Fuck it I’m speaking my truth. Boobers y’all gotta stop being unnecessarily mean to ConnorEatsPants. I’ve been going through his sf6 vods and every time he references being ostracized and harassed by twitter users, my heart breaks. Connor even said that he no longer mentions being friends with Ranboo and other creators because he doesn’t want boobers to start hating Ranboo for it.
And he’s right btw. Remember when there was a possibility Connor might be in genloss? Instead of being excited or just saying nothing, boobers began linking threads on why he’s such a horrible person and how his inclusion would ruin the project as a whole. We don’t even know if he was joking or not, yet you all still celebrated when he didn’t appear in episode 2. I’m pretty sure Connor will never publicly interact with Ranboo or this community again after the way you all treated him. That’s really fucked guys.
While I understand the want to “hold people accountable” for their past actions, 1) it’s not your responsibility to hold people accountable over the internet and 2) judging everyone on their past mistakes alone is a very dehumanizing and hypocritical way to view other people.
Why is this community all about treating other with respect and kindness, especially when they’re on the spectrum, but Connor is the exception?
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i know im an overemotional, overreactive pathetic little wimp about my hyperfixation, and i dont even mean that derogatory, i think its both my best AND worst quality, im well aware of it, especially in moments when im already stressed i have a hard time to get my brain back into control, im so well aware of it that i HAVE been managing to learn how to deal with it actually
which is why, instead of letting myself spiral any further, i went to bed to let my brain calm down
and it worked!
i still hate the live action zelda thing, i still think it WILL be bad, and it will still negatively affect how i feel about the franchise as a whole, i am not spiraling out of control about it though, which i think is a win in my book, some people hate that i say my opinion at all though, more on twitter than here so hey, im grateful to not be called pathetic to my face bc i said something someone might decry as too 'weird'
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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A thing I keep coming back to when thinking about Calamity is how, in another story, Zerxus and Laerryn would have been heros. Like we talk about villain-coding our characters but in some cases that can be so dependant on what the in-story environment is and also what genre they exist in.
Zerxus, especially-- I feel like in young adult fiction and nineties/2000s sci-fi movies, the whole point of the narreative was demonstrating that large systems/institutions cannot be trusted, especially those that provide you with one narrative that you're meant to adopt as your history and is meant to inform your entire belief system. If Zerxus had done exactly what he'd done in a dystopian novel/movie, listened to someone who society told him was bad, didn't fully trust him but gave him an opportunity? He'd be the change agent that revealed the dark truths of his society and we'd all be cheering for him.
Laerryn I would not call a hero in a different context, but I also have a hard time reading her as a villain even within the canon (but I'm biased). What I will say, is do we all remember that Star Trek (or similar space opera show of your choice) episode where the secret project that somebody was working on saved the day? Or countless pieces of media where acting instantly and thoughtlessly to save someone you care about is romanticized? Yeah.
Anyway, disclaimers, this is purely my own reading of the text, I'm probably wrong, I am not in any way saying that what they did didn't have horrific consequences. I am just saying that if we scooped up at least half of the Calamity gang and plunked them down in a different genre and they took the same actions, they'd be the good guys without question.
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