Tumgik
#but saying yeah i don't agree with these actions takes no effort
i-istherefore-iam · 20 days
Text
Tumblr media Tumblr media
I don't see how he was being childish and disrespectful as some comments suggest. Do you think any other competing country would be given a chance to opt out of answering a controversial question?
88 notes · View notes
howlingday · 1 month
Note
Have you ever feel that Jaune got to much focus? I mean he's called a main charater (for better or worse) in a show called RWBY. About Team RWBY. It's just looking at both sides as much as I like Jaune maybe their was or still is to much focus on him.
Hardly.
Tell me something. Did Sasuke get too much focus in a show called Naruto? Did Knuckles get too much attention in the show Sonic X? What about Harry Potter? One Punch Man? Hey Arnold?
The Jaune "getting too much focus because the show is called RWBY" is the saddest, weakest excuse ever uttered. Jaune is a main character, along with Ren and Nora, who, need I remind you all, got plenty of love and attention despite not being "Team RWBY"?
Now, does the FNDM give him too much attention? My second favorite tag on this hiellsite is "jaune arc," AFTER "rwby," agrees with this statement, and to be honest, I don't think that's a problem with the show's writing as much as it is with the audience's reception of him.
There being "too much focus" on Jaune is only in comparison to the weaker writing for the "main characters" because the show puts more effort into the action and the plot than into the development of the core cast of Ruby, Weiss, Blake, and Yang.
Ruby has silver eyes and is supposed to be the hero who saves the world, but it wasn't until Volume 9 that she really got a solid win for her character.
Weiss comes back home in Volume 7 and her biggest character moment is when she's stopping her father's escape. Then... nothing.
Blake and Yang are by far the worst because their characters are now wholly reliant on each other. And before that, Yang's character was reliant on Ruby while Blake's character relied on the White Fang plot, which ended in Volume 5, and Adam, who died in Volume 6.
But what about Jaune's character? Well, let's see; Jaune was the loser everyman character who acted as the foil to the prodigal child of destiny that was Ruby Rose. His partner, Pyrrha "Invincible Girl" Nikos, takes him under her wing and trains him as her mentor. She then dies, leaving him to train and grow on his own despite his team being there, whereas Ruby loses her entire team and gets their help to accomplish reaching Mistral.
...Typing this out, yeah, I would say Jaune got more thought and effort put into his story and character development, but I don't think it's "too much". If anything, I'd say the issue is RWBY didn't get enough. All we got for them were flashy moves and kicks and bruises, but it's all shallow, surface-level development. Looking back, I see RWBY as the same people as they were at Beacon, while Jaune has completely changed since his initial appearance.
And again, that's not Jaune getting too much attention. It's just RWBY never really grew up right.
110 notes · View notes
kteezy997 · 26 days
Text
Daddy's Boy-Part Nine//t.c.
Tumblr media
You put on the pair of blue linen pajamas that Timmy had set out for you. It felt so sweet and cozy to be wearing his soft, oversized pjs that smelled like him. He said he wanted to show you something, but you had no idea what to expect.
He led you to another room in the apartment. He flipped up the light switch and stood to the side to watch your reaction.
You looked around the room, and it looked like a little boy's dream come true. The bedding on the bunk beds was Hot Wheels themed, and on the floor, there were a few different Hot Wheels tracks with multiple lanes and loops for the cars to race on. There was a small basketball hoop, several action figures, and various sizes of monster trucks and toy cars. There was also a closet and a dresser under the TV. It was absolutely perfect for Theo. It was more than perfect. You were speechless.
Your heart was so warm, you thought of all the time and effort Timmy had put into surprising your son with his new room. You heart ached and you felt like crying.
"Timmy, this is..." you shook your head in awe, "amazing. He's going to love it. He's gonna freak out!" You hugged him, nuzzling your face into his neck.
Timmy squeezed you, "I hope so. He told me he'd like a bunk bed and then the rest is just stuff that's similar to what he has at your place, and other toys that I thought he would like. I don't know if he will or not." he shrugged.
"Of course he will!" you assured him, cupping his face and kissing him on the cheek. "You know what he likes, and you have great taste. Plus, you're his Daddy, he's obsessed with you. He would have loved his room, no matter what is in it, because it's at your house. He's gonna love spending time here with you."
You walked around the room, taking notice of the small details, the personal touches that Timmy added. Atop the dresser was a Willy Wonka Funko Pop figure and a chocolate brown Wonka top hat with the gold letters on it. It was so cute, and you knew that Theo would adore the memorabilia, as he had been watching his father's Wonka movie nonstop these days.
At the end of the dresser was a framed photo of the three of you that you had taken when you went out for pizza one night. "Awe, I love that picture. He's going to be so happy that you put it in his room."
"Yeah, we make a good little family." Timmy agreed, coming up behind you, placing his hand on the small of your back. "Are we going to tell him about us?"
You turned, slipping into his embrace, you took a moment to truly ponder over your response. "We shouldn't move too fast. Let's just enjoy where we are, and where this takes us."
"This. Meaning?"
"Our relationship. I know that we have been together before and clearly those feelings are still there; but I don't want Theo to get excited over something that might not last. I don't want to get hurt, but I worry more for him."
Timmy nodded, pulling you closer, putting his hand in your hair, tucking it behind your ear, "I want you to know that I am serious about you, y/n. It wasn't just sex or a one-time thing for me. I've been thinking for a while that I want us to be together, with Theo, as a family. I lo-"
You cut him off, putting your fingers over his lips, "You don't have to say it. Let's just take it slow. We can spend more time together, as a couple and the three of us. Theo will be so happy. You make us happy, Timmy."
He smiled, "Well, I'm glad to have you both in my life now." He then kissed you tenderly, holding you against his body.
……..
He offered to make you an omelet for breakfast, which you happily accepted because you were starved. But as you sat at the kitchen island, watching him cook, wearing those damn sweatpants, you started thinking that you wanted something other than food.
You got up from your chair, and as you moved around the island, you could get a whiff of his scent on the pjs you wore. You leaned against Timmy, putting your arms around him and tucking your chin on his shoulder as he finished cooking.
You needed more of that smell, and you wanted him to notice you. You put your fingers on the collar of your shirt, bringing it to your nose and inhaling the sweet smell laced into the fabric.
He looked down at you with a quirky smile on his face. “What are you doing?”
"Smelling." you answered, innocently with a tiny smirk.
"Why?" he chuckled, briefly turning his attention to the omelet in the skillet.
"Because the shirt smells like you." you said, then kissed him on the lips.
"Hm." Timmy hummed onto your lips as he pressed his own onto them. "You're acting like you like me or something." he teased as your lips parted from him.
"Because I do. Want me to prove it?" you dared, running your hand along his chest, slowly.
He tilted his head a little bit as he turned to look at you, "You don't want breakfast?"
You looked ahead of you and turned the knob to switch the stove off. "Maybe later." you suggested. You let him turn, facing away from the oven. You sank down to you knees, placed one hand on his thigh, the other snaked into the vertical opening at his crotch. You pulled his cock through the hole, stroking his length.
Timmy met your gaze when you looked up at him, the look of desire and awe in his eyes made you wet, made you tremble with the need to please him.
You put your lips around the tip of his cock, letting him slide into the wetness of your mouth. You moaned softly around the girth of him. You let saliva seep from your mouth and down his length.
He combed his fingers through your hair, bunching it all up into a wad in his fist. "I'll take this over breakfast any day." he admitted with a soft chuckle.
You sucked and slurped along his cock, bobbing your head and running your tongue along his shaft: anything to make him moan or let out a little grunt. You happily gulped down the cum shot he gave you within just a few minutes.
Afterward, he picked you up, and placed you on the kitchen counter. "Now I get to return the favor." he cooed, nudging your nose with his, grinning.
He had nestled between your legs and started to kiss your neck, but you looked at the clock on the wall, seeing that it was nearly 11 a.m. "Timmy, we can do that later. We should get cleaned up and ready to pick up Theo from my parents." You placed your hands on his upper arms, softly rubbing them.
He sighed, "You're right." He leaned in, kissing you, saying, "Maybe we can take him to the park nearby, yeah?" he raised his brows at you.
“Sounds good to me.” you replied, pecking his lips. “It’s a prefect day for him to play outside for a bit.”
“Let’s get a shower.” Timmy said, and you could hear his excitement as he grabbed your hand, leading you to the bathroom.
……
You and Timmy went to your parents’ place together to pick up Theo. He didn’t know his father would be there, so you knew he would be thrilled to see him.
Theo tilted his head, frowning in confusion when he saw you both. But it only lasted a second and he ran to you. “Mommy!” he cheered as he jumped into your open arms.
You hugged your boy quickly then loosened your grip on him so he could look at his father. “Daddy! I missed you!” he said, leaping into Timmy’s arms.
Timmy caught him with grace, squeezing the boy snuggly and cupping the back of his head, saying, “Ugh, I missed you too.”
@gatoenlaciudad @thebetawolfgirl @musicandbooksaremyhappyplace @softhecreator @tchalamss @lixzey @bitchyunknownuser @ducktapebar @aoi-targaryen @yukideadinside @mel-vaz @thatoneweirdgirl17 @iwishchalamet @jindongdongie @elloise0 @rennyd26 @briefkittenearthquake @that-one-fangirl69 @sammy-halpert
79 notes · View notes
Note
what if ej x gn blind reader??😏
Anon your brain is so huge.... Im basically writing fanfic here but AAAAAAA
(Edit: Oh my god I noticed the smirking emoji way too late yall please be specific with wanting NSFW or SFW I was well Into fluff territory before I realized and I still can't tell what anon means, but SFW and NSFW under the cut)
Thank you for the request!!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
◇EJ x GN! Blind Reader◇
• So EJ CAN see but his vision is more akin to like...cat night vision. Only sees in shades of gray.
• Basically the man is colorblind.
• He takes advantage of it and only hunts in the night, scouting out houses for possible victima to soothe his demonic hunger or or contract kills for The Operator.
• So when he's creeping around a what he thinks is an abandoned house and sees you walking around in the dark, his heart stops.
• Naturally, being blind has led to your other senses improving over time and you're barely able to hear a creak that DEFINATELY wasn't you.
• You grab the kitchen knife and reach for your phone in your pocket just in case you need to dial a neighbor or the cops.
• You hadn't turned around yet so EJ didnt notice you were blind, he tried silently moving towards you to knock you out when-
• "DON'T COME ANY CLOSER I CAN HEAR YOU!" You swung around with the knife in your hand. EJ saw your closed eyes and realized his mistake.
• "Hey hey Im sorry. Im not gonna hurt you. Ill get out right now." He pretty much bolted out the window leaving you confused.
• You DID call someone over to check and yeah...he left.
• Weeks later you found a note in braille at your door apologizing for the incident, you were shocked at the amount of effort this intruder was taking to amend his actions, he also explained that he'd been completely blind before and understood how terrifying it must have been.
• You don't know what possessed you but you wrote back and left your letter in the same place you found his. Thus started a pattern of you both writing back and forth.
• Eventually you both came to care alot for each other, you found out he was a part of a sort of task force and had killed before, but he wanted to "Spare you the gory details" so you didn't find out more for a while.
• He started helping you in small ways, fetching you groceries, running small errands since it was a hassle to get around with your condition, you aporefuated the kindess that was rare from other people. And slowly started falling for him, and maybe it was the way he wrote, soft yet deep voice or his constant compliments but it felt like he was falling for you too.
• Even though you couldn't see him, you wanted to meet him again in person (without the breaking and entering) and tell him how you felt. And so you did.
• He agreed but something was off even as you both laughed in the kitchen while baking, his hands..no his skin was ice cold. And even if he was talking and laughing with you he seemed unusually nervous, you could hear the tapping off his foot.
• When yoy asked him if somethibg was wrong he couldn't take it anymore and broke. He told you about his past and qhen he was turned in college, the ritual that put a demon inside of him and how he had no choice but to break into morgues and scout for the "morallly corrupt" so the demon had a source of food, it had turned him into a cannibal.
• At first you thought he was making fun of you and that it was some kind of joke, but before you could get mad his chilled hands took yours.
• "Do you trust me? Ill show you... I promise im not lying"
•You dont know what made you say yes but you did. He took your hands and put them on his face so you could feel his features which were definately human..and after you were done his face started to morph, skin splitting and his jaw unhinging to reveal what felt like razor-sharp teeth.
• His mouth closed as soon as it opened. He tried pulling away and running but you didn't want him to this time.
SFW:
• As said above Jack loves providing acts of service for you. Groceries? Cooking? Cleaning? call him your malewife because he's doing ALL of it.
• Of course he doesn't treat you like some helpless child and respects when you qant to do things yourself but still always offers just in case.
• After you both properly get together and you know his past hes noticibly more physically affectionate while making sure not to startle or scare you with sudden touches.
• Takes EXTRA precaution to make sure youre out of The Operator's radar since youre at a bit of a disadvantage (a tad overprotective)
• kisses you on your eyelids (kicking my legs and screaming)
NSFW:
• Regardless of who he's with he's a soft dom (Im tired of yall slandering my man's name HES A SWEET BOY.)
•Jack is so gentle. Mainly because he's terrified of doing something wrong.
•He's a big boy at 6'5 so a good chance hes taller than you, and hes somewhat muscular too so he's aware theres a huge imbalance in your relationship and checks in on you every once in a while to make sure youre okay with him doing anything.
• He has 3 tongues.....need I say more?
•Goes down on you VERY often, somwtimes gets a bit carried away and overstimulates you
•Even if you can't see him he ALWAYS ALWAYS compliments how pretty/handsome you look during sex.
• Sensory deprivation but just....always.
• Despite being majorly soft that doesn't mean hes not an absolute tease in bed. 100% makes you beg. And definately takes advantage of tue fact that you cant see what he's gonna do next.(Will feel guilty if you accuse him of bullying you for being blind)
127 notes · View notes
itsclydebitches · 2 months
Note
Okay, so I saw this RWBY meme made by a fan and I can't remember it completely but it was about Emerald switching sides. What stood out to me was the language used and how Ruby's group was specifically referred to as "The Good Guys side" and if that doesn't show how broken this show's morality is then I don't know what does. Emerald switched to the side of good, not just Ruby's side. The side that is specifically good because it's Ruby side. You're either with Ruby or against her with no in-between. Compare this to Aang's group in ATLA, affectionately called The Gaang by fans. A term that collectively refers to the group without proclaiming them as THE good guys. We know they're good because their actions show they are good. It isn't just a title grafted on because they're the stars of the show. And while they have an official grouping in the form of Team Avatar. It still isn't used in the same manner as RWBY fans calling all who agree with Ruby "The Good Guys".
Decided to start answering backlog asks! We've officially entered the post-RT discussion era. Fun! 😬
You know, RWBY is compared (unfavorably) to Avatar a lot, but this comparison is particularly interesting to me because Avatar is, well... Avatar. That's a title. And it's a title built into the fictional world, one that's so significant it's worthy of being the name of the show. The Avatar is a combined destiny/job description that, in the words of the wiki, is the "human embodiment of light and peace." Obviously free will still comes into play - I'd never ignore the significance behind Aang's personal choice of how to bring balance to the world - but there's an element of fate here, of self-fulfilling prophecy, and fourth wall-breaking knowledge. In-world, benders are (presumably) not chosen if they're unsuited to be this embodiment of peace. Once someone knows they're the avatar, they can more easily find the courage/determination to meet such high standards because this is how it's "supposed" to be (regardless of whether anything cosmic is actually ensuring their success). And the audience knows, by virtue of that title and our opening, how we're meant to view Aang: as the Good Guy of the story. All that already exists outside of the actions he takes within the show, helping to soften anything potentially suspect with a "Well, he's just a kid" or "Well, everyone makes mistakes," or whatever explanation that's technically true in any harrowing story featuring a young protagonist... but continually falls flat with Team RWBY.
Because RWBY didn't do that same work. RWBY doesn't have a handle on its own identity the way Avatar does. It laid some of the groundwork early on but then never capitalized on it, which is why I'm endlessly groaning over the failure of not doing anything with Ruby's status as a SEW/simple soul. Those could have easily been titles the way "Avatar" is a title, something that the people of Ruby's world see as cosmic evidence of her purity and inherent ability to lead them in this war. Instead, it's just a one-off, ambiguous statement and a very badly used skill.
So yeah, Emerald joins The Good Guys, which wouldn't be bad if, as said, the show had shown the group unambiguously being Good people in a war with black and white solutions. Or, if we had some reason to believe that Ruby is The One True Leader, destined/worthy of bearing this burden no matter the number of mistakes she's made. But RWBY even undermines the title aspect by making Ruby herself fairly inconsequential in later volumes. Yeah, the show is also named after this team/our protagonist... and yet that began to feel incidental as the cast grew AND many of the characters brought new - arguably better - perspectives + powers into the fray. Avatar made the simple but VERY important decision to say, "This is the ONLY GUY who can do this job. Sure, he's going to need a lot of help and saving the world is absolutely a team effort, but that team revolves around him because he is, again, the ONE PERSON who can accomplish this." RWBY failed to set that up and (arguably) failed to show the group being The Good Guys, at least to the extent that the whole world would understandably put their faith in a teenager who, frankly, just keeps making things worse. Like, that's a big consideration imo. Ruby's intentions have always been good and most fans are fully on her side regarding justifications for her choices, so in that sense she is absolutely The Good Guy, but beyond that she's just really bad at saving the world. So if she's not somehow ordained to do it and continually shows a severe lack of skill in this regard... why are the characters/the viewer rooting for her again?
51 notes · View notes
sydsaint · 2 years
Text
Y'all been asking for more Solo Sikoa content. Well ask and you shall receive. 😌
Tumblr media
Summary: Solo enlists the reader to help him out in a match against Karrion Kross and his wife. But the readers help doesn't come for free.
It's about halfway through Friday's episode of Smackdown and you are in your locker room minding your own business. A sharp knock sounds at the door while you are busy looking at your phone. So you get up and to answer it with an annoyed sigh.
"Yes?" You answer the door in a sour tone.
In the hallway you find Roman's unreasonably attractive and admittedly persuasive cousin waiting for you. "Sikoa? What? Did you finally get tired of listening to Sami and your brother snap at each other?" You ask him while also letting him inside the locker room.
"Nah, I'm all business tonight baby." Solo replies and shuts the door behind him.
A hint of a frown crosses your face while your back is turned at the news. "All business? Well now, what's the fun in that? Solo?" You sit down and straddle the chair next to you. "What does your egomaniacal cousin want from me?" You sigh.
"I'm sure that you know Karrion Kross?" Solo replies, arms crossed over his broad chest.
"Kross? He's the creepy white dude with the hottie bimbo for a wife, right?" You nod. "Yeah, I'm aware of him to a certain extent. Why?" You place your chin in your hand with a curious smile.
A small hint of a smile crosses Sikoa's face at your joke. "I've got a match scheduled against him later tonight." He explains. "Roman doesn't want me going out there alone. But there is no way in hell I trust Zayn to watch my back against Kross."
"And you don't trust your brothers with the job either, huh?" You reply. "Interesting." You grin at him.
Solo's nose twitches in annoyance but he keeps his cool like always. "Look, are you in or not?" He asks you. "Because if you're scared of Kross then I'd be happy to go it alone out there. Screw what Roman says." He adds with a huff.
"Woah!" You laugh. "Alright there big boy, you can relax." You pop out of your chair and walk over to him. "I'd be happy to help you out with Kross." You inform him. "It is going to cost you though."
"Of course it is." Solo scoffs. "What do you want?" He stares down at you.
You shrug and stare back at him wondering how much effort it would take to make him break.
"Oh, I'm sure that I'll come up with something fun." You shrug again. "At the very least you can buy me a drink after the show."
"Sounds fair." Solo agrees. "Come on then, I'm due in the ring in 5 minutes." He adds and turns toward the door.
You head out to the ring with Sikoa and watch Karrion come out with his wife from Sikoa's corner. Scarlett comes around the ring and climbs in the ring, but not before glancing your way first.
"Well, she's certainly dramatic." You comment from Solo's corner. "Don't worry about the bimbo, I've got her covered." You assure Sikoa before the bell rings.
Solo gets to work in the ring while you keep an eye out for Scarlett trying any tricks on the apron. Solo and Kross are a pretty even match for most of the match, which you don't like.
Near the end of the match, it looks like Kross is about to finally pull the win out from under Solo. Not about to let that happen, you spring into action. You head around the ring to where Scarlett is hanging out and confront her.
"That's quite the man you've got in the ring, Scarlett." You catch her attention. "I bet mines better though. In and out of the ring, if you catch my drift." You bait her in.
Scarlett takes the bait and charges at you. You make quick work of the glorified eye candy and lock her in a soft chokehold.
"Yo! Kross!" You shout to Karrion in the ring. "Me and the wifey here are gonna take a little trip backstage." You tease him and drag Scarlett back a couple of steps.
Karrion takes the bait and abandons Solo in the ring in favor of his wife. He comes barrelling up the ramp like a man possessed so you know that you've got to time this just right. You wait until Kross is right about to get to you and push Scarlett forward and into him.
Once you're free, you haul ass down to the ring and pass Solo. "He's all yours chief." You wink at him and come to a stop back in Sikoa's corner.
With your handy distraction, Solo is able to drag Kross back to the ring and pull off the win. You laugh with pride and walk past Scarlett to head backstage.
"Told you my man was better." You tease her as you walk by.
Solo joins you backstage a few minutes later and doesn't bother to speak with Jimmy and Jey waiting for him on the other side of the curtain. Instead, he heads straight for you.
"Thanks for the assist." He thanks you for your help.
"Well, you did ask for help from the best." You boast with a laugh. "Now, about that favor." You add with a grin. "Drinks are on you tonight big man. And I am on you." You wink with a grin.
"I can get down with that." Solo nods with a grin. "Lead the way then, baby. Roman and the boys can wait until tomorrow."
321 notes · View notes
carionto · 5 months
Text
"So Basically... You Work For Cthulhu?"
Part 1 2 3 4 5 6
Trisha was the first to break the strange silence after Iorvan had finished explaining in the most vague terms possible what his purpose here was.
"That is a very crude and inaccurate oversimplification, but yes." with a hint of irritation in his voice, he agreed to her assessment. "The High Priest is all knowing on matters that matter, yet every now and then a "nothing", as beings of such magnitude view mortals like us, will happen upon the right combination of irrelevant information to form new true knowledge."
"Like the million monkey typewriters writing Shakespeare!" Trisha energetically interjected. "So why not just scry or whatever they do every brain and pluck out all the good info?" she questioned.
"As I said, we are "nothings" to them, and though their capabilities are beyond our understanding, they are not without limits, and observing billions of human minds is just incomprehensible static, I imagine." Iorvan looked directly at Trisha, "How much effort would you say it would take to comprehend your thoughts alone, Trisha?"
"Good point, I don't bother doing that half the time myself." she replied eagerly without a second thought.
Chief Engineer Tameki, very clearly confused, finally gathered herself enough, "Wait, please. So why are you here? What does any of that even mean?"
"C'mon ira, keep up, it's not that complicated." Trisha seemed to be more surprised by everyone else's apparent confusion than everyone else was by how she wasn't.
"Us going through a tear in space-time made the universe glitch out. You know, the quantum entanglement thing breaking when it shouldn't and some mumbo-jumbo about our spiritual selves being in two places at once or something. Oh yeah, souls are a thing, but only sorta? Did I get that right, Prof? To Cthulhu it looked like we duplicated our ethereal form and that should not be a thing that anyone can do, so they took notice and sent you here to investigate."
"In the simplest and most inaccurate terms, but correct." Iorvan, now more composed after accepting that Trisha's brain functioned imperfectly enough to somehow comprehend his altered understanding of the true nature of the world. Well, changed by as much knowledge as the High Priest deemed essential to impart onto him.
He continued, adjusting his own explanation to match the intellectual level of the subjects. "Such an unprecedented occurrence will not go unnoticed by the rest of the Old Ones, and the consequences for this event originating directly from the High Priest's physical domain are unpredictable, hence the unprecedented intervention you see before you in my form."
He continued, "In the simplest acceptable terms possible - the actions you took to arrive here must be reversed. I was granted all relevant knowledge about the hybrid warp engine, however, the local domain here is inaccessible and information must be retrieved manually. What is the status of it and all related matters?" Iorvan addressed the question with an icy stare towards everyone on the bridge.
Ira, with a slight look of worry, answered: "It didn't come with us when we warped. Because of the instantaneous nature of the transportation, it couldn't send any data about itself during or after the warp."
At this, the unofficial head IT guy, Valencio, chimed in, "Well, it's not impossible that whatever energy discharge that did happen couldn't have sent some signal to the nearest connected devices. The warp cut every quantum connection, but some of them were connected with a hardline, right?"
"That is true, the Dusk was printed at a military shipyard," Haespar Kraus, having found something sensible to cling to, was finally able to feel useful. "Short range redundancies like that are always integrated, even with unconventional designs like the hybrid warp engine. We'll just need to retrieve them and look at their final logs-"
"D O S O !"
The bridge, which had begun to regain a bit of life, was stunned silent by Iorvan suddenly echoing this command in a voice that came not just from his mouth, but also the walls, the floor, ceiling, and even right behind everyone's heads.
While Trisha, once again, composed herself first, even she was unnerved by the ominous aura Iorvan was exuding.
"A-alright, Prof. No need to be all evil occult on us. You're human too, or were at least. You know pressure like that isn't the most productive, yeah? So, like, chill. Please?"
His dagger-like stare towards her did not diminish, but his presence on the bridge did become less intense.
"Find the answer. Deliver it to me in one year. My own visit to this foreign domain will not go unnoticed, but the High Priest accepted this price. The knowledge you obtain, however, MUST be worthwhile. It is, after all, a trivial matter for any Old One to simply erase all "nothings" that have made themselves known in a... negative light."
With those final words, the form of Professor Iorvan evaporated into a mist.
"Back to 27..." came Emily's voice after a moment of sobering silence.
"So, uhh..." Trisha felt the need to fill the air with something productive, "basically, if we don't figure out what exactly happens during a warp, everyone back home is gonna die. Umm... let's go get those data thingies?" with uncertainty, she looked at everyone on the bridge.
Haespar, wanting to keep his image of the sensible cool headed one, picked up the baton Trisha had almost dropped, "Yes, well, that is something we were going to do eventually anyway, it's just been bumped up the list. Ira, Valencio - will you need anything not currently here for a full warp simulation once we get whatever may exist in those terminals?" he regained his actual composure as he faked the first few sentences, and was now in his serious mode.
"There's not enough computing power hooked together with the quantum computers being all blank, and we'll need either one fully powered reactor running on overload for half a day, or get a second one back up." Valencio counted each though on his fingers, an old habit.
"Good. Emily will head that, everyone else will have to postpone your previous tasks." Haespar declared. "Ira? Ira!" Haespar approached her with worry. "With Knoslark being a grumpy baby, and Sergeant Zhao still in a coma, by rank, you're the de-facto leader. It's a lot to take in, but what are we going to do. Cthulhu is real. Magic is real. Souls are real. New information, sure. World upending even, but that doesn't change what reality is right now for us. So, please, don't break down on me. It's just one thing at a time, just like any other problem we've dealt with before."
Ira Tameki took a deep breath. Then another. After a moment, she looked over everyone on the bridge.
"Right, you heard Haespar, but I have one correction - I'll be heading the reactor repair and re-ignition. Emily, you take everyone you need and retrieve those terminals and any other digital and electronic devices close to where the warp engine was, even damaged ones. Extract everything.
Valencio, start working on the simulation code, you'll have all the computing and raw power needed, I'll make sure of that." she saw the uncertainty and nervousness on some of the junior crew members' faces.
"It's going to be a long year, but we already did the impossible once - we broke physics and traveled thirteen billion light years in zero zeptoseconds. Let's figure out how and get ourselves back home."
28 notes · View notes
bladesmitten · 5 months
Note
Not sure if anyone has mentioned this re: the Wyll feedback post but I imagine the main issue with using his old EA dialogue assets is that the majority of them are from when they still had Wyll's old VA who couldn't come back for the rework. So it's not like they could just pull it out and plop it back in like they could with someone like...Karlach who was also completed late in EA, but was always Samantha Beart.
Yeah the existing script might work, but actually adding it back to the game it would still involve Theo having to come in and record the majority of them as the Wyll we now know. And assuming he's not going to perfectly mimic the original reading just in his voice, the devs would need to adjust the animations so they fit Theo's reading of it. And imo, at that point you might as well just make new dialogue/animations to best suit his current form rather than trying to build off of what's leftover from before.
I think it's a matter of - "this should've been done in the first place" - considering we have stuff like the Wyll/Lae'zel flirt banter that was also in Early Access. Theo Solomon re-recorded those lines for full release, only for Larian to remove it later. (Presumably because it doesn't fit his current romance route, but I digress.)
A lot of his EA dialogue still carried over to release, which means lines were deliberately picked to be re-recorded. However, this work seems inconsistent because we still have aspects of EA Wyll that are in release.
A glaring example of this is Wyll approving of Sazza getting executed. This was left over from when he still had a grudge on goblins in Early Access; now, he doesn't. Why would current Wyll approve of a defenseless prisoner getting killed?
My point with taking lines from EA Wyll for current Wyll is that there are lines that still fit him. Current Wyll has funny lines - but those lines are locked behind specific trigger conditions that aren't always easily encountered. Like his line: "It's like I always sometimes say..." - that line is only triggered if 1) the ogres in Act 1 are dead, 2) the player has Lump's War Horn, 3) Wyll specifically tries to blow the horn (which would be unlikely unless the player is doing a Wyll origin, or they had companion Wyll do it - more likely, it's a Tav/Durge doing this action.)
EA Wyll, on the other hand, had his funny lines in his regular dialogue ("spill the whole jug", "there's a saying I just made up"). In this case, are the funny lines that current Wyll have supposed to be there? If they are, why did they remove his other funny lines from Early Access, especially if it still fits his current character?
More to the point, are there still lines from current Wyll that aren't supposed to be there? How much effort was actually put into rewriting his character if there's still stuff from Early Access that don't fit him now (ie, the Sazza approval)?
In the end, I agree that we're probably better off to have brand new written stuff for Wyll, but I can't ignore the sloppy work that was done in rewriting him if he still has apparently leftover dialogue from EA that may be in danger of getting removed. And if they can't even do this properly, it doesn't bode well for any new content for Wyll.
As an aside: I think Karlach's VA wasn't always Samantha Beart, at least in the first few versions of it. She also did not look the same way she does now.
21 notes · View notes
raytorosaurus · 1 year
Note
i think where people get confused is that mcr did try very hard and very overtly to make their shows a safe space for queer people and women which is not a political act it just feels political because being queer and/or a woman means you exist in a space where your being is politicised by those around you whether you want to actively be involved in those politics or not. but, as you said, the art itself is personal and the message at shows is generally also about personal expression and learning to be yourself and take care of yourself. there's an element of respect each other/respect each others' differences but that's not political there's no call to action there's no fight for structural change and that's totally fine they don't have to be that
yeah no you said it, i totally agree. like i said, they're only political as far as all art is political - maybe slightly more because they made an active effort to engage with a socially outcast audience, tho in their minds that wasn't about specific marginalised groups like queer people, neurodivergent ppl etc - beyond their vocal support of women at shows/in the scene, they were directing their art just at people who didn't quite fit in in general. there's a big venn diagram there (and obviously some contextual cause-and-effect in terms of what kind of people tended to be unwelcome in hardcore scenes lol - even then, mcr never made any statements about race or whiteness) but it's not like gerard started a band to empower or liberate specific identities in a political sense - it was very consciously an effort to sing more about general unifying human experiences - i.e. ones lots of people can relate to. one of mcr's (especially gerard as lyricist) greatest strengths is being able to tap into those "universal" emotions like grief, loneliness, self-hatred etc. and make them a little easier to confront head-on or feel a little less isolating. that's literally why they're popular - if they had been overtly political they simply never would have made it that big! wait i'll let hanif abdurraqib say it because he said it best (brief snippet from his wonderful essay on the black parade in his collection they can't kill us until they kill us - 100% worth the cost of the ebook alone, and all of his essays are brilliant).
Tumblr media
that idea is kind of at the heart of mcr and something i really appreciate about it. there's actually very little specificity in mcr's lyrics by design - it's meant to be projected onto and interpreted. that makes it inherently difficult to politicise bc good politics requires clarity of message and intention. that in turn makes mcr pretty apolitical by nature - which isn't a bad thing! different bands (like all types of art) exist for different reasons, and mcr's reason is catharsis and connection far more than it is any kind of activism. we can be pretty assured based on the lyrics and what we know of the guys that their politics aren't terrible and that's enough for me.
the real issue comes in when people act like mcr are political and give them credit for something they're not (and something they've never really claimed to be!). i get that mcr is a gateway band for a lot of people into harder/heavier music - it was for me too! - but even bands one step removed from mcr in the same scene (e.g. thursday) are leagues more political than these guys are.
this goes beyond mcr/bandom now but....tbh i think a lot of it comes from that relatively recent attitude that's common in online circles that activism is heavily rooted in personal identity (which ties in with the harmful pattern of, for example, white queer people acting like they're somehow above other white people in terms of racism) and comes more from individual thought, words, and discussion (in which using the correct language sometimes has more weight than what you're trying to say) than it does from actual community action. this isn't an attack at anyone btw - a lot of the statements about mcr's politics around here are pretty flippant and light-hearted anyway, i doubt too many people are taking them super seriously, but it's probably worth considering. overall, i'm not listening to mcr for politics and i'm certainly not looking to any of them for political guidance, but it's nice to feel connected to them and to all of you guys and to know that they support my identity, but that’s kind of as far as it goes for me.
91 notes · View notes
Note
Thumbs up or thumbs down on the following headcanons:
Full poly DDLC, including MC.
2. MC (or our) actions regarding going back and getting the actual good ending (Sayori saying "Thank you for playing DDLC" and "We love you") to the base game because they/we felt they deserved it is what moves her to help rescue Monika from the digital void and forgive her. Unlike before, Monika doesn't take Sayori's feelings and actions for granted anymore and vows to do better by everyone.
3. MC helped Monika see the full error of her ways, after some hesitation about accepting herself as a character in a dating-sim world, by showing her glimpses of what our world actually looks like--take your pick of any number of "Where Were You When..."-type events in US or world history--and why many of us turn to games like DDLC for escape and comfort because of the general discrepancy in quality of life between game and reality. Monika feels much more secure about herself and her meta and in-world purposes to us and her friends after processing these revelations with MC.
4. The DLC side stories might actually take place after the good ending, rather than before the game proper, with everyone exploring their friendships with each other and Monika still being in a place where she feels some remorse for what she's done, but is unsure how to move forward in either a meta or in-universe sense (i.e., before MC shows her our real world).
5. Yuri and Natsuki were VERY slow to forgive Monika (Nats especially) after she finally sat down with everyone and explained everything that's happened. Once they see the daily/weekly efforts she makes to be a better person and friend (and later partner) to all of them, though, they gradually soften up to her over time.
6. The polycule came together haphazardly at first; with MC and Sayori picking up right where they left off and Yuri and Natsuki developing feelings for each other. After rescuing Monika, though, Sayori eventually admits to MC about catching feelings for her, too, something MC begrudgingly admits they've also been dealing with off and on since first joining the club. Once forgiven and persuaded, Monika makes a trio with them, and after earning Yuri and Natsuki's forgiveness over time, Yuri eventually persuades Nats to make the jump together to a love pentagon (the latter being VERY against the idea at first for reasons of past trauma and fear of being alone again if it all fell apart) after both begin to see some of Monika, and the others', more positive qualities too--Natsuki admits that she had fleeting crushes on the other three off and on but was too scared to act on them before and didn't want to hurt Yuri once they hooked up, and Yuri says the same.
What do you think? (Sorry for the infodump.)
You said "thumbs up or thumbs down" but if you've seen my blog at all, you'll know I'll say a little more than that XD
Poly dokis + MC? Could work! Not my personal preference, but I could definitely see it working out, particularly with the transfem MC headcanon I enjoy so much! these girls are gay i don't make the rules
Club President Sayori saving Monika? 🥺 Yeah, yeah she does
This one could work, especially in the context of the DDLC+ Side Stories. She comes to accept that while she is still a "character", she is oh-so important to the people around her, and they're all more real than she may have realized. I think she would definitely come to accept her world and learn to embrace it!
This one is a very interesting take! I think by our best canon estimates, the side stories take place before, but placing them after has an interesting affect on #3 above! I like this idea, but if we're still rolling with MC joining them, I don't know how to explain his absence ahaha!
I agree wholeheartedly with this one, Nats and Yuri are definitely the kind who find it hard to trust in the first place, and even harder to open up again when they feel that trust to be violated.
I like it! Again, within the context of the side stories where every pairing of the girls got their own time alone, this lends itself to all of them realizing they can't pick just one, and forming a polycule. Honestly this point makes me feel like I'm responding to a fanfic outline! XD
I mean, all of this felt like I'm responding to a fanfic outline, in a good way! It seems you've put some time into thinking about these things, and I think that's really cool :3 keep it up! And thanks for the ask!
16 notes · View notes
championofravens · 5 months
Note
My problem with Risen doesn't even start with Crow, it starts with Saladin's story and his little "moral." He's asked to stop a thief (when thieving was punishable by death), finds that a little girl was the culprit, and shows her mercy. Good.
But all he does is give her an extremely vague platitude before slaughtering her "caretakers," then goes on his merry way.
Mercy wasn't the problem in this situation, because people do deserve second chances! Things could have turned out differently if he'd put slightly more effort in, because ultimately the only thing he gave to her was a moral compass that said might makes right and something vague about wolves.
He left a literal child to fend for herself during one of humanity's darkest ages and had the audacity to call that mercy simply because he didn't kill her. How am I supposed to take this seriously as a moral lesson?
So, I read this aloud to my husband in the car during a drive. As soon as I finished, he told me he completely I agreed. I told him he was stupid. But we hashed it out for a good chunk of the drive and I really felt like we nailed some new points of contention with Bungee overall.
1. You *are* right. Both in recalling the canon events and the logical frustration of Saladin's actions. Because yeah. Why didn't he save that little girl? Why didn't he take her... anywhere else? Do anything else? Why were the only paths he saw before him to kill her or leave her? And that's when my husband relayed his frustration to me of Destiny's recent dichotomy issue in storytelling. Nothing rests outside it. The story presents a good option and a bad option which must be taken urgently over and over again with little desire to consider third options. Further more, we both agreed it would have been MUCH more in character for Saladin to have done something else! Something much more helpful! And this is an issue with has infected every aspect of Destiny's seasonal storytelling since (imo, it's most obvious with how Eramis is treated in the seasons that come after)
2. So, why did I disagree so strongly when I read your ask the first time? Yeah I'm a Saladin enjoyer but I'm also terminally INTJ pilled. I bow to logic and canon. I think my issue was that I felt it was... cheating. To even put forth the idea that Saladin could have done something else. Because the dichotomy. If you question any bit of seasonal storytelling with "why not just do something else?" a lot falls apart really fast. It's like watching a romcom and pointing out the obvious miscommunication. You are not WRONG but I feel like if you enjoy Destiny at all, you have to suspend your belief in certain ways or you start to pick at too many threads. Unravelling the tapestry.
3. But back on track- if you are right, if you are saying that the real moral was "Saladin failed in continuing the violent cycle of might makes right"
.......
THEN WHAT WAS THE POINT?
What does that have to do with mind reading Hive Guardians. What does Saladin failing a human child by adhering to barbaric justice have to do with Crow bumbling his way into killing a guy so he can turn off a machine? What does this moral have to do with Season of the Risen??? What was the fucking point of any of this. I'm tired.
4. This still proves Saladin shoulda just killed her, hilariously. Like yeah you've convinced me what he did was fucked up. Shame third choices don't exist in Destiny. GUESS SHE'S GOTTA GO!!!!!
10 notes · View notes
flightfoot · 8 months
Note
I know I’m in the minority of people who like Hermes in the original PJO series so I’m staying on anon here because of it. To be honest, I always saw him as morally gray.
My take on the ‘gods can’t change’ statement; isn’t him justifying his mistakes and saying that he’s unwilling to change. If that were true, he wouldn’t give Percy a list of his children and ask him to bring them to camp or even admit he was wrong about how he treated Annabeth and Luke at the end of TLO. I think he feels perpetually trapped. Forced to go through the motions and then dealing with such a difficult situation. That regardless of the actions that he takes; others are bound to get hurt. His family especially. He doesn’t want to risk that. He doesn’t want them harmed and he knows that he’s a bit of a coward for not being able to stand up to Zeus. I think the idea that gods can’t change is more like I am beginning to think that my family will never change. That despite all my best efforts and my own changing; it still won’t make much of a difference. He’s basically nihilistic in this situation and has given up hope. As the god tasked with keeping the peace without Hestia’s help; he may feel helpless. I think he loved Luke but at the time he believed that no one could go against the Fates. Not even him. That by protecting him, it would make his relationship with Luke worse or doom everyone involved to a worse fate. He lost his lover Krokos to a tragic fate. His mother too. Same with May and others. I doubt he wants them to suffer like that. To grieve again. It’s always better for him to be the bad guy to those hurt by Olympus than for people to blame his family or themselves.
tw. racism and mental health
I guess I was the one weird kid who kind of understood where the god was coming from. My home life wasn’t great and I was forced to be my family’s peacekeeper. I had to be what everyone wanted me to be otherwise I lost opportunities. I wouldn’t get a job, have friends etc.. I had to be a model minority being Asian American. I protested and fought. Had quiet rebellions, but no one ever listened. I needed someone to listen. Not necessarily agree but hear me. I see that with Hermes.
I can understand people disagreeing. I respect differences in opinions. I am just tired of seeing Hermes as only pure evil and irredeemable content. He’s an important god and I feel like I’m the only one who likes this character. I think maybe it’s best that I stop engaging with the RR fandom for a bit. I am just too invested in something that should just be fun and easygoing.
...most people don't like Hermes in the original PJO series? I did, quite a bit. Like, he wasn't perfect, but he really DID care about what was going on with Luke, and he seemed self-aware about how shitty the situation was for demigods. His attitude in TLO reminded me of Apollo's in the later TOA books (there's a reason I made him and Artemis allies in my Gods' Eye View series. Well, that and because he and Apollo are besties in mythology).
And yeah I mean, Hermes isn't the only immortal to espouse the view that they can't change, Apollo and Bob claimed the same thing (which was especially laughable in Bob's case). It seems pretty ingrained in immortal thinking, even with how clearly wrong it is.
I ascribe to your view of Hermes' thinking and attitude. He seems bitter and helpless at the end of TLO, honestly believing that things won't change, and just... he seems like he's given up. He cares, but he doesn't expect to be able to change anything.
And yeah, stepping back from the RR fandom may be good for a bit, in this case, since sadly in my experience, fandoms tend to continue happily vilifying characters. I haven't seen a lot of people being all that serious about it with Hermes, but I haven't really seen much Hermes content for PJO more generally, since I'm mostly in the Trials of Apollo sphere and he only gets a cameo there.
11 notes · View notes
Note
Okay I agree with a lot of the points you make except Adrien never taking responsibility, like that's why he quit in the New York Special because he a 14-15 year old child believe he was not worthy of continuing being the holder cat miraculous after not only accidentally killing a fellow kid but because his actions resulted in massive amount of destruction in Paris and probably claimed dozens if not hundreds of lives
Tumblr media
No, it's totally fine. I wasn't upset by this at all, even before my hiatus. I still don't agree with the claim you made, but I will try and explain it in a professional manner. I hope you can at least understand my perspective on this.
The problem I had with Adrien choosing to quit in the New York Special was less that he did it at all, but because he chose to do it in the middle of a crisis. Ladybug and Cat Noir were being hunted down by the United Heroez, there's an Akuma still on the loose, and part of Paris is in ruins, and Cat Noir decided to not even help Ladybug during all of this. He didn't say something along the lines of "After we stop this Akuma and clear things up with the Americans, I'm renouncing my Miraculous to atone for my mistakes". He just gave up on the spot and didn't even give Ladybug the dignity of saying goodbye face-to-face.
Another thing that I felt soured that scene for me was that the United Heroez were trying to force Ladybug and Cat Noir to hand over their Miraculous earlier, so Adrien renouncing his Miraculous felt like he was trying to get out of getting in trouble and go back to his normal life without taking responsibility for unintentionally contributing to things getting worse.
Even the guilt Adrien felt for nearly killing someone didn't go anywhere, as he was stirred out of it by some vague praise from Ladybug that Uncanny Valley recorded. Yeah, I can see why Adrien would be happy Ladybug still thinks highly of him, but it doesn't really resolve the whole "I almost killed someone if not for my partner's miraculous healing powers" thing that caused him to think he wasn't worthy of the Cat Miraculous in the first place. I don't think he even got to talk to Uncanny Valley or Majestia afterwards.
I guess to me, the way the writers handled Adrien temporarily quitting without even developing him as a character just felt like a way to pad out the runtime of the special, because I can see a plot like this working if more effort was placed into the guilt he would feel for accidentally taking someone's life. Hell, that could have been a really interesting season-long arc. The way it was handled just felt like Adrien was quitting because he got in trouble and wanted an easy out. I know that's not what the writers wanted to convey, but that's just how I saw things.
47 notes · View notes
mbslost · 3 months
Note
I am glad that you continue your activities on the Internet. I respect you for your courage. It's terrible that people think it's acceptable to wish someone dead for words on the Internet that don't harm anyone. people who do this behave like children. Please take care of yourself
On my own, I would also like to note that it is strange for me to see Gato's accusations of racism due to the fact that she gave feedback to artists who depicted characters with lighter skin color than they should be. I'm white, so I can't say if the representatives of the POC consider this to be racism, but personally it looks strange and enough from my side… Exaggerated. this is not something that should cause people to be negative, it's just a feedback. it just looks like another "argument" and an attempt to justify hatred towards a person. Yes, it can be frustrating, but that doesn't make Gato a racist, as it seems to me. it is strange that the claims in this case are made to Gato, but not to the artists. you can correct me, because, again, I may be wrong. it seems to me that the situation could be different if people just talked to each other with words through their mouths, and did not accumulate resentment and did not dump it all on public display. this is sad, considering that the situation itself is an absurdity, brought to disgusting proportions by misunderstanding between people. I am horrified by the culture of cancellation over nothing. to be honest, because of this, I'm afraid to post something online, because I can't predict what kind of harmless actions I think I might be dubbed a racist, Nazi or something like that and cancel, although I despise harming anyone and try to express myself as much as possible correct as far as possible. I am glad that apologies have been made and accepted, but all the lost content cannot be restored. I hope that at least Gato is OK, this is the most important thing
sorry if some of the words sound strange or meaningless, I don't know English well and use a translator
dont apologise for broken english, i aint putting to much effort in it either😭
as for what you said yeah i totally agree since.. like in the last hours i just couldnt stop about this yk. why only gato is being so hated but not the people around her that did the messed up shit. (one of them even apologizing so yea). or people going around and saying that her diversity its almost nonexistent (thing i tried to prove wrong with my post about the poc characters in her work)
just like another user said, she could've chosen to not give them and ethnicity because people would acuse her of portraying that group as bad or whatever.
but oh well.. gotta hope everything will end on a positive note "3
also please, remember that there will always be people that will disagree with your opinion/points of view. if they start getting aggressive, block them and take a moment to relax. people could be such gross living being so yeah.. remember to take care of yourself :3
stay safe and drink plenty of water🫶
4 notes · View notes
ilikekidsshows · 1 year
Note
The thing I don't like from the senti theory that been going around lately in the fandom is that some people like to simplified and reduce Adrien's reaction and act simply because Gabriel create him that way. Adrien having trouble to express his anger? Oh it's because he's created that way. Adrien is a people pleaser? Yeah that's because Gabriel create him that way. Adrien can't talk back to his father? Gabriel made him can't do it by twisting his ring! Gabriel commanded Adrien and he comply? That's because Gabriel has his amok! They agree that Adrien is abused but most of them also agree that Adrien's inability to fight back Gabriel command is solely because of the amok not a trauma respond or at least mostly the former.
I'm a firm believer that senti Adrien is a big bullshit because if Gabriel has that power to control Adrien 24/7 then he would do it without hesitation, he won't need to wait until Adrien show a sign of rebelling to use it. He would do it every fucking single time! This is Gabriel, the same person who mock Ladybug and Cat Noir for getting sentimental over a sentimonster after all.
If I have a power that could control my son-puppet emotion, feeling and action, I wouldn't bother to manipulate-gaslight him. It's a waste of time and energy. He doesn't like the pancake I made? Twist the amok and he would eat it without protest. No effort needed. Unless this is the whole Even Evil Has Standard but I doubt it is.
This is another case of the Senti Stans being completely unaware of the implications of the things they’re saying. Like, they do not mean to imply the things they imply, you’ll see this in how genuinely angry and defensive they get every time someone points out said implications. This doesn’t change the fact that almost every single time a new defense of SentiAdrien shows up, it does indeed imply some stuff that really grinds people’s gears.
Because, here’s the thing; chalking up Adrien’s trauma responses as being a result of him being a Sentimonster is literally saying that he acts the way he does because he is not human. This idea that his Sentimonster programming informs his behavior is the same thing as saying that these actions make more sense if he’s not human. Said actions being trauma responses creates the implication that people who act like they’ve been traumatized act in unreasonable, weird or inhuman ways. It’s literally othering trauma victims as something other than a “normal” human.
This is why people who are against the SentiAdrien concept say that the concept makes light of Adrien’s story being an abuse story. The Stans can claim until they’re blue in the face that they still view Adrien’s abuse as abuse, but everything else they say creates implications that ring as the opposite, especially when they say that him being a Sentimonster would “explain” his or Gabriel’s behavior, when nothing about their situation is different from a real life abusive relationship.
If something already happens in the real world, unless the fictional universe is changing its mechanics, it requires no fantastical explanation. In the world of Equestria, seasons don't pass naturally, so the ponies need to pull off a Winter Wrap-up to change winter to spring. The only reason Gabriel's abuse and Adrien's responses to it would need to be explained is if neither existed naturally in the world of Miraculous. And, since Miraculous seems to be functioning similarly to our world when it comes to family stuff, that would be like the show was denying the actual existence of abusive families, especially if all the rich/abused kids are Sentimonsters, which is the popular current take on the concept.
In a fandom where people still vilify Adrien for his trauma responses, let’s not give the hatedom even more reasons to demonize him by saying him being a Sentimonster explains jack shit. It just gives people who don’t sympathize or empathize with trauma victims a free pass.
Here’s the thing about Gabriel’s characterization in a SentiAdrien situation: it doesn’t work no matter how you spin it. No matter what he’ll come out of it with inconsistent characterization and his behavior not making sense.
Option one is that Gabriel doesn’t care about Adrien and doesn’t care about Sentimonsters. That means that he would be using the Amok constantly to get out of dealing with Adrien wanting different things than he does, but he doesn’t do that so it’s inconsistent.
Option two is that Gabriel loves Adrien and therefore doesn’t want to control him. Then why is he okay with other people keeping hold of his son’s essence when he couldn’t trust them to begin with (Félix) or is learning he can’t trust them anymore (Nathalie)? It still doesn't make sense.
Either way we spin Gabriel’s relationship to his remote-control robot son, it just doesn’t work. Even if we go back by about a year back to the third option of Gabriel not knowing Adrien is a Sentimonster, that would just make all the Sentimonster “foreshadowing” nonsense.
35 notes · View notes
hopeymchope · 26 days
Note
anon is misunderstanding or misinterpreting ym ask, I never at all expressed happiness over fuyuhiko's attempted suciide. In fact, it's the opposite. I was horrified at that scene and the mere idea or fact that saionji almost caused him to kill himself for real. fuyuhiko was a horrible person, but he did not deserve that. Besides, unlike hiyoko, he actually faced the consequences of his actions in a very brutal way and he chose to take a step back and realize how fucked up his murder was.
Note: This is a response to this other anon-sent ask.
Thank you kindly for responding to that other anon and clarifying your original ask.
Y'know, we've all kinda glossed over the fact that Fuyuhiko didn't actually kill Mahiru. He didn't even ask/order Peko to do so. Peko took that action on her own as part of her identity as his bodyguard (and someone who clearly loved him). And though I suppose that was because Fuyuhiko was about to do it just because he was pissed off that Mahiru dared to lecture him about revenge being wrong or whatever. Still, the fact remains that Hiyoko can't really scream at/blame the person most directly responsible.
Tumblr media
"...but like, lethally."
Let's dig deeper into the Hiyoko/Fuyuhiko/Peko/Mahiru drama with some additional asks, shall we?
Tumblr media
Did she have a right to be mad? Yeah, she does. Because Fuyuhiko was going to kill Mahiru for absolutely no good reason. So, sure. He was prepared to become a murderer for "revenge"... even though Fuyuhiko is apparently too stupid to realize that the Twilight Syndrome game clearly indicates he ALREADY got revenge on the person who killed his sister! That really makes his elaborate revenge plan look misguided from the jump. It's like he just wants to lash out at SOMEBODY because he saw that photo of dead Natsumi and had to learn for the first time — the second first time due to them losing their previous memories — that she'd been killed.
Tumblr media
"'Because if so, I'll 'E' you next... wait."
Fuyuhiko was still in full acting-like-a-little-shit mode at this point in the story, so I guess him constantly lashing out and being quick to anger is pretty par for the course. But his anger at Mahiru for daring to suggest that maybe murder is bad is pretty much what got Mahiru murdered. That's plenty of reason to be pissed at him. And it's not like Peko is around for Hiyoko to blame anymore... so yeah, I get why she's pissed at Fuyuhiko.
Do I think the fact that she's an awful bully somehow strips her of the right to be upset that someone else was murdered? No, I don't think that way. I think they're separate issues. Just because Hiyoko doesn't have much moral high ground to stand on doesn't mean she can't still be upset over someone getting killed. Although I'm not necessarily defending telling someone else to kill themselves, either... that shit is pretty extreme. I would agree that she doesn't have the right to be saying that, because damn near nobody should be saying shit like that.
Tumblr media
That's up to interpretation, but I think when he charged in to try and protect Peko, he was already willing to die to save her. And then he fails... which naturally fills him with a big dose of despair. Since sacrificing himself was already on his mind AND his body was already pretty fucked up from his failed protection effort, I suspect it wasn't too big a leap for him to go from there to "fuck it, maybe I should just die for inspiring Peko's actions, getting her and Mahiru killed, etc."
Tumblr media
And yet? I personally think most people who commit or try to commit suicide are likely to feel a screaming desire to stop it once they truly start dying. Because we all have inherent self-preservation instincts. So I bet there legit was a horrifying realization moment that accompanied the moment he felt himself slicing into his own side.
Tumblr media
I'd like to think that if Fuyuhiko truly died, she'd definitely have a mental break over it. I don't believe Hiyoko's actually a full-on sociopath, y'know? Actually causing a death with her words would probably (hopefully?) put her through the mental wringer and hopefully generate some kind of self-reflection. I'm sure she'd struggle and try to deny any culpability at first, getting pissed at the suggestion that it was her fault. But I don't think she'd be able to run from the guilt forever. It might not be easy for her to change, but I imagine she'd come out the other side of her breakdown acting at least somewhat better on some level.
6 notes · View notes