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#but its just another character dynamic
riftwalker-limbro · 1 year
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a take about something adjacent to this floated around yesterday but i didn't have the spoons to reblog it then and my brain generated this today so
happy that verica popped up completely irrelevant to any other plot i had going on. the romance between her & vince is just about the least focused thing in my story. which gives me the opportunity to be as silly with it as i like. and it gets on my ass about making her a fully fledged character bc these brainworms of mine suffer heavily from vince favouritism.
but i can already somewhat tell that she's probably gonna become pretty high up in the favourites ranking as well. as much as i have in common with vince on an interests level, there is more with verica, and the things i have in common with her i've explored through writing much less so far, so that's gonna be a Journey of (Self) Discovery again i'm sure. and the few character traits i have in stone for her are already looking pretty interesting too, again mostly to play well with vince's own, but i want to add more to make her more unique and alive still too.
mmm gonna be fun
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gunstellations · 4 months
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In the world I love
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In a different world
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extravagav · 14 days
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AND WE JUST DONT TALK ABOUT THIS?!?!?!!????
#THIS IS LITERALLY LITERAAALLLYYY THE BIGGEST FORM OF CHARACTER DEVELOPMENT SUGISHITA COULD HAVE#NOT ONLY IS HE DOING WHATS BEST FOR UMEMIYA BUT HES PUTTING HIS TRUST IN SAKURA TO HELP HIM#AND OH IM SO UNWELL#HIS BODY IS PHYSICALLY REACTING TO HIM MAKING THIS DECISION IM JUST#IM SO PROUD#and then sakura acknowledging all of this too i just love them sm#they really have one of the best dynamics 😭😭😭#wind breaker#kyotaro sugishita#sakura haruka#wind breaker spoilers#wind breaker manga spoilers#ok nvm im still talking bc the second image literally gets me everytime i look at it#first off the way they drew sakura in that scene in the first place is just so beautiful thats the only word i can think for it rn 😭😭😭😭#second seeing this scene from sugishitas perspective and then learning later that the reason he has this reaction was because he thought-#-sakura looked cool and hes never thought that about anyone before just really gives us so much more for their relationship#specially how sugishita acts towards him 😭😭#add that onto what umemiya says to him (which i couldnt include in this post </3) about how hes never really shown emotion to anyone-#-till sakura showed up then it gives us an even BETTER understanding of why sugishita acts the way he does around sakura#my brain is so frazzled by the sun today and words are not coming to me easily so apologies if none of this makes any sense 😭😭😭#ill revisit it another time anyway#also the way they describe all of this really makes it sound like he has a lil crush and its so sweet 😭😭😭😭😭😭
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indigosabyss · 4 months
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hate when ppl want to ship an explicitly aroace character with someone and decide that it's not REALLY erasure if they make sure to mention that the character is asexual. Like,,, did you forget about the aromantic part???
This really annoys me bc demi-ro, gray-ro, and a lot more arospec identities exist! They are a vital part of our community!! What's the point of having these characters if you won't take them as an opportunity to learn about the way other people view attraction???
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dizzybizz · 1 year
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WOULD LOVE TO SEE YANQING <3
I WOULD LOVE TO SEE HIM TOO
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SON.
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sailorfailures · 2 years
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One eerie frame for every classic Sailor Moon episode, OP, & ED
🌙🖤 Happy Halloween!
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razberrypuck · 1 month
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rotating henry emily in my mind
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freaky-flawless · 1 year
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Holt calls him "Neighthan Hot"
(ID in Alt)
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yellowocaballero · 11 months
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At this point you've written at least four different roleswap AUs, so I was wondering if you had any thoughts or takes about how a roleswap AU should be? - someone who's planning on making a roleswap AU
Please don't remind me. I'm embarrassed about this. I know I need to write other things. I don't know why the AU concept is so incredibly fun to write. I can't explain it. Roleswaps are very easy to write and a lot of fun and involve being a freak about everything. Who wouldn't write 10 of those bitches.
But yes, as someone whose roleswap AUs are like 9 out of her 51 fics, I feel qualified to talk about this. These are just my own opinions and takes, and other people might do it differently - if you write roleswaps too, feel free to add in your two cents!!
Before sitting down to write literally anything I always figure out the rules of the story. Writing is little more than a nonstop series of decisions, and if you abide by the rules of your story or characters then your decisions will be coherent and cohesive. By rules I don't mean worldbuilding - I mean the internal logic of the story and the characters. "X character will never explicitly say how he's feeling" or "the leads have to both win and lose every encounter".
I find establishing writing rules for roleswaps especially important - it's figuring out exactly how the roleswap works. Here are the ones that I find important, and kind of the process:
Decide what is swapped. Is it more of a universal swap, personality swap, backstory swap, chronology swap, or alignment swap? No matter which one you choose, all of these things are probably going to change anyway, but there has to be one central point for each character that guides your decisions. Are you actually swapping the narrative role in the story, or are you just changing it? You have to be really precise and have a very good idea of what exactly is swapped, and it has to be consistent throughout the story. It can't just (just) work on what you'd like to see, it has to be exactly the same between characters.
Decide the point of divergence. Sometimes that point is pretty abstract (She's a teenager in the 90s instead of the 20s). Sometimes it's much more specific, just one moment (He developed his superpowers at this moment instead of that). The point doesn't have to be immediately obvious, but you should know it - I did a backstory swap ages ago, and it seemed like a complete change, but like 150k in I dropped that a character dropped out of the police academy instead of completing it and that her entire life changed from there. If the swap is more abstract, then maybe it's just a series of smaller decisions - character A has these seminal points in his story, and I'm swapping him with character B, so here's what character B did during these seminal points instead, and how it changed him and his narrative.
Decide who the character is. This might be more personal, but for me, I think of the character as...there is a central tenet of them, of who they are as a person, that does not change no matter what. That's three or four traits of who they are, that you will not change, and that's what makes their swapped life their own instead of the OG dude's. But there's a lot of traits and behaviors around that core personality that's the result of their environment, backstory, and experiences. That's what should change. It's about figuring out how these essential traits + what is swapped + the point of divergence = an entirely different character and story. The roleswap you'll end up with will be a combination of all of these things: how the essential aspects of a character mix with what's swapped to create an entirely new environment and set of behaviors, which cause a chain reaction to create something new. As a writer, you sit down and say, "I'm keeping these parts of the character, I'm swapping out those parts, this new mix changes these points in their backstory, this results in this new person".
This is more of a guideline, but it's the most important to me: your characters have to be recognizable as the character. The reader shouldn't go, "this OC is making some weird choices". The reader should go, "I don't know how, because he's the exact opposite of his canon self in every possible way, but somehow he still feels like my favorite character". This is why you isolate those basic traits before changing the rest - so long as your character is still who they are deep inside, then they still feel like that character. And that's the fun of the story. You're selling something insane, and the reader is buying it.
It's a lot of really heavy character work. You have to really understand the characters you're writing - the less I get the original character, the more issues I'm perpetually having. I tend to fly fast and loose with characterizations, but when writing roleswaps I have to refer back to canon and the source material a lot ("In canon he did X thing, with his newly different backstory how would that decision change?"). The more you're rooted in canon, then the funkier and more divergent you can get.
Personally, I like to play a fun little game I call: how exactly opposite can I make this character until he stops feeling like this character? I Sometimes my goal in writing is "how deeply can I ruin this story". This is not a good game and people should not play it. I find that the lazier I get about getting in touch with the canon character, about keeping track of the canon decisions, and about following these guidelines, then the more difficult a story is to write. If you structure a story well then it's easy to write, and roleswaps are pretty easy. Thanks for the question!
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aq2003 · 4 days
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i saw a post saying boom was good bc it feels like it could be done with any doctor/companion duo and honestly that was one of the things i felt was wrong with it
#in a show with a title character that could be Literally Anyone and a companion sharing the lead that could be Literally Anyone#i value the little moments that set this duo apart from the rest. ESPECIALLY when it comes to returning writers like rtd/moff#fifteen and ruby felt a little too eleven/twelve and clara adjacent in boom. in both their dialogue and characterization#space babies also landed a little weird at first bc it lifted a bit from end of the world BUT the scenes that fifteen and ruby#had to themselves. like ruby getting covered in snot and fifteen laughing. or fifteen and ruby looking after the Space Babies#or fifteen going out of his way to save the monster bc that monster is the only one of its kind Just Like Him Fr#that stuff is so good and its also something we haven't seen from another nuwho doctor. the vulnerable bleeding-heart empathy#and a dynamic w a companion that is basically 'two troublemakers that just deeply love fun and adventure and getting into trouble together'#oh yeah and also the devil's chord was peak fiction because it touches on fifteen's renewed connection and love for humanity#and marries it to ruby being a musician and how music like any art is the expression of the human soul etc etc#WHAT MAKES A DOCTOR WHO STORY GOOD TO ME IS PARTLY HOW THE PREMISE TIES INTO THE DOCTOR AND COMPANION'S CHARACTERS#IT HAS TO FEEL LIKE IT WAS TAILOR MADE TO THEM. ELSE IT WONT LAND RIGHT TO ME#i hate the take that they should've saved wild blue yonder for a fifteen episode bc#the tension is hinged on how well the doctor/companion know each other. u have a level of it that u can ONLY get#with fourteen and donna who are two halves of a whole soul but have also spent much more time missing the other than knowing them#im not rewatching fifteen's eps rn until a week later when i can watch it w my qpp but#rn i still feel a stronger sense of fifteen and ruby's characters from all the rtd-written eps rather moffat#which like. i get that a lot of that is my personal dislike of moffat's writing style but still#dr who#15 era#dw spoilers
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jerreeeeeee · 13 days
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the thing is i very much understand the appeal of lupcretia narratively bc they are foils who betray each other and then forgive each other because the force of their grief and guilt brings them to an understanding and i also understand the appeal of blupcretia bc its a three person relationship who disagree on something major and split apart leaving one party feeling abandoned when the other two agree against her and what does that mean for the fact that the rest of their lives outside a horrible timeloop are supposed to start soon Because of that decision and disagreement like i get it narratively its interesting!! but here’s the thing: i just have an unshakeable belief that lup is straight
#+ w/ regard to blupcretia the appeal of that one depends on the Assumption that romantic relationships are prioritized#yk what i mean?#like its only really interesting if you assume they’re intending to also be life partners/prioritized in each others life#thats why the creeping feeling of betrayal in lucretia is interesting at all#bc she’s assuming the three of them are a Unit#like thats why its more interesting romantically than platonically (still very very interesting platonically)#but i really don’t think romantic relationships Are always prioritized and i especially don’t think LUP of all people does so#the most important person in her life is taako and he’s just chilling in this scenario LMAO#he has no skin in the game so even if youre like yeah lup DOES prioritize him over both her romantic partners it doesnt… add any depth#and taako and lucretia have their own extremely complex & interesting dynamic and that doesnt benefit from lucretia being w/ lup either#like i tend to think taako and lucretia were already pretty close w/out lupcretia being a thing so that doesnt lend any more complexity#+ all that's not even to mention that i dont think lup or barry as characters really have romantic chemistry w/ lucretia#that and i just really do think lup is straight#taz#mine#ive also seen a fic abt taako/lucretia where she feels betrayed bc he chose his family over her (his girlfriend?)#which i guess is interesting enough but i truly truly cannot ever see them in a romantic/sexual relationship#that's absolutely not their dynamic. even aside from the fact they're both gay as fuck LMAO#not trying to vague something very specific dont anyone go like. hunt this down and harass the author ofc#just thought it was interesting. another concept that in theory could be narratively fun but i cant ever see happening. except way stronger
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strrwbrrryjam · 4 months
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i love it when characters are friends, yknow, and actually like each other, i love it when they are there to support each other through thick and thin, i love it when characters don't let petty squabbles thoroughly ruin their friendship and i love it when characters don't let something come between them, i love it when characters are there to support one another during their darkest times and being each other light sources guiding each other through the dark, i love it when characters can joke with one another and i love it when characters can have fun together, i love it when characters are shown to be friends through their actions, picking each other up when they're down, helping one another through difficult tasks, i just, really love it when characters are friends
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itafushin · 2 years
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Why I think Macaque is extremely BPD coded
Note: This is a breakdown of why I believe Macaque has BPD (Borderline Personality Disorder) and how that shows in his actions and affects how he treats others. I will try my best to properly explain each symptom and how the show writes it into Macaque’s character as a whole. (This will be set up by symptoms and won’t reflect all episodes Macaque appears in, only putting emphasis on season 1 episode 9 and season 2 episode 7 in particular.)
Note: I am a Borderline and this will have some personal experiences reflected in how I deal with my disorder so. With that, let’s begin !!
Favorite Person
This isn’t necessarily a symptom as not every borderline has an fp but it is noted to be an important enough occurrence for it to be a staple of being borderline.
A favorite person is someone incredibly important in a borderline’s life that becomes their constant source of happiness and validation. It’s someone who the borderline goes to for the majority of their attention and heavily relies on that other person to the point where it damages their relationship.
Now you’re probably wondering, ‘What does this have to do with Macaque?’, well I am a firm believer that Wukong was (and still is) Macaque’s favorite person. He is very clearly co-dependent on Wukong and probably has been for centuries. He actively seeks out some sort of response from Wukong as a way to gain his attention. Going as far as messing with the next closest person to the ginger, his successor.
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Macaque torments and mocks Wukong constantly because he thrives on negative attention. He may not fully register that it’s negative because it’s attention nonetheless, and it wouldn’t matter if it was positive or not because it has the same effect. With this in mind, you could see him changing the logo on Mk’s jacket as a statement meant to mock Wukong. (Because we know and have seen Macaque be a lot more sneaky with his attacks, he could have easily hidden it but he chose to keep it in the open and the logo even laughs at Wukong.)
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He sees Wukong as a hero, someone who is loved widely by others, and this comparison goes hand in hand with Macaque calling him the sun. Something bright that shines upon everything and everyone around them. Mac says these things very bitterly though, despite showing us that he once saw the two as equals.
Because of this, it might be a bit debatable whether Macaque truly hates Wukong or not. Borderlines suffer from extreme emotional dysregulation and tend to amplify their emotions (will elaborate on this further down) so Macaque’s hatred could stem entirely from this dysregulation. But he uses these comparisons as a way to express his emotions without downright saying them, considering it’s safe to assume he sucks at putting his emotions into words. It makes him angry when Wukong doesn’t go all out when they fight, mocking him and lashing out in his anger. To the point where it becomes obsessive, and it’s causing him to spiral into these feelings of anger constantly. (Especially since he’s quick to resolve every problem with a fight)
“C’mon! Show me the real Sun Wukong! The old you would have leveled this whole mountain range to stop me, but now you’re afraid of hurting some kid? Pathetic!”
With the heavy reliance borderlines have on their fps, strong instances of jealousy are bound to sprout up and Macaque is a prime example of how that jealousy can affect someone’s actions towards those around them. When he’s introduced, he’s given this light carefree attitude seemingly to make him feel more approachable, at least from Mk’s perspective. When Mk asks him to teach that move he had done to hit the smoke monster, Macaque is quick to say a very backhanded thing that is very obviously meant to be a jab at Mk’s confidence. Both in himself and in Wukong’s teaching. (This could stem from Macaque’s jealousy of Mk, that this kid is who Wukong cares for so deeply and is able to stay on his good side. Unlike Macaque.) 
“[...]...I’m sure Monkey king would agree. It’s not like he would want to hold you back.”
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This jealousy leads to him projecting his insecurities onto Mk and causes him to have this warped impression of the kid before even meeting him. Macaque constantly mentions how alike Mk is to Wukong, in ways that only Macaque seems to notice. They’re all negative traits that Macaque amplifies or may have completely fabricated, calling him selfish and implying that Mk is going to eventually forget about his friends simply because he’s a hero, just as Wukong did. (It could also be part of the reason why Macaque’s steady target has been Mk). He even goes as far as to try and tell Mk he missed the point of his shadow play, causing Mk genuine confusion because he doesn’t believe he’s anything like how Macaque portrays Wukong. “Other people are going to tell you to be patient, they are slowing you down.”
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Now, this can be reaching or something entirely different but you could see Macaque’s bitterness towards Wukong and his insistence that he’s a bad teacher slightly stemming from jealousy as well. We know Wukong isn’t actually a bad teacher, or at least not as bad as Macaque seems to emphasize, but he’s been so bitter that he’s convinced himself that Wukong is much worse than he actually is. And because of this, he tries pushing this mindset onto Mk so he doubts Wukong and leaves him, much like Wukong did to Macaque.
The most obvious thing that actually stood out to me first and was the reason I thought Mac had BPD in the first place was how incredibly personally he took the falling out. He reacted so violently to it that it’s permanently stuck on his mind at all times. The emotions from that moment are so amplified that Macaque is unable to move on, latching onto the events like a lifeline because it’s all he knows. He had dedicated the majority of his new life to getting revenge on Wukong for this falling out because he blames all of it entirely on the latter. There’s a headcanon that LBD may have altered his memories of that event to make him further hate Wukong but I don’t entirely believe that’s true. It’s possible LBD probably did have a little tweaking in his memories but I don’t think she altered anything related to Macaque’s feelings about Wukong because he already did that himself. Macaque sees that day as the day Wukong left him, abandoned him for a surge of power, and planted the idea in his own head that Wukong was being selfish. That Wukong must have left because Mac wasn’t useful anymore and therefore he must not have cared all that much, which makes Macaque an unreliable narrator and he’s shown to be manipulative and choosy with how he phrases things. He sees Wukong as a backstabber who was quick to leave as soon as he became that hero that Macaque equates to being close to Heaven. (see pedestal screenshot)
Macaque let himself become so overwhelmed by that abandonment that he firmly believes Wukong didn’t and probably never cared about him to the same degree that Macaque cared. (Even though it is implied that Wukong did care, the two being inseparable and doing everything together. The two even were equals at some point.) And as much as Macaque makes himself want to hate Wukong, he can’t truly do it because he’s still codependent on the other. He still seeks out Wukong’s attention and still aims to mock him, continuously bringing him up when he speaks with the other members of Mk’s group. He sees himself as someone who was ‘too close’ to Wukong and suffered the consequences of that, despite many of the consequences being forced on him by himself. (All this could be why he is so adamant about telling everyone how much he thinks Wukong sucks. He firmly believes Wukong was entirely in the wrong and he had nothing to do with it and jumps at the opportunity to play the victim card. Even if it means leaving out details that might paint it the other way.)
“What would you like to hear? The hero suddenly remembered his beloved friend the warrior? That they lived happily ever after?”
It's obvious that Macaque still cares so deeply for Wukong to the point where it could even be implied that he wants a happy ending. He wishes for that happy ending, to be able to say Wukong did remember him and did come back. Him constantly talking about this falling out and painting himself as the victim could be his way of saying he wishes it ended differently, could be his way of trying to raise a jumpstart in Wukong. It could be a way for him to try and see if maybe something else will come out of this, that doing the same thing over and over might cause a change of outcome. (Obviously, it doesn’t work because nobody knows what he’s thinking, ever.)
Intense fear of abandonment
This symptom is one that I think Macaque struggles with the most. He does not handle rejection that well and will do anything to avoid it, much like how he’ll do anything to avoid abandonment. He saw Wukong reject him and leave him and decided that he’ll never leave Wukong alone, that he will continue to show up because he will always be Wukong’s shadow. He saw Wukong leaving continuously as an attack on him as a person, immediately internalizing it and believing he was the problem. He makes sure to keep Wukong as close as an arm’s distance so that if Wukong does choose to leave again, Macaque won’t be as hurt by it as he was the first time. It causes him to dwell on the past, not being able to stop. He keeps reliving what happened because he truly believes he needs to accomplish some sort of justice against Wukong for what happened. 
Alternatively, Macaque also will do anything to prevent new people from getting too close. When he notices that Mk is starting to grow on him, he starts to withdraw, amplifying his attempts at showing the kid he isn’t worth it. He becomes more and more aggressive throughout season 3, partly because of his rush to get out of lbd’s control but also because he’s slowly beginning to warm up to Mk’s group. (With the way his first initial idea was to try and convince Mk to come with him willingly and when he had done the same thing with Tang.)
He schemes and manipulates the people around him because its in his nature but also to keep their predetermined impression of him stay bad. Macaque hates relying on people, much rather staying and working alone than with others because of the disappointment it usually leads to. He doesn’t know how to properly open up anymore for fear of that other person leaving too.
Unstable relationships
As I’ve mentioned before Macaque’s relationship with Wukong was incredibly unstable. He valued Wukong much more than he valued himself, put Wukong on a pedestal, and idolized him, making him unreachable. But this could also be applied to Macaque’s relationship with Mk.
Macaque trains Mk, genuinely it seems and uses that opportunity to plant things into the kid’s head. Everything goes well before Macaque ultimately betrays him to go against Wukong, that being his ulterior motive the entire time. He continuously goes after Mk, causing the kid distress one after the other all in an attempt to get back at Wukong. Despite this all, Mk’s still willing to give him another chance in season 3 and Macaque doesn’t know how to handle that. (It is shown, or implied at least in season 3, that Macaque ends up showing legitimate care for Mk. He acknowledges that Mk is a good kid on two separate occasions, telling him that he’s happy there’s still “room for potential”.) He just prefers to keep Mk at a distance, despite the fact he seems to wear the title of Mk’s other mentor with pride.
Changes in self-identity and image
“A very, very powerful demon…”
“Since then you’ve had me teaching you! You’re stronger now!”
We all know this man has a ton of confidence, enough that he actively strokes his own ego every time he opens his mouth. His debut shows us how he sees himself as this strong ancient demon (even if he was referring to himself in the third person.) and he sees Mk as ‘stronger’ because he had Macaque teaching him.
Though in the same vein, he also understands that he isn’t as strong as he likes to brag he is. He still needed Wukong’s power to amplify himself before fighting him, again, (and even lbd acknowledges he needed aid and gives him some of her power after so many failed attempts). Macaque is power hungry and thrives on the taste of being powerful, on the thrill that comes from it, but his body can’t handle that power nor does he actually know how to use any of it. It’s part of why he relies more on his shadows and their sneakiness than he does entirely on his power. He’s an illusionist through and through and nothing more, but he keeps pushing himself for more power because he thinks he can handle it. He genuinely believes he can come out of these fights unscathed and winning and that could be the reason why he continues to go after Wukong.
“As the hero’s light grew, so too did his shadow. And soon the warrior was cast in that shadow. In the darkness, the warrior was forgotten by the hero.”
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This comparison he has of himself as the moon shows just how alone he truly sees himself. The moon is something that is depicted as being reliant on the sun to shine despite it being alone and far from the sun’s reach. There’s solace in the way the moon rotates around the earth and stays in its own orbit, keeping itself confined to its single path. Sometimes the moon seeks out the sun’s warmth and they do finally come together, they make an eclipse. But the moon is always the one reaching after the sun and Macaque sees himself as constantly in Wukong’s shadow. He sees himself as someone who reached for Wukong and failed, being left behind in the other’s shadow where he truly belongs. He sees Wukong leaving as him losing his purpose, that he couldn’t keep up anymore and now wasn’t someone Wukong could see as an equal.
Macaque sees himself as a warrior, someone who’s a soldier fighting for themself and their own beliefs. He doesn’t think he’s ever capable of being a hero, or ever changing for the better because he pushed himself into this villain role. He’s accepted that he will always be someone’s villain and so he has never actively tried to change (at least not until Mk pushes him to). Even though he actively acknowledges he has things he should talk about, blatantly telling Mk to his face that if he ever did try talking things out they would be there all day. It’s this black and white thinking that keeps him from being better, that keeps him in this endless cycle of manipulation and gaslighting and hurting that he doesn’t ever try to break because he doesn’t see there being a point. He’d rather do anything and everything to get what he wants because just the thought of him doing something right or something different like working with people and helping them makes him scoff.
With how Macaque carries himself and how he seemingly just throws his life around, lbd’s revival of him probably left him with this constant detachment from reality. He constantly feels empty and incorporeal (which could also be from the fact he is. shadows.) He’s scared of death, the idea of merely going back to being non-existent and in chains causes him such full-body stress especially if it’s brought on forcefully by someone’s hands. He’s paranoid, constantly on edge (specifically throughout season 3) because Lbd has his life dangling in front of him and he’s desperate to take it back. Her whispers and chains poke and prob him, keeping him on high alert so much that it becomes a driving force for him to impulsively choose to stop following her orders. Anything to get rid of her.
Inappropriate intense anger
He is repeatedly shown to lose his temper, lashing out at pretty much everyone no matter what they do. He weaponizes Mk’s insecurities against him in anger, threatens his friends to get them to do what he wants, and pushes people into a corner. He’s quick to anger and irritate, especially if he feels he’s starting to lose control over a situation. (Because he is very much a control freak, constantly needing to keep things around him in his control so he can manipulate tier outcomes how he likes.)
All of his anger seems to be misplaced as well. He was so quick to throw all the blame for the falling out on Wukong but never took the time to think about how he could have been wrong too, considering relationships are two-sided. He let this anger fester and alter his once positive view of Wukong and now he just can’t fix it. Macaque’s angrier at the way Wukong left him, feeling more betrayed about that than at the fact that Wukong killed him.
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His anger towards Mk is shrouded in insecurities and doubts about himself and Wukong and he feels wronged somehow seeing how much Wukong cares for Mk. Macaque actively tries forcing his mindset onto Mk, trying to worm his way into making the kid see Wukong differently by using his insecurities and doubts against him. He compares Mk to this fabricated impression he has of Wukong and tries to mold Mk into someone he knows Wukong wouldn’t want.
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Macaque’s flashback that he gets briefly as Mk lunges toward him shows just how much he hangs onto the past. How much he hangs onto the emotions from that event and how he projects it onto Mk, seeing Wukong in Mk’s place briefly. It’s that same amplified POV that we hear Macaque talk about and Shadow Play shows just how much it shrouds his impression of Mk. Because truthfully, he doesn’t know much about the kid other than the insecurities Mk rambled out to him and that he’s Wukong’s successor. Macaque filled in the remaining gaps with things he took from his initial impression of Wukong and just assumed the two were the same with how close they are. He has no idea where to put all these emotions so he dumps them onto the laps of others to deal with, or to become the targets of.
Final thoughts
Overall, I think Macaque is the biggest bpd-coded character in all of lmk, it’s just right there. In all our faces. He’s an incredibly emotion-driven person, doing things based on how they make him feel rather than if it’s logical. He’s so shrouded in black and white thinking and in his splitting of Wukong that it keeps just a tight grip on his life and he really does need to go to therapy. He needs to learn to move on and actively be better because if this cycle isn’t broken soon he’ll just continue to hurt not only himself but the people around him. Whether he wants to or not.
I HOPE THIS MAKES SENSE I tried really hard to articulate my thoughts and such but I might have repeated some things here and there. I also am a firm believer that Shadow Play is actively just one big bpd episode. Like I wholeheartedly believe that whole episode was Macaque having an episode and in the midst of it, he decides to mess with Mk, only to stop halfway through because he snaps out of it and realizes that Mk is being hard on himself enough. He willingly brings back up bad memories through a retelling just to achieve some sort of I told you so moment with Mk only for it to backfire on him and just make him feel worse. (while also attracting the attention of lbd)
I think it’s such an important episode to Macaque’s character and what comes of him, especially since it opens the gates to why he decides to do the things he does in season 3. It has so many details in it that show just how unreliable Macaque can be as a narrator, especially when he’s having moments like that. It shows how he’s the selfish one, not Wukong, and how he let something like this mold him into something so unrecognizable from his past self. All because he was filled with rage and betrayal. It’s easier to fight and hate each other than it is for Macaque to apologize for whatever he may have done and amend. It’s easier being the villain to everyone and being hated rather than owning up to your mistakes and trying to be better. He finds comfort in his black and white thinking, finds comfort in how the others hate him, and actively avoids fighting him.
ALSO THIS.
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THE PARALLELS !!! It’s a moment where things finally actively dawn on Wukong and he’s suddenly in Macaque’s place, their roles reversed. Macaque being the one who has the upper hand, finding that “power beyond comprehension” and leaving Wukong behind. In reference to their relationship, it could be seen as the moment Macaque finally gets Wukong to understand how he felt when the latter left, how he felt being left behind. He finally makes Wukong feel how he felt, that same desperation at watching the other’s back being turned. But Macaque’s is tainted, being forced onto him, and is actively eating away at his body. It’s reflectively of how Macaque remembers it but it isn’t the exact same.
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see-arcane · 6 months
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Mina's incredible (and underrated) detective prowess would be very useful I bet. Put her on the helm Integra, Van Helsing praised her brains as being above everyone's including himself for a reason.
I honestly can't guess what the chemistry between Integra and Mina would be. Integra doesn't really click with me as a classically heroic character, for all that she does focus on saving humanity from the undead via Alucard and her forces, being the Boss Lady etc etc. She's miles away from being as insidious as an Amanda Waller, but...
The hotel. The fucking hotel will never leave me.
Yes, the order went directly against 'soldiers of the enemy,' but those soldiers had been lied to about who and what they were charging into. Which was obvious even without being a fly on the wall to know their higher-ups had fed them some BS to march them into death and win their own power grab from Millennium. She didn't tell Alucard to 'make it quick' or even just to 'neutralize.' She told him to search and destroy. Folding to Alucard's egging and negging to seem like a Worthy War Commander in the grand scheme~ of the plot
She's not heartless, exactly, but she is arctic and surprisingly quick to breeze past the loss of lives that aren't under her direct care/command. While she might respect Mina's abilities and investigative skills--I wouldn't be surprised if Mina could intuit Millennium's endgame well before the climax could happen--Integra inherited none of her ancestor's warm regard, supposing Abraham van Hel(l)sing had any of the original's tenderness in him (50/50 considering this takes place in aggro horror territory). We can't even say if this universe's Mina played any big role in cornering Dracula; she might just have been a targeted damsel.
All that said, I think Integra would see Mina as another time-displaced bleeding heart with a few useful skills, same as Jonathan. Someone to be an ally at best, a liability at worst. So I don't see her handing over any reins or offering to be co-girlbosses any time soon :c
#Integra is a good character#but not my favorite#Hirano let her look cool a lot and stand imposingly and smoke cigars#she got to shoot a few bad guys including the Major himself!#but the lion's share of development and interesting actions were all Alucard's and occasionally Seras'#I think the story kind of fumbled a lot of her potential to be more than Boss Lady who has cooler/more powerful people do stuff AROUND her#rather than let her really do anything herself without somebody else being the driving muscle/energy#Mina by contrast is ACTIVE#even working within the constraints of being a young woman in the Victorian era#she is hauling ass and making connections and paving the road to victory against Dracula himself#all while having a massively open heart that takes in so many people#like the rest of the original Drac Attack Pack it isn't just the loss of Lucy that drives them#she and Jonathan and Van Helsing and the Suitors all lock down on Thwarting Dracula#because if they just sit back and do nothing then He Wins and Humanity Loses--they became the OG Vampire Hunter Gang out of necessity#and goodwill#whereas Integra kind of just inherits Hellsing and its mission with the same vibe as someone inheriting Dad's job#maybe if we'd gotten scenes where it shows how she's handling the toll of running things; the sacrifices made in blood and its effects#I'd see more chemistry in potentia between her and someone as dynamic as Mina#but as it stands#I think Mina would just be another new accessory#anyway#integra hellsing#mina harker#dracula#hellsing
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As much fun as I'm having doing my alternative run of DA2, one thing I really miss about my mage Hawke is his friendship with Merrill.
Those two are best friends and he's 100% supportive in her goals toward the eluvian. Ed has the humorous/charming personality, too, which bounces off super well with Merrill. He doesn't think any less of her for her usage of blood magic; if anything he's impressed by her level of strength and willpower. He's so ready to defend her from the other companions and the clan, and he's absolutely out here attempting to matchmake her and Carver....at least he is in my heart because the game won't let me, it's fine, I'm not bitter about it or anything-
But then my warrior Hawke? She has the diplomatic personality with quite a bit of direct/aggressive thrown in there and she ends up having the same attitude as that one party banter Aveline and Merrill have: "Merrill, you're clearly talented and meant for great things, but you're stupid," and that's so difficult for me to lean into. I'm trying to play Aris differently so she ends up being so condescending to Merrill, like she's trying to gently tell her to give up on the eluvian but it doesn't come off well.
Also if Carver was around, Aris would be the opposite of Ed, she'd look at the suggestion of her brother and Merrill getting together and be like, "No :) I don't think so :) I like Merrill, she's my friend :) but she's not right for Carver."
But I guess it makes sense; if you told him that Bethany would giggle and kick her feet and twirl her hair around Sebastian, Ed would've thrown him in the ocean as a warning. Meanwhile, Aris is like, "A handsome prince that could take my sister away from all of this? Wonderful, we just need to work on his incorrect views on mages, but that shouldn't be a problem :)"
Anyway I miss playing Hawke as the #1 Merrill stan.
#dragon age 2#da2#da2 merrill#carver hawke#bethany hawke#sebastian vael#da2 hawke#edgar hawke#aris hawke#listen i'm a little weirdo i like comparing the different ways to play the heroes of da games but especially the different hawkes#i like comparing my own hawkes and i like looking at other peoples hawkes and the different relationship dynamics they bring to the table#kicks my little gremlin brain into gear#like ed always rivals aveline and their relationship is strained at best... meanwhile aris and aveline are ride or die best friends#and seeing aveline from both perspectives is....... well it's an experience i'll just say that sksksks#oh also i miss anders so much sksksk i miss his romance and the dynamic he and ed have#aris rejected him right from the start and while it's neat to see her character through an unromantic lens i still miss him and his bullshi#aris romanced isabela and *that* makes me want to bite nom nom so interesting and heartbreaking in its own way like losing leandra like tha#and then dealing with the qunari bullshit only to find out isabela's part in it before she abandons aris with the book#and then aris reunites with bethany who is bitter and pissed off and can't get away from her fast enough like........ the end of act 2 y'al#aris was *ready* for the arishok fight solely because she needed an outlet for her frustration and grief and agony#she couldn't kick his ass fast enough sksksksks and now she's so Done with everything and then isabela admits that she's in love with her#and it's just................. a lot. it's so much. i can't#anders and isabela's respective romances drive me nuts for very different reasons i love them#this has been another 'cj needs to ramble about [blank]' post#stay tuned for next week where she continues to sob about the hawke twins
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lemongogo · 1 year
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#i love when characters challenge each other like this#bc they arent so vehemently opposed to one another to where its like .. just continous unending dissent without ever achieving a resolution#theyre both entrenched in their ways and have rzns for what they do#and both have good points . wolfwood ab how fighting back is all that people have to decide for themselves#and vash refusing to kill as a promise to rem and the life that sustained bc of her sacrifice and the importance of peace and love for#prosperity / human nature to Him#like they agree . ab the end result but they are both right in how they feel (maybe wolfwood a bit more as vash obvi benefits from being )#(a plant)#(and interpersonal conflicts being unavoidable on large scale yk. bad ppl do exist n violence can be necessary 4 change)#IDDDK ITS JUST GOOD I LUV ITT I love it . i love the back and forth and the way they push and prod at each other but work so well 2gether#nonetheless#vash#wolfwood#trigun#trigun maximum#trigun manga#trigun spoilers#IM ACTUALLY SO SURPRISED BTW??? IRT THEIR DYNAMIC?#like its actu refreshing . and funny . and goofy . and pathetic#bc i was so ready for wolfwood to be this borin broody angsty isolated character type#that is soo common in stories like this#but hes like . SILLY!!! they both are. the four of them are. millie meryl wolfwood and vash#idk i just like it a lott a lot a lot. idk much ab stampede but i got the impression that hes like . emo skype emoji but i hope they channel#1998 wolfwood at some point LMAOO#i love the spread where . u knwo the panel where hes like stop fuckinf crying🤬🤬🤬 @ vash HAJAHAHAHAHH#right after he was like ik we’ve talked ab this before (whatev whatev) and later brings it up again but apologizes in advance for what hes#gna say#and its just like. kind of sweet HELP KINDAA SRU . ..\STOP IT!!!! anywyas#ANYWAYS!!! i do rly enjoy their dynamic . and their ideals . and wolfwoods priest schtick . HAJAHA#we r back to essays in the tags era
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