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#can you tell I like puppet imagery
senblades · 14 days
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Thinking about the third semester again
(commissions open!)
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soft-spooks · 2 years
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puppet imagery is something that can be so personal
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chronicbeans · 1 year
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Wally and a Puppeteer Reader (part 3)
My brain has gone on with this idea and I love where it is going. Yippee!
TW: Obsessive Behavior, Stalking, Scopophobia/Eye Imagery, Idol Worshipping
🎥 This has gone on long enough! In just a few weeks since that interview, the letters and pictures have increased tenfold! You keep finding Wally in the oddest of places, like on your desk, in the lounge, or even next to your locker. It constantly feels like eyes are watching you.
🎥 Even the contents of the letters are getting stranger. They were always odd and creepy, but at least before they had lighthearted words in them. Now they're saying things like "You're the air I breathe and all I see. You make my days better or worse. You keep me warm and keep this neighborhood bright! Please, never abandon me!" It's all written in that messy crayon writing, too, which makes an eerie contrast to the words that makes you sick. It seems so childishly unaware of how disturbing the words are when thought about for too long.
🎥 The drawings aren't much better. Nine out of ten times, they include you in some way. From the pictures just including you, including you and the characters from Welcome Home, to - worst of all, in your opinion - you in real life places. You sitting at your desk. You sleeping in the lounge. You getting a cookie at the snack stand during the interview. There's even one of you putting on your coat at the lockers. The drawings may not be the highest quality, but they are detailed enough to both be recognizable places and to alarm you.
🎥 You have an idea of who it might be. It's gotta be Wally's voice actor. They were his puppeteer before their arthritis kicked in. They just couldn't move their hands enough to properly puppet him anymore, always complaining that it hurt, despite the medications they took. But, the producer did decide to keep them as Wally's voice actor, saying that nobody could replicate his distinct laughter, tone of speech, and voice pitch. Despite this, Wally's voice actor was properly ticked and hated the fact they were replaced. They're always acting passive aggressive towards you. It must be them, probably to try to scare you away.
🎥 Today, you have decided to confront them. Marching over to their recording booth, you knock on the door. When they open it, they have that signature glare that would put even Frank's to shame. Before they can even ask what you want, you tell them all about what has been going on and how you know they have been doing it. They have to be behind it. All of these drawings and letters have Wally's signature writing and art style. The only person that knows Wally more than you is his voice actor. It HAS to be them!
🎥 They grow silent, before looking at the pictures and letters. Then, they look up at you and say, in the most matter of fact tone "I haven't been able to draw or write anything in character for a YEAR, (Y/N). What makes you think I would put myself through the pain of trying to replicate it after all this time, with my horrible joints, just to frighten YOU, of all people? You aren't worth my time, much less my comfort. You got any other evidence to accuse me of this... Whatever this is?"
🎥 You grow silent. To be honest, thinking back on it, it really is a stupid idea that they would do all of this to scare you. If they couldn't even muster up the energy to go out of their way to verbally confront you, then it would be shocking for them to put the effort to write and draw things to do so. You still have one more question, though...
🎥"What about the voice I've been hearing? It sounds just like Wally. You are his voice actor. You have gotta know something."
🎥 Their eyes grow wide. Then, they shrug "The one that has been saying things about... well, something. It's always a bit too muffled to hear exactly what it is. I thought you somehow improved your Wally impression and were practicing in order to replace me completely. Your impression may be off enough for the producers to care, but it was always the best one here. You're telling me you aren't the one making that voice?"
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she-posts-nerdy-stuff · 9 months
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New series idea: analysing my favourite (underrated) lines from Six of Crows
I feel like I haven't given you any analysis in a while, and I've had this idea for some time now so I thought it was worth giving it a try. This is going to be a list of my personal favourite quotes in Chapter 2 of Six of Crows with explanation/analysis for any that I have an explanation/analysis for - but if a famous or popular quote isn't included then it's not because I don't like it, it's just because I don't feel I have anything new to add to the existing analyses around it. And yeah, if you guys like this then I'll make it a more regular thing and go through chapter by chapter (probably sometimes including multiple chapters in one post), so let me know what you think!
(Also, I chose to start with Chapter 2 on purpose because I don't have loads to say about Chapter 1, but if anyone is interested I'm open to trying it in the future)
"every favour came with enough strings attached to stage a puppet show" - ugh words cannot explain my love of this quote. Not only is this a gorgeous and vibrant metaphor that brings forth very clear imagery, it also achieves two different concepts relating to the idea of the "puppet show". Firstly, we have the idea that Kaz is the puppet master and Ketterdam is his stage; he is in complete control, he can bend the city to his whims, and it's ultimate his say that can make or break someone. This is definitely the image we're given of Kaz in the opening two chapters, and this singular line really reinforces that, however the rest of the book and many of the descriptions in Crooked Kingdom unravel this view very quickly. This description far better fits Pekka Rollins, which brings me onto the other concept relating to the "puppet show": the question of who it actually is pulling the strings. Arguably Kaz is a puppet on Rollins' stage, and Rollins a puppet on the Merchant Councils'. each has power but each is ultimately at the whims of the other. This brings worth the suggestion that something darker is at play and that there's far more to Kaz than initally meets the eyes before we've even met him, so in short it's just completely and utter genius.
"Kaz hated a puzzle he couldn't solve, and he and Inej had concocted a hundred theories to account for the murder - none of which satisfied" - again, Kaz has thus far said a single line, and not one with a lot of information in it ("Yes and no. It's always good to have a country in debt to you, makes for friendlier negotiations) and yet we know so much about him - and even some details about his relationship with Inej! It even tells us a lot about Inej; we've been presented with a figure heralded as near-omnipotent in his city, someone no-one wants to be on the wrong side of, someone who has complete control over every conversation he has with you, and she is someone with whom he will spend hours trying to solve a riddle? So then, the reader is forced to think, what kind of power does she has? What makes her worthy of his closeness, why does he trust her, and why does she know him well enough to so intimately know his likes and dislikes? Inej hasn't even spoken yet.
"But it didn't feel neutral to Inej. It felt like the hush of the woods before the snare yanks tight and the rabbit starts to scream" - ok most of my enjoyment of this quote is just of the beautiful prose, however I would like to add that all six Crows experienced this sort of 'calm before the storm' leading up to the most painful experiences of their lives - Wylan thinking he could go to music school, Inej at the beach with her parents and calling sleepily to the man she though was her father, Kaz staying at the cafe and meeting Margit and Saskia, Matthias knowing he was going to be a big brother, Jesper seeing his mother for the last time when she picked him up and hugged him even though he was up past his bedtime, Nina feeling that she had purpose and loving the way she could help her country - so this could be considered foreshadowing.
" 'Care to place a wager?' Jesper asked.
'I'm not going to bet on my own death,'
Kaz flipped his hat onto his head and ran his gloved fingers along the brim in a quick saulte. 'Why not Bolliger? We do it every day,' "
"Kaz had done his best to teach her, but she didn't quite have his way with breaking and entering, and it took her a few tries to finesse the lock" - my main source for liking this quote comes from an analysis I did a while ago when someone asked me about comapring this quote and Kaz's self-proclaimed "shoddy job" of teaching her to pick locks. It's a while since I posted that so I'll run through it here briefly, basically it's very indicative of their relationship dynamic. Whilst both place the other on a pedestal, they do it in different ways, and Kaz particularly often glorifies Inej and almost finds it difficult to accept that she, like anyone, must be flawed. So if she fails at something, like picking locks as well as he can, and she cannot possibly be flawed then the error must be in his teaching - it can never be with her. It's also a glaring example of Kaz's self-destructive nature. My other reason for liking this quotes is just that it once again tells us about the characters so early on and without having to directly explain it to us - we know Kaz is good with locks because he tried to teach Inej and she isn't as good as him, but she still manages to get it open.
' "I'm a business man,' he'd told her, 'No more, no less,'
'You're a thief, Kaz,'
'Isn't that what I just said?' " - I ADORE this, but honestly all I can say for analysis is that it sums up the entire theme of the novels beuatifully.
"Now he looked like some kind of priest come to preach to a group of circus performers" - this sets up a great parallel that I've mentioned before in one of my "little details you might have missed/forgotten" posts, but it's also interesting to have it come from Inej's perspective since she's incredibly religious and performed as a travelling acrobat with her family. It's probably drawn from personal experience, someone in dark clothes who judges the brightness of Suli traditional clothing and/or culture and tries to preach religion to a group who've already long found it because they don't align with thier idea of religion. It's even possible that she links that idea with Kaz, not because of his actions but because he's from a country that has perversely sexualised and condemned her culture and he dresses like the rich merchants who would preach this exact kind of message - and possibly even have visited her at the Menagerie, where she was forced to appropriate her own heritage and way of life for the enjoyment of those who look down it with no reason for doing so.
"Inej pitied the boy who might die alone with no one to comfort him in his last hours or who might live and spend his life as an exile. But the night's work wasn't over yet, and the Wraith didn't have time for traitors" - this is one of the few but fabulous examples we get of the idea that "Inej" and "the Wraith" are separate entities; Inej being the girl she was, the girl she should have been, and the Wraith being a creation of necessity to aid survival. Inej is a religious young woman from Ravka who has been through far more than she should have done, but the Wraith was born and raised on the blood-soaked streets of Ketterdam and has every intention of surviving them - no matter the cost. This concept is only mentioned a few times, however it runs a beautiful parallel with the distinction between Kaz Rietveld and Kaz Brekker, or Kaz and Dirtyhands depending on how you look at it.
Ok I realise this is a pretty long post but thanks for reading it if you got this far, and I really enjoyed making this so please let me know if you guys would enjoy seeing more. And, in summary, Leigh Bardugo is a genius
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How do you interpret the vengeful spirit/Cassidy thing then?
blame @birdsareblooming for pitching this to me and putting the thought in my head, but in the gameverse, we dont think cassidy/golden freddy kid is the vengeful spirit, we think the spirit is michael afton.
i wrote a whole essay on it that i'm gonna rework when i get back from work bc long story short cori also picked up on smth from the logbook that could add evidence to this, but basically michael:
died bc william sent him to sister location; it's implied william knew he was gonna die and sent him anyway ("it was right where you said it would be[...] then, they thought i was you. [scoffs]"); while william didn't directly kill him, it's clear that michael blames him more than the funtimes, who he just offhandedly says are "free now."
when he contacts william post-possession he very eerily says "i'm going to COME FIND YOU"; many of the vengeful spirit lines are stuff like "you knew i'd find you eventually"
proceeds to spend what is likely decades possessing his own decaying corpse and hunting down his father. that is some determination if i've ever seen it. he's the one william should not have killed bc he's the one who 1) knows who he is, 2) is willful enough to track him down like that, 3) is pissed at him enough to do shit like this
if we presume he's the fnaf3 guard, he then set his dad on fire
we KNOW the vengeful spirit was someone from the fnaf6 fire due to lines referencing the event; it's not henry because the spirit also refers to henry as "he." it's not charlie considering her puppet line of "stay out of my way," something that would be a bit hard to do if you were the one actively torturing. elizabeth was full on her dad's side in fnaf6. so it's either michael or the missing kids
and from a storytelling perspective it adds more oomph if it's michael, the character we've played as for several games (definitely fnaf1, 5 and 6, very likely 3 and it's speculated 4) rather than "dead kid #5 we literally know nothing about"
ALSO the line "is this a prison for you or me or both".... what did a 7yo dead kid do to think they deserve to be in hell with william? michael, however, who probably blames himself for cc's death, might feel that way. while working as the spirit, he's telling himself he's punishing his dad, but really he's self-harming himself and punishing himself for what he did to cc as a child, HENCE the golden freddy imagery. the twitching golden freddy is HIS torturous ghost, not william's
THEN in the old man consequences cutscene, omc tells him to "leave the demon to his demons, there is nothing for you here." what he's saying is that michael, unlike what he believes, DOES NOT deserve to go to hell like his dad, and once he accepts that and moves on, he can go to a better place, while william will still be left behind and tormented. the omc cutscene is where the afton story ends, with it ambiguous as to whether michael will continue torturing himself in the name of vengeance or will let go of his anger and self-hatred and move on to be with his siblings again
so yeah
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starleska · 1 year
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hi! im a really big fan of your fanfics (especially the wally ones) and i’m really curious to know what are songs that you associate with him?? please don’t be afraid to share!!! i really like talking and gushing over wally darling with a fellow wally simp lol
hey there anon!! 💖 aww my goodness you are so lovely, thank you!! it brings my heart so much joy that you like my writing...i can't believe the surge of wonderful feedback fired my way over this past week 🙈🙈 what a fun question!! there's a few songs i associate with Wally right now, and i'm sure more will pop up as we learn more about him;;; some are less overt, and more to do with Wally x Reader vibes - or, my terrible musical taste/hallucinating scenarios while listening to the same twenty songs 😂 fun simp challenge!! have a listen to a few of these with your eyes shut, thinking about Wally. you're guaranteed to have a good time 😉
Songs I Associate with Wally Darling:
Touch-Tone Telephone by Lemon Demon. no one could've seen this one coming 😂 no, as soon as i discovered Welcome Home i knew i'd finally found the right character to edit this song with. the conspiracy theory, cryptic vibes, slight desperation and of course retro-phone theming all work so well for Wally! 🥰
Out of My Mind by CG5. total coincidence that this banger dropped just as i learned about Welcome Home, and there's something cathartic and hypnotic about that repetitive chorus that fits with a lot of theories about Wally's struggles with Home...i had this one on repeat while writing The Nightmare Picnic 👀
An Unhealthy Obsession by The Blake Robinson Synthetic Orchestra. this one's for all the yandere!Wally fans out there - i think every person who's a fan of terrifying, obsessive characters loves this song 😉 this is the one had on repeat while writing those yandere!Wally headcanons - i actually included it to listen to whilst reading in the original post, but i ran out of space!! 🙈
INSANE by Black Gryphon & Baasik. i know, strike me down for including a song made specifically for another Tumblr Sexyman on this list!!! but come on - the static, the showmanship, the overt friendliness masking a smiling, curious sadism...don't pretend like you don't enjoy this take on Wally, i've seen the fanart 😂
LA Devotee by Panic! at the Disco. this one's jam-packed with fun occult imagery and all about fame and obsession, so it feels perfect for our children's puppet show ARG!! something about it just hits right with how the fandom perceives the darker side of Wally 😳 i'm listening to this a lot at the moment as i've got a Metalocalypse MEP part to this song in the works, but my thoughts can't help wandering to Mr. Darling;;
Super Psycho Love by Simon Curtis. lord help me, you can tell i was in the AMV-making community in the late 2000s/early 2010s 😂 this song's a staple for attentive, manipulative, obsessive characters...even if we end up being totally wrong, and Wally is a Darling in more than name, we'll always have fun with our unhealthily possessive fantasies 🥰
Teenage Dream by Katy Perry. hey, i'm a basic bitch - i love listening to sugary-sweet, fluffworthy AMV music whilst writing my x Readers 🙈💖 a lot of the folks who request Wally often bear a little bit of their souls when asking - revealing insecurities about themselves, and wanting to be reassured he'd love them anyway. this is such a pretty, nostalgic song, and i think it captures the softness with which many of us would like to be treated by him ✨
Crush by Mandy Moore. similar to the last entry, yet leaning even more into that bubblegum romance vibe...i'm simply weak for blushy crush scenarios 🥴💖 i like this one a lot for x Readers, especially an embarrassed Reader absolutely overcome with how precious they find Wally 💖
Stray Italian Greyhound by Vienna Teng. one of my favourite songs of all time, and the perfect choice if you want your heart to ache 💔 i think this is a wonderful choice when thinking about a hurt Reader...someone who has fully given up on love, only to be confronted with Wally's relentless sunshine personality and falling head over heels 🥺 this song speaks to why i think many of us are infatuated with Wally...his charm coming from that childlike outlook, his tendency to love everything and everyone. lots of us could benefit from that kind of unconditional love, i think;;
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justalittlebuddy · 4 months
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TW: SLIGHT GORE & DISTURBING IMAGERY
Meet Remuf! An OC I made for @hootbon's TADC Freakshow AU! I was inspired by the lore of how revival works and decided to play around with it a bit. I had a lot of fun making this character and coming up with some twisted stuff. I know you must hear this a lot, but you have a gnarly AU! I hope you continue having fun with this circus of madness!
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This once wooden puppet had joined the circus long before it's twisted corruption, spending the majority of their time looking for ways to break out of the digital cage. However, as soon as the virus infected all it could, he disappeared during their latest attempt at escape. It was only after the arrival of Pomni was his remains discovered by Bubble from outside of the circus tent.
Revived, their body came out distorted as a result of being deceased for too long. Along with their body, their memory was also affected, unable to recall his time spent in the circus as well as their name, essentially returning to the state of a newcomer. Inspired by his past antics and form, Caine gave them a new name and a new role.
'Rumef the Escapologist'
-As an escapologist, their acts involve him being chained/trapped in various deadly confinements and it's his job to escape before he dies. So far, he has been attached to a wheel of fire, been inside the belly of a beast, and has even used his organs as keys for his performances. Additionally, his hands are made of lock picks!
Here's some more tidbits about Rumef!
-Polite and soft-spoken, they're the definition of a gentle giant. Due to his loss of memories, they haven't reached the point of madness just yet and try to do their best to cling to their newfound sanity through small things like knitting and general socializing.
-If you're wondering where are all his internal organs, they're inside of his closed chest cavity! They can only be opened through Rumef's hands. (In the drawing, Caine made the keyhole disappear to make the act more 'entertaining' for the audience)
-Rumef is blind in his right eye, the eyeball in that socket is a fake. The real one is stored somewhere else.
-The chains around his ankles prevent him from running, he is only allowed to slowly walk.
-Every now and then, Rumef will, without warning, deeply space out and just stare. When he is in this state, nothing or no one can snap him out of it except for Caine. They will not remember what happens or what is done to them when they're like that.
-When Bubble zooms by, Rumef's arm can sometimes get caught by Bubble's chain, consequently dragging him to wherever she goes.
-You can tell when he's nearby when you hear the rattling of chains.
-Despite his memory loss, he is certain of one thing. There is no escape from this digital circus and no longer bothers to do so. The only escapes he can do are the ones from his morbid acts.
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arcsdragon · 9 months
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Aaravos's prison
I think I know where/what Aaravos's prison is
(MAJOR spoilers for season 5)
((ps this is my first post/theory so I'm sorry if it's a mess))
In episode 9 (of season 5 oc) we see a large statue of Aaravos and the Jailer, well I think that's actually him, and the magic pearl(?) is his soul, he's basically trapped in both mind and body.
we've seen characters turn to stone before, ie Avizandum, and a lot in promotional things, and even the new intro with Viren who ends up dying this season, so this could be a hint.
in ep 4 in the bookery the poem they'er looking at says 'Laureloin was no more' But they also call the startouch immortal and undying, Callum just assumes 'no more' means death, but what if it's nothing else? Say separating a soul/consciousness from a body? Aaravos seems to project his consciousness and consciousness throughout the seasons (and Viren's in the 5th) when he's in his ghosty spectral form, something I assume that's star magic because it doesn't fit the other arcanum accept maybe moon.
arguable the best evidence for this is what happened to Janai's grandmother "I swallowed her" so this man either fork and knife ate her, shrunk her, or his actually body is big enough where he can just do that.
and as I said before about imagery, this season stepped it up A LOT, and during promotions we see a lot of Aaravos holding, and puppeteering characters, maybe another hint?
if Aarvos is actually that big, that would kinda make sense in the scale of the world. What I mean is, there's some animals/creatures that are just MASSIVE, I understand it being a fantasy, but when I first saw the size of arch dragons I was like ???, but if the world was originally made by startouch elves the sizes make sense, the hermit crab Sealegs, the amblers (the big camel animal thing in the desert episode season 3 ep 5) would be to scale if they really are that massive
also if you follow the dragon prince on instagram (maybe on twitter too? idk don't have it) on their website they'll post short stories, one centered around Aaravos implies his fall to Xaida made The Lake of Outcast, and if that's true, the impact of something that big would make a big crater and name make a lot of sense.
also less of evidence but maybe not? a while ago, before the character charts where released someone in a panel said Aaravos was the biggest character, there was a meme going around that he's bigger than Avizandum, but what if he actually is?
as for the pearl being his soul, the only thing I really got is separating the soul from the body making him 'no more' and the fact when he does magic his eyes are white and iridescent like pearls are.
So what does that mean in the future? Hopefully an epic final battle, but also I have a few predictions. The next step the crew is going to take is going after the Novablade/Starscraper, I think it's literally going to be a massive sword. And going a little off the rails a little bit, I love the idea that only a startouch elf can wield it because of its size, but that could be wishful thinking, I'd love a startouch to join the crew, maybe the Jailor?? (give me more startouch lore)
anyways tell me if you have any rebuttals, evidence, or more thoughts!
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otakween · 6 months
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Digimon Tamers - Episode 49
Another "build-up" to the finale episode. Juri's moved onto a new stage of grief/depression from catatonic numbness to screaming despair (and then a little bit of hope at the end). Definitely beyond the scope of emotions most kids shows get into.
Notes:
I was annoyed with the fake out death they did for Beelzebumon. It's not that I want him to die, but don't pretend you're gonna kill him off when it's obvious it's not actually gonna happen. Pretty messed up that they showed Mako and Ai watching him fade away on TV but not him getting saved! Hopefully they caught that part lol.
Juri mentions wanting to die via her hand puppet but Culumon snaps her out of it. This is the second time we've seen this kinda scenario since BlackWarGreymon wanted to die in 02. Definitely hits harder when it's a little girl of course.
Sakuyamon cradling a wounded Impmon was touching. We didn't really see him again post-battle, but that's probably coming later.
The UN shows up (with their Engrish) and use jammers instead of bombs/traditional weapons. I'm not entirely sure what that was meant to accomplish because the explanation was a bunch of techno-babble. Well, it didn't do much.
Evil Juri shows up again and tells Juri that her sorrow feeds the D-Reaper. Is that the motivation for keeping Juri around now that they've learned enough from her or did she just say that to screw with her?
Imagery is getting very spooky and Evangelion-like. The D-reaper's new "Goddess" form is super cool. The bloody tentacle room (lol sorry, dunno what to call it) Culumon and Juri are in looks cool too. I probably would have dug this show a lot in middle school.
Cute seeing everyone in their puffy winter clothes. It's always a nice break when cartoon characters that have a default outfit do something different.
I was kinda shook when they revealed that Juri's been in her bubble for a week!? Uhhh guess I'll just suspend my disbelief regarding food, water and bathroom stuff. Maybe it's like the digital world where that stuff isn't required? Let's go with that...
Kai shows up from the movie! (Didn't see that coming). I feel like anime doesn't show extended family relationships (cousins) too often, so it's kinda refreshing. Does his cameo have a purpose?...maybe not. But I enjoyed it anyways :D
Renamon confirms that digimon don't have genders and Ruki's mom is like "but you're totally a girl" lol. Said every digimon viewer ever. It's a little hard to think of characters as genderless when they're treated as feminine in every way possible. Then you have the other side in Pokemon where they do have gender and super masculine-presenting pokemon can be female (or vice versa). Either way, mon-series are gender non-conforming which I support.
Juri's finally on the road to recovery because she asks for help and wants to leave her bubble. Heartwarming to see. Final battle here we come!!
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itsclydebitches · 1 year
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While it was nice to finally get some more fight scenes in a show about people training to fight things it feels like RT still has no idea how character abilities work or how to compare character strength, the final showdown with the cat is an obvious example with Ruby easily blocking an attack from the cat while Juan, a character who's whole thing is having a ridiculous amount of aura has it completely drained and break from a single hit. Honestly feels like a repeat of the Schnee manor fights.
Ruby's part of the fight was the best we've seen in a while (though frankly I don't think that's much of a contest this Volume, not when all the other fights were akin to tame skirmishes: chess piece grunts, Jabberwalker, Ruby too depressed to fight back) and I really liked the lead-in to her return while going after Crescent Rose... but yeah, the rest was pretty boring imo. And, as you say, suffers from this ongoing problem of abilities/power-scaling. It's bad enough that Jaune is taken out so quickly, but the reason for that is so he can fall from the tree and... encounter smoke? That fixes their possession problem after only being portrayed as a dangerous temptation up until now? The fact that the writers thought it was a good idea to have the Cat scream, "No! These FEELINGS!!" when, cringe aside, that doesn't even make sense - they're arguably the most emotionally complex Afteran! - tells you all you need to know about that fight.
Honestly, some nice choreography/imagery aside, I think the whole fight is fundamentally flawed. Why is the Cat our final villain when Neo herself is right there? Why doesn't the possession result in any cool abilities? (Because the Ruby puppets were just... bad). Why bother with the possession at all when it was immediately solved through a solution with no lead-up? Why, after a Volume of seeing the Cat separate their body into individual pieces - which could be used for cool battle strategy - are they suddenly transforming into this hulking beast? Why did the Volume introduce the Jabberwalker just to immediately kill it off, giving Neo the equivalent of Weiss' summoning ability when she was already CRAZY op this season? Why was our culminating team attack just a bunch of colored blurs that - and this is a nitpick - weren't even the right colors for RWBY? Then there's Ruby herself who, yeah, absolutely looks the best compared to everyone else, but considering this confident, triumphant fight comes about after, not even speed-running a recovery arc, but outright bypassing it, makes the whole thing feel totally unearned. Some cool imagery and a revised "Red Like Roses" can't get me invested if the core reason Ruby is fighting against doesn't hold together.
You can't have Ruby suffer the worst defeat she's ever faced, learn her good friend was murdered for a second time, crumble under the realization that she can't defeat an immortal witch, be ignored by her entire team for two-ish days, lash out at them, actively flinch away from her weapon, get tortured by the villain, drink the tea, learn her mom lied to everyone about her final, presumably deadly mission, and then solve ALL OF THAT by... remembering said mom saying she's perfect back when she was, like, five?
This just in, extreme depression to the point of suicidal intent is solved by recalling a single platitude from your parent, the one who you just learned is a liar who left you and your sister behind for a mission she knew was likely to kill her. Rejoice and bring on the triumphant battle, complete with confident smirk!
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ozonecologne · 13 days
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So, I love animation history, and I've been watching a lot of forgotten animated films for the last couple of weeks...
Fire and Ice (1983): the rotoscope thing is very interesting. I love Darkwolf's design and how hot Teegra is in those early scenes, but not much else. It looks too much like He-Man and the plot drags. 2/10
A Troll in Central Park (1994): charming at the heart of things. Especially with Dom DeLuise as Stanley -- what a comforting voice from my childhood. "Anything that's real starts with a dream." I do very much wish I could live in an underground garden paradise like a little socially awkward troll. 4/10
The Princess and the Goblin (1991): a little bizarre and not very compelling, but I love the bits with grandmother Irene. The way that the attic is animated to transform into an Edenic homestead is so beautiful. 4/10
Quest for Camelot (1998): have you ever wondered what Sinbad would have looked like if they had like half the budget and story? Eric Idle is going to hell. I want to fuck the griffin. 3/10
The Ringing Bell (1978): it's considered a classic for a reason! The idea that you create what will destroy you, and love it for doing so... the idea that when you force yourself to grow up you can never go back... There will come a time when you don't fit into your old life anymore, and you did that to yourself. You destroyed what part of you was innocent and belonged here, but you've also turned your back on the world that changed you. So where do you go? What are you now? What good is a strength that requires you face the world alone? 9/10
The Sea Prince and the Fire Child (or, The Legend of Sirius) (1981): a Romeo and Juliet retelling that kind of dragged, to be honest. I love the way that the fire is animated and the underwater backgrounds; they're whimsical but there's a real primordial quality to them that I like, because the ocean is weird! The sea god design is excellent and there are some sea creatures that are truly delightful, like the bunny fish and whatever Mabuse is supposed to be. Sirius is offputtingly noodly though, and he's 80% of the movie. Didn't love this one. 4/10
Faeries (1981): I cannot believe how they pronounce "Niamh" in this. The folklore designs are really cute though. 2/10
Freddie as FR07 (or, Freddie the Frog) (1992): terrible. I should make a video essay about this film because it is batshit insane in like the worst way. Completely not worth your time but I'd love to tell you about it sometime. 0/10
Felidae (1994): what is it about violent cat series that get at me!!!! A gory noir film made about cats solving a series of cat murders? Some of the imagery really was wild here; I loved the nightmare with Mendel and the puppet corpses. Trauma and eugenics and vengeance at the heart of this one too, the villain was without a doubt a monster but you still felt for them anyway. Decently scary and well-paced, a great tribute to the source material. Also, deeply uncomfortable cat sex scene. 7/10
The Last Unicorn (1982): all of my female friends apparently decided to watch this one at the same time, and we all got weirdly emotional about it. To escape a fetishized genocide your body is violated and turned into something that will no longer interest the conquerers. You do not want this change because this is not your body. Every day is a torment knowing that you slip further and further away from what you know you are. Every day you forget more and more of what you used to be. Eventually, you wouldn't want to go back even if you could remember. Even if you are not happy, you are safe. You are alone, all alone with the ghosts that haunt your footsteps. 9/10
The Plague Dogs (1982): GOD ok. These poor things. These poor dogs haunted by pain that they don't deserve -- "I'm a good dog." "I don't think they're doing it because they think you're a bad dog." -- and are just trying to live a good life once they escape their captors. One of them even remembers life before the torture, when he had a comfortable home and love. But now he thinks it's his own fault he's lost it. They wander the wild, hopeless, unloved except by each other, and what can they do? The world is so much bigger than them. Every decision that shapes their lives is out of their hands, and has nothing to do with them. They're cursed by the narrative. They didn't ask for this. They don't even know what they're doing out here, or where they're meant to go; they have no purpose and no reason to keep fighting for their own survival except that it's the only thing they know how to do. You start this life treading water and you end it treading water. The water swallows you all the same. 10/10
Rock a Doodle (1991): Elvis chicken???????? 5/10
Happily Ever After (1989): truly one of the most bizarre films I've ever seen. A sequel to Snow White that quite literally no one asked for and no one saw coming. I am forever haunted by "dwarfelles." I do love the prince's grubby little creature design though, he's so cute! 1/10 for him only.
Once Upon a Forest (1993): I remember so vividly watching this one when I was home sick from school one time. I don't why it stuck with me; it's not very good. 3/10 because cute animal designs
Little Nemo: Adventures in Slumberland (1989): gorgeous. adorable. such beautiful paintings and incredible character design! there were so many people connected to this project and it's such a labor of love. it has such a ghibli style and feel about it even though that's not the studio that produced it. 8/10!
I also tracked down some of The Animals of Farthing Wood (1993-1995), but I'd love to watch the whole thing sometime. The Redwall series is also on my list, I loved those books as a kid.
Definitely taking recommendations! Have you seen any weird animated films you need to inflict on others?
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hollowsart · 2 months
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Hey, I've been following you for a while and I love your stuff! Please tell me all about your Acedia Sinistersonas I love them.
Hello, hello! thank you so much!
Here's some miscellaneous info I can give on a handful:
Mysteria, despite living in a futuristic world, she is still terrible with technology like any other variant of Acedia. She uses what she does know to create imagery with holograms and lights and smoke, too. Her boots have wheels that can drop down and they light up, too! Her cape, as well, can light up. These two allow her to leave beautiful light trails as she rolls away on her skates.
Black Rabbit, the Black Cat variant of Acedia, very good at stealth and staying quiet. Tends to use various tools and objects to get into things. Her bag has plenty of room for storing items and holds some of her tools.
Goblin, from a futuristic world, she has light up spikes that come lout of her shoes that she can use to grip onto things as well as use as defense if necessary. The pumpkin grenades she tosses are more like confetti bombs with a far less disorienting flash-bang effect. The hero, Quentin Beck, has a lot of fun chasing her around as she is quite skilled in slipping away. She appears quite timid despite everything, yet also appears to enjoy their little cat and mouse chase.
Matcha, the symbiote. Not really different from how Acedia is even with Matcha. But for this AU, Matcha is more.. unhinged. Very free and happy to puppeteer Acedia around as its host who struggles to reign it in. She's become even more reclusive and timid due to trying to keep Matcha at bay and out of trouble, to keep it from coming out.
White Rabbit, Quentin Beck's silly rabbit.
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chronicbeans · 1 year
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Wally and a Puppeteer Reader (part 8)
Yippee! More time off! At a price, though.
TW: Obsessive Behaviors, Scopophobia/Eye Imagery, Idol Worship, Mentions of Stalking, Spoken Descriptions of Injury/Gore, Mentions of Threats
🎥 The night is a bit difficult for you. Not only is your mind swirling with worries about this stalker of yours, you keep hearing the oddest of noises. It is a bit like plastic tapping on the hardwood floors, before a very soft "thump", followed by a plastic scraping noise, then more tapping. It is like a cycle that keeps going. As much as you want to check it out, you are too scared to do so. Not only that, but if you want any hopes of getting sleep, you need to stay in bed. You are exhausted, but getting up will only wake you up more and completely ruin your chances of rest. The odd noises can wait. Maybe they are Henry playing with Wally? Wally's shoes are plastic and Henry's floor is hardwood. The only carpet there is a blue circle one that covers about half of the exposed wood.
🎥 You, somehow, manage to get a little sleep. Unfortunately, you are woken up to the sound of your downstairs phone ringing. So, you get up to go grab it. You are surprised when Angela makes it to the phone before you, picking it up. You almost forgot that she would be home when you were around. It isn't often you get to spend time with her at home, except for holidays.
🎥"Yes, what is it? You want (Y/N)? Who is this? How do I know you aren't their stalker?" She says, her tone harsh and sharp. She has always had a bit of a... rude tone when talking on the phone. If you had to make a guess, it is due to her long work hours. This situation, however, seems extra hostile on her end. Though, considering what you hear from her side of the conversation, it is a bit understandable.
🎥"Oh, you're their boss? Why are you calling during their break, then?" It grows silent. You feel awkward standing there, waiting for her to finally give up the phone. You watch as her cold eyes grow wide and concerned. "What? Oh... oh dear... Um... I'll hand the phone over to them right now."
🎥 You are finally handed the phone. Putting it against your ear, you ask "Hello? What is it, Boss?" There is a sound of rustling papers, before your boss says "Well... Good news and bad news. Mostly bad news. However, the good news is that you have a few extra days, if not weeks, of vacation! Bad news is that it is because of severe injuries to the... Uhh... "Overnight Team". Is that what they called themselves...?" They trail off, before there is some more rustling of papers.
🎥"Wait... what happened last night?" You ask, remembering how Eddie's puppeteer was walking with a slight limp. Your boss sighs, looking through some more papers, before saying "I can only really tell you what happened to Wally's voice actor and Eddie's puppeteer. The voice actor, I can only tell you because they worked alongside you and I put it into your contract that you both will know of the other's condition during emergencies. I thought it would help you both coordinate your rehearsals. The puppeteer consented to letting others know of what happened before being wheeled out in a wheelchair."
🎥 You grow silent, not knowing what to say. Your boss, seemingly waiting for a cue to continue, decided to take your silence as one. "The voice actor got hit in the head with a falling, two gallon can of paint. We believe it hit his head at an angle, with the rim causing a dent in it. He was found bleeding, but still conscious, somehow. He was given first aid from one of the two camera operators who found him, before the two rushed him to the hospital in their car. He is currently in stable condition, but passed out on his way there, and hasn't woken up."
🎥 You stammer in shock, trying to find something to say. Eventually, you settle upon the words "Do you know what caused the accident?" "No. As I said, the cameras seem to be turning off whenever we are not filming. Well, technically, if I remember correctly, I said that they turned off around the time we stopped recording... we have just learned through this incident that they turn off whenever we are not recording. None of these incidents were caught on camera. The camera operators seem to believe that whoever is behind the messages did all of this."
🎥 He then moves onto Eddie's puppeteer, explaining "They were able to tell us some of what happened, but not who did it. They were found to be limping, which caused Poppy's puppeteer to ask what happened. When they lifted their pant leg, it was revealed that someone had put staples in their leg, before puting five pieces of construction paper over it and taping them on with a tick layer of scotch tape. They were given first aid, before being wheeled out to the present director's car. When asked what happened on the way there, they claimed that they were jumped, promptly stapled and papered, before being forced to call you and deliver some packages with the threat of having staples put into his throat if he didn't. He refused to tell who did it, but mentions that they saw him. So, we know that whoever stalking you is a guy... At least, I think. They were so shaken up they could barely speak, so it might've been a mistake when they said "he" when referring to who hurt them."
🎥 You feel sick... as well as a bit guilty. You had seen them yesterday, but didn't mention anything about their limping. You faintly hear Henry calling for you, so you try to tell your boss goodbye, but they ask a question. "I need to know what was in the package they brought to you. Can you quickly tell me what it is before you go?" Without thinking, you say "It was just Wally. You know, the puppet? He had some red on his shoes and was pretty scuffed up. Now, I gotta go. My nephew is calling." Then, you hang up before they can finish their sentence.
🎥 Turning around, you sigh in disdain. This day is already exhausting and all that has happened was a phone call. Henry scurries up to you, a large grin on his cheeks as he chirps "I was going to tell you this last night, but you were trying to sleep. Wally said he likes you!" You giggle, a tired, exasperated noise that you didn't mean to let out. Right now, you don't really want to hear about Wally... wait a second...
🎥"That's sweet, Henry. Where is Wally, though? I thought you had him, since you two were having a sleepover." He looks around the room, before saying "Well, I went to bed cuddling him. He said he would let me cuddle him to sleep after I told him I had nightmares if I didn't cuddle a plushie. He told me puppets were soft and plush, like plushies. When I woke up, though, he was gone, so I grabbed my Barnaby plushie, instead. I thought you might've taken him because you work with him."
🎥 You open your mouth to speak, only to close it again as you realize what he said. You think of your words carefully, before asking "Did Angela tell you that I am Wally's puppeteer?" He shakes his head, a big, goofy grin on his face as he joyfully says "Nope! Wally did! He said he loves you very much! Something about him not being able to move on set without your help! By the way, can you tell me what a "set" is? Wally wouldn't tell me, saying that we would've been up all night if I kept asking questions."
🎥 You look around the room, before asking "Do you have any idea where Wally might be-?" "(Y/N)! Did you put the freaky puppet in my room?! You know how much these things terrify me!" You look upstairs, seeing Angela gripping the railing with one hand and dangling Wally by his leg with the other. "No, Angela! I was just asking Henry where he was!" "Well, tell Henry not to do it again! He must've looked in my diary, too, because this THING was sitting on top of it, the pages opened for anyone to see!" With that, she drops Wally from the second floor, a loud "thud" resounding once he hits the floor.
🎥 You pick him up, dusting him off, before looking back down at Henry. "Be honest with me, did you put Wally in your mama's room? Did you look in her diary?" Henry shakes his head, tears pricking his eyes as he says "No! I told Wally not to go in there! He promised he wouldn't! Wally, why didn't you listen? Now mama's upset with me!" He storms up to his room, slamming the door shut.
🎥 You look down at the little puppet in your hands, confusion and concern eating at you. If, by the smallest of chances, what Henry said is true... then your stalker could be... A puppet? The words he said sounded similar to the types of things the notes said. Then there's the Wally voice you heard in the studio... The red paint on his shoes could've been...
🎥 You're face grows pale, before you look down at Wally's shoes and mutter "Oh God... Oh, God no..."
🎥 You look up to Angela's room, walking upstairs. You might be acting too rash. Coming to the conclusion that puppets are coming alive is a silly thing to do. Angela could've told Henry about your job. Hell, he could've also told him about the letters you have been getting. Maybe he just put the two together, thinking that it was all some silly little game or joke. Kids are like that. They are blissfully ignorant to how important some things are, right? Kids are smarter than most think, but they still have their little hiccups here and there. Angela must have told him...
🎥 You hope, at least... the other option is a bit sickening to think of.
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kingsis · 3 months
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i NEED to ask you questions about spamton OUGH
1: how badly do you think he reacted when he got his puppet joints and body? How exactly do you think he got it? (i have a vague idea how through your art and ramblings but i want a clearer response >w<)
2: Do you think he fell into the acid? And if so, what happened to him if he did? And how did he go into the acid? (like how some people think queen threw him into it when his sales plummeted, and others think she did it when he tried to sneak into the palace, ect.)
3: What do you think the glitch came from? (if it wasn't from acid)
4: where do you think the spamangels/mini's came from? like did he learn to produce them or what?
okay okay that's all for now take as long as you need to respond X3
:]
1. Oh it was awful. Literally destroyed his self worth completely. Personally I imagine all Addisons have the joints n such underneath their synthetic skin, so it was more like.. his skin slowly peeling away. A painful process for sure, and something he couldn’t stop.
2. Acid theory sucks. Straight up. Here's how I imagine it, ok? Spamton got bullied in the mansion. We know this.
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He never mentions that it particularly Hurt him though. Just annoyance at being tossed in at all. So yes, he fell in the acid. Multiple times. And every time it was just a punch to his ego and nothing more. I doubt Queen was even there to witness it. Or maybe she was. But let's be honest, she would just laugh about it and then tell him to dry off. (Lmao How Did You End Up In There C'mon You Have A Meeting In 5. *towel dropped on his face*)
3. Here's a cool theory no one ever acknowledged: Corruption can spread. Specifically data that was infected by a virus or malware. Corrupted data can damage your computer and really fuck with the systems. Why is that important? Well,
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Spamton canonically spent a Ton of time in the basement. He ended up there more often than his own room. So naturally, the only thing it did for him was give him a Wonderful collection of Corruption that will stick with him forever. Especially since no one is willing to fix him.
4. Well. We're shown that pipis can create mini Spam heads, so I imagine they come from there. Although honestly it's probably just magic, and that's perfectly fine too. I do enjoy the imagery of spamton hoarding his minis in his mouth, much like a spider holding their young on their abdomen. It's creepy, and lovely.
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cosmothealien358 · 9 months
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Interpreting the bugs in Welcome Home (Masterpost)
I made a series here going over all the bug symbolism of the critters in the Welcome Home update. They seem to be important as they appear everywhere, almost as frequently as eyes or spiral imagery. They are all over the site, leading users to video clips from the show, and they’re prominent even in the guest book, with one of the doodle-responses being simply, “I like bugs”. I do too, and I hope this brings insight to theorists working to crack the case of these odd puppets.
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madwheelerz · 2 years
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Alright so I mentioned in one of my posts that Vecna is literally a puppet on a string because of the vines holding him up like a puppet. This is going to be a post going into detail about what I think the Mind Flayer actually is and more clues basically that I have pointing to Vecna being a puppet.
First there are two puppet references that I can think of off the top of my head, one relates to Hopper and the other is the song that Eddie plays prior to his death “Master of Puppets” by Metallica. It’s also interesting that Eddie’s entire thing had to do with metal or being metal and metal is silver in the same season we are all trying to figure out who the silver cat the feeds is, but those sound like big brain thoughts not being thought by me today so anyway, next.
The Ilsensine
So, let’s start with my speculation on who is running this show because right now it’s not looking like Vecna, but Vecna is stronger than a mind flayer so if not Vecna then who? When I made my post regarding the Mind Flayer, I realized that some things didn’t add up with what I was thinking so I went digging farther and found something else.
So, illithids or mind flayers are a species in DnD with power psionic ability. They are evil and have a physical form as we know the shadow monster does not have a physical form. They are highly intelligent. I believe that what we saw in season three was a mind flayer, but that the shadow monster in its entirety is something else. The mind flayer we see in season three is only a small piece of the actual shadow monster. I believe that the shadow monster is actually the Ilsensine, also called the Tentacled Lord or the Great Brain. This is a patron deity mind flayers and believed by some to be their creator. It also serves as a patron to evil mages, like Vecna, and psionicists who dominated the minds of others.
The Great Brain is a greater deity that rules over the mastery of the mind and it’s favored monster is cranium rat, psionically enhanced rats that were transformed by mind flayers through bombardment with psionic energy. This creature also possessed infinite tentacles of infinite length that stretched across all planes.
The Great Brain resided in something called the Dismal Caverns, which has a chaotic evil alignment. The place is described as a great solid mass of rock perforated by caverns, chasms, and tunnels of all sizes. There’s no sky or light expect for that which comes from luminous fungi and molten lava flows. It is also the home plane of other deities; The Great Mother (mothergate?), Laogzed, and Ghaunadaur. Vecna describes what he was doing as being an explorer of the new realm.
Anyway, the Great Brain rules over the terrain called the Caverns of Thought.
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This looks like the tunnels under Hawkins.
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The connection to librarygate is the function of the Ilsensine is that mind flayers in the game don’t worship it, rather they admire the mental capacity that it has. There’s also the fact that Bob the brain helped to figure out the tunnels, the hivemind is what they needed to deal with in season two and three, once with the upside-down creatures and the other time with the zombies. The library is where you go to seek knowledge and the Ilsensine represents the union between the illithids and universal knowledge. Whenever we go to the library our characters are seeking out important information.
Vecna the Puppet
So basically, I believe that Vecna is a puppet of the Great Brain. We have Vecna’s puppet imagery with the vines propping him up like – well, a puppet.
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There is also some evidence that there is more going on with the eldritch monsters. In season three B*lly says “we” while we’ve only seen Vecna use singular pronouns. These things happen back-to-back in season four via flashbacks from El and Vecna’s dialogue. El says it’s been Vecna this whole time, but Vecna neither confirms nor denies this instead opting to remain silent.
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The show tells us that Vecna isn’t the big bad. Dustin says that Vecna is like a general.
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Also, obligatory Erica speaking the facts-
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I mentioned in the beginning that one of the times we hear about a puppet and puppet master is with Hopper so let’s pull that up.
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I always though this line was a little weird, but here Hopper is referring to himself as a puppet and telling Joyce that she’s the master. He says that “it turns out, getting to Mike, now that was the key”. The puppet is telling the puppet master that the key to getting what the puppet wants is by getting to Mike. If we replace the term puppet with Vecna that paints a very specific image. After season four we can definitely conclude that Vecna does indeed need to get Mike out of the way and that would be the metaphorical key.
The Eldritch
So, on my little hunt for informational background for this theory I noticed something very interesting about the way we are perceiving the eldritch within the show. Like they will make sounds and the subtitles won’t tell you that they are making sounds, but they do tell you a little in season four.
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“Eldritch thrumming”? “Shrill shrieking”? Both of these are from season four. I did a light browse of the earlier seasons and didn’t come up with any subtitles despite still hearing sounds from the eldritch. It was strange especially when you consider that the shrieking is from a specific scene in season two and when you go back you can’t find the subtitle for that part even though it definitely happened. So, this indicates to me that the gates are alive, and it appears that most of the things we’ve seen are alive, but they didn’t want us thinking to deeply about that yet.
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