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#diane in general is lovely love that for her
bolly--quinn · 2 years
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once again long story short. great episode. fabulous episode. but wake me up when rick actually gives a shit about beth(s). thanks 
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lacebird · 1 year
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The Quarrel // Diane Di Prima
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freak-accident419 · 4 months
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Good Tidings
Josh Futturman x GN!Reader
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Summary: You and Josh barely have any time to yourselves due time traveling nonstop, trying to save the fate of humanity. However, being at the Futturman’s Christmas dinner party granted you two a fair amount of time.
Word Count: 2.9k
Content: 18+ Smut, MDNI, gender neutral reader (no genitals specified, it’s just vague penetration), cockwarming, lots of fluff, takes place during Future Man S1E6 “A Blowjob Before Dying”, too much shitty sex jokes n puns (im sorry) (not), giddy+silly+sweet love making, you think you are sooo fucking funny, more goofy than serious/lustful, you two are very much in love, more plot (high ass dialogue) than porn tbh
(A/n: Merry Christmas to those who celebrate!! Hope you enjoy this muahahaha and thank you all for your recent support! First smut written on this account, so be gentle with me please !)
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You, Tiger, Wolf, and Josh were at the Futturman household, schedule disrupted due to the reluctance of Josh’s parents. They insisted that you all join them for their small Christmas dinner party. You were all sat down at the dining table, as well as the neighbors, Josh’s Uncle Barry, and Diane’s friend, Wanda (who was especially invited to perhaps keep Barry at bay).
While Tiger was mostly impatient and displeased with every mindless convo and laughter, talk revolved around several topics like DNA kits or Wolf’s strangely fascinating culinary.
You sat beside your boyfriend, Josh, slightly nervous about the time you were wasting. Ever since you’ve been dragged into the whole ‘Biotic Wars is real’ and ‘kill or be killed’ shit, you and Josh have been dealing with the worst, unimaginable shit ever. With the two of your adrenaline wearing off, you gradually processed everything that’s happened the past few days since you were never given a break. Hence the hand holding under the table as you two would seek comfort from one another.
But you attempted to distract yourself from the deaths you’ve witnessed and the near-death experiences you’ve had to your best ability by indulging in every conversation.
“Gabe, honey, tell them about—about the recent fishing trip we went on,” Josh’s mother, Diane encouraged to her husband with her sweet, achingly kind voice. You had so much respect for Josh’s parents, so it was pretty easy for you all to hit it off well. They loved you. In fact, they were heavily relieved that Josh had finally found someone, let alone someone as amazing as you.
Gabe let out a hearty chuckle as he prepared himself to tell the table his story.
“So, a couple of days ago, Diane and I went on a small fishing trip. And I remembered an old trick back in the day that attracted a lot of trout,” he explained as you picked up your glass of wine, sipping some generously. Diane smiled at him with a nod as he continued. “One of the very efficient ways to go about fish bait is blowing worms.”
You choke on your wine, holding in a laugh, coughing a bit instead as Josh looks at you with a knowing smile. “I’m sorry, what?” You asked, trying not to grin too widely. Did you hear that right?
“Blowing worms,” Gabe repeated, getting a confined chuckle out of you and Josh. “You inflate the worms with air, which makes them float instead of having your bait be at the very bottom. It’s perfect, especially near the winter time. Worked like a charm.”
“Ohh,” you gasp in wonder. You chuckle to yourself before you spontaneously say, “Yeah, actually, I think I did do that a few times. Blew a-a worm.”
You looked at Josh, thinking you were being hilarious, but he looked at you with surprised eyes and parted lips of shock that slowly transitioned into a smile.
“Really?” Josh’s father expressed with intrigue. “I didn’t even know you fish. You have someone teach you that method, or—”
“Oh, no, Mr. Futturman, I,” you speak as you occasionally switch from looking at him to Josh. “I think it’s a very popular method. It’s a pretty natural instinct, you know? Blowing worms, that is.”
“Wow, really? Always thought it was an old-fashioned sort of thing.”
“Nah, far from old-fashioned, it’s almost contemptuous!”
You did pretty well at suppressing your laughter, because you sounded really earnest. Josh covered his mouth, amused by your subtle humor.
“Joshy, we didn’t know that Y/n likes fishing. We could’ve taken them on our trip. In fact, we could’ve all went,” Diane suggests as she looked at Josh and then you.
It was like everyone at the table was blind to your immature, yet humorous implication. Except, of course, your boyfriend.
“Oh, no worries, Mrs. Futturman,” you insisted kindly. “I don’t usually fish. Plus, blowing worms can be very exhausting.”
“Y/n—” Josh reacted, but interrupted himself with a suppressed laugh.
“You think so?” Mr. Futturman raised an eyebrow. “I just stick a syringe in them, inflate it, and bam, it’s all thick and ready to g—”
You and Josh burst out laughing, holding onto the table and each other. You swore there were slight tears coming out of your eyes as both of your faces were red. You felt overjoyed to feel happiness and delight for the first time ever since your involvement in the mission. And you felt even more glad that it was your boyfriend that you fooled around with.
“Sorry, sorry,” Josh says after his laughter died down as the entire table was confused. “I just—We just thought about a, um, moment when—Um… Actually, Y/n and I did go fishing once. Isn’t that—isn’t that right?”
You nod and go along with it, detaining your giggles.
“Well, anyways, we actually did that method, and yeah, you’re right, it works like a charm!” He exclaimed with joy as his parents smile at him with approval and pride.
“Bet the worm was pretty small, huh?” Tiger jumped in wittily, however, in a coldly nonchalant manner.
“And pathetic!” Wolf blurted.
“Hey, even if that might’ve been true—might’ve—it-it probably had a personality, you know?” He reckoned with a shrug, making you laugh again.
***
“You are—are fucking terrible, you know that?” Josh quickly muttered under his breath as you two continued to kiss each other deeply on his bed. “Those were my parents.”
“C’mon, baby, admit it, it was comedy gold,” you giggle, pressing your lips to his once more by tugging his black, skinny necktie towards you as you remained sitting on his lap.
The dinner party was still going on downstairs. After a long time of looking at each other longingly at the table, you two decided to excuse yourselves in order to “prepare gifts for Josh’s coworkers that he forgotten to wrap” in his room.
When you guys rushed in his room, you couldn’t take your hands off each other, immediately making out once the door was locked. However, you then had to close all his blinds before you met him back on the bed. This wasn’t new to you, none of it was. The soft, warm orange that his room’s light emitted strangely comforted you, as well as being back on his soft, spacey mattress.
Was it a good idea to leave Tiger and Wolf alone with Josh’s family and company? Probably not. But you’ve taught them enough shit. They tolerate Josh’s parents, so why not a few other guests as well? And you’ll only be gone for no longer than five minutes, you’d hoped.
You bring your hands to his pants, attempting to unbuckle his belt. “Shit—What the—What the fuck is this?” You grumble, Josh laughing at you as you struggle.
“I think it’s—” He giggled, bringing his own hands to his belt, trying to remove it, pulling. “I think it’s stuck.”
“What the shit?” You wheeze. “Fuckin’—Fuckin’ cock block!” You continue to mess with the belt, trying your best to unbuckle it.
“Wait, you—you’re almost there, you—”
“Oh my god! Holy shit! I got it!” You let out a surprised gasp, quickly unbuttoning and unzipping his pants right after.
“Oh shit! Flawless victory!” He exclaimed, making you stop in your tracks, looking back up at him.
“You did not just quote Mortal Kombat because I successfully unbuckled your belt,” you raise an eyebrow, nevertheless amused by his dorkiness.
“Maybe,” he answered smugly.
“You’re lucky I am in love with you, otherwise, I probably wouldn’t have let that slide,” you chuckle.
“Oh, come on. You’d love my video game references either way,” he insisted.
“I’m serious, Josh, the amount of things I’ve let slide because I love you is kind of crazy. Let me just say, I am so glad I met you after the ‘apple juice’ incident that Ray told me about.”
“Ray told you about that?”
“He told me a lot of things. Mostly the embarrassing things. I think he wanted to freak me out, you know? Always thought I was too good for you.”
You pulled his pants off, throwing it carelessly down on the floor. Your lips attached once more as he snickered as you then cupped his face with your warm hands. You look at your lover, his big, brown, desperate eyes looking at you with utmost adoration. “Well, jokes on him, he was entirely wrong. You are so good to me, you know that?”
He smiles at you softly, and you could sense how flustered he felt to hear that (the blushing patently gave it away). “You’re the one who’s been on my side since forever. Even when you got involved in all this shit that you didn’t even have to be in. You-You could’ve called me crazy, and-and broken up with me, but you believed me and stayed by my side, even knowing that things were gonna get dirty. And they did, get really dirty.” Rest in peace Janis and Carl? Or, rather, die, you evil perf-cocks? Eh, doesn’t fucking matter. “You’re so good for me, sometimes I can’t believe you’re even real.”
You giggle sweetly as you give him another kiss, a quiet smack caused by your lips deftly leaving his own to speak. “Well, I’m here and I’m real, and I’ll always be there for you, baby,” you reassure. You were perfect for him. Indefinitely.
He smiled blissfully. “I love you so much.”
You two made out passionately until you were laying under him, the lower halves of your bodies bare as you discarded the necessary clothes.
“Do you think your parents and everyone else knew about the worm thing or are they just that… I don’t know… clueless?” You asked endearingly under your breath as your fingers entangle in his soft, brown hair.
“Hmm. Possibly,” he reckons, raising his eyebrows as he thought about it. “That was still kind of evil of you, though.”
“Me, personally, I thought it was hilarious.”
“Blowing worms?”
“C’mon, your father set himself up for that.”
“Tiger called it small,” he muttered lamentably. “And Wolf said it was pathetic.”
“Jeez, whatever happened to personality?” You chuckle softly.
He sighed. “They still sort of called me out.”
“Shut up. It’s average, to say the least. Doesn’t matter either way, you’re enough.”
“But—”
“Josh, if it bothers you this much, then just prove them wrong right now,” you reply with a laugh.
“As in—?”
“Josh, c’mon, we don’t have time anyways. They’re expecting us any minute because of that shitty made-up story excuse. I love foreplay, dude, but I’m pretty sure we didn’t acknowledge the time at all. Quickies are definitely not our cup of tea. Y—” Your breath hitched as you felt his tip prod at your sensitive entrance. He gave you a soft, comforting kiss on the nose. You looked into each other’s eyes deeply, then your lips crashed into each other’s as the two of you stifled your moans once Josh finally thrusted in.
“Y-You know you’re p-perfect just the—mm—way you are, right?” You ask gently, wrapping your arms around his neck.
He smiled at this, kissing your lips once more, beginning to move. Your heart fluttered each second you felt him thrust in and out, slightly and satisfyingly stretching you. His hips moved quite skillfully, but also slightly clumsily, which was nonetheless admirable.
Your usual soft moans and gasps would be replaced by stifled grunts and sighs, due to the company downstairs. As much as you wanted the whole world to know that Josh Futturman was yours and only yours, you also had dignity—plus, it was his goddamn parents downstairs.
You giggled as you felt his nose against yours each rough kiss. “Y-You know, however, I think the only complaint I have about you is the fact that you hate Super Mario Bros.” You point out with a chuckle.
“Y/n, in my—agh—defense, it literally makes no sense. Like, why would there be pipes that are—”
“Okay, why rely solely on logic and rationality, hm, Futturman? I thought video games were all about escape. It’s all just harmless fun.”
“Yeah, well, I’m much more into games with thought-out plots and challenges,” he remarked, making you roll your eyes playfully. “Anyways, it pretty much just got ruined for me even more when Tracy at the video game store talked about Luigi having a very hairy, Italian cock.”
You raise an eyebrow.
“Baby, I love you. However, your goddamn dick is currently inside of me. Please do not talk about Luigi’s theoretic hairy penis.”
“Noted,” he assents, going back to kissing you passionately, while moving slowly inside of you, yet deeper with each thrust. You let out a quiet, pleasured gasp as you felt him fill you perfectly, his hands lovingly gripping your waist to keep you still.
Your eyes closed as you indulged in the feeling of his gentle thrusts, him peppering kisses on your neck, softly chuckling under his breath. He guessed he was still in disbelief that he had someone as amazing as you.
“I… I still can’t believe someone as perfect as you would ever go out with a loser like me,” he scoffed, pressing more kisses against your neck and jaw.
“Hey, seriously?” You frown, holding his face in your hands once more, stroking his cheeks with your thumbs. “You are… a lot of things, Josh. But a loser isn’t one of them. Okay? You are so kind and funny and caring and thoughtful a-and—m-mm—amazing i-in general.”
“I—Fuck. I—I don’t deserve you,” he panted.
“J-Jesus Christ, sh-shut your fuckin’ rathole. Yes you do, baby. You deserve me as much as I deserve you.”
It was becoming harder to focus on your words as you continued to feel an increased sensation and pleasure as his thrusts quicken and falter. You let out a small gasp as you tense things up by wrapping your legs around his waist to bring him in even deeper. You two had been speaking and giggling to each other constantly that you didn’t even notice the lewd, wet, slapping against the skin that came from each heavy thrust. Josh grabbed one of your hands, interlocking your fingers tightly on the mattress beside your head.
“J-Josh, I—” You begin breathlessly.
“I know, me too,” he grunts as soft, inaudible whimpers and whines leave his lips while the movement of his hips stuttered. His rhythm was becoming unsteady, but it was also increasing in speed. “I—Y/n, f-fuck, I’m c—”
“Sh-shit, baby, I—” You pant as you felt closer and closer over the edge, every mere feeling increasing your stimulation. You bring your hand to cover your mouth and suppress any loud moans as you finally released, the knot in your stomach undoing itself as you sigh afterwards once your hand left your mouth. Josh came exactly right after you as his hips jolted for the final time, spilling his warm, white seed inside of you, burying his face in your neck to muffle a high-pitched grunt and acute whines.
You two were breathing heavily, kissing each other’s lips softly and lovingly after you both came down from your high. You two never moved from your position, still fragile and sore. Josh caressed the side of your waist under your shirt, his head resting in your neck as you moved your hand to play with his hair, holding him in your arms.
“This is probably the only time we’ll have together alone before we have to continue with the damn mission,” you figured, tangling his strands of hair in between your fingers.
“It’s bullshit,” he mumbles, his thumb continuing to rub your waist.
“Enjoy the moment while we can?” You suggested with a small chuckle.
“Yeah, I guess,” he sighed dejectedly.
A beat.
“Hm,” you hum thoughtfully.
“Yeah?”
“Nothing, I just… I like it whenever you’re inside of me,” you comment softly. This was probably the most affectionately vulnerable and honest you have been with him. Your tone lacked any intention for humor or lust; you were genuine.
He lifted his head up from your neck. “Seriously?”
“I don’t know. It just feels right. You know, as if you were, like, made for me exactly,” you whispered lovesickly, looking down at his sweet, plump lips to his profound, gorgeous brown eyes. “I wanna stay like this a little longer. You’re so perfect for me. I love you so much.”
“I love you too,” he replied with a smile, kissing your lips soothingly.
Then suddenly,
“Futturman! L/n! Get out of there, we gotta go now! Operation Cameronium!” Tiger called from the other side of the door. “Goddamnit. The fucking—tiny man—baby thing—is, just, really starting to piss me off. Let’s go!”
You and Josh looked at each other for a while in silence before bursting out into laughter.
“We-we better go before she considers murdering little baby Wallace,” you suggest with a soft smile.
“Yeah… Wait. Do you really think—”
“No…” You answer before he could finish his sentence. “I know she seems all stoic on the outside, but I feel like the past few days, she changed a bit. Empathy-wise. Slightly, at the very least.” Josh nods.
“I’m really gonna miss this,” he sighs.
“Me too. But don’t worry, once we fix everything, we have all the time in the world together,” you assert.
“Okay,” he smiles sweetly, kissing your lips before slowly pulling out of you, leaving you to feel empty and slightly bummed.
The two of you, with your clothes back on and hair quickly fixed, you waltzed downstairs with no problem. Your hands had been interlocked, faces a bit flushed as you smile to yourselves.
“You two sure look happy,” Diane expresses joyfully. “You really got into the Christmas spirit, wrapping all those gifts upstairs, huh?”
You giggled under your breath. “Oh, yeah, definitely, Mrs. Futturman. Uh, very much so. I really love Christmas, you know? The gift wrapping Joshy and I did upstairs and, you know, all the Christmas traditions. ‘Specially, ‘specially the yule log.” You look at Josh with a knowing grin as he just listened in, suspecting nothing at all. “Really makes you feel warm inside, am I right?”
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soracities · 1 year
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what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds
I've answered this a few times so I'm going to compile and expand them all into one post here.
I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:
Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)
The Rattlebag (ed. Seamus Heaney and Ted Hughes)
The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)
The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)
A Book of Luminous Things (ed. Czesław Miłosz )
Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)
Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)
African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)
The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)
Lifelines: Letters from Famous People about their Favourite Poems
The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.
But in any case, for individual collections, I would try:
anything by Sara Teasdale
Devotions / Wild Geese / Felicity by Mary Oliver
Selected Poems and Prose by Christina Rossetti
Collected Poems by Langston Hughes
Where the Sidewalk Endsby Shel Silverstein
Morning Haiku by Sonia Sanchez
Revolutionary Letters, Diane di Prima
Concerning the Book That Is the Body of the Beloved by Gregory Orr
Rose: Poems by Li-Young Lee
A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri
Deaf Republic by Ilya Kaminsky
Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio
The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)
Crush by Richard Siken
Rapture / The World's Wife by Carol Ann Duffy
The War Works Hard by Dunya Mikhail
Selected Poems by Walt Whitman
View with a Grain of Sand by Wislawa Szymborska
Collected Poems by Vasko Popa
Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)
Bright Dead Things: Poems by Ada Limón
Teaching My Mother How to Give Birth by Warsan Shire,
Nostalgia, My Enemy: Selected Poems by Saadi Youssef
As for individual poems:
“Wild Geese” by Mary Oliver
[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"
"Good Bones" by Maggie Smith
"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib
"I Can Tell You a Story" by Chuck Carlise
"The Sciences Sing a Lullabye" by Albert Goldbarth
"One Last Poem for Richard" by Sandra Cisneros
"We Lived Happily During the War" by Ilya Kaminsky
“I’m Explaining a Few Things”by Pablo Neruda
"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost
"Tablets: I // II // III"by Dunya Mikhail
"What Were They Like?" by Denise Levertov
"Those Winter Sundays" by Robert Hayden,
"The Patience of Ordinary Things" by Pat Schneider
“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes
“The Mower” // "The Trees" // "High Windows" by Philip Larkin
“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón
“The Flea” by John Donne
"The Last Rose of Summer" by Thomas Moore
"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland
“My Friend Yeshi” by Alice Walker
"De Humanis Corporis Fabrica"byJohn Burnside
“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio
“Hummingbird” // "For Tess" by Raymond Carver
"The Two-Headed Calf" by Laura Gilpin
“Bleecker Street, Summer” by Derek Walcott
“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay
“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney
“Dulce Et Decorum Est”by Wilfred Owen
“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska
"Hour" //"Medusa" byCarol Ann Duffy
“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden
“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris
"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats
"The Thing Is" by Ellen Bass
"The Last Love Letter from an Entymologist" by Jared Singer
"[i like my body when it is with your]" by e.e. cummings
"Try to Praise the Mutilated World" by Adam Zagajewski
"The Cinnamon Peeler" by Michael Ondaatje
"Last Night I Dreamed I Made Myself" by Paige Lewis
"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)
"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz
"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye
"Slow Dance” by Matthew Dickman
"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel
"Mimesis" by Fady Joudah
"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert
"The Mermaid" // "Virtuosi" by Lisel Mueller
"Macrophobia (Fear of Waiting)" by Jamaal May
"Someday I'll Love Ocean Vuong" by Ocean Vuong
"Still I Rise" by Maya Angelou
I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:
Upstream: Essays by Mary Oliver
"Theory and Play of the Duende" by Federico García Lorca
"The White Bird" and "Some Notes on Song" by John Berger
In That Great River: A Notebook by Anna Kamienska
A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib
The Book of Delights by Ross Gay
"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky
"The Sentence is a Lonely Place" by Garielle Lutz
Still Life with Oysters and Lemon by Mark Doty
Paris, When It's Naked by Etel Adnan
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hazelnut-u-out · 2 months
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Rick and Morty does an awesome job at highlighting generational trauma cycles. The fact that Beth adopted Rick’s parenting style and approach to marriage (and even IDOLIZED him/the abuse) without realizing that her biggest character flaws come directly from him is super interesting.
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I honestly think splitting her into two different versions of herself— one who chooses to be more like her mother and one more like her father; one who stays and one who leaves— was a good choice. As someone who relates a lot to sentiments like ‘my parent idolizes their parents/I’m angry with my parents for what their parents did to them/when I’m angry with my mother, but then I remember she’s just a girl’, the Beths are a powerful representation of not only what I see in myself, but also an experience of motherhood I have little insight into on my own.
With all of their parallels, I like to think Beth has moments where she— like her father— says to herself, ‘Holy shit… I’m a terrible mother.’
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I’ve never thought about it before, but Beth truly resents feeling ‘trapped’ in motherhood. She views it as something Jerry did to her instead of something she also partook in. I’m not saying that Jerry didn’t do that intentionally, but I am saying that Beth made choices there, too, and it’s unfair of her to hold contempt for her children (mainly Morty) because of that.
It makes me wonder what her relationship with Diane was like. Diane might have felt like Rick trapped her into motherhood and then took a backseat, too. Did Diane resent Beth for taking away what her life could’ve been? Did Diane blame Beth for her decision to be a mother?
On the other side of the coin, we have Morty. He’s like his dad in a lot of innocent ways, but that concept terrifies him because he’s seen the malice behind that harmless facade.
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Part of him hates his mom for never wanting him— for never caring for him or protecting him— but that’s a part of himself he buries. He knows, at the end of the day, his mom is just a girl who desperately wanted her dad to love her.
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‘I love Daddy!’
People talk about how much Morty is like Jerry all the time, but I’ve NEVER seen a post about how similar he is to Beth. (Please tag me if you have, so I can hype it up!) He spends all day everyday cripplingly aware of just how little his parents want him. He feels their rejection and neglect. He buries those feelings to protect them; or maybe because he’s so aware of their disdain for him that he believes they just might discard him if he’s too much work.
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…Sound familiar?
Sometimes I wonder how much of Morty’s efforts to protect Beth from Rick’s actions and people pleasing to make Beth and Rick’s relationship just a bit easier comes from a certain relatedness he feels to his mother’s experience of rejection/abandonment.
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‘Rick, I can handle it if you go, but you’ll break Mom’s heart, and I won’t forgive you for that.’
He loves who some may consider unlovable.
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But, holy shit, is that kid angry.
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Angry at people he can’t justify holding accountable because… Fuck, they’ve been through a lot, too, haven’t they? How could he possibly justify hating someone he could so easily become?
I can only hope we get some more of Rick’s relationship with his parents. I’m dying to know about it.
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Hobie Brown & Non-Conventional Relationships
How to Write Hobie in Non-Conventional Relationships - & How I incorporate it into my own writing
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{Non-Conventional Relationship Abbreviated as NCR}
This is Part 2 - Check out Part 1 here if you want! Hobie Brown is unconventional is every way - and he likes it that way. From his music to his views, Hobie is always ready to challenge the norm - choosing to look for healthier, kinder, and freer alternatives.
And that extends to his romantic relationships too.
I talked HERE about Non-Conventional Relationships, the lack of them in fics, what they could look like for Hobie, and how they're a reflection of his values - including his feminism.
In that one, I wanted to talk about why Hobie needs Non-Conventional Relationships, and I analyzed why NCRs are so scarce within the Hobie fandom (hint: it's sexism). I also spoke about how I purposely designed my Spidersona - DiscoSpider Diane - with subversion of a sexist trope in mind, and how we as a fandom can write healthier 'Y/N's.
But I also wanted to talk about - and give clear examples of how a NCR might work for Hobie, and how to write it in fanfiction.
This is a Writer's Guide to writing Hobie Brown in NCRs, and writing 'Y/N's that challenge the norm. As well as how I apply these tips directly in my own writing with Hobie.
[I offer tips and writing advice as well as the ways I use these tips in my writing. I touch on alternative forms of affection, intimacy, polyamory, independence, and labels] Heads Up!! This post is LONG and Detailed. At the end, I have a full deep dive and analysis of my Spidersona DiscoSpider Diane, Hobie, and their NCR - feel free to pass on that if you want or check it out if you're curious or want an example :)
I hope someone out there finds this helpful or at the very least, entertaining! With that said,
Let's Begin~~~~~~~~
Hobie Brown & Affection:
Showing and valuing alternative forms of affection can be a great foundation for Non-Conventional Relationships. There's a wide array of ways to express affection in a relationship - ranging from full on playfulness and messing with each other - to being romantic but only in private. And anywhere in between. In order to challenge stereotypical romance, here's where we can start.
First things first: Cut the generic pet names One of the most common things across all Hobie fics, are generic pet-names. It's hard to find a fic without one 'luv', 'darlin', or 'sweetheart'. And it makes sense, it romantic - and a classic way to show affection. But it can be easy to use these terms as a crutch to infuse romance into dialogue. A good way to diverge from this convention is by dropping the generic pet-names all together. By abandoning words like 'luv' and 'darlin' we're forcing ourselves to find more personal terms for him to call his partner. Hobie calls Gwen and Miles personalized pet-names, and this can extend to his partner too. These names can be personal - When writing OCs, you can use things like inside jokes, a shortened version of their name, or some form of rhyming slang. Having something happen within the story that Hobie pulls a nickname from is also a great idea, or having him call them by a defining trait or something tongue in cheek. [Like if your character is known for being a bit gloomy, have him call them sunshine. If they sing, he can call them songbird, etc.] When writing xReaders, you can subvert typically 'negative' terms into loving and playful names. For example, if the !Reader is portrayed as shy, he may loving call her Mouse Whisper. If they're hotheaded, he may just call them 'hot-head'. But by having personalized pet-names, the reader is shown that Hobie and them have history and past connections that Hobie finds meaningful.
Annoyance can be affection too I talked about this HERE We all love attention from our partners - some just seek it out in different ways. Annoying ways. And I can see Hobie being one to do this - Adorable, but annoying ways. Playfulness is a great way to substitute romance in NCR. We all know those relationships where they love messing with each other or pissing each other off. Having inside jokes about each other, or teasing in a way only the other person is allowed to. It's never mean, but in a way, a form of intimacy. And when romances are written like this, it shows that the two know each other well, down to the smallest things that make them tick. They know each other well, and have a clear soft spot for each other when one starts bugging the other and the other doesn't snap (lol). When writing, you can give them small pet peeves that Hobie may do to irk them. When writing OCs, Hobie can give them nicknames that irk them. Or point out things that annoy them. Maybe he likes a food they hate, and eats it in front of them all the time. It's all in good fun, and shows the two aren't shy around each other. You can also have them bring up embarrassing stories of each other, to show they're close and spend a lot of time together. When writing xReaders, you can have him popping up at the worst times, hanging off of the reader, and overall trying to distract them from what they're doing. He could also play light pranks to mess with the reader - and vice versa - always making sure to end it with a hug and a laugh. At the end of the day, it's all about getting their partners attention and playing around with them. And talking about that -
Touch as a Love Language: Don't be afraid of playfighting Some IRL couples playfight. And it can be adorable. If the pestering goes to far, then the reader finally has to give him all their attention - and they can playfight him. Which is what he wants, their attention. This is something that can be done with both OCs and xReaders - and if they're a Spider-person EVEN BETTER. Don't be afraid to have Hobie pick the reader up, having the reader jump on his back, or punch his arm lightly. Having them wrestle for something, and it can turn into cuddling. The character can jump on his back playfighting, and doom - Hobie's running and it's a sudden piggyback ride.
While on the topic of Love Languages: Laughter as a Love Language Laughter can be a HUGE love language. In addition to annoying their partner, some people aim to making their partner laugh whenever they can. Whether this be making jokes, or doing things they think are hilarious. Not only is is super playful - but it shows that they're close and know each other well. They know what they other think is funny, what's sure to get a laugh, and most importantly, when their partner needs it the most. It shows that they care about their partner's happiness, and they want to bait it out them every way they can - even if that means making themselves look silly from time to time again. This is one of my favorite tools when writing NCRs and it works for both OCs and xReader.
If really want to challenge yourself and show a new form of romance: Abandon 'I love you.' Ever heard of Han Solo and Princess Leia? The whole "I love you." - "I know." trope? Saying 'I love you' is of course one of the easiest ways to show love - but when we abandon it, we can find cuter and more personal things to replace it. In doing this we begin to show a NCR relationship that openly challenges romance. By doing away with 'I love you's in favor something personal, we're showing that their feelings go beyond 'love' into something more personal and intimate to them. They can still be madly in love and not say it - it can be completely unspoken cause they both know. And so, they don't take it too seriously. When writing OCs, you can replace the phrase completely, substituting it with a repeated phrase on both sides. "I hate you" also works as a playful subversion. When writing xReaders, you can have the other side not respond the usual way - "I love you." - "Uh-huh." Or you can have them not say it at all. And have it completely but clearly emotionally implied.
Hobie Brown & PDA:
Hobie is a natural touchy guy. He likes standing close to people, leaning over them and putting his hands on their shoulders. So by having him display limited romantic PDA with his partner, and treating them no different than anyone else, you're challenging the norm and forcing yourself to write other ways.
Prioritize Privacy Hobie is often (or rather only) characterized as a very open person with his relationship, openly kissing, making out, and touching his partner. And this is very typical of a romantic relationship. If you'd like to write a NCR you can try to challenge this. Hobie is from a police state, a world where surveillance is prevalent and freedom is limited. Plus he's a rockstar - people get nosey. And don't even get me start on The Society snooping. You can reflect this by having him prioritize privacy - either out of survival instinct, or just personal preference. Hobie keeping his relationship a secret, or simply not mentioning it, allows a freedom not often see in traditional relationships. By doing this, the relationship can develop naturally without typical pressures or outside influence - whether dangerous or Society wise. The two are allowed to take it as slow - or as fast as they want, without worrying about anyone else getting in the way. And with Hobie being a guy who likes to share often, him keeping one small thing to himself can be special. This can be used for both OCs and xReaders.
Keep Kisses in Private Stealing kisses can be extremely cute, and saving them for private can make them 10x more intimate. Plus this is another one that can be used by both OCs and xReaders. By saving kisses for private moments, those rare instances automatically become more intimate. And by having them restrain themselves, when they do finally get to be alone it can feel romantic (not just sexual). By having them save their kisses for only them, they become more special to Hobie and his partner. They may choose to not kiss at all in public and leave it at that or try to steal kisses when they can - or even substitute a different form of intimacy in place of kisses. Ever see that couple that one of them will walk by the other, and one person will put their hand in the other's for a moment as they pass by before letting go? Like that. Cheek kisses can also be a good substitute for public. Plus in the rare times they do kiss in front of someone, you can save it for super emotional or heated moments (or moments like parties, bars, etc - those are always fun. The gang finding out the two of you have been dating a year after you both get drunk at a party and make-out? Love it.)
Or you can take it over the top - and make it openly committed and intimate, but label-less. Having a partner he kisses, hugs and lives with but does not refer to as his girlfriend also challenges norms of possessiveness - bonus points if they're poly (which I'll touch on in a second). By having him clearly involved with someone, and seriously committed but having it between them can be a NCR. The character doesn't have to be his girlfriend or boyfriend. That can simply be 'his person' or 'the one'. Or he's 'seeing somebody' - or 'with them'. He's not outright saying they're dating, but yeah - they're solidly involved. They may have a kid together, sleep in the same bed, or say 'I love you', but by both parties rejecting labels, they're openly denying people an inside look to their relationship. Are they together? What's that got to do with you?
Or have them be 'life partners' aka - marriage without marriage. This one may be easier to develop for OCs, but can be done for xReaders too. Have them openly express interest in being each other's life long partners. Have them speak as if they're married, even if they aren't. By verbalizing this connection, they don't need rings or a wedding certificate to speak to them, because they openly say it as a form of PDA. Having them believe in soulmates, or 'other halfs' takes the 'caring boyfriend' trope and pushes it into something far more intimate and personal. This could include things like matching tattoos, sharing a home together, wearing things of each other's in place of a ring, etc.
Hobie, Labels, and Polymory (Open Relationships)
Every single fic I've seen of Hobie assumes both parties are monogamous. Let's challenge that.
Do away with the idea of Hobie and jealousy It's unrealistic for his character. Hobie is openly supportive, non-possessive, and EXTREMELY confident. Jealousy is an attribute that feeds off of insecurity first, and sexist tropes of possession second - the idea of having no one touch 'your' partner. Any partner Hobie has isn't his - no one belongs to any one. They can be with whoever and do whatever they want when he's not there. So long as he sees his a priority in your life, he'll be there. Let's just hope the OTHER guy is okay with that (and not extremely intimidated by how perfect Hobie is). This applies to both OCs and xReaders.
Open the relationship - and keep it honest The priority when writing this is honesty - because Hobie values it A LOT. And I cannot stress this more. If his partner is honest with him, and genuinely makes an effort to make him a priority, then Hobie is happy. Hobie himself may not choose to have multiple partners, but by having option on the table and having his partner exercise that shows a huge degree of maturity, communication, and freedom. By having a partner who can openly pursue romance outside of Hobie, but still chooses Hobie as their primary partner, their relationship becomes a lot freer, but still just as close - if not stronger. Sure they've got options, and sometimes they may have flings, but at the end of the day, there's no one they connect more with than each other. Better with OCs, but can be done with xReaders.
Let his partner have the last say Hobie can't be a player if he's not the one calling the shots. Have a xReader or OC that is openly outspoken about what they want and the label they're interested in. (even if thats 'unlabeled) Have the reader be the one who doesn't want to make it official, or on the inverse, have them insist that either they make it official or else they'll stop seeing them. And have them stand their ground. Do not have them budge or waiver or second-guess. Have them leave the ball in Hobie's court - and sort it out for himself. By doing this you're giving them a sense of agency and independence outside of him, and inverts the sexist expectation that men be the ones who define the relationship.
In the words of Coi Leray "Cause Girls is Players too." Kick slut-shaming in the teeth. Where are all the city girls? Directly challenge sexist tropes that are prevalent in the Hobie fandom, by writing a female character who is openly and sexually liberated, knows her worth, and knows how to handle her feelings. Have her be the one seeing multiple people, have him be the one to pass the guy on the way out. Its not more shameful when the character does it. If you want to make Hobie a player who can run game - acknowledge that some girls run game too. And many girls can call that shit from a mile away. Having a character who has multiple partners, but slowly finds themself falling for Hobie in specific is an interesting dymanic. It forces you to show a woman's sexuality in a different and positive light, one not connected to her lust for a specific man. And it forces you to challenge the idea of 'fast girls' or 'groupies'. Ever seen 'She's Gotta Have It' by Spike Lee? That. And you can have her other partners acting as a contrast to Hobie. If she starts realling her other partner really ain't shit - Hobie starts looking a lot better. And let me just say - this doesn't have to cause drama. Having Hobie and the character both be polyamorous, only to connect with each other and laugh about their other escapades can be CUTE. And neither are threatened, because they know it's all in good fun, and they know they've got their partner on lock.
Find alternative labels Take 'boyfriend and girlfriend' off the table and get creative. They can be life partners, or Best Friends with Benefits (who are genuinely friends, stay that way and are not just thinly vieled romantic tension), or the xReader/OC can simply 'his girl' or 'his guy'. By doing this, you're able to put a label on it, without taking it serious at all. It signals that there is something there and they know it, and they don't need normal terms to define it. Good for both OCs and xReaders.
Hobie & Gender Roles
Chivalry is dead. Romance your boyfriend to death.
I spoke in the last post of about Hobie's feminism and his understanding of the patriarchy and the way it works. And I think Hobie would work to openly defy gender roles in his relationship. Here's are some tips to do that.
Have the xReader or OC initiate the romance Have them confidently ask him out. Have your OC or xReader be the one to approach him at a party and hit on him. Just by doing so, you're putting your characters in a situation that subverts gender roles - where the many is typically the one to approach his mate. It shows confidence on the part of the xReader/OC and let's them step outside the traditional trope of a passive feminine partner.
Have them initiate touch/affection as well Have them touch him first, or wrap their arms around him. Have them kiss his neck (if they can reach lol). Instead of having a shy and quiet xReader who only accepts compliments from Hobie - have them openly and boldly compliment him. A girl who openly loves her partner/boyfriend and yeah- she's gonna talk about him cause she can. Have them call him pet-names first. And show Hobie enjoying it or feeling comforted by it. In doing so, you're allowing him to show a softer side that is also absent in a lot of fics. Plus you're breaking the trope of once again, the partner just passive accepting Hobie's affection without active reciprocation.
Actively show Hobie being comforted and taken care of - not just when he's in crisis Have the character ask if he's okay - in the way a couple will look at each other and be like "You good?" even when nothings going on. Have the character be the one to ask if he's eaten. Don't only do this when he's about to emotionally crack, or when he's physically beat up. Do it on the daily. Men shouldn't have to break before their emotional needs are addressed. So often in fics Hobie is seen as the perfect protector who never gets tired - and then there's no mention of him ever taking care of himself in any way. That's now how this works. Hobie is community based. That means he looks after the people he care about. If the character cares about him, they have them go out of their way to show it - the same way he does. The xReader/OCs can hold him while he's crying or make him go to sleep when he's up all night. They can hear him out when he's annoyed with Miguel, and help him when he's feeling not 100% too. SO many fics are about the reader NEEDing Hobie for some often asinine reason. Sometimes Hobie needs his partner too.
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HI HI! If you've read this far, thank you so much! I really appreciate it and would love to hear your thoughts! The next part is centered around my spidersona Disco-Spider Diane, her relationship with Hobie, and how I incorporate all this into their dynamic. This part is LONG and detailed (I'm unhinged) so I don't blame you if you wanna peace out now! If you do peace out, thanks again! - here's a photo of Hobie for the road!
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_______________________________________________________ Now let's talk about Lil Miss Disco and her Boo Thang
DiscoSpider Diane and Hobie -
How I write a Non-Conventional Relationship For more info you can check out Diane's Character Sheet here and her tag here
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I spoke briefly in my last post about Hobie, feminism, and how subverting sexist tropes contributed to her characterization - so this time I just want to give an overview of how that translates to a NCR - and how that can be shown clearly in writing.
Hopefully this will give some ideas or at the very least, I can ramble about Diane lol Diane & Hobie - A Basic Overview
[You can check out Diane's Character Sheet here!][And check out her tag for more art & writing here!]
I don't have a word for what Diane and Hobie are supposed to be, and that's intentional.
They aren't dating. Because they don't go on traditional dates - they just hang a lot. They're not boyfriend and girlfriend because that's rigid in it's confines. Even partners can be a bit of a stretch. I wanted to write them instead as two people who care about each other and make an effort to be in each other's lives. They're the other's largest emotional support and cheerleader - and their emotional reactions take focus over the romantic ones.
Diane and Hobie have a Non-Conventional Romance because they're in an emotional relationship rather than a romantic one. There is romance there - but the same way a romantic relationship isn't a 'sexual relationship' because sex is involved - an emotional relationship does not become entirely romantic once romance is involved.
Their emotional relationship is very committed, but their romantic relationship is extremely casual. Here are some ways I show that.
DiscoPunk & Affection:
Diane and Hobie do not use typical pet-names. Instead, Hobie is more likely to call Diane 'Daiquiri' - a nickname left over from the first time they've met. It's an embarrassing memory for Diane - and a story Hobie loves to tell. But by calling her Daiquiri, he's sending the reminder that he thinks about the night they met often and remembers it well. Including the 4 Daiquiris she made him buy her. He also calls her Clover - as she's one of his 'Lucky Charms'. Diane is the same, preferring to call Hobie by his name - or over the top names like 'pookie', 'honeybun', or 'hot stuff'. Though the most common she'll default to is 'babe', though she will only do this will they're completely alone. Hobie openly annoys Diane and she lets him. Diane is easy to mess with, easy to sneak up on and easy to confuse (sorry girl). It's easy for him to make her jump if he's too quiet, and despite being fairly outgoing, Disco gets embarrassed easily. Sharing constant silly stories, calling her embarrassing nicknames and ruffling her perfectly manicure hair, are go to ways to piss her off. And you can usually tell when she asks "Am I playing with you? Does it look like I'm playing right now??" In turn, Diane does her 'groupie act', which involves running up and hugging him hard as hell, jumping on his back, or talking about how cute he is in a baby voice while pinching his cheeks. They playfight A LOT. Hobie is known to come up behind Diane, lovingly slipping his arms around her waist. He lifts her up - and then tries to bodyslam her. He's holding her like he's about to do a judo flip and Diane is shoving at him telling him to cut it out. In turn, Diane likes to run at him from a far and jump on his back, and she's known to punch his shoulder if he gets too cheeky with the jokes. (Thank god they both have Spider Strength). And while they may not be quick to cuddle or hold each other in public - if Hobie is asking for it they WILL wrestle, and with matched strength, they don't stop until someone (usually Jess) tells them to cut it out. And Laughter is one of their biggest Love Languages. Hobie LOVES making Diane laugh - mainly because it's such a spectacle. Diane will scream and cry in laughter, doubled over so hard she has to sit down or leave the room. And for Hobie, it's easy to do this, so he does it whenever's the most inappropriate. Him dancing is a HUGE way because it brings Diane to tears almost instantly, without fail. She begs him to stop cause she can't breathe - she's laughing so hard. Hobie refuses and keeps dancing, just to mess with her. On the inverse, when Diane does it, most of the time she doesn't mean to. Diane is clever, but she's blunt and a little.. easy to confuse. And when she blurts something out or asks a question that sounds a bit ridiculous, Hobie can't help but laugh. Like when she saw Peter B. unmasked for the first time, and immediately asked him "Wait, why are you white?" Hobie will almost away burst into laughter, which is usually followed by Diane going "Whatttt? What did I say? Why are you laughing at me :(' Everytime she does this she is completely serious, which Hobie finds even funnier. If she's confused, he'll try to explain it to her, and he never teases her for it. It's just that Hobie chooses his words very carefully, and Diane says exactly what comes to mind.
They very rarely say 'I love you' and only do it in private. Usually, they'll only say this when one of them is going through it, the other just did something awesome, or they're alone and in a good mood. It reserved for moments of intimacy or spontaneity. With a relationship that is so playful, the two of them would probably think that saying it outright is a bit too sappy and plain. Instead, they substitute it by asking the other if they love them -
If Hobie does something for Diane, instead of Diane saying "I love you", Hobie will be the one to say "Don't you love me?" If Diane does something for Hobie, instead of him saying "I love you", he can swap it with "You must love me." (Usually the other person may say "I do" or an equally loving "Shut up.")
DiscoPunk & PDA:
They prioritize privacy. They don't label themselves - to anybody, even close friends. They let people make their own assumptions because it doesn't matter anyway. Plus with Diane being very committed to her place in the Spider Society, it's preferable to just keep it between them. Hobie doesn't really care either way. But the less people bothering him and asking questions, the better.
Diane and Hobie never kiss in front of other people. Save for a few exceptions. Despite being very physically and playfully affectionate, Hobie and Diane choose to keep most of their PDA completely private - and they're more likely to link arms than hold hands. When it comes to kissing, the two saves it for behind closed doors, or hidden spots in HQ. With relationships between Spider-people being prohibited at HQ, it's just easier that way - and the both of them prefer it. This even extends to close friends, including Pavi and Gwen. They may dramatically kiss the other's cheek to annoy them, making kissy sounds and grabbing each other's faced - and on occasion Hobie may give Diane a forehead kiss (she's tall enough to do this). They may cuddle in front of others too, but that's about it. But kisses in specific are just for them. Wasn't a conscious choice, but they like it that way. There's two exceptions though: 1) Shortly after meeting Hobie, Gwen ran into Hobie and Diane kissing at a hidden spot on campus. Nothing heated, but kissing. Diane felt her looking and seemed very disturbed and uncomfortable she had seen. Gwen left quickly, and although Hobie assured Diane that Gwen was okay, the two of them didn't meet until a later date, and Diane seemed a bit embarrassed.
2) Parties. After shows and while drinking Hobie and Diane are completely fine making out in public and showing full PDA. Why? Because they have the cover of the 'groupie act' and they can argue that they were drunk and were only messing around or even say they straight up don't remember. Their terms of commitment are unique. Neither Hobie (in my little universe) nor Diane believe in soulmates. But they do consider themselves 'committed', but they're not life-partners either. They don't care if they'll be together forever. The idea is nice, but it's not their focus. If they wanna spend their lives together, they can start but showing up for each up daily, rather than wearing rings daily.
DiscoPunk, Labels, and Polyamory:
Diane and Hobie are in an open relationship. Since they've never officially asked each other out, monogamy hasn't really been on the table ever. And both are fine and comfortable with this. Because they're great at minding their own business. Who's the girl leaving houseboat when Diane comes through? Who cares - but if touched the makeup Diane left on his bathroom counter, she'll be sending her an invoice and an angry letter. This is equal on both sides.
Diane is without a doubt more active, and more prone to one-night stands (she has a kink for guitarists) rather than full on relationships. Maybe it's the fact that having Hobie in the picture is intimidating as fuck to most guys.
Hobie also has his share - though he usually finds himself in flings and short relationships - going more for romance than sex. In fact, Hobie was with Diane for the duration of his relationship with his Felicia Hardy.
Naturally, Felicia and Diane knew about each other - though they hadn't met. Diane was fine with this and at most would ask how Felicia was doing. Felicia however really wanted to meet Diane. Like dying to meet her. So she found out Hobie's secret identity and just - turned up at one of his shows. Diane was...understandably confused. She was nice, but confused. Asked Hobie later like "Why's she here. Nothing wrong with it but like forreal why is she here?" and he's like "IDK I aint invite her m8 she always does this." Eventually the two got to know each other and although Hobie isn't with Felicia anymore (it's messy), her and Diane are still close friends.
Hobie perfers to let Diane have the last say when it comes to labels.
He's fairly unbothered. What's he gonna do - tell her he has to be her boyfriend? Or brush her off and still expect her to be there? Nah, Labels are the last thing he's worried about. And that's because he's fine with all of them. So long as they're clear. If avoided labels, and demanded to be label-less, that was still caring about labels.
This is where there's conflict - and instead of most fanfics in which the conflict is coming from him - in their case it's coming from her. Diane avoids commitment, terrified of the threat it could cause to the multiverse and Hobie's universe in specific. She's drank the society Kool-Aid so to speak, and will dance around the topic. Hobie has on occasion mentioned monogamy between them being a good option, but when directly approached, Diane will try to dance around the topic - mainly afraid of what Jess and especially Miguel will do if she falls out of line.
This, along with canon events, are the only things that can get them to actually argue - and it can sometimes decend into screaming matches (more about the Society rather than their relationship). They try to avoid bringing it up. But Diane is still paranoid and avoids it.
They use alternative labels instead. For sake of implicity, if you ask them directly "What is x to you?" Hobie will either say "Diane's my bird." or "Why do you want to know - You interested in me or her?" He may also say 'The Old Ball n' Chain' (mocking boomer humor) or simply say "That's Daiquiri."
Diane will most likely say "He's my little boo thang." She may also call him her 'hubby', or say 'I'm his biggest fan.'
WE'RE ALMOST DONE I PROMISE
Finally, DiscoPunk & Gender Roles
I wrote in the last post about how feminism and inverting the sexist trope of 'groupie' contributed a lot to Diane and her behavior towards Hobie. This can mostly be seen here:
Diane initiated the romance. Diane has always been Hobie's groupie, and outspoken in her affection for him. She thinks the girls hiding how much they like Hobie is silly - He KNOWS he's hot. Why not come out and say it - hype him up. Diane is also a way bigger flirt than Hobie - and I really wanted to write the two of them this way, because so much of the time Hobie is the one flirting, usually on a passive OC or xReader that simply passively accepts.
It's rare in dialogue that someone outright points out how hot Hobie is. So Diane does it. She was fine with being like "You're so hot it's distracting and that's not a joke. :) "
Diane usually initiates touch. Hobie rarely wraps his arms around her (unless he's doing that stupid judo shit she hates), but Diane does it to him all the time. She's tall enough on her skates that if she holds him by the waist from behind, she can see clearly over his shoulders. And it's not unusual to see Diane's eyes peek over Hobie's shoulder when you're talking to him. She's not listening, she's just there.
In turn, Hobie accepts this touch very much like the way an xReader would. He's usually the one intiating and offering touch, but when Diane does it him, he finds it comforting to be on the receiving side.
And I usually see this/show this as him softening into her touch, complimenting her for it, or baiting her into cuddling (like plopping down on her on the couch)
They supplement this a lot with closeness. Hobie and Diane always seem to be shoulder to shoulder, whispering inside jokes into each other's ears and trying not to crack up. Most often, Hobie with hput his arm around her shoulder, or if she's in her skates - a hand on her waist to steady her. Not that she needs it. Their relationship is mainly and largely emotional. And that's the basis of it. Hobie was the one who recruited Diane, and has been there for all of her canon events since, seeing her in her most venerable states.
Diane is dedicated to canon - and letting Miguel write her life for her - and although she finds herself conflicted and cornered by the Society, Hobie wants to be there for her always. And he'll be along for the ride as long as she'll have him. Diane in turn, tries her best to be positive when they're both from worlds where things can get really negative. No matter how much he tries to hide it, the constant battles and brutality with the police of his home world wears on him - and he's aware that he's different than most other Spider-people. He's killed before. Usually, he lets it out through his music and when it isn't that - it's through anger and protest. But like Hobie, Diane is a huge supporter of radical happiness. If you can think of Hobie's music as a call to arms, Diane's music is a love song to the sweeter brighter things in life. Diane was raised by The Black Panthers, and she knows just as well as he does what the brutality and pain of oppression can feel like. She has her feet firmly on the ground and her head happily in the clouds.
If anything, Diane is a person of comfort and escapism for Hobie. A reminder of the sweet life that he's fighting for. Diane lives completely free, free of labels and limits - even while living under the thumb of the Society. And she tries to remind Hobie what freedom feels like, when he gets tired of fighting every now and again _________________________________________________
In this way their emotional connection is mutual.
More than anything, I wanted Hobie and Diane to be emotional rocks to each other, before romantic partners. I didn't mean to write it that way (in my head), but it kinda ended up that way.
So often in the Hobie fandom we see the extremes of either Completely Detached Hobie - who sleeps around and wants nothing to do with labels - or Completely Committed Hobie - who is madly in love with his partner in a traditional sense. And in their relationship, I hoped to challenge that. By writing a Hobie than didn't care either way, or went with the flow. A Hobie that was just as thoughtful in his relationships as he was in his friendships. Instead, I wanted to shift the focus to Diane and making it about her choice. By having the woman be the one to define the relationship, the story can now focus on an internal struggle. And seeing his partner being the one to struggle with labels - whereas he's made peace with them.
And by having their affection shift more into playful - that was just because I think it's really funny. Hobie's a little shit.
All of this allows Diane and Hobie's relationship to be something based on mutal care and admiration for each other - rather than lust and clear-cut commitment.
They're able to be independent people, with independent lives and beliefs, while still being a large part of the other's life. They're able to excecise freedom in their situation, while still having an underlying conflict or struggle driving their story.
Hobie and Diane deeply care about and love each other, multiverse be damned. And even if they may not always see eye-to-eye, they're willing to put that aside if it means they have a chance at a peaceful future together - no matter what universe they're in.
They're not conventional, but they're in love. Cause I said so.
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So uh....yeah. That's how I incorporated Non-Conventional Relationships into my uhhh..deeply complex mental world that isn't written down yet besides glimpses in comics I make in photoshop.
If anyone read this far I will genuinely be so surprised, cause I literally just wrote an essay about their entire relationship lol
I feel like I could type anything down here and be safe cause it's hidden in a cattacomb full of TEXT like lemme just-
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(I laughed at the second one til i crrriieeeddddd bro thats so foul)
But if you did read this all, thank you SO SO SO MUCH! As you can probably tell, I think about this a lot. And these characters mean a lot to me so I love sharing them when I can. I hope this helped someone and someone finds it helpful or at least entertaining! You rock <3
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Writing this is normal, well-adjusted behavior. Cringe is dead.
Stream Diane and Hobie's album 'BackAlleyJazzLettuce' aka their Funk-Rock fusion ship playlist
Now take this photo of Hobie Kissy Kissy Face and get off my property.
Bye.
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youremyheaven · 11 months
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pt 2 vedic astro symbols & motifs
serpent yoni folks depicted with their yoni animal
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Bella has Ashlesha mars as her atmakaraka, with saturn and ketu in UBP. Gigi has UBP venus and Ashlesha mars amatyakaraka. ive talked about how Ashlesha natives often have a controlling mother, or a severe, abusive and toxic upbringing and anyone who knows about Yolanda Hadid knows how controlling she is as a mother.
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there has been some debate about Rihanna's birth time. with her current birth time, she has Revati moon/venus/rising but there is a slight possibility that she potentially has UBP rising.
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Ashlesha sun, Rohini mars and Mrigashira ketu Cara Delevingne has a snake tattoo on her hand.
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UBP moon and Ashlesha rahu, Kim K in a snakeskin dress (she often wears snakeskin if you guys have noticed)
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Rohini moon & rising, mrigashira venus Priyanka Chopra wearing snakeskin
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Ashlesha Ketu, Taylor Swift in a snakeskin dress. Her Reputation era heavily featured serpent imagery as well.
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2. Vishaka women love headpieces or hair accessories or making their head stand out in some way.
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Beyonce (vishaka moon) is known for her over the top head gears.
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Lana Del Rey (Vishaka rising) at the met gala, a few years ago. She is also known for her love of old school big beehive hairdos.
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Sonam Kapoor (vishaka ketu) closing a Ralph & Russo show. Sonam is also known for her love of extravagant hairdos.
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Salma Hayek (vishaka ketu) loves wearing tiaras on the red carpet!!
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Vishaka sun & mercury, Lorde at the Met Gala
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Katy Perry (vishaka moon & saturn)
3. Mary Sue is a character archetype, which is defined as a "usually a young woman, who is often portrayed as inexplicably competent across all domains, gifted with unique talents or powers, liked or respected by most other characters, unrealistically free of weaknesses, extremely attractive, innately virtuous, and/or generally lacking meaningful character flaws."
i've noticed that a lot of characters who are labelled to be "Mary Sues" are played by women who have deva gana nakshatras. Deva gana natives are said to possess a divine nature and hence, why they're often cast as people who seem to be lacking flaws and sometimes sincere to a point of stupidity.
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Rey Skywalker is said to be a classic example of a Mary Sue. She is played by Daisy Ridley who has Revati sun and Punarvasu moon.
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Anastasia Steele is another Mary Sue, played by Dakota Johnson who has Hasta sun and Anuradha moon
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Bella Swan is probably the most notorious example of a Mary Sue, she is played by Kristen Stewart who has Revati sun and Hasta moon.
4. ive noticed a lot of Ketu girlies playing sex workers in movies, especially a lot of Magha natives
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Jennifer Connelly in Requiem for a Dream (she has Ketu in Magha)
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Barbra Streisand, Ashwini sun (Nuts, 1987)
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Dolly Parton (Magha moon) in The Best Little Whorehouse in Texas
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Magha rising, Uma Thurman in Les Mis as Fantine
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Magha moon, Julia Roberts in Pretty Woman
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Jane Fonda, Mula sun in Klute
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Ashwini stellium, Penelope Cruz in To Rome with Love
5. ive noticed that many women who marry into royalty have jupiter nakshatras
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Kate Middleton who is married to Prince William has Punarvasu moon.
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Kareena Kapoor who is married to the Nawab of Pataudi has her Mars in Vishaka in the 7th house of marriage 👀
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Grace Kelly who married Prince Rainier of Monaco, had Vishaka sun/mars and Purvabhadrapada moon
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Diane von Furstenberg, the designer was married to Prince Egon and she has Vishaka venus & jupiter (her darakaraka and atmakaraka, respectively)
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Rita Hayworth who was briefly married to Prince Aly Khan also had Purvabhadrapada moon.
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Olivia Wilde who was married to Prince Tao Ruspoli has Purvabhadrapada sun & mercury
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Barbara Hutton who has Vishaka sun & mars was married to 3 different princes.
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ddollfface · 2 months
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𝐀 𝐇𝐚𝐫𝐝𝐞𝐧𝐞𝐝 𝐃𝐞𝐯𝐨𝐭𝐢𝐨𝐧
𝙅𝙖𝙘𝙠 𝙃𝙖𝙣𝙢𝙖 𝙔𝙖𝙣𝙙𝙚𝙧𝙚 𝙃𝙚𝙖𝙙𝙘𝙖𝙣𝙤𝙣𝙨 (Pt.2)
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Warnings; bad writing, possessive behavior, really ooc (I'm 90% sure that I missed the mark on this one), talks of Diane's rape, yandere if you really squint ig. If I missed anything, then please let me know ♡ Oml, tumblr's being a little bitch right now, I literally cannot right now. I'm going to repost Pt.1 and Pt.2. I'm so sorry, I have no clue as to why I have a word limit rn... Just know that this is super ooc :/
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When Jack falls, he falls hard, and let's just say that he's never fallen. Throughout his whole life, his only goal was to avenge his mother and bring back her honor, hoping to achieve this by defeating his father, Yuujirou Hanma. Jack, himself, has stated multiple times throughout the show that he has no interest in women, money, or fame, only wanting to achieve his goal of revenge. This obviously means that he has no experience with women, and unlike Kastumi, it's by choice. He doesn't want to fall in love.
I think that Jack doesn't believe in love, that it's something that's fake and fabricated to appease another. There's no such thing as love at first sight and wanting to hold someone for comfort and not just to get off. These thoughts are so out of Jack's worldview that he sees them as just fiction that others' are pathetic enough to believe.
And, adding to that, I think that Jack would have a hard time understanding Baki and his relationship with Kozue. Baki and Kozue have been there for each other, showing true love, something that Jack's never had. Jack eventually learns to respect Baki, after some trial and error throughout the series, but he can't seem to understand why someone like Baki would believe in something as fictional as love.
Moving on from that, I think that Jack's childhood developed this sense of disgust toward love and just being vulnerable in general. I mean, imagine being born to a woman who was raped by the man she was supposed to kill, that's obviously not going to be the best childhood.
I can't imagine that Diane, Jack's mama, would ever show him such motherly love that's expected from a mama to her son. I think that's partially because of how Jack was conceived and her personality. Diane, whether it was a part of her persona as 'Jane' or not, was portrayed as a cold woman who had little regard for human life, and I can't see how she'd ever show warmth toward Jack when he was young.
While we don't know much about Jack's childhood or what happened to Diane later on in her life, I'm assuming that she never pursued relations with any other man, seeing as Yuujiro's actions caused her such distress. This means that Jack never grew up with a father figure present in his life, rather than his absent father, Yuujiro.
I'd assume that Diane would never speak nicely of Yuujiro, seeing as he raped her, and it was her original intention to kill him. Because children are like sponges, Jack probably absorbed all of Diane's hatred and general negativity towards his father, as he should, and internalized this anger.
Overall, Jack's situation growing up left no room for him to experience what love looked like, in a healthy manner. He never had parents who lead a good example, keeping him in the dark about any positives of being in a relationship. And that's what I think the root is for his distaste for being vulnerable, and the idea of being in a relationship with another.
Not only that, but I think that his mama's rape only caused Jack to view sex in a negative light, seeing that's how he was conceived. Now, I don't think that Jack is repulsed by sex in general, but I just think that he doesn't find it as welcoming (?) as other men would. I'm not too sure how to phrase it, but it's just not appealing to him, compared to most men.
However, that changes when he meets you, you, you.
There's no such thing as 'love at first sight' to Jack. He has to know a person for a year or so before he even considers having a lengthy conversation with them, where he actually puts a little effort into speaking with them. Jack's a very closed-off individual who has severe trust issues, as most figures do, and he can't open up to someone he's known for a short time.
This means that for you to catch his attention, that means that there's something special that he saw, whether you notice it or not doesn't matter. Jack saw something in you. Maybe it was how transparent you were, possibly your wisdom, it doesn't matter too much.
(little side tangent)
Though I do see Jack enjoying a partner who's similar to a therapist, someone with a lot of advice to give, someone with a shit ton of wisdom. An observer would be a good fit for Jack, they don't have to be studious or very loud, and he doesn't mind either. It's just that he needs someone who can read him easily because Jack has his own language of sorts (@yandere-writer-momo has discussed this in some of her posts).
It's odd because Jack is oh so blunt, but he holds back whenever it comes to his emotions, wanting to avoid being vulnerable. He doesn't hesitate to threaten someone or tell them that he doesn't like him, he doesn't have a problem with that. But whenever he finds you pretty, or likes the dress you're wearing, even if he thinks you're not taking care of yourself, he'll always phrase it in a "brutish" way.
Instead of saying "Your hair looks nice today" or "Have my jacket, you look cold," instead, he'll say "Did you do something to your hair? It doesn't look like shit today" or "You're built like a stick, you should work out more" as he hands you his jacket (more so throwing it over your shoulders and walking away).
And that's why he needs someone who can read through his insulting behavior, knowing that he's just shielding himself from appearing weak. Being observant is a requirement to having a successful relationship with Jack, and possibly with most of the men in Baki. All of them are so emotionally constipated, that they need someone who can read them like a book to actually have a progressive relationship.
Because of your ability to allow him to open up without words he knows attached, always thinking about you, you, you. He needs to protect you, the one person who understands him on a different level than everyone else. You're able to calm him down with a simple nod, practically telling him that you understood what he was trying to say. You don't just see him as the son of Yuujiro Hanma or as the man who's ruined his body with steroids and intense training techniques, instead, you see him as Jack.
The initial attraction he had toward you, when you first crossed paths, was more superficial than what I was talking about in the previous paragraph. It's most likely a simple case of curiosity that drew him to you. You somehow stood apart from others, causing his eyes to drift to you every time he scanned a crowd. It's possible that you were overly positive, keeping a smile on your face no matter what, or you were oddly quiet, silently observing everyone.
It could've just been your looks that made you attractive! Though Jack is emotionally stunted, even he can appreciate a nice piece of ass!
Either way, throughout the time and as your relationship progresses, the more you two talk, the more he begins to respect your character. Jack begins to see you for who you are and understands that you see him the way he sees you. (sorry that was a confusing sentence lol)
I'm not too sure if any of you have seen the movie Avatar, but in the movie, they use the phrase 'I see you,' and I think that it fits Jack's personality perfectly. It's more than love to Jack, and he likely doesn't even comprehend that it's love in the first year or so. It's something deeper than that, it's understanding each other on a primal level. Jack doesn't just understand your body and how it moves, or what to do to get it going, he understands how you think, and how you feel. But not in a weird way, in a loving way, y'know?
The two of you are like other halves, you'd have to be for Jack to pursue you. Jack has to know that you're meant for him. He's never even considered dating another person, let alone revealing himself to someone else.
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christinaroseandrews · 3 months
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A lot of people are talking about how Disney didn't get nominated for their flagship 100th animated feature, Wish. Which is a big deal, I am not disputing that. This was a stellar year for animation and the academy had a glut of good options that did not include Wish. (I would have liked makoto shinkai's Suzume to be nominated but...)
But I want to talk about something else that is probably sticking in Disney's craw.
None of their Animated movies, in particular Wish, were nominated for "best original song."
Starting in 1940 with "when you Wish upon a Star", Disney's animated features could be counted upon to receive a nomination for best original song often winning the Honor. This includes movies such as Bambi; Saludos Amigos; Cinderella, and that racist mess that Disney would like you to forget, Song of the South. Even during the years after Walt's death a bunch of songs were nominated from things like Pete's Dragon and The Rescuers. But it wasn't until The Little Mermaid and the animation Renaissance that Disney's almost stranglehold and expectation that they're animated films would get nominated for an Oscar for best song really came into the forefront.
Take a walk through the best song nominations from 1989 to now and pretty much the majority of Disney and/or Pixar movies put out in those years has a best song nomination. There are a few exceptions, there always are, but generally when Disney includes original songs in its Animated properties it gets nominated.
That makes this year so odd. Disney technically has a nomination with Diane Warren's song for Flamin' Hot, which I suspect has more to do with the fact that the academy loves to nominate Diane Warren and then never give her the Oscar. ~_^ The big thing I noticed was that there were no nominations for Wish or even Elemental. And even more crucially, there was no one setting up a hue or cry that these movies (particularly Wish) didn't get nominated for best song.
Wish had all of the ingredients to be both an Oscar Bait for best animated feature and best original song. And the academy ignored it.
And frankly, I think this is 100% deserved. Wish was an okay movie. It wasn't good it wasn't bad it was just okay. And it's songs were forgettable.
Worse than that, in my opinion, they were unsingable. And what I mean by that is the songs were so complex so lyrically and musically difficult that a four-year-old in a princess dress would struggle to sing them. There were too many jumps and the lyrics were incredibly tongue twisty and they even sounded difficult for an accomplished singer like Ariana DeBose to sing. Seriously, the chorus of This Wish has so many jumps and drops that it is almost impossible to stay on key and also follow the melody. The music is just there.
When I walked out of the theater, I couldn't remember any of the songs. I still can't. And as most of my friends can tell you I have a bloody musical memory. I remember songs.
The first time I saw Barbie, I had three of the songs (What was I made for, I'm just Ken, and Pink) wrestling for dominance over who was going to be my earworm for the day. The same thing was true with Frozen, Moana, Encanto, beauty and the Beast, and even Tarzan. I still can't remember the music from Wish at all. To even write this, I had to go on YouTube and listen to the songs. And after listening to them, I still can't sing them. But just typing "I'm just Ken" has put that song in my head.
So rather than just celebrating Wish being excluded in a very good year for animation (it was so good, y'all) we should also be laughing and pointing that the Disney's attempts at getting a best song nomination for that movie also went unheeded.
Because I sure am.
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glorious-sunset · 1 month
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Location Names in LBFAD – Meaning and Significance
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For English viewers, some of the location names in LBFAD (Love between Fairy and Devil) are given in Mandarin. However, the meanings of these names have deep significance that are lost in translation! Here are my translations and interpretations of these meanings.
Cang Yan Hai - 苍盐海: “Dark blue Salt Sea”
The hanzi (mandarin character) for “Cang” is the same as the “Cang” in “Dongfang QingCANG” (DFQC) and means dark blue. The colour dark blue is representative of the Moon Tribe, and may symbolise the night sky featuring the Moon (their emblem) and its reflection in the water of their Sea. Only members of the royal family (DFQC and Xunfeng) are seen wearing dark blue, embellished with gold (see image above). Other characters, such as Jieli and Xiao Lanhua (XLH) do wear blue but generally in lighter hues. Part of DFQC’s name (but not all, I will post more on this later) is named after the realm of the Moon Tribe, as he represents Cangyan Sea as their leader. The darkness of this imagery (and their better fashion and clothing! :D ) contrasts with the light and airy tones of Shuiyuntian.
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The character for “Yan” is the same as the “Yan” in Lady Yan, the founder of the Moon Tribe, and means salt. Cangyan Sea is named after its founder to honour her establishment of their Tribe, and her name reflects the bitterness (saltiness) of her personal life experiences and her actions in response to these (I will post more on this later). “Yan” also symbolises the saltiness of the seawater in Cangyan Sea, and the harshness of the environment there. The people of the Moon Tribe work hard to survive, depending on fishing and hunting for sustenance. “Hai” means sea, acknowledging that Cangyan Sea is made up of many small islands surrounded by sea. The Moon Tribe also obtain many varieties of fresh seafood from the sea (and have better food than Shuiyuntian! :D )
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Si Ming Dian - 司命殿: “Arbiter of Fate Temple”
This sacred place is named after the Arbiter of Fate, Siming (the title of her position), and hosts the sacred Tree of Destiny and Tianji Mirror. “Dian”, meaning temple (although subtitled as “Hall”), reflects the consecrated nature of this abode. The Arbiter of Fate, Siming, was in charge of the fates of everyone in the three realms, and took particular care to guide the destiny of XLH, whom she loved like a daughter, and upon whose fate the safety of the three realms depended.
Siming Dian is located in the most remote part of Shuiyuntian, and it can be supposed that Siming (and her predecessors) intentionally established their abode here to avoid Shuiyuntian politics and protect XLH’s secret identity. Fairies describe it as a miserable destination (ep. 1) and avoid visiting unless absolutely necessary. This remoteness and solitude allowed DFQC and XLH to peacefully coexist there for almost two weeks without being disturbed or discovered. Due to its north-facing aspect and remoteness, however, it does not receive much sunlight, making it difficult for the spirits there to cultivate and for XLH to recover after having her energy drained.
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Shui Yun Tian - 水雲天: “Heavens of Water and Clouds”
“Tian” means sky/heavens and “Yun” means clouds, and from its lofty position high in the sky among the clouds, the residents of the Fairy Realm, Shuiyuntian, look down upon the mortal realm and the realm of the Moon Tribe, both literally and figuratively. They believe they are the top, most superior race, and have been actively trying to wipe out the Moon Tribe for generations. The fairies look down on XLH because of her origin from the mortal realm. But their views and opinions have been clouded by the propaganda circulated within Shuiyuntian, especially around members of the Moon Tribe.
All locations in Shuiyuntian (Arbiter Hall, Fountain Palace, Yujing etc.) float in the sky, and its residents are immortal beings with the ability to fly and manipulate energy. The clouds in this heavenly ethereal paradise are also home to the magical Cloud Whale.
“Shui” means water, and the capital of Shuiyuntian (Yujing) is the place where the four rivers Xiao, Xiang, Li and Yuan converge, controlled by the Four-River Pearl tower. Many structures featuring water are seen throughout Shuiyuntian, such as Fountain Palace, the waterfall in Shuyu forest and floating water fountains throughout Yujing. The vast amounts of water are a lethal weakness which DFQC exploits in ep. 9 by destroying the Four-River Pearl. This creates catastrophic tsunami waves threatening both Shuiyuntian and the mortal realm, the flow of which the celestials are barely able to reverse with their combined powers!
Yu Jing - 玉京: “Jade Capital”
Yujing, the capital of Shuiyuntian, is named after the sacred stone Jade, which is rare and highly prized in both Cangyan Sea and Shuiyuntian. However, the rarest forms of Jade come from Cangyan Sea, such as the Magical Jade Firefly stone which takes 10,000 years to form in the cold temperatures of Northernmost Ocean. No wonder Shuiyuntian wants to conquer Cangyan Sea and exploit their resources! Changheng obtained the Firefly stone for XLH during his recent invasion of Northernmost Ocean.
The other jade artefacts in the series are also observed within Cangyan Sea. The holy token of the Moon Supreme, the magical Jade ring, is a sacred artefact made of rare jade. This ring is enchanted to protect its wearer from mental influences, including the mental and emotional effects of the one-heart curse. Jieli steals rare jade from the Spiritual Treasures Pavilion at Silent Moon Palace (claiming it is for XLH :P )
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Shu Yu Lin - 淑玉林: “Gentle Jade Forest”
Also named for the prized stone Jade, it is possible that Shuyu forest has some jade deposits, although we do not see them. “Shu” means gentle, and this forest is so well-lit, open and safe that escaped celestial criminals from Haotian tower are able to hide there only briefly in ep. 2. A few demons are brought in for a day for the fairies’ examination, but otherwise no dangerous creatures are seen in this forest. This was a beautiful and idyllic location for XLH and Changheng’s fateful tryst 500 years ago! :D
What a contrast this forest is to the Dark Pine Forest in Cangyan Sea! The Dark Pine Forest is dense and dark enough to hide the most evil of schemers, Ronghao, his henchmen and allies prime among them! It is also used for hunting and dangerous beasts likely lurk within.
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Hao Tian Ta - 昊天塔: “Vast Sky Tower”
Located within the heavenly sky realm of Shuiyuntian, this maximum security prison is so vast that XLH is able to float freely within the top tier in ep. 1, the walls of the tower being so distant as to be out of sight. The vast tower has many many levels separated from each other, to house its numerous prisoners, who are sentenced to lengthy terms spanning tens of thousands of years. They are immortals, so executing them would lead to them reincarnating. Therefore, they are imprisoned instead to eliminate potential threats to Shuiyuntian. Haotian Tower is beside Shuyu Forest, as XLH observes the High Council around the tower from there in ep. 1, and both she and celestial criminals end up there after escaping the tower in ep. 2.
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Xuan Xu Zhi Jing - 玄虚之境: “Realm of Deceit”
The Xuanxu realm is the region of Cangyan Sea that 30,000 years ago, saw the downfall of DFQC and the 100,000 soldiers loyal to him and to the Moon Tribe. “Xuanxu” means mystery or deceit, and perfectly describes how both DFQC and his soldiers were taken off-guard by Lady Chidi’s sacrifice, which sealed the soldiers within the earth. DFQC describes these tactics as “dirty tricks” in ep. 2.
Prior to the arrival of DFQC’s 100,000 soldiers, he and Lady Chidi had already been battling each other for some time (days in the novel), during which time, DFQC had marked the back of Lady Chidi’s neck with Hellfire, and she had weakened him. Thus, after her sacrifice, Lord Dong and the combined Heavenly High Council were able to gang up on and capture an already weakened DFQC, separating his spirit from his body and imprisoning both within Haotian Tower and the powerful magical seal of the Haotian Matrix. Note that DFQC refuses to stoop to this level of (deceitful) unfairness in ep. 13 when he refuses to fight a Changheng who is already injured and disadvantaged.
Shuiyuntian again launch an unprovoked attack and invasion of Cangyan Sea in ep. 31, on the deceitful false accusation that Ronghao offers them. The Xuanxu Realm is the site where the gravely outnumbered women and children of the Moon Tribe try to defend themselves against this genocidal onslaught.
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Yun Meng Ze - 雲夢澤: “Cloud Dream Lake”
Yunmeng Ze is the only realm for mortal inhabitants among the three realms, as both Shuiyuntian and Cangyan Sea are the homes of immortal beings. It is named for the bountiful lakes bordering its buildings and residences. These lakes are connected to the Oblivion River, which immortals can use to transport themselves between Yunmeng Ze, Cangyan Sea and Shuiyuntian (as our OTP do in ep. 26).
The mortals that live here are not aware of the existence of magic or immortal beings, or of the other two realms, thus their perceptions are “clouded”. And like a fleeting cloud or dream, their lives are brief and fleeting compared with the lives of immortal beings. Even time runs much faster within Yunmeng Ze compared with the other two realms. A few hours in Cangyan Sea or Shuiyuntian is equivalent to a few months in Yunmeng Ze. For immortals living out tribulations in the mortal realm, their memories of their immortal lives are absent during this time, thus their perceptions are also clouded and the life they live out here is like a dream in retrospect.
Lu Cheng - 鹿城: “Deer City”
It’s not clear why Lucheng, a city in the mortal realm, is named after deer, but perhaps its inhabitants enjoy hunting deer for sport or for sustenance :) In the novel, Lucheng is a city under siege, thus its inhabitants are prey, similar to deer.
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Hai Shi - 海市: “Sea City”
Haishi was founded by Ronghao with the backing of Xunfeng 30,000 years ago for the purpose of refining evil qi to sustain Taisui. It is a thriving centre for commerce and trade, and its location beside the sea (for which it is named “Sea City”) enables efficient transportation of mercantile goods to and from other regions. Within Haishi are located Jieli’s shop, the Luifang Pavilion and the Soul transformation grounds.
Haishi is located outside the three realms of Yunmengze, Shuiyuntian and Cangyan Sea. The evidence for this is: a) Jieli’s shop contains many magical artefacts that are forbidden in the mortal realm of Yunmengze so her shop can’t be there. b) XLH visits Jieli’s shop in Haishi in ep. 2 and she wouldn’t have been allowed to (or able to) visit Cangyan Sea at this time so the shop can’t be there. c) Jieli had been enchanted by her parents to have the appearance of a member of the Moon Tribe, thus would not have been allowed to live and trade in Shuiyuntian so her shop can’t be there. d) Ronghao is based in Haishi and he infrequently visits Shuiyuntian, thus Haishi is not in Shuiyuntian. Being outside the three realms enables Ronghao to refine evil qi from the souls of both Fairy Realm and Moon Tribe members without the notice of either of these tribes.
Liu Fang Ge - 留芳阁: “Keep Fragrant Pavilion”
The Liufang Pavilion in Haishi is the base for Ronghao (the Master of Haishi) and Dieyi, and is a legitimate business centre. It is the cover that they use for their nefarious activities of refining evil qi from the souls of the dead and feeding Taisui, thus it is important that they keep the reputation of this centre ever clean and fragrant.
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Xi Shan - 息山: Breath (of life) Mountain
Xishan is also placed outside of the three realms in a faraway and remote location, and is named for the many mountains in this region. Members of the Xilan tribe inhabiting Xishan had the unique ability to restore damaged and disembodied spirits and had powerful healing magics. The Goddess of Xishan, with the power of the breath of life, could even resurrect the dead. The character for "Xi" is the same as the "Xi" in Xiyun (XLH's real name) and means breath (of life). Thus part of XLH's name is the same as the name of her realm, just as part of DFQC's name is the same as the name of his realm. This is because they both represent their respective realms and peoples as their leaders!
The Xilan tribe alongside the Goddess maintained tight security over the ultimate ancient evil god Taisui, who could not be completely defeated but was carefully sealed away beneath Xishan.
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Here is a link to my article: LBFAD is the most inspiring series I have ever watched and here is why…
All of my LBFAD articles can be viewed with the tag #lbfad reflections (hyperlinked) and the table of contents to these is here.
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d33pwithinmys0ul · 5 months
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i love diane. i’m a little sad their robot arm meet cute turned out to not be canon (it’s sweet that we saw diane through mortys eyes based on his perception of her) but i think this goes back to a topic that i’ve always felt strongly abt-
i fell in love with diane through some of the amazing rick x diane ship art i’ve seen on here, some people’s diane OCs, general art of her. i don’t think i can write about or in the pov of diane. we don’t know her and i like that we don’t. she reminds rick of summer. maybe she was an artist, or a scientist, or she liked reading or music or makeup or inventing or not. or she liked all of it.
whoever rick loved so deeply, maybe doesn’t have to be someone we know for us to understand that he loves her.
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A little collection of fun things Judd does
Tags: fem! Reader, mentions of drugs, alcohol, pyromania?, just Judd things yk, maybe he should be a warning in himself, there’s like one brief mention of sex, generally creepy behavior, Judd being an unironic edge lord, author was sleep deprived
Playlist: I made him a fun little playlist, I tried very hard not to be biased and add songs I actually think he’d listen to instead of just songs I like lol
But! if you’d like to listen to some of Judd’s jams, you can do so HERE
Summary: part 2 to my Judd hc’s, read part one HERE
Author’s note: this,, just came to me. I’ve been taking random thoughts I had about Judd and added them to a docs document, and would you look at that! These hc’s wrote themselves! I think I babygirlyfied him a little bit, but yk what? He is my baby girl 💪
Just Judd things
Word count; 1,9K
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Judd birch is known for many things, one of them being his smell
He always smells a bit.. funny
Not bad, just kinda like raccoons and alcohol, it’s an interesting smell
Often he also smells like some kinda polish, either because he’s been polishing his car or his knives
I’m sorry if I ruin y’all’s illusion, but he DOES NOT shower unless absolutely necessary
He only really showers if someone (probably you or his mom lol) tells him to, or if he had a particularly sweaty workout
Also, he would never admit this but sometimes he showers just to impress you
Always carries that certain Judd musk yk
He’s also one of those guys who washes their face like once every full moon but somehow still has flawless skin
If you ever convinced him to let you do his eyeliner, he would also not wash it off, just let it sit there and bake unless you washed it off for him
Anyways
Judd is mean as hell, a gaping asshole in his own words
But, he does respect his family somewhat
Even loves them a bit, if he’s being completely honest
Especially Diane
He holds a strong sense of respect for his mom, way more than his dad
It’s not like he’s gonna stop making low key misogynistic jokes for shits and giggles, but he often tries to dial back the cursing in front of her
Like he values her opinions and praise of him the most out of his family
He’s also super protective, mostly of his younger siblings
Like I mentioned before, he definitely has that kinda “edgy” humour
The guy probably says a lot of controversial stuff just to get a reaction
He literally pretends not to be a feminist just to piss off leah
(In reality, he genuinely doesn’t give one single shit about feminism)
Likewise he also just disagrees with whatever his family says just because they said it
But he will not hesitate to physically or verbally beat anyone who starts shit with his siblings
Forget all about is asshole-ness and such, he will obliterate anyone who hurt his siblings
Only he’s allowed to fuck with them lol
When he told Nick “you’ll die when I say you die” he really meant it
He actually also values the raccoons quite a bit
When he goes on his drunken rambles, they’re always there to listen yk
He has friends,, kinda, like he has people he tolerates more than others but he honestly doesn’t mind doing things alone
He enjoys his own company
But also the raccoons
It’s like a mentally unstable girl and her support cat, Judd just has his gang of raccoons
(He tells them all his secrets)
I feel like he would genuinely enjoy the company of an animal way more than people, not limited to raccoons
But he’s not nice to them, he’s never nice to anyone he cares about
He’s just doesn’t grasp the idea, being nice verbally means nothing to him
He’s a man of physical and action-based affirmations
It’s the little things that counts for him
Unless he knows someone who values affirming words, ect his family or girlfriend, he will very rarely go out of his comfort zone to grant them such
He’s so awkward verbally stating his feelings too omg,,
“Dad.. I.. love you..?” He’s like that each time he tries to come across as sincere, it’s like he’s questioning it as he’s speaking lol
He was like that as a kid too, he’s always just enjoyed creeping people out
He takes pride in his weirdness
The guy is very morally grey, the only thing he truly wants ever is the cause chaos
Or inflicting stress/pain on his siblings somehow
He doesn’t rough Leah up like he would with Nick, but he knows just how to get into her head
That’s another thing, he knows everyone’s business
Literally
Between hiding in the vents, being the designated dealer in town and generally the quiet kid in school, he knows what everyone’s up to
Even Nick and Leah’s friends
Knows all their names too
His parents definitely took him to a psychiatrist when he was younger, he was a very difficult child to deal with
Think gremlin meets Chucky
That’s baby Judd
His parents supported him though, and still do
Elliot especially tries to take interest in whatever Judd likes, bands, movies, setting things on fire, ect
Also, music wise, I think he’d really like the misfits
Probably also three days grace and oooh, definitely rob zombie
He just strikes me as that kinda guy
But also, he doesn’t know shit about the hands he listens to
He doesn't care enough to get into the people behind the music, you could literally ask him who’s in the band who wrote his favourite song and he wouldn’t know
Takes the term “separate the art from the artist” to a whole new level
If he doesn’t listen to music, he’s the type of dude to literally put “horror movie ambience” or “pov you’re getting murdered asmr” on or whatever the fuck
Also, he’s the type to strictly listen to music on YouTube, with adds because he doesn’t want to pay
He only has burner phones anyways, so he has to listen to music on his computer or whatever, he has a shit ton of obscure cd’s in his car though that he listens to as well
And on the topic of phones, because of his less than usual choice, literally no one has his number
Probably only Leah has his number? I feel like he’d only give it to her and maybe his girlfriend if you’re lucky
Leah has to text him like “mom says dinner is ready in 10” or “dad told me to text you to please come home soon” stuff like that, and she’s so done with it
He somehow has everyone’s number though
You’ll randomly get a text if he needs you, and he never tells you who it’s from
He will literally text you “I’m in your house” without any disclosure
Maybe he’ll add a few blurry pictures of something in your house as well
Oh but if he’s actually trying to scare you, expect pictures he took of rotting roadkill or a bloody ziplock back or something he found
He just loves gore and violence <3
Another thing he really, really, enjoys is scaring people
He deliberately hides behind doors or curtains to scare his family, he’s also really good at just being super silent?
If he doesn’t want to be found, you’re not gonna find him
If you sleep over at his house and use the bathroom by his room to brush your teeth, the fucker will be standing behind you in the mirror when you come up from rinsing your mouth
He scares those he cares about, what can I say
Well he also scares everyone else, he’s kinda feral
As I said before, it’s not like he doesn’t socialise at all, bc like, he’s literally everyone’s dealer
Idek where he gets his stuff from, but everyone knows Leah and Nick as Judd’s little siblings because they have bought from him one time or another
Not only limited to drugs, he also always has alcohol
(He robbed a liquor store)
Somehow they never found out it was him?? Even though it’s exceedingly obvious and he keeps doing it every other week or so
Some of your dates casually turns into “hey let’s rob a store” and it’s actually so chill
As a consequence of his never ending supply of Jack Daniel’s, he’s like chronically hung over
Always kinda tired and complaining that his head hurts
Literally has a hangover 6 out of 7 days of the week
He also has a bit of a pyromaniac streak
Sometimes buildings in town just sorta,, burn down
I feel like people in town know it’s Judd, but the police force is actually useless so again, he never gets caught
Actually he got caught once, because he was high and accidentally left a lighter at the crime scene
It was before he turned 18 though, so he got no major consequences besides like a night in jail and being grounded for a really long time
I imagine that might have been why he ran away? Man’s didn’t want to deal with the aftermath of his own consequences
He actually really likes consequences of things, just not when it actually turns out to be inconvenient for him
But like, he’s really fascinated by watching things slowly unfold if yk what I mean
He’s quite a patient guy, he literally had the patience to train a whole ass battalion of raccoons
But my point is, he can wait a long periods of time while plotting his sinister plans
He’s a supervillain at heart fr
And as I said before, he exists to cause chaos
I feel like he would literally worship the chaos theory, and he would definitely mansplain it to you
Judd doesn’t believe in god, but he believes in the chaos theory
That’s probably why he’s so into horror, but like a certain kind
He doesn’t really care too much about paranormal or psychological horror
He still watches it, but it’s just not his favourite
What he really loves, is the gorefests
Murderporn if you will
He lives and breathes bloody slasher movies, where people get pointlessly murdered left and right
Literally the more gritty the better
Especially if it’s one of those where all the women gets murdered with their tits out
Horror movies makes him horny help—
No but actually, he’s so annoying to watch them with, because even if it’s a movie he likes HE WILL NOT STOP COMMENTING
starts muttering every other minute about how that flesh wound is not realistic and how it would actually look
How does he know this? You don’t want to ask
But back to the horny part, if you’re dating him, you almost always fuck to horror movies instead of music
If Judd puts on a horror movie, yk what he’s initiating
It’s either that, or he lets you choose the music in his car
Two very subtle, but yet very clear demands of what he wants
Another thing, he loves when you scratch him up
On his chest, on his back, anywhere
Just having those long, red nail marks on his skin does stuff to him
The same with leaving marks on you, he’s so into it
He needs you to be absolutely as bitten and bruised up as you can possibly be
And it doesn’t limit to you, no, no please, bite him back
He’ll love it
(People around you are slightly concerned)
Now I’ve just listed a bunch of things he likes, but like whatever he’s doing, he’s gonna seem super indifferent
He’s just,,, always scowling
My man’s not coded to show joy
Wait okay no, but like he can smile, it just looks unnatural lol
Sometimes, he even laughs (mainly when others are in misery)
But generally, he’s just pretty stoic
And also, he doesn’t truly have that many opinions on stuff
He literally doesn’t care, but that’s kinda expected for someone who’s biggest wish is to go permanently off the grid
Like, he could be delivered the deadliest insult ever, or see a house burning down or something and he would still be like ._.
It takes quite a lot to get him to move his face muscles, is what I’m saying
Generally, it’s gonna take a lot to get him to care about anything
Wow 🤩 more judd headcannons
These were a bit pointless ig, but I enjoyed making them haha, I hope you enjoyed it! And if you listened to the playlist, I hope that was alright too 💪
Tags: @dlfvrr @bxbyyyjocelyn
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smokerswifey · 2 months
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*siiiiigh*
Tell me you have no reading comprehension skills without telling me you have no reading comprehension skills 💀💀.
I appreciate Percivaly a lot for generating attention for the 4koa and the nnt series by regularily posting edits and clips about it on tiktok .
But sometimes, godamn the man has the worst takes EVER known to man like cmon bruh really ??
As if Mertyl chose to be swapped by birth and he didn't even steal Nasiens life cause Mertyl was never Nasiens replacement lmao . King and Diane loved him as their own son while simultaneously loving the son that they lost so what are you even yapping about 😭?
And I'm not even gonna talk about the last sentence cause bro wtf 💀 ?
As I said before, I appreciate him for promoting the series using tiktok but he has some.kf the worst takes know to man sometimes .
He's also one of those annoying Gawain haters who keeps comparing her to Escanor who was a GROWN ASS MAN and she is a TEENAGER .
And he keeps making those cringe ass edits saying new sunshine user with gawain and the lgbt flag next to her with a laughing emoji like maybe I'm being sensitive (and this is coming from a straight person btw ) but why is her being a lesbian relevant or funny at all like 💀
Every Gawain post has a comment of him saying escanor is stronger or she cried like a baby after tho like my brotha nobody gives a rats ass 💀.
Yeah she cried and she's a brat, big fucking whoop, she's literally royalty and has grown up with enabling caretakers ( her grandma and grandpa ) like why r u surprised that she acted arrogant and Escanor did the EXACT same shit too .
Sure she lost her fight at the end but ppl forget that she's a CHILD and that she's already really strong for her age and not only is she a physical fighter but she's also a mage, like miss girl is fucking impressive, give her some credit !
I'm getting of topic but anyways my point is :
Percivaly sometimes I stan u and sometimes I really...really don't .
Good night y'all my eyelids are shutting .
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andydrysdalerogers · 1 year
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Sliding Into Home - A Frank Adler AU
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Pairing: MLB!Frank Adler x Abigail Hernandez (OFC)
Synopsis:
After a trade from Boston to Los Angeles, first baseman Frank Adler would seem to have it all. Money, women, an amazing niece, yes Frank should have it all. Except for one thing. One thing that left after a mistake five years ago. Los Angeles should be the chance to start over. Except she is supposed to be in Boston. Not his new medical director.
* A Frank Adler AU x Major League Baseball Story**
Warning: ANGST (i can't stress this enough), second chances, cheating, eventual smut, slow burn, drug use, abandonment issues, betrayal, domestic violence (i may have missed some), flashbacks
AN: This is my new series I'm starting next week! I hope you all will like this one. Tagging my usual tag list but please let me know if you would like to be added or removed!
Taglist: @patzammit @firephotogrl74 @texmexdarling @slutforchrisjamalevans @jennmurawski13-writes @tinkerbelle67 @before-we-get-started @bunnyforhim
Master List and Preview below:
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Frank was looking at a Los Angeles icon, Dodger Stadium.  It was his new home, his new team and hopefully his new life.  He asked a security guard where to go and was met at the door by an assistant.  She was a shameless flirt, commenting on Frank’s forearms and his tattoos, cooing about how good of a player he is.  There was zero chance of Frank being interested.  His Friday Night adventures were reserved for road trips only. His one-night stands worked out just fine, in his opinion.  
As he was guided into the conference room, Frank was met with the president of operations, Nick Stanton. “Mr. Stanton.” 
“Frank! Good to see you again.” He shakes hands with Frank. “We’re waiting for everyone so can I offer you a drink?” He gestures to Frank to sit at the table. 
“Just a cola, thanks.” Frank took the seat next to the head of the table.  
“How was the move?” 
“Smoother than I thought it would be. Mary, my niece, threw a couple of tantrums but between me and my nanny, we managed to get her here.”  
“Nanny?” 
“Oh yeah, Scott, he’s great. He was willing to move with us, which is great since Mary seems to only listen to him.” Frank chuckles. “Who would listen to your uncle/pseudo father?” 
“I remember that story,” Nick replies. “You are brave to take on a baby right after bring drafted.”  
Frank shrugged. “Its not that big of a deal. You would do anything for family, especially Mary.”  
More voices float towards the conference room and Frank stands as he sees his agent and lawyer walk in and shake his hand. Then the general manager for the Dodgers comes in, making small talk with Frank.  
“Ok, I think we are just missing the team doctor and our legal team,” Nick tells everyone. “Its not Natasha, she’s busy with another client.  She’s sending in their new associate.”  
Frank just nods as the GM goes over the training schedule and when he would meet the team.  The conference room door opens and Frank turns to see and his stomach drops. He feels himself become clammy and pale. Because this shouldn’t be happening.  
Fuck.  
He looks at the brunette that walked in.  
she’s definitely not supposed to be here.  
What the FUCK! 
Abby Hernandez, his ex-girlfriend, love of his life, walked into the room.  
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It Doesn't Stay In Vegas
The Future is West
Are You Sure We Aren’t Going Crazy
You Were Enough; You Are Everything
Fastballs and Fiancés
You Left Me
Take Your Niece to Work Day
Don't You Know How to Spell Assume?
Wanna Feel Safe Again
Maybe I should Have Ducked?
When It All Falls Apart
WTF Just Happened!
D N A: Diane Nicole Adler
Not Just a Pretty Face
It's A Ruff Life
Status: All Star
Since When is Ice Cream Evil
On the Hunt for Mike Weiss
The Next Adventure
A Bump in the Road
Unexpected Surprises
For Reasons Unknown...
Evidence, Emotions, Whatever
Trial By Fire
The One With the World Series
Oh Captain! My Captain!
Finale
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Note
hello! I really liked your character analysis, especially Hobie and the interactions with Diane (she´s very groovy and beautiful n.n) so, I wanted to ask you if you think Hobie could make good friends with someone with a symbiote and the symbiote itself, my spidersona (symbiotesona?) is one of those. I know there´s some story between Hobie and symbiotes in his universe but I couldn't find the comics where it is explained.
You're amazing and keep going!
Oh absolutely!
Especially for Hobie - He has a symbiote dog!
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Hobie is accepting of everyone (he's the best I love him) even symbiotes!!
In his universe, V.E.N.O.M was used in his universe as a weapon for President Osborn's police force - but I think Hobie would see the underlying greed and cruelty of the cops as the problem, and not the symbiote.
If anything I think he'd really respect your sona -
Cause that takes a lot of mental fortitude, and moral and strength in general so he'd be like 'That's fucking metal.'
If there's side effects, or conflict between your sona and the symbiote - I think he'd always want to help, and would like, speak to them as separate people lol
He knows that sharing the same body doesn't make them the same person, and that your sona was full person before the symbiote, so he would see them as a Duo - like two partners in crime.
He'd be really careful about his music playing and volume cause he wouldn't want to hurt your sona, so he would always give a heads-up.
Diane would be SO interested - and she'd probably have to think about SO MUCH, get prepared for a lot of questions!
Diane is pretty clever - but a little naive, so she'd be solidly in the 'All Aliens Come in Peace.' Star Trek started in 1966 - so Diane basically grew up with it around.
A symbiote is something alien, so it can't be murderous and evil - even if it eats people. It's not from here!! Don't be mean to them!!!
If your symbiote eats people, or needs meat, Diane would..honestly not be that freaked out. She'd have to think about it.
"So, Do you eat people on your planet?"
"Well, I guess that's not too bad. I mean..some people have a pet pig, some people eat pig, some do both. So it's like..the same, right? Not that you see humans as pets, you know -"
If humans can not snap and eat their pets and stuff, maybe this symbiote knows food from friends like them! If anything, Diane would be upset if people rushed to judge your sona OR the symbiote.
Her defense : "They didn't ask to come to this planet!" or Hobie's favorite -
"Why are you shaming them! They're not the only immoral ones. There is no ethical consumption under capitalism!!"
Hobie knows she is just repeating something she heard him say one time - and that is NOT what that phrase means, but he thinks its funny, so he lets her say it.
The three (four - actually) could have so much fun!
Hobie would probably get them hearing protectors so they can hang out backstage without getting hurt.
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And y'all can deck it out with cool stickers and punk marker graffiti!
And although beef and stuff probably doesn't compare, Diane would still try making stuff like beef tartare, koi soi, or other raw meat dishes, just to see if they like 'em!
She LOVES sushi, so sashimi is a must to try - She'd want everyone to feel included at the potluck - it's only right, nobody leaves hungry!!!!
[Also thank you so much for the sweet words!!! I know I take literally forever to go through my inbox (it takes me very very long and im gonna point at adhd) but these things really brighten my day and give me the inspiration to keep sharing. It means a lot, thank you!!]
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quizmasterfred · 3 months
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13 in 'The God Complex'
I saw a Reddit post a while ago asking 'what episode would you like to see a different Doctor tackle', and now it's been ages but i had some thoughts, and can't stop thinking about it, and just desperately need to write them down somewhere so here if you're seeing this: sorry, you've got to deal with my ramblings now.
This could replace ‘Legend of the Sea Devils’ wholesale. It was most people's least favourite centenary special, so hopefully we’re not losing much. OR, if you want to wrangle 4 specials in that year, it comes between ‘Eve of the Daleks’ and LotSD, which I’ll elaborate on later.
Arrival:
13 genuinely intends to follow through with “that moment on the beach where you tell me everything”, directly says as much at the end of EotD. Instead of fobbing it off with “whatever happened to the lost treasure of the Flor de la Mar”, they ARE going to San Munrohvar, which Yaz is ecstatic about.
In the OG God Complex (quick reminder: 11/Amy/Rory originally), it’s Amy’s faith in the Doctor which brings them there, and it’s the same now. Except it’s not just the generic faith of a particularly attached companion, it’s the exact specific moment of Yaz knowing she’s about to get that conversation.
Her faith is both restored, and about to be rewarded. After years of asking, and wondering, and being fobbed off, finally the Doctor is opening up. And right after Yaz’s coming out to Dan? Wow - what if!
They aren’t there because Yaz “has faith in the Doctor”, they’re there now because in the exact moment the TARDIS launched, that faith was higher and more intense that it has ever been.
Dan:
Common complaint is that Dan’s a bit of a blank slate – Diane, Liverpool, nice bloke. Fun moments, but not enough time to really develop as a character. I’m not going to make a spectacular reveal here and give him an amazing arc, but at the very least we have a chance to make that blank-slatedness really work. He takes on Rory’s role in the story:
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13’s Room:
We never see 11’s room, only hear the TARDIS’ cloister bell as he looks in. The implication, of course, is that he’s afraid of dying – permanently. Trenzalore, no more regenerations. Very nice and subtle for 11’s arc/personality – the old man disguising himself as a 20-something.
13 has a very different problem: she’s the Timeless Child, she’s been alive for potentially a billion years before her memories begin, and she’s still regenerating. 11 is afraid of regenerations running out; 13 is afraid they’ll never run out.
It’s harder to convey my idea here with just a noise, not showing the inside of the room itself, so I will describe what I imagine the room to look like, but if there’s a way to do this without showing the viewer, that’d obviously be great.
Her room is a field of graves: “Susan Foreman”, “Sarah-Jane Smith”, “Alastair Lethbridge-Stewart”, “Donna Noble”, “Amy + Rory Williams” (an exact copy of the grave from ‘The Angels take Manhattan’), “Clara Oswald”, River('s Screwdriver/Neural Relay sitting on a Library server?), “Bill Potts”, “Yasmin Khan”, even one written in Gallifreyan (could be inferred to be the Master, but not directly stated). Only a brief look, but enough for someone to pause it and read a bunch of companions’ names.
Many are faded, symbolising a fear that one day she’ll be so old with so many lost loved ones, there simply won’t be room for all of them, and she’ll starting to forget their names and faces. Thousands more we can’t read, the people she’s yet to meet across all her future lives, and they will age and die all the same. In the centre, she’s still there. Alive, young, never dying. Maybe it’s not even Jodie standing there – maybe it’s Ncuti Gatwa, or some completely other actor: ‘generic future self’.
This is the moment of tragedy for her. After her own chat with Dan, the fireworks, seeing Sarah + Nick happy, she had decided to give it a try with Yaz. But seeing this room is what changes that. This is the moment she says to herself:
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In OG, this happens immediately after 11 effectively invites Rita to join the crew, but maybe we can swap these around. So 13 sees this, completely psyches herself out of pursuing a relationship with Yaz, knows in her heart that her biggest fear is losing more and more and more people, but seeing Rita being a little bit brilliant again makes 13 invite her along anyway. She can’t help it – a clever little human working their way in, no matter what. Bittersweet.
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Speaking of:
Rita:
Another young Muslim woman who’s a little bit brilliant and a little bit too brave? In all of time and space, it’s a bit weird for a bottle episode to have someone who, on the face of it, is basically a carbon copy of our main companion, right? We’ll see.
13 gets along with Rita just as 11 did. Maybe Dan is the butt of the ‘with regret, you’re fired’ joke. Maybe in a moment alone, Dan can crack a line to Rita that ‘she’s got a thing for clever Muslim gals’. But of course, most importantly, Rita and Yaz have a bit of bonding over their shared faith. Rita mentions ‘Jahannam’ in the OG, and we can use that to get some insight to Yaz’s faith. We know she’s practicing-enough to visit a Mosque (mentioned in Rosa), but really we get very little exploration of what Islam truly means to her throughout Chibnall’s run. Give Yaz something personal that isn’t tied to the Doctor, y’know.
Then, the phone call when Rita is about to die. Like 11, 13 tries to talk her into coming back: maybe she can save her, she really wants to save her. She can’t convince Rita, but Yaz takes the phone off of her. Two young women of the same religion have a heart-to-heart about faith and rapture and Jahannam. They both start off thinking Yaz was brought here for the same reason Rita was (and the viewer does too) – stealing their religion from them.
BUT, Rita gradually realises that isn’t true for Yaz. She realises that Yaz’s faith in the Doctor is stronger: “if you come back, the Doctor can save [you/us]”. That brief, shining moment of beauty that Yaz felt when the Doctor confirmed she would follow through on ‘tell[ing] you everything’ was so powerful, it eclipsed her religious faith. Not forever, she hasn’t become an atheist, but the novelty, the cocktail of love, and rewarded patience, and anticipation, and trust – for a tiny moment, it out-shone her other faith, and that’s why the TARDIS was pulled in by the eponymous God Complex.
Maybe Rita says it explicitly, or maybe she doesn’t. Either way, Yaz also realises what Rita has seen, but the Doctor isn’t privy to Rita’s side of the conversation (because… phone). They hang up, turn off the cameras, and Rita dies. If Yaz hadn’t let the Doctor take over her life and heart, could she have saved Rita? Did someone die because she failed as a Muslim? (Obviously the answer is no – that’s not how faith/religion works, and Rita was dead anyway because that is how the minotaur works, but the point is Yaz has a total crisis here)
As with the OG, the very next scene is the Doctor’s ‘I figured it out’ moment.
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Yaz is hit with a whole fresh wave of guilt. The whole reason they’re here, the thing that killed Rita – and the Doctor agrees with that assessment (the Doctor couldn’t hear Rita, so this obviously isn’t actually the Doctor saying ‘you’re right, you got her killed’ – the Doctor would never think or say something like that – but that’s what it feels like to Yaz).
Yaz’s Room:
Now this is what’s really beautiful about the change from 11 to 13. Amy and Yaz’s rooms are the same thing. Amy’s is a little girl waiting by a window for her Raggedy Man to come back; abandoned. Yaz’s is a young woman in a basic white TARDIS console room, surrounded by sticky notes and sheets of paper, after hundreds of failed attempts to make it fly, waiting for the Doctor to come back from Gallifrey; abandoned.
[Quick side-note: the moment between Amy and Gibbis where she says ‘I thought that room was for me’ about the Weeping Angels still works for Yaz. In her only meeting with the Angels, what was the result? They took the Doctor away from her for 3 years]
11’s speech to Amy, tearing down the image of him in her head – saving her life by pretending he can’t – absolutely stunning. But 13 has even more to work with here: Amy/Rory, Clara (died because she became too much like the Doctor – hello Yaz), River. The added tragedy of breaking not just a friend, but someone who is actively in love with her and who she shares those feelings for, and the only way to save Yaz’s life is to shatter those feelings.
AND: Bill. "Remember that man who tried to kill you, Graham, and Ryan in a plane crash the instant he met you? The man who tried to kill us all on Gallifrey, and is ultimately the reason I left you, vanishing for 10 months? The man you’re most afraid of, of every villain we’ve met together? I TRIED TO HELP HIM. I put his redemption above Bill and Nardole’s safety because ‘[he’s] the only one person that I’ve ever met who’s even remotely like me’ (direct quote, btw(!) – ‘World Enough and Time’), and it got her mercilessly killed and converted. That’s the sort of person I am, and now I’m about to get you killed too."
Falling Action:
Because Yaz is a little bit brilliant, and coming into her own as “becoming like the Doctor”, like Clara did, she later works out that the speech in her room was ‘the plan all along^TM’ to get rid of the minotaur, and starts to patch herself up by telling herself that the Doctor didn’t really mean not to trust her. So Yaz presses, once again, asking for the Doctor to tell her something about herself.
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The Doctor, of course, actually was being genuine, because her own room – the field of graves – scared her that much. 11 rebuffs Amy’s question, continuing with his exposition about the prison. 13 does the same to Yaz. The episode started with Yaz being elated that the Doctor would finally open up, and ends with 13 reverting back to closed-off, and refusing to answer a personal question. Because 13 saw what was in her room, and decided, against everything they both wanted 45 minutes ago, that she can’t fix herself.  So back in the box it goes.
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Then:
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From 11’s perspective, this could be perceived as bittersweet. He’s still afraid of death, but at least there’s someone here and now commiserating with him. Maybe it would be a gift, and maybe he can accept it in time, and go to Trenzalore in peace. But for 13, it’s just bitter. 'Yes, it would be a gift – if only I could ever have it. But at least I can grant it to you.'
We can either do the beach scene now, ‘can’t fix myself’…
(and then in my ideal world, alter Power of the Doctor to give us a slightly happier end / opening up / explaining 13's hotel room / Thasmin kiss, because god knows us gays need someone to throw us a bone – but that’s not important right now, not relevant to 13!GodComplex)
Or this is where the Doctor goes ‘let’s fuck about looking for the Flor de la Mar’, cue LotSD. Again we see the contrast between her genuine intent to be honest with Yaz 45 minutes ago vs fobbing it off now. Yaz’s heart is broken for real, just after she managed to convince herself that the Doctor’s speech in the hotel room was all a trick.
I can't stop thinking about it, because Doctor Who has consumed my every waking moment for the last 2 months...
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