#but don't worry! comics and illustrations will still be there!

[levshany]

this is where the whole story began :3

I think I'm going to run two stories in parallel (Phillip's childhood with Caleb and Evelyn and the main story with Hamayun and Luz) because at the intersection of these two stories there is one key point that greatly influences the character of Hamayun and explains his difference from canon Belos

#telling a story in picture book format is one of the best decisions I've ever made #but don't worry! comics and illustrations will still be there! #toh #toh hamayun au #toh caleb #toh caleb wittebane #caleb wittebane #toh evelyn #toh evelyn clawthorne #evelyn clawthorne #my art

[deep-dark-fears]

Out out, Mister Goofums. A fear submitted by Lauren to Deep Dark Fears - thanks!

You can find original artwork or commission portraits in my shop!

#comics #deepdarkfears #Deep Dark Fears #Fran Krause #scary #fear #watercolor #sketch #sketchbook #art #illustration #friend #ghost #death #mister goofums #Sorry I haven't posted in a month #I've still been doing this comic every Monday but I haven't had a chance to post it #I have a backlog of like a year of comics #it's been so busy lately #but a good kind of busy #so don't worry about me #I'm doing good #your pal #Fran

[alicornze7]

-EMERGENCY INTERRUPTION POST/hj-

idc if it’s 4 days late have this April Fools special!!

this took longer than it should but it’s more of a treat for myself so win-win

I don't actually have an official persona so have this lil’ guy I made in 6th grade instead (he's gonna represent me until I design my actual sona)

Close-ups :

this drawing single-handedly destroyed my workflow

-we will return to our regular posting schedule shortly-

#hazbin hotel reference #Boop #april fools #april fools 2024 #yayy my birth month:D #Actually really surprised how good that joke comic turned out #illustration #artists on tumblr #I FORGOR TO ADD THE TONE INDICATOR THE ANON’S SPEECH BUBBLE NOOOOOO #tumblr boop #boopster #the boopening #Tumblr approved:3 #Art #my sona #my persona #did i miss anything #I prommy I have way more tadc stuff in the works #Don't worry about me being pressured to make content people like rather than what I like btw #Cuz I'm enjoying the hell out of making both my own original and tadc art posts for y'all #For both you and me ^^ #Tadc is still consuming my brain and it's what I’m thinking about 24/7 #Man it's been half a year I should get a new hobby.../j #I can promise you the only other hyperfixation that passed the 6 month mark is slime rancherXD #love y'all <3 #sorry to whoever is reading the tags and sitting thru my rambling #i do that a lot

[blujayonthewing]

my mom:

me, does not and has never professionally offered book illustration or comics, has been so kicked in the dick by Mental Illness™ since [checks notes] 2019 that I’ve been turning down inquiries for the kind of commissions I do do and even my personal work for fun has been spotty at best:

#I'm not WORRIED like... she's been Like This for forever nobody's gonna take her up on it so it's not worth even saying anything to her #literally don't even know how to approach it without feeling like an ingrate shooting down her well intentioned hype-up #but also like the SPECIFIC context of me being like 'hey guys I don't do enough art to even wanna feel like I'm asking for money' #'but I just wanna make sure you know you can follow patreon for free to see my art if you want to no pressure just fyi 👉👈' #and sharing THAT like 'MY DAUGHTER WILL ILLUSTRATE YOUR ENTIRE BOOK' dude no the fuck I won't :'D #she's trying to hype me up! she's trying to be helpful and supportive! but she's also putting words in my mouth!! stop that!! #I have a friend who asked about a commission I am afraid to even check how many months ago that I'm still behind on doing #(I was thinking about not charging him to begin with and I sure as hell am not gonna now lmao but I still intend to DO it in theory) #and like even being as nonconfrontational about it as [polite cough] I'm actually not accepting commissions right now #would just invite oh but why NOT your art is so BEAUTIFUL you should be SELLING IT etc #ANYWAY all the Nuance is a moot point when at the end of the day 'my daughter will make your comic book' has simply never ever been true #I know she has absolutely no context for HOW MUCH fucking WORK that is but I DO which is why I don't! do it!! lmao!!! #about me #irl frens #posts from facebook #my art

[comicaurora]

Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

#asks #aurora #art stuff

[hitokshellart]

Can I give a rose to BMC Usagi and a sunflower to Leo? 🌹🐰🌻🐢

What will you do when you finish the comic?

They are very cute <3 I hope the final chapter ends well :')

Thank u for the flowers!

After the comic I'm planning on doing little illustration of what I feel would be the continuation of the au, based on the Tangled Series (I'm not gonna draw a comic about that tho, don't have the energy to adapt 3 seasons of a show ajfshajsfh)

I'll also work more on villain Usagi and maybe star drawing more oc and Hades stuff bc the hyperfixation is strong (I'll still draw rise/sr stuff too)

Oh, and don't worry, the ending is sweet, is the way that they get there that you should be worrying about jjsjsjs :]

#hitok's asks #asks #big mama's child #yuichi usagi #rottmnt #samurai rabbit #srtuc #rise of the tmnt #leosagi #leonardo hamato

[ruija]

Well I really love your art, may I ask how do u color? I struggle with coloring turtles and I wasn't to know how do u do that?

Hi anon! That's a very broad question, so you've given me a great excuse to ramble anything I want about my coloring, eehehehee~! This will be in two parts and I'll start with talking about my simpler coloring style.

As in, when I color characters on a white background, with a limited or light palette.

The driving force behind this style is me being lazy. My time, energy, and attention span are pretty limited, so if I want to finish anything, I gotta do it fast. And with fanart, I'm usually just doing it for fun and relaxation, so there's no need to push myself to polish it too much.

Despite that, I rarely post just black and white sketches or line arts. I always try to add at least a little bit of toning or shading, because that makes the image easier to read. The characters and their shapes pop out and catch the eye of the viewer better.

However, in this particular example, just the couple toning colors don't quite do the job. The way Don and Leo are entangled makes the center area of this illustration very busy and hard to read.

As a comparison; this pic has only one tone + mask colors, and it works. This is because all the characters are standing separately and their poses are very stationary and simple.

So for the Don + Leo pic, adding some shadows helps in bringing out shapes and depths. Also in general, if you don't feel like drawing BGs, it's good to at least add a shadow below the characters. It grounds them and makes them feel like they exist within a space.

Sometimes if the posing looks too complex and busy, it might just be best to color in the characters fully.

However, even if I do full flat colors, I tend to use a lighter palette. Putting characters in their neutral/default color on a white BG can look a bit jarring as if they're floating in a void. It feels less immersive and like the picture is unfinished.

Using lighter colors makes the image more cohesive, and fits the characters into the white environment a bit more naturally.

If I'm too lazy to draw a BG, I prefer using stylized and limited colors. It feels deliberate and that the whiteness is just part of the palette, whereas the character-accurate colors on white don't match as well, even if they're more pastel.

That being said, there's nothing wrong with just slapping the flat-colored characters on a white background. As you know, I do it too. I'm just exposing my 'fancy coloring style' for what it is; me being lazy, hah!

Limited and monochromatic palettes are a nice shortcut even when you do actual backgrounds. It's faster and you don't have to worry about clashing colors. And you can still convey atmosphere and mood.

Also, on the topic of conserving your time and efforts; I think it's very common among younger/less experienced artists to think that the amount of time you spend on your art piece = how good and well received that piece will be.

Which has some merit to it of course, but it can lead to putting too much effort into areas where it's not necessary. E.g. filling the piece with tons of details and clutter that don't serve an actual purpose, but rather make the image hard to read. Or doing really complicated shading for a meme/comic, where simplicity would deliver the joke better.

So whenever I'm drawing something I intend to publish, whether it's a quick doodle or a more polished piece, I try to follow these two principles: Make it easily readable and do the bare minimum that needs to be done to convey what I want to convey.

Putting time into practice is important, but if you draw for work, it's also crucial that you know how to prioritize and use your time efficiently!

Anyway, thanks for reading! In the next part I'll go into how I do my fully colored pieces, so stay tuned for that!

#tmnt #tmnt 2003 #ruija replies #drawing tutorial #art tutorial

[tapakah0]

Wait... Tapa, you're FUCKING 19 Y/O?! (Big /POS) I'M ADMIRING SOMEONE WHO'S MY AGE BUT WITH THE SKILLS OF A GOD?! (HUGE /POS)

Oh, Lord. Might faint if I don't sit down *says the one laying in bed cause executive dysfunction wont let them wake up*.

Tapa, really, I hugely admire and look up to you. Maybe I don't interact that often with your content, and rather I follow you because of Cass or not, I really admire how versatile you are when it comes to art. Want comic? Don't worry, there's really good and amazing comics in the master post. Want animatics? BAM! This artist's known for it's CAS animatics, and literally have done most of these in the span of, what? THREE FUCKING HOURS?! (really, that's sick and cool. Hope you rested after those /Pos). Want illustrations? Well, my my, look furthermore and you shall receive.

I really admire and look up to you, and now that you might be my age, or a little older, it both, Ups and Downs me: Up's because the fact that you got to this point and have such a progress behind you, means that I can too. Just need a bit more of discipline and focus, because I would really need the focus. And Down's because, I could be there, and just can't one way or the other. I barely know the theorics about animation/animatic and illustration, even less about doing so, and I can't really focus for more than 12hs, (and I really tried).

You're amazing, Tapa, and you truly are someone admirable. Someone loveable (Still can't forget you about your animatic “Twins”, it broke me into shards to a different level /Pos). And someone I aspire to be. When it comes to skills Ofc.

Hope you're well rested, feed, and drink enough water. I really love your art and how you have improve into them /POS /LH

Ohhh, sweet, thank you ;;~;; But I need you to know that I myself don't know a lot of things, still learning them, don't know a lot of basics about animation, I know artists my age that worked so much more then me, but it's interesting that over time you just get used to it, don't get jealous, don't push yourself, just start enjoying what you do I hope you'll get to the height you wanna climb!

#Oh gosh I hope I didn't sound like grandma #I feel like I am a boring human being today #Thank you sweet #Take your time #Work hard #and smart #and rest #You got this

[the-writer-is-always-write]

Thoughts on Dune: Part Two

General Impression: I adored this movie from start to finish. Having just rewatched Part One a week ago, it felt like a seamless transition hopping back into the story. The score, the set design, the costumes, all of it was impeccable.

Chani: her character arc was obviously the biggest deviation from the book, and although I felt a lot of surprise watching it unfold, I think some reflection has left me alright with it. I've admittedly only read Dune and Dune: Messiah, but both books are clearly meant to illustrate the dangers of religious fanaticism and the ways that religion and prophecy can be manipulated and utilized as a tool for oppression. While these ideas can (hopefully) be discerned fairly clearly by the reader, I think it makes sense to have an audible voice of dissent in a film adaptation, particularly from someone among the Fremen. The only concern I have is wondering how Denis will handle Dune: Messiah, since the plot sort of hinges on Paul and Chani being together. But I guess that's a worry for later.

MY BOY MUAD'DIB: Timothee is just so utterly perfect for this role, I genuinely could not imagine anyone else doing it with such grace and gravitas. Seeing the gradual spiral of innocent teenager to reluctant leader to religious icon was heart-wrenching. Paul has honestly become one of my favorite fictional characters because his story is so complex and layered with tragedy. He's simultaneously a product of manipulation and coercion, and an angry young man seeking revenge against those who have hurt him. He lacks agency in many ways, yet he still makes decisions that lead to so much destruction. He tries so so hard to avoid the holy war, but it becomes an inevitability he can't escape. Reading Dune: Messiah for the first time a few weeks ago really helped me to understand how the prophecy controlled him as much as he used it to control others. I could literally give a ted talk on this, and how it's such a fascinating take on the messiah figure trope.

Jessica: I saw an article recently where I think Denis called Jessica "the puppetmaster," and I think that's very fitting for her depiction in this movie. I like how it openly shows the manipulation tactics of the Bene Gesserit, particularly how they prey upon the "vulnerable" Fremen first. Rebecca did a fantastic job giving the creep factor.

Feyd-Rautha: I still don't know why Denis had a vendetta against Harkonnen eyebrows, but I guess it was cool? I LOVED the black and white lighting on Giedi Prime, and the arena scene was SO. GOOD. Denis really went for it. Feyd's accent caught me off guard a few times, but overall I think the ruthless and brutal nature of the character really shined through. He's the antithesis to Paul, and I think Denis captured that theme well enough.

I thought all the other characters were well done too. Stilgar was maybe a touch too comic relief-y at times, but nothing catastrophic. Gurney was great, but I would have liked at least one more baliset scene :(

Things we missed: I'm a little bummed we didn't get Harah. I know the movie was already pretty stuffed, but I honestly thought they could have used the actress that played Chani's friend (I can't remember if they ever mention her name). Even if the idea of Paul "acquiring" her was a little icky, they could have done something else with her character at least. I was also sad they didn't do the full funeral scene with Jamis, but oh well. I think the greater omission was Thufir Hawat, but again I can see why they chose to cut him. I just think the dynamic between the Baron and Feyd-Rautha had a lot more friction in the book, mostly because of Thufir conspiring them both against each other.

I'm honestly not upset we didn't get to see freaky-toddler Alia. I was excited for Anya though!

Overall, I really loved this film. No adaptation can get every detail perfect, but I can see the ways that Denis and the actors adored this story and wanted to tell it in a powerful way. I thought the themes stayed true to the book, and I'm really hopeful we get Part Three!

AND THE WORMS. THE WORMS WERE GREAT. LONG LIVE THE WORMS.

#dune #dune part two #dune part two spoilers #dune spoilers #frank herbert #paul atreides #chani #irulan #timothee chalamet #denis villeneuve #zendaya

[flowerbloom-arts]

Hey, sorry if I'm repetitive but what do you think happened to the humans in the Moomin universe.

Absolutely do not worry about asking too many questions, I love answering them!!!

Humans in Moominland is a very interesting subject... In that they're a LOT less of a presence than even I thought they were.

Alot of people (including me) thought that when, in Moomins and the Great Flood, Moominmamma was talking about Moomins living behind huge stoves before the invention of central heating she was talking about humans' stoves.

But no.

She never uses the word human, she says people.

(...) In those days they lived together with the house-trolls in people’s houses, mostly behind their tall stoves. “Some of us still live there now, I’m sure,” said Moominmamma. “But only where people still have stoves, I mean. We’re not happy with central heating.”

“Did the people know we were there?” asked Moomintroll.

(...)

“[A Hattifattener is] a kind of little troll-creature,” explained Moominmamma. “They’re mostly invisible. Sometimes they can be found under people’s floors, and you can hear them pattering about in there when it’s quiet in the evenings. (...)

And it's not like "people" was used as a specific term in Moomins and the Great Flood, either, because we have instances like these;

“Thank you so awfully much,” said Moominmamma. “You must have invited quite a lot of people up here for sea-pudding, I should think.”

“Oh yes,” said the boy. “People from every corner of the world. Snufkins, Sea-ghosts, Little Creeps and Big Folk, Snorks and Hemulens. And the odd angler fish, too.”

(...)

The armchair bobbed slowly along towards a hill where a lot of people were running about, pulling their belongings out of the water.

(...)

“Well, well,” said the marabou stork, who was beginning to feel touched. “I think I had better put you down on dry land and try to rescue a few more before the sun goes down. It’s very pleasant, rescuing people.” And then he took them back to the shore while they all talked at the same time about all the dreadful things they had been through. All along the shore people had lit fires at which they were warming themselves and cooking food, for most had lost their homes.

So it could be that Moominmamma was just talking about living behind regular creatures' oversized stoves, like how the Moomin ancestor did in Moominland Midwinter, which is honestly a very silly image. And it's not like it'd be impossible - the Hemulen and the Marabou stork in Great Flood are absolutely massive compared to our main characters.

Marabou storks tend to be about 5 feet tall so relatively speaking, if we assume this stork is still the same size as he would be irl, then our main characters would be relatively mouse-sized.

However. Tove didn't seem to have committed to this concept, and more or less just retconned it out of canon. Since the cats in Moomins and the Great Flood are seemingly regular-sized relative to the Hemulen's chair;

But in the 1968 revision of Comet in Moominland including future adaptations of the story, Sniff's cat is regular-sized, and so are the cats that appear in the Moomin comic strip, like the one in Moominmamma's Maid.

(sorry for using a screenshot from the 90s movie adaptation, I couldn't find a book illustration since I don't have a PDF of the revised book, much less an illustration of Sniff and his cat next to eachother, if that exists. If anyone has a way to read the revision in English pleeease give it to me)

But that's just Moomins and the Great Flood, which practically functions as a "pilot episode" for the whole franchise; it set up the concepts but is not representative of the rest of the franchise and has alot of things that get retconned but not entirely removed for the rest of the series, it wasn't even translated into/published in English until 2012. What about the rest of the franchise?

Well, the only instance of the word "human" being used in the books is in Moominpappa at Sea, while Moominpappa talked about how stone-faced the Fisherman/Lighthouse Keeper has been for the whole book;

‘There’s something wrong with you that I can’t make out,’ Moominpappa said to himself. ‘You’re not a human being at all. You’re more like a plant or a shadow, just as if you’d never been born.’

Which implies either of two things; the LHK is human or human-adjacent, or human is a normal adjective in the world of Moomin aswell.

And the only instance of the word "human" in the comic strip (there could be another instance I'm forgetting, however I'm not talking about Lars' comics because I am kind of prioritizing Tove's intentions here) is in a conversation between Snorkmaiden and Mymble Jr in Moomin Winter Follies;

Which... Kind of implies Mr. Brisk is human, I think? It's hard to imagine but there it is, the one instance of the word human in the comics.

And that's like... The only thing we really have within the original medium of Moomin.

But Tove had also worked on other things first-hand, and one of them had actual human characters.

That being Mumintrollet (1969, nice), a live-action show primarily known for the body horror of the Moomins removing their heads to reveal human heads inside. But with that obviously inapplicable facet of the show aside, we have this guy, the main antagonist, the King;

This guy is an explicitly canon human (can't be 100% sure since the show hasn't been transcribed or translated from its original swedish but I'm close to sure), and he's about the same size as the Moomins (probably because of the nature of the show, kinda like the whole head thing and Little My's normal human size in the show, but ehhh)

And that's, like, it for the canonicity of humans in Moomin, everything else is questionable or vague or a bit bewildering.

Like, is King Jones from Moominpappa's Memoirs a human? Why is he so big? What's going on here???

But that's all up to speculation, even the examples of the instances of the word human I've shown doesn't totally prove the existence of humans as we know them in this world. Alot of the characters look human but aren't, and others aren't stated to be not human, there are some oversized things like Muddler's tin that don't get explained, but who knows, really.

In short, I don't think anything has exactly happened to humans. They're either living among Moominland's society like fellow creatures (heck, maybe even some of the characters we know are human) or they're like... Rare or extinct or didn't even truly exist in the first place.

It's one big "who knows?".

#moomins #moominvalley #the moomins #moomin #fb answers #moomin books #moomin comics #moomin analysis #long post

[tua-masked-author]

🌺 📻 Summer remix ‘24 📻 🌺

Hello masqueraders! We are back again for another round of TMA in June (8th-29th). This round, to celebrate the end of TUA, we want to appreciate the contributions of this fandom, so its time to REMIX!

🎭 What is a remix?

A remix is a fanwork of a fanwork!! There are a lot of different interpretations, but to keep things simple we are taking the broadest possible definition. A remix could be a scene written from another character’s pov, a story where the roles have been swapped, or the answer to the question “what if [this] had happened instead?” It could be an illustration of a scene in a fic, or a full blown comic, or a recreation of a drawing with a different mood in another style and setting. It could be fanfic of an artist’s drawing or fanart of an author’s story.

Basically it's a chance to show love and pay homage to another fan work by creating a new complimentary fan work!

🌺 You can find a more in-depth definition of a remix here. 🌺

The fanwork you are inspired by could be any TUA fanwork; fanfic and fanart of course, but also a tumblr post about an au that you are particularly fond of, a fansong; even a gifset with a strong concept or a meta essay you were grabbed by. We’re appreciating ALL fanworks here!

🎭 Do I have to do a remix?

As always the theme is optional; you don't have to do a remix. However, we strongly encourage everyone to give it a shot! We want to look back on all the great fanworks this fandom has to offer and appreciate the fans who have made our community!

🎭 But how do I know if the author/artist will be okay with it?

In place of a prompt sheet this round, we are letting people submit their fanworks to be remixed! (If you aren’t sure you’d like to participate, no worries! The submission form carries no expectation that you draw or write for the event.)

🌺 You can find the link to submit your works here. 🌺

🌺 and here are the works submitted for remixing! 🌺

Additionally, lots of authors will include permission statements on their AO3 profiles, so if you already have a fic in mind it would be worth checking for one. Alternatively, you can contact the author or artist and ask!

🎭 This is still the Masked Author though, right?

Yes! As always, when the posting period arrives (which we will announce in a more in depth rules post soon) you will post to the event collection that will anonymize your work, and afterwards there will be a period where you all put on your detective hats and try to solve who’s who. And if YOUR work gets remixed, then you’ll be getting an anonymous treat and get to try to suss out who gave it to you!

#tua #the umbrella academy #tua events #tua masked author #tua masked artist #tma summer remix

[hayateart]

Pre-orders for physical copy of God's Tears are open!

Enter the SHOP!

You can get 96 pages of the comic with new bonus illustrations for only $10 with world-wide shipping. All orders with come with a Moshang bookmark. If we get to over 15 orders, I will throw in a sticker sheet as well. It is in your best interest to share and spread the word ;)

Pre-orders will close on 15th November.

Take a look at the sticker sheet! Airplane wrote PIDW2 and people have reactions:

And here are some previews of the new art:

I will only print as many copies as there are pre-orders [maybe a couple extra more for emergency reasons], so this is your best chance to get them.

And, to make people at ease, even if I have on order, you will still get your copy and the bookmark, so don't you worry. I want a printed copy so I may as well get more than one.

#moshang #mobei jun #shang qinghua #mxtx #svsss #god's tears fan comic #my art #luo binghe #shen qingqiu #bingqiu #fan comic #print

[ducktoonsfanart]

Mickey Mouse and Oswald the Lucky Rabbit as Romulus and Remus, as the founders of Rome - Toon History - History in Duckverse and Mouseverse - Happy Birthday to the Best City!

Yes, it's time to change my plans now with my new project called Toon Historia, also History in Duckverse and Mouseverse in which our famous cartoon and comic characters play famous historical figures and will play in important historical events . And first I drew Oswald the Lucky Rabbit and Mickey Mouse as the founders of Rome, as Romulus and Remus. Romulus and Remus, according to Roman mythology and Roman tradition, were the sons of Rhea Sylvia and the god Mars and grandsons of King Numitor. Numitor's brother Amulius overthrew his brother and ordered the execution of his children, including the sons of Sylvia who were thrown into the Tiber River. However, according to legend, a she-wolf found them and raised them until the shepherd Faustulus came along and adopted them. Afterwards they grew up and when they heard the truth, they went to overthrow Amulius and succeeded and restored their grandfather Numitor to be king of the city of Alba. Afterwards, Romulus and Remus went to seven hills in the valley of the Tiber River and there on April 21, 753 BC they founded the eternal city, which will be called Rome. Yes, there was a conflict between the two in which Romulus killed his brother (a tragic event) and thus took the title of the first king of Rome.

Oswald and Mickey who were created by Ub Iwerks and Walt Disney in 1927 and 1928 also became the first Disney icons, however the conflict between Iwerks and Disney resulted in Oswald being part of Universal, until in 2006 Disney bought the rights to Oswald. Yes, that's why I drew Mickey and Oswald as Romulus and Remus, because of that parallel, but don't worry, Mickey won't kill his brother, even though mice and rabbits are not the same species, they are still considered brothers because of Epic Mickey. As Romulus and Remus were the founders of Rome, so Oswald and Mickey were the founders of the new world.

I drew this last year, but I waited for this moment to publish now and I drew it as a redraw from an illustration by Tancredi Scarpelli (1866–1937) for Storia d'Italia by Paolo Giudici (Nerbini, 1929). I drew Mickey in my own style, while I left the old look for Oswald, because I still like him better with dot eyes. And yes, I drew this on the occasion of the 100th anniversary of the creation of Disney as well as the 75th anniversary of Topolino magazine, which is published in Italy, and the capital of Italy is definitely Rome. Yes, Rome, the eternal city and capital of one of the greatest empires and greatest civilizations of all time. As well as related to the birthday of the City of Rome, which is celebrated on April 21 every year. Happy Rome Day! Roma Aeterna!

I hope you like this drawing and this idea and if you want to support feel free to like and reblog this! I just ask that you don't copy my same ideas without mentioning me and without my permission. Thank you! Happy Rome Day, my favorite city in the world!

#my fanart #mickey mouse #oswald the lucky rabbit #topolino #disney #artists on tumblr #my redraw #romulus and remus #rome #history #ancient rome #mouseverse #comics #cartoons #epic mickey #mickey and oswald #toon history #duckverse in history #mouseverse in history #753 BC #21th April #disney mouse #disney rabbit #fanart #my style #my art #art #disney fanart #roma aeterna #classic disney universe

[yourmaidsp]

How do you come up with your compositions? They are so cool I wanna know if you have any huge inspirations :-) your art is so lovely

Hiiiiiii! Awww thanks for the appreciation!

I'm actually working on a more comprehensive art tutorial rn (bc someone asked here earlier), that would include composition， but I'll do a shorter answer first for u bc you're asking sth. more specific ?( hope it's okey (❁´◡`❁))

(Oh and also I've seen ur req! don't worry, I'm doing that as well, it's just there's still some before yours( ´･･)ﾉ(._.`))

Um and when the long tutorial is out, feel free to check that out ~

On Composition:

Goal

For me the goal of my illustration r Storytelling n full on Emotional experience.

(It's something I've been trying to achieve but cannot guarantee I hit it all the time, sometimes bc of my habit I'll lost myself during the process and looking back find out I miss something important, so the following is the best theories I could provide. Most of improvement r still in daily practice(●'◡'●))

To paint with beautiful compostion, you'll first have a solid story in mind, it can be simplified into " who when where n what", writing them down on a note n stick it near by would help.

And as to emotional experience, is something I can't get hold of all the time... music might help I guess? I have headcanon playlists for every chatacter or ship I wanna paint, and extract emotions from them everyday.

But there's some practical methods too.

Methods

I've worked storyboard n director for 2 years in the past, even though I'm not proud of the projects I worked on, some knowledge might still be useful.

It's mostly 2 methods: Silhouette & Movement

Well for silhouettes there's already bunch of books discussing this, one of my favs is Framed Ink, I'm sure u can find a pdf somewhere on the net.

(I find this photo on the internet bc mine is not around)

Basically it's that, think about the objects within your image, by using shadows n their original colors, you can split it into interesting shapes. This will visually elevate the overall feeling of composition.

Also, there's a cheat build in humem's understanding of an image.

basically this, putting important object on the 1/3 points of an image is the fastest cheat.

Also, contrast your silhouette. If you're painting sth that has no background, try giving your silhouette a constrasted design.

(like in this one, the right side is smooth but I'm putting lots of variation on the left.)

For movement, think about your image as a shot taken when your characters r doing sth.

They would each have a direction to move to, and that forms their movement. Your job here is to arrange them into logical or emotional lines.

If it's a series of work, u can plan out the movement toward the same direction.

(the only time you're seeing their car facing left is when they stopped, I was trying to say that their trip kinda ends here)

Also for manga, comic n movie, make sure your important information is within safe area.

(the area within dotted lines is the safe area, u want your character's expression to be mostly within it. if it's like extreme close-up, the certain area u want to emphasize should be within it.)

I have some examples for these two theories.

First let's analyze this screenshot of one of Kurosawa's film, Seven Samurais.

The story here is that these guys r about to fight, possibly some big conflict. There silhouette can be sumed up like this, within the orange line.

We see this guy sticking out from this shape, implying he might be the head of this crowd.

Movement wise, their spears n heads face the same direction, telling u that the enemy will come from that side. Even this is a still frame, the movement is implied perfectly.

Another sample from Synecdoche,NY by Charlie Kauffman

This is a minimalist way of conveying emotion, u only see one main character here, and hardly any movement. Why is it so powerful?

Our main character, Caden, is in the almost center of this shot. He has a clear n simple shape. You don't normally put your main object in the center, so we'd assume he's very important.

Then there's this repeated notes in the background. When something is repeated a lot, it giver u an impression of pressure. Especially when he's surrounded by them, and they take more space within the frame than he does.

Also, this is a down shot, the camera is pointing down and behind him. You'll feel your character being watched or at his lower point of life when u do that.

Inspirations:

Movies mostly, and traditional artists.

Back when I was in film school I watched a bunch of movies n that slowly became a habit, movies r very good sources for ideas.

Even if you're not having enough time, watching reviews n analysis would also help, (but I'd suggest u try to consume the films not listening to critics to get a unique experience.)

Some of my favourite directors are:

Kelly Reichardt (First Cow)

Apichatpong (Tropical Malady, Memoria);

Charlie Kaufman (Synecdoche NY, Adaptaion);

Satoshi Kon (Paprika, Perfect Blue);

Kurosawa Akira (Yume, Kagemusha );

Edgar Wright (Shaun of the Dead, Hot Fuzz );

Kusturica (Black Cat White Cat, Underground 1995);

Carol Reed (The Third Man)

Errrm I hope it's helpful? (❁´◡`❁) The next tutorial is gonna be even longer.

#maid's requests #art tips #art theory

[milfygerard]

Do you think Gerard's comics are good? I haven't read all of them. I felt like the story doesn't really wrap up well and make sense good in the Killjoy comics or Umbrella Academy but maybe comics are just like that. Maybe they were imitating other writers I don't know about and I'm missing context. What are your thoughts

anon i am so deeply biased towards gerards comics but YES i do think theyre good! I think lots of the critiques are fair but i also think it leads to the fandom kind of underrating him as a comic author at times and dismissing the work out of hand. I especially see this for umbrella academy and to answer your other question yes i do think some of it is a matter of missing context! TUA was never...really made to be a popular and commercial comic? The satire and style are very inside baseball, mostly about x men, as well as later leaning more into a silver age style of both writing and illustration (which is why im soooo obsessed w hotel oblivion guys its so goood its so good i swear)

When it comes to other comic runs, I'd say killjoys comics tend to be the messiest but they are also deeply meaningful to me wnd natuonal anthem is so fucking gorgeous and interesting (controversial but im a natam ending defender even if i think the comic itself couldve used another issue or 2 to push the character writing more). I think gerard has one of the better doom patrol runs, Including milk wars i'd put it up there at maybe 3rd or 4th depending on how much i let personal bias into the equation. However doom patrol is also very Like That just as like a superhero group and can be kind of impenetrable if you arent down for genuinely bizarre and sometimes seemingly nonsensical writing, its kind of apart of the teams DNA as the "worlds strangest heroes". Milk wars is soso good and maybe one of my favorite Comic Things gerard has made/been involved with but its also best with looots of comic context bc its playing w both doom patrol history and the context of where DC as a company was during the time of its release. Its still relevant in many ways but probably feels impenetrable if you arent already into comics at least a bit.

Gerards style def isnt for everyone (and they do sometimes get bored and cheese the ending a bit though i defs tend to like them more than other ppl do) but i do think theyre extremely good at what rhey do and im soooo excited for paranoid gardens especially bc 1. gerard has always taken an extremely empathetic and nuanced and honest approach to writing about mental health and mental illnesses bith real and semi fictionalized and 2. the artist on board is an industry mainstay and has made some fucking incredible work! I didnt love the first issue cover dropped and was worried i wouldnt click w the artstyle but after properly checking out chris westons style im really excited!!!! gerard time

#ask #anonymous #i hope none of this comes off as dismissive #gerard definitely has a very particular style and has some flaws it can be hard to look over if its not for you #but i also think gerard is extremely skilled and very much deserves their place as a respected figure in the comic world #and again im SOOOO EXCITEF for paranoid park #whenever gerard mentions 'silver age weirdness' while describing a project theyre working on i get so hyped #also wheres TUA5. @gerard where is she

[tangledinink]

Hello. I just wanted to say, even if you don’t get enough likes or reposts on any of your comics, you should still be posting them for those people who enjoy them and DO want to read them whenever they can.

Hey bro, I understand what you're saying, and I think maybe your point is supposed to be, like, that I shouldn't worry about notes and stuff? But this is one of quite a few anons/messages of this ilk I've received lately, so here's the thing.

I've literally posted about seventeen different comics on tumblr for you guys over the past three weeks. In addition to multiple illustrated pieces, three fic updates, and two oneshots (that's over 36k words my guy!) in that same timeframe. Quite frankly, that's a lot of content.

I'm really, really glad you guys are enjoying the things I'm making! But please let me publish things at my own pace. When I say that I usually wait for the previous part of a comic to hit a certain number of notes before I publish the next, I mean, like I previously stated, that I'm using it as a way to time things/space things out and give each part a chance to breathe and do the rounds before adding more-- not that me continuing the project is dependant on the amount of attention I receive. But even if it was... it's my right to operate that way if I want to!

And. Like. Yeah, okay, I guess I'll go ahead and delete that other ask about the SepAU thing? 'Cause it's really just resulted in me being informed by people, anonymous or otherwise, that I'm totally screwed, they'll be voting against me, etc etc. and I'm? Not having that fun of a time?,,, Actually?,,, I'm already aware that I will likely lose and that's okay, it's just a game. I'm not going to stop making content because of it, so please don't worry about that. But all these anons and such are really not,,, helping. Nor encouraging me to publish anything else.

So I'd really, really appreciate you guys' patience. I'm not gonna answer any more asks like this. Thank you.

#asks #anon #i also like. dont expect everyone to be totally up to speed on like #my personal life and mental state and all that but like #gestures to all the vent comics and posts ive made in the past few days #guys please #why are we doing this NOW? #and @ anon im sorry its not just you and its not just your ask this is the one i chose to answer #there were others who probably deserved this response more but i deleted all of them #so sorry #im just a little frustrated right now #i just wanted to? play the silly tumblr poll game #and i think the universe just actually designed it to humble me and put me back in my place maybe #and also maybe theyre just not for me and i made a mistake #so this is probably going to work out for the best #sorry