it's awfully refreshing to see a rise in malevolent galas again, and i'm preeet-ty sure your popularity's playing into it. grrrrrrr yes! let that boy kill! let him scheme and conspire! let him wreak havoc like the true planet-destroying fiend he is!
waaahaaa i'm so delighted to hear it! i will be completely honest, i was extremely nervous to post that very first comic with him in (where he was undeniably malicious) because almost every other headcanon i'd seen of him at that point is that he is Just Misunderstood and Actually A Good Guy or, at the very least, perhaps currently acting out but still Redeemable With A Heart Of Gold
and those are amazing too! not a single piece of shade on those characterisations; they are genuinely cathartic tropes and i love to see them- for him or anyone else. but it made me quite scared to have to just be like... 'anyway he is extraordinarily and wilfully cruel in my headcanons and stories!!'
so it really means a lot to me that you enjoy this characterisation!! and that you think possibly it's having an impact on other folks' characterisations in a positive or refreshing way! that's such an honour! i was scared people would loathe my storytelling or characterisation of their favourite blorbo (i still fear it, ngl) or even think that i like... don't like him. but the thing is that i love him. i love him to bits and pieces and because of how much i love him i've done him the ultimate honour of assigning him Irredeemable All-powerful Villain and allowed him free reign to bite and kill
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One of Mikan's character notes is that she hates clothes that are too big and thus consistently buys things that are actually too small so that she doesn't have to deal with them being potentially too big.
But Mikan. Bestie.
Your beloved is the Ultimate Fashionista.
Junko's just over here making Mikan clothes that fit because Mikan has probably never had anything that fit right once in her entire life. Mikan, this is what clothes that fit feel like. Isn't that nice. Don't you want more of those.
Followed immediately by Mikan bought her own Ultimate Despair nurse's outfit that is absolutely too small.
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One of my least favorite parts of how JRO wrote Optimus is that he wanted so badly to continue his dark and gritty world building making the Autobots problematic, but evidently couldn't reconcile this with Optimus being a Heroic Paragon, so instead he leaned way too hard into "oh Prowl was the one who did this and it was behind Optimus' back" which if anything I think makes Optimus look worse, not better. Because then it's like, okay I know Optimus trusted Prowl a lot as his friend but you CANNOT TELL ME that over the course of 4 million years, Optimus as the leader of the Autobot army who literally would have access to 99.9% of all the records they produce, would never notice or question where some of these odd/inconsistent details were pointing. It just seems really inconsistent with how a real military would actually function, especially regarding Optimus' character, who is incredibly thorough and responsible and wouldn't neglect to keep up with all the details of his army.
Hell, Optimus knows who the Wreckers are and had them on call for tricky operations when he needed them (Stormbringer) so he's literally not at all ignorant of/averse to the use of special wartime units composed of dubious individuals. He's the fucking commander of an entire army, of course he knows that War Is Hell (TM) and no one's hands are clean. That's not even getting into all the stuff he got up to in phase 2/3, I mean everything from the annexation of Earth to OP breaking humans out of prison against Council orders shows that Optimus is no stranger to immoral and/or unlawful means.
It also leads to a lot of annoying fanon where people write Optimus (sometimes unintentionally, sometimes not) as like some sort of ignorant fool who's unaware of the machinations of his own army or has some sort of naiveté of "b-but we can't use bad tactics against the enemy! I would never condone the use of morally gray means in war!" No, IDW Optimus knows perfectly well all of the bullshit he's enacted/condoned for the sake of trying to win the war. Some stuff is definitely out of character for him and was only machinated because of Prowl, but I think this fandom REALLY underestimates Optimus' personal agency/responsibility as the commander of a whole ass army and ESPECIALLY underestimates Optimus' capacity to condone morally gray Bullshit Of War while still being a good person individually as well as, comparatively, the lesser evil compared to Megatron/the Decepticons.
Anyways what I'm saying is JRO may be a good writer but he's really hesitant to make Optimus morally gray and does some asspulls sometimes to justify most of the bad things the Autobots did as "Optimus just didn't know," and since the majority of the IDW1 fandom only reads JRO's stuff they go running with this premise of ignorant/uninformed Optimus when there's evidence elsewhere in canon to show that Optimus is, in fact, very highly aware of the bullshit he's allowed "for the greater good" and the only stuff he was "unaware of" was the stuff he would literally never agree to the ethics of, like bombing innocent neutrals disguised as Decepticons to get them to join the Autobots.
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where'd you draw inspiration for T&TA and how long did it take you to comprise a legible script [a fellow, curious- and pretty young writer]
The most immediate inspirations for Time and Time Again were Jaws, Quantum Leap, and Psych. I grew up watching a ton of detective type shows and so there's a lot of background radiation in my brain taken up by those. I tend not to take much stock in inspiration though, and generally am comfortable just powerhousing through things (it's kind of what I went to school for). Inspiration happens when it happens, but if it doesn't, my work still needs to get done!
It took me about 7 months to write the first season, which is 4 complete stories. To be clear, though, I don't script! I outline major character events, and then I make about 100 more detailed outlines until I get to one that hits all the development points I want and feels interesting to me. This takes me weeks of writing sometimes 10+ pages a day, putting together boards with strings, etc. until I feel I've got an outline of events that I'm happy with!
I actually get to writing and finessing dialogue while I'm making thumbnails, and 1 episode can take me anywhere from a day to 2 weeks. The longest ones are when they're arguing, and I'm struggling with the minutiae of the implications of their words, where I want them both to be sympathetic without making their dialogue feel unnatural.
So, one complete arc takes me about 4-6 months from start to finish, I think.
My writing is at its best when I get to plan everything up front, and it's at its worst when I'm forced to deliver week-to-week and I can't see the whole story as it is. But, I've also been writing for a long time and I know myself and my process pretty well! Every writer is different, and some people need a lot more time than others. Let yourself relax, don't try to do things "the right way" because there is no right way. Just make stories! Make the process fun for you, and your skills will grow the more stories you tell. As long as you're having fun, the stories are serving their purpose.
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I genuinely want Peter to have like a story that’s all about him healing as an adult. Not completely, that would take forever but like finding someone he can feel normal with, a desire he constantly complains about in almost every iteration. Someone who he can do normal things with that is also helpful if not supportive of his life as Spidey (You can tell I really liked Chat)
He wants a life he can truly live and it would be nice to have an issue have that as a subplot. Whatever Spider-Man is doing is completely separate from what Peter has going on. His partner, friend, whatever, gets he practically has two separate lives and is truly patient. They would wait for him after a scouting or fight. Be okay with less lavish planned dates and get he is going to miss things. They signed up for this when dating a hero and they understand it.
Peter deserves for once to have someone consistently and overwhelmingly be in his corner. To be ready to sacrifice like him but at the same time remind him that he is Peter before he is Spider-Man, not only for them but for himself.
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