i have read a lot of her appearances in robin but not all of them and not in order) #do i think that it only hits so tragically bc she genuinely likes him and wants to belong in his world (for reasons beyond tim as well ofc) #so. you see it's very complicated #like in terms of being supported by textual canonical evidence she's bi and i love that reading a lot #this is just personal to me as a dyke steph brown enjoyer. i recognise it's not the most coherent interpretation thematically #(also either way I'd like to say. steph brown transmasc. not necessarily based on canon evidence just An Idea) #(and in my mind she's specifically the kind of transmasc lesbian that is transmasc in part bc of their relationship to their lesbianism) #(yknow?) #anyway

[bumbleblurr]

I gotta hold myself accountable to when I'm making content that's not really based on canon at all, so I remain self aware & whatnot, but I still occasionally think things like "but blurr should be arcee's number one fan 🥺.... bc i said so........"

#🐝 could you repeat the last part? 🟦 #i make a good effort to stay self aware bc i dont want to lost in fanon delusion. i cant let that happen to me #also it would be hypocritical of me to go ''i dislike this fanon it has no basis in canon'' #when i also like making up shit if it's interesting #so i make it clear that im just picky abt hcs and stuff like that #for me to enjoy them they gotta contribute something interesting to the source material but not come out of left field #and i dont rlly care for edgy stuff if it doesnt rlly serve much purpose #so i dont rlly care for hcs like ''bee is ACTUALLY megatrons great nephew once removed !!!!!!!!!!!!'' #they do nothing for me i just go ''man i dont care'' and turn around #like thats just personal taste though and im a notoriously particular & picky person so. who cares what i think u get what i mean #though u should care abt arcee fanboy blurr bc its good and awesome alright /hj #IT THINK ITS FUN AND CONTRIBUTES AN INTERESTING TAKE ON CANON ... #bc blurr admiring arcee 1) makes sense bc arcee is genuinely a badass & literally worked in the same division he does #2) brings more focus to the parallel between them about how they got seriously injured in ways that impact their most notable qualities #(arcee having her memories wiped when her mind is one of her most important qualities as a school teacher & intel agent) #(blurr having his body damaged & handicapped when speed achieved by his physical athletic ability is a defining part of his character) #3) solidarity in that trauma baby. and arcee can be blurr's gramama (applause amazing brilliant we love to see it) #and also who doesnt love to see blurr having girlbosses idols. arcee inspires him to be a girlboss too #see this is how ridiculous i am i have to have these detailed thoughts abt hcs i cant just go stupid #no i cant change this about myself btw #i am pretentious at heart i have to be like this with media i enjoy #but still i always try to indicate that i am aware that my hcs are just fan interpretations of stuff so i dont like #accidentally come off as me forcing my ideas of canon onto other ppl like. this is just my lego city that im building i know of my bullshit #though i still do draw deep lines for things like . blurr being social (shudders)

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

#bg3 #baldur's gate 3 #astarion #anyway ... after dragon age it feels so mindblowing to have writers who aren't apologists for their characters

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

#tt talks writing #tt talks drawing

[ao3commentoftheday]

Do you have any advice and how to write a long fic?

I'll encourage long fic writers to add on in the notes, but as someone who tends to prefer short and medium-length fic, I'll tell you how I go about it.

Get a premise that you just absolutely love. You're going to be writing this thing for months, if not longer, so you want it to be something you're willing to spend a lot of time thinking about.

Embrace subplots. You'll have your main plotline that you want to see through from beginning to end, but you can also weave in some subplots here or there. The way I do this so that I don't get lost down a rabbit hole is that I always make sure that every chapter has at least 1 thing that moves the main plot forward and then if I want to spend 1-2K with some side characters doing something fun I can do that as well. Subplots can extend for the length of the full narrative, but they can also just last a chapter or three. If you're used to writing short fic, these might give you that familiar feeling of "completion"

A chapter is only as long as it needs to be. Don't get hung up on having a consistent chapter length. Don't get hung up on hitting some arbitrary number every time. Instead, figure out what the next part of your story needs to include and write however many words it takes to get that chunk across. Varying your chapter lengths is a normal thing to do and not something to stress about.

The next thing that I find important personally may or may not be relevant to you, but I find that I can't plot anything in much detail. If I get too into the nitty gritty with my plotting, it just feels like I've already written it. I need to keep it at the level of "And then A and B meet C and hijinks ensue." I can figure out the particular hijinks later. It's the characters meeting up that's the next important thing for me to figure out. Getting too far ahead of myself is a death knell for me in writing long fics, but there are other writers who swear by it. Test out different ways of approaching it and see what works for you.

As someone who tends to write more briefly, another feature that's common to longer fics is more extensive descriptions. People spend time painting visual pictures of the setting or the characters or the actions that are happening. Write the more bare-bones style that focuses more on dialogue (if you're like me) and then go back and read through what you've just written and see if there are opportunities to add in more detail. This can lead to some really interesting characterization choices and also help you out with worldbuilding.

When it comes to worldbuilding, you don't have to get it all on the page. You just need to share what's relevant for the reader in that moment and what is useful to lay out now so that it's already there in a future chapter. You can have an encyclopedic knowledge of how your world works in your head, but it's not actually necessary. No one is going to be quizzing you later - and if they do, you can always figure it out at that point.

Most important for me when I'm trying to get myself to the end of a longer fic, have a friend or a group of friends who are also into what you're writing - or at least willing to hear you get excited about it. Being able to get excited about your work is so important. It's like a bottle of water being handed to you on mile 10 of a marathon.

#asks and answers #long fic writers go! #and short fic writers who have successfully written long #how did you go about it? #long post

[adelheidvonschicksal]

*:･ﾟ✧*:･ﾟ It's Like That *:･ﾟ✧*:･ﾟ

You decide to accept Itadori's invitation to the movies. It turns out better than expected.

Pairing: Itadori x GN!Reader

CW: Fluff, SFW, hand holding, potential friends to lovers, it's technically a date 💕

“Do you guys want to see Human Earthworm 4 with me?”

The three of you minus Itadori, who posed the question, share a lukewarm look. You’re on the edge of the shopping district, trying to decide what to do after your mission, if anything, and that’s the first idea that floats out amongst the group. 

“What’s it about?” Nobara asks.

After Itadori explains the horror romance, there’s even less enthusiasm amongst the group to watch the movie with him. Sensing this, he ups the bargain.

“I’ll pay.”

You wince when you see Fushiguro pull out his phone. “I don’t really have the energy to sit through a movie,” he excuses himself, fingers going a mile a minute to escape the situation of friendship for today. “I’m going home.”

Your broody classmate holds his ringing phone to his ear and briefly glances at Nobara.

“I’m going to hit up the shops," she responds to his silent question.

Megumi leaves the three of you behind in no time flat. Nobara only stays behind long enough to ask if you want to go shopping with her. While you normally love to go with her and are in dire need of new shoes, you notice a lonely sullen shadow building over your slit-cheeked classmate and throw up an apologetic smile to her. 

“I think I’ll go with Itadori-kun today.”

You miss the way his head perks up as you wave her off. Before you have a chance to collect your thoughts, Itadori is already on top of you, his fists drawn in front of him excitedly and chestnut irises filled with happy stars.

“You’re going to love it,” he tells you. It’s cute how he nearly shakes with excitement, you can even hear it growing in his voice and shining in his eyes. “It’s such a good series! I mean, I know it sounded weird, but it’s so much better on screen that— forget any of what I said, you gotta see for yourself!”

He wastes no time taking off in the direction of the theatre, and you jog to keep up with the speed of the Tiger of the West. It isn’t until he notices you lagging behind that he slows up to grab your hand and pull you with him.

“Come on, come on, we don’t want to miss the opening.”

“Is this one of those movies where I need to see the first three to know what’s going on?”

“Well, there’s a few returning characters, like Dr. Richter, but I can fill you in on the important stuff so don’t worry.”

When you get to the theatre, Itadori immediately jumps in the ticket line, huffing in relief when there are still seats available. You begin to pull out your wallet but pause when he hands you a pink paper ticket.

“I told you it’s on me,” he reminds you before going down the line and ordering a large popcorn, two drinks, and beating you to grab a packet of candy that you were staring at for two seconds too long. 

He hands the bag of sweets to the cashier to scan. “And this please,” he asks before handing the candy to you. 

“That’s okay,” you tell him, but he laughs it off.

“It’s fine. That’s your favorite, right?”

You shyly nod and hold onto the envelope of overpriced candy like it’s the most precious thing in the world causing the cashier to smile at you as she finishes preparing your items.

“Aren’t you two the cutest,” she comments. 

You squeak quietly at her comment, crumpling your candy in surprise. It’s not a big deal she mistook you as a couple, it’s not like Itadori was someone you didn’t like after all, and it’s not like there was any need to correct her but you didn’t know if he felt the same way about the situation. 

Curiously, you look at him, waiting for him to make the decision on the matter. Surprisingly, he blurts out a quick and happy, “Thanks!” before moving on to fill his drink.

As you watch him, you fight the urge to ask why he didn’t correct her; and when you notice that he’s way more interested in finding the right theater, you decide he must have said it because it wasn't worth a fuss.

The two of you get seats at the back of the theater, and you shift over people carefully to avoid falling into Itadori’s back as you find your seats. You can finally relax as he sets the bucket of popcorn on the armrest between you.

Soon enough, the movie begins to play.

It starts off like every normal horror movie. A mad scientist, a hapless victim, and an escape followed by a romantic subplot of the human earthworm discovering that the woman he met indeed loves him even if he is a worm. 

That’s about as much as you can keep up with. There are too many easter eggs that keep flying over your head and too many callbacks to the previous movies in the series. Itadori does his best to try to help you whenever you whisper questions at him; but eventually, you’re too distracted by the couple in front of you making out to pay attention to the movie.

It’s so obnoxiously grotesque, their arms wrapping around each other and a soft moan every so often that’s drowned out by the guttural sounds of the earthworm children. You can’t really believe they’d do that in public, and why did they have to be so close to you out of all people?

Itadori looks at you and then finally catches on to what’s making you squirm. When he does, a faint hint of red starts to coat across his nose, and he becomes equally uncomfortable. 

Deciding to make it a little better for the both of you, you nudge him then make a silly disgusted face with your tongue stuck out to mimic a gag. You’re rewarded with a snicker from him and his own silly face in turn, and it makes the awkwardness of it a little easier to take as you try to focus back on the movie.

It’s another half hour in before you wonder exactly how the hell are they still going at it. 

“Society really needs to bring shame back,” you think before a warm breath hits your ear and fans down your jaw. 

You nearly jump before the smooth sounds of Itadori’s voice greet you. 

“So, that guy—” he begins but you’re way too focused on how close he leaned into you this time, how low the timbre of his voice goes to keep from disturbing those around you. It makes your feet curl in your shoes and your breath catch in your chest when his shoulder connects with your arm.

You feel heightened to his presence and the heat of him so close. It wasn’t like this earlier, but your heart is racing and your skin tickles the more he whispers. You think he’s so close that he could almost kiss your earlobe. 

It’s a path that you didn’t know you had in your mind, and it leaves you rattled as the smallest brush of pink hair hits your skin as he straightens back up and reaches for another handful of popcorn. 

Every time he touches your arm after to get your attention or your hand scoops by his in the popcorn bucket, you start to become flustered and jittery like a child after too much sugar. 

It lasts until the movie reaches its apex.

There’s a combined scream that fills the theatre, and you tense at the splatter of blood hitting the camera, leaving the few remains of your popcorn scattered across the floor as you unwittingly knock it over and squeeze Itadori’s hand tight. 

Your fingers slot with his and your fingertips bury against his palm, and it’s the only thing keeping you from bursting into a scream. 

When the lights flash back on, you notice how pink his hand looks under your tense hold and mumble out an apology. 

“Oh, that?” he asks followed by the same charming laugh as always. “It was pretty funny. You should’ve seen your face, like a blowfish,” he comments, teasingly mocking your blow-eyed expression as everyone around you begins to exit. “I never took you for a scaredy-cat.”

“You’re one to talk. You screamed in my ear at least a dozen times,” you remind him as the two of you also make your way towards the exit doors. “Sounded like you were on fire.”

“Don’t say fire in a theatre!” he scolds with a hiss.

“You said it louder.”

“To remind you not to say it!” 

You giggle at how offended he sounds as you break out into the light of the late afternoon. You walk with Itadori back to your pickup spot on the edge of the shopping district. It’s surprisingly quiet especially considering who you’re with, and it makes you worry a bit. 

You thought Itadori would be more excited after watching the film and practically forcing you to run 500m dash to get there, but he’s barely said two words about it since leaving the theatre, briefly mentioning how he’s still glad they used a real costume for the main earthworm instead of CGI.

But since leaving, his mood seems to have dampened. You thought about bringing something up from the movie, but you couldn’t really catch more than a few bloody scenes and a little evil monologuing from Dr. Richter outside the moments when Itadori would have your attention, with his voice in your ear or his hand excitedly clasping around your wrist each time he enthusiastically info-dumped a scene to you.

“Hey, um,” he begins piquing your interest. He seems to lose his nerve when you catch his eye; his gaze flutters to his feet before nervously picking back up to glimpse at your face but only for a few seconds. “Thanks for coming with me.”

You smile. “Don’t mention it. It was…different.” 

“Yeah,” he agrees but he still seems down. 

“Itadori-kun? Is everything okay?”

“Yeah…It’s just…I could tell you didn’t really like the movie. I mean I knew from the start it wasn’t really your thing. You and Nobara usually like to shop together more than watch horror movies. But still—” he breathes in deep, a shy color blossoming across his face. “It’s been a while since it felt like I did something normal, so it was really nice having someone to come with me. I appreciate it.”

There's something about his explanation that makes your heart hurt. He hasn’t been a sorcerer that long yet; and coming from being a normal kid to the world you were born into was probably scarier than you all could understand. 

“It’s not that I didn’t enjoy it! I just couldn’t really follow the story between that annoying couple smacking the whole time, and I felt like I barely follow anything at all!” you reason with him, but he still has that kicked puppy look on his face. 

You sigh with soft empathy before offering him a reassuring smile.

“Hey, Itadori-kun, you know I think I’d like to come back and see it again with you. After we watch the first three movies of course."

He gives you a curious look, his eyebrows raised with disbelief. 

“Really?”

You give a cute and short nod. “Mhm! I can’t really give it a fair chance if I haven’t seen the ones leading up to it. Besides, I want to know why Dr. Richter was trying to kidnap the baby H.E.s in the first place? Couldn’t he make more Enhanced H.E.s from the DNA left from the original experiment victim like he did at the beginning of the movie?” 

It’s like you open the skies back over him when your words sink in, and he moves so happily, speaks so fully, and it makes you happy to see him simply be happy. 

“They explain it so good in the third movie,” he says, unable to hold in his excitement. “I know a great site, it has subtitles and everything, and a special director’s cut at the end of the second movie.”

You laugh. “Sounds good!”

“We should pick up some more snacks; the original is actually pretty long,” he warns and starts to lead you towards the convenience store. Your smile only breaks when you feel the tug on your arm and look down to notice his hand still fastened around yours. 

You freeze, feeling your face warm a bit when you realize he’s probably been holding it since before you left the theater. This makes him pause and turn towards you.

Softly, he calls your name and asks if you’re okay, making you drop your head bashfully.

“Oh, it’s nothing really but you’re still holding my hand,” you point out.

Itadori looks down between the two of you and confirms that his fingers are still locked with yours, a comfortable fit.  

“Huh, oh, I guess I am,” he states matter-of-factly before he blushes. “Oh, it’s probably all gross and oily right? Yuck.”

You shake your head. “No, it’s not actually,” you correct, making no move to force him to let go because you honestly don’t want him to stop this good feeling pouring from him into you through the simple act. 

Your soft expression makes his cheeks warm for a different reason this time. 

“Oh, well, w-we should probably hurry,” he stammers out, and your hand tightens around his hand just a little bit more as you agree and find the closest convenience store to prepare for your first movie night. 

*:･ﾟ✧*:･ﾟ

Nobara stops outside the convenience store, hand to the glass as she stalks back and forth, trying to catch glimpses down the aisle. 

She could have sworn she just saw the two of you walk in from the other side of the street, and she was going to come to say hi – partially to ask how the movie went and partially to make Itadori carry her shopping bags if the two of you were done – that was before she noticed how close the two of you looked.

Weirdly close. 

When she finally catches you in the foggy glass, hand in hand, looking at the mini gacha inside the store, she gasps and quickly shuffles her bags around in search of her phone. 

Kugisaki quickly scrolls through her contacts, impatiently tapping her foot as she waited for the line to pick up.

“Fushiguro get here quick,” she harshly whispers into the device.

There’s a lazy voice on the other end asking what she wants, and she vaguely explains the situation to be met with resistance.

“Well then have Ijichi drop you off again! What do you mean ‘No’?" she growls. "Shut up and listen to me. They just went into 7/11. Ugh. Fine, fine, I’m sending you some pictures,” she argues. 

Kugisaki quickly starts to snap some pictures through the glass and frantically sends them off before bringing the phone back to her ear.

“That’s what I’m saying so hurry up and get here! Yes, it’s like that!” 

#itadori x reader #yuji x reader #jjk fluff #jjk x reader #yuuji x reader #jujutsu kaisen x reader #yuji fluff #itadori fluff #gender neutral reader #tbh i love horror movies and wouldve honestly went with him #yuuji itadori x reader #itadori yuuji

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

#hanamusa #hanamusashipping