The way the fandom somehow forgets that the only reason Iapetus became Bob is because he was straight up trying to kill Percy. Percy didn’t actually have an obligation to the murderous Titan he memory-wiped to save his life and his two cousins. The only he thought about Bob after SOH was probably something along the lines of “one less Titan to fight” and nothing else, because again, he tried to kill Percy. This doesn’t even touch on the fact that Hades would not allow Percy to visit the Underworld to visit Bob; the very next time Percy comes to the Underworld, he gets locked in a cell. Like, nice of Nico to talk to Bob and all, but Percy had no reason to think this was occurring or to ever think about what was going on with that one Titan who almost killed him. I beg of some of y’all to think about context
bestie i love Bob but i could list reasons why Percy has no obligation to him, and vice versa.
Bob came into being because Iapetus was trying to kill Percy. he was borne from a fight to the death that Percy only survived because he was smart enough to use his surroundings to his advantage. Percy could have left him alone, confused, and empty on the banks of the Lethe. it would have been well within his rights as a kid who'd just almost died at this being's hand. instead, he took him to Hades, who would, if not take care of him, at least keep him safe. any obligation Percy may have had to the titan ended there.
and Bob? he didn't have to go down to Tartarus for Percy. that he did just shows how kind Iapetus could be, at his base, with no memories interfering with his loyalties. Bob remembers Percy saying they were friends, and that's it. nothing more from him. he goes to help because Nico told Bob how good a friend Percy could be. and once he gets to Tartarus? Percy immediately starts manipulating him again. rather than 'this is who you are,' it's 'this is what to do' and it's subtle enough that it can be disguised as a friend helping a friend! and Percy may even think of Bob as a friend, but that's not what he is first and foremost. first and foremost, he's a titan who needs to be kept in check.
gosh i love their dynamic. it's so intricate.
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friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me
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something something two guys walk into a garden
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I will never stop thinking about the fact that the Hunger Games was canonically a drunk hypothetical. It wasn’t some great government scheme.
So many bad dystopian novels that have some crazy world building premise make it seem like some great creation from powerful minds. Some great construction. Think of City of Ember with its box or Divergent with its weird scientists(??) or The Selection with its bachelor premise, they are always “grandly designed.” Even in Catching Fire with the Quarter Quells the Games give off an air of grand planning.
But the hunger games were a HYPOTHETICAL. A crazy, extreme, what if. They were never supposed to exist. They were never supposed to be real.
Who wouldn’t drink themselves to death knowing they thought of the idea in the first place?
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Back on my nonsense with another self indulgent comic turned storyboard and value practice.
But for a bit more context, Raph gets massive migraines after the invasion as result of the krangification and mind probing. Mikey definitely knows what’s going on, but can’t get Raph to admit that he needs help.
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Correct me if I'm wrong, but I feel like there is a particular kind of sadness (or loneliness, if you will) that ace/aro folk feel.
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HI… I MADE A GENSHIN QUIZ… You guys should take it and tell me what you got
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something something Buffy has paint on her face in the same place Spike has blood on his face, something something red string of fate, something something destiny
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i’m afraid of diving into good omens tumblr discourse but i just–i have to say
Aziraphale’s face. it’s. that is the expression of someone who does not want to be kissed, but knows it’s inevitable. though even more subtle than that, it’s the face of someone who does not want the thing to happen not because they don’t want it, but because they do, they really do, and yet it is not the way they wish it would be. Aziraphale knows something here. and he isn’t telling Crowley, nor us. he’s got some kind of higher pressure weighing down on him, forcing him to act against his nature and heart, forcing him to act against Crowley. he backs Crowley into a corner with his talk of joining Metatron in Heaven, and knows it. and that is what he wants, because that’s where he needs Crowley to be–away from him; but he pushes too strong, pushes Crowley to risk it all and end up cornering Aziraphale right back. all Aziraphale wanted, all he needed to do, was protect Crowley by breaking his heart and abandoning him, but you can’t undo 6,000 years of companionship without a miracle. it’s a failure.
whatever the Metatron told or did to Aziraphale that was hidden from us, it terrified him enough to make up a wobbly plan that could keep Crowley safe, if he would just go along with it. Aziraphale may have been strong enough, may have loved Crowley that much, to put his heart on the line and sacrifice himself if it meant Crowley could live on, but he underestimated Crowley’s love for him. underestimated Crowley’s courage and capacity for honesty.
the angel lied and the demon spoke his truth and everything crashed and failed.
and it is painful failure and remorse that i see on Aziraphale’s face.
it’s Please don’t ruin my attempt at saving you and Can’t you see what I’m trying to do and I’m sorry I’m breaking your heart but I have to if I want to keep you and To choose you I have to choose Heaven but I know you’re not seeing it that way and Crowley look at me I’m lying just go along and
Oh no, you believed me entirely too much, what have I done?
with the kiss, Crowley seals his fate as undeniably tied to Aziraphale’s. and Metatron will know.
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I think the thing that, like, has me fully frothing at the mouth about the way the last of us transformed bill's story is how it flipped on its head what bill does in the narrative. in the game (at least in my interpretation), he is the epitome of the living vs. surviving dichotomy, an example on how you can do everything you can to survive as long as you can and be absofuckinglutely miserable and alone if you continue to shove down parts of yourself and keep everyone at arm's length. he's what joel could become if he's not careful.
and in the show, he's the opposite - he's the example of how you can change your ways in the worst circumstances, how letting someone in is actually the most powerful thing you can do, how surviving isn't enough, isn't worthwhile, if you don't have love, if you don't have something to live for. and where in the game he was a portent of joel's future if he continued down the path he was on, in the show he's a contrast of what joel already is. joel, who couldn't tell tess he loved her, joel who can be detached enough to dispose of the corpse of a child, joel who doesn't allow himself to mourn the death of his friends for more than a few seconds. bill of the game was that way, except he still helped joel and ellie out. joel of the tv show is where bill was, but he still gives ellie his jacket when its cold, his food when she's hungry.
and in doing all of that, and with knowing what's coming, the last of us has said "love will save you. it doesn't matter if its romantic love or familial love, no matter the people involved, love is the most natural thing we do, and if you try to push it away, it will be that that kills you."
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I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough
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Do you think. That after Sanji asked Zoro to kill him. He took a moment wonder if, had Kuina lived to adulthood, at the end of their journey, would whoever killed Mihawk first have to fight the other to protect their title? Do you think the next time they fought after Sanji’s request, Kitetsu would cut just a little too close to Sanji’s throat, because her master was too preoccupied thinking, would I have been able to do it? Kill her, if it came to that? For my dream? and later when he’s carefully wiping Sanji’s blood off his blade, do you think, that maybe he would think- the dream was hers before it was mine. Would I have felt betrayed, then, if she killed me? Or proud? Pleased? Happy?
When Sanji interrupts his thoughts to say, what the hell has got you so distracted? Am I too boring for you to take seriously? do you think Zoro would glare at him in silence cause there’s no way for him to articulate that he’s never taken anything more seriously in his life.
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Tumble should also know that I’ve got a girlfriend and I love her very much
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Ok so!!!! Still not sure what I’m doing but here’s some character reference sheets for my turtles. I don’t don’t know what to name this au yet but I do know that I’m going to enjoy drawing and bestowing grievous amounts of trauma upon them.
Listed in order we have cringefail mentally ill eldest daughter, autism car guy, anger issues problem child and little shit prodigy.
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i alwys get annoyed when i see fanon depictions of artificer being affectionate with five pebbles because in my mind artificer has complicated feelings towards him that lean towards dislike and they see him more as a weird alien creature-machine who carries a great deal of knowledge and talks to arti for lack of anything better to do, and artificer brings him pearls to stave off crushing hopelessness and loneliness but like i dont think artificer actually likes him. i think theyd find him off-putting and unpleasant. of course that's just headcanon in my mind though which is why its a little funny that alternate depictions annoy me so much. we are all making this shit up
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