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#but it was a risk I was willing to take
itscooltoskate · 3 months
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This is a mean anon!
So there
Turn on your anons then. I dare you. I double dare you >:(
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mmmairon · 1 year
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do you think this doctor does house calls or….
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mezucore · 2 months
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do you believe in fate? well, i want to believe!
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shmreduplication · 8 months
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One problem with having a bunch of ace friends is that you might die if you hang out with them on Friday the 13th because you're the only one with a sexual history that can trigger horror movie tropes
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gay-jesus-probably · 11 months
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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calnexin · 6 months
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anneapocalypse · 2 days
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Tired of the false dichotomy between "you should create for yourself without desiring any form of connection" and "feedback is everything and without it there's no reason to create." Neither of these things are wholly true, and it's frustrating to me that people have taken "create for yourself" to mean "you shouldn't want feedback or enjoy it, you should create in a vacuum with no hope of human connection" and are lashing back against what they think it's saying rather than what it's actually saying. I love comments and feedback and connecting with my readers as much as anyone and would never discount the value of that experience and I try to be the kind of engaged reader I would want to have because I know how much it means. I especially know how much it means to a niche creator because I've been that creator myself and I so treasure the readers who took a chance, gave my stuff a try, and stopped to say something supportive about it.
But that's also exactly the thing: the things I want to write are often things that do not in any way guarantee me an audience, but they're what I enjoy, and creating for myself is what gets me through those long first drafts where I know there is no guarantee of an audience because the reality is I'm choosing to write this thing and nobody owes me a readership. Internal motivation matters because there are parts of the creative process where internal motivation is all you have. I've seen people give up or nearly give up on projects that probably would have found an audience, if a niche one, because they convinced themselves that nobody would care and then couldn't motivate themselves to care. Or they decided that a small audience wasn't good enough; they need their work to be Popular or it was worth nothing.
And if someone doesn't want to invest themselves in creating something that might have a small audience, well, that's their choice. But creativity is inherently an act of risk, and a lot of amazing art would never be made if the creator wasn't willing to risk silence, rejection, loneliness. Yeah, those things suck. I'm not saying they don't, that's why it's a risk. But art isn't always about safety. Sometimes it's about creating because you simply have to get this thing out of your head, and you hope someone will connect with it, but you don't know until you try. So everything can't be external motivation. It just can't be. It's too limiting, it's too stifling. I can't live that way, personally.
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queerspacepunk · 2 years
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when someone raises a concern w me about the "irreversibility of allowing children and teens to transition" (which is a lot, having these discussions w people is literally my day job) i think about the fact that when i was 13/14 my mum bought me an epilator for christmas. my cousin got one too.
now i had shaved my legs maybe once or twice at this point, because my (frankly barely visible) leg fluff was apparently "bad" and did not enjoy the process or result. my mum, to her credit is p progressive and never pressured me to shave (except for my pits. she's odd about pits. convinced having armpit hair is bad for the skin or something idk) but there was this ASSUMPTION that bc i "was a girl" i would now inevitably need to remove the hair from my legs for the rest of my life. we were both given epilators SPECIFICALLY bc our mums believed that if we started epilating early, the follicles would get damaged and the hair would stop growing.
we were too young to get our belly buttons pierced (something that if we changed our minds could be removed and leave only a tiny mark as evidence), too young to start even puberty blockers among the people i often talk to, but plenty old enough to start the attempting to permanently destroy all the follicles on a good third of our bodies to the extent we were gifted these devices despite showing no real desire to do so!!
now quite apart from being trans, i love my leg fuzz. love all of it actual. had to shave my pubic hair for surgery once and threw a FIT i was so mad (turns out it wasn't actually 'necessary' at ALL) i would have been gutted to have missed out on that because I'd used the fucking epilator.
these arguments are always framed as 'what if they change their minds' or 'blah blah some risk' or 'they're too young to know what they want' but it's never actually about that.
the issue isn't that they MIGHT 'change their minds about being trans and wanting to transition', it's that those people are HOPING they will. its not a fear of those young people regretting their decision, it's a fear of running out of time to talk them out of being trans.
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aithusarosekiller · 3 months
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Reg lives au where he comes out of hiding after the war and lives with Remus
When he gets the DADA position in '93 Reg is worried about the timing of it and Harry and Dumbledore's intentions etc so he goes with him in animagus form as his pet cat to keep an eye on things
And it's just fluffy chaos with a bit lot of Sirius based angst on the side
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sylvies-kablooie · 3 months
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-follow a blog for the sole purpose of hearing unhinged rambles about a specific subject
-OP will be like "sorry for going off about this thing ahh :("
-i smack them across the face with one of these bad boys
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inkperch · 3 months
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...i can't be the only one annoyed that the discussions surrounding Circe all assume she'd have slept with him if he didn't turn her down, right.
Like.
She had a knife.
The only thing that was ever getting penetrated in that scene was Odysseus' spleen-
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fbfh · 1 year
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I saw one too many Lip Gallagher edits. I am now watching shameless.
Granted I've only seen a handful of edits but I know in my bones that Lip Gallagher needs someone to look at him warmly. He needs someone to touch him so gently he's not sure if they're touching him at all. You're the only one in this goddamn city that hasn't had the life and hope completely sucked out of you. You have a warmth to you, a stillness that provides such refuge in constant chaos. Things are quiet when he's with you. Even when they're loud, they feel quiet. You look at him differently than anyone ever has, like he's something to be admired and... proud of. You smile sincerely and you listen to him, even when he's not talking. I'm telling you right now this man is saying I love you within 48 hours of knowing you. And you know what you do?? You giggle. You fucking giggle and it snaps him out of this panic spiral he's falling into and you press a little kiss to his lips and he feels peace.
"You're so sweet," You say softly, rubbing your thumb along his jawline. Everything about you is soft and gentle and he can't stop himself from wanting it, from wanting you. And he's always surprised when you want him back.
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theminecraftbee · 8 months
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i ABSOLUTELY want to see the behind the scenes/extra symbolism discussion of the blackjack fic!!!!!
YEAH OKAY TIME TO RAMBLE ABOUT CHOICES THERE, i'll stick it under a cut for people who want to read this ficlet without me explaining a lot of the choices. also because it's LONG.
so let's start with: blackjack as the game is a deliberate choice. like, i considered poker, and then realized i like blackjack more. to explain in full i've gotta go into a little detail about the setup.
this is because the setup here is that the watchers, the listeners, grian, and martyn are all "writing the narrative", effectively. they are putting their own wants and desires for what the next life series will be on the table and betting for it. abstractly, grian cares about the gamified life series (the specific rules), the watchers care about the character interactions and the drama of it all, the listeners want it to be meaningful to them and to feel like it has a point, and martyn, though he doesn't really realize this, is here because he is the one who keeps MAKING half the life series narrative, and the one who plays into it the most. they also represent grian as the guy who makes the rules, the watchers and listeners as the audience and the way it sometimes wants the same things and sometimes is opposed to each other in what they want, and martyn as the guy who plays directly into the story.
in blackjack, these people aren't playing against each other. like, okay. blackjack as you play it "properly" can have many people at a table, but you'll notice that if you try to use an odds calculator online, there's no way to calculate odds based on what any hands but yours and the dealer's are. that's because blackjack decks in casinos are normally like, at LEAST four decks shuffled together, to make counting cards harder. besides, the people at the table with you aren't your opponents anyway! everyone at the table can beat the dealer and get double their bet back. or, in this story, everyone at the table can beat the dealer and get their part of the story guaranteed to be in the next game. they aren't COLLABORATIVE--there's no way to help the other people at the table either! but they aren't ADVERSARIAL. they are not, inherently, working against each other. they just happen to be all playing against the same dealer.
so anyway, the dealer here is death, because one, as death points out in the ficlet, literally the only inevitable constant in the life series is death. the story will INEVITABLY end with everyone dead. everyone is playing against death to get the kind of story they want, because ultimately, what will REALLY shape the story is those deaths. in the life series, death ultimately decides how the story goes, and you're betting against it to tell the specific story you want.
that's also why death wins the tie. its my understanding that a tie in many casinos actually just means you get your bet back; you lose nothing, but you gain nothing also. however, this game is rigged. you can't 'tie' death; it's death. if you die, it's game over, after all.
death is also the dealer, however, because it is PREDICTABLE. one strange quality of blackjack is that the dealer's moves are entirely deterministic. sure, you don't know what the dealer's actual hand is, since they keep a card hidden--that's why it's gambling--but a dealer in blackjack, by rule, must ALWAYS take a hit if their hand is 16 or lower, and must ALWAYS stay if their hand is 17 or higher. no exceptions. as such, you can guarantee the dealer will always have at least a 17 at the end of a round, or they will bust. death in the life series follows rules. you know when it's coming. it's more a matter of whether you can stop it.
that make sense as a metaphor? okay cool.
anyway, more details! so the specific cards dealt here don't matter so much as the hands; i don't know cartomancy someone else will have to tell you about the symbolic meanings of a standard deck of cards. what i CAN tell you is that the hands everyone got and how they played them was deliberate.
so, first: basically everyone made what is arguably the "correct" play. yes even martyn. we'll get to that. however, what happened with each of them represents their personality.
grian doubles down. it's grian, of course he does! for those of you who don't know how doubling down works: when you have a hand of 9, 10, or 11, it is reasonable to double down. the dealer deals you exactly one face-down card that you don't reveal until the dealer reveals their hand, and you double your bet. the reason these specific numbers are the ones you double down on is because, mathematically, you can't bust on these in one card, and you're somewhat more likely to get a winning hand with them than not. however, doubling down means you can't take another hit! you have no way to know if you'll beat the dealer or not after you do so! after all, if you, say, are like, grian, you'll most likely need at least a 7 to beat the dealer if you double down with a 10. you're guaranteed not to bust, sure, but you've doubled your risk anyway.
of course, grian is exactly the kind of guy to double his risk in a situation where he has nothing to lose. of COURSE he doubles down. and of course he loses; he doesn't bust, sure, but that face-down card isn't nearly high enough to win.
(grian also had to lose so i wasn't directly making a rules prediction, lol. him losing leaves it somewhat more ambiguous whether his rules requests of 'enforced red name bloodlust' and 'no life trading' will be true or not.)
the watcher wins the hand outright, standing immediately. a 19 is a pretty good hand, and drawing a 19 outright is ABSOLUTELY a situation where you never take a hit. the watcher also wins outright because "bonds that are seemingly unbreakable" is, in fact, a life series standard. the interpersonal relationships are like, the whole story. of course that gets to beat death and make it in! however, it's not like the watcher gets a blackjack; it's no SO guaranteed that it gets a 21. there's always a chance of going wrong.
the listener busts outright. there is no guarantee of your death being meaningful. sometimes, you just get unlucky in the hand you draw.
then, there's martyn, who has a 16. when the dealer has a 7, the dealer is MOST LIKELY to have a hand that will beat a 16. that's a strong card for the dealer to have! however, 16 is a hand you are statistically most likely to lose with in that scenario. the odds are already stacked against martyn; if he doesn't hit, the dealer will almost be guaranteed to win, but if he DOES hit, he's far more likely to bust than he is to win. so, what do you do? most odds calculators tell you to take the hit, because it gives you slightly better odds of winning, but there are ALSO multiple people who will tell you NOT to take the hit, because "not busting" can sometimes be all you need in order to win. you CAN'T win if you bust, after all, and in blackjack, if you bust, you hand over your bet before you even determine if the dealer busts.
(i've seen some people say you should just surrender outright if you have a 16 and the dealer is showing 7 or more; that's the kind of situation that is.)
martyn, of course, takes the hit, because martyn's the kind of guy to risk the statistical odds he loses then and there. he's rewarded for it, sort of! he gets an 18, which is a decent hand! he then holds, because you have to be actively stupid to take a hit on an 18.
unfortunately for martyn, he doesn't actually escape the odds entirely. he tells a good story by taking that risk, sure, but death comes for us all in the end. also, martyn had like a 75% chance to lose anyway--like i said, 16 when the dealer is showing 7 or higher is just about the worst possible situation to be in while playing blackjack. i went ahead and gave death a 3 there too, because sometimes the world is unfair. sometimes if you take the risk that would make you seem actively stupid, that risk would have paid off. sure, 90% of the time it wouldn't, but one out of a hundred, maybe, if you had taken the hit--
anyway. i could probably say more but this is already long enough. gestures. CARD GAMES WITH STAKES AND MEANING OUTSIDE OF THE GAME ITSELF MY BELOVED.
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quaranmine · 2 years
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i know tumblr gives us a feeling of safety but it IS a public platform and as such there is literally no reason for CCs not to be able to use it just like we do. they're members of the public. we're members of the public. you see this right?
so i'd like to introduce you to a concept that i've been holding myself to since i made this blog: if you aren't prepared for a CC to potentially see something, don't post it at all!
now, realistically, i still post stuff i would cringe if a CC saw. it's a calculated risk i take, then, when i maintag these, because i count on the statistically low chance they'd see it. i accept that they might see something, and if they do see it or comment on it and i get embarassed then, well, i knew i could never eliminate the possibility completely and still chose to post it.
however, to further break it down--if you reallly don't want a CC to see it, don't main tag it. if you're even more serious about it, block the CC's blog (if it's known) and make sure to do it in blog settings if you use a sideblog. and if you still really, really, really want to be safe from a CC ever seeing it, then don't post it publically at all. dm your friends about it or whatever
idk, man. just control your own online experience. that doesn't only mean filtering/avoiding things you don't like, it also means being conscious of the things you put out into the world as well
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robotmieser · 3 months
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I've never watched or read Dungeon Meshi, I only really have seen it through memes and out of context panels but does Laios ever snap? I feel like if people, especially those I spend day to day adventures with constantly shit-talked my special interest that much I would break
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“Do you remember what Darwin says about music? He claims that the power of producing and appreciating it existed among the human race long before the power of speech was arrived at. Perhaps that is why we are so subtly influenced by it. There are vague memories in our souls of those misty centuries when the world was in its childhood.” - Sherlock (A Study in Scarlet)
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