leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.
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steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’
robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend
steve “…this isn’t about nancy” harrington.
robin “wha-?… oh. oh steve.” buckley.
he still wears the vest.
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I don’t understand the concept of sex as the natural progression of romance. I understand having sex, I understand how it can be romantic, I just don’t understand how it is seen as the only course that romance takes.
Like love confessions immediately turning to sex is always so ???????? to me. Like ok get it I guess but how did we get here???
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love when parker drops from seemingly nowhere. not every ceiling has exposed rafters or pipes that she can cling onto or perch on, sometimes she must be pulling some kinda superhuman spider-man shit. it’s not a plot hole btw i fully believe she can do all that stuff, i would never doubt THE parker’s abilities
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It was getting longer again, oof so,, new thread >:]
Previous
Damn you, Kayson, you set me up for this😭😭/j
(But also,, I think drawing the hug healed my soul)
@tangledinink @tmntaucompetition
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Imagine Lovejoy fans that only know Wilbur as the vocalist of popular indie rock band Lovejoy and they go see if there is any fanfictions of him just to find out 70,000 works of him and other three random dudes
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I am endlessly entertained by the prospect of MBJ just having literally no clue how human physiology works, and thus believing everything he hears (which, paired with SQH's propensity for saying dumb shit without thinking, is a recipe for disaster)
like:
SQH: ugh if I read any more expense reports my eyeballs will fall out of my head
MBJ: *frantically gathering as many expense reports as he can carry before shoving them into the fire*
SQH: *literally watching all his work burn up in flames* i-
MBJ: please hold in your eyeballs
______
SQH, offhandedly: lmao wei qingwei ate so many bao buns at the festival that I honestly think he's going to turn into one
MBJ, absolutely horrified, actually gives his condolences to the (very confused) human man because this affliction which will soon take his humanity is a fate worse than death. Also he starts hiding SQH's melon seeds
_____
SQH: ugh I'm so stressed out i'm gonna EXPLODE
MBJ: NO-
Yes YES OH man Shang Qinghua definitely has no filter when complaining about stuff, Poor Mobei he's learning so many awful things about humans and how MUCH DANGER THEYRE IN (how much danger his favorite human is in)
He tries to learn more about what can happen to his poor human so he's spying on Shen Qingqiu and Shang Qinghuas meetings only to hear them BOTH dramatically explain how tired they are, Shen Qingqiu with some peak lord duties juggled with Binghe and Shang Qinghua with just the amount of paper work and how they both won't make it if things don't slow down soon which prompts Mobei to immediately tell Luo Binghe that his consort is going to DIE if he doesn't get rest immediately this second
I can see this getting SO out of hand so fast, He'd bury Shang Qinghua in blankets and hold him tight so absolutely nothing can bother him and he'd be safe
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just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
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Everyone knows that Wayne knows about and supports his nephew in his various flavors of queer across all fics and headcanons. But I especially enjoy it when Wayne knows and supports him, while Eddie is completely oblivious to the fact that he's not straight.
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