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sunsburns · 19 hours

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kiss of life (iii.)

pairing: luke castellan x aphrodite!daughter reader

masterlist

summary: you have never doubted aphrodite when it comes to soulmates, she's the goddess of love, she knows what she's doing and you're getting pretty sick of people telling you she's made a mistake with your soulmate, specifically. you refuse to believe that she could be wrong, but luke castellan is making it really hard for you to have hope.

—or: you and luke are off on your quest you're totally not having second thoughts about choosing him, he's your soulmate after all... right?

word count: 3.2k

warnings: filler chapter (sorry gang), reader's pov, reader is lowkey unreliable and is hiding something, pre-tlt, luke's character is kinda inconsistent but whatever, angsty fight with luke and reader, low-key happy ending

a/n: everyone might've moved on but i'm still here 😔… gang i think i’m coming back to my active era (no one cheered) anyways there’s so much i wanna write for this series so enjoy this little filler!

You'd always been a fan of bad ideas, but choosing Luke Castellan as your companion for the duration of your quest had to be your worst one yet. You felt a pang of doubt, questioning your choice, especially after witnessing the outcome of his quest—a failure that seemed impossible to shake off from the whispers of other campers. A failure your siblings wouldn't let you forget.

"I was there when he came back. I know what happened," you muttered, frustration creeping into your voice as you stuffed clothes into your bag.

Your siblings meant the world to you. You cherished the bond you shared—the familial camaraderie that bound your cabin together. As the eldest, you revelled in guiding and nurturing them, relishing the role of guardian and friend within your cabin's close-knit circle. Yet, like any family, they can sometimes be suffocatingly overbearing.

Alexis, your brother, ever ready to smack a reality check, had been the first to warn you against choosing Luke Castellan, and now he spearheaded a group of your siblings, all urging you to reconsider with reason.

"But that's just it. You don't know. Not really. None of us do." Alexis told you, reclining against the shared vanity in your cabin. The absence of the younger kids, off with Chiron for a lesson on constellations, offered you some peace of mind, sparing them from witnessing the escalating intervention.

As Silena sifted through the clothes strewn across your bed, her soft humming filled the room, a stark contrast to the weighty silence that hung over the conversation. "No one but Chiron and Mr. D knows what happened on that quest. He refuses to talk about it." she mused.

"There's not a lot of glory in that." Alexis shrugged, a smirk playing at the corners of his lips.

"He's been so weird and different since he returned," Silena added, "I remember he used to smile. It was such an attractive smile. And he used to talk... He barely ever talks anymore."

Alexis snorted, "That's called depression, Silena."

"It's just so sad." She frowned and sat on your bed, her gaze distant, "Pretty people don't deserve to be depressed."

"Amen to that."

You couldn't help but roll your eyes at their melodramatic exchange, a fleeting smile tugging at the corners of your lips as you focused on folding another pair of pants.

"He still talks." You said.

"But it's not the same," Alexis countered, his expression grave. Deep down, you knew he was right.

"And the way he's treated you," Silena scoffed, "constantly icing you out..."

"Avoiding you for months..." Alexis added, stepping closer to you with a solemn expression. "Refusing to even talk to you."

When he tried to put his hand on your shoulder, you couldn't help but shrug it off, not wanting his sympathy.

Their reminders, well-intentioned though they may be, served only to deepen the wound already festering within you. Like a knife twisted in your back, the memories of Luke's avoidance and unanswered questions pierced your thoughts with relentless precision. You vividly recalled the disappointment etched across his face in the infirmary, a silent testament to his dismay upon discovering your role in his fate. The weight of his unspoken words hung heavily in the air, a haunting reminder of the rift that had formed between you before it even started.

Your siblings were very careful with their next words: "Do you think that maybe... just this once... Aphrodite got it wrong?"

With a heavy heart, you stormed out of the cabin, your mind reeling with conflicting emotions. You swore up and down to Alexis and Silena that you were fine, that you only needed air. The need for clarity drove you to seek solace in the quiet embrace of nature, the gentle flicker of a breeze offering a touch of comfort amidst the turmoil raging within.

Throughout your life, your unwavering loyalty to your mother, Aphrodite, and the Gods has been a source of solace and guidance. You found comfort in the subtle manifestations of them, from the celestial dance of stars to the gentle caress of sunlight filtering through the trees. Even in the casual interactions of everyday life, you sought traces of your mother's hand guiding your path.

As you gazed into the dancing flames, the remnants of fruit smouldering in their fiery embrace in a tin can, you found yourself caught between hope and despair during your offering for your mother. Silena's words echoed in your mind, a harsh truth you were reluctant to confront. Maybe you didn't have a soulmate. Maybe it was a mistake. Maybe you're unlovable.

Yet, amidst the cloud of doubt, a flicker of defiance ignited within you. The mere thought that Aphrodite could be mistaken in matters of love seemed impossible to you. You had witnessed firsthand the intricate tapestry of fate woven by her hand, guiding souls to their destined counterparts with unfailing precision.

The yearning for that connection, that soul-deep bond, burned within you like a beacon in the darkness of uncertainty. It was a desire as old as time itself, the longing to find solace and belonging in the embrace of another.

As the flames dwindled to embers, their dying glow casting flickering shadows upon the ground, your prayers went unanswered.

The weight of your impending quest pressed upon you like a heavy cloak. Questions tumbled over one another in a relentless cascade, each one a dagger aimed at the heart of your resolve. Where would you need to go? Would you need to defend yourself? Would monsters come after you? Should you choose someone else? Could it be that Luke was nothing to you but a mistaken thread tethered into your life?

Your shoes stepped over twigs and dry leaves on the ground until you stepped out of the forest. Passing by the armoury, you forced a smile upon your lips. You forced yourself to be excited for your first quest rather than dread it. It was a rare privilege bestowed upon a child of Aphrodite, you should honour it.

As you approached the heart of camp again, the familiar clang of sword meeting dummy rumbled through the night air. The rhythmic sound, though commonplace in the realm of demigod training, carried an ominous weight under the cover of darkness. You would have assumed that all campers were asleep.

Luke Castellan, a boy who had become synonymous with the darker days since his return from his quest, stood amidst the training grounds, his silhouette illuminated by the pale moonlight. The sight of him, bathed in the ghostly shine, was haunting. With each precise strike of his sword, a muted testament to the rage that plagued his restless spirit, he seemed to exude an aura of both determination and despair.

No wonder you were so exhausted.

You dared not meet his gaze, instead keeping your head bowed as you navigated the familiar path through the training grounds. Every fibre of your being screamed for you to move faster, yet the pull of his presence was undeniable. Despite your best efforts to remain unseen, Luke's voice cut through the night, calling out your name with a sense of urgency that sent a shiver down your spine.

Shit.

With a sinking heart, you felt his hand land on your shoulder, stopping your escape. You couldn't avoid him now. Turning to face him, you were met with a sight that mirrored the restlessness within your own soul. His features, etched with lines of weariness and frustration, betrayed the weight of the burdens he carried.

You were distracted by the way he was looking at you. Brows furrowed, his lips turned and pulled into that permanent frown that had you wondering if he had ever smiled since he came back. Yet, despite the weight of his solemn expression, there was a flicker of something in his eyes – a glint of warmth, of familiarity, that almost stirred a faint glimmer of hope within you.

Almost.

"You're making a mistake." He insisted. "You need to choose someone else for your quest."

You tried not to seem too disappointed. "I can't pick anyone else." You protested, and he raised his brows at you, doubtful. "The Oracle told me to choose you."

"She told you to-?" A scoff escaped him, "The Oracle doesn't tell you who to choose. She doesn't say anything about who you should bring-"

"Luke-"

"The Oracle tells you what your quest is, then a weird riddle about something that will happen on your quest that will put you on edge the entire time."

Luke had stepped closer to you as he spoke as if his words would've sunk into your head clearer if you could hear them better. He spoke to you a lot that way, hoping you'd cling to every word he had to say; good and bad. Mostly bad.

The Oracle's cryptic words lingered in your mind. She had not revealed much about your quest, offering no subtle hints or insights into Eros' whereabouts to make your life easier. Instead, her assurance that success hinged on bringing Luke Castellan along had left you grappling with uncertainty. "He has all the answers you seek," she had urged, her words echoing with a weight that you struggled to comprehend.

"It has to be you."

"What else did she say?"

You hesitated. "That's it," you replied, your words falling short.

"That's it?" He didn't believe you.

"Just a few hints of where Eros might be, I guess." The lie slipped from your lips effortlessly.

He caught it quickly but never urged you to admit it. Luke remained silent, his expression unreadable as he mulled over your words.

You sort of wished he fought you over it.

You wished he'd do anything with you. At least try to.

"If you don't want to come with me, that's fine," you conceded, "I'm leaving tomorrow morning, with or without you."

"Really? You'll just leave?"

The bitterness in his tone was unmistakable. Yet, despite the resentment that coloured his words, there was a flicker of something in his eyes – a glimmer of regret, perhaps, or maybe resignation. It only annoyed you further.

Luke Castellan was possibly the most confusing person you've ever met. He didn't want to join you on your quest, but you couldn't leave without him either? What's his fucking deal?

He intrigued and frustrated you, like some curse had been placed upon you, and you wanted to understand every part of him while he wanted nothing to do with you. Perhaps Aphrodite was being cruel when she chose him as your soulmate, but you weren't any better when you put him in the position of joining you on your quest.

"I don't know you." You admitted the words hanging heavy in the air between you. "You've made a really good effort to make sure that I don't know anything about you. I did my part. I picked you. If you don't want to come, that's... fine."

It pained you to say it. You did not want to go alone, but you weren't going to force someone to accompany you who clearly didn't want to be there. However, the uncertainty of what lay beyond the safety of the camp walls loomed large in your mind. You haven't left the protection of the camp in years, you weren't sure of what was out there other than the stories the summer campers would tell you, of their close calls and near misses.

Luke Castellan was the perfect example of what leaving camp does to someone.

Despite the weight of your decision, you held your head high as you turned on your heels. You doubted Luke had anything more to say; he was a man of few words, after all.

You left him there, just as he left you by the docks for months. And then you lied to yourself, clung to the belief that your mother, Aphrodite, would safeguard your journey and that your brother, Eros, awaited your rescue.

And so, the next morning, after bidding your tearful goodbyes to your siblings and friends and earning a proud pat on the back from Chiron, you swallowed your pride and left.

The Oracle's words were etched into the very fabric of your being, a relentless mantra that monopolized your thoughts as you trudged toward the top of the hill and left the safety of campgrounds. Each step forward was a testament to your determination, each footfall a declaration of your unwavering commitment to the quest ahead.

As you climbed, you couldn't help but imagine the faces of campers upon your return. You pictured the awe in their eyes, the pride in their voices, and most of all, the look on Luke's face when he realized the extent of your lone success, his disbelief mingling with a begrudging respect.

"Hey-"

The sound of your name startled you out of your thoughts. You were trudging through the grass when you spotted a body sitting under a pine tree, shaded from the sun by its leaves.

Luke looked up at you, frowning, "Took you long enough."

His dishevelled dark curls fell over his eyes, a stark contrast against the vibrant greenery surrounding him. With a resigned sigh, he rose to his feet, his movements fluid yet tinged with an air of impatience Luke picked up a bag by his side, tossing it over his shoulder. It wasn't until he emerged from the tree's shade that you noticed the subtle changes in his attire. Gone was the signature orange camp shirt, replaced instead by a more subdued navy tee that hugged his frame. His old cargo pants remained the same, but different nonetheless.

Eyeing his bag, you could spot smaller daggers strapped to the sides, prepared for anything. It took you a few seconds to process why he was there. You squint at the sun as he steps out from under the tree. "You came."

He huffed, "Obviously."

You let out a breathless chuckle, maybe one of relief since honestly, despite everything you'd been trying to convince yourself of, you were terrified to leave on your own.

"Why?" you asked, your voice betraying a hint of uncertainty as you adjusted the straps of your own bag. The question hung in the air, unanswered. Of course. You almost rolled your eyes as Luke began to descend the other side of the hill. With a fleeting glance over his shoulder, he wordlessly beckoned you to join him by tilting his head to the side impatiently.

You grinned then, wide and bright. "I know I said I didn't care if you came or not, but I'm glad you're here."

He showed no sign of acknowledgment of your sentiment, his gaze fixed ahead as he continued to walk once you joined his side.

As the minutes stretched on in silence, broken only by the rhythmic crunch of leaves underfoot, you found yourself lost in thought. It was only when the distant hum of passing cars reached your ears, their blurred forms darting through the forest's fringe, that you were jolted back to the present.

Drawing to a halt near the forest's edge, you felt the weight of uncertainty settle upon you. With a hesitant pause, you turned to face Luke, the question that had been gnawing at your mind poised on the tip of your tongue.

"Why'd you stop?" He asked.

"I just..." Your voice wavered, uncertainty lacing your words as you struggled to articulate your thoughts. You worried that if you said the wrong thing he'd leave you stranded right there and return to camp while the two of you were still walking distance from it. It annoyed you a little; how much you had to walk on eggshells with him.

You couldn't help but wonder how different things might have been if you hadn't chosen him. You were being stupid when you picked him, you decided. You already regret it. Maybe Luke was right, the Oracle was just trying to get into your head.

"What made you change your mind? About coming on the quest?" you finally managed to voice, your eyes meeting his in search of answers.

He looked at you, brown eyes flitting over your expression, before licking his lips and simply stating: "If you break an arm, so do I."

That had been the closest Luke Castellan had ever been to admitting he had a soulmate.

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dee-morris · 3 days

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Some Random Thoughts on the Nature of Free Will

Thinking about that conversation from the book that got put into The Resurrectionists. Aziraphale is explaining how he and Crowley are good and wicked, respectively, but they have no choice while Elspeth does. Bc humans can't be truly good unless they have the choice to be wicked.

(This is where I usually end up arguing with someone on Twitter lol bc they think Aziraphale is being Mean to Crowley by calling him wicked. It's just a brand name darling, not a judgment call. He literally said in the same breath that he's not TRULY wicked bc he wasn't given a choice.)

So I'm sitting here thinking about free will and the choices the celestials are given, which are not many. And I wonder if one of the reasons they were drawn to the Arrangement was to give them each the choices that humans were born with. One can't be truly good without the opportunity to do wrong, so perhaps being able to work both sides of the equation helped them develop into truly moral beings and not just extensions of their offices. We see in Uz how they're able to work together and bounce off each other to save Job's family, even though the Arrangement didn't properly exist yet.

I've also seen lots of takes and metas that indicate that people view Heaven and Hell as a class system: Heaven is the upper-class privileged majority, while Hell is oppressed, kicked out, downtrodden. I think people forget that the primary difference between the two is aesthetic. Hell has all the same powers as Heaven, and they both intend to burn humanity to the ground in order to prove their gang is best.

No, if we're going to talk about who's got privilege, it's definitely humanity over heaven or hell. We have free will and imagination, which are more miraculous than anything. Sure they've got all these powers and can work miracles and so on, but where's that gotten them? We can actually change things. All they can do is try and influence us to change things, and their success rate isn't high. Two of the most powerful beings in the universe couldn't convince an eleven year old boy to blow things up. That's. Pathetic, actually.

Which brings me back around to the ineffables. Because they actually DO have free will, but I don't think they're used to realizing that they do, which might be why they act a little bone headed sometimes. The show implies and the book comes right out and says that they picked it up from being around humans. And like I said earlier, I think the Arrangement played a big part. They were actually able to choose to do good or evil, a luxury that normally only humans can enjoy.

And the best part of this, for me anyway, is knowing that everything that they are to each other is a conscious choice. Aziraphale didn't want to be a fighter, so he gave his sword away and made the conscious choice to be soft and silly and get into scrapes. And Crowley chooses to come to his rescue because he likes it, not because he is obligated. It's a way for him to choose to do good without getting in trouble. They are each other's outlet to explore humanity in a way that would be impossible if they were on their own.

Aziraphale speaks French badly and flutters his eyelashes and plans elaborate Balls because he loves doing human things and he wants to do them with Crowley. Crowley drives a sleek classic sex machine with bullet hole stickers on the windows and goes on capers and performs daring moves because he loves doing things the human way and he wants to do them with Aziraphale. The way they interact and work together because they WANT to, and not because it's their Great Bloody Destiny or whatever, is so fucking beautiful to me.

#aziraphale #good omens #crowley #ineffable husbands #aziracrow #aziraphale my beloved #good omens meta #crowley good omens #free will #heaven and hell

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amalthiaph · 7 hours

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I took an interest in The Bad Batch around the tailend of S2. It's not news to Tumblr that I almost slept on this show. And I cannot thank Caleb Dume enough for being the reason why I pressed the play button for this one. While I haven't been around for most of its active run, and I wish I had been, the last year has been among the best months of my life.

This show challenged my morals, and taught me lessons that I will forever take with me.

Tech taught me to embrace and take pride in who I am. I now think that I am not something that needs to be cured. I needed to be understood and accepted. He taught me that we deserved to be loved and be allowed to live the way we want to (as long as we are not causing harm to ourselves or to others).

Hunter taught me that at the end of the day, we're all still humans. We make mistakes. We fail. But we can learn from them, and we can strive to be better. And I should also take care of my hair bec I cannot accept that a man in a galactic war have better hair than me (Okay, did you honestly think I'm gonna be serious this entire essay?)

Crosshair taught me that at the end of the day, we really are still humans. Sometimes, we make choices that not everyone will understand or agree to. Sometimes, we don't even understand our own choices. But we can learn from them, and we can strive to be better. And that I should also go to therapy bec istg my hand shakes like hell I always need to rely on a pen stabilizer when doing my artworks.

Wrecker taught me that in this world where we can be anything, always choose to be kind. He is a great man who would always be there for everyone, and I hope that one day, I can be that person too. He is afraid of heights, but he climbs and go on high places anyway. Like him, I should also start conquering my fears. Dear Wrecker, I did try conquering my fear of heights last March 9 but I can't. I will try again.

Echo taught me to always fight for the greater good. Almost two years ago, me and a group of people campaigned for a great tomorrow. With pink flags and pink balloons, we worked on our little thing I like to call our rebellion. Sadly, we lost. At times, I am thinking of just giving up bec that's democracy and I cannot go against the people's decision, but characters like Echo and the rest of Rogue One taught me that nothing should ever stop me for fighting for the people's rights and that my love for my fellow citizens should always come first before hatred.

And lastly, Omega taught me to be curious, or more likely to not be ashamed for being curious. Learn about the world. Learn about lots of things. We never know when we need it. While I could say be good at strategy and win 30 grand on card games, nahhh, I'm not that smart.

I also learned to reevalutate myself as an artist. This show taught me integrity. I had ranted about this lately but these characters challenged me in terms of art. I knew that the creators aren't best at proper representation. While I could draw them as they are in the show, I choose to stand for what is right, and represent them as properly as my skills could. In the more technical side, I became good at drawing armors. And this little Actors AU Draw Series taught me to be responsible; I tried my very best to create and post them on time. This increased my productivity.

But enough about me.

There's something I realized two nights ago; we, the fandom, are Bad Batchers ourselves. We can consider ourselves a family, but not one of us is the same and we're all interesting, and capable in our own unique ways. We can have our own opinion and stand about something and still coexist. Like our favorite charactera, we embrace and celebrate our differences.

This show may end. No more Bad Batch Eves, no more cryptic tweets that cause us to hyperventilate, no more Bad Batch Wednesdays but it will live on, through us.

I know there will be a day where we decrease in number, one by one, little by little, but still, the show will live on through our actions, our opinions, our choices we make after May 1, 2024 because I know that all of us were changed in some ways by these characters and this show.

To the crew, your cryptic tweets caused me sleepless nights, but thank you so, so much. It is through your hardwork that we had this wonderful show. Thank you for making every second of the past year so worthwhile and enjoyable for me and for everyone.

However this show will end, whether happy or sad, I am glad it happened. However short my time was with them, I am happy I had been here. However short my time with everyone in the fandom was or if some of you leave one day, still, thank you so much for being part of my life; I am so happy I met all of you.

To Clone Force 99, thank you. I've never loved anything like this before. May the Force be with you.

#the bad batch #tbb s3 #tbb #star wars #amalthia cried while writing this

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killerchickadee · 2 months

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Every time I see that post about bids for attention, or whatever it is, I think about my mom.

I don't really talk to anyone in my family, and I hate that and don't know how to reconnect.

My mom is also into birds so last summer when I saw the whooping crane I texted her a shitty excited picture and like all caps, "I saw a whooping crane!!!"

Her response was "lol". That's it. No follow up or chit chat, just a shut down of my attempts to connect with her.

The other week I sent her a link to the crane cam and told her to check in on it at sunrise and sunset (which is when the cranes are there, though lately they've been hanging out later in the day) and her response was "Cool!"

That's it! Again, completely shut me down. If I died tomorrow the last thing my mom said to me was "Cool".

#last message from my sister was two weeks ago #last text from my dad was january 16th #and we don't talk on the phone #like last time i talked to anyone on the phone was a year and 1/2 ago when my grandma died #i don't know what's wrong with all of us and I don't know how to fix it #i have two people i talk to outside of work #and we don't hang out because we're busy and/or live too far apart #anyway GUESS I'M LONELY AND FEELING PRETTY BAD ABOUT IT TODAY #mostly I'm like cool to do shit on my own #but sometimes it's like... i don't have a choice anyway #at work when I'm like well I'm gonna have to drag my cat on a 1200 mile round trip cause i don't have another choice #people are like you really don't have ANYONE who could watch him?#i don't know what part of “i have only one friend in milwaukee and i don't have a family” people don't understand #sorry i know no one reads this shit who the fuck am i apologizing to #i want to take a Big Trip for my 42nd year but even if i find the money am i going to travel alone?#like all the way to alaska or scotland or fucking somewhere alone?#road tripping alone is fine cause at least i have my car #ok anyway shut up sarah no one cares

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butterflysonnets · 3 months

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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

#eve text #elmike #stranger things #byler #only tagging byler because i feel like yall will like this take lol #tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS #god i can't believe i'm making a post about stranger things. this feels like poking a bear #i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable #i'm seeing the bts of s5 and it's got me Having Thoughts #elmike friendship is something i am so passionate about #even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike #i always believed they were close friends at heart and needed to break up #the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me #and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me #and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin #also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK #so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows #i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk #tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO #stranger things hasn't historically subverted too many tropes if i'm being honest #anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul #i need frivolity #ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show

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talentforlying · 2 months

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priest: i don't, ah, quite know what to say to you. if you are in such terrible danger, why are you taking it all so calmly? constantine: hmh! i dunno, father. i had a bloke beaten to a pulp earlier this evening. that sound calm to you? priest: you did what...? constantine: i must've been off me bleedin' rocker. i've never done anything like it before in me life, y'know?

constantine: but there's header gets his guts blown out, and george is stickin' his head in the noose, and helen gets ... jesus, then friggin' sarah bites me head off — ! everything's coming to bits in me hands and it's so easy to just see red and now, shit, they could've killed the tosser for all i know! and now i'm just like the bastards i've hated all me life! kill him! fire him! close them down! piss all over him! screw you, i can do whatever i want! i so much as blink and you're dead, pal! i'm in charge!! ...

constantine: 'scuse me, father. i'm always like this when i don't get me own way. — hellblazer #81, "rake at the gates of hell pt. 4"

babygirl you are just....so, sooooo offputting. (and grieving, and guilty, and terrified, but yeah: offputting.)

anyway, it's issues like this one that remind me why i kind of hesitate over some of the retcons in the recent spurrier runs, like the one with him now having opened dream's pouch of sand and stolen some before they even met. because like, it's easy enough to look at john constantine now — with 70 years of worst possible choices and unresolved trauma crystallizing underneath his skin to cover up all the soft, hopeful bits where he's used to getting hit — and assign him arbiter of ill intentions, magus of wasted potential, saint of shit choices, but man . . . he was new to this, once. he was still new to this 80 issues in.

80 issues in, and he's not used to losing friends yet; he even has time enough between catastrophes to grieve each individual one. still has enough left to live for at this stage to necessitate running and hiding, instead of bodily throwing himself at the problem like he learns to later, or sitting apathetically by to do nothing except smoke and watch the world fall apart when he finally gives up. fuck, he still apologizes.

and you're telling me this guy, this soppy wet cat motherfucker hiding from the devil in a church basement, so guilty over not knowing what happened to the guy that he paid people (paid chas, so chas could pay people) to attack that the bottle he's holding in this scene isn't even his second or third........this guy's past, more innocent self lied right to the face of DREAM OF THE ENDLESS and got away with it?

hm. i just don't know about all that.

#also this is where my headcanons tag is from <3 #( ooc. ) OUT OF CIGS.#( visage. ) AND I'M A BASTARD.#( character study. ) A WALKING PLAGUE OF A MAN.#sometimes i just think that. people really like to reduce constantine down to one or two things #and somehow. after 250 issues of putting his life on the line bc he could never really make himself look away from people suffering #the soft sullen guilty person who wants so fucking desperately to be a better man? is never one of those two things #idk man. i think about this issue all the time #if i put these pages side-by-side with his grief in hellblazer 2? with his grief in hellblazer 213? 215? during the empathy virus arc?#it becomes CRYSTAL clear that the guy we know at the end of hellblazer isn't someone the guy who sat vigil for gary lester would recognize #in fact i think he's someone that hellblazer 81 constantine would fucking Hate #ANYway yeah. i don't think he lied to dream about the pouch. i don't think he ever got it open. i don't think that's canon for me #i want him to fucking Earn his asshole nature. the hard way. by making All The Wrong Choices that it took to get him there #he paved that road with good intentions himself but. he also used to remember the ones he started with #idk if i'm making sense but i have had this panel open on my laptop for Two Months now #bc i can never stop thinking about how fucking crushed he is here to realize that he might be exactly as bad a man as sarah said he was #and how little it will surprise him later on to learn that he is Easily capable of So Much Fuckin Worse #and with that your honor the defense rests. our evidence? just. just Look at this fuckin guy #scopophobia /#scopophobia #eye contact /#eye contact tw

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icewindandboringhorror · 3 months

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I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"

#Which.. I mean... I am allowed to be biased because literally it's just for my own personal reference (or occasionall #y to send to friends or something if we're discussing the topic) so like.. nowhere am I saying 'I am the god of perfect taste and these #rankings are objectively the absolute truth and everyone should have my same opinion' or anything #BUT still.. it's funny to me sometimes #'Succession would be 100x better if it had the same cast/character quirks and shaky camera style and #acting choices/weird dialogue and general concept etc. EXCEPT it takes place within an elven noble family or something #managing the family business and everyone is in fantasy costumes now'' like.....okay...... but it's NOT that way..soo... thats not the show #''I like the acting style/general tone of Fleabag but i don't care for any of the characters or any of the subject matter and I wish it was #set in the 1800s and had vampires and was about magic instead'' okay..... again... you are making up an entirely new show in that case lol #OR my other beloved typical complaint ''The concept is good but theres too much plot and action and not enough people just sitting #around doing nothing and exposition dumping world and character lore'' ''this needs more goofy sideplots and filler episodes''#''this Drama was too dramatic I think it should be more lighthearted & people need to sit around doing nothing just being weird more often'#''the Action Movie was ok except for the action scenes - which I skipped through all of- but I liked the costumes and worldbuilding'' etc.#ERM sorry your plot has too much plot. also elves have to be included somehow. bye #BUT SERIOUSLY!!!!!! I literally genuinely believe that any show I like (or even dislike) could ALWAYS be improved greatly by #putting people in fantasy or historical costume/setting/etc... why the FUNK would I want to see bland jeans and cars and cell phones #when I could see elaborate velvet cloaks and fantastical landscapes and interior design and innovative takes on historical or #magical technology or etc. etc. etc. I LIVE in the modern day. I see it all the time!!! BORING! stinky!! boo!!!#ANYWAY... another social divide for me.. People love to bond by discussing media. which is hard when I'm like #'I literally will not watch something at all unless it fits into one of these 10 extremely specific categories which are all i care about i #the entire world''.. I say this and yet I still dislike most fantasy or historical things I've watched lol. ok TWO main criteria then!!#it must 1. be in a different world or time period. 2. be goofy silly. Nothing ever has BOTH. It's always overly serious boring drama action #fantasy/history stuff OR it's comedic lighthearted but with modern day characters... WHY.. anguish and woe and so on..#ANYWAY jhjnk... at least I can make that divide. Some people seem to project their own personal preferences and get really emotionally #defensive if you say you didn't like something - as if the fact that they DO like it is some Objective Truth or something rather than just #opinion/preference based. I can still easily say ''this is well made/well written/acted/good in a technical sense/has a lot of #points of appeal that most people would be drawn to/etc'' and admit that it's a GOOD show probably. I just PERSONALLY think its #bad because my tastes are very narrow. Some things ARE actually made badly but. things are not bad INHERENTLY just bc they dont suit ME lol #Better to recognize/accept whats odd about you and be peacefully aware of it than just being mad at everyone all the time for not fully #agreeing with you even when you're the one with the Weird opinion in that case lol.. I am right though :3 but.. lol... still. i get it

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elftwink · 2 days

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been learning to play ironsworn (gritty fantasy ttrpg which you can play with a gm but is mostly suited for solo or small group co-op gmless play) after having the rulebook pdf for several years (stars finally aligned to remove invisible thing blocking me from reading it idk) because i'm on another solo ttrpg kick & i don't know what took me so long to get around to this game because it genuinely is exactly what i was looking for. years ago when i was playing through solo 5e modules i should have just been playing ironsworn (believe it or not, 5e isn't very suited to solo play and is extremely clunky when you try lol).

also though i have dabbled in some other solo ttrpgs, a considerable amount of them are journaling games which is fun but imo considerably more work (usually by the time i'm a quarter of the way through the journal entry, i know how to entire scene played out and i want to move on to the next gameplay thing, so i get frustrated and bored quickly. it feels like when you solve a level in a video game but don't have the coordination to pull off the necessary move so you have to spend 20 extra minutes doing something you already figured out), so i really appreciate like not needing to write something for the game to progress (ive been taking notes for my own record since im playing solo and thus am not really out loud roleplaying the way you do in a group, but i definitely could do that instead and not take notes and the game would still function perfectly)

& ive been playing by myself but also in the past ive played a lot of ttrpgs in very small groups which has been other games but is mostly dnd and like. we also should have been playing ironsworn so that having a gm was not necessary. have definitely played games where we had to adapt the rules soooo much to do something that is just base game included in ironsworn. plus it's rules-light enough to do pretty complex moves that pose difficulties in bulkier games (ever introduced someone to dnd and they tell you they want to do a sick backflip and catch something and then attack and you have to tell them that will require several different consecutive rolls and some creative liberties with how the rules are 'supposed' to let you move? you can just Do That in ironsworn. use the strike move and describe it. done!)

the one thing is that although it's rules-light enough to theoretically play any setting or genre (some with more difficulty than others), ive found so far that like... the grittiness and sense of threat is very built into the mechanics so that would be sort of difficult to work around or change (but i think it's great from a game design perspective). what i mean is like, okay: you start with 5 max hp. there isn't really a way to raise this max hp, you just slowly gain abilities (assets) that make you less likely to have to lose the hp in the first place, or that make it easier to recover. when you encounter foes, you rank them on a scale of 1 -5, and enemies on the lowest side of this scale do one harm to you, while enemies on the highest side do five harm to you. so even though encountering an epic enemy won't always be deadly due to the assets you have, they are ALWAYS capable of taking you down to 0 hp with one good hit. so the feeling of threat is much more present compared to games where your character starts to be able to just tank and push through a failure or huge threat.

admittedly also i'm playing solo, im still learning how to balance combat, and also i built a character who has NO combat talents and iron (the close quarters fighting stat) is one of my lowest stats so i personally am under much more threat than if you built a character who knew how to fight or who could do deadly harm. but also the other thing about combat is it's extremely difficult to maintain control of the fight; you have to score a strong hit to do it on basically all moves, and there's a really limited pool of moves available when you don't have the initiative, and obviously none of them really favour you. i don't know that this makes combat genuinely more difficult, but it does make you feel like the fight is always about to spiral out of your control. every second you let it drag without decisive action feels like it brings you closer to dying. like i said, this is a feature of the game design and not a problem in any way. just thinking about it because when i was initially learning i was going to try to supplant it into a homebrew fantasy world of my own but the tone just wouldn't be right. and that it is somewhat difficult to replicate the kind of worlds that i typically play or run for dnd, which tend to lean somewhat sillier and definitely much higher fantasy

but i like to try new things and tbh especially in dnd i find that i very rarely feel that sense of threat and when i do feel it, it has nothing at all to do with the actual mechanics and reality of the combat and everything to do with how well the dm sells it to me and makes it sound and feel scary and dangerous. which is a testament to what a good gm can do for you but i do appreciate the threat feeling more built-in and also being actually real.

#good idea generator #kas plays ironsworn #am giving it a tag because i will continue to talk about this. its my blog #idk i just find in dnd like. players often FEEL threatened WAY before they actually are threatened #which makes it really hard to balance combat because players treat evenly matched fights like hopeless death traps #so instead they do underleveled combat that feels boring for some hard to pin down reason #but like. the reason is even though you're nervous about the dm's description and the things the monsters can do #there is no real threat. especially in bigger parties where the players DOMINATE action economy. they are always in control #so of course it gets boring. it drags out so everyone can take their turn but it never forces you to make difficult choices #or to totally exhaust all your abilities. after awhile the combats start to feel same-y #because even if the monster is different. you never have to do anything different to defeat it #ofc this is a subjective assessment and also if youre reading this and we play dnd together this is not a gripe abt our table i love u #i think it's really easy to get trapped doing this esp in tables which like rp more than combat #because its also like. once you're used to a certain balance of combat if your dm suddenly threw you a big one #you assume that this is a uniquely large threat in the narrative as well (rather than a rebalancing attempt)#and treat it accordingly. which is to say with way too much caution because it isnt actually that big of a threat #so then as a dm when you have to maintain the feeling of threat and the mechanical threat #(especially when sometimes the mechanical line between 'cakewalk' and 'tpk' is razor thin #and is more about the initiative order and luck than anything else)#you start to prioritize the feeling of threat. which is imo the right call always #but its just after awhile when you feel the threat but nothing ever happens to anybody. the dissonance starts to affect the table #also balancing dnd combat as a dm is really hard and often requires a LOT of on the fly adaptation #because sometimes the CR is useless and you don't know how it's gonna do until the dice are on the table already #anyway. my point is that im enjoying how ironsworn handles this problem

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brinnanza · 3 months

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you guys know stuff can just be neutral right. like it doesn't have to be good or bad it can just Be ykwim like sometimes an experience is Weird but that doesn't necessarily imply that it was good or bad sometimes things are just so unfamiliar that the sheer novelty overrides having an opinion about it. sometimes you hear someone's died, but it's no one you knew or would ever know and it's so many degrees of separation from the source that they have no emotional investment in it either and that's not automatically a tragedy OR a relief it's just a statement of fact.

sometimes stuff just Is. and it's okay that it is.

#i often preface statements or questions with 'this is morally neutral'#especially when I'm using words like 'manipulate'#because the default assumption of that word is negative but sometimes I just mean it as cause and effect #I know a lot of people ask questions that have An Answer and if you say the wrong one you are bad #the classic like how does my ass look in these jeans or do you think [third party] is attractive #or even where do you want to have dinner but we will end up at a specific place regardless #anyway so many people do that but they spoil the questions for like decent normal curious people #sometimes I feel like I have to be like i am not emotionally invested in a particular answer #sometimes you feel the exact same about every choice and it's genuinely about what's true #a lot of people don't really care about what's true though

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daz4i · 6 months

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wait i have another rant unrelated to anything. the common... perception? trend? idek what to call it, in fandoms and media commentary communities that every antagonist in every story has to have some deep reason for why they do things, or a sad backstory or w/e, imo kills creativity, makes stories lose their focus, and can be very upsetting when done wrong

like it's okay to have purely evil villains. it's okay to make hate sinks. that doesn't make you a bad writer. characters are meant to be tools, vehicles to tell a story, and sometimes you need that tool to just be an obstacle with no real depth. sometimes the story is more about how the protagonist overcomes hardships, and in certain premises those hardships work better when depicted as other humans. and honestly, even if they can be replaced by a generic monster or some object or w/e, it's still okay to make them a person if you wanna bc it serves the same purpose at the end of the day and you don't need to excuse that choice, imo.

like ppl who tear into every story and try to find every logical fault in it - even when it's only a fault when you entirely strip the context of fiction off it, thus often making these points irrelevant to the discussion about. yknow. a fictional work - can be so boring. I'm all for dissecting stories and trying to understand the logic behind some stuff, and while i personally prefer stories where the villain does indeed have a relatable or at least understandable motive, i do think that for certain stories it just does a disservice and frankly misses the point of why the story is even being told. like sometimes the villain is some money hungry asshole bc we needed a money hungry asshole to stand in opposition to our protagonists. it's not that deep, and it doesn't need to be. you just want to read a different story, so go do that.

#i think that last sentence is really the essence of it #if you like certain tropes or structure choices and hate when stories don't have them... just... don't read those stories...?#alternatively: can you tell i was an avid p5 fan in persona communities where everyone missed the point of its antagonists 💔💔💔#sometimes we just need assholes to be assholes for the sake of being assholes 😭 it doesn't take away from the story's depth #like this is a game abt dismantling corruption in society. we need villains that embody concepts -#- rather than be actual characters bc the story isn't about them. and that's FINE #like this is what i mean by boring. why do you want all stories to be the same. just play a different game #anyway yeah that was another rant. sorry

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lord-squiggletits · 1 month

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Something else that makes me sympathetic to Pharma's situation is like. Idk if there's an actual term for this or if someone smarter and more academic wrote it about some real life context that actually matters.

But, so we've already established among Pharma stans that the circumstances at Delphi were blackmail/torture with no real way out that wouldn't involve Pharma being responsible for people getting killed (either killing patients for the deal or having everyone die bc he failed his end of the deal).

And I feel like while "he's still in the wrong because he killed people" is part of it, another sort of implicit part is the idea that Pharma should've been willing to take more personal risk, maybe even risk dying? I mean, Ratchet does ask "why didn't you just detonate it near the DJD" (to which Pharma responds that he did try to get Sonic and Boom to do it, but they refused) so like

Idk I feel like we do have this social notion of martyrs as a very romantic ideal, people you can praise for being so brave and strong and righteous that they ended their own lives for their cause, while you can also coo about how sad and tragic it is that dying is what it took for them to do the right thing. But at the same time I feel like in reality, having an expectation that people become martyrs is kind of a toxic social norm bc like. It's very easy to demand that others sacrifice their lives for some Ultimate Moral Good when you yourself aren't experiencing the same hardships as they are. And ultimately it is kind of fucked up to tell someone "the moral thing you should've done was risk your life/kill yourself" because asking someone to pay their life to do the right thing is no small request. And sure, the typical response would be to call them a "coward" for caring more about saving their own skin instead of doing the right thing... but again, death is a really scary thing and self-preservation is a really strong instinct, so it kind of feels like having this binary view of "you're either a Brave Hero who sacrifices your life for everyone else or a Dirty Coward who's too scared of dying to do what's right" is kind of fucked up?

I guess the best way to describe it is that if someone willingly gives up their life as a sacrifice to others, it can be a noble thing because it's a choice they made willingly, but if it becomes a Moral Standard that in order to be a Good Person you have to be unafraid of throwing your life away and if you aren't willing to die you're a Cowardly Bad Person, that's when it becomes toxic.

Idk, I guess how this ties back to Pharma is that he was never in a position where he expected to make these kinds of moral decisions/ultimatums. He's a doctor who doesn't even get into combat, his job is to heal and not to kill, he's behind the front lines in a hospital that's supposed to be a safe, neutral place for him to heal people. So in the face of suddenly having a "murder people on behalf of me, or I murder everyone you swore to protect" ultimatum thrust upon him, I understand why Pharma wasn't """"""""""brave enough"""""""""" to "do the right thing" (whatever that would've been in the case of Delphi). You could argue that maybe a frontliner soldier accepted the burden of possibly dying for their cause and they've become used to it as someone who lives that reality every single day, but I feel like for Pharma, who's a doctor and a protected non-combatant (from what we can tell), that sort of risking of his life/living with the fact his life could be snuffed out any day isn't something he would've been prepared for at all.

And for me personally, from an outsider's perspective, it strikes me as kind of unethical to go "oh well he should've just detonated the bomb himself even if it killed him" bc again, there's a difference between witnessing a moral conundrum as a bystander versus being the person living with it and being under time pressure where it's do-or-die. Just as part of my personal standards, I feel like death is such a huge consequence/burden of someone's actions (literally you are no longer alive, any potential you had left is cut short, you cease to exist on this plane) that it feels rather callous to go "Well you should've just been willing to die for your beliefs if you really cared that much!!!"

#squiggposting #pharma apologism #this is only like tangentially related to pharma honestly #not to compare blorbos to real life but like. it reminds me of this phenomenon where privileged ppl in privileged countries #will tell ppl living in zones of war and strife 'oh well if you don't like your gov so bad just revolt against them'#like oh yes tell me how easy it is to stand up against the threats of torture and death #surely the only reason people would want to avoid that is bc they're cowards or don't want to stand up for their beliefs #contrary to what nationalism would have ppl believe. 'wanting to not die' isn't a moral position #everyone wants to live. no one wants to die. it doesnt make you a bad person to be scared of dying #esp (going back to blorbo's) in a situation like pharma's where every option he had ended in death #the death of his patients or the death of everyone at delphi or his death personally #on top of the fact he's a noncombatant who hasn't been desensitized to violence/risking his own life #and is dealing with a trained group of killers that he can't possibly match on physical terms #so yeah actually i don't blame pharma for what he did #he made shitty decisions in a shitty situation but was ultimately a victim #also if you want to view the blackmail deal from a framework of abuse #it is also fucked up to basically tell someone they werent brave enough to just kill their accuser or ask for help #isnt the entire point of such situations that the victim is both powerless to stop the abuse #and too afraid of asking for help/thinks they cant ask for help. and thats why they dont just get out #idk sometimes the best moral judgement is to forgive someone or view it as 'complicated'#sometimes regardless of the good or evilness of their actions the best choice is to not make a judgement #or to err in favor of a forgiving/'i cant speak for your experience' judgement #anyways the fact is that the rosy fantasy of being a brave noble soldier who sacrifices for the cause #rarely stands up to reality where youre just terrified and powerless and dont know what to do #and suddenly the rosy glow of The Noble Cause isnt comforting in the prospect of horrible torturous death

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on-a-sunbeam · 1 year

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So please correct me if I'm wrong but I don't think Alias ever really talked about how awful the whole doubling process would be? Like, the actual process itself would probably be pretty painful, sure, but remember going through puberty and having your body adjust to all that? Except this time your entire DNA is being changed. But not your brain, apparently. (WHICH, while I'm rambling, according to this report, you 100% can identify different brains from each other. In Alias, however, they say you can only tell if someone's a double through their eyes, which means that the person's actual brain is also changed, so I guess Alias just casually tried to tell us that souls or something of that ilk do, in fact, exist, and then never mentioned that again)

Which puts us in a very unique position! Because your brain's shape is now different, it's literal dna is different, and that does affect you as a person, except no?? It doesn't effect the doubles? As far as we see they're the same person. Ignoring the way more fun option of this does effect the doubles and maybe they start to show traits that the original had which would've been SO much fun but whatever, let's just say that your brain shape/makeup doesn't matter. Everything you do, everything that makes you you comes from something else. Your soul, your spirit, Rambaldi controlling you like a video game character, whatever.

This would make being a double really, really suck. Because your consciousness just got poured into this new body, essentially, which means that you have ABSOLUTELY NO IDEA HOW TO USE IT. The proportions are just wrong, first of all. Maybe the original's legs are a little longer. Now you have to walk up a flight of stairs, and not only are their legs longer, maybe they're a little thicker. Maybe they have a bad knee that you never knew about. Maybe they work out a lot and their legs are way stronger than yours were. Even if you guys were exactly the same height and lived exactly the same way, you would still have fundamentally different legs.

But for the sake of argument let's give them the benefit of the doubt and say okay, so maybe you still have your soul/consciousness/whatever, but that just contains your memory and personality and what not. All of the physical aspects are controlled by your brain, which should be suited to your body either way because that's how the process works. (Disclaimer: I am not a scientist and have no idea what I'm talking about) Okay, fine. That's fair. Except...even if your brain can move your legs perfectly, wouldn't it still be terrifying to remember that this isn't how they normally move? Your body might be perfectly functional, but your mind still wouldn't be used to functioning it.

(And this is all very sudden, too! I mentioned puberty earlier, but that is something that a) still takes place in your own body, with your own brain. It's hormones changing, not DNA. And b) might come faster for some people, but you know, generally takes a little longer than a couple-hour long surgery)

Also if we were to go that route, what would happen if the original person say, had some mental condition? That's a brain thing, not a soul thing. Your physical brain is now the same as theirs, so would you inherit that too?

In conclusion: local idiot rambles about how Allison should've misjudged a step and fallen down a flight of stairs and gotten adhd from Francie.

#i um. don't know that any of this is coherent.#i just think about it sometimes #alias #but sometimes i want SO BADLY to see allison do something and go ???#and then be just absolutely terrified when she realizes that hey this is something francie used to do #just!! losing your sense of self but it's STILL YOU!!#and other people say ah yes. this is right. this is how it ought to be #and i get it. i know that irina was having her do a job #but sometimes it's just like oh wait no this is literally the trans experience (tm)#you're just living your life comfortably until something or someone says no. you have to change (in this case irina)#and you do not get a choice!! so you do #and it's still YOU. but you look different and it's wrong and IS it?#and it can be terrifying!#and some people will say no this is right and some people will agree with you and say this isn't right actually let's get you back #but see that's the thing also you can't ACTUALLY go back. you can go forward sure you can go towards something else #but if you're trans you can never go back to how you were as a kid! that's not how that works you HAVE to go forward!#but allison is so tragic bcos she never gets to go forward either! she's stuck looking like that until she dies!#I JUST.#anyways. my incoherent rambling is over. (for now)

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