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#can you tell i love this book?
strange-daughter · 2 years
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Review: Last Night at the Telegraph Club
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by Malinda Lo
Finished this book a few days ago and wanted to share my thoughts.
Spoiler Warning! Review under the cut.
My initial impression whilst reading: This book is interesting, but very long winded - I could do with less minutiae of each and every setting Lily finds herself in. The time jumps are confusing -even with the timelines provided for context- this doesn’t feel like a book that necessitates non-linear storytelling. The plot moves forward at a glacial pace.
   ^obvious simplifications
My impressions now: I take back everything I thought!!!
Writing: It’s often said that there a purpose to everything in a literary work, and that definitely applies to this book. All my complaints? Throw them out the window. That slow progression, the time skips/flashbacks, the slow pace of the book all have their purpose.
Turns out that I’m just an impatient little bitch who is used to liking books based on pure first-readthrough impressions. I like prose that grips me and sweeps me away, I like being immersed and caught up in all the thrills and romance of a plot or setting. There’s no surprise that “Last Night” gave me some trouble while reading. Malinda Lo indulges in the details, she describes settings, characters, and actions thoroughly and she does so with care for an audience that probably isn’t as familiar with Chinese culture as I am. So yes, scene descriptions take some time to get through and you’ll have to weather some outfit descriptions but they all come together to tell a story. Lo paints a rich environment that is as much part of the story (forms as much of the story) as the characters are.
Characters: Let me tell you that I’ve never felt closer to a character than Lily. I’m not Asian American, I didn’t grow up in the US; nevertheless, Lily and Shirley’s feelings about living and growing up in combined but separate cultures still hit close to home.
I related to Lily’s discomfort with certain aspects of liberal Western culture, Shirley’s desire to fit in with American society (the scene at the ice rink? impeccable), I felt the dread and indignation of being othered when characters asked if Lily spoke English. I have felt the simple joy of sharing familiar foods with a friend, like Lily sharing ginger ice cream with Kath or snacks with her brothers, I cried when Judy gave Lily warm buns at the end of the story (aside here: the subtle celebration of our food culture and its importance to us!). I recognized the constant negotiation that takes place when one is born into two cultures, the push and pull of East and West, the pressures and pitfalls of being a ‘model minority’.
(Another small aside: I loved loved loved the use of actual Chinese characters in the text and the use of Chinglish in dialogue! I don’t even speak Canto as Lily and Shirley do in the story but even seeing Chinese characters in a text made me feel so proud. They felt like a declaration: we don’t have to be softened into Pinyin, look at us and become familiar with us, there is nothing foreign or fearful about us.)
Queerness: The story “Last Night” tells is twofold. One is about the Chinese American experience in the 40s and 50s, made most evident through the flashbacks and political tensions running in the background of the story’s present. Our second story is about Lily and Kath and the Telegraph Club.
Dare I repeat myself when I say I’ve never felt closer to a character? Despite the fact that I was born in the early 2000s, Lily’s path to adulthood and discovery of her queerness, her feelings and anxieties closely mirrored my own and, I imagine, many others’.
Growing up Chinese, especially as a woman/daughter, the familial and societal expectations of being a ‘good daughter’ are immense -even breaking the smallest rule can feel like a greater betrayal than it is. Both Lily and Shirley struggle with this idea, though, to Lily, Shirley seems to be much more comfortable straddling this ambiguous line (perks of being the extrovert friend, I guess). Lily has an added burden: the anxiety accompanying self-discovery that seems stupid and unnecessary but reads true to any queer person. The dichotomy of being a ‘good Chinese daughter’ and queer? Just quadruple the panic.
Pride: The subtle thread throughout this novel, which becomes most evident towards the climax of the story, is the feeling of pride and resistance. It is partially engendered through the setting of the Telegraph Club, where queer women felt safe enough to flaunt and express their sexualities and genders. Tommy, Lana, more characters I can’t name but am so grateful for. Lily and Kath’s budding relationship that grows even with the distance between them. All of these women, though unable to show their full selves to society, so fully embraced their truth. I was astounded when Lily stuck to her convictions when she came out to her mother. Lily, who I’d related to for her timidness and insecurity and frustration, who I’d almost fully expected to cave to her mother’s pressure. It was an exhilarating reading moment for me, even when the consequences of Lily’s coming out unfolded, I felt so happy knowing that Lily was brave enough to refuse to lie about herself. In that moment, Lily became a character that I admired, I don’t know if I would have had the courage had I been in the same circumstances.
Malinda Lo writes in her afterword that she wrote this book to bring about more visibility and recognition to Lesbian and Asian American history. It is researched with care and feels like an affirmation to queer women today: here is a piece of your history. So maybe I shouldn’t be so surprised that I, as a biracial person who’s grown up queer and between cultures in the 21st century, have never felt as wholly seen and understood as whilst reading this book. 
(final aside: I’m sure there are more themes and motifs I could talk about but I’ve run out of steam here, TL;DR this is a very good book with important themes)
I’m gonna be honest here, I was pretty apprehensive about picking up this book - as one tends to be when books get pushed on you through ‘booktok’. I wondered if this was just another book whose significance was being overemphasized simply because of its queerness and diversity - the kind of book that is lauded for a laundry list of ‘representative’ traits but ends up missing all the good story beats and feeling entirely hollow. I’m very glad it isn’t. “Last Night at the Telegraph Club” was the very opposite of my expectations: vibrant, emotional, lush, familiar, a book I didn’t know I’d needed. 
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egophiliac · 2 months
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don't think I'm not still deep in the episode 7 brainrot. because OH BOY AM I
(also one more extremely, obnoxiously self-referential thing, I'm -- I'm so sorry)
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cuties-in-codices · 4 months
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more medieval manuscript repairs
all from a miscellany containg thomas de chabham's "summa poenitentialis", southern germany (?), first half of the 13th c.
source: Basel, Universitätsbibl., B X 1, fol. 56r, 67r, and 71r
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somnimagus · 5 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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ttpdjo · 1 month
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♡ my DREAMBOY ♡
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lemonzestedtea · 5 months
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the significance of the number, 3 in tgcf gets me every time.
xie lian's third ascension is when everything changes (for the better)
hua cheng introduces himself as "san lang" when he meets xie lian after his third ascension. "san lang" means "third son." it's the third time, or the third form (his third life, if you will) that hua cheng has met xie lian in.
there are three calamities (if you ignore bai wuxian, and if you still count qi rong as a calamity)
there are multiple trios — xie lian, mu qing, feng xin; shi wudu, he xuan, shi qingxuan; shi wudu, pei ming, ling wen; and so on.
there were thirty three officials who disgraced xie lian; and were consequently destroyed by hua cheng.
hua cheng released three thousand lanterns for xie lian.
he also died three times for xie lian; first as hong hong'er, second as wu ming, and third as the supreme ghost king.
all this information, coupled with the fact that three is considered a lucky number in chinese culture just makes me feel so many emotions
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aroaceleovaldez · 6 months
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Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
#pjo#percy jackson#nico di angelo#Percy shows up at CJ and squints at Nico like ''hm. why do i feel like i hate you? like i just wanna punch you in the face?''#and Nico just immediately goes ''huh no idea anyways i have to go-'' and jumps into Tartarus#but not before he gives Hazel essentially a detailed explanation of ''this is Percy i cant say much but please dont let him die <3''#and Nico's whole Tartarus trip was basically a whole ''im doing this so no one else has to''#only for Percy and Annabeth to fall in like one book later and Nico proceeds to spend the next book internally screaming about it#and then Cupid calls him out on it and the next book#Nico's just like ''at this point im hoping i keel over within the next week just so i can force this dumb crush to chill the fuck out''#Nico staring pointedly at Will: ''For my own sake i need to form another crush RIGHT NOW so i can finally get over Percy.''#''this has been so bad for my health''#Nico's crush on Percy is just too funny to me. horrible pick my guy. terrible job. love that for you. he could not be less interested.#Percy LITERALLY TRIES TO KILL NICO and ditch him in the underworld and Nico is somehow STILL like ''but i love him''#Percy basically chokes him. beats up his dad. tells him ''go get smited by your dad for me.'' and ditches him.#and Nico's opinions/crush on him DO NOT CHANGE#though also Nico's reaction to Percy beating up his dad + skeletons is SO funny. his jaw is on the floor. he's flustered about it.#he just witnessed Percy be incredibly hot and proceeded to go ''yea i'll do anything for this man. collect reinforcements of 3 gods? sure''#nico you absolute DISASTER with HORRIBLE TASTE. you can do better. raise your standards.#which tbh is funnier when you factor in sun and the star. Nico just wont stop crushing on guys who dislike him and everything he stands for
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laurents-secret-diary · 4 months
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oh damen we're really in it now.mp4
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yrsonpurpose · 3 months
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and Alex is. well, Alex is so in love he could die.
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ruthlesslistener · 1 year
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God I'm rereading the Lord of the Rings series, and I forgot how fucking funny Aragorn and Eowyn is. Contemporary writng makes you groan and go 'ah here it is lads here's the unnecessary crush' whereas everytime they look at each other its more like this:
Aragorn: what a sad young woman. I hope that she finds peace with herself, rather than waste her life recklessly in despair
Eowyn, through gritted teeth: i just want to fight like you do so fuckin bad
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rayroseu · 2 months
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I think I realized why I like Silver despite his character trope being what I hate lol No, its not about him being too boring, its about his character centering around "repaying your family"
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In Filipino teleseryes iirc, there's always a character trope for the good kid where their entire motives centers around doing work for their family for their entire life, and the story makes that personality "righteous" "admiring" and should be "what all children should do"
I suppose I hated it as a kid because its trying to enforce a standard🤣 like its trying to influence its viewers that this is how you should treat your parents, even if its good behaviour that this character trope is trying to portray,,, they were annoying because it always portrays that "their effort for their parents was perfect"
But Silver's story isn't like that. I can say that the story reinforces that ""his ideal way"" of repaying Lilia often fails because of circumstances he cannot control. His efforts to repay his parent, often fails, and I think that's what makes Silver really relatable.
I think Silver is convinced as well that what will make Lilia proud and would be him performing splendidly as knight and student(?), thats why he always works hard and he gets saddened when his sleeping condition ruins that hard work (Silver Lab Vignette)
But "being perfect", or even a repayment for raising him up, isn't what Lilia wishes for Silver... What would truly make Lilia proud, would be "just Silver living."
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Its like Lilia didn't expect anything from Silver,,, in a "just be yourself" way.... I think during Book 7, this is what conflicted Silver the most (other than the whole Knight of Dawn relateion), that his Father would truly love him no matter who he is or what he becomes.
I also love the fact that TWST added the tragedy of aging in Silver's motive of repaying his parent... Because that truly is a harsh reality 😭 if you want to repay your parents, there's always this looming worry that your parent might not make it in time for them to see you succeed and be proud of you because they'll pass away from age...
I think the way their story reminds that "your time together with your family is ephemeral" inspired me more to actually value my time together with people important to me ykk
So Silver's motivation to repay his parent often ""fails""" because what Lilia wants from him is to just live and be yourself, and that's what the story enforces Silver to do as well. 🥹
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I haven't read many stories that dwells this topic as emotional as Silver and Lilia's story... 🥲 Usually the parents in teleseryes will expect something like "at least complete your studies so we can be proud of you 🥺" while that is a good expectation,, it kinda gives off the vibes that the parental love was conditional all along XD. Its never as unconditional as Lilia's imo... 🥹🥹🥹💖💖
Its also seen with what skills Lilia teaches Silver revolving around survival, because he wants him to truly live with your own morals ("own two legs" if you will).
Side note: if there was an option for Silver to be raised by Knight of Dawn, I'd still would choose Lilia to raise him because Lilia can teach Silver what Knight of Dawn never did— speaking up for his own morals— even if the king and the nation displeases it— even if he was "alone" about his correct opinion. That belief that Lilia instilled upon him truly will make Silver live honestly to himself yk...🥹🥹🥹💖💖
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translation by cymr on yt
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b4kuch1n · 8 months
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siren
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crybaby-bkg · 8 months
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cw: you two have a son together, mention of being married, old man Bakugou
older retired pro hero Bakugou, who you find hunched over his desk one night. it’s late and the day was long and your son was whinier than he usually is. you’d think the old man would be in bed right now, but alas—he’s not beside you.
instead, as you round the corner to get a full look at him, he’s wearing his reading glasses, adorning an old ratty tank, his arms still big but softer than the years from before. he has a book open in front of him, desk scattered with pictures you can’t see from your angle, scissors, stickers, glue sticks.
“What are you getting up to at this hour, old man?” You ask softly, smiling when Bakugou doesn’t even look up from what he’s doing. his tongue is sticking out in the corner as he cuts a squiggly line on a picture, posing it beside another on a blank piece of paper.
“Therapist said I should get into crafting,” he grunts, finally looking over at you from over his glasses. “Do things with my hands, feel busy, get my mind off’a shit.”
you pad over to where he sits, the overhead lamp on his desk focused on the big baby blue book with white pages. peeking over his shoulder, you rest your head on top of his, chin nestled in the still unruly blond and silver locks, overseeing his work.
and honestly? it almost makes you wanna cry. it’s a scrapbook, the page open to pictures of your wedding day, how pretty you looked, how big he smiled at you. you can see other scattered pictures on his desk—when you got a promotion at work, when he was number one for seven months in a row, a positive pregnancy test, the cutest baby you’ve ever seen, two little teeth coming in, baby being held in dads big ole arms that will always protect him.
“After this page, I gotta do the honeymoon.” Bakugou speaks gruffly, setting down a picture to wipe a hand down his face. “And then life accomplishment shit, the baby, his first steps.” He sounds so tired, and you can’t help but wrap your arms around his shoulders, sliding down to smush your face against his own.
“You always have tomorrow. Come to bed.” You say against his cheek, squeezing him when you feel the rejection start up in his belly. But he deflates, pulling his glasses off, reaching around to pull you in his lap. He looks so grumpy, with his frown lines and crows feet, and yet so handsome with his small smile and soft eyes.
“I’ll print more pictures tomorrow. And maybe go by the store to get some more stickers, too.” He tells you in between kisses, his words soft, his hands rough through your pajamas. You hum against his mouth, holding his nape, afraid to ever let him go.
“You do that. Now let’s go to bed.” You whisper, standing up and pulling him with you. He closes the scrapbook for now, and you glimpse at the cover, heart melting at the picture of you two holding up your son, both kissing his cheeks. The picture is captioned with “Our Life” and you don’t think you’ve ever been more grateful to have met him.
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batcavescolony · 3 months
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Shut up she's doing her best and sometimes your best hurts.
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gingersnapsstars · 4 months
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people who complain about slight differences in the percy jackson show literally just do not get it. it's the spirit of the books. that's what the movies were missing. the spirit of the books was gone back then, but this time, slight inaccuracies or not, it's there, in full force. we really are so back
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sanguinaryrot · 1 month
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every time someone realizes they’re trans, an angel gets its wings
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