#context in general is very important here

[saintsenara]

wait how bougie was Tom Riddle Sr.? How nice would his Manor have been? Was he like an actually Lord with a title and stuff?

thank you very much for the ask, anon!

in half-blood prince, dumbledore refers to tom riddle sr. as "the squire's son" - which allows us to state with certainty that he was a minor aristocrat.

however, the word minor is important here.

there are - historically - two levels of aristocracy in britain. the first are the peers of the realm - which refers to families which hold one or more of the titles of duke, marquess, earl, or viscount. these are the elite of the elite - these gradations of nobility were created in the middle ages as a way of distinguishing those who held the titles from other noblemen, usually because of a close relationship [often one of blood or marriage or both] to the king.

the titles are hereditary by male primogeniture, and the holders - while this is no longer the case - used to have political power [such as the right to sit in the house of lords], simply by virtue of their birth.

[this is why they're called "peers" - it refers to them historically being close in status to royalty, and therefore expected to serve as royal advisors.]

there is another class of peer - a baronet - whose title is similarly hereditary, but whose position doesn't come historically with the right to sit in the lords or advise the king by virtue of birth. [baronets may - of course - have been members of parliament, or royal advisors selected at the king's discretion, but this would be separate from their title. a duke, in contrast, could historically expect to request a meeting with the king simply because he was a duke.]

while some families have historically been ennobled at the king's discretion, access to any of these titles is pretty much restricted to the small group of families who've held them for centuries.

but below the peers of the realm, there is a second, more minor class of aristocracy, the landed gentry - of which a village squire is a textbook example.

historically, what is meant by "landed" is an ability to live off of the rental income of one's country holdings, which would be leased to tenant farmers. that is, they are landlords in the original sense of the term - lords of the land. this is what tom sr. tells us his family does in half-blood prince:

“It’s not ours,” said a young man’s voice. “Everything on the other side of the valley belongs to us, but that cottage belongs to an old tramp called Gaunt, and his children. The son’s quite mad, you should hear some of the stories they tell in the village - ”

what is also meant by "landed" is that the family in question is of the upper-classes, but that they are still "commoners" - which in this context doesn't imply a value judgement, but which is a socio-legal term which simply indicates that they don't hold an aristocratic title such as duke, earl etc.

[and gentry families certainly aren't common in terms of financial standing... the most famous member of this class in literature? fitzwilliam darcy, whose ten thousand a year is something like thirteen million quid in today's money...]

gentry families might be very old - they might have received their lands from the king in the middle ages as a reward for knightly service, and it's interesting to imagine generations of gaunts and riddles brought up alongside each other in little hangleton - or they might be comparatively newer - tom sr.'s great-grandfather [feasibly born c.1810] could have been a self-made victorian industrialist who bought the lands from the original holder and established himself as gentry.

by 1900, it was becoming much harder for the gentry to live on rental income alone, and many would also have had jobs. these would have been elite, and very frequently were in politics, the civil service, the military, or the law. tom sr's father - whom the films call thomas, so let's go with that - might, for example, have served as a high-ranking officer in the army [including during the first world war], be the local magistrate, or be the local member of parliament.

in terms of titles, thomas riddle would almost undoubtedly be sir thomas - and this is how it would be correct to address him. but this title would be a courtesy, and it wouldn't be hereditary unless the riddles were also baronets [which it's entirely plausible that they were].

which is to say, tom sr. would not have a title while his father was alive - although he would have the right to be referred to formally in writing as mr thomas riddle esq. [esquire]. the correct form of verbal address for anyone other than friends and family would be to call him mr riddle, although the riddles' servants would probably refer to him as mister tom.

tom jr. would not have a title while his father or grandfather was alive. if the riddles were baronets, he would technically inherit the title after he kills the rest of the male line... but given that tom sr. never acknowledged him and his existence was presumably unknown to the riddles' lawyers this wouldn't be something which happened in reality. the estate's executors clearly took control of the riddles' property, the land was portioned off and sold, and the house became a standalone property for sale.

the riddle house - which is a name used informally for it in little hangleton, it would have a different "proper" name - is described in canon in ways which show that it's a typical manor house, which means it would look something like this:

these houses are obviously very impressive, but they're tiny in size in comparison to the magnificent stately homes - places like blenheim palace, chatsworth, burghley house, holkham hall - lived in by the titled aristocracy. the riddles would entertain - for example - by giving house parties, dinner parties, hunting parties, etc., but they wouldn't have a ballroom or a dining hall capable of seating hundreds.

[they would probably also own a property - probably a flat or small house - in london.]

they would have servants, but not colossal numbers - they would undoubtedly have a butler but not footmen, and the upstairs maids would report to the butler since they probably wouldn't have a housekeeper. they canonically have a cook, who probably had one or two kitchen maids assisting, and they canonically have a gardener - frank bryce - who probably doesn't have any assistants. they may, depending on the size of the estate, have a gamekeeper. sir thomas undoubtedly had a secretary and a chauffeur, and his wife might have a lady's maid. tom sr. would have had a nanny and then been educated until at least the age of eight by a governess, but would then have attended a prep school [either day or boarding] until the age of thirteen, and then gone to a boarding school, from which he likely went on [on the basis of social class rather than talent] to oxford or cambridge.

the family would have enormous social influence locally. most people - and also businesses - in little hangleton would be their tenants, and they would also probably have a say over the appointment of the local clergyman [an important figure in the community in the nineteenth and early twentieth centuries], since the parish church is likely to have been something called a "living" - the thing which turns up again and again in jane austen - which means that the church and its parsonage technically belongs to the landowner, but is granted to the vicar as a freehold while he's in post.

gossip about the riddles' doings would also be the main source of local interest - the servants were dining out for months on tom sr.'s elopement and return.

so they're something resembling celebrities - but they're local celebrities. nobody in london - and even nobody in cities we can imagine are nearer to little hangleton, such as liverpool - would particularly know or care who they were. tom sr. might have made it into the london gossip columns if he was part of a particularly scandalous "set" [a group of friends] who socialised in the capital, but these mentions would have been fleeting - and the press would have been much more concerned by the doings of members of his set who were genuinely titled or who were legitimately famous.

[this is the reason why mrs cole doesn't recognise the name. if merope had said her son was to be named cecil beaton after his father, she may well have been prompted to hunt him down...]

so tom sr. is elite - but he's elite in a way which is extremely culturally-specific, and which is [just like the portrayal of aristocracy in the wizarding world - the blacks, for example, are far less aristocratic than the riddles in terms of canonical vibe] often exaggerated into the sort of pseudo-royal grand aristocracy which the british period-drama-industrial-complex makes such a big deal of.

and tom jr.'s character is affected by this in a series of extremely interesting ways.

by which i mean that, in terms of blood, he's probably the most aristocratic character in the series - the absence of grand aristocracy in the wizarding world would mean that [were he raised by his father] he would come from a social background which was equivalent [even as it was divided from them by virtue of being muggle] to any of his fellow slytherins, and would help him easily blend into their society because the manners, genre of socio-cultural reference points [he would recognise, for example, that quidditch heavily resembles both rugby and polo], accent and way of speaking etc. that he would possess would be broadly indistinguishable from those of his pureblood peers.

[this is why justin finch-fletchley and draco malfoy speak in essentially the same way.]

but he would then be given the enormous boost in cachet - one which would genuinely elevate him above the rest of his cohort - of his maternal line.

and we see in canon that this does bestow some privilege on him among his peers while he's in school:

Tom Riddle merely smiled as the others laughed again. Harry noticed that he was by no means the eldest of the group of boys, but that they all seemed to look to him as their leader. “I don’t know that politics would suit me, sir,” he said when the laughter had died away. “I don’t have the right kind of background, for one thing.” A couple of the boys around him smirked at each other. Harry was sure they were enjoying a private joke, undoubtedly about what they knew, or suspected, regarding their gang leader’s famous ancestor.

where he's let down socially is that people like slughorn - to whom he can't reveal his slytherin ancestry and hope to maintain cover for his wrongdoing - don't think he's come from anywhere particularly special. this is because he has a muggle father - absolutely - but it's even more that he has a muggle father who, since he left him to be raised in an orphanage, was presumably working-class.

what the young voldemort lacks is any socio-cultural familiarity with the muggle class performance which the class performance of the wizarding world parallels. abraxas malfoy boasting about how important his father is would be something a tom jr. raised by the riddles could match - "oh yes, my father gives to all sorts of causes too. in fact, he was invited to buckingham palace because of it." - establishing himself as an equal in terms of class and social influence even if he isn't an equal in blood.

what actually happens in canon is that the orphaned tom - with his uncouth manners and his working-class accent - has no hope of gaining any sort of social equality with his posh peers.

so he becomes determined to outrank - and humiliate and control - them.

#asks answered #asenora meta #tom riddle sr #tom riddle #lord voldemort #surprise! it's the class system!

[identitty-dickruption]

I really appreciate ur vocal stance about harm reduction. If u have a moment, could u perhaps link to, or talk about how harm reduction works with alcohol?

Thank you, an I hope u have a good day:)

of course! while I’m now completely sober, I wouldn’t have been able to get here without harm reduction, so it’s a very personal thing to me. that being said, to be clear I also see harm reduction as an objective good, even (especially!) if it never leads to sobriety

the thing about alcohol is that a lot of it is tightly regulated on account of it being a) legal, and b) easily accessible. so you don’t necessarily have the same safety concerns as you’d have with other drugs. it’s pretty easy to keep track of how much you’ve had, because most countries have some form of “standard drink”, which legally has to be printed on labels etc

other than that, harm reduction is fairly similar with alcohol as with other drugs. the way I was taught about it was to break harm reduction into three parts: mindset, context, and substance. before you can work on setting harm reduction goals, you need to understand the facts of when, where, and why you drink, and it can be helpful to work within those categories

mindset (how you feel)

what thoughts and feelings usually lead up to drinking?

are there thoughts and feelings that are likely to lead to a worse experience when drinking?

what are some other ways you cope with those same feelings?

harm reduction in this category usually means practicing self-awareness around this stuff. if you know you’re more likely to have a bad time if you drink while angry, you can set yourself some goals around not drinking while angry (or drinking less when angry). it also can help to set up some safety barriers so that drinking is less likely to hurt yourself or others

context (social + built environment)

where do you usually drink the most? how safe are these places?

are there people you drink more around or who encourage unsafe drinking behaviours?

what environments make you feel safest when drinking?

this is where most of the harm reduction work happens with respect to drinking. not drinking with people who encourage unsafe drinking can make a major difference. as can having an accountability partner, not drinking when alone, or otherwise planning ahead to keep you as safe as possible

substance (facts of what you’re using)

how much do you usually drink?

how much is safe for you to drink? at which point do you usually start to feel unwell?

what is the best way for you to track how much you’re drinking?

what other substances might be involved? how will they interact with alcohol? (including prescription medication!!)

this also includes knowing what overdose looks like, and having a plan for what you will do in case of overdose. being aware of what a certain amount of alcohol is likely to do to your body can also make it easier to drink safely

IN GENERAL: it’s important to be realistic with yourself. setting goals you know you can’t meet right now is a fast train to burnout, shame, and disappointment. even doing ONE thing to make yourself safer is GOOD. the safer you are the better, and whatever that looks like is good

I hope this has been helpful! feel free to ask any other questions about this either way :)

#asks #addiction #sorry this is so long. oops!

[eliasdrid]

you keep putting these tokusatsu shows on my dash for months and I have less than zero context what they're about. what's the cliffnotes version to get me interested in whatever these odd looking robots or perhaps creatures are doing?

Alright I'll try my best but it might get long.

To me, the most appealing thing about them is that the suits are very much suits, they often try to use practical effects where they can and there's a lot of neat choreographed fights. There's also often sci-fi elements (which I'm a fan of). Each season of each show seems to be made with love and passion for the genre* too and I've read/seen a few interviews which support this. There's also some very talented actors and it's amazing to watch them play pretend the colorful plastic weapons are real and can hurt you (they really sell it to you if you can suspend your disbelief a little and have some fun).

*edited - I wrote labor of love but forgot it is a specific thing and might not apply very well here?

Anyway. I'll give you the basics. The three big tokusatsu shows you may often see around are: Kamen Rider and Super Sentai (both from Toei) and Ultraman (from Tsuburaya).

Screenshots from: Kamen Rider OOO (2010), Kikai Sentai Zenkaiger (2021) and Ultraman Blazar (2023)

There's others! like Dogengers (screenshot below) - but I'll try to focus on those three.

In general these shows are aimed at young audiences so you have to watch with that in mind. Also, like any superhero show, they will want to sell you merch (figures, toys, plushies, etc).

Another important thing to know is that the seasons of these shows are usually self contained, and each have their own theme, so you can pick any season that catches your eye to check out with no previous knowledge. There are crossovers events (movies and especials) and anniversary seasons which will explore and/or showcase previous content too! I personally really enjoyed Kikai Sentai Zenkaiger (2021) which is a 45th Anniversary Sentai season and I had watched only two other sentais before it.

Now, some differences! so you can tell the shows apart and also know what you will potentially have in store if you decide to watch any. I'll put a read more because this is getting long 👍

Kamen Rider and Super Sentai air all year long, for this reason, seasons usually have 45-50 episodes. All the Ultraman shows I've watched have 25 episodes per season. Meanwhile Dogengers has kept a 12 episodes per season formula so far. Spin offs, specials and reboots have no defined number of episodes (to my knowledge).

I feel like I should mention that (especially in the case of 45-50 episodes shows) the episodes might feel a bit off sometimes? Be aware there's often release schedules with toylines involved* From what I've noticed this usually happens past the mid-season point the closer you get to finale territory. My guess is that, generally at that point, the writing team (or writer) was trying to do things they forgot to properly set up before, tie loose ends and/or finish arcs quickly. *Sometimes other things affect production, like COVID or an actor suddenly not being able to continue with their role.

All shows value The Power Of Love and Friendship and usually feature a team of heroes (or allies) fighting against an enemy faction. There's also, almost always, some sort of transformation device involved and in all these shows the heroes must collect some season-themed item to get power ups. The key difference between each show will be how they decide to play with these things.

Super Sentai is what Power Rangers is based on. If that tells you nothing: there's a team of heroes ("rangers"), color coded suits that are generally not too complex in design and one giant mech vs. giant monster fight per episode (on average). I've not seen too much Sentai so that's all I got for you.

Kamen Rider gives its heroes more complex suit designs and (usually) multiple forms (ascending in strength/skill). Kamen Rider's signature elements are probably: the drivers (belts), the henshins (transformation scenes) and the fact that they often have motorbikes (they gotta ride something).

Ultraman has more of a shared universe between seasons situation going on than the previous two so there's recurring lore. I won't explain that lore to keep this as short as possible. Either there's a host-alien situation (to varying degrees) or the protagonist has the ability to transform. In this show there's always an almost guaranteed Titular Ultraman vs. giant monster fight per episode.

More visuals that might help you tell them apart:

Screenshots from Ohsama Sentai King Ohger (2023)

Screenshots from Kamen Rider Ryuki (2002), Kamen Rider Den-O (2007), Kamen Rider OOO (2010), Kamen Rider Build (2017)

Screenshots from Ultraman Orb (2016), Ultraman Geed (2017) and Ultraman Blazar (2023)

I hope this was helpful! sorry it got long!

#i-gwrath #ask #reply #long post #elias toku tag

[brotherofbagels]

There needs to be more nuance in how people view the situation but the internet doesn't allow for that.

#georgenotfound #the thing is though is that the internet as it is rn is completely black and white so that's not gonna happen #'non-verbal consent is not consent' it absolutely can be in certain situations #if you cuddle for hours and seem comfortable doing it and reciprocate by coming back and showing positive body language l #then yes putting a hand on the waist of the person you're cuddling with isn't a heinous crime #social context is very important here #context in general is very important here #i just feel like people forget how the real world operates sometimes because the internet's view on stuff like this can be so polarizing #especially in a community as young as the mcyt fandom #that being said #caiti's feelings are completely valid #george can be innocent at the same time #i just wish people could look at this logically instead of being so chronically online all the time #instead of throwing around the assault word and hoping that gets them internet brownie points #idk this is so stupid catie's friends made the situation 1000x worse by publicizing it the way they did before catie could even try and #resolve it privately

[commsroom]

Happy belated birthday! Just wanted to hop in again saying I love your posts about Wolf 359. They’re all so good.

I’m on a relisten again and am at the end of season 3. And I’m thinking about how fascinating it is that Hera remembered the Thanksgiving with her at the table physically. And in a post if yours I read recently or you posted recently you talked about Hera getting a human body and I think that scene kinda hints at maybe wanting to be physically there? Idk.

If you’re up for it you can share your thoughts on this. I just wanted to wish you a happy birthday and leave you with some of my Wolf 359 thoughts.

Sending you good vibes over the internet.

thank you; you're always so sweet!! 💙

we're absolutely on the same wavelength here, too!! that scene in particular is a big reason why i feel like hera would want a body - what it says about her self-perception, sense of physicality (even without experience to contextualize it), and... as a result, that she experiences physical loneliness. and, notably, that all of those things are subconscious framing in what she misremembers. i've posted about that scene before here, and in my... way too long essay about hera here, which i'll try to paraphrase a bit. and in other places, too, probably! i think about it a lot.

so: i think there's a big difference between existing differently (which can be isolating in itself, but... through lack of understanding) and feeling like she's always being kept away from the others - somewhere else, physically. she clearly conceptualizes herself in that space as within the hephaestus, separate from it and the systems she runs, the same as everyone else. that's the difference between "other people need to change their attitudes" and... well, other people still need to change their attitudes, but there is also something fundamental about her circumstances that she's unhappy with and needs to change.

(and, obviously, like... because you know i see hera as a trans woman, i think some of the parallels you could make to medical transition are pretty clear in that framing, too.)

minkowski says “you weren’t here with us [...] we were over here, and you were over there” but minkowski would never actually say that - from her perspective, hera was as there with them as she's ever been. but if hera doesn't feel that way - if - like the sound design suggests - she's always hearing their voices the way they hear hers... if she's always felt that she's somewhere else... then it's hard for me to imagine there's a way to resolve that without giving her the autonomy to physically interact with the others, to be seen the way she sees herself - and that's something i think is really highlighted in the finale, too.

#wolf 359 #w359 #hera wolf 359 #asks #like i get why some people don't want AI Characters in General to have human forms but i think the circumstances are soo different for hera #and denying that that physicality is a part of her and that her lack of physicality is both like. a social frustration and #and issue of autonomy for her... i think would be missing some really major parts of her character. that are really important to me #for. as usual. trans and disability related reasons in particular. #you know? like there are ... themes here that i think would be better explored if i could tell it as a story. as opposed to writing meta #but i think there's really something about what hera having a body would highlight about those experiences and just. bodies in general #in the context of wolf's themes about humanity. like. that having a body won't fix all of the problems she might hope it would #that it would equalize her experience in some way and make her realize she wasn't that different before. that some of the limitations #might be frustrating. but also that... the way it would broaden her ability to experience things and be really present in her own life #by limiting her perspective to those very tangible mundane things... i think that's really in line with wolf 359's discussion about #'the big picture' as opposed to personal connection etc. #i think it is just very personal for me as someone who does feel so disconnected that like. i dunno. #i like to think it would be worth it for her. #well. thank you for asking. i'm always happy to hear from you!!

[schroedingers-dylan]

I feel like we as a fandom don’t take advantage of Kaitlyn and Jacob being childhood friends enough so drop any amount of headcanons for them growing up.

I’ll start:

-They live in the same street and their parents are close friends. They both grew up as the only child in the household so they’d always play with each other when they were little.

-They’ve known each other since they were in diapers and have about a bazillion embarrassing childhood photos of the other. Favorites include: child Jacob hanging upside down from the fridge in a Spider-Man costume (and the aftermath of him lying on the floor when he fell off), the time kid Kaitlyn tried to look cool in front of Jacob’s extended family but ended up falling into his pool fully clothed and the time they messed around with water colors and ended up covered in them top to bottom. Also those including several different sets of animal pajamas.

-They’ve had approximately a million sleepovers growing up, and sleeping in bed next to each other is just the most normal thing ever for them.

-Kaitlyn is super messy and Jacob is the tidiest person ever so this drives him crazy. When he’s over at her house he always starts cleaning up her room and it drives her crazy because there (supposedly) is a system to her chaos and if he cleans up she can’t find her stuff anymore. I can’t even explain why but this is just a vibe I’m getting from them.

-When they were younger, Kaitlyn was the taller one. Jacob was a super scrawny kid. After his growth spurt, it took ages for the rest of his features to catch up.

-Jacob was the first person Kaitlyn came out to as bi.

-People have been assuming they’re dating since they were twelve.

-Surprisingly, them making out in freshman year did not help these rumors.

-Jacob has called Kaitlyn in the middle of the night several times to ask her to come get a spider out of his room. She usually obliges but always teases him relentlessly about it.

-Jacob is on their high school football team. Kaitlyn goes to every game but consistently pretends she doesn’t know/understand the rules because it annoys the shit out of him.

-As much as Kaitlyn teases Jacob, the second anyone tries to put him down for being an emotional person because that’s “girly” or something equally stupid they get verbally obliterated. One of the guys she did it to hasn’t even dared to look in Jacob’s general direction for years.

-Kaitlyn is super bad at putting herself first. She’s the kind of group mom that makes sure everyone else is well-rested and has eaten and then collapses because she’s slept three hours over the last two days. Jacob knows her well enough to recognize the signs and sits her the fuck down to make sure she’s okay too because she herself sure as hell won’t do it.

-They have each other‘s stuff all over their rooms, a combination of intentionally stored and forgotten there over the years.

-Kaitlyn is an absolute menace when it comes to food. She will try anything and everything. The type to order Creole Tomato at an ice cream parlor. Has been trying to bait Jacob into getting one of her weird flavors for years. He keeps rejecting her in favor of ordering chocolate for the millionth time.

-Despite his extreme and very vocal loathing for Kaitlyn’s taste in food, he still makes sure they have flaming hot dill pickle chips whenever they have a movie night. He’s a good best friend like that.

-They ended up in different crowds in high school due to him being on the football team and her being in the robotics club. They still always made time for each other and are each other’s number one person to go to when they’re excited about something or need to vent.

-Neither of them is a morning person. Jacob isn’t a morning person in the sense that his brain doesn’t function properly, Kaitlyn isn’t a morning person in the sense that heads will roll at the slightest inconvenience. They take turns driving to school and paying for coffee.

-Their taste in music is totally incompatible. Instead of compromising and making a playlist with each of them picking half the songs, they made one together titled “favorites of yours that don’t make me want to rip my ears off.”

-They have Disney movie nights regularly. Jacob started that tradition when they were kids and they’ve kept it up since with very few exceptions. They’ve already agreed to keep them up when at college (either in person or via video call depending on which colleges they end up with).

-Being camp counselors was Kaitlyn’s idea, an opportunity to spend one last summer together before they go off to college. They’ve both been camping before (separately and also together) and really enjoyed it and Jacob loves kids (he has a bunch of younger cousins, maybe a baby brother too, haven’t decided yet) so it being a good time was basically a given.

-Jacob teased her relentlessly for picking scheduling, out of all the jobs she could’ve done at camp.

-They drove to camp together, taking Kaitlyn’s car. Jacob loaded their stuff into the trunk and organized it because *spacial awareness* and Kaitlyn told him he’s being ridiculous since they only had like maybe four bags total but let him do it anyway.

#they are so important to me #the promised not-a-shitpost #the quarry #kaitlyn ka #jacob custos #the quarry Jacob #the quarry Kaitlyn #the quarry headcanons #supermassive games #kaitlyn x jacob #feel free to read this as shippy or not by the way #whatever you feel comfortable with #I’m a sucker for childhood friends to lovers but I also think they are very neat platonically so #the main point I’m making here is that I need more content featuring them in general #for context I do not think they made out in front of anyone since that defeats the purpose of kissing practice #but I feel like one of them casually mentioned it at one point and everyone else was like ‘uhhhh’ #can’t believe Emma doesn’t canonically tease them about this if she finds out that is a crime

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

#calvin and hobbes #queued

[imaginarypasta]

completely changing my stance on spoilers (hyperbole) because fundamentally i’m not a person that is bothered by spoilers in appropriate contexts i think & there are many flavors of spoilers that are imo permissible (respecting ofc that some ppl hate them im talking about receiving spoilers) & i think the text should stand on its own. but there are situations where people are so cavalier about deeply relevant reveals/twists/whatever, that are quite… disrespectful to the work.

like say you have this narrative where you spend the whole time thinking one thing but then something happens where it’s revealed the information you’ve been getting the whole time is wrong in some way and now that you know it, you can never go back, but having that change in perspective *and* having that initial reading (or whatever) experience was quintessential to the themes/narrative/etc (especially themes in this case). like i don’t think that should be spoiled (unless someone is like. asking. or you’re having a specific public conversation abt it and they like overhear or something but can leave. like that sucks but it’s also like. what can you do) and the act of spoiling those things just misses? doesn’t care? for the mechanical aspect of the reveal & what it does retroactively, practically, and for any future readings.

and like i get it i’m sure i’ve spoiled things like this for people by accident bc it’s not like i ever tag spoilers for stuff when im ranting to the void about whatever on here. but the specific context for this situation was advertising a book in a comments section of a post not about the book. and the recommendation itself was based on this super important reveal and it just so happened to be a book that i am in the middle of so it sucks

and i think most people are good about acknowledging/recognizing these moments. i say often “i’m not bothered by spoilers” but im also used to hearing (and saying) “i get it but this spoiler greatly impacts your experience. it’s relevant that you already have opinions on something before you learn more” or something along those lines. it’s just when it occurs to me, it always happens to be something i’m super invested in and would’ve thought was like the best twist ever ever

#personal #i’m generalizing the experience because it’s happened a few times to me lately all for situations in which the initial read through being #wrong was an important mechanic while reading #just like. i know im being really dramatic about it when i don’t need to be and also probably hypocritical (i can’t think of a specific #instance but i know for a fact im very cavalier abt revealing spoilers myself. i try to avoid this in one on one conversations but im not #perfect) #i’m literally just pissed and ranting about it. i do think as a general rule this applies to what i think but it’s difficult to put into #practice so it’s like. i need to adapt it i suppose #and it’s just worse bc like. i read the comment and im like ‘well shit that maybe ruins that for me which would probably be my favorite #aspect of the book’ and turned off my phone and left it for a while. (this was my fatal mistake) #and then i go later to open my phone and someone is like ‘oh yeah i was shocked when that happened. here is the specific line btw’ and bc #i’m in the middle of the book i have enough context to understand exactly what’s going to happen #like that’s my fault for not closing out the app but like how could i know and it’s like i’m mad but at who #and it is a situation where commenting ‘spoilers for book’ would be the same as saying the spoiler itself so really i just shouldn’t have #read the comments. but am i supposed to just not do anything for as long as it takes me to read the book?? that’s completely impractical #which is why i’m so cavalier about spoilers overall bc i think the text should stand on its own even when stuff like this accidentally #happens. but if the text relies on the mechanic of ignorance and later reveal i think that’s impressive not bad #AGHHHH it’s complicated and i’m mad… #this is how i feel about the ******** remake too. taking out the reveal (paraphrasing) is… ruining the #narrative is too hardcore but is what i think #see i almost did it myself :( #and yk what it’s also about **************

[inbarfink]

When talking about the distinction between Simon Petrikov and the Ice King,  it’s important to remember that originally, the Crown wasn’t trying to turn Simon into Ice King -

It was trying to turn him into this guy.

At the time, the Ice Crown - or rather the Wishing Crown - was programmed with Gunther’s wish to become Evergreen. So everything related to making the current wearer like Evergreen is a very direct result of the Crown’s Magic. The physical changes -

And the obsession with the name ‘Gunther’ -

And maybe some of the irritability and anger issues -

That is something the Crown is very directly forcing unto its current wielder. 

But everything else?

Ice King, personality-wise, was not much like Evergreen at all, or even like Gunther's view of him. And Ice Finn of the Farmworld Universe was also pretty different from the both of them.

At the time, I remember people assumed Ice Finn’s behavior is more indicative of what the Crown is actually trying to do with its wielders. That Ice King is so different because of Simon’s subconscious resistance against the Crown - while Finn’s much younger and dumber brain is a lot susceptible to the Curse’s influence to become some sort of mad world-conquering emperor of ice and snow. 

But, with the context of the Crown’s actual backstory. That doesn’t seem very likely anymore. I think what’s actually happening there is that the Crown is just trying to make its wielder an Ice Wizard on par with Evergreen (who was the Actual Goddam Ice Elemental) and that means pumping the wielder’s brain so full of Magic, Madness and Sadness to a level that is bound to overwhelm anyone.

And Simon’s and Farmworld Finn’s very different behaviors after putting on the crown is indicative, more than anything, of how their psyche reacts to Madness and Sadness in general. You know, Finn has a very proactive and kinda aggressive personality - and you add Crown-induced-Madness-and-Sadness and a compulsion to use Ice Magic as much as possible and you get all of…. this 

Meanwhile, for Simon, the compulsions of the Crown originally filtered exclusively via the language of protection 

As his madness always manifested as romantic obsession 

And using goofy humor to try and deny the pain he’s going through 

Because that’s how Simon’s mind specifically reacts to being flooded with so much Madness and Sadness.

That’s why there’s so many parallels between Ice King and the sort of mistakes and screwed-up stuff Simon does right now! He’s even kidnapping people again!

Because the Madness and Sadness of Ice King might’ve been induced by the Crown, but now Simon has plenty of personal home-grown Madness and Sadness inside him - and it’s no surprise that Curse-Induced or not, his mind reacts to it in a sorta-similar way. (Although obviously not as intensely, again, there was a LOT of MMS in the Ice Crown).

Now as for Ice Thing, and the fact that he seems to be actually rather well-adjusted under effects of his version of the Wishing Crown. I mean... not by the time of the 1000+ Era, but that’s literally eons in the future and also maybe more Gibbon’s fault. Even if the Crown will eventually take some sort of toll on him, for now he seems to be doing pretty well considering his wish. I mean, there's still some sort of Loss of Identity stuff going on

But everything we've seen of Ice Thing (in the present day, at least) shows him as a friendly and cheerful individual that gets along well with others. A far cry from how maladjusted every single wielder of the Ice Crown acted.

At the very least, if there's any notable amount of Sadness in him, we really haven't seen it yet.

There might be several factors here:

First things first, I should acknowledge the possibility that it’s just that Orgalorg’s eldritch brain is better at intaking all that MMS juice. That could play a part, but I think it’s probably more important, at least thematically, to look at the distinction between ‘I wish to be Evergreen’ and ‘I wish to be Ice King’. 

First in the sense that while Ice King was occasionally mean to Gunter at times - he was generally much kinder than Evergreen ever was for ‘his’ Gunther. So, like, pretty much the one Personality Flaw of Ice King that you can directly link to the Ice Crown’s attempt to mimic Evergreen is the occasional anger issues.

And how they relate to Gunther’s view of Evergreen, so grumpy and controlling and constantly saying ‘NO!’

(Both Finn and Simon’s demonstrable not-crown-induced trauma responses can make them pretty short-tempered as well. So I’m not going to say this is purely the effects of the Crown. It still probably plays some sort of factor at why the wielder of the Ice Crown is Like That).

And that is not a factor in how Gunter views Ice King. For him, Ice King was a doting and loving father figure - so if the Crown was ever trying to implement any sort of specific negative personality traits, this is absolutely no longer a factor. Because the original Ice Crown was a reflection of Evergreen’s abuse, and now Ice Thing is a reflection of Ice King’s fatherly love.

Which is, itself, probably an echo or remnant of Simon’s own strong parental instincts. 

Secondly, while the Crown was trying to make the Ice King just as powerful as Evergreen…. Ice King was obviously not as powerful as Evergreen. Because he was already a second-rate copy of the Ice Elemental’s power, and because Ice King was often just too doofy to use his powers correctly and probably because some remnant of Simon’s original sensible self is subconsciously holding his powers back.

Either way, being ‘like Ice King’ as Gunter sees him requires less Magic than being ‘like Evergreen’ as Gunther saw him - and therefore less Madness and Sadness. Leading to the wearer or, um, the eater being a lot more well-adjusted from the get-go.

And I think that the implication that Ice Thing has fused with the Crown, so there's never going to be another poor sap who puts on the Crown and gets Ice King'd. But if there is one somehow... at least the process is going to be less mentally detrimental that time around?

Maybe one day Simon could look back and appreciate how much he (or Ice King, or both of them, or however you want to look at the situation) is responsible for basically neutralizing the Crown that ruined his life in the first place.

#adventure time #atimers #adventure time fionna and cake #adventure time simon #ice king #simon petrikov #simon adventure time #the ice king #fionna and cake #fionna and cake simon #fionna and cake series #fionna and cake show #ice thing #the ice thing #adventure time gunter #gunter the penguin #adventure time gunther #gunther the penguin #Urgence Evergreen #simon and marcy

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

#bg3 #baldur's gate 3 #astarion #anyway ... after dragon age it feels so mindblowing to have writers who aren't apologists for their characters

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

#tt talks writing #tt talks drawing

[stephobrien]

Is your pro-Palestine activism hurting innocent people? Here's how to avoid that.

Note: If you prefer plain text, you can read the plain text version here.

Over the last few days, I’ve had conversations with several Jewish people who told me how hurt and scared they are right now.

To my great regret, some of that pain came from a poorly-thought-out post of mine, which – while not ill-intentioned – WAS hurtful.

And a lot of it came from cruelty they’d experienced at the hands of people who claim to be advocating for Palestine, but are using the very real plight of innocent Palestinians to harm equally innocent Jewish people.

Y’all, we need to do better. (Yes, “we” definitely includes me; this is in no small part a “learn from my fail” post, and also a “making amends” post. Some of these are mistakes I’ve made in the past.)

So if you’re an advocate for Palestine who wants to make sure that your defense of one group of vulnerable people doesn’t harm another, here are some important things to do or keep in mind:

Ask yourself if you’re applying a standard to one group that you aren’t applying to another.

Would you want all white Americans or Canadians to be expelled from America or Canada?

Do you want all Jewish people to be expelled from Israel, as opposed to finding a way to live alongside Palestinian Arabs in peace?

If the answer to those two questions is different, ask yourself WHY.

Do you want to be held responsible for the actions of your nation’s army or government? No? Then don’t hold innocent Jewish people, or Israelis in general (whether Jewish or otherwise), responsible for the actions of the Israeli army and government.

On that subject, be wary of condemning all Israeli people for the actions of the IDF. Large-scale tactical decisions are made by the top brass. Service is compulsory, and very few can reasonably get out of service.

Blaming all Israelis for the military’s actions is like blaming all Vietnam vets for the horrors in Vietnam. They’re not calling the shots. They aren’t Nazis running concentration camps. They are carrying out military operations that SHOULD be criticized.

And do not compare them or ANY JEWISH PERSON to Nazis in general. It is Jewish cultural trauma and not outsiders’ to use against them.

Don’t infuse legitimate criticism with antisemitism.

By all means, spread the word about the crimes committed by the Israeli army and government, and the complicity of their allies. Criticize the people responsible for committing and enabling atrocities.

But if you imply that they’re committing those crimes because they’re Jewish, or because Jewish people have special privileges, then you’re straying into antisemitic territory.

Criticize the crime, not the group. If you believe that collective punishment is wrong, don’t do it yourself.

And do your best to use words that apply directly to the situation, rather than the historical terms for situations with similar features. For example, use “segregation,” “oppression,” or “subjugation,” not “Holocaust” or “Jim Crow.” These other historical events are not the cultural property of Jews OR Palestinians, but also have their own nuances and struggles and historical contexts.

Also, blaming other world events on Jewish people or making Jewish people associated with them (for instance, some people falsely blame Jewish people for the African slave trade) is a key feature of how antisemitism functions.

Please, by all means, be specific and detailed in your critiques. But keep them focused on the current political actors – not other peoples’ or nations’ political or cultural histories and traumas.

Be prepared to accept criticism.

You probably already know that society is infused with a wide array of bigotries, and that people growing up in that environment tend to absorb those beliefs without even realizing it. Antisemitism is no exception.

What that means is, there’s a very real chance that you will screw up, and get called out on it, as I so recently did.

If that happens, please be willing to learn and adapt. If you can educate yourself about the suffering and needs of Palestinians, you can do the same for Jewish people.

Understand that the people you hurt aren’t obligated to baby you. Give them room to be angry.

After I made a post that inadvertently hurt people, some were nice about it, and others weren’t. Some outright insulted my morals and intelligence.

And I had to accept that I’d earned that from them.

I’d hurt them, and they weren’t obligated to be more careful with my feelings than I had been with theirs.

They weren’t obligated to forgive me, trust me, or stop being mad at me right away.

I’ll admit, there were moments when I got defensive. I shouldn’t have. And I encourage you to try not to, if you screw up and hurt people.

I know that’s hard, but it’s important. Getting defensive only tells people you care more about doubling down on your mistake than you do about healing the hurt it caused.

Instead, acknowledge that they have a right to be angry, apologize for the way you hurt them, and try to make amends, while understanding that they don’t owe you trust or forgiveness.

Be aware that some antisemites are using legitimate complaints to “Trojan horse” antisemitism into leftist spaces.

This is a really easy stumbling block to trip over, because most people probably don’t look at every post a creator makes before sharing the one they’re looking at right now.

I recently shared a video that called out some of the Likud and IDF’s atrocities and hypocrisy, and that also noted that many Jewish people are wonderful members of their communities.

I was later informed that, while that video in particular seemed reasonable, the creator behind it is frequently antisemitic.

I deleted the post, and blocked the creator. I encourage you to do the same if it’s brought to your attention that you’ve been ‘Trojan horse’d.

EDIT: Important note about antisemitism in leftist spaces:

While it's true that some blatant antisemites are using seemingly reasonable posts to get their foot in the door of leftist spaces, it's also true that a lot of antisemitism already exists inside those spaces.

This antisemitism is often dressed up in progressive-sounding language, but nonetheless singles Jewish people and places out in ways that aren't applied equally to other groups, or that label Jewish people in ways that portray them as acceptable targets.

If you want to see some specific examples, so you can have a better idea of what to keep an eye out for, I suggest reading this excellent reblog of this post.

Fact-check your doubts about antisemitism.

Depending on which parts of the internet you look at, you’ve probably seen people accused of antisemitism because they complained about the Likud and/or IDF’s actions. So you might be primed to be wary, or feel unsure of how to tell what counts as real antisemitism.

But that doesn’t mean antisemitism isn’t a very real, widespread, and harmful problem. And it doesn’t mean many or even most Jewish people are lying to you or being overly sensitive.

So if someone says something is antisemitic, and you aren’t sure, I encourage you to:

A. Look up the action or thing in question, including its history. Is there an antisemitic history or connotation you aren’t aware of? For best results, include “antisemitic” in your search query, in quotes.

B. Understand that some things, while not inherently antisemitic, have been used by antisemites often enough that Jewish people are understandably wary of them. Schrodinger’s antisemitism, if you will.

C. Ask Jewish people WHO HAVE OFFERED TO HELP EDUCATE YOU. Emphasis on WHO HAVE OFFERED. Random Jewish people aren’t obligated to give you their time and emotional energy, or to educate you – especially on subjects that are scary or painful for them.

@edenfenixblogs has kindly offered her inbox to those who are genuinely trying to learn and do better, and I’ve found her to be very kind, patient, reasonable, and fair-minded.

Understand that this is URGENTLY NEEDED.

In one of my conversations with a Jewish person who’d called me out, they said this was the most productive conversation they’d had with a person with a Palestinian flag in their profile.

THIS IS NOT OKAY.

I didn’t do anything special. All I did was listen, apologize for my mistakes, and learn.

Yes, it feels good to be acknowledged. But I feel like I’ve been praised for peeing IN the toilet, instead of beside it.

Apologizing, learning, and making amends after you hurt people shouldn’t be “the most reasonable thing I’ve heard from a person with a Palestinian flag pfp.”

It should be BASIC DECENCY.

And the fact that it’s apparently so uncommon should tell you how much unnecessary stress and fear Jewish people have been living with because of people who consider themselves defenders of human rights.

By all means, be angry at the Likud, the IDF, and the politicians, reporters, and specific media outlets who choose to enable and cover up for them.

But direct that anger toward the people who deserve it and are in a position to do something about it, not random people who simply happen to be Jewish, or who don’t want millions of people to be turned into refugees when less violent methods of achieving freedom and rights for Palestinians are available.

Stop peeing beside the toilet, people.

#I/P #I/P conflict #I/P war #Israel #Palestine #Gaza #free Palestine #Israel Palestine conflict #Israel Palestine war #Jewish goyim solidarity #choose peace

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

#hanamusa #hanamusashipping

[cinnamonest]

I'm not looking to start shit so I'm not linking it or anything, but you may have seen a recent anti-dark-content post circulating with a lot of notes making rounds in the x reader sphere and while I have nothing against people posting their feelings in their own private spaces, every time I see these kinds of posts there's a lot of misinformation that gets regurgitated in the reblogs/replies and I saw what looked like a battlezone in the replies, so.

I know posts like that can be very jarring and affects people like my readers, so to combat misinformation/shaming for anyone who saw it, I'm going to share some of my information on combatting fandom puritanism/misogyny/kinkshaming in its most common forms.

The most important fact, if you read nothing else, is this:

Most women have rape fantasies.

62% to be exact. I think the most pervasive myth on this content is that consumers are "weird" for it, when the numbers don't indicate that. You're in the majority!

The vast majority of people who have rape fantasies do not put them into practice in real life. A variety of factors can determine whether or not they do, particularly specific psychiatric disorders. (X)

To specifically address common harmful and pervasive myths:

the "go to therapy!" line

Generally any academic or professional resource will immediately tell you that consuming and engaging in "dark" fantasies is accepted and encouraged by mainstream psychiatry and part of the professional education for psychiatrists. (This also used to be pretty well-known until like the last 5 years or so, not sure why that changed.)

Here are some particularly insightful resources:

1) This article by Dr. David Wahl, in my opinion, hands-down does the best job of simply and thoroughly explaining why these fantasies occur and why couples practice CNC, as well as the fact that they are both harmless, psychologically beneficial to those with them, and not at all correlated to real-life rape.

2) Dr. Claudia Six has some of the best and most thorough material out there on the subject, specifically explaining why this is taught in mainstream academia psychology and how it is incredibly helpful to rape victims (X).

3) Lisa Diamond is a professional who focuses on this subject a lot, and was featured in the documentary "The Dilemma of Desire," in which she specifically focuses on how these fantasies are not correlated to real-life desires. (X)

4) Dr. Casey Lyle has specifically talked a lot on his socials about how fantasies, even in men/the perspective of the offender, do not correlate to actual risk of offending.

5) This article is not by a professional, but from the perspective of a survivor discussing how it is beneficial to survivors.

the "why would you want that?" line

The idea that fictional tastes = what you want to happen to you in real life is actually of misogynistic origin. I don't want to seek out or add links on this one, but if you're really curious, you can research about how the idea that "women read rape fiction, that means they secretly want rape!" was originally a classic "red pill"/MGTOW/4chan talking point that made its way into mainstream dialogue and thus the public mind in the last 15 years or so due to the incel epidemic popularizing those communities.

the "it's only valid for survivors then!" line

On one hand, yes it's very important to acknowledge that trauma victims use it to cope, however I feel that over-emphasizing that gives the impression that non-victims should be excluded from consumption of dark content, so to clarify, it's a very valid means for all women. Many women who have not personally experienced rape still fantasize about it, and that's fine.

The full explanation as to why this is true for many of them would be lengthy (and addressed in the aforementioned Dilemma of Desire documentary), but in the simplest terms, nonconsensual sex is the only context in which patriarchal society permits women to have sex at all without feeling guilt. For many women, particularly those in more heavily misogynistic or religious cultures, these fantasies are appealing because the idea of consensual sex may give them feelings of shame, guilt, "sin," etc. These fantasies allow them to experience the feeling of being desired without guilt of participation.

No society on earth is free of the psychological grip that cultural misogyny has on women, and shaming women for adapting to the conditions they are forced to exist under is as harmful as the misogyny that causes it itself.

ALL women experience a form of psychological trauma inherent to female childhood and female adolescence in a patriarchal world, and that is just as valid as coping with individual traumatic events.

Good resources on the subject of why women have these fantasies and how they are helpful in general:

(X) (X)

The "what you consume will make you do it in real life!" myth

Although the resources above already address this, it's important to establish why this myth is so prevalent and what its origins are.

The idea that consuming media with dark themes leads to or indicates desires to replicate those acts is a residual element of two major events:

1) Puritan revival culture, popularized in the US and UK in the 90s and 2000s (also known as "Satanic Panic"). A major facet of this movement was TV megachurch preachers making money off of exploiting well-meaning but paranoid parents into believing that your child playing Dungeons and Dragons or Pokemon would make them future serial killers and lure them into satanic cults. (X)

2) at the tail end of this, it was cemented in the public mind as a cultural ripple aftershock of the Columbine shooting, where this sentiment became popularized as the general public blamed violent video games like Doom and "dark" music like Marilyn Manson (whose life was temporarily completely upended by the events and took him years to recover/be safe from) for the 1999 shooting. This event had MASSIVE permanent and global effects in all sorts of ways that the public often underestimates the sheer scope of, notably that it solidified, prolonged, and, in the minds of many, "proved" the paranoias of the preexisting Satanic Panic. (X) This established a precedent, leading to virtually any major horrible event being blamed on the perpetrator's media consumption, including murder and sex crimes.

What this myth ignores in the cases it references (the slenderman stabbings, columbine, sasebo slashing, batman shooting, etc) is two crucial facts: that hundreds of millions of people consume the same media with no negative effects (helpful effects even), and that in every single case cited as "evidence" to the claim, the perpetrator had a preexisting psychiatric condition correlated to acts of violence (which usually went ignored, downplayed and even accelerated/worsened by those around them rather than the help they needed).

Sorry for the wall of text, but I feel an ethical obligation to combat this kind of misinformation, and I hope these resources are helpful for those who may be negatively affected by common misunderstandings.

You are not abnormal or wrong for the fictional content you consume or the fantasies you have!

#im very passionate about this because this sort of thing severely affected younger me #and i dont want that for anyone else! #love yall

[sundrop-writes]

Careful - Chapter Two

(Dad)Spencer Reid x (Mom)Fem!Reader

Chapter Two: Liar

Why should I deny what's all at once, so crystal clear?

Summary:

Spencer is eager to talk to you - to find out if your son is actually his. But there are more important matters at hand, like the fact that you might be the next target of a serial killer who is actively stalking single mothers.

The two of you get locked in a battle of wills when you stubbornly refuse his protection and Spencer remains determined to keep you safe.

Dad!Spencer Reid x Mom!Fem!Reader. Exes to Lovers. Angst and Smut.

Word Count: 8,900

Criminal Minds Masterlist | AO3 Link | Series Masterlist

Detailed warnings and author's notes below the cut.

Warnings: again, general warnings for a Criminal Minds episode - mentions of killing/murder, mentions of the reader being a target for a killer; mentions of the reader buying and using a vibrator (does not take place during the fic, more so mentioned as the reality of the ‘sex life’ of a single mom); the reader and Spencer parted on very bad terms (but the details of the situation are not yet revealed); the reader is very angry towards Spencer; the reader and Spencer argue; the reader is in denial that she is the target of a killer; there is some mention of Sebastian having similar hair to Spencer - but I don’t want that to describe or exclude the reader’s race because in the next chapter, there is a mention of Sebastian having the reader’s skin tone; mention of the reader ‘shoving’ Spencer out of anger (not hard enough to cause harm); mention of the reader owning a gun (registered with gun training) as a form of self defense; mention of the reader character celebrating a birthday - but there is no mentions of specific dates or months when the fic is set, so you can easily imagine that this takes place around your birthday (aside from mentions of holidays or seasonal weather); mentions of JJ x Will; JJ talks about her trauma regarding dogs after being attacked in 2x15; this ends in another flashback, this time including flashback sex (smut); Spencer cuts off foreplay to give the reader a birthday present - mentions of heated kissing and some groping; Spencer calls the reader ‘Princess’ (not during sex - in the context of ‘I am here to serve you like royalty’); the smut basically consists of Spencer eating the reader out. And I think that’s it for this chapter. 

A/N: Okay so something I did not intend to happen - a lot of this chapter is from JJ's perspective. It just naturally started happening while I was writing it, and it was really interesting to me to write about Spencer and the reader's relationship through her eyes (especially to keep the conflict between them vague to the audience, because JJ doesn't know the details of what happened), and it's not something I did intentionally, but I really loved how it shaped the chapter, so I kept it in. Also, I really wanted to include a lot of JJ x Spencer friendship and comfort moments in the fic because (as a lot of people in the fandom have discussed) - the writers love to have the characters say that JJ and Spencer are best friends, but they don't often show it. They just show a lot of conflict between them. So I wanted to show the potential of their friendship. And I had a lot of fun exploring that. So - I hope you guys enjoy the second chapter, and definitely hope to see you come back for chapter three!!!

...

When you heard someone knock on your door, you thought it was a delivery. 

You had ordered Sebastian some new educational coloring books, and some new CDs with Mozart concertos to fall asleep to, because he was getting bored of his current ones. You often felt like you couldn’t keep up with him - Sebastian was so damn smart, and you always tried to provide him with the best resources to learn. Even if he was getting to a point where he was asking for high school level chemistry text books and actually seemed to understand the material in them and you were confused about how he could comprehend any of it. 

The package also could have been the new vibrator you had ordered. You weren’t sure if that package was small enough to be left in the mailbox or not. You had to roll your eyes when you thought about how pathetic your sex life had been since having Sebastian. But you couldn’t risk bringing random men through the house just for sex when you had Seb around. So battery power and smut novels, it was.

“Sorry!” 

You called out, hoping the delivery person would wait, as you raced to get to the door. You hoped they wouldn’t just slip one of those ‘failed to deliver’ notes into your door handle and force you to run an extra errand with a kid under your arm. You tripped over a toy truck and cursed yourself for procrastinating cleaning up (again). 

“Sorry, I almost didn’t hear you. I was-” 

‘I was in my office, in the back of the house.’ 

The sentence died off on your tongue when you finally fumbled the door open - your mouth going numb from shock when you saw him. 

Spencer Reid. 

The father of your child, the man you had once loved. 

Your heart raced inside your chest, your body so overwhelmed so quickly that you couldn’t even decide on an emotion. 

Happiness. Joy. Lust. Longing. Sadness. Relief. 

Shock. 

You lingered on shock for a while as you stared at him, your eyes locked on the sight of him - wondering what the hell he was doing standing on your porch. How did he know where you lived? Why was he here? 

Was he here because of Sebastian? Was he angry? He had to be angry that you hadn’t told him about Sebastian for all of these years. He had to be angry that you had given birth to his child and not told him about it. 

You flickered back to lust for a moment as your eyes traced over him. 

He looked good.

Somehow, he had grown up so much in just four years. He had gone from a gangly, boyish man to a full blown man. But he was somehow still so much the same. His hair had grown out a lot since you had last seen him - instead of the neatly combed, short cut you had last seen him with, it was downright wild. The chocolate brown locks were sprawling out into the thick curls that you had come to see sprouting from your own son’s head. It wasn’t a look that you were used to on Spencer, but it looked damn good on him. 

He was wearing his usual leather messenger bag - probably the exact same one from years ago. And he clearly had the same dress sense, but these clothes in particular made you want to jump his bones. A lavender cardigan that complimented his skin tone so well - and his usual button up shirt and tie, along with his usual gray slacks. 

You desperately wanted to blame the sting of attraction that you felt for him on the recent lack of male suitors in your life; the fact that you hadn’t gotten laid in a long time. But you knew it was something else, too. Your previous attraction to him - the fact that because you had slept with Spencer before, you could still feel the ghost of his hands and tongue on your body. 

How did he look so good? 

He made you feel like a slob in your casual ‘work from home on a random Tuesday’ Mom clothes. If it had been your choice, he definitely wouldn’t be seeing you for the first time in years while you were wearing jeans and a sweatshirt that you were sure had raspberry juice stained on it somewhere, and eyeliner that you had slopped in between traffic lights in the car that morning. 

(You hated it.) 

“Y/N,” 

He finally broke the silence, speaking your name in that honey-sweet way. 

Unfortunately, it brought you rocketing back to that night all those years ago. Your stomach dropped, and you felt like you were standing in that apartment all over again, tears in your eyes as you faced down the crashing reality that the best relationship you ever had in your life was over. 

This chased out that tiny splash of lust and brought on a whole new wave of confusing emotions. 

Anger. Rage. Sadness. Bitterness. More longing. Regret. 

Like your brain was a spin wheel, it whirled around for a few hectic moments, and then - you landed somewhere between anger and pure rage. 

And that was when you finally spoke. 

“Spencer Reid.” You hissed out his name like it was pure venom, your neck aching as the blood pumped hard through your aorta. 

Immediately, Spencer’s features fell from looking at you with nostalgic fondness, and fear took over his face. 

“What the hell are you doing here?” You asked fiercely, this question rocketing back to the forefront of your mind. 

Spencer opened his mouth, seemingly to answer this question, and the rage pumped harder in your system. You found that suddenly, you didn’t want to hear whatever it was that he had to say. 

You stepped through the door, easily stepping into his personal space as you came onto the porch. Without even thinking, you gave him a hard shove in the middle of his chest as you spoke your next words - much louder than you intended. 

“What the hell is wrong with you?” You screeched. 

You let your emotions carry your actions before any sense of logic or common decency could kick in. It was resentment and heartache that you had locked away four years ago - and apparently, it had been aging like wine, only becoming more potent with time. 

“You think that you can just magically show up in my life again after I specifically told you not to contact me?” You screamed. “Do you think that order has a fucking expiration date on it?” 

You gave him another hard shove. Perhaps expecting to prompt an answer out of him, or wanting to shove him off the porch entirely and get him out of your life once again. Which of those it was, even you weren’t sure. 

Spencer just looked at you with wide-eyed shock. Clearly, for once in his life, at a loss for words. 

“You better have a good fucking reason for showing up here!” You screeched, your voice becoming so loud that it wore out your throat. 

“Look, Y/N, I-” He stuttered out. 

“Don’t say my name.” You hissed, cutting him off. “Don’t say my name like we’re friends.” 

You glared at him, crossing your arms over your chest, and Spencer shoved his hands into his pockets, now finding himself utterly speechless. 

He definitely was not expecting this kind of reception. 

The two of you became locked in an icy staring contest, neither of you speaking. Spencer found his throat too dry, and for once, his head far too empty. You were simply too angry and too stubborn to speak in those moments. 

This stalemate was only broken up when JJ walked around the corner. 

“Spence, Hotch just told me that the first woman doesn’t even match the-” 

“JJ!” You cried out her name happily, your entire demeanor changing when you saw her. 

She grinned, completely forgetting whatever news she had to report to Reid as you practically flew off the porch and ran to meet her. JJ eagerly opened her arms to hug you, and you squeezed her with all the warmth and kindness of an old friend. 

Spencer felt a pang of jealousy that he wasn’t being greeted with as much affection. He knew that the last argument between the two of you had been bad, but he didn’t know it had left such a distinct impression on you. He didn’t know it had been enough to make you hate him. 

When you pulled away from JJ, you looked between her and Spencer, and then it suddenly struck you. 

If Spencer wasn’t here alone, that meant this wasn’t personal. He wasn’t just here to see you over some lost love, or - maybe he didn’t know about Sebastian at all. You felt a pang of guilt twist your gut because of that. 

“What - what are you guys doing here?” You asked, now entirely confused, directing the question toward JJ. 

JJ looked toward Spencer, and according to his ill-concealed frown, his reunion with you had not gone well. She doubted that you would take the news that you were possibly being hunted by a killer well on top of that. 

“Is it alright if we come inside?” JJ asked, her voice tentative and soft. It was the same voice she usually used with victims and their families. 

“Yeah.” You said, knowing there must be something big that you were missing, and hoping that you would be filled in soon enough. “I’ll put some coffee on.” 

You walked back up the few steps of the porch and breezed right past Reid. You didn’t even spare a glance in his direction as you went back in through the open front door, leaving it open for the two of them with the expectation that they would close it behind themselves. 

“So - I take it things didn’t go well?” JJ whispered to Spencer as she moved up onto the porch. 

“Not quite.” Spencer mumbled in return before moving into the house, waiting for her to follow. 

This made JJ even more curious about what had gone down between you and Spencer all those years ago. 

What could have possibly made you so cold and distant toward him? 

But she couldn’t just come out and ask. They had a job to do. They were there to ensure your safety against a man who had already killed five women and orphaned five children. 

JJ walked into the house and closed the door behind her. She wasn’t surprised that she nearly tripped over a plastic toy truck in the entryway. Even though your son didn’t seem to be here (it was far too quiet for a small boy to be around), this was definitely a house where a child lived. 

The first space that was visible to her eye - the living room, was clearly a space that belonged to a young child. There was a large, colorful play mat underneath the coffee table, and a few toys scattered over across the floor, showing that he clearly liked to have hands on play. In the corner, there was a child-sized desk with a small chair, which seemed to be surrounded by art supplies, and advanced textbooks? Some of them opened and were dotted with bright, colorful stickers. One glance told JJ that the reading material very advanced for his age clearly belonged to him. 

So he very likely was Spencer’s son. 

She wasn’t sure why, but that did bring a cluster of joy through her. Likely because she knew he would be so excited to have a child of his own. 

JJ couldn’t help but to notice that many of the toys were Paw Patrol themed - it was a favorite show of Henry’s, too. In the back of her mind, she wondered if your son and Henry might be friends. 

“Ugh, I’m so sorry.” You huffed, rushing around with your arms half full of toys now - distracted from getting the coffee, as you had mentioned. You were clearly rushing to pick up some of the mess now that you had realized how it appeared in the eyes of your ‘guests’. “All the - stuff.” 

You hesitated to say ‘toys’. Clearly, you didn’t want to bring up the subject of your son, even though the evidence of him was so visible all around. You didn’t want to give Spencer the smallest opening to start asking questions about him. It was something you wanted to avoid speaking about for as long as possible. 

Spencer looked at you with a mournful look on his face as you dodged around him, purposefully avoiding eye contact while you picked up a coloring book and a handful of crayons off the couch. You still refused to look his way at all as you rushed off to stash the items away somewhere. 

Clearly, he wanted to ask you more about your son, and simply ask that penultimate question: was he the father? 

But now wasn’t the right time. 

“It’s alright.” JJ assured you. “You can just come sit down. We really need to talk to you.” 

You heaved out a sigh, defeated in your effort to clean up, and then came back from one of the other rooms. (JJ could only assume you had stashed the toys in a playroom or a closet, because much like her own home, all areas had become a domain for toys and playtime). You motioned for them to sit on the couch, and you scooted over a rocking chair from the other side of the room to sit in front of them, blocking the shut-off TV on the other side. 

“So, what is it?” You asked, clearly eager and curious to know what they were doing in your home - why they had contacted you now after so many years apart. 

JJ and Spencer exchanged a look, and with a gentle nod from him, JJ took the lead. 

“Well, um… there’s no easy way to say this, but we believe that you might be in danger.” She told you, introducing the topic gently, while wanting to be honest and direct. “Perhaps you’ve seen it on the news? But if you haven’t… several single mothers have been killed in the area recently, and we have reason to believe that you might be the killer’s next target.” 

You looked at her, entirely observant, quietly taking in her words. Your face was still and expressionless, and JJ was unsure if you were going to take this calmly and logically - if you were going to panic after you had fully absorbed the news, if you were going to cry. 

After a moment of silence - you burst out laughing. Your laughter was harsh and nervous, a sound that cut through the air like the rip of a chainsaw. Clearly, it was the stark opposite of someone taking the news with tears. 

“Oh my god.” You sighed, taking a breath from the non-humorous laughter. “You know that you didn’t have to make up some excuse just to come and see me, right?” 

Spencer’s face curled into a deep frown. He was upset that you weren’t taking this seriously. JJ found herself in shock. Usually when people found out they were potentially on the radar of a killer, they were paranoid, afraid, questioning why. 

But it was very rare to see denial. 

She did take notice of the fact that you didn’t immediately ask about what kind of evidence or reasoning they had to believe that you were the killer’s next target. Perhaps if your brain let you assess that reasoning for yourself and found it to be valid, then fear would take over. And you couldn��t let that happen. So this laughter, this posturing and not taking things seriously - it was an unconscious way to protect yourself from that fear. 

But JJ could only theorize about that. 

“I did miss you, JJ.” You said, very pointedly looking at her while you said it. “But you could have just sent me an email or something.” 

You continued avoiding Spencer’s harsh gaze as he bored holes into the side of your face with his intense, intrusive eyes. 

“Look, this is serious-” Spencer began, and you cut him off. 

“Okay.” You shrugged. “Let’s say for argument’s sake that there is someone trying to kill me,” 

You spoke of this lightly, the words entirely condescending on your lips, as though Spencer’s theory was entirely wild and imaginative to begin with. 

JJ saw the movement in his jaw as he grinded his teeth out of the corner of her eye, and she was surprised that he let you continue. 

“I have an alarm system that I set every night before I go to bed.” You informed them. “I am a proud gun owner. I have a registered revolver that I keep in a lock box beside my bed and I renew my gun training every single spring.” You told them, not seeming the least bit worried at the idea of a killer hunting you down. “If someone wants to kill me, let them try. I’m sure you guys have much better ways to spend your time than sitting around here, chatting with me when there are people out there, actually in danger. People who probably need your help.” 

You said this, trying to dismiss them. And then you moved to get up from your seat, looking to escape the conversation entirely. But once again, Spencer stopped you. 

“That’s it?” He fired back, entirely indignant, standing from his place on the couch. 

This caused you to roll your eyes and let out a hiss, your lungs deflating like an annoyed balloon as you paused in the middle of the room. 

“Yes, that’s it.” You groaned back. “Look, I know it’s your job to see problems everywhere, but-” 

“It’s my job to protect people.” Spencer replied, cutting you off. “And-” 

“Funny!” You scoffed, your voice escalating in volume. It had turned into a full-blown argument now - you were entirely uncaring that JJ was there to witness it; Spencer was locked in your sight like the crosshairs of a scope, and you were ready to fire. “You give a shit about ‘protecting’ me now, but what the fuck happened four years ago?”

You glared harshly at Spencer, and he locked his jaw, staring right back. It turned into a poisonous silence as neither of you spoke - he didn’t have a good answer for this question. And it made JJ all the more horribly curious about what had happened between the two of you. But she didn’t need to be a psychic to sense that the two of you needed some privacy. 

“Do… do you mind if I go get myself a glass of water?” She asked, tentatively standing up from her place on the couch. 

“I’ll get it.” You huffed out, moving to leave the room. 

“It’s okay.” JJ told you. “I can get it for myself. Just point me in the right direction.” 

You motioned toward the kitchen and JJ left, and she heard Spencer hiss out something about you being stubborn, which turned into another cluster of voices. The argument turned even more personal and sour now that the both of you didn’t have a witness. 

When JJ made her way into the kitchen, she was happy to see that your backyard was full of toys. A pair of sliding glass doors let her peek out to see a colorful swing set and a large playhouse, and a scattering of other toys meant that your son obviously spent a lot of time outside. She smiled to herself, trying to ignore the rising, angered sound of voices from the other room as she found a glass in one of the cabinets. When she moved to the refrigerator’s water dispenser, something along the way caught her eye. 

A vase of fresh flowers was sitting on the counter. 

White carnations. 

It made her stomach churn ominously. It felt too perfect to be a coincidence. 

She abandoned her half-full glass and grabbed the vase, walking back to the living room with it. 

“You just can’t accept help from anybody, can you? How can you not understand that your life is in danger here? This man is not going to stop until-” Spencer ranted on. 

He was still trying to convince you to take the threat seriously - but you were still boiling with rage over the past, blind to anything else. 

“I can’t accept anyone’s help?” You scoffed, crowding into his personal space to hiss the words closer to him. “That is so rich coming from someone who-” 

JJ cleared her throat loudly, cutting you off. 

“Spence.” She got his attention from the intense gaze he was keeping on you - anger hot in his eyes even though he was staring heavily at your lips. 

When Spencer looked over and saw the vase in JJ’s hands, his entire face shifted in a blink. His expression went from tight-knit anger and annoyance to ‘shit-your-pants’ worry. The danger went from being theoretical to being very real in that moment. 

“Where did these flowers come from?” Spencer asked. 

“What?” You gaped, so entirely confused. 

“Where did you get the flowers?” He asked, rephrasing the question, his tone more urgent and demanding now. 

“Why does that matter?” You replied, exasperated. You didn’t see how it was at all relevant. 

“All of the women who were killed received these exact same kind of flowers within days of their death.” JJ told you. “Do you have any idea who sent them?” 

“I thought my mother did.” You shrugged. “There was no name on the card. It just said ‘Happy Birthday’. She didn’t get to see me in person for my birthday, she’s traveling right now. She’s one of the only people who would send me flowers for my birthday.” 

“Yes, but your mother knows that your favorite flowers are lavender and baby’s breath. Why would she send these?” Spencer replied. 

Naturally, he remembered your favorite flowers. 

You couldn’t get stuck on that, though. Instead, you pondered the question he posed. 

Why would your mother send you white carnations without even signing the card? 

It wasn’t something you had thought about. At the time, you had just thought it was considerate, and sweet. When you had called her to thank her for the flowers, you had gotten her voicemail. You had left her a message thanking her. She was away on a singles cruise with shoddy reception and she hadn’t gotten back to you yet. 

“They’re just flowers.” You said, letting out another nervous chuckle - but your voice broke over this one. 

Obviously the reality of things was truly starting to set in with you. 

“We need to set up protective custody for you.” Spencer said, taking out his phone in order to get this done. 

“No!” You snapped. “I am not having some random cops follow me around because you think I might be in danger.” You hissed angrily. 

Spencer paused and stared you down, debating if he was going to go against your wishes or not, his phone still in hand. 

JJ hated the look in Spencer’s eyes. That deep, bitter fear. Whatever had happened between the two of you, there was still enough care lingering there that he would fight for you no matter what. He was terrified for you. He wasn’t going to let you meet the same fate as the other victims. She knew he wasn’t going to let this go. 

JJ put the vase down on the coffee table, and turned to you. 

“It doesn’t have to be random cops. We can stay with you, in order to-” She started to explain, only to be disrupted by the digital ringtone of your home phone echoing through the house. 

You rushed to grab the phone, and JJ heard some of the quiet conversation from you on one end. 

“Yeah, okay. Yeah, I’ll be there soon. It’s no problem. Thank you so much. Yeah, twenty minutes. Bye.” 

You hung up and then rushed back into the living room - and before either of them could speak further on the matter, you rushed past them. You went to the entryway, taking off your slippers to exchange them for sneakers. 

“Look, guys, I would love to stay and hang out, but I have somewhere important to be.” You huffed out. 

“Seriously?” Spencer replied, entirely frustrated with you. “This isn’t some tea party. We aren’t just hanging around here for fun. Call whoever that was and tell them that you’re gonna be late. Or call and cancel, or-” 

“No!” You yelled back, entirely frustrated with him. “Dammit, Spencer! People have responsibilities, you know! I have responsibilities. I am an adult, I’m not some child you can talk down to. Now get the fuck out of my house so I can lock up, and get to the important things that I have to do. Things that don’t involve wasting my time talking to you.” 

You said the last part so snidely, resenting that Spencer’s unexpected visit had been part of your day. 

He opened his mouth to argue against this, but JJ put a gentle hand on his shoulder, nudging him toward the door. He sighed and flexed to this movement. He angrily stormed past you to leave through the front door, which he left wide open like a toddler having a tantrum. 

You grabbed your keys and your purse from a side table near the door and JJ moved to leave as well. On her way along, she put a gentle hand on your shoulder, capturing your attention. 

“We’ll check back in with you later, okay?” She said, using her most gentle, non-confrontational voice. 

“Sure.” You easily agreed, unable to be angry with her. “But just call, or something. There’s no need to bang down my door over some stupid flowers. It’s nothing.” 

She stepped through the door and you followed. As you used your keys to lock up, you added on: 

“I would give you my number, but I’m sure Penelope can find it for you in five minutes flat.” 

JJ chuckled at this. 

“More like two and a half, I’d say.” She replied - it was a joking tone, but she did truly think this highly of Penelope’s skills. 

You smiled over your shoulder at her and she nodded before she began to walk back to the car, where Spencer was already sitting in the passenger’s seat, stewing in his anger. 

When she got in beside him, they watched you pull out of the driveway and drive off before either of them spoke. 

“What the hell happened between the two of you?” JJ asked, the question finally unleashing from her lips. 

“It’s complicated.” Spencer huffed out in reply, tired. 

In order to distract himself from all of it, he was staring down at some files in his lap - some of the case files of the other murders that he had pulled out of his bag. He needed something to do to keep his mind from churning more on the fact that you seemed to hate him. He wanted to find a way to protect you now, instead of focusing on the past. 

But JJ seemed hellbent on walking backward - getting him to look back on what happened between the two of you. 

“I can do complicated.” She said. “We’ve got plenty of time. We should just sit here and wait for her to come back.” 

“You should go check in with Hotch.” Spencer told her, dodging around the question once again. “I’ll come back after.” 

“After what?” JJ questioned, finding this wording particularly strange. 

JJ started the car and pulled away, hoping that you would be safe during the time they didn’t have eyes on you. The UnSub had a particular routine - he liked to stalk his victims for a few weeks before he broke into their homes and killed them. So she hoped that he wasn’t ready to make contact with you yet. She hoped that if he did, your gun and your alarm system would be enough to deter him. 

“I - I wanted to get her something nice.” He answered, sounding rather shy about this proclamation. “Like she mentioned, her birthday just passed. And, according to the preschool forms, her son’s birthday was a week ago. I want to get something for him too.” 

“They have the same birthday?” JJ asked. 

“Not exactly the same, but their birthdays are only five days apart.” Spencer replied. “I missed his birth.” He added on, a quiet sigh, entirely melancholic. “I missed the whole pregnancy. I - I missed everything.” 

“You still didn’t answer my question.” JJ reminded him. “What happened?” 

Spencer knew she was asking as a friend. He knew that of all people - she was the one to talk to about this. 

“It - it was right after Hankel.” He admitted quietly. “That was when Y/N and I broke up.” 

“Oh.” JJ said quietly. 

The air in the car became thick as the heaviness truly overtook her. 

So, it was complicated. 

But she definitely couldn’t understand your rage toward Spencer. 

“When I came back from Atlanta, she knew I wasn’t the same. And things - we - we fell apart.” He admitted this barely above a whisper, hesitant to even voice the words as a reality. “You knew what kind of person I was back then. I wasn’t good to her. I wasn’t good to anybody.” 

Spencer let out a harsh chuckle - a defense to all the hurt he was feeling about it. 

JJ spotted a sign for a shopping center, and pulled into the parking lot. She knew that Spencer likely had a good idea about buying into your good graces with a late birthday gift. Even if it wouldn’t instantly make up for everything that had happened all those years ago. 

“Yeah, but you’re sober now.” She reminded him. 

“She doesn’t know that.” Spencer replied. 

JJ ruminated in thought for a moment. 

“You know, I met Will afterwards, right?” She said. 

Out of the corner of her eye, Spencer nodded. 

“It was only a few weeks after everything happened, when we were working that case in New Orleans.” She explained. “And he looked at me like I was a hero. Because I helped him finish what his father couldn’t. He didn’t look at me like I was fragile or broken. He didn’t tip-toe around me. He didn’t see me as some ghost. And that is part of the reason why I fell for him. He always saw me as this goddess. Like Superwoman.” 

Spencer smiled at this. 

He wanted to be that person for you. He wanted to be your Superman. (But he feared that he couldn’t live up to that. That he would fail you when the time came.) 

JJ found a parking spot, and parked, but Spencer lingered - sensing there was more to the conversation. 

“You know… Henry wants a puppy.” JJ’s voice shook, her throat clenching up around these words. 

Spencer’s stomach shook. 

He hadn’t been there, but he had seen the scars on JJ’s arms. He had seen the footage of the other poor woman being torn apart by those dogs. 

“And I had to tell Will everything. How I was chased down, how I had to shoot two innocent animals - the stupid fact that I still feel guilty about it, even though they would have killed me if I hadn’t done it.” She said, her throat becoming more closed off with each word. She cleared it before she spoke again. “How I lost you, how it was all my fault.” 

“What happened to me wasn’t your fault.” Spencer felt the need to say this aloud, reaching over and putting a gentle hand on her knee. She nodded at him before she continued. 

“Just - it was all so overwhelming. The idea of having a dog in our house. But… I told him that I wanted to try, at least. For Henry.” JJ explained. “But when we went to the animal shelter - the sound of dogs barking… I couldn’t stop myself from flinching. And next thing I know, I’m sitting on the curb outside with my head between my knees and Will is putting a bottle of water to my lips.” 

“Henry seems more like a cat person anyway.” Spencer replied, hoping this slightly humorous comment would offer some comfort to his friend. 

JJ let out a tired laugh. 

“He’s three and a half, I think we’re still in the stage where a goldfish is more than enough for him.” She added on. 

“I - I never told Y/N.” Spencer said, suddenly shifting the conversation. JJ raised her brow, prompting further explanation of this. “I never told her what happened to me. What happened with Hankel.” 

JJ gave him a sad look. 

“Why not?” 

“I - I didn’t want her to view me as weak. I couldn’t fight him off. I accepted the drugs. At certain points, I…. I even pitied him.” Spencer replied. “I didn’t want things to change between us. Even though they did anyway.” 

“Do you still wanna be with her?” JJ asked. 

“What?” Spencer gaped, not expecting the question. 

“If the kid is yours, obviously you wanna be in his life. But co-parenting as separate, single people is one thing.” JJ explained herself. “Do you still want to be with Y/N? Do you still love her?” 

“Yes.” Spencer replied shyly. 

“Then you have to tell her everything.” JJ said firmly. “Being with someone for the long term isn’t about creating some fantasy. I fell in love with Will because he looked at me like I was Superwoman, but I stayed in love because he takes care of me when I’m powerless. You have to be weak in front of her and let her take care of you, so that you can be strong everywhere else.” 

Spencer sighed - letting this wisdom fully penetrate him. 

He knew that being a genius sometimes meant that he wasn’t the smartest person in the room. Apparently, this was one of those times. 

“You’re right.” 

Then, he reached for the car door’s handle, feeling like JJ had taught him a lot with that conversation and he needed some time to think alone. 

“You want me to come with you?” JJ asked. “You might need a woman’s opinion on what to get,” 

“No thanks, I know Y/N pretty well.” He replied. “At least I hope I still do.” He opened the door fully and stepped out. “And I wanted some alone time, to… think all of this over. To think about what I’m gonna say to Y/N. I’m gonna walk back afterwards, the house is only a few blocks away.” 

JJ nodded. 

“I should check back in with Hotch.” She noted. “See if they found anything with the other women on the list. Otherwise, all we’ve got is the flowers.” 

Just as he moved to close the door again, JJ spoke up one last time. 

“Rubble.” She said suddenly - which sounded very strange with no context. 

“What?” Spencer asked, ducking his head down to see inside the car to potentially hear her words better. 

“Rubble - it’s a character from the kids’ TV show, Paw Patrol.” She explained. “There was about five action figures of him sitting on the living room floor back there. So I would assume that he’s your son’s favorite character.” 

Spencer’s chest jumped at the way she said ‘your son’ - so casually. 

He could really have a child in his life. This could really be his future. 

If he played his cards right, this could be his future with you. 

“Thank you, JJ.” Spencer grinned at her. 

She smiled back and he stood up to his full height and closed the car door, walking off into the shopping center by himself. 

And of course, his thoughts drifted back to you. 

He thought back to the last time he had spent your birthday with you. Before Hankel, before all the madness. Before everything good in his life slipped through his fingers and he was left feeling so alone. 

… 

For someone with basically no serious relationships under his belt before you came along, Spencer was excellent when it came to romance. 

Perhaps it was because he spent his time reading the classics - he could recite Elizabethan poetry off by heart, he could whisper epic romantic ballads in your ear before kissing you with such intense passion that it left your head spinning. He had such a perfect picture of what romance should be, and it meant that he knew how to plan a date that left you feeling like a queen. 

Every single time he took you out, he made you feel like you were the only woman on earth - like he would move the seas and the sky just to show you how much he cared. 

And because he insisted that your birthday should be a day all about you - a day dedicated to celebrating you - then this was certainly no different. 

The night had been a whirlwind of perfection. 

After dinner at a gorgeous fine dining restaurant downtown, Spencer then drove the two of you to an art gallery to stroll around. He cited that he wanted you to have some down time for your food to settle before he gave you your present. From the spark in his eye, you had a feeling that you knew exactly what that present would be. The whole evening was so utterly beautiful and peaceful. And like everything with Spencer - it was a pleasant enrichment of the mind, looking at art while he told you things about the artists or the origins of the paintings. 

Before you got halfway through the gallery, he checked his watch and told you that it was ‘just about time’ for your present, and then he drove you back to his apartment. 

The two of you barely made it through the door before you had him pinned against it, your mouth enveloping his in a hot, desperate kiss. You were so utterly grateful to have such a romantic, thoughtful man in your life. 

The entire evening had been nothing but a reminder of that - the way he looked at you with love so pure in his eyes. Him opening doors for you, keeping his hand on your lower back to usher you gently around, speaking lowly to you as though his words were precious and only meant to be yours. 

You needed him. You needed to show him how much you appreciated all of it. You needed him to know how much of a treasure he was in your life. 

You reached for his belt and Spencer let out a choked off moan into your mouth. 

You were surprised when he reached for your wrist, gently pulling your touch back - stopping you from unfastening the belt as he pulled his now slightly swollen lips away from your kiss. 

“As - as much as I want to,” He huffed out against your mouth. “I - I still have to give you your present.” He noted, flashing you a smile. 

“I thought this was my present.” You replied, reaching down to grope Spencer’s half hard cock through his pants. 

He let out a groan; but then he reached for your wrist again, pulling your touch back. 

“I - I promise - later - afterwards? Later tonight.” He stuttered out, hard pressed to focus as more blood rushed to his cock. 

Spencer puzzled you. You had never known any other man to interrupt foreplay for something other than sex, unless it was life or death. But it made you very curious about what your present was and why he was so desperate to give it to you. 

And sex was still on the table, so that panging need between your legs would be taken care of eventually. 

You hummed in ascent and stepped back, releasing Spencer from where you had him pressed against the door. He gulped in a large breath of air before he moved across the room. 

You were surprised when he didn’t move to turn on any lights in the apartment, leaving the two of you settled in comfortable darkness. The only lights being the light from the bathroom that he had left on before leaving, shining down the hall, and the dim lighting coming in the windows - some street lights and the occasional passing car’s headlights. 

Spencer shrugged off his blazer and tossed it over the back of the couch on his way toward the window. He yanked up the blinds in front of the space where he had set up a very expensive, advanced, gorgeous telescope - one that had been there the last few times you had visited. Astronomy was one of his many hobbies, and he often invited you to view different stars or passing comets. It was just one of the many things you learned from him - knowledge you absorbed from being around him that made you feel infinitely smarter. 

You always indulged in the joy of feeling smarter just from being in his presence. You loved that Spencer was someone so gifted who loved to share his knowledge, rather than gatekeeping it or being snide toward others who weren’t as privileged as him. It was just another thing to love about him - the fact that he was so kind in sharing his big brain with others. 

You watched him with intrigue while you took your wrap off your shoulders and tossed your purse onto the couch. Enjoying the quiet and the peaceful darkness and watching him work, you moved to sit on the arm of the couch to begin unstrapping your heels. 

He checked his watch again, and then looked to a small side table he had near the telescope. He flipped open a notebook that he had there, and you supposed that the minimal light coming in through the window was enough for him to see whatever it was that he had written there. He adjusted the telescope slightly, then looked at the notebook again, then adjusted the telescope again. 

Then he said ‘aha, there you are’ under his breath, grinning widely to himself. 

The entire thing made your insides glow with curiosity. 

Spencer then turned back to you, still grinning widely. When he noticed your shoe half-hanging off your foot, he stepped over to you and softly grabbed your ankle, sliding your shoe off the entire way before gently rubbing the sole of your foot. 

“Let me help you with that, Princess.” He said quietly, before moving to take the shoe off your other foot. 

Again, your insides tingled as he made you feel like you were the most important woman on earth. 

“Thank you.” You replied, almost speechless at the action. 

“If you’ll step right this way, I can show you your present.” He said, motioning toward the telescope with a dramatic flare. 

You let out a giggle as you stepped over your abandoned shoes and moved to look into the telescope. 

You wondered if he had written some poem and taped it onto the other end of the lens or something like that (it was Spencer, it must have been something epically romantic). But as you bent down and closed one eye to get a good look, it was entirely ordinary. 

The telescope was focused on a single, tiny star. 

It was beautiful, but it was very… plain. And more than anything, it was confusing. 

Your present was… a star? 

“Spencer, I don’t really get it?” You sighed, standing up to your full height once again. 

“I got you a star.” He said proudly, grinning even wider now. 

When you stared at him with more intense confusion, Spencer reached over to the notebook and pulled something out. After he handed it to you, you leaned into the light of the window and studied it carefully. 

It was a certificate stating that Spencer had paid to name the star after you. 

He had literally changed the night sky for you. 

“Oh my god.” You gasped quietly. 

You felt so overwhelmed. 

If he had made you feel like the most important woman in the world before, then now - you felt like the most important woman in the galaxy. 

“Spencer, this is - this is too much.” You said, your throat clenching up slightly due to the intensity of the emotions. 

“No, it’s not.” He said firmly, reaching out and putting a hand on your jaw, tilting your face up from looking at the certificate to look at him. 

There it was again, all of it spelled out in his eyes - the adoration, the pure, overwhelming affection that he felt for you. It bloomed nothing but those same feelings in return from you. It was almost so overwhelming that you felt like you could have exploded from how much love you felt for this man, all of it swelling inside of you so quickly that you felt like your body couldn’t contain it. Like it was a sickness that was going to overrun your body if you weren’t careful. 

“Spencer.” 

His name swelled in your throat like that throbbing love, and you couldn’t help yourself from reaching out and grabbing him by the front of his shirt, pulling him into another kiss. Because of course, words weren’t enough. You smothered him with your mouth, trying desperately to communicate every ounce of passion and gratefulness you were feeling with the heat of that kiss. 

Spencer held you, engulfing both your cheeks with his large, warm hands, kissing you back with just as much intensity. 

Both of you lingered there for a few moments, savoring each other’s lips, mingling in each other’s breath. 

You were disappointed when Spencer pulled away. 

“There is something else.” He told you, a bit of glee edging on his voice. 

“What?” You gaped, shocked by this. 

“There’s something else I have to give you. Another part of your present.” He clarified, pulling back completely - likely in order to fetch this thing. 

You let out a breath. You weren’t sure how this magnificent man could possibly do more. 

You placed the certificate for the star down on the table where Spencer had kept it. Later, you would take it home and have it framed, wanting to display it proudly. You could imagine yourself putting it up in the front of your home when you eventually moved in with Spencer. You could put it next to your marriage certificate; eventually, put next to wedding photos when the two of you eventually got married. (And sometime later, it would be hanging alongside photos of you and Spencer with your kids. You tingled, realizing that this was the first time you had ever thought of having kids with him, but it fit so well. It seemed right.) 

The thought made you tingle. 

You could truly imagine yourself having a life with Spencer. Standing proudly because this was just the beginning of it. He truly felt like ‘the one’ you had always been waiting for. 

“Here.” 

Spencer’s voice pulled you from your plethora of dreamy thoughts, and you turned to see him holding a velvet box. Your heart skipped a beat at the passing thought that it might be the box - but no. Now wasn’t the time. The two of you had only been dating for a year and a half. And while you were so deeply in love, you knew that it was a bit haste to assume that he was ready for marriage when you were his first serious girlfriend. You were still both so young. 

He opened the lid and you let out a small gasp when you saw it. 

It was a simple, elegant silver necklace. The pendant was a four pointed star, with a small, dainty stone in the middle. You easily recognized it as your birthstone, meant to represent the fact that he had given it to you on your birthday. And obviously the star pendant as a whole represented that he had also gifted you a literal star in the sky on that same day. 

“Spencer, it’s so beautiful.” You said, utterly breathless. 

“Traditionally, the four pointed star is believed to represent the designation of a goal. It marks one’s great endeavors, because it seems to point to the four cardinal directions. This star is meant to guide someone, like a map - the way that sailors used the stars to guide their path.” 

Spencer explained, knowledgeable as he always was. 

“I - I chose this for you because… well, because when I met you, I felt as though I had accomplished great things in all areas of my life, except for one. Academically, I was satisfied. In my career, I was happy. But when it came to matters of the heart… I was utterly clueless. And when I found you… it felt like you were my guiding star. Like you were the person I had been waiting for to finally show me - show me the meaning of love.” 

“Oh, Spencer.” Your voice cracked around these words, barely able to form them. “Oh, honey. I love you so much. Thank you.” 

It was all your mind could gather at the moment. It wasn’t the first time you had said it to him, but it was certainly one of the most intense. 

“I love you too.” He replied. Through the dimness, you could almost see tears forming in his eyes. “You truly make me so happy.” 

Spencer then cleared his throat harshly, wanting to clear away his intensely emotional tears. 

“Can - can I put it on you?” He asked shyly, motioning with the necklace in its box. 

“Of course.” You grinned. “I’d love that.” 

You turned around and Spencer took it out of the box, fiddling with the dainty clasp for a moment before he put it around your neck and then did it up for you. It felt so right around your neck. It felt like his love was being carried with you. You had a feeling that you wouldn’t want to take it off anytime soon. You could easily imagine yourself feeling so proud to answer whenever random strangers or your co-workers asked where it was from. 

When it was secured around your neck, Spencer leaned in and laid a gentle, open-mouthed kiss against the chain. This simple act reminded you of that needy throb between your thighs; of what you had been wanting so badly the moment you had come in the door. 

“So…” He whispered against your neck. “What else does the birthday girl want?” 

“I can think of a few things.” 

That was how you ended up with your back pressed against the softness of the couch - too impatient to even make it to the bed - with your dress pushed up around your waist, your panties tossed somewhere in the middle of the living room rug. Spencer’s glasses were pressed up onto his forehead while his knees dug into that same rug, his fingers splayed across your thighs, holding you open to makeway for his tongue. 

He ate you out with all of the intensity and passion that he had kissed you with - moaning into your pussy as though he was singing directly to the gods. 

“Fuck, Spence.” You moaned, raking your hands through his hair, holding him close - not that he would want to pull away for even a second. 

He loved your taste more than anything in the world, and he savored every second that he got the privilege of being on his knees for you. He moaned into your pussy, loudly, almost pathetically - hot echoes coming from his lungs as though he was the one being pleasured. He laved his tongue across you with an open jaw, drinking in as much of you as possible while your thighs quaked around his head. Your nails dug into his scalp and he only moaned harder, loving the sound of your needy whines and your gasping breaths as your clit throbbed under his tongue. 

Spencer hummed in delight while he bounced your clit on his tongue, loving the feeling of that sweet little bead throbbing against him; loving your taste, loving your echoing moans. Loving how much he could bring you pleasure. 

“Fuck, Spence, so close!” 

He put his lips around you and sucked then, holding you gently against him by the hips. He couldn’t help but to enjoy the feeling of your body quaking against his face while your orgasm overtook you. It was overwhelming and beautiful and warmed your whole body - just like the love you felt for him. 

He pulled away after a moment, when he was sure that he had seen you through to the satisfying end, and he grinned against the mound of your pussy. 

“Happy birthday, pretty girl.” 

… 

After the break-up, Spencer often looked up to the sky and thought about you. 

On the nights when your star was in place overhead, he felt a particular pang in his chest. He wondered where you were and what you were doing. He wondered if you were safe. He spent many nights staring out his telescope, wondering if you were happy, blanketed under that inky sky. 

You thought about the star sometimes, too. 

You thought it was a lot like your relationship with Spencer. Placing all of your hopes and dreams onto something already dead - something where the light had died out long ago.

...

Continue reading: Chapter Three - Turn It Off

#sundrop writes #criminal minds fanfiction #criminal minds #criminal minds fic #spencer reid x reader #spencer reid #dad!spencer reid #spencer reid imagine #spencer reid smut #spencer reid fanfiction #spencer reid x y/n #spencer reid x you

[blacknailsandheartbreak]

Part 2 to how the group cannot fathom how you and Zuko are so close with your angel of a self and Zuko being... well, Zuko

AN: OKAY! Look at me go, coming out with a part two. I think I might do a part two to some previous pieces of mine but we will see.

SO this is a part two, so you can read the first one here, it will give some context clues into this second part of the story (but can probably be read solo) : Part 1

Any who, ~2300 word count, enjoy :)

KIDDIE FREE ZONE

Good Friends

That's all you guys were. Good Friends. Zuko kept telling himself he had no reason to be so bothered by that statement, but he was. He didn't want to be just good friends, but you had given a better answer then he would have in your position. But now the Gaang has been flying for the past couple days and has given him lots of time for thinking. Especially having you for the majority of the time sitting with him leaning against his arm, grazing legs, as you were not shy to the general touch. You always seemed to start up the conversations with him, your way of speech held him in interest, but as already known, he never said much back, but always was happy to listen.

But ever since that last night of camp a few days ago he cannot let the thought go. Good Friends. He knew that the talks you two have, the moments you both cherish, and the secrets you two shared was enough of a connection to be more than just good friends, or at least in his mind it was. You two were absolutely glued to the hip, and seemed to be together, just without the title. Zuko was fine with no title, he would rather the group didn't know but for you two to have that clarity is what he was craving. He knew there were other things that were more important at the moment but it couldn't calm down in his mind. He had to know, he wanted to be together. Even if that became another secret you both shared he would gladly add it to the pile.

As the afternoon began to fall fast on the fourth day of travel, the Gaang was running low on rations and decided to hit the next market in the upcoming town. Upon arrival, Aang and Sokka grabbed Zuko to tackle their list as Katara and Toph grabbed you to get the remaining items. Zuko was hoping to buddy up with you but it would have to wait. As the group divided and conquered, Sokka was getting very nosy with Zuko about a certain someone. Zuko ignored all of his questions or what felt like more accusations. Meanwhile the girls had finished with their tasks and Toph had somehow gotten into a gambling match with the remaining money they had and won every time. You stood back leaning against a nearby wall smiling, not wanting anything to do with the situation but you weren't going to interfere either. You feel a brush against your shoulder and look up to see Zuko, you smile and greet Aang and Sokka. You ask how their huntings went and they all agreed it had gone well. Zuko looked at you and asked if Toph and Katara were seriously gambling the little money they had left. You laughed and were about to answer but before you could Toph came over with a large bag and tossed it at Zuko. He caught it effortlessly, and it jingled heavily. All of the boys eyes widened, and Toph said "We will be sleeping well tonight thanks to yours truly."

The Gaang walked around the town as the night grew darker and the many street lamps glowed near and far, Zuko's mind still buzzing with the taunting thought of good friends. Maybe he was over thinking it and there was already an unspoken agreement you two were together? Or was he being weird and obsessive? Or maybe you had a completely different view on all of it? Or maybe-

His thoughts were cut off by you linking your arm through his and pointing out the beautiful lights, from the shops, to concessions, to the fountains, to the groups of lively people. He looked down at you and for the first time, he wasn't really listening to you. He just looked at you, looked at your smile as if you knew this moment was made just for you. He would forever be in awe at how effortlessly you spoke as if you had already rehearsed it one hundred times. He feels your genuine happiness and spirit in your eyes as you look up at him and he wonders how you hold such grace through everything. All his thoughts left his mind as he looked at you and thought, yeah, that is my girl.

Once the Gaang decided to call it a night, you all looked for an Inn to stay at for the night. There was not much of an option in the small town, so you all entered the closest place and the lady at the front desk greeted you all with a warm smile. Aang went to talk with the lady and brought back a handful of keys. Everyone was confused as he handed everyone their own key and explained that they only had single rooms left for the night. Nobody really complained as everyone seemed they could use some time to themselves. Everyone shuffled into their rooms with quick goodnights, but before Zuko walked through his door, he looked over his shoulder at your direction, and there you were. Walking into your room and almost as if you felt his eyes you looked over your shoulder and stopped for a moment, you smiled at Zuko and gave a small wave of goodnight before stepping into your room and closing the door. Zuko's eyes stayed on your room for a moment longer, before a small tap on his shoulder made him spin around. It was Katara. Zuko was lost for words. Katara smiled and whispered "I won't tell, not that is isn't already so obvious, but you should really talk to her." Before Zuko could respond to her she waved goodnight and walked into her room. He stood in the hallway like a man who was shot and was too afraid to move. He looked back at your door, he felt the longing in every part of his being to just go and knock on your door and say everything he has been thinking just like you do. How you so effortlessly say exactly what you're thinking, that is what he wanted to do. He wanted to tell you what it meant to him to have someone like you become so close to someone like him. He wanted to tell you that the secrets you both shared with each other meant the world to him and he would take them to his very grave if you wished so. He wanted to tell you that every time you smiled it felt like it was for him and him only. But he didn't. He walked back into his room and shut the door.

Zuko got ready for bed and laid down for a few minutes, he tossed and turned and his chest felt so heavy. He let out a sigh as he laid on his back and placed a hand on his chest with the other one behind his head. He stared up at the ceiling. Zuko let out a small grunt of frustration when he got up, deciding to go get some water. He grabbed the bucket from the small table in the room and walked towards the door. Zuko grabbed the bridge of his nose in exasperation and pulled his hand down his face, he went and opened the door and to his complete shock, there you stood. You looked almost as surprised as he did. You both stood in silence for a moment, and for the first time, Zuko spoke first. He asked if you were alright, because the last thing he expected was for you to be standing at his door in the middle of the night. You replied softly, saying you were ok, just had a lot on your mind. You noticed Zuko holding the bucket for water and offered to go with him to fetch some, he agreed. This time you both walked in silence to retrieve the water and walked in silence back to the rooms. You both came to stand outside Zuko's room and he asked if you were sure you were ok, and you replied that you were, probably just over tired. Zuko looked at you and asked you if you wanted to come into his room. You smiled softly and insisted you didn't want to intrude. He didn't respond and just motioned you inside, you accepted and walked in, Zuko shut the door behind you.

Zuko grabbed the ladle and poured you some water while you sat on the bed, he handed you the cup. You smiled and thanked him as you grabbed the cup and took a sip. Zuko sits next to you and rests his elbows on his thighs and looks down between his knees to the floor, he's not sure how he wants to go about tonight. He has no idea where to start, no idea how to talk or truly express his thoughts. He worries about sounding like a bumbling fool compared to your angelic soft spoken way of words. But before he could think further, the bed shifted and you were now directly beside Zuko with your head leaning on his shoulder. He looked up and he knew he wanted this, he wanted to be the one to call you his. He wanted to be by your side every step of the way and watch you regain the pride of being a fire bender. He wanted to have you by his side helping him with the path of change after the comet, and he didn't want to do it as good friends, he wanted to do it together. Zuko took in a deep breath, and asked "Do you really think we are just good friends?" and without a breath missed you replied "I knew your ears were on fire that night." you sat up with that comment, Zuko smirked and chuckled, you two were very close now, mere inches from each other's faces. "But no..." you replied, "I don't think we are just good friends, do you?" Zuko looked into your eyes, they seemed to shimmer the most beautiful shade of amber even with the liminal lighting in the room. "I don't think so either." He replied. Zuko saw your eyes dart to his lips and back to his eyes but the second your gaze connected back with his, he was already pulling you into a kiss. He put his hand just under your ear, along your jaw, pulling you in gently, as if giving you an option to back out. But you didn't, you leaned in and placed your hand on his arm and you kissed deep. Zuko lavished in this moment and if there was any way he could pull you in even closer he would. You pulled away first and looked at Zuko, he looked at you with so many emotions, "We are together." he stated. You smiled so wide and nodded, for the first time you were speechless and practically tackled Zuko to the bed, kissing him so deeply while he gladly reciprocated with the same action. You were straddling Zuko as he effortlessly flipped you over on the bed so he was now on top, you placed both your hands on his jaw and leaned up to give him a small kiss and then laid back down. "Would you stay with me tonight?" Zuko asked, you smiled, "Of course I will, I thought you'd never ask." Zuko rolls his eyes and leans down for a kiss but you halt his actions by asking, "What about the others, they will see me leaving your-" Zuko cuts you off with a soft kiss and after responds "I don't care, they can make their own assumptions." You smile so happily and nod your head, "But, they are going to ask questions-" you started but again Zuko cut you off before you can overthink, "So answer them however you want to, however you feel is right." He leans down and kisses you so romantically, and moves to your cheek, and down to your jaw, and making his way to your neck, you let out the smallest gasp. You could feel tingles all throughout your body, from your fingertips to your toes. This was the moment you were both waiting for, Zuko knew this is what he wanted, he wanted you now, tomorrow, the day after that, the months that follow and the years to come. You were his as much he was yours. He gave himself to you that night as you gave yourself to him. Both vulnerable to one another, savouring each movement, each touch, every breath you both shared. The night was exactly what you both wanted, it was what you both needed.

The next morning Zuko woke up with you laying on his chest and his arms wrapped around you. Both of you spent the morning getting ready and just smiling at each other, no lingering feeling or questions of what ifs. You could both just be together.

It was time to check out and continue the journey, so you both gathered all your belongings and walked to the door. You both stopped and you looked at Zuko, "They are going to ask." you stated, and Zuko looked right back at you, "Then answer." he replied. He opened the door and the Gaang was waiting in the hall. Katara was the first to see you both exit and she tried to hide her smile with a polite hand, the others turned to look and were caught a blank. Zuko shut the door with you standing by his side. You greeted everyone and you both walked towards the group, "What are you all staring at, let's head out." Zuko said so nonchalantly, everyone stood in silence for a second longer and proceeded on like nothing happened.

#prince zuko #zuko #atla #zuko fanfic #zuko x reader #atla fanfic #avatar zuko #grumpy x sunshine #fluff #smut #imagine zuko #imagine #x reader