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#digital media history
deathcupcake · 2 months
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I had one of those days that makes me realize how much of my work experience existed before my current staff entered the workforce.
The employee who is 25 years younger than myself asked a simple question today - one that I'm sure she didn't realize would make me laugh.
She was answering a publisher inquiry about photographs that were sent for publication. The publisher wrote back to say that the author of the book had sent low resolution images and to please send high resolution versions.
My employee was desperately trying to find the images. We manage a repository of 4 million+ digital media files, and a sister unit manages a repository of at least that amount, plus several million undigitized film negatives/positives, but she could only find the low resolution images in either repository. So she asked for assistance.
I took one look at the year the images were taken and started giggling.
I had to explain to her that these photos were taken by a digital camera. In 2001.
I had been working here for 11 years when these photographs were taken. I remember them, I remember the event, I remember that our place of business was still officially using film because it would take several more years for digital cameras to be of a sufficient quality to match film quality (I believe we finally switched over to fully digital around 2005/6). But these photographs were digital only because event photography was usually taken for the business records and therefore did not have to be preservation quality (not that we called it that back then, but you get the point).
Hell, even most of the photographers that captured the events of September 11, 2001 were still using film. Film was the standard medium back then.
So I informed her that this "low resolution" was the maximum the camera could output, and what the book publisher has IS the highest quality that ever existed. Thanks to our metadata, we know it was taken by a Fujifilm digital camera with a whopping 3.1 megapixel chip.
Then I did the math. This employee was...six...when these photographs were taken. She wouldn't have ever experienced a world without the Internet, much less digital cameras, computers (and 5-1/4 inch floppy discs! cartridges! zip disks!), and maybe even cell phones. I doubt she had a walkman and probably not even a discman, given that the iPod debuted in 2001, and other digital music players were already on the market.
I do think it's funny, though, that I watched this whole rise and fall of analog and digital media consumer hardware happen, and so my understanding of the technical capabilities of the era are so internalized that I expect everyone to make the same inferences. Gotta check my assumptions. :)
And yes, I am old.
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enjymemink · 6 months
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Squint your eyes 🍉
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ukgk · 2 years
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【Mayura & Kuro Unyu】 Ver 2.0 Reference sheet
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throway444 · 12 days
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The Kingdom of Siam: Trade and Foreign Contracts in the 17th and 18th Centuries
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wearepeace · 1 month
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“The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science.” ― Albert Einstein
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frogboiart · 1 year
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Curufinwe
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robertmatejcek · 3 months
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Mission Control - digital media - robert matejcek - 2024
"The spaceman says, 'Everybody look down… It's all in your mind'…" - The Killers - Spaceman
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glitchphotography · 1 year
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Had to split my Joan Truckenbrod appreciation post into two because of the horrible Tumblr fold. But here are some of her pioneering works from the 80s using digital imaging and analog glitches:  “On Becoming“ (1984) “Rites of Passage“ (1984)
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littlekingbergara · 1 year
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it's so crazy how ryan's work in puppet history got him a role in the new ant man movie.
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lost-wits · 1 year
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Terminal Dream (III) by Tim White-Sobieski. LED video tube wall installation, three channels, 2003.
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pallanophblargh · 2 years
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Posting the state of the eagles as they are, before I go on a very well-earned vacation. Now with some adjustment levels, some shadows, and a branch for baby girl to perch on. They still need to be scaled (probably), and once that’s settled they’ll have their tails painted in/suggested. Also the branches at the back of the nest need a little more work done, and I think the cottonwood leaves need to be softened somewhat.
That said, I’m actually happy with where it’s at. And a little relieved that I’m finally near the end AND I’m feeling good about it.
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disordinarybeauty · 2 months
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Erasure in Art: A Critical Contrast
In the realm of art, the act of erasure is not merely a subtraction but a layered dialogue between history, memory, and identity. The juxtaposition of two distinct approaches to this act—ancient and contemporary—reveals the multifaceted nature of image erasure.
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Hatshepsut's Erased Silhouette: A Whisper of Sovereignty
In the year 1480 b.c., the ancient Egyptian Queen Hatshepsut's reign was marked by prosperity and monumental achievements. Yet, her successor Thutmosi sought to erase her from history, commissioning a stonemason to remove her image from a bas-relief. Despite the decree, the stonemason subtly rebelled, leaving behind faint outlines of her figure. This act of defiance ensured that Hatshepsut's silhouette lingered, a ghostly testament to her formidable presence. The erasure was incomplete, and the remnants served as a historical whisper, echoing her sovereignty through the ages.
Erasing as recognition and conservation.
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DISØRDIN∆RY BƏ∆UTY | Bæuty is Ch∆øs: A Glitch in the Influence
Fast forward to the digital age, where I am challenging the pervasive culture of social media influencers. In my glitch art series "DISØRDINARY BƏAUTY | Bæuty is Ch∆øs," I employ digital erasure to dismantle the curated selfies of Instagram's fame. The resulting images are chaotic yet intriguing, stripped of their original context and reborn as anonymous portraits. My work is a modern iconoclasm, an act of redemption for those marginalized by the unrealistic standards of beauty and success staged on social media. The traces left behind are not just remnants but new identities, celebrating the beauty in chaos and the unknown.
Erasing as rejection and redemption.
Through these acts of erasure, both artists engage in a silent conversation across time. One preserves a legacy against the tides of suppression, while the other liberates identities from the shackles of modern conformity. Together, they highlight the power of what is left behind—the enduring impact of what is removed, and the profound statements made in the negative space.
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With KOSA rearing it's ugly head, i decided to make a video on a passion project/archive I've been working on for the past year and why media preservation within fandom and fandom culture is more important now more than ever
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Definitely check it out. We need to start keeping our own little libraries of Alexandria and keeping receipts. They can't stop all of us.
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the-physicality · 3 months
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also: i didn't like the jerseys
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tiktok-singularity · 4 months
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“Social media platforms are falling apart.”
Users are now more interested in platforms like forums, discord, telegram and many other social platforms.
Where are we all off to next?
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netbug009 · 5 months
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GOOD EVENING THE AMAZING DIGITAL CIRCUS HAS BEEN NOMINATED FOR A MOTHER [%$👀!#]ING ANNIE AWARD?????
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