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#but HE WROTE MONSTER MOVIE! MY PROBABLY FAVORITE EPISODE!
queermania · 1 year
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Wait wait wait. Jensen picked the writer who gave Dean a lesbian best friend and made him a nerd to be the show runner for his little fixit fic show? This is amazing!
when you look at robbie's run of episodes (that he wrote specifically, not produced or was the executive story editor on), a very specific version of supernatural and dean starts to emerge and it is insanity-inducing. here's a very brief rundown of the episodes robbie wrote:
slash fiction -swayze always gets a pass -dean singing air supply -"it's like eating self-righteousness' -the creation and introduction of frank devereaux -"applications for sainthood" -dean letting sam go
time after time -"what are you gonna look up more anime or are you strictly into dick now?" -dean being a nerdy little fanboy about eliott ness (and checking out a dude in a uniform but that was probably jacting joices) -dean getting excited about dressing up in period clothing!! -understanding that rufus matters and that family isn't just blood -original sam is milf!bait (and he's into it) truther -actually writing grief in nuanced ways -dean is smart and resourceful actually! -your future is "covered in thick black ooze" (which i know is just a very lucky coincidence but i don't care!)
the girl with the dungeons and dragons tattoo -CHARLIE!!! he gave us charlie. he said "actually what if hardcore fans were cool and fun and GAY and they were dean's new best friend" -charlie/dean/security guard flirting split screen -"she's kinda like the little sister I never wanted." "how does a high-school dropout become one of the brightest minds…" -basically this entire episode is just "be gay, do crime" and i love that for me specifically
bitten -not my favorite episode but as @ilarual says "it's very fun in how it illustrates Robbie's willingness to play with form, since it's all done as found footage" -and as @doctorprofessorsong says it "has the concept of monsters aren’t always bad guys" -and apparently it contains a brokeback reference? my memory of this episode is hovering at around 1% tbh but you get it
larp and the real girl -dressing dean up in little outfits AGAIN -and he likes it!!! -and he likes being a nerd! (dean is getting into it and sam is the one who is unamused mr serious guy!!!!) -and charlie is dean's new best friend! -"belladonna" "the pornstar?" -"did you break up with someone too?" -honestly you already know all of it. this is a fan favorite for a reason. what more can i say about this episode??
goodbye stranger -yes robbie was the first writer to try to give us a destiel love confession -cas practicing killing dean over and over and over and still not being able to do it when it comes down to it -"what broke the connection?" gee i wonder -first episode writing cas and he nailed the sort of unintentional deadpan humor that makes cas so lovable ("would it kill you to watch a movie? read a book?" "a movie, no, but with a book with the proper spells—yeah, it could theoretically kill me.") -"if he's so sketchy then why are you praying to him?" -pizza man reference -"do you really think we can trust megstiel?" (we get both megstiel and jealous!dean) -dean quoting lord of the rings (because he's a nerd! and he reads!) -meg roasting the shit out of sam for the amelia stuff -etc
pac-man fever -charlie reading the carver edlund books -charlie and dean being besties/getting a montage -dean telling charlie that what happened with her parents wasn't her fault/understanding the guilt she feels -"i love you" "i know" -"what about castiel? he seems helpful, and dreamy" -again, putting dean in little outfits -charlie knows how to shoot/aim a gun
slumber party -dorothy!! -oz!!! -look, is this episode cheesy? yes. but it's fun and it's so obviously a love letter to the oz source material and i love that about robbie. he does his research and he commits
first born -cain!!!! -drowley team up!!!!! ("friends. besties, actually." im sorry but drowley means so much to me personally and this is the start of their beautiful bromance) -"this is by far the dumbest idea you've ever had." "yeah, well, it's early" -cas liked pb&js!! jelly, not jam. he found jam unsettling!! -"you have a guinea pig? where?" -"you're a terrible liar?" "that is not true. i once deceived and betrayed both you and your brother." -just. sastiel shenanigans (and hugs!) -"she only asked for one thing." "to stop" -anyway. you get it.
meta fiction -dean and cas phone call smiles!! they LIKE each other -metatron media dump -"what makes a story work? is it the plot, the characters, the text? the subtext? and who gives a story meaning? is the writer? or you?" -i think it's important to note that robbie who wrote gabriel faking his own death -cas noticing something is wrong with dean pretty much instantly and then discovering the mark of cain
fan fiction -i mean. come on. -"although we do explore the nature of destiel in act two." -"you can't spell subtext without s-e-x" -sam being such a younger brother and trolling dean about "destiel" -"BM scene" -dean "you know they're brothers, right?"-ing the w*ncest stuff but just being flustered about the destiel stuff ayyyy -dean casually referencing andrew lloyd webber -"transformative fiction" -"i want you to put as much sub into that text as you possibly can" -dean quoting rent -the samulet is back! -"i have my version, and you have yours." -"he took away our own free will" <- about john!! -THE RETURN OF CHUCK!
there's no place like home -"i forgive you dean" "yeah well i don't" "i know, kinda your move" -"you hurt my friend" -"you lied to me" "you lied to yourself. that's kinda your move." -i mean. robbie just gets it, ya know?
book of the damned -cas being a huge bitch (love that) -sam being the excessively codependent one -cas and charlie get to meet! -found family goodness if only for a little bit!!
angel heart -ahhhhhhhhhhh!!!! -"i got it at the hot topical" (and claire keeping grumpy cat) -no seriously. dean and cas went birthday present shopping together for claire and they did it at a mall -castiel feeling guilt for what he did to the novak family (and amelia recognizing that cas has changed/grown) -"you were both troubled teens. you speak her language." -"bring your daughter to work day" -"i'm saying she might be stronger on her own." which is a controversial line but i think it says something really significant about how dean feels about his childhood "in fact you're not anything to her except a constant reminder of someone that's gone." -mini golf!!!!!! dean and claire bonding!!!! -the introduction of the grigori, a class of angels which may or may not be important at some point -claire roasting the shit out of dean with "you seem pretty old" <3 -"happy birthday. don't shoot me."
baby -do i really need to explain anything about this one? -"okay first of all, never use swayze's name in vain, okay? ever." -"mistakes were made" -dean having a dream about john teaching him to drive but under normal and appropriate circumstances -werepire…. ghoulpyre… -honestly just the whole episde. you know what i'm talking about. the unique perspective. the insight into their day-to-day lives. the moments that live in between.
into the mystic -eileen! my best friend eileen! -dean x mildred otp -remembering sam's lucifer/hell trauma -the whole "follow your heart" speech -"banshees go after the vulnerable, so why'd it go after you?" -dean recognizing there's something off with cas -but really the most important thing here is EILEEN
safe house -bobby and rufus!!!! -i repeat BOBBY AND RUFUS!!!! -"were you ever nice?" "1985. worst year of my life." -robbie just really GETS that this show is more fun when it's not centered entirely on the brothers. -bobby referring to sam and dean as his boys -timey wimey shenanigans -there were some interesting implications in this episode too but i'm losing steam here so i'm gonna let you rewatch and figure it out lol
don't call me shurley -the reveal of chuck as god!!!! -bisexual chuck -dean does sam's laundry (sometimes with beer) -chuck is a shitty egotistical writer -he also plays the guitar and: "i like front row seats. you know, i figured i'd hide out in plain sight." -"i thought if i could show my sister that there was something more than just us, something better than us, then maybe she'd change. maybe she'd stop being… her. but every time I'd build a new world, she'd destroy it." -"the world would still be spinning with demon dean in it but sam couldn't have that though could he?" -"you were gonna choose amara over me."
so. yeah. jensen chose THIS GUY to helm the winchesters. bold move, sir. full respect.
also, this tweet always makes me crack up
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one of us! one of us! one of us!
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kwisatzworld · 4 months
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List of Valentino Rossi books and documentaries:
inspired by @pgaslys list of marc’s docs
📚 Books
What If I Had Never Tried It [English/Italian/Spanish/German/Japanese/Chinese, etc.]: Vale’s only autobiography to date, translated into a lot of languages (so many that it’s hard to keep count). The English edition is notoriously rough - think spelling mistakes and some lost-in-translation moments. Despite this, yellow fans absolutely shouldn’t miss out on this gem. Published in 2006, during Vale’s zenith with five consecutive championships under his belt, the book radiates his happiness and confidence. The narrative is casual, with chapters loosely connected, but you will still find pleasure in reading this book.
MotoGenius: the Valentino Rossi biography by Mat Oxley: Oxley remains my all-time favorite Rossi author! Initially published years ago, the latest edition is available on Kindle. It’s a treasure trove of Vale anecdotes and Oxley’s unique insights, offering a glimpse into how Vale captivated his generation.
The Valentino Rossi Files: Everything I’ve ever written about VR by Mat Oxley: Available on Kindle, this collection (in two parts) encapsulates all the articles Oxley wrote about Vale for magazines and newspapers before joining Motor Sport Magazine.
Valentino Rossi: The Definitive Biography by Stuart Barker: A comprehensive biography of Vale, chronologically organized.
Valentino Rossi: Il Dio del Motociclismo by Fabio Fagnani [Italian]: Not recommended as the author’s fan-like admiration making it read more like a love letter than a biography. The only saving grace is the interview with Aldo Drudi.
Valentino Rossi: All His Races by Mat Oxley [English/German/Japanese/Serbian]: Chronicles every race of Vale’s career, enriched with exclusive interviews.
🎥 Documentaries
When asked about a movie about himself, Vale said, “If it’s a bad movie, I’d rather it didn’t exist.” He holds a similarly cautious stance towards documentaries, and has never personally produced a documentary about himself, though perhaps that might change at some point in the future.
Faster (2003) : Premiered at the Festival de Cannes during MotoGP’s golden era, this documentary intriguingly portrays the rivalry between Vale and Max Biaggi.
The Doctor, the Tornado, and the Kentucky Kid (2006) : Focuses on the 2005 season, especially the US Grand Prix, you can see the beautiful yellow livery of Yamaha’s 50th anniversary.
Fastest (2011) : A sequel to Faster.
Hitting the Apex (2015) : Arguably the best MotoGP documentary out there. Vale and Marco riding into the sunset to ‘Wish you were here’ is a poignant moment.
Valentino Rossi: The Doctor (2016) : Produced by Monster Energy, primarily illustrating how Vale expanded his empire step by step.
Racing Together (2017): MotoGP history isn’t complete without its greatest icon, Vale features for about 15 minutes.
Valentino’s Secret Room: Inside the Doctor’s Hidden Archive (2020) : Produced by Dainese, revealing Vale’s personal collection.
Ruta 46 – Ruta 93: El camino de dos mitos (2021) : Produced by DAZN España, unfortunately I haven’t seen it yet – if you have, let me know how it tells the tale.
Tales of Valentino (2021) : A nine-episode documentary series produced by Dorna, showcasing different aspects of Vale’s career through nine significant races.
RiVale | Valentino Rossi as Told by His Rivals (2021) : Produced by DAZN Italia featuring Vale’s main rivals (except Marc), sharing their stories with him.
Rossi | BT Sport Documentary on the Career of MotoGP Icon, Valentino Rossi (2022) : Produced by BT Sport following Vale’s retirement, highlighted by Suzi Perry’s captivating hosting style.
MotoGP Unlimited (2022) : No need for a lengthy introduction – it’s probably already been watched by everyone by now.
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victorspindrop · 1 month
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HOA Characters and Fandoms they are in
**NOTE: Second headcanon type post lets go! Love reading peoples responses (Sorry for the Alfie rap erasure you're so right baes) but anyways, thought of this while driving home from college for Easter weekend so enjoy! Also, some of these fandoms I am not even in but they make sense for the characters so**
Nina
-> Harry Potter fandom or Potterhead
-> I mean with the amount of times she mentions Harry Potter in the first episode it just would make sense that its because she's a fan of the books and movies
-> Definitely brought her entire Harry Potter book series to Anubis House with her when she first moved in (but maybe hid it at first because of Patricia)
-> Favorite character is probably Hermione Granger (she loves a strong and intelligent female main character)
-> Dressed up as a Hogwarts student for her first Halloween at Anubis (Fabian dressed as Harry for her <3)
Amber
-> Twilight. Enough said.
-> Girlie has a huge Jacob poster in her room. No like seriously, its in the show
-> I know she had a heart attack during the last movie (I did to)\
-> Obvi Team Jacob
Fabian
-> Doctor Who Whovian
-> This is where we start to get to things I am of little knowledge of
-> Space, time travel, monsters (i think?) it just sounds right up his alley
-> Has one of those TARDIS t-shirts... and a poster...and maybe a keychain... and maybe a secret plethora of Doctor Who merchandise under his bed, but keeps enough out so people know he likes it but not enough to know he is obsessed with it
Patricia
-> Like I stated in my post about the characters music taste, she had a FallOutBoy and PANIC! At the Disco phase
-> I feel like she's read FallOutBoy fanfiction here and there IDK IT MAKES SENSE
-> I feel like she probably had a Twenty One Pilots phase as well
-> All of those fandoms together, she was DEEP in alternative fangirl culture
Alfie
-> HOT TAKE: Alfie watches anime
-> I haven't watched much but I feel like he would watch like One Piece or maybe Dragon Ball Z
->Have you seen all of his costumes in the show, the boy cosplays for sure
-> Puts on cosplay either to watch his shows or just puts it on for the hell of it and then goes about his day (all the housemates have candid photos of him doing the most mundane things in the most ridiculous cosplays)
Jerome
-> This one was hard ngl
-> I feel like he would be more in like Youtuber type fandoms
-> Pewdipie.
-> Ok hear me out, JSclatt. I MEAN THINK ABOUT IT! DOESNT IT MAKE SENSE IN A WAY???
Joy
-> As I stated in my music post, she was a One Directioner
-> Was a Harry girl
-> She wrote and read fanfics on Wattpad (valid)
-> Along with Amber, she is a Twilight fan
-> Unlike Amber, she is Team Edward
-> Her and Amber have had some HEATED discussions at dinner over this topic to the point where it has been BANNED from the dinner table
Mara
-> Ok I know Mara is all books or whatever in the show BUT, I can see her being a cozy game fan
-> Stardew Valley, Animal Crossing, The Sims, honestly anything that is a cozy management type game
-> Hunger Games fan for sure.
->Is in love with Peeta
Mick
-> Fortnite.
-> Does Fortnite dance emotes when he scores a goal during soccer/football (whichever you call it)
-> This is a Mick Campbell hate page.
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quiveringdeer · 2 months
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Give me a character and I will answer: Dazzler!
Thanks for giving me a chance to rant about my fave Badass Diva, babe! Others feel free to send in a name and choose particular things
Why I like them: I really loved how tenacious and driven she was to reach her personal goals and doesnt like to compromise on that but she's still such a caring person that she cant help but jump in to help or save people as a hero, even tho she continually said she didnt wanna be a hero. Just her compassion for people in general, even who I wouldnt think deserve her compassion: 
Her first thought in both instances with her stalker, Karl Fredricks (Dazzler #26 & Uncanny X-Men ‘63 #260), is to reason with him and try to keep him from getting hurt. Also when battling him one of her main concerns is him hurting anyone else before she thinks of him hurting her.
Why I don't: There arent really points about her I don't like. I guess my biggest gripes are that writers tend to relegate her to a gimmick cameo character more often than not and miss opportunities to showcase her immense powerset range and the deep connections she has with a large portion of the not just other X-Men characters but the other marvel heroes as well. 
Also just the original fact the editors didnt allow her to be based on Grace Jones, like John Romita Jr. intended. It would've been noce to have another dark skinned Black woman hero, with star power outside of Ororo Munroe. And gosh the way they probably couldve bonded and had eachother to lean on. There's just so many "what ifs" that woulda probs changed not only Ali's trajectory but the Xmen/Marvel universe at large. But I still love Ali as she is now too. 
Favorite scene (imma do arc): The "What If" arc of Ali as Galactus' long time herald. The way she found away to discover new planets for him to devour but made sure that they didnt have sentient life that'd be destoryed in that consumption! Ugh says so much about her character!! Also that in her time as his herald he grew compassionate to the plights of other beings, seemingly. Because of her leading by example and what not. It's just soooo good and what I want more of in stories starring her. 🥹
Favorite season/movie (portrayal): My rp days version 😏 --But for real, she's only been in a couple adaptations and I dont know if any do her justice. I havent fully watched the episodes of them in the Outback but yeah
Favorite line (too many):
“Sometimes you have to stop running from who you were and find out who you are truly meant to be.” (Dazzler 2010)
“...It doesn’t matter how everyone sees me. I’m not just a mutant or a singer or any one thing, all of this is me.”
“No way Prophet! We’re not leaving! We’re X-Men, not cowards. We SAVE the world. We don’t abandon it because the going gets rough!” (X-Termination #2 2013)
“You know Barb, a lot of people will see you only for what makes you different--and not for all the good things about you--things that make you a human being just like them! And if you let them, those people will make you into what they think you are! They’ll force you to be a toy...a clown...or a monster...or worse.” (Dazzler #35)
“Hey Doomy, misplace the family jewels again?” (Dazzler 2010)
Favorite outfit:
Basically ANY of Daniel Mcnea's designs 
OTP: 
In general: Ali and "The Loves" polymonogomous rp ship of Ali with Wade Wilson, Steve Rogers and Bucky Barnes (and not just saying that cause Koi wrote them and also sent this ask! Truly got to explore so much of Ali's character through those interactions and forever grateful 🥹 -also key piece of opening my mind to poly relationship dynamics tbh)
In canon: Ali x music -Her first and most consistent love and relationship 
BroTP: 
In general-- Ali and Julio "Rictor" Richter, another rp exploration with the lovely @myvalentina Ric's technically Ali's, son-in-law but through lots of interdimensional travel hyjinks and stuff. I never know what canon ages truly are but I feel like Ali is less than 10 years his senior and so she's like a big sister and friend to him and it's just really wholesome
In canon-- Ali and Longshot, they've been through so much and if im not mistaken, literally share pieces of eachothers' souls and while things never work out romantically with them in all the times they get back together, I just love the idea of them still being besties regardless
Headcanon:
Gives amazing hugs, doesn't let go till the other person starts to pull away. Read somewhere once about being this way with kids cause you never know how little someone gets of contact and how they might need that physical reassurance.
Unpopular opinion:
Prefacing that to each their own and no hate to other people's preferences 🙏🏽 
Personally I don't wanna see Queen B or Taylor S. portray Dazzler in any future media
While Dazzler had global reach and star power in her prime within the Marvel universe, I just would love others to portray her. My top pick was and always will be Kylie Minogue, but that ship has probs sailed, so more contemporary picks are Janelle Monáe, JoJo, Kesha or Zara Larsson
A wish: She gets to be in some arcs where the writers truly understand her and let her shine fully--iving on top that it happens with an artists that stays true to her strawberry blonde haircolor
An oh-god-please-don't-ever-happen:
Writers continuing to use her as a gag character or portraying her as a washed up singer 
5 Words to best describe them: Compassionate, Stubborn, Driven, Optimistic, Dazzling (😉)
My nickname for them: Ali (super generic), Light of my life and Queen of my heart 😌
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Panda’s Collection
Welcome to a list of all the things I made with my own brain. Well, my favorite ones at least. Once again, exceptions have been made. It’s mostly character chaos; fantasy, some romance. Just stuff I like. >w< I will never say no to questions about OCs, so please don’t be shy.
(Sorted by Post Date; Old to New)
2016
Ticklish Ivories—Technically not the first time I’ve posted OC tickles, with the whole novel and everything, but this was the first one here. I adore the idea of musical tickles.
[Original]
Musical Tickles and Spooky Magic
Word Count: 2,935
Nights in Copper Heights; an Excerpt—This is technically a lie, since I never actually wrote this scene before I posted it here. But it’s a tickle scene; I had to get it out of my head. >w<
Reconciling Through Tickles. A Little Bondage.
Word Count: 2,950
Nights in Copper Heights—Since I’m here, actually, I might as well include this link. I wrote Nights in Copper Heights essentially as a parody of the Twilight series. I never really bothered watching the entire Twilight series, mind you, but I still kinda like the concepts here and ideas that I had. I had written those chapters back in 2016 or 2017, but I didn’t realize you could backdate things in Ao3 yet. >-< If I do go back, I’ll be rewriting it again…
[Ao3 Exclusive!]
Vampires, Werewolves, and the Humans Caught Up In Their Turf War
Current Word Count: 19,138
Satan’s True Weakness—The story I originally had for these guys was called Why I Remarried God, another idea I think is pretty interesting in concept, but might slip better into an anthology than a whole book. Nowadays, they’re slotted into my current universe as Ethereals.
Insubordinate Tickles and Immortals Disguised as Humans
Word Count: 1,567
Kissing Colors—I’m tempted to think I have completion anxiety. Jacob’s Ladder was a story about a pretty tsundere high schooler realizing he might not be entirely straight. It got a bit intense. Or it would have if I finished it.
Makeup and Tickly Kisses. Puppy Love
Word Count: 1,631
Laughter—Short and simple. Pretty cute, I think.
Movie Night Tickle Attacks
Word Count: 607
A Fairy and a Vampire have an Argument—Set in the Copper Heights era. I don’t think these two would have appeared in the book, but I love making characters, okay? >w<
Tummy Tickles in a Tree. Minor Sads
Word Count: 1,291
Never Tell—Remember when those video games about accessing the Dark Web were all over Youtube? This is from that. I love writing dialogue.
[Ao3]
A Little Spicy, I Guess? Barely. Talk About Tickles and Implied Danger
Current Word Count: 1,346
~~~~~~~
            2018
Tabletop—This one is still my favorite non-novel thing, and I refuse to shut up about it.
[Ao3]
Dungeons & Dragons, But with Tickles.
Current Word Count: 5,612
The Power of Laughter (2011)—The first time I ever actually mentioned my novel here was around this time. This is the universe I’ve been working on reviving lately, as I’ve probably mentioned way too much. This is my favorite thing. Ever. It’s my baby. >w< This version specifically is technically the third draft of the book. Tabletop is technically part of this universe. One day, you might find out why~
[Ao3]
Kids Get Magic Powers to Fight Tickle Monsters. Espionage, Casual Murder, and 30 Chapters of Nonsense Written By a Thirteen-Year-Old.
Word Count: 56,887
~~~~~~~~
2020
The Lighthouse Keepers—A glimpse into Panda’s horror brain, and the land of Esker itself. Part of an Anthology I had in mind
[Ao3 Exclusive!]
Magic, Violence, Unknown Cryptids, and Death
Word Count: 1,849
Whisker Wizards: The Elegy of the Ashen Bastard—The first “episode” of the Whisker Wizards series. They all follow fluffy animal friends and magical crises.
[Ao3 Exclusive!]
Magic, Violence, and a Hero’s Journey
Current Word Count: 1,291
The Magic Man’s Face—A sort of rewrite I tried to start of an older story: “Andrew Taylor is in Love”. It was from an anthology of romance and slice of life stories a younger Panda wanted to write.
[Ao3 Exclusive!]
Stage Magic, Pining, and Love at First Sight
Current Word Count: 851
~~~~~~~~~~~
2021
The Facility—First time introducing you guys to Trevor Bansel outside of his setting. His role changes a lot in-universe, but he’s always been around; one of my favorite characters to play with.
A Tickle Monster Getting Tickled For Misbehaving
Word Count: 1,460
~~~~~~~~~~~~
2023
Panda’s Tree—I’ve always kind of been an idea factory. As we all know by now, execution is a different category altogether. >-<
A List of Panda’s Current Plans for Novels, Stories, and Whatnot.
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yikesitskennawrites · 2 years
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I’ll Be Good- Jaymes Young
Breaking Down Songs Masterlist 
Transitions Masterlist
I am breaking down songs and lyrics that I feel like they fit or reminds me of Transitions. This way, you guy’s would be able to understand the protagonist and the series a little deeper than before.
A/n: Today's breakdown song is: Jaymes Young- I’ll Be Good. This song appeared in my playlist before work one morning a couple weeks ago. It was a song I used to play on repeat at the peak of my Supernatural television show phase back in 2017. I don’t think I heard it since, until about two weeks ago when it shuffled on a random YouTube playlist. But, when I first heard it, my first thought was: “Holy-shit. This is Marc.” And so, I wrote it down to break down the song and scenes that appear in my head when I listen to it. I’ve been listening to it occasionally. 
To begin with:
“I thought I saw the devil this morning
Looking in the mirror”
Marc looks in the mirror every morning and believes that he is a terrible person/the devil because his own mother called him a monster for the death of his brother; and because of the amount of lives he took as a mercenary, marine, and Khonshus avatar. He wakes up angry at himself often, and even angier at the world. 
“drop of rum on my tongue
With the warning to help me see myself clearer”
Right after Marc loses the scarab and arrives in Cairo, we, the viewers, find him sitting half-naked and drinking a bottle of rum in his hotel room. Although we don’t know exactly what he’s feeling because it’s not written out for us word for word, we can still assume what he’s feeling. He is pissed, Khonshu just threatened to choose Layla as his next avatar and it’s not the first time that he’s done it. Knowing the bird god, it's not a threat any longer but a promise. He is angry at himself for slipping up and letting Steven be aware of this life and fuck up the mission. He is upset that he is a god's puppet, but through it all, he continues to be blindsided by the chance of freedom from this Egyptian god and the life that Steven could have.
He could be free, he is told that this is his last mission for Khonshu and all he wants is to get out of this mess so Steven could live a normal life and Marc could disappear for good. Simply, because he believes that he doesn’t deserve this life but Steven, who doesn’t eat meat because he feels bad for the animals, does. 
“I never meant to start a fire
I never meant to make you bleed
I'll be a better man today”
Marc never meant to hurt anybody. He went into that cave with his brother Randall because they wanted to explore and they didn’t think it would flood. They were excited to be adventurers like Dr. Steven Grant from their favorite movie. Marc wouldn’t have taken his brother into the cave if he knew the outcome of it. He really didn’t want Randall to die, but his mother didn’t believe him. He grew up hated by his mother and neglected by his father. If his father loved him, he would have stopped his mothers abuse, he wouldn’t have stood aside and pretended Marc's cries weren’t happening. Marcs father would have done so much more if he helped his son.
We see in episode five that Marc is celebrating his birthday with his father, but by the time that Marc is moving away and out of the house, probably going into the marines, the dad tries to stop him by saying “I can’t lose another son.” It's clear that teen-Marc was upset by hearing his father tell him this. Because the dad already lost Marc when he didn’t stop Wendys abuse.
Later on, when Marc is older, he drags himself into Khonshus temple. His torso was bloody and damaged, he was ready to die. He was going to put a bullet into his skull, he nearly pulled the trigger and moments before he lightly pressed down Khonshu says, “What a waste.” and because he didn’t want to completely die, he entertained the person or thing who spoke by answering back. After being told by his mother how much of a terrible, horrible human being Marc is, this god is telling him how much of a waste it is if Marc would take his own life. Why not become his avatar and protect the travelers of the night and be his fist of vengeance? Even with Marc on the brink of death, the god was manipulating him. He didn’t believe he was worthy to breathe another breath. He didn’t want to fight anymore, especially after being left for dead. 
So, this god that Marc probably has never heard of up until this point is choosing him to be his avatar? Obviously the god had to see something in him enough to propose the offer. So, Marc, who believes that he has nothing else to lose, accepts and becomes Khonshus Moon Knight. 
“I'll be good, I'll be good
And I'll love the world, like I should
Yeah, I'll be good, I'll be good
For all of the times that I never could”
The repetitive promise of “I’ll be good,” that Marc must have told his mother throughout the abuse is so sad to think about. His promise to his mother that he’ll be good while getting hit with the belt. His creation of Steven who is supposed to represent his brother Randall and is the emotional protector of the system. Steven is meant to love the world, he’s supposed to see the good in everything. 
Marc doesn’t believe that he is a good person, but Steven is a much better person compared to him.
“My past has tasted bitter for years now
So I wield an iron fist”
Khonshus avatar, baby. Marc now has a purpose to live and it’s to serve a god and protect those who can’t protect themselves. Which is honestly fitting, because Marc grew up being unable to protect himself. 
“Grace is just weakness
Or so I've been told
I've been cold, I've been merciless”
Marc doesn’t show his emotion much. The one time we see him cry is when he reveals to Steven that their mother died and he blames himself for his brother's death. His mother probably told him that he doesn’t deserve to cry because “he killed his brother.” In episode five, we see young Marc walk down the stairs for Randalls funeral and his mother yells at him saying, “What are you doing here? You were supposed to keep him safe.” She blames him heavily from the moment they left their backyard to explore the cave.
“But the blood on my hands scares me to death
Maybe I'm waking up today”
Marc killed so many people in his time as a marine, mercenary, and as an avatar. Most of all, he believes that he killed his brother because he was blamed by his mother for his brother's death. Being told repeatedly and being beaten by his own mother for his brother's death has to do some damage. He believes that he killed Layla's father by bringing Paul Bushman to the archaeologist site Layla's father worked at. A raid gone wrong. 
“For all of the light that I shut out
For all of the innocent things that I doubt
For all of the bruises I've caused in the tears
For all of the things that I've done
All these years, no, yeah
For all the sparks that I stomped out
For all of the perfect things that I doubt”
Steven is the good that Marc never got or never became. Steven believes that his mother is alive because Marc went through the length of protecting Steven from the knowledge that she’s actually dead. He set up a voicemail for Steven to call, he had someone send postcards. He made it so Steven always believed that Wendy was kind and he was loved. Steven would not have become the Steven we see in the television show if it was not for Marc's kindness of making sure Steven wouldn’t be harmed in the way that he grew up. 
Marc doesn’t believe that he is kind, but rather selfish. He found Layla to tell her how he led Paul Bushman- the killer of Layla's father and atttepted murderer of Marc- to the site where Laylas father was doing his job of being a archologist. He wanted to tell her, but instead he fell in love with her and never got around to telling her because he knew that she would hate him. Marc isn’t the one who pulled the trigger on Layla's father but he blames himself for his death. 
Marc doesn’t believe that he is a good person. He doesn’t believe that he deserves to be loved.
Every single event, good or bad, big or small, has lead up to the Marc the reader knows of today: A man who went through something bad but has done his best to be better. To do good. 
“I'll be good, I'll be good
And I'll love the world, like I should
Yeah, I'll be good, I'll be good
For all of the times I never could”
Marc is still trying to be better. He’s black-mailing a teenager, the reader, to come over for dinner every night so they know they are safe. He’s making sure that the reader stays fed and isn’t hungry.  God knows how many times Marc found himself cooking dinner for himself and his mom when she was too drunk and sad or passed out to cook. Marc is making sure that the reader is comfortable and allows them to stay at his apartment when they are terrified of Khoshu. Marc tries to get to know the reader by taking them up to the roof to see the stars on a hot summer night. Marc is doing the best that he can because he cares for them despite seemingly not caring at all or as much as Steven. He’s going to be good, he’s going to try his best to be good. 
“Oh, oh-oh
Oh, oh
Oh, oh-oh
For all of the times I never could”
Although Marc fully believes that he is not worth being loved because of all the hurt that he thinks he caused, he has yet to accept that he is more than what his mother has told him that he was: a monster. A terrible son. A murderer. 
Marc Spector is worth loving, Layla showed him that, Steven Grant showed him that, and perhaps, if he lets the reader, they will too.
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raeanni · 8 months
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Just Started The Magnus Archives Season 1!
Thoughts of the First 10 Episodes so Far-
Ep 1- Creepy… The Idea of some kind of weird Angler fish monster who lures people in using a human disguise is so cool, but also very Terrifying!
Ep 2- This was so good?! Finally a competent person who doesn’t Immediately open the weird creepy thing they now have. Also, Freezing the Key because it slows him down in getting to it and the cold wakes him up? Brilliant!! Why can’t we have Movie horror characters that are this smart?! That ending does make me curious as to why he lived in an empty building?
Ep 3- what. My brain is working overtime to fully comprehend this one. I wonder if Amy’s Head injury (and subsequent stalking) is what allowed her to see the difference while everyone else didn’t. I wonder why he wrote “Keep watching” in his Notebooks? Did he mean Amy or himself maybe? Imposter based Horror has always been one of the plots that definitely creeps me out but is also insanely interesting!
Ep 4- I’m still a little confused about this one. Juergen is obviouly more important than just this one episode by the way they talked about him, so my answers may be in later episodes? Still, we’re the books bound in the Skin of Mary? It feels rather obvious that Dominic smelled ozone probably because of Micheal getting struck with lightning. I have so many questions..
Ep 5- I feel bad for Alan.. as far as Bags of Teeth go, that’s gross. But knowing that they were all the same tooth? That’s just so bizarre to me. I wounded what the Metal heart was about? Was it Alan’s actual heart but Metal somehow? Was it a container for his body somehow? I’m so curious!
Ep 6- NOOooO I HATE It!! I hate the idea of worms or maggots writhing beneath my skin… I would also burn my flat. I wonder who Jane is? Obviously she is what caused Harriet to die. I wonder what happened and what she did??
Ep 7- I really liked how this one was told, it really felt like I could hear the trauma from the experience. I really like the characterization of both the Piper and Wilfred. This is the most somber of the ones so far listened to. I wonder who Joseph Rayner is?
Ep 8- This one was interesting. I wonder if the Priest’s account will be found later? Sooooo, was it some kind of ghostly immortality? The Apple only rotted once it was taken out, much like how I’m assuming the Hand of Raymond only started rotting once the Tree fell and Agnes died. I so want a deeper explanation to this one because this one has made me super curious.
Ep 9- The Pendant of the Closed Eye and Hand the mother and man had has to be Important. Also, Rayner is Back! So he must be important as well!! Soo, the Rayner Family is part of/the leaders to a Cult? Considering they have shown up twice, they are definitely Lore Relevant.. I love True Crime, so this Episode is so far my Favorite of the Bunch!!
Ep 10- I love this version of Vampires!! It is soooo cool!!! The end leaves me very curious. Why was it photocopied two times WITHOUT the Teeth?? I wonder if we will ever hear or learn about the mysterious girl? Probably not, but that would be cool!
Thoughts overall- I am really liking how each episode so far is pretty much stand alone, with some having details that are slightly brought back or feel like they will be brought back later. I am so far really pleased with the writing, audio, and quality of this series so far!!
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themanicgalaxy · 3 years
Text
SPN 4X19 Jump the Shark
Oh hey is this the illegitimate brother plotline
boy I love me some sweet sweet ANGST
whelp she's fucking dead
picture of JOHN?
Sam's peacefully brushing his teeth and Dean's Not a Morning Person
boy he's having a bad morning
to be fair, living out of the car is kinda not fun either
"I'm his son" Dean: I'm gonna fUCKING KIL-
he's..premed?
they're going to ruin his life too aren't they, Aren't The-
Dean is taking this really well
I mean he did get the brunt of John's Issues, so I get it, yike
ASDFPIHP them discussing their dad's ~sex life~ is very funny though
Dean was...preteen? when this kid was born? Sam was under ten definitely
Dean Please
No that's your Actual Brother guys PLEASE
hunting accident "ah fair enough"
"who is a nuclear family these days" FEELS SO LOADED
Dean...Dean please don't fUCKING KILL HIM DEAN
THE IMPALA NOOO
"he took you to a baseball game" IDSFHAPF
He's Trying not to CRY OH MY GOD NO WAIT
Sam resonates with the away from college thing oh NO
Dean is trying SO HARD not to snap
at least he's...trying..to keep adam out
corpse snatching => HEY LOOK IT's THE BONE STEALING WIT-
I think I need to stop being online jesus christ
the [both sigh] was so good
well...that's a lot of blood
How the hell do you break it to your illegitimate brother that you're ~technically Wanted by the FBI
at least he's not an idiot
HE'S SO MUCH YOUNGER THAN THEY ARE
I mean obligatory dead mom
"do i get a say in this?" "NO!"
no..no SAM DEAN HAS A POINT
Middle sibling + younger sibling gang up on elder
"have u thought about eternity" "bro i've literally been to hell Idk what to tell u"
Dean doing it solo but Sad is...:(
Oh he worked the old case, that's neat
"so it's over for you" welllllll
OO THE TRUCK SHOT WAS COOL
dean + long dark coat truthing tonight HE LOOKS G O O D
it wants revenge
YOU FUCKERS AND YOUR REVENGE BELA WAS R I G H T
and Adam Instantly wants revenge, you sir are definitely a Winchester
"it's life" WELL IT SHOULDn'T BE
the stupid isolationism I hate it
NO GO CONNECT WITH PEOPLE KRIPKE WHY
Sam's becoming his dad, and Dean isn't
...SAM WHAT THE FUCK
DAD MOST CERTAINLY DID NOT DO RIGHT BY YOU
HIS GODDAMN GRIEF SPIRAL GOT BOTH OF YOU
LET HIM BE NORMAL! HAPPY! IT IS TOO LATE FOR YOU RIGHT NOW(NOT ALWAYS)(Also very close to the thing with zachariah in placement(eye emojis) BUT LEAVE HIM ALONE!
I do appreciate Dean Eldest Sibling'ed it up even if he didn't like the kid/was jealous. Goddammit I wish we got connection in this stupid show
I was expecting a jump scare but somehow the squish is worse
sOn oF aBitcH
Ah FUCK NOT ADAM TOO
I do like the little angel Icon though, that's what's Dean's way out
Ghouls is a racist term?what????
no john winchester was 100% a monster
ah it was their father
yada yada father killing circle idk
YAY! DEAN'S INGENUITY IS BACK!
Ghoul!mom is really really good. I liked Scared Adam better though
the slicing sam scene is BRUTAL jesus christ
So...John got his own son killed in the end...
SERIOUSLY HE WAS TERRIBLE
Dean JESUS CHRIST
awww caring Dean is nice
AWW HUNTER'S FUNERAL
"Adam's in a better place" :(
Dean tried to fit himself into the Dad box, Sam's actually him
"you take it any way you want" oh for FUC- HE- I-
he looked so Sad, so like...he's stopped idolizing him
jesus christ.
boy there's gonna be overlap ok here we go.
1. poor dean. Ok couple things: 1) he elder sibling'ed it SO HARd! he didn't even like Adam, but he still tried to keep him safe(I think). he gave him a hunter's funeral! I just. It was nice to see. It was also INCREDIBLY painful to hear the realization of "you were always like dad, I never could be" and the fact that he didn't even see it as a good thing anymore? fUCK man, that huRT me. Dean tried so hard to be something he wasn't, he got probably the brunt of the abuse(because he didn't measure up to that metric like Sam always would), and in the end all it got him was...just. so much pain. Like it felt like John left his Broken children behind to get a new one, and just turned them into his quest for revenge. It was SO So fucked
Hey actually speaking of
2. AM I SUPPOSED TO LIKE BEING A HUNTER/JOHN? WHAT HTE FUCK?
YALL ALREADY MARTYRED HIM BUT UR MAKING HIM WORSE?
LIKE ok listen. John's kinda set up as the ideal of hunting. They martyred him! And I was halfway sold provided they didn't mention him again. Then! he did this thing where he abandoned his kids, seeing them only as tools to fulfill his quest for revenge, literally broke them(that too late thing+zachariah saying "it's in your blood" when really it was just trained from a young age), got a NEW family he treated a lot better. I just. I have...NO idea how I'm supposed to see him as a good guy here. Maybe I just kin Dean, or his plight is WAY more sympathetic(it is, Sam is kinda pissing me off), but John's just...coming off worse and worse and they KEEP doing it!
Also! this whole cycle of revenge thing! about how if you keep taking an eye for an eye, everyone ends up blind! they barely escaped this time, and I think this was the second revenge plot that I can think of with MONSTERS alone! it was a BIG theme! Like!! hunting sucks! revenge makes you end up in worse places! it's like this one episode was made to show how SHIT hunting was!
wait who wrote this
Dabb+lofflin. The hunting sucks always comes from-
this GODDAMN INCONSISTE-
3. Fuck John Winchester
4. Individualism. Ok this is a big one. Alongside the whole revenge plot thing(which is BIG, and a hunting sucks), this one drove home the sheer individuality of hunting. But while some of the writers see that as Badass, this one made it seem lonely, and painful. Like the flip side to American Individualism is American Chronic Loneliness. I know this one was used to process the ennui of the post recession/post 9/11 time, and it's doing very well for that, but it kinda ends up like this show is EVERYONE'S therapy all at once! the gang's all here! and we're gonna traumatize you in the process as well.
EDIT: and yeah yeah yada yada american individualism is King and then so is it’s accompanying loneliness in the post 9/11 post war in iraq post recession world(we were not having fun in 08/09)
and I get that this show is the writer’s therapy and whatever
(I just thing this is phrased better)
5. bring him back. Connect! Look. I know it breaks the core ethos of this episode. But having Weird Esoteric Hunter siblings would have been SO FUNNY!
give me more sibling content! Sam+Adam teaming up against the Eldest Sibling Dean WAS SO FUNNY! I WANT MORE OF THAT
6. SAM WHAT THE FU-. Look. I hate John. I very much hate John. They set up the Sam/Dean dichotomy in regards to John first episode, and Sam acting more like an ass+like his dad is. Not making me like him. Also I feel like this was written to sympathize with Dean. Which makes the finale even more ironic, I feel.
7. Listen. Listen. One of you has to keep track of continuity. Like I know this becomes a WAY bigger problem later in the series, but if a certain writer wants to process/examine a certain part of the Life/Story(and they should, they set up a lot of interesting stuff), they have to keep track! Because then the show becomes everything all at once.
Like this show has ALREADY started feeling like fanfic of itself, where it just kinda does whatever it wants with its own concepts. And the concepts are GREAT! but you can TELL how inconsistent it is, even in the kripke era
like it ends up being Study of X, Riff on X! and I think that's where the inconsistency comes from. It's also why it's so fucking Excellent in places.
whelp this was a lot holy hell.
OH AND ONE MORE THING!
Bela didn't fit the narrative. That's why they didn't like her. I said at the beginning that an Int'l art thief does NOT fit the vibe of "grungy Angsty American Midwestern gothic" and I was right. With the lucifer story and the vibe she didn't fit, and so they just killed her as foreshadowing, and only used her like that. God I wish they'd riffed on her, especially because her callouts were all completely correct
we're Bela Salting again
listen she was preppy Jack Sparrow with some spiritualism, how dare you tell me not to like her.
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lesbianrobin · 3 years
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What do you think are the good and bad aspects of each season of ST?
ok 1. thank u for this question omg and 2. this answer may or may not be a mess, but either way it’s long (almost 7k words lmao) bc i’m insane, which is why it’s under a cut. it’s still by no means an exhaustive list but these are the things that just kinda came to mind.
also i realize you asked “good and bad” and i wrote this whole post as “strengths and weaknesses” which um. is not Exactly what you asked. but close enough <3 i also ended up including a lot of au ideas ksjdckmn bc like i personally hate when people say a certain plot or whatever was bad without suggesting anything that could have improved it yknow so whenever possible i tried to provide Some idea for fixing the issues i had with the show!!
season 1
strengths (this is probably gonna be the longest section but that’s because a lot of these strengths also apply to s2/s3 by default)
nostalgia and authenticity
this one’s pretty simple, but i think that season one did a good job of blending classic eighties media homages (such as the many many e.t./el parallels) with explicit pop culture references (such as mike’s yoda impression, mentions of the x-men, etc) to create a show that’s essentially dripping in early eighties nostalgia without it feeling too forced. before st, i think the most popular depiction of the eighties in mainstream media was that overly exaggerated neon scrunchie aesthetic from the mid to late eighties, and it was usually done in a comedic sense first and foremost. st took a different approach, instead focusing on the early eighties, a time that’s often ignored in favor of going either Full Seventies or Full Eighties, and i think that this choice likely resonated with adults who lived through the eighties and hadn’t yet seen something that felt quite so accurate to their own adolescence. a lot of young people who watched st were totally unfamiliar with this period of time, unfamiliar with books/movies like “stand by me” that st borrows from heavily, and i think st lent more seriousness to the eighties than most young people had experienced so far, and this was refreshing and interesting!
the use of dnd in the show is also quite genius in a way i’m not sure i can articulate?? it isn’t something Everyone would have played at the time, but it’s something that existed within a different context back in the eighties than it does today, and it really lent a sort of authenticity to the naming of the show’s sci-fi elements. like, of course these kids would name parallel dimensions and monsters and superpowers after these similar things in their favorite game! it just feels so real and it grounds st in our reality moreso than you might expect from the typical sci-fi or horror universe.
utilization of existing tropes
almost every single character in st clearly originates from some popular trope. the plot itself is riddled with classic eighties movie tropes. almost every single element of stranger things can be clearly traced back to some iconic eighties film or just to, like, overused horror/sci-fi/mystery/coming-of-age movie tropes in general. this might sound like a bad thing, but it really works in st’s favor! starting off with familiar tropes gives st the ability to easily create a lot of complexity and make a big impact by selectively deviating from those familiar, comfortable tropes!! while el’s whole plot, hopper’s character, etc, are all examples of this in action, i think the steve/nancy/jonathan plot is the greatest example. even from the start, the fact that good girl barb dies while nancy is off having sex with her asshole boyfriend is an incredibly thorough inversion of the most well-known horror movie trope in the book. how often do girls in horror movies have sex for the first time, walk home alone in the dark of night, and live to tell the tale? nancy and jonathan’s dynamic at first glance is a sort of classic “good girl meets boy from the wrong side of the tracks, discovers he’s actually got a heart of gold” thing, but instead of following this well-trodden path, st diverged. nancy is brash, impulsive, and at times downright insensitive. jonathan is angry, bitter, and actually a bit of a creep at first. while they have the capacity to emotionally connect and support one another, they can also bring out each other’s darker side, which is not what we’ve come to expect from that initial tropey dynamic.
in addition, steve, the popular rich asshole boyfriend, is actually... a human being! unlike the cartoonishly evil jocks that we’ve come to expect (especially from eighties movies), steve has complexity. despite his initial immaturity and selfishness, he’s also kind to barb, he backs off when nancy says no, he’s gentle and sweet when they sleep together, his first big Dick Move of the season is in defense of nancy, he realizes the error of his ways after the fight and does what he can to fix it, he’s worried about nancy when he sees that she’s hurt at jonathan’s house, and to top it all off, he ends up saving both nancy and jonathan’s lives when he could have just walked away, and the three of them all work together to fight the demogorgon. like... steve began as the most stereotypical character of all time, and by the end of the season, he had one of the most compelling and unique arcs among the whole cast!
finally, at the very end of the season, instead of dumping steve for jonathan as expected, nancy ends up getting back together with steve, and they’re both on friendly terms with jonathan. i realize that i just kinda. summarized s1. but my POINT is that i don’t think the dynamics between the monster hunting trio would be nearly as fun and interesting had the characters of nancy, steve, and jonathan not been set up to follow certain paths that we already had charted in our own heads. like, within the first couple episodes of s1, it’s pretty obvious that nancy and steve are gonna break up, nancy will get with jonathan, and steve will either die or go full evil or just never be seen again. like, duh! you’ve seen this story a million times! you know that’s how it’s gonna go! so, when the story DOESN’T go that way, the impact of each character’s arc and the relationship dynamics become stronger due to their unexpected complexity and authenticity. 
distinct plotlines separated by age group
this one’s rather obvious, but the way that the adults in s1 were essentially in a conspiracy thriller while the teens were in a horror flick and the kids were in a sci fi power-of-friendship story and all three converged at the end... wow. brilliant showstopping etc. not only was it just really well done and unique, it also gave stranger things near-universal appeal. like, there’s genuinely something for pretty much everyone in season one!
casting
obviously this applies to every season sorta by default, but when i think about what made season one So successful, i always think about the cast, and not just winona ryder. yes, she’s absolutely amazing in the show and it’s very doubtful that st would be as big as it is today without her name being attached to it from the start!! however, i think the greatest determining factor in st’s success is the casting of the kids, particularly millie bobby brown. like... el is just absolutely incredible. she’s amazing. this has all been said many times before so i won’t harp on it, but millie and the other kids are all So talented and charismatic and i think their casting has been instrumental to the show’s success.
strong visuals
the way that multicolored christmas lights which have been around for decades are now kinda like. a Stranger Things thing. jesus christ. those lights are probably the biggest stroke of stylistic genius on the show.
atmosphere and setting
this is probably like. the least important one here for me sdjncdsc because i think s2 and s3 both had like Even Better atmospheres and shit but s1 was good too and it laid the groundwork!! i know a lot of people would have preferred st be set somewhere more Spooky with lots of fog or giant forests or whatnot, and while i do enjoy thinking about alternate st settings and how they might alter the vibe, i think hawkins indiana was a good choice. as the duffers have said, placing stranger things in a fictional town allows them more flexibility than if they’d gone with their original plan of using montauk, new york. besides that, i think the plainness and like... flatness... of small-town indiana just Works. like, the fact that hawkins is never really scary on the surface is a big part of the horror in the lab’s actions and their impact. hawkins isn’t somewhere that people just disappear all the time. it isn’t somewhere known for strange occurrences (prior to s1, that is). it isn’t somewhere shrouded in mist and secrecy. hawkins on its surface seems like the sort of place with no secrets and nothing to fear, and that’s the point! the lab is out in the open! it’s right there! everything is so close to the surface, yet so far out of the public eye, and i think that really works.
the byers family’s whole deal (specifically the joyce/jonathan dynamic)
this is going here bc i miss it so bad in s2 and s3. i’m not one of those people who believe The Byers Are The Whole Point of the show, because st is and always has been an ensemble, and el, hopper, and the wheelers are just as instrumental to the plot as the byers, but ANYWAY, i do think the byers were one of the most interesting aspects of s1. joyce’s difficulties with supporting her sons as a poor and (implied mentally ill) single mother, jonathan’s stress as a result of having to earn money, care for his brother, and keep the house in order when his mother is unable to do so, and the resulting tension between them when will’s disappearance and supposed “death” brings the situation to a tipping point? holy shit! it’s so good! that argument after they see will’s “body” is just incredible and gut-wrenching. their relationship feels so real and messy and i think it’s just... good. also winona ryder REALLY acted her heart out and she carried a lot of s1 which i think people often forget to mention so i’m saying it here.
weaknesses
pacing/timing
ok so pacing is probably going to go in each season’s weaknesses, to be honest, because i think they all had a blend of some good and some bad pacing. good pacing is invisible pacing, though, so i probably won’t be putting it in any of the strengths sections and will only be focusing on it in the weaknesses. i’m also probably not going to talk about weird day/night cycle things, just because i don’t want to get nitpicky on timelines because that would require going back and rewatching things to double check timing which i don’t wanna do at the moment lmao. anyway, when i think of bad pacing in season one, i primarily think of two things: nancy’s little trip into the upside down and subsequent sleepover with jonathan, and the sort of staggered nature of the climax in the final episode. the latter is simple so i’ll explain it first: while i understand that each group’s respective climax is like part of a chain reaction and that’s why each big moment happens separately and at different times, i think that st is strongest when the whole group is together, and i think that makes the stakes feel higher too, so i’m not In Love with the way s1 separated everyone and gave each group their own climax. 
okay, now on to the nancy/upside down thing! idk if i’ve ever talked about it before, but i think the worst decision made in s1 by far is the inclusion of nancy’s brief trip into the upside down, wherein she dives headfirst into another dimension with absolutely no backup, watches the demogorgon chow down, freaks out and runs around for a minute, and then leaves. like... what the fuck? even putting aside what an idiotic decision this was (because i do think nancy’s tendency to rush into things headfirst is an intentional and consistent character trait), it just kind of destroys any remaining suspense surrounding the demogorgon and the upside down, and it accomplishes basically nothing besides scaring nancy enough to have jonathan sleep over, which is lame. i will break it down.
like, first of all, nancy just getting to waltz in and out of the upside down and get a good, long look at the demogorgon makes the entire thing far less mysterious, and by extension far less scary. like... before this scene, we the audience haven’t got a good look at the demogorgon. we’ve seen its silhouette briefly and we’ve seen a blurry picture of it, but nothing more, and i think that is far more effective at building fear than this jaunt nancy goes on which gives us a full view of the thing and makes it into less of a horrifying nightmare and into more of a humanoid animal. like, maybe this is just me, but i found the demogorgon far less intimidating after that scene than before. it also lets nancy and jonathan know For Sure that they’re right without providing any crucial information that they need to fight the demogorgon (aka it’s unnecessary to the plot), which removes a very compelling story element (the faith nancy and jonathan need to have in order to keep going against a vague and poorly understood enemy, the doubt they might have about each other and their own sanity, the possibility that they might be wrong, the trust they need to have in each other) a bit earlier in the plot than i believe is ideal. at the end of episode 5, nancy goes into the upside down and jonathan doesn’t know where she is and it’s intense!!! you’re thinking like, oh fuck, not only is nancy missing and fighting for her life now too, jonathan might be implicated in her disappearance!! some people already think he’s the one who killed will and people know that he took creepy pictures of barb and nancy before they both disappeared, maybe this is gonna cause some serious problems for him!! maybe nancy will find will in the upside down and she’ll help him survive!! fuck, maybe she’ll actually die!! this is huge!! and then episode 6 starts and they’re immediately like oh nevermind jonathan found the tree and got nancy out and she’s fine. my point with all of this is that nancy entering the upside down could have done A Lot in the grand scheme of the plot, but all it did was just... get jonathan to sleep over so he and nancy could have some awkward romance moments and steve could see them together and pick a fight. which could have honestly happened at Any point while nancy and jonathan were working together to hunt down the demogorgon, without ruining the demogorgon’s and the upside down’s mystique. so yeah <3
weird behavior and dumbass decisions that make no sense (aka the whole camera thing)
gonna go off about the teen plot again sorry but: why was nancy so unbothered and quick to forgive jonathan for taking those pictures? girl what the fuck are you doing? why wasn’t that a bigger deal? why was jonathan’s motivation for doing it so weak and why did they just kind of forget about the whole thing? why did nancy TRACK HIM DOWN AT THE FUNERAL HOME while he was PICKING OUT HIS BABY BROTHER’S CASKET to be like hey can you tell me what’s in this creepshot you took? it’s insane. it’s so insane. i mean i think the funeral home thing is hilarious and i don’t mind it being in the show necessarily but like my point here is that i think a lot of character decisions in s1 just kind of.. happened because they Needed to happen for the plot. like, they wrote this plot that required jonathan to be secretly taking pictures of the party and required him and nancy to work together after seeing something odd in the pictures, but they didn’t like... really consider what that event would mean for their characterization and relationship. the whole thing was sort of just dropped with minimal discussion and i think it did both nancy and jonathan’s characters a disservice and was really mishandled.
lighting and saturation/color grading
i am literally begging horror/sci-fi shows to let me see shit. i GET IT okay i understand that when you’re doing cgi effects it helps to keep the lights down and i’m not mad at any of the lighting in the demogorgon/upside down scenes!! i’m really not i think the demogorgon scenes in s1 all look sick!! but like... dude. the colors. where are they. why does everyone look like a vampire. i know blah blah this was probably an intentional stylistic choice intended to mimic film at the time blah blah but dude a lot of old movies are very colorful!! please just let people have color in their faces so everyone doesn’t look like a sheet of paper!!! also i’m white and not a professional lighting designer so yknow grain of salt but i think lucas was kinda poorly served by the lighting sometimes in s1. not Hugely so, not to the degree that i’ve seen poc be poorly served by lighting in other shows, but there were some times where it felt kinda like the lighting setup was just not designed with darker skin in mind. 
horror
i just personally don’t find s1 very scary like... ever. i don’t think they were really Trying to be extremely scary yknow so i’m not counting this as a big deal, but i do think that each season has improved on the horror aspects. i think s1′s horror lies more in the mystery and the unknown than in what’s seen onscreen, and as i’ve said already, i think s1 kind of fumbled that suspense ball.
season 2
strengths
the possession plot
i’ll warn u rn this whole s2 strengths section is probably gonna be really short bc idk like. how much there is to really say i feel like it’s all so self-explanatory skjncmn. anyway yeah the possession plot!! eerie as fuck, and noah OWNED. so did winona tbh and finn and sean etc but like. noah. wow! i think the possession plot helped the show maintain a good amount of tension and suspense throughout the season, and a lot of scenes with possessed!will are flatout disturbing to watch. in a good way. i think the mindflayer and will’s possession were far more genuinely frightening than s1′s demogorgon, and it provided a new layer of depth and intrigue to the antagonist besides just “bad monster want eat people.”
tone and aesthetics
halloween season... literally halloween season. halloween season. that is all.
actually i will elaborate a bit and just say that i think s2 did a good job of having the sort of foreboding vibe that s1 was often going for, but without the annoying darkness and desaturation. so points for that.
also st2 is like one of the best Autumn pieces of media ever like it just. like steve and dustin on those train tracks with the fallen leaves all around them.... god. god the vibes are unparalleled. all of the halloween stuff also really contributes to the nostalgia st runs on yknow it makes you think about childhood and trick-or-treating and you kind of get transported like damn... i remember going to the rich neighborhoods to score the good candy..... idk i just think the whole thing is incredibly effective. 
“babysitter” steve
by sending nancy and jonathan off together, the show created a problem: what to do with steve? this problem pushed them to create the unconventional and unexpected duo of steve and dustin, and the world is so much brighter for it. seriously though we all know steve and dustin are great i don’t need to argue that point. all i’ll add is that i think allowing steve to grow in this way, serving as a mentor figure and becoming genuine friends with someone so unexpected, really took the originality of his character to the next level. no longer content just to defy his archetype, in s2 steve begins branching out in ways that never would have been considered in s1, creating an incredibly complex and interesting person from the sort of character that most shows would have simply written out or killed off for convenience’s sake. and it works and steve and dustin are such a joy to watch and i love them. <3
the lucas/max plot
so first of all max mayfield is the most perfect baby girl on god’s green earth and idk what i would do without her but anyway. i think lumax is the best romantic relationship in the show and not just because they’re the only ones with like an age-appropriate approach to the whole thing. it’s also because their relationship accomplishes more than just putting the two of them in a relationship!! lucas and max spending time together motivates billy to do his evil shit, providing more conflict in the narrative, and it also helps establish max as part of the group in a relatively natural way while giving both her and lucas a great subplot. lucas (and dustin) has a crush on the new girl, they start spending some time together, and lucas ends up needing to decide whether he’ll keep the secret of the upside down and lose her, or risk both of their lives by telling her the truth. that’s a pretty big, character-defining decision that he gets to make!! max has to choose whether to trust this boy she barely knows and endanger herself, or to walk away and stay safe, yet another great character-defining choice that also contributes to the sense we get as an audience of max as somebody who’s incredibly lonely and desperate for love and connection. this post is way too long already and i have a ton more to say so i’ll stop now but yeah i think lumax really Works in the show without ever distracting or detracting from the overall plot and narrative in the way that some other ships (coughjancycough) often do.
balance between the normal and abnormal
s2 i think did a pretty solid job of melding daily life with more fantastical sci-fi horror elements. i enjoyed seeing so much of the kids at school in the first few episodes!! you really get a strong sense of where they’re at in life, what their daily lives are like, and you get a sort of gradual shift into madness that makes everything feel more grounded than i think it would if they had just leapt straight into the horror shit, yknow? 
the el and hopper dynamic
go back and rewatch s2 and tell me that’s not one of the most moving portrayals of parenthood and trauma and growing up that you’ve ever seen. you can’t. or well you can but i won’t listen. i really can’t imagine stranger things without el and hopper’s relationship, and it’s my absolute favorite part of s2. their whole dynamic is so beautiful and complex, and gives them each amazing personal arcs in addition! the black hole scene is literally one of the show’s greatest moments of all time. any given scene between the two of them in s2 is just guaranteed to be heartwarming as well as heartbreaking, and i think that makes for an incredible show.
weaknesses
flashbacks
okay this applies to Every season they All have too many flashbacks but in s2 specifically... please stop showing me shit from season one. i watched it. i know what happened. you don’t need to spoon feed everything to me!! flashbacks can be a really helpful way of delivering information to an audience, but st has a bad habit of not only being kinda demeaning in how often they flash back to shit that the audience already knows, but they also have a bad habit of using flashbacks almost as a crutch to avoid having to deliver information subtly and naturally. 
you know i gotta say it... the lost sister
this is so sad. the lost sister really is like a great concept for an st episode, and i’m not mad about the idea of st taking a break from the normal action to focus on one story for a full episode, but the execution of it was just dreadful. kali and her crew feel very over-the-top and stereotypical, and its placement in the season totally kills the tension and excitement that was built in “the spy.” 
i think the lost sister honestly could have gone over far better, even with the stereotypical fake-feeling gang kali has, if they had just swapped it with “the spy” like... ok, the end of episode five has el setting off to find kali and will collapsing on the ground seizing. right? imagine if, instead of immediately following will to the lab, we’d followed el. we don’t know what’s happening with will, but it’s a very simple cliffhanger that leaves us on edge without making us feel cheated by the show cutting away. we follow el on her little journey, everything happens much the same as canon, and then at the end, el sees hopper in scrubs. she sees mike, screaming, sees that they’re both in danger. holy shit!!! what the fuck!!! what’s happened since we left will seizing on the ground??? we feel el’s fear and confusion. she decides to go home. and then... boom. “the lost sister” is over. now, we rewind, right back to will seizing on the ground, and “the spy” commences. we learn how they got into the danger that el saw in the end of “the lost sister,” and we sit on the edge of our seats all through “the spy” and “the mind flayer,” KNOWING that el is on her way back to save them but not knowing when she’ll arrive!! idk i don’t think that would have necessarily saved lost sister but i think it may have alleviated some of the issues that i and many others have with it, timing-wise.
the nancy/jonathan sidequest
once again, the idea of nancy going off on her own little mission to find justice for barb after s1 is like. amazing. genuinely i love that plot for her and i can’t imagine anything better for her to have focused on in s2. unfortunately though i think her and jonathan’s little trip to see murray was just kind of... lame. the whole thing just felt like an excuse to get the two of them alone together, yknow? which is fine i guess people contrive all sorts of situations to get characters alone together for romance reasons but in this case i think it just really doesn’t work for me because of what it’s juxtaposed with. like, will is POSSESSED, and jonathan is just off on a mini road trip and sleeping with his bestie, and jonathan never seems to communicate to joyce/will that he left town, and joyce never like... thinks to tell him that will is like sick and fucked up and they’re looking at him in the lab??? like it’s so weird i know joyce always forgets about jonathan when shit’s happening with will but jfc you’d think at some point in that like... 72-ish-hour period where jonathan was out of town she would have thought about him. like at least once. maybe i’m forgetting something and she mentioned him sometime and i missed it but even still, i hate the juxtaposition of nancy and jonathan just like cheers-ing at murray’s place and sleeping together and whatnot while everyone else is dealing with possession or trying to hunt down dart yknow? it feels really boring in comparison and i think it could have been done far better. like it was SO insanely easy for them to get into the lab and get an admission of guilt and escape with it!! i think it might have been a lot more engaging if maybe someone from the lab tailed them to murray’s place and they had to like lose the tail and race to get the recording out to as many news outlets as possible before they got caught, or something like that. the tension in their plotline is completely resolved in episode four!! episodes five and six are just them screwing around and addressing envelopes. while there were a lot of strong ideas in this plotline (i really enjoy nancy going out of her way to get justice, and the fact that they have to water down the story to make it believable), i just think the focus on nancy and jonathan getting together hindered it a lot without adding a ton to the plot or their individual characters.
season 3
strengths
starcourt mall as a setting
while i don’t think the mall was utilized quite to its full potential (something i could make a separate post about if anyone’s interested), i do think that starcourt was a genius addition to the series. i’ve said this before, but building a new mall is a literal Perfect in-universe justification for a significant leap forward in fashion and aesthetics, and it provides a great location for characters to just... be characters. idk how else to articulate this i just think that the mall is a great setting to let people interact with each other and to bring people together who may not have been otherwise (i.e. scoops troop). not to mention how sick it was to see the mall get wrecked toward the end kdjncdkm like they were able to do so much more with the mall in terms of like The Finale than they could with just the byers house or the cabin or the school or even the lab. i love all the back tunnels they run through it’s such a fun like acknowledgement of how this glitzy eighties mall is just a real place where employees get shipments and take out the trash and shit idk it’s all about the perfect facade and what’s hidden what’s underneath what’s hiding in plain sight etc etc i’m just saying words now. anyway. 
willingness to experiment and go against expectations
gay robin. neon aesthetics. giant fucking meat monster. i know some people hate both the neon and the meat monster but i personally think they were kind of amazing and like. yknow regardless of personal tastes i think it’s impossible to deny that s3 had a lot of incredible visuals, and they’re all visuals that just wouldn’t have been possible if the show were too afraid to stray from its s1 aesthetic. robin being canonically gay (and her resulting friendship with steve) and the season’s striking visuals are two things that most everyone (besides like homophobes skjncdknm) can agree were great, right? and they were both departures from where the show began and what we all expected!! so yeah i think while some of the experimentation in s3 wasn’t ideal it was also that experimentation that allowed for some of the season’s strongest elements to come about.
the hospital sequence (and the season’s action/horror scenes in general)
this one is fairly self-explanatory. while they may have underutilized the “body snatching” element of the season, the hospital sequence with nancy and jonathan fighting off their possessed bosses did an amazing job of building tension and creating a genuine sense of really intense and personal danger.
in general i think that s3 melded action and horror rather well, particularly in the sauna test, the hospital, and when the mindflayer busts through the roof of hop’s cabin. horror can come from many things, and in this case, st elicited horror largely from the feeling of helplessness, and it was really effective for me personally. i think it worked better for me than s1′s brand of horror because it doesn’t rely so much on a lack of knowledge or a sense of suspense that inevitable disappears upon a second viewing.
the body horror we got in s3 was also really fun! that’s it i just think all the blood and guts and slime were fun and i would like more of them. once again, the impacts of body horror are less dependent upon the viewer being in the dark or unsure as to what’s happening, and as such i think it tends to be a little more effective at eliciting reaction in the long term.
timing and mechanics of the battle of starcourt/finale
i think the battle of starcourt is just fucking awesome, and beyond that personal opinion, i think it’s the most high-stakes and intense finale of all three seasons, and this is for two main reasons! 1. el is out of commission, and 2. (almost) everyone is in the same cental location. this means that (almost) everyone is in danger all at once, and they are all working together at the same time to fight the same threat. s1/s2 have their groups more fragmented for the finales, and while i understand why in each case and i wouldn’t call either season’s finale necessarily weak, i do think the centralized nature of the s3 finale just Works on another level. in s1 and s2, large segments of the cast are already perfectly safe by the time el dispatches the primary threat. in s3, however, everybody save for dustin and erica is still in danger up until the last moment, and el is seemingly (you can def debate how much power she still had in her when she peeked into billy’s mind and whether the memory broke the mindflayer’s hold on him or if she was actually controlling him to some degree) completely vulnerable. this increases the tension and raises the stakes, making the finale a real crescendo to fortissimo as opposed to a series of little mezzo forte moments. i hope everyone reading this knows music idk how else to phrase that my brain is stupid.
emphasis on friendship and adolescence (but in a different way than s1/2)
this is definitely a controversial one but i think that s3 really did like... show a side of friendship that had been more or less unexplored thus far in the show. el and max were amazing, and i think it’s really nice that we got an opportunity to see the kids have some growing pains as well as see them support each other through Normal Adolescent Stuff like boyfriends and breakups instead of just like. death and trauma. this is maybe just a personal preference, but i think it can be really enlightening and provide a lot of depth when you get to see how characters respond to normal everyday conflict and not just how they respond to giant world-ending conflict!! letting el use her powers for goofy teenage shit like spying on boys and messing with mean girls at the mall is not only fun for her and the audience, but it also really emphasizes just how much those powers are a part of el, making it that much more devastating when she loses them at the end of the season. 
weaknesses
tonal dissonance
so this is like. obvious. but it must still be said! i won’t go on and on about it since we all know this so i’ll try to like talk about it from an angle people don’t usually? anyway. it seems to me like they were maybe a little worried about s3 being too dark. while the choice to really lean into humor was definitely driven by the sorts of eighties teen films from which s3 drew inspiration (like fast times at ridgemont high), i think it was also done in an attempt to alleviate the more troubling implications of some events in the season, particularly the russian bunker plot. like, yeah, st can be incredibly dark, but if they’d played the whole “children being stuck inside of a foreign military base, tied up, tortured, and drugged” thing completely straight without the humorous elements that exist in canon, it had the potential to be like... disturbing on a new level. steve and robin don’t have powers like el yknow their kidnapping/torture doesn’t have any sci-fi elements to sorta soften the blow. they’re just innocent teenagers being brutalized and traumatized by grown men. so anyway yeah i think maybe the writers were concerned about this storyline coming off as too dark and they wanted it to be a little more whimsical but they ended up pushing way too hard in that direction and creating extreme dissonance at times. this goes for joyce/hopper/murray/alexei too, but to a lesser extent. i think the ridiculousness in that group felt a lot more like... realistic. but still. 
newspaper plot
once again i feel like i don’t even need to say this skjdncmn we all know it was insane how the show basically ended up delivering the message “while misogyny is a serious problem poverty and classism are not” and i’ve said it on this blog a million times so i don’t need to repeat myself. i’ll focus on another weak point of this plot: the fact that it completely separates nancy and jonathan from everyone else. once again, the show’s preoccupation with j/ancy held them back! like... can you imagine a version of s3 where nancy and jonathan both worked in the mall? i have a lot of ideas about this possible au and like how the plot could play out differently if they worked in the mall but first of all it’s just more realistic, second of all it further utilizes the mall as a central setting, and third of all, it would bring everyone together. as it is in canon, nancy and jonathan were unnecessarily isolated from the rest of the group, and this isolation was detrimental to both of their characters. like, they only ever get to interact with each other! if they’d gotten summer jobs in the mall, they could have had more interactions with the kids/steve/robin, and they absolutely still could have had a similar argument! maybe in this case, nancy notices the rat thing (or something else odd) herself when taking out the trash behind the mall, and she wants jonathan to ditch work with her to check it out bc she thinks it may be related to the lab. jonathan doesn’t want to ditch work because he needs his job, nancy argues that they’re working shitty mall jobs anyway and who cares if they get fired, and we get more or less the same thing as s3 without the cartoonishly over-the-top misogyny. i mean honestly i think the rat shit could have been cut entirely it didn’t rly... accomplish much of anything. in my opinion. like imagine s3 without the rat plot you literally would not be missing anything except it would be more surprising when the dudes melted into goo at the hospital. so yeah i think it would have been better if nancy and jonathan had jobs at the mall, weren’t isolated from everybody else, and were maybe absorbed into the party’s plot or the scoops troop’s plot from very early on, allowing them to interact with more characters and have a less... dumb.... plot. like god splitting up nancy and jonathan between the party/scoops troop would have been So Much better i just. sdkjcnksdmn anyway yeah.
briefness of group reunion/separation of groups
remember in s2 at the beginning of “the gate,” where mike and hopper had a confrontation and max and el met for the first time and el hugged everyone and steve and nancy had their sad little moment together outside... where’s that energy? obviously the s2 reunion wasn’t that long either, but it made space for some significant emotional moments to take place. s3′s reunion had some hopper/el/mike resolution, but besides that... there was nothing, really. i just think that the whole group getting together in s3 was SO exciting and powerful the way they did it (with both the scoops troop and the adults having their own Big Moment reconnecting with team griswold family), but the emotional potential was more or less squandered. 
i also think in s3 at times they were really stretching to keep everybody separated even though it made no sense. and like... in s1 the separation worked bc nobody else knew that (x group) was experiencing weird shit too, and beyond that, each group (as i mentioned in the s1 section) was sort of operating within their own genre and bringing something unique to the season. they’ve stopped doing that though! now, the groups aren’t separate bc each plot is tonally/structurally different, the groups are just separate bc... they need to be, because it’s a big ensemble cast and you can’t just have them all be together for a whole season or it would be way too difficult to coordinate things and keep the show dynamic. all this is to say that i’m excited for s4 because the location differences make it so there’s a Reason for each plot to be separate at the beginning, and i think that’ll work better.
general ridiculousness
i dont mean like i think it’s bad that they made jokes this is just me lumping in all the dumb shit like hopper not worrying about el and not wanting to check on the kids, him and joyce bickering long after they both know they and their children are in danger, max seemingly forgetting that billy is a racist abuser, etc etc. i think many of these are just a symptom of the show 1. trying desperately to keep the groups split up a certain way even though it may not make any sense, and 2. trying to fit into a certain genre/trope mold when their actual characters are more complex than the tropes they’re imitating. this is so fucking long already i am not gonna elaborate further rn but i trust u all know what i mean.
soooo... yeah, that’s about all! i mean it’s not all there are definitely many more things i could talk about and i know i focused sorta disproportionately on the teens which is my bad :/ but i’m done for now. thank you for asking, and apologies for the delay in responding!! i’m sure some people reading (if anyone read this far) will disagree with some of what i’ve said and that’s alright like i’m not The Authority on st or anything i’m just trying to talk about like my own thoughts yknow? so yeah luv u all i hope someone enjoyed reading this!!
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absolutebl · 3 years
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Paranormal BL
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In the romance fiction world this would be called, PNR, or paranormal romance and it usually means a contemporary setting but with magical elements or fantastical monsters like vampires, werewolves, ghosts. 
Here’s a list of all the one’s I’ve encountered in order of my personal preference. 
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Color Rush (Korea) 10/10
Korea does PNR really well, it’s just mostly het. Their concepts are always clean, bright, and well written, Color Rush is no exception. I love this BL so much I wrote a whole post about how amazing it is. 
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Cherry Magic (Japan) 9/10
Definitely one of the best sweetest PNRs to ever happen. The paranormal elements is an audio conceit allowing for voice over, but a good one that doesn't rely on CGI and it’s a great story well acted. Can’t ask for more, really. 
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He's Coming to Me (Thailand) 9/10
One of GMMTV’s most underrated BLs about a boy who can see ghosts and falls in love with one. They move in together and try to uncover that ghost’s murderer. Good friendship group, great plot, and one of the best coming out sequences in all BL. 
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Close Friend (Thailand) the KimCop episode 7/10
Kimmon & Copter did a really fun idol meets and falls in love with fan only through the medium of VR. Technically this is sci-fi not PNR but I really enjoyed it and it’s only a short 30 minute episode. 
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The Guardian (China) 6/10
Guardian is an urban fantasy with a procedural framework. It's completely censored obviously BL to the point where there is even a secondary BL couple. But nice production values and fun supernatural elements. Buffy level CGI. 
Great Men Academy (Thailand) 6/10
As body-swaps go this one is actually one I liked. Also I really enjoyed the story, support cast, and filming techniques. Frankly, of all the actors to portray a girl in a man’s body James is one of the best. However, technically this isn’t BL because, ya know, gender. 
HIStory: My Hero (Taiwan) 6/10
Body-swap is one of my least favorite paranormal tropes, mostly because the actor has to have a VERY strong sense of physicality to actually take on the mannerisms of someone else. This one isn’t the best. Also not sure if it qualifies as BL, see previous entry.
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So Much In Love (Thailand) 5/10
It might not be rated high because it is pretty low level pulp and the subs are terrible, but the paranormal concept is actually quite strong. A boy who can see ghosts encounters one at the swimming pool and they fall in love, although the ghost might not actually be dead,. Has a touch of horror but it all ends happily. 
Y-Destiny (Thailand) Ep 7-8: Thurs and Ep 11-12 Sat 5/10 
Ep 7-8 Thursday, is a ghost story about a boy who pretends to see the dead to con his friends, then starts actually seeing a spirit and falls in love with him. Ep 11-12 Saturday is a timeslip friends to lovers story a little bit like the movie Big.
PickRome’s Our Skyy episode (Thailand) 5/10
You need to know the OffGun characters from their previous series Puppy Honey to get this episode. It is cute, but do I believe they swapped bodies? Not even a little bit.
PeteKao’s Our Skyy episode (Thailand) 5/10 
A sort of serendipity/luck based episode so only sort of qualifies. Will probably only make sense if you already know the TawyNew couple from their previous Kiss series.   
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The Fairy Fox (China) - 3/10 
Kitsune sort or warrior spirit comes to live with ordinary high school boy because he is the reincarnation of a king he once loved. Well cast but very censored and really odd ending. 
Youths in the Breeze (China) - 3/10
Three different PNRs one of which features a cat that turns into a human. Korea has done this one het and it didn’t work there either. It’s an odd concept to make romantic. This one ultra censored and there’s two other PNR stories in the series that I can’t remember. 
Close Friend (Thailand) the JaFirst episode 3/10
See above, cat boy not really my thing, much as I like cats. 
My Dream (Thailand) - 3/10 
Some spirits/fae creatures get involved with some ordinary boys, for odd contrived reasons, including one that can be either a man or a woman depending on the bathwater. Very confusing ending. 
The Cupid Coach (Thailand) - 3/10 
The spirit of cupid comes to life to learn about love, falls in with a boy, disappears. One of the worst of the pulps with terrible pacing, crap production, and mostly piss-poor acting. 
Hidden Love (Thailand) - dnf
A group of students trapped together get embroiled in the tragic love story of two ghosts. 
Wuxias are not included on this list as they are kinda their own thing not PNR. 
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I made a My Drama List for this. 
(source) 
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of-house-atreides · 3 years
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This article is breaking my brain
Have you read this article ?
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TW: mentions of suicide and also I’m an angry petty bitch
Yes I know this article is from like three weeks ago but I just found it... and I have things to say.
I swear I can’t handle this anymore...
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“But today, Loki steps out of his brother’s shadow”... to step in another one. It be the TVA or Sylvie, just... take your pick.
“resuming his role as the God of Mischief” um where? when?
The comedy part is debatable but fine, whatever... I must have missed the noir crime-thriller bit maybe it was between two scenes of Loki getting his ass kicked by literally everyone in this show.
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Yeah you forgot that end-credit scene showing Loki alive and well in IW/Endgame.
And no, alternate/variant Loki doesn’t count, he’s not the same person/character.
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Because of course when you think of Loki you instantly think his story should take place in a “bureaucratic nightmare” -
And why not hire competent experienced people for Multiverse of Madness and Loki? Is this Marvel’s way of telling us they don’t really care about these projects?
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Kevin really said “no experienced writers on this project, let’s just hire whoever” - or maybe it’s a budget thing? Less experience means less zeros on the pay checks?
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Wow, ok.
So not a fan of the movies nor a fan of the character, just a fan of the genre, that explains a lot...
“what was really important to me was stripping away all the fantastical elements” ... ?? I’m sorry?? What?? So removing all the fantastical elements from a show titled after who is supposed to be the main character who is a GOD and a prince from another realm/planet was what was important?? The Trickster God of Mischief, magic wielder, master of illusions NEEDED to be stripped from his FANTASTICAL ELEMENTS???
ffs
“find the heart of this story” - is the heart of this story Loki becoming best friends with his (mental and physical) torturer after what? 2 days? Was it falling in love with the ‘superior’ version of himself after only 13 hours together? I’m still looking for the heart of this story.
“what is the relatable message at the center?” - well apparently it’s ‘you can be a God and a warrior with magical powers but still get your ass kicked by literally everyone all the time and never use your strength and skills to fight back’. Or it’s the power of love, idk -
Oh wait, is it falling in love with the female version of himself? For a weird ‘love yourself’ metaphor? That must be it.
Or maybe it’s jet skis.
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Ah yes, the ‘you can be good, actually’ message of this series that is so subtly presented to us...
They really missed the whole fucking point of Loki.
They missed it so bad they made him call himself a narcissist (which he isn’t btw).
For the record, Loki is a prince of Asgard who learnt one day he was adopted and in fact taken from one of Asgard’s worst enemies, the King of the Jotuns, aka Frost Giants “the monsters parents tell their children about at night”. He found out he was not only adopted but also abducted and not out of love. He feels not only betrayed but he thinks he understands now why Odin always favoured Thor and why he’d never have the same love from Odin that Thor has had his whole life. He thinks of himself as a monster and wants to be worthy of Odin’s love. So he tries to get it. And sure, he doesn’t do it in the best way, and yes, he is the villain of that story. But Loki isn’t a villain. He doesn’t like to make people suffer, he did it out of pain, out of hurt. The events in Avengers was after he was thoroughly tortured and coerced by Thanos to invade Earth. There is even a moment in the end when Thor asks him if he thinks this ‘madness would stop under his rule’ (or something along those lines) and he looks unsure and regretful. But due to the fear of Thanos and insecurity about himself (love is weakness or whatever) he keeps going. He redeems himself in Dark World, again in Ragnarok and yet again in IW and he was thrown in the trash for it.
Yes, Loki’s story is complex, but it really isn’t that complex... So maybe Loki is a “scared little boy” but his way of acting out makes sense and there’s a legitimate reason for it that was not explored in the show. And his backstory is probably what she called the “bells and the whistles”... 
“we literally delete his universe” - and apparently you deleted his personality too
“it’s a story of reinvention ... can Loki find goodness in himself?” - again, you’re missing the point. Loki is insecure, but not about his ability to do what’s right, but about whether or not he is worthy of love! Finding goodness within himself comes AFTER!
“Loki’s journey, to me, is really about acceptance of himself” - several questions here, um, first, what about himself does he need to accept? That he’s a Jotun? The show never mentions it. That he’s done bad shit and should forgive himself for it? Give him a reason to. Self-love doesn’t come after being mentally and physically tortured by some guy who acts like he’s your best friend after 2 days of working together and being yelled out that “he can be anyone he wants, even something good”.
Show, don’t tell, isn’t that the point of your job?? The job you begged for??
Loki’s journey should have been about self-love and no, falling in love with the female version of yourself (who keeps saying they have nothing in common (because they don’t!)) doesn’t count!
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“a more mature and darker path” ...
well this is interesting... was making Loki a clown and the butt of every joke part of making the show mature and dark? Were the terrible attempts at humour? Him being beaten up every two seconds? Having him say lines he’d never say in a million years just to be funny but since it’s out of character for him it fails completely? Was making him incompetent and a complete idiot part of that attempt of making the show mature and dark?
Is that why there’s no magic? You cut off the magician so your show would be more “mature and dark”?
Having him cry every episode doesn’t make your show mature and dark.
Loki from Thor, Avengers, the Dark World and even IW is mature and dark. Your Loki from your series is just a pathetic clown.
“don’t give viewers the story they are expecting” - I personally wasn’t expecting any story, I just wanted Loki, you know, in this Loki series, supposedly all about Loki, and you guys couldn’t even do that.
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So this is the author of the article speaking here, I’m guessing, and I think they’re giving a summary of the show so far, so let’s break this down:
“This is Loki as we’ve never seen him before” - I 100% agree -
“Stripped of his self-proclaimed majesty” - ok, first of all, Loki is a prince, that’s a fact, he didn’t make that up, and for the few years he was King of Asgard disguised as Odin, he seemingly did a great job, so...
“but with his ego still intact” - ah, yes, his ego, you know, because he’s such a narcissist... oh wait -
yes he has an ego, but he has a regal one, not misplaced entirely either - his ego in the show is basically him underestimating the TVA and Mobius (as well as the Time Keepers) - his ego is him getting offended by the variant: the ‘superior Loki’ - his ego in the show is used as a weapon to humiliate and belittle him.
“he faces consequences he never thought could happen to such a supreme being as himself” - he literally tried to k*ll himself in the first Thor - literally a result of his own actions - when he returned to Asgard in Dark World, he didn’t try to pretend he hadn’t fucked up. He didn’t try to hide what he had done (he tries to deny to Mobius in episode 2 that he was manipulating them at the fair) - he sacrifices himself in IW... but sure, Loki from the series is indeed surprised that he is powerless (even when he doesn’t need to/shouldn’t be)
“there is a lot of humour ... he is taken down a few pegs by the TVA” ... he is humiliated by the TVA - definitely not what we were expecting, I’ll give you that.
“sentenced to a lifetime of bureaucracy” - definitely did not expect that either
and here comes my favorite quote: “it’s a sad Loki without any mischief”
yes - yes - yes
that is a good summary of this goddamn show, a sad, pathetic, powerless Loki without any personality 
“fallen God” - yeah that’s definitely not what I was expecting either from the Loki series so good job on subverting expectations I guess...
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“who is going to win out in this match between them?”
there is no match - Loki is powerless - he’s been turned into a pathetic docile harmless wet dog - Mobius literally mentally (episode 1 and 4) and physically (episode 4) tortures him, both time in an attempt to have Loki do his bidding - Loki is the dog and Mobius is the master - even when Loki ‘tries’ to manipulate him it fails because he’s underestimating them (by overestimating himself) - he uses obvious techniques to manipulate the TVA (episode 2) and nobody buys it because it’s not subtle at all! Loki is smarter than that, he is a TRICKSTER GOD FFS!
“there is an interesting dynamic between them that maybe you haven’t seen with Loki in the Marvel movies” - yeah, maybe there’s a reason for that... like... he wouldn’t... submit so easily... he’d be wary, cautious, cunning... he’d be... himself...
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Sans déconner ?
It’s like whoever wrote the series didn’t actually know shit about Loki... like that wasn’t fucking obvious...
And those lectures were apparently done after the script was written so... again, no surprise there... we can see that
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Well...
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“we wanted the show to be imbued with mischief” vs “sad Loki without any mischief” choose your fighter
“Loki has this very sensitive, damaged, broken heart with an enormous capacity to feel emotion on the biggest scale.”
Are surprised that only Tom so far has portrayed and talked about Loki accurately?
“loneliness, sadness, anger and grief and loss”
I love this man.
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I do wonder what Mr. Branagh thinks of the show...
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I’m of the people who see a vulnerability beneath those layers of charm and playfulness. I love Loki because he’s smart and cunning and regal, and elegant and sophisticated. I love him cause at the end of the day, he just wants to be loved, and he deserves to be loved.
And in the end, the only Loki I can’t stand is the one from the series.
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mimik-u · 3 years
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Fragments III, 1-100
300 drabbles about Steven Universe/Future, 100 words each! These are the first 100 prompts and writer’s choices that have been fulfilled.
Asterisks are placed next to my personal favorites that I’ve written.
Baggage* — Steven meets his new therapist!
Eternity —How about a Bellow interaction you've always wanted to see in canon but didn't get to?
Foe —Jasper is simultaneously satisfied and yet left deeply empty inside by her self-isolation on Earth, and doesn't understand how to even begin to process this dichotomy. (So she doesn’t.)
Letter — Young Greg's POV when he wrote those letters to his parents Steven found on Mr. Universe episode.
Sword —Connie interacting with someone she doesn't usually talk to by herself (ex Jasper, Bismuth, Lapis, etc.).
Reconciliation — Idk about you but I wanna see more Mega Pearl. The others have not met Mega Pearl.
Marks —How about... Spinel, and the tiny, everyday baby steps towards healing?
Tangled — Peridot finds out/is told about PD/RQ? (And is confirmed in her guess that Pearl is fancy...?)
Challenge* — How is Steven’s TubeTube channel doing?
Bruises — Priyanka tends to Connie's wounds after training sessions with Pearl. [Writer’s Choice]
Rest* — Yellow Diamond gets to relax. (She's the one who most expresses regret and real understanding. Let her take a nap! She deserves it!)
Barbecue* — Post-movie, during cleanup, Steven and Lars talk and plan the BBQ we got a glimpse at during the final song.
Ghost — Yellowtail and Greg talk about fatherhood and how it can be ruined (mentioning Marty and Greg's father subtly).
UNO* — Date between Pearls (platonic or otherwise).
Height — The pebbles!!! They're so small???? Where are they? *Sobs, points at the Heaven and Earth Beetles.*
Embrace — Steven gets a well-deserved cuddle pile from family and friends.
Constructs — Bismuth and Peridot have a lot more in common than they think.
Horns — Amethyst makes an unexpected new friend at Little Homeschool. (Whichever other character you feel would fit best!)
Garden — Pre-show scene. While having a funny chat, Greg mentions something that reminds Rose about her abandoning Spinel, which makes her regret more of her choices.
Advice — Garnet can tell when Stevonnie has a lot on their mind. [Writer’s Choice.]
Hum — Yellow and her relationship with music.
Love* — Pearl considering her romantic feelings towards someone and thinking about how she's finally moving on from Rose. (Doesn't mean she'll ever forget her.)
Kid — A glimpse into “Sadie Killer.” Maybe when they played their first show, while Steven was still in the band. Celebrating afterward or a discussion on why Steven didn't stay IN the band?
Troubleshooting* — Integration of gem communication networks and Earth Internet and phone lines and the resulting inevitable disaster.
Fairytale — Connie gets a tour of Little Homeworld.
Hope — Jasper finally starting to let her guard down and realize her self worth.
Song* — As for prompts... Steg? Like, him in general, just being himself. It's a bummer we only got to see him in the movie.
Mistakes* — Steven talking to someone (not a therapist, just another character) about his trauma?
Forgiveness — The Topaz fusion reconnects with the Crystal Gems at Little Homeschool and apologizes for her role in the kidnapping all those years ago.
Visions — Sapphire and Ruby reflect on the events of "Together Forever." [Writer’s Choice]
Reunited — Maybe a scene where Yellow comes home from a long escapade and is reunited with a worried Spinel?
Beginnings — After CYM, Lapis and Peridot discuss where to live since the barn is destroyed.
Pet* — White Diamond happily announces one day that she has decided to take in a small creature (of your choosing) as a pet.
Together — What were Doc, Army, Navy, and Leggy doing during Future?
Desert — Steven meeting Lion from Lion's perspective. I dunno, I think it could be neat.
Freedom — For a post-CYM/SU:F prompt, what do you think about the exact moment it hit either Blue or Yellow Pearl that they were completely free to follow their whims?
Apologies — Greg apologizes to Steven due to the incident in “Mr. Universe” and both have the talk they should've had in that episode.
Change — Blue and Yellow Zircon's relationship has improved even if they are now rivals in the new democratic Homeworld. This last tiny bit is related to the “Homeworld Bound” episode.
Hug — Bellow cuddling. Yellow has no idea what to do, but Blue is loving it.
Valentine* — Steven gives Peridot a Valentine's Day gift. [Writer’s Choice]
Spite — Aquamarine and Eyeball are distraught at knowing they won't be rewarded for their actions because their worst enemy, Steven Universe, has been labeled a hero and royalty by the Diamonds.
Reevaluation — How about more Peedee and Steven friendship? Like, Peedee noticing Steven’s change in demeanor the farther along the show we get?
Camp — Connie kicking ass at space camp.
Family — The night after the events of the movie, Steven gets some quality family time.
Homestretch — Peridot, Lapis, and Bismuth spend time together while preparing Little Homeworld.
Enough — We know what Jenny, Sour Cream, and Buck are gonna do for their futures, but what's Kiki been up to? Is she gonna take over the pizzeria?
Spillage — Vidalia and Amethyst catch up after Steven's monster episode.
Reformation — White Diamond has learned how to be so extremely empathetic to the point that she literally becomes another person, but has she really begun to understand others?
Comment* — Sardonyx makes some Internet videos.
Unicorn — While traveling through California, Steven encounters two fishermen arguing about unicorns. [SU/GF crossover.] [Writer’s Choice]
Worry — Andy and Greg stay in touch.
Homerun* — I hopal for Opal—perhaps she will attempt some baseball.
Skydancer — Post-CYM, Pearl getting to “truly” take Steven out for a joy ride through the cosmos in a properly operational ship of her design.
Mercy* — The shattering-is-wrong discussion between Rose and Bismuth that led to Bis being bubbled.
Happy — Smoky Quartz hasn't made a self deprecating joke in a while—is it Steven's therapy?
Electric* — Yellow’s gloves—I feel like they’re covering something up, maybe.
Cake — Fusion Cuisine 2: Electric Boogaloo.
Belonging — The Rose Quartz sisters visit again.
Transcendence — Fluorite offers someone wise caterpillar grandma advice.
March — Connie and Steven reflect on changes in life after the pandemic. Not canon compliant. [Writer’s Choice.]
Understanding — Onion be doing Onion things.
Ocean* — Andy and Steven post-”I Am My Monster”? I love their relationship, lol.
Ignorance* — Does Lapis even realize Bismuth was probably the one who poofed her?
Reflection — Did I already say more Mega Pearl? ‘Cause there can never be enough Mega Pearl.
Possibility* — Yellow deciding she should try putting shattered gems back together. (She probably broke the most.)
Storyboard — Peridot’s budding career as a storyboarder.
Fall — Lapis and Steven talk about trauma and recovery. Pre-The Future.
Limbo — How the dismantled gempire has affected the lives of noble gems like Emerald, Holly Blue Agate, and others.
Now — Garnet reminds herself to live in the present.
Grief* — Alexandrite forms for the first time. [Writer’s Choice]
Inauguration — Wait, did Connie's parents ever meet Stevonnie?
Please — Did Kevin ever learn anything? Naaaaaah....unless...
Friend — General prompt? A sequel/prequel to this, please [White D’s panther].
Treatment — Greg starting to learn more about gem stuff to be more involved in Steven's life if something ugly happens.
Numbers — Pearl, please do something with all those phone numbers in your head.
Generations — Rose continues to discover the wonders of Earth, even after all this time. (No angst allowed in this one, just pure wonder.)
Survival — The Off-Colors used to have more members in the past.
Acting — How did Rainbow 2.0 even get invited to babysit Onion?
Kindness* — Former Mayor Dewey coming to terms with his new position in town.
Play — The Gems and Greg try to capture Steven's first moments on a bike. [Writer’s Choice]
Documentary — Ronaldo makes a real actually informative documentary about Little Homeworld.
Rain — Blue Diamond still cries sometimes.
Zoophobia — Also, I saw Z and my immediate thought was "Zoophobia.”
Echo* — Why does the tiny floating whale have Rose's voice before Steven ever heard it in the tape?
Sketch — Steven and Connie discover an anime character/mythological figure who bears an awfully similar resemblance to Obsidian.
Unironically — Why does Buck wanna be a doctor?
Club — How did Bismuth, Lapis, and Peri become such tight friends?
Nostalgia — Greg considers a comeback tour.
Pressure* — The creation of the Diamonds, maybe?
Coping — Amethyst and Pearl grapple with Rose's pregnancy. [Writer’s Choice]
Theatre — Sugilite, meet Rainbow 2.0.
Dadhood* — Whatever happened to Mrs. Fryman? IS there a Mrs. Fryman, or was it only a passing on-and-off thing that resulted in kids?
Lingering — Jasper finally lets Malachite go.
Human — Steven talks to his therapist about his mom, the feelings of before and the now. (It was left open-ended—his relationship with his mother.)
Words — Kofi is proud of his daughters.
Quest — [Letter prompt] Quest.
Picture — Sour Cream and Steven talking about absent parents and bad parenting. Post-The Future.
Bittersweet* — Shep finally gets to meet the notorious Lars.
Gemini — Spinel discovers memes and we're all doomed.
Weird — When he's younger, Steven doesn't quite know how to label the Gems.
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dangermousie · 4 years
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Mousie’s New and Improved Top 20 Cdramas List
Because why not. These are ordered in terms of being my favorite as opposed to pure quality - if I was trying to be objective, it would probably be rearranged, but I like being petty and subjective.
You will notice that literally every drama on this list is a period drama. Much as I adore period cdramas, contemporary ones rarely work for me.  
20. Princess Agents (tie)
MV: https://www.youtube.com/watch?v=ll6x8zf2CnQ
Our heroine is a slave in a brutal society who becomes a feared general, fighting for freedom and love of a Yan prince. But her heart might actually lie with a seemingly cold adversary who is madly in love with her (I shipped them so hard!) I was one of five people who loved the infamous cliffhanger ending because it made a brutal kind of sense (You can read the novel if you want a different resolution.)
20. Tribes and Empires (tie)
MV: https://www.youtube.com/watch?v=WyRsPAGUz-Q
This one has a hell of an open ending, but it’s so gorgeous and epic, I don’t even care. Set in a fantasy empire, it follows three men - a half-human prince, a cursed son of a general, and an orphaned leader of a barbarian tribe. A feast for the eyes.
19. Ice Fantasy
MV: https://www.youtube.com/watch?v=C05lhfrWgQg
A visually stunning high fantasy with elves, quests, a shockingly wonderful hero, brotherly love, toughest lady general ever as OTP and basically everything I like.
18. The General and I
MV: https://www.youtube.com/watch?v=0XDR17kwXYM
The lengthy OTP separation brings its place in this list down, but otherwise a gorgeous romance between two enemies - a general and a female strategist, is a total swoon and so intense. 
17. Three Kingdoms 2010
MV: https://www.youtube.com/watch?v=j3RVpdYDpYA
This one is a magnum opus of 100 episodes, with a tour de force performance by Chen Jian Bin as Cao Cao. Battles, politics, and even though it’s very secondary, one of my favorite love stories in cdramas. This one is if you want to use your brain as well as your heart.
16. Colourful Bone 
MV: https://www.youtube.com/watch?v=G4O5yb3VBh4
It probably doesn’t deserve to be this high on the list but it hits all my narrative and shippy kinks with a common-sense heroine taking in an abused and mistreated death machine and teaching him to be human. Mmmm.
15. Young Warriors 
MV: https://www.youtube.com/watch?v=BO83qvKaoSM
What do you get when you have seven awesome heroic brothers, a star-studded cast, tragic stories about heroism and love and just amazingness? You get this drama. 
14. Strange Hero Yi Zi Mei
MV: https://www.youtube.com/watch?v=wFVDAuFOyWE
Band of misfits fight corruption and uncover mysteries. This one is the most underrated drama on my list. Also, Wallace Huo has never been hotter in his life and that is saying something.
13. The Battle of Changsha 
MV: https://www.youtube.com/watch?v=RbgFMaUfpnE
By the same people who wrote Minglan, this follows a family in 1930s China and is a quiet, devastating masterpiece.
12. Prince of Lan Ling
MV (warning - spoilery): https://www.youtube.com/watch?v=-jUVGP0HETo
He’s the consummate battle god. She is a mystical shaman. He is fated to be with someone else per prophecy but he doesn’t care and chooses her. True love, politics, battles, jealousy, amazingness, tragedy. I love them so. 
11. Gong/Jade Palace Lock Heart
MV: https://www.youtube.com/watch?v=SVFPVkHaweo
This is Boys over Flowers goes Qing (where Domyoji’s behavior finally makes sense since he’s a literal prince and Rui likes to kill people.) This is such a amazing good fun, about a modern woman time traveling to the time of the fight for the throne between Kangxi’s sons. She thinks she likes the seemingly gentle Four but ends up with hot-blooded, awesome Eight. She herself is tough as all get out and this is pure deliciousness from beginning to end. Yang Mi and Feng Shao Feng had such amazing chemistry, people RPShipped them for years. 
10. Return of the Condor Heroes 2006
MV: https://www.youtube.com/watch?v=JzXsBqVYp0I
My first cdrama ever, and what a gorgeous one it was. That’s what got me into cdramas. The childhood eps are pretty awful but after that, it’s pure shippy perfection with an incredible OTP. If you want to be in a constant romantic swoon, in that story of female master and her male disciple and their forbidden love, this one is for you.
9. Eternal Love/Three Lives Three Worlds Ten Miles of Peach Blossoms
MV: https://www.youtube.com/watch?v=t9-ry-W4Crg
Fated immortal lovers, reincarnations, the whole enchilada. Yang Mi and Mark Chao have insane chemistry that burns up the screen. The first few eps are slow, but it makes up for it afterwards.
8. Legend of Fuyao
MV: https://www.youtube.com/watch?v=SkMX1d0v7t0
A twisty epic romance with a super-powered heroine who is plain awesome and may destroy the world, and a smart, ruthless prince who’s only soft for her. I love it so much!
7. Legend of Condor Heroes 2008
MV: https://www.youtube.com/watch?v=c2fea109_qM
Plot twists, good guy hero with a mega smart OTP, tragic anti-hero who becomes a villain for a while with an amazing OTP, bromance, fights, everything. I just adore this one. 
6. Bu Bu Jing Xin/Startling By Each Step
MV: https://www.youtube.com/watch?v=R9B3Rddrqt0
The one that started the time-travel craze (well, that and Gong), about a modern woman who time travels to the time of Emperor Kangxi’s sons’ fight for the throne, this is a gorgeously filmed tragic love story, with one of the most perfectly brutal endings out there. I adore it.
5. Nirvana in Fire
MV: https://www.youtube.com/watch?v=J4wps7SK9xo
This is a smart story about politics and revenge, where a survivor of a wrongly destroyed family comes to get justice. Seemingly laid back until it explodes. Not much romance but it doesn’t even need it. 
4. Rise of the Phoenixes 
MV: https://www.youtube.com/watch?v=w0BUvMKSj4E
Like the dramas to destroy you? Come right in. A story about a disfavored prince and a lost daughter of a previous dynasty, this is smart, gorgeous, and is going to wreck you.
3. Ever Night (s1)
MV: https://www.youtube.com/watch?v=x99seU5qJuc
I have talked enough about it recently so I won’t say much more, but if you want epic, movie-like quality, characters you will love, amazing battles and cinematography, complicated world-building and an OTP to die for, come right in.
2. The Myth 
MV: https://www.youtube.com/watch?v=-rfyfKM_Ww0
For the longest time, this was my favorite cdrama, to be replaced only by Minglan. It starts out funny and ends up tearing out your heart. This is the only time in my drama watching experience I cried so hard I threw up. The story is about two accidental time-travelers - a photographer and a cook - who end up in Qin Dynasty China. And from then on it’s about how that cruel, horrifying world takes two perfectly normal men and by wracking their very souls turns one into a hero and the other into a monster. To me, this is Hu Ge’s best performance and as you see his protagonist desperately try to hold on to his humanity and his love in a world that is doing its best to destroy it, I dare you not to cry like a baby. His character is my ultimate cdrama crush.   
1. The Story of Minglan
MV: https://www.youtube.com/watch?v=FA7m2QktiUk
Aaaaaand, my n1. cdrama is the amazing, too short at 73 eps, The Story of Minglan. It is very hard to describe the plot of this - a sort of Elizabeth Gaskell meets period China. It follows three interconnected upper-class families, but more specifically, it is about Shen Minglan, a concubine-born daughter of a minister and Gu Tingye, the oldest, legitimate, and hated by his family son of a Marquess. Their narratives run largely parallel for the first half of the story and such is the genius of this drama that I, the ultimate romance junkie, did not mind that. Minglan is a rarity in dramaworld - she is fiercely smart, very collected and emotionally detached. Life in the troubled Shen household taught her to survive and to hide her feelings and talents. Tingye is a big cdrama love. Abused and reviled by his household where he can do no right (the Marquess hated having to marry his merchant mother for money and has displaced that hate on her son), Tingye manages to keep his warm heart but acquires the ability to go his own way. Both of the protagonists are wonderful and smart and magnetic and rootable for separately, but when they get together, the sparks go off the charts and they become my n1 cdrama OTP of all time. A lot of the story is about family battles, women’s world dilemmas and relationship (of all sorts) interactions. There is also politics and battles, but the true charm of this drama are the mundane details of the world and the fully-fleshed out people who inhabit it. If you watch only one cdrama in your life, make it this one.     
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popculturebuffet · 3 years
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The Critic Valentine’s Day Double Feature (Pilot/Sherman, Woman and Child)
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Vivia Jay Sherman! Viva Quebec! Viva Valentine’s Day! And Viva WeirdKev who as happens for a good chunk of my content payed for this wonderful double feature for one of my favorite shows.  The Critic was created by Al Jean and Mike Reis of The Simpsons fame, a comedy team supreme. While I knew the two wrote for the simpsons, more on that iin a minute, I had no idea just how many classics the two churned out: There’s No Disgrace Like Home, Moaning LIsa, The Telltale Head, The Way We Was, Stark Raving Dad (Sadly tainted by it’s guest star being a horirble monster but that’s not their fault), Mr. Lisa Goes to Washington, the treehouse of horror segments The Bart Zone and Clown Without Pity (The second of which may be my favorite treehouse of horror segment), and later coming back to write the story for one of my all time favorites Round Springfield and to outright write the classic “SupercalfragalisticexpalliDOHcious”.  And to his credit Jean would later go on to write some classic post-golden age simpsons episodes during his tenure as producer: Lisa’s Sax, Mom and Pop Art, and Children of a Lesser Clod, which is notable if nothing else for this gag. 
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So yeah the guys are legends and were right to start their own show under Simpsons producer James L Brooks over at ABC. The show followed the adventures of film Critic, Jay Sherman, a parody of film critics with high brow tastes, impossibly high standards, and a huge opinon of himself, having won the pultizer at least once.  Despite this he was also constnatly spat and shat on by society, divorced, lonely, depressed and eats like a thousand pigs combined in some horrific science accident. And given the last three parts describe me, as well as my profession of b eing a critic, naturally I love the guy and this show. I’ll get into his cast as we go as the first episode does an excellent job of introducing the entire cast so there’s no sense repeating myself.  But the show’s style I can and will talk about: It’s basically Golden Age, i.e. season’s 1-10, simpsons, but with more pop culture refrences and movie parodies, since the show would often feature multiple on Jay’s show coming Attractions and took place in the celebrity hot spot of new york and was a love letter to the city.. and sometimes a hate letter but only when those digs at the city would be funny, which to be fair depsite never having been to or lived in new york most really are. That’s the series key asset: while a LOT of the jokes haven’t aged well as a lot of the celbreity refrences are dated as are some of the movie parodies, most are hilarious wether you get what their making fun of or not and to me tha’ts a good parody: where knowing what their making fun of HELPS, but you can laugh regardless. The show had the charm and pace of the Simpsons while having it’s own unique style and cast that was just as charming and I love it dearly.  The show sadly only lasted two seasons, with ABC canceling it after one, and Brooks having it moved over to FOX, which was a good idea and lead to what’s probably my faviorite simpsons episode, a Star is Burns. Ironically despite you know, the show being created by two simpsons writers, backed by one of their producers and perfectly in line, creator Matt Groening was against the idea, publicly ranted about it to the press, and generally was an ass about it. Look I love the guy and even Brooks, Jean and Reiss were all nice enough in thier criticsim of the guy, but sitll very much understandably pissed off. .and i’m with them. 
It gave what’s again, my faviorite episode and what is not a “30 minute add” but an episode that easily stands on it’s own and also you know, pokes fun at itself for being a crossover a few times. You don’t need to see the critic to enjoy it, and episodes most iconic gags, Boo-Urns, Man Getting HIt by a Football, Senior Speilbergo, all don’t involve jay. And again the shows were not at all dismilar: While the critic was it’s own thing it still had the simpsons sense of humor and pacing so I saw it more as a petty rant against having a crossover in general more than a legit critcisim. Especially since Groening had no such complaints decades later with the family guy crossover after both shows had all tehir talent surgically removed and had the gall to NOT remove a cheap shot at Bob’s Burgers. And yes i’m still bitter about seeing that in a promo for the special, Bob’s Burgers is fantastic, to the point that now, in a fabulous case of history repeating itself, it’s got it’s OWN show like the critic made by talented former crew members using a similar but sitll throughly unique comedy style , The Great North. My point is that controversy pisses me off, and The Great North is spectacular go watch it while you read this. 
So yeah the Critic is awesome, me and Kev are both fans, and there are plenty of romantic episodes abound as the show digs into Jay’s love life quite a few times and has episodes about his son’s first love, his boss finding a wife towards the end of the series, his parents rekindling their spark and in what’s easily my faviorite episode, his sister dating a grunge rocker. So there was no shortage of choices but the choice made was brilliant.. and i’m not saying that because i’m being paid to, as my review of splatter phoenix’s first episode in darkwing duck and woops should show, paying me does not guarantee that I have to LIKE what your paying me to review. But here I did and he pointed out the first episode of each season, with season two being a soft reboot that while keeping the premise and supporting cast changed a few things around and added two new main characters, and both involve jay finding a new love intrest and intorduce a lot of the cast. I found him to be right, so where we are and after the cut i’ll dive into the good and bad of both episodes and see what changed inbetween seasons. 
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That gag will make sense.. later. Right now it’s time for our very first episode, the show’s very first episode as you could probably tell by the title. 
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Pilot:  The pilot starts with Jay getting touched up by his Makeup Person Doris. Jay is played by legendary comedian John Lovitz, who this show gave me a deep and lasting appreciation for. Lovitz was at the time best known for his 5 year long stint on SNL, and film wise is best known for Three Amigos, the Brave Little Toaster, The Wedding Singer and Rat Race. Sadly while I do geninely love the guy.. he has been in enough crap to destroy the New York Sewer system, as everyone needs money and sadly not everyone appricates the talents of John Lovitz like I do. 
So naturally he’s also been in The Stepford Wives remake, Grown Ups 2, The Ridiculous 6, Eight Crazy Nights, North, Benchwarmers and Benchwarmers 2: Breaking Balls. Yes that’s an actual movie, though it’s already better than the first one for virtue of not having Rob Schnider and David Spade starring in it despite.. that title. The irony is not lost on me that Lovitz has essentially made his money starring in the kinds of films Jay was forced to see for his job.  Still a VERY talented, very lovely man.
Before we get to our next voice actor up, no profile of Jon would be complete without mentioning that time he slammed Andy Dick’s face into a bar. To make a very long story short, Lovitz was friends with the late great Phil Hartman, who even did some voice work for this very show, whose wife who had severe drug and mental ilness killed them both. Phil had told Lovitz he saw Dick give his wife cocaine, so after Phil’s tragic murder when Lovitz and Dick ended up on the same show, Lovitz ended up exploding at the guy out of grief and blamed him for her death, but later apologized like a gentleman.  Living up to his name though Dick later went up to Lovitz at a restraunt Lovitz owned and said “I’m giving you the Phil Hartman curse, you die next”. Granted he was drunk but still...
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Naturally Lovitz banned the guy and Lovitz later demanded an apology when the two ran into each other when they ran into each other at Lovitz regular gig at the comed store. Dick not only refused to apologize even when Lovitz put him against a wall, but said it was because “you blamed me for her death”... which was a decade ago with change by this point, the actions of a man GREIVING for his best friend whose wife’s relapse you caused which inadveradntly lead to her and her husband’s death, and something HE APOLOGIZED FOR. Naturally Lovitz took this how you would and did what we’d all like to do in general and broke the shit out of his face and only didn’t do more because they were seperated. IN short this man is a hero and I wil lbring up this story at every opportunity.  Doris was played by the late voice actress Doris Grau, a script supervisor who worked on a LOT of films as one , the most notable I could find on wikipedia being Clue. This is a fact I just learned today but boy if it isn’t neat. Grau mostly did aditional voices for shows, most notably Ducktales and the Simpsons, where she played Lunchlady Doris, and of course this show. Still she seemed like a very funny and talented woman and it’s sad she’s gone.  The two start the series mostly sniping at each other and while that never ENTIRELY goes away, Doris gets more supportive after a spotlight episode where she and Jay bond and Jay thinks she might be his mom. And while she’s not this surprisingly sticks and for the rest of the series while still not above making potshots at him on occasion, she’s far more supportive. She also informs him she’s out of spray on hair “I’m bald and ugly, get more!”. This show is naturally comedy gold and a lot of it relies on Lovitz sense of timing, though the rest of the cast aren’t slouches but we’ll get to them as we go.  She ends up putting a hat over him and we get our first film parody, Rabbi PI starring Anuld, which is alright. Not one of the series best but passable and gets the gimmick of having film parodies on jay’s show across, which was a nice way to set it apart from the Simpsons. Jay reviews it on the Shermometor, a gimmick jay hates and that disappeared by season 2, giving it a bellow zero to the ire of his boss Duke Phillips.  Duke is one of the best parts of the show, an unhinged southren billlonare who was a modeled after Ted Turner, down to the mustache, who built up his fried chicken franchise into a multimedia congrlomorate and is also mildly nuts, though that part would be more of a thing in season 2. In season 1, he’s mostly there to make Jay’s life hell, with about half of the seasons episodes having him either fire jay or put his job in jeapordy versus 2 the next season. He’s still not unfunny, but most of his best stuff is in season 2 when Charles Napier’s allowed to cut loose a little more and the character wasn’t shoehorned into just being a clueless executive.  Charles Napier is a longtime character actor who showed up in TONS of films and tv shows too many to list.. and trust me with some of the lists of credits before and after this that’s saying something, his biggest voice rolls being in this series and Men and Black the Series as Zed. But needless to say he was ALWAYS this awesome and sadly passed in 2011.  Jay’s guest for the day is Valerie Fox, an up and coming actress whose first film kiss of death is coming out soon.. and whose age is an engima and it’s only a problem because if she’s 20, like the episode mildly suggests giving her starting career and her voice actress being that age, then this gets really gross as jay is 17 years older than her then. But given she looks older than that and sounds certainly older than that, i’m going more with 30, since she looks more like it, and sharon stone, who she’s mildly based on given she stars in a basic instinct knockoff and does the leg thing, was 32 at the time of basic instinct.  Valerie is voiced by Jennifer Lien, aka Kes from star trek voyager who I only know about because of reviews done by SF Debris and Allison Pregler. She was the childlike love intrest of Nelix, the ship’s resident pain in the audience asses who made them BEG for early seasons wesley crusher and who once, and I saw footage this wasn’t SF Debris exagreated, lunged at a crewmate in a jealous rage, unfounded by the way since Tom was AVOIDING kes depsite being attracted to her as he just wnated her to be happy and to not mess up her relationshpi, and screamed “i’ll kill you!”. Point is she hasn’t had a huge career, but was still worth noting and does a fantastic job here. Again I did not realize she was that young at the time by her voice, and that means she did a great job. 
So Jay’s smitten with her, finds her super attractive and she asks him out.. but to the show’s credit, and Jay’s he does try to rebuff her because he knows ther’es a conflict of intrest there.. but ends up giving in. However at least the show not only is upfront that there’s an issue here but that ends up being the thrust of the last act. Granted there’s still some.. questionable stuff like when she does the basic instinct leg cross and he says “can we get a shot of that”, which no.. Jay.. no you can’t. Ewwww. Seen far worse, like It’s Pat, which was a VERY real SNL sketch about people trying to guess the titular pat’s gender because that’s not creepy or invasive even for the time. And they made a movie out of it because Wayne’s World was popular forgetting that Wayne’s World, one of my faviorite movies by the way and one I need to cover here sometime this year now the thought’s occured to me, was a labor of love, with a talented director and actual ideas from it’s two leads who actually fleshed out the character versus a concept that was NEVER funny to begin with and has gotten down right horrifying with age. And wasn’t I talking about the Critic? Not the abusive jackass mind you, Jay Sherman. 
Ah yes so Jay takes Valerie to a date at Lane Riche, the rich jackass where we meet Vlada, a vaugely european man whose your typical hollywood suckup. As Jay puts it in a later episode  Vlada: I love you too Jay: You only love my money Vlada: That’s true but it is a love that will never die.  He also naturally scoots Jay to a less nice table in the Critic’s section once Conan O’Brian shows up... which WAS supposed to be a different kind of joke, as at the time Conan was just a writer on the simpsons and SNL, but now given he has a decades long career in late night and famously said fuck you to NBC during that whole Tonight Show debacle, which netted him his own show on TBS, it comes off more as the kind of self deprciating gag Conan makes about himself. So in other words it’s actually funnier now? 
As for the critic’s section that’s a part of the series I’ve neglected to talk about so let’s do that: The kind of critic Jay is, one who plays clips of the movie and reviews them.. on television. And were usually academics who looked down on popular film, the kind Siskel and Ebert popularized, and both suprisingly had a huge guest apperance in season 2 and even reviewed the show on their show. This kind of film criticism just dosen’t exist on tv that i’m aware of anymore, and mostly lives on with internet reviewers , many of whom were inspiried by critics like this, and who range from acadmeics to average joes to some mixture of both. It never went away just simply went to a younger generation. Some of which squandred it and somehow still have a career like certain abusuive jackasses i’ve mentioned enough with that one gag a few paragraphs ago. Point is it’s a much more varied and different game now so the critic ended up as one of those shows or movies where the main characters very job feels like an artifact of it’s time, like our heroes in Wayne’s World hosting a public acess show, when nowadays they’d just put it up on youtube or the entire idea of a UHF station in well.. UHF. It’s not a BAD thing, just something to note. 
But the date goes well as Valerie shows she’s really into jay and even takes him oggling her in stride, though we do get an utter classic of a gag when Jay says something about women being drawn to him.. and cue an old woman asking to rub his nonexistant hump for luck “You hunchbacks are all alike”. She does so anyway to his understandable annoyance. 
But the two go back to Jay’s place, talk about his acomplishments including a pulitzer and then well.. the obvious happens they go to bed together and the next day after Valerie is horrified at his just woke up fac,e he gives her an easy out but she’s fine with it. It honestly shows just how low the poor guy’s self esteem is that he just.. assumes a woman will regret having slept with hima nd walk out and while played for laughs it really gives a clear look into Jay’s mental state: He’s so full of self loathing, not helped by the world being out to get him, that it’s really oddly endearing. And VERY releatable.  The two are interupted by Jay’s son Marty. Marty is played by the very recognizable and very wonderful Christine Cavanagh, who sadly passed away in 2014. She voiced Chuckie Finster, Gosalyn Mallard, Oblina, Dexter from Dexter’s Lab and the titular pig from Babe. She decided to retire in 2001, so while her career was only about a decade she made quite the impact and is sorely missed. Unsuprisingly her usual voice is perfect for the very awkward Marty, who Jay asks to tell eveyrone about the beautiful woman in his bed especially his unfaithful and utterly loathsome ex wife ardith. 
This scene demonstrates two problems. The first is just the pilot as Jay’s kind of sleazy. While Jay being thirsty wouldn’t go away, especially in the episode Lady Hawke, it’d be made more awkwardly endearing. Here there are moments of him just plain being creepy like the aformentioned oggling, which while not bad in itself, if a bit awkawrd, also has him creepily muttering to himself while doing so which removes any charm or relatability and just sends it straight into needing 10 showers just to wash this scene off. The rest of the series would just turn him into a bit desperate at worst.  It also explains why the only other romantic story the guy has in the season is a pastiche of misery. Thanfully this would be GREATLY adjusted next season but we’ll get to that. 
The other problem is just the tone... we get a good half a minute of Marty talking about how he calls Ardith’s boyfriend “Uncle Al” because he likes him a lot.. to his dad’s face. And granted his dad is being creeptastic this episode but the early episodes just pile on the Jay hatred by the world a bit thick, to the point one episode puts him as “worse than hitler”. Granted the audience is full of idiot teens who have no idea who hitler is, and the gag is kinda funny, but it makes my point: Jay is just utterly shat on by the world, and while he does get a few wins, most are undercut by something awful and it gets taxing sometimes. The guy is just too loveably pathetic to hate, too relatable even as a teen and not snobish enough to be really loathsome or WANT to see him knocked down by the world. It’s not overwhelming enough to ruin the first season, it still has good episodes but this episode does highlight a LOT of these problems.  He does get to spend the day with val though, dancing outside the trump buliding, seriously even back then he was a joke and his lack of money half the time was well known.. how did the last four years happen, and they tell each other they love each other. I’d aww if I didn’t know how this ended.  So jay relates the good news of how he feels to his best friend, Jeremy Hawke, played by Maurice LaMarche. LaMarche is one of the most talented voice actors alive, a master of impersonations paticuarlly orson welles, who was naturally brought on board because they knew they were going to need a lot of celebrity voices for the film parodies and needed one or two guys to do them to keep it cheap. The guy is like most of this cast a legend in the industry, having voiced the Brain, Squit, Dizzy Devil, the Human Ton, Big Bob Pataki, Egon Spengler, Sleet,  Kiff Kroker, Headless Body of Agnew, Morbo, Various other Futurama characters because that list is long, Mortimer Mouse, Blue Falcone, Father, Yosemite Sam, Vincent Van Ghoul, Doctor Doom, Abradolf Lincler, and Odval. Point is the guy has been engranged in my childhood and adulthood and will probably even after he’s gone come back from the grave to do some voices. He even got the part of Jeremy Hawke here because he happened to do a REALLY good australian accent depsite not being australian. Jeremey was a combination of paul hogan, the star of the Crocodile Dundee movies and at the time sex symbol and at this time known anti semite Mel Gibson. Obviously neither of those refrences has aged paticuarlly well, but since hollywood ALWAYS has room for a super hunk from australia, just ask Chris Hemsworth or before him Hugh Jackman, the character still works and his breakout role, Crocodile Ghandi is so ludcrious it works. I.e. a white australian man playing the mahtma and saying before he brings peace “First a tasteful shot of my bum for the ladies. Jeremy, while sometimes increidbly oblvious, is still a fairly nice easygoing guy and an extremley loveable character. And whie Jay worries about Valrie meeting him because he’s sex on a cracker she ignores him and jay gloats for a bit, paticuarlly with the great bit “take your genatalia right back to australia”. And while Jeremy’s happy for him he tries to reign Jay in when Jay talks asking her to marry him.  As Jeremy later relates on Jay’s fire escape “Bubala, i’ve learned there’s two things you should never do: Marry an actress and wear blackface to the naacp image awards. Two things I found out the hard way. “
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So Jay takes her to meet his parents and finds out he’s adopted.. and their also rich. Jay’s waspy parents are his cold and overly honest mother Elanor, played by  Judith Ivey, his kooky dad and THE best part of the series Franklin played by Gerrit Grahm and his loving and free spirited teenager sister Margo played by Nancy Cartwright.  Okay (cracks knuckles) here. we. go. Judith Ivey is a tony wining stage actress and has also directed numerous plays and is mostly known for her stage work but I know her from Designing Women where she played BJ in the last season. Garret Grahm apparently shows up in a lot of brian depalma movies, including Beef in phantom of the paradise, a lot of tv work and to my shock the asshole dad from Child’s Play 2. Another thing I genuinely love I wasn’t aware an actor or actress from this series had a part in.  Finally there’s Nancy Cartwright, who you DEFINTELY know from the Simpsons, where she plays Bart, along with Nelson, Ralph, Kearny, Database, and Maggie, and Kearny. Other credits include Pistol Pete, Mindy from Animaniacs, Chuckie Finster picking up for Christine Cavanagh ironically enough, Lu and Rufus from Kim Possible. She’s a talented lady and i’m glad sh’es still around. Whew. 
Okay so yeah I do love the shermans and fraknlin is again easily the best part of an already excellent series and unlike Duke that’s in full display here, with him saying, when his wife mentions they were going to give jay back at one time, “Son if I’ve said it once I said it a thousand times.. who are all you people. “ and he’d only get better. Sadly he’s NOT in sherman woman and child. Our loss really. But he’s in pretty much every other episode of season 2 thankfully and most of this season so eh, fair trade off. Also we get the classic line, after Jay says he’ll love valrie even when he’s decaying in the ground, his mom quips “Cna’t we go one meal without talking about your rotting corpse?” Though Eleanor understandably thinks Valarie is using jay for a good review. Margo suspects her of the same and takes her on a horse ride, though all she can gleam is that Val genuielly loves jay and welcomes her to the family.  Jay however does decide to duck out of the inteview by faking sick, which leads to a really sweet moment where Valerie visits him and they dance, in a hilaroius but oddly sweet parody of Beauty and the Beast, Beauty and King Dork. Despite the title and the song insluting him a LOT it’s still just endearing. This is a problem but we’ll get to in just a moment WHY all these touching moments are a problem.  So naturally things don’t go that well for Jay as Duke has a tape of the film sent to him “My shrink was right: GOd does hate me!”
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Naturally kiss of death is bad and valrie is bad in it and Jay is left uncertain what to do, but eventually decides he has to do what he feels is right,.. though he does take a picture of her while she’s sleeping. “In case you do leave”
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So in a tender and heartbreaking moment Jay is honest, the movie does suck and she’s not good but he does compliment her, for her personality not her body despite his skeevy behavior and say she could get better. Instead when he arrives home.. she dumps him to his face and leaves never to be seeen again while he assumes she’ll come back. And that’s the issue it’s GENUINELY hard to tell if we’re supposed to side with Jay. On one hand he genuinely loves her and does the right thing and on the oth er he’s kinda creepy. It’s a mixed tone that just sorta hurts thing and something the series DID fix after this, as it found a better ballance of the guy being pitable while also still being an ass and ONLY usually being punished when he does something actually wrong, the only exception being Dial M for MOther which is easily the weakest episode of the series. The episode does close on a really funny moment as Jay’s dispondent because “I’m sitting on top of a volcano of rage and I don’t knwo where to direct it”. Marty mentions a new Sylvester Stallone movie where “He plays a concert pianst who” And jay dosen’t even need the rest of that to shout “To the multiplex!” The man is back
Final Thoughts for Pilot: This episode is not bad. It has it’s flaws as I said, mostly in tone, but the series would iron that out and it’s still a great pilot that organically introduces the entire main cast in one episode and really gives us the full idea of who Jay Sherman is. It’s also REALLY funny, as the series should be and it would get better, but i’d still put it over some more awkward first episode like Letterkenny’s “No Reaosn to Get Excited”, even with it’s brilliant ending or Bojack Horseman’s first episode  whose title is way too long to put here in an article that’s already long as hell about about to get longer. But like those series this pilot worked pass the awkwardness and the result is a damn good series. but if you want a better idea of what it became.. wellllllll
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Sherman, Woman and Child: So yeah as you can tell JSUT by contrasting images a few things were changed up between seasons, part of it at network instance. The designs were softened , the color palette was brightened with jay being the most noticably alterted between seasons. 
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The execs wanted jay a bit warmer, so his face was given wider more expressive eyes and was also scrucnehd down a bit. He was also made slightly less of a jackass, with his elitisim toned down a bit and his creepeir moments gone. For instance he no longer had a split personality/imaginary secretary named ethel. That was actually a thing. It didn’t even really change Jay as a person, this very episode mentions him not liking the Lion King, and he’s still snooty, he’s jusst not as punchable about it and that was for the best.  But the cringe comedy in general was taken down a peg and replaced with more fun weirdness, which wihle present in season 1 really pops more here, especially with Jay’s dad who sadly dosen’t show up in this episode, but at various points dresses up like El Kabong, puts on the mask from the mask (”He did the same thing at Nixon’s funeral”), and blows up famous works of art while babysitting. But yeah things get a bit more surreal like the simpsons from season 4 onward, ironically enough given these guys left to make their own show, and it’s to the show’s benefit. 
But besides a lighter tone, they also wanted two things to hook viewers in: A permenant love intrest for Jay, and an adorable kid character. The former.. was acutlaly quite resonable, as i’td both give jay a “win” as it were, allow the cast to have another femlae character and give him someone else to confide in besides Doris or Jeremy, to give those characters a break. The other was less so and we’ll get into why when we meet her. 
This episode really is a second pilot, reintroducing about half of the main cast. Marty, Elanor, Margo and as I said Franklin are all absent. But their reintroduced soon enough with the fourth episode in both broadcast and dvd order, and my personal faviorite “A Song for Margo, is entirely focused on Jay’s parents and sister, while Lady Hawke has marty breifly at the start for broadcast order and he’s in the frmaing device for Sherman of Arabia in dvd order. So the characters all get a proper reintroduction to new audiences, but it was the right call to NOT shove them into this one, still introducing new people to the new cast, but letting the two new additions to it breathe and get properly intergrated into this universe.. well more Alice than Penny but we’ll get to that. It’s part of why, besides the genuine extra coat of polish aand seasonal changes I feel this is the better episode. 
So we open with Jay on his show and two parodies in a row. The first is a few good men but with Jack Nichelson making fun of Christan Slater for sounding like him even though. they honestly aren’t too similar other than both doing that pause thing a bit. So yeah not their best but the second segment makes up for it “The Nightmare Before Channukah” a parody of the nightmare before christmas that was so beautifully animated and funny, that they actually bumped it up to the season premiere.  But while the parodies are good Jay’s show is once again, this happened a LOT in season one, in jeapordy, being beaten by the Benedictine monk variety hour. Which while the Bendictine Monks are VERY much an artifact of the 90′s a choir of monks that somehow went mainstream, the whole segment is so absurd and wonderful it stands on it’s own and is still funny to me in 2021. Duke comes in anda fter trying to softball things shows the change I mentioned: He’s actually sorry the show is in danger and is genuinely sincere that he’s sad he’ll probably have to cancel it versus season 1 where he was ready to cancel it what felt like every other episode. And I prefer this, where he can still mess with jay or flex his power over him, but is more cordial with the guy and it allows more jokes between the two. 
So Jay’s not doing so good.. and during his crappy day he spots a 30 something woman and her young daughter struggling in the rain and stops his cab to help. And gets maced for it “MMM, Jalapeno”. Though Alice does apologize and Jay does understand as it is New York and she graciously takes the offer. It’s in the cab their properly introduced. Aliice thompkins and her daughter penny who in a great bit punches jay in the nose for not liking the lion king (”rex reed did the same thing”) and then kissing him on the nose in apology (”Rex did that too” And he acompanies them in.. and also gets conked on the head by a potted plant and put in a materinity dress. 
So we get to know Alice and what her deal is: Alice was once married to and supported the career of country star Cyrus Thompkins who was.. less than subtle in his music about how faithful he was
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Easily one of my favorite gags of the series if in part for Pat Overall’s delivery. So she moved from Knoxville to New York to prove to her daughter a woman can make it on her own, and proves she’s smart, talented and driven she just needs a break. She seemingly gets one in a man in a bright white outfit who says “this is your ticket out of this rundown flophouse” only for him to cheerfully exclaim “Your being evicted!”... PFFFTT. Cue where the commerical would be
So during this lull in the action let’s talk about Alice and Penny’s voice actresses: Alice is voiced by Park Overall, though for some weird reason I thought she was voiced by Hollly Hunter. Dunno why. Park is an outspoken liberal, supporting my boy bernie sanders in 2016 and in general seems like a fascenating lady. Naturally like with Jay’s parents I know her from something more oddly specific, the sitcom Reba, as I did not realize she voiced alice depsite using a similar voice for her character there, Reba’s best friend Lori Ann.. And while Park TRIED her best.. the character didn’t work out: a combination of it being simply funnier that barbra jean tried to wedge herself into the roll and the fact Reba really didn’t need a horny abrasive sidekick meant the charcter had a very short shelf life and the audience had very low patience for her.  I did like her constnatly insulting Brock as he was not a good person andi t was nice SOMEONE besides Reba actually got to roast him on a regular basis. 
Penny was voiced by the one and only Russi Taylor, who sadly passed in 2019. She voiced Huey Dewey and Louie, Webby Vanderquack, Minnie Mouse, Fantasma, the imcomprable martin prince...
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Among tons of smaller rolls. She’s sadly missed. We’ll get more into what they add or subtract from the show in a minute, as the next day at work Jay wonders how to help, though Duke’s interjection gives us two great gags: his “30 second workout” which involvees throwing jay around like a medicine ball and.. well this. 
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The man is a legend for a reason. He earned that golden statue. So Jay TRIES slipping alice the money only to give it “To my good friend crazy postman”, and Alice refuses the money due to pride.. even if you know, she has a small child and new york is expensive but Jay finds a better solution, hire her.. even if it’d make it impossible for them to date. For all of one episode. What keeps the power dynamics from feeling EUGUUUUGGHH here is that Jay treats alice like an equal partner at work and dosen’t let their relationship really impact things outside of one episode, and dosen’t use his position to get into a relationship with her nor does she use being responsible for a turn in his fortune for hers. 
And yes turn in fortune, as a makeover and a change of attidue under Alice’s direction, which is utterly amazing to watch and wow’s duke and hte audience, wins back his fans and his job is secure. Duke meets alice and we get more great duke stuff. including something truly iconic...
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I want bears who sing for me, doo dah, doo dah. But yeah things are well though Jay ends up admitting to Jeremy he can’t stop thinking about her “Her merest smile is like pedals of the empreror’s bathwater, BATHWATER I TELL YOU BATHWATER. “ So Jeremey encourages him carpe canum “Seize the dog”. He does so.. and the day but instead finds Alice with her ex Cyrus whose trying to win her back. Wuh oh.  Once the asshole leaves, and agrees to give her the night to think, Alice admits the only reason she’s considering it is she has a weakness: his singing melts her like butter on a bagle (”God i’ve been in new york too long”. )  Jay tries to talk her out of it at the critics meeting for “Dennis the Meance II Society” which involves Dennis pulling a drivebye on mr wilson.. why wasn’t this the second live action dennis the meance movie? WHY I ASK YOU. But Jay gets a good idea, as Alice TRIES to tell the asshole to get to stepping (And to see penny often, she’s not a monster), he works his evil song magic.. only for Jay to undercut it with his own amazing song on acordian. “Cyrus is just a virus, he wants to tie you down while your still young. Your potetial, is what’s essential, you could someday be another connie chung!” And that ultiamtely shows WHY jay is the better man. He just wants what’s best for her and dosen’t care if it’s him, he just wants it not to be THIS asshole. He’s not even trying to win her over, which a lot of these gestures creepily lead to. He just wants to help her be who she’s MEANT to be. And that’s why this works better: Instead of a fake relationship built on lust and someone conning the other person, it’s a real one built on genuine chemistry. Also Alice you know dosen’t just.. vanish after an episode but is a permenant part of the cast. I mean she does for the webisodes but we don’t talk about those. 
So our hero undercuts Cyrus one more time  Cyrus: “Loverrrr, without you there’s no other” Jay: Give him a chance he’ll do your mother....
I mean he’s not worng, So Cyus is sent packing and we get a nice romantic moment between the two. 
Final Thoguhts: Sherman, Woman and Child This one is truly excellent. It relaunchs the show on all cyllanders. And frankly Alice was a fine addition to the cast: her own fully fleshed out woman with her own personality outside of jay, who was tough, smart and a good counterpoint and confidant to Jay and it felt like she’d always fit. Penny on the other hand, apologizes to the late Russi Taylor who tries her best, just dosen’t work and feels ultra cloying and out of place in the series and unspurisingly is barely used after this. But overall a better pilot than the actual pilot was already pretty good and a fine pair of episodes. Check em out whenever the series eithe rgets on a streaming platform or pops back up on youtube as Sony’s struck it down... despite not putting it up anywhere i’m aware of. Seriously sell it to HBO Max or Disney I want a reboot. But for now this series is awesome check it out and until the next rainbow, it’s been a pleasure. 
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the-cookie-of-doom · 3 years
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Good morning! Whats your favorite show/movie? Who are your favorite characters? Why do you like them so much? Also!! Did you have a good sleep?
Okay so I was a film major for a while, and I have opinions. 
Penny Dreadful 
I love this show. Like, so much. I adore it. I can not get enough of that show. Just all of the imagery, and the fantastic writing and acting. The episode intro alone is one of the most beautiful things I’ve ever seen. Eva Green is a goddess and I love everything she’s been in. The take on classic horror stories is So Good, and it actually became the inspiration for my Gay Frankenstein story! (Started as a stitch AU, and then went completely OC after I had Ideas) but the show itself is so intimate? I think it’s largely that the period they’re in, everything was so repressed and restricted. So when the characters break out of those moments, it’s more meaningful. And the love-hate relationship between Ms. Ives and Malcolm in season one? Exquisite.  I could literally write essay’s about this show, but I’ll restrain myself and just say: it’s the best ensemble show I’ve ever seen. The characters come together, but they also each have their own distinct lives that sometimes intersect, but in s2 especially, are quite separate. They are constant with one another like ensemble shows usually portray. Also gothic horror and romance? My absolute favorite. 
Anything by Guillermo del Toro
This man Owns My Entire Soul. I’m not even joking, everything he writes and directs is perfection. Crimson Peak is probably my favorite (I have a stitch AU for this too ;) ) because again, Gothic horror and romance. I’m a slut for that shit. Also Tom Hiddleston and Jessica Chastain? Delightful casting. I think it’s obvious by now that I love tragic relationships, so their dynamic is *chef’s kiss* amazing. they’re so damaged. And this quote right here is one of the BEST things I’ve ever read: 
“But the horror... The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.”
Engrave that on my headstone, please?? I’ve got a sort-of Dorian Gray AU (it’s delightful) that’s basically built on this entire premise. Mitch makes the mistake of falling in love with Stiles, and does many terrible things because of it. Mostly to himself, at least. 
I think my love of Crimson Peak is very closely tied with The Shape of Water. another beautiful movie, I could wax poetic about this forever. it was beautifully written, and such an artistic movie. I love the way it was filmed, and the set design, and all of the subtle imagery. Such as Elisa’s apartment being cast in cooler tones, it always felt very damp and had evidence of water damage, compared to Giles’, a mirror image of her own, in more warm tones. This is another one I could (and have) write essays about. There is so much packed into this movie, from the themes on toxic masculinity and entitlement, to the conversation on queerness and race and disability, and how all the various relationships are portrayed. Like. there is so much to pick apart in this movie. 
Aside from that, ofc Hell Boy deserves an honorable mention because i grew up on those movies. I’m pretty sure the Golden Army especially is responsible for who I am today, given all the lore on the fae in that universe. Wow, that explains so much about me... Also one of my first WoW characters was an elf named Nuala xD I still have her, too, and it’s been like 12 years lol
Near-Future Sci-Fi
Sci-fi is one of my favorite genres, I am a huge nerd for theoretical and astrophysics. But my favorite kind of sci-fi is the stuff that still takes place on Earth, rather than epic battles in space. Ex Machina and Annihilation are at the top of that list. Alex Garland is another writer/director that I love. He has the same kind of approach as del Toro, where he puts a lot of fine details into his work. And I love that it’s very cerebral; there are so many layers to Ex Machina. My English 101 prof actually refused to analyze it in class when I suggested it to him, because he didn’t think my class could. Basically handle? Dissecting that movie? Because a lot of it comes across as very surface level, but in some cases when you look deeper, it’s actually suggesting the opposite of what you might think at first glance. (And he was right, my fellow students were awful. I miss that class though, it was one of my favorites T_T Mr. Ryder was an awesome dude and super chill.) 
Morgan is another good example. As you can see, I fucking love androids lol. Which brings me to another of my all time favorite movies: Cloud Atlas. I could literally watch this movie endlessly, I love it so much. The acting, the writing, the filming, all of it is top notch. And one thing they did in the movie that didn’t come across in the book, was reusing the same actors through the different eras in the book. That was just so neat, because it really encapsulates how connected these souls are, as we follow the threads of their story throughout time. If you haven’t seen the movie, I can’t recommend it enough.  
Another one I always think of alongside Cloud Atlas, even though they aren’t related at all, is Predestination. It’s a great movie that explores the idea of fate and free will in a really clever way, utilizes time travel in a very organized way that I think was neat (think Umbrella Academy. They even use briefcases! As you can see, I love sci-fi bureaucracy, it’s fun. In fact The Bureau is another movie I enjoyed) and the main character is actually, explicitly trans, which was cool. You basically get to see the entire story of their life, and I don’t want to spoil anything, but it’s just. So good. Mindfuckery galore. 
Shoot, and I almost forgot! Arrival! That is one of the best movies, and another one I could watch nonstop. It focuses on mathematics and linguistics and I swear to god, I almost altered my entire college course because of this movie. Amy Addams is brilliant, Jeremy Renner is so soft and nerdy, and again, it has an amazing take on time travel. I am very particular about how time is handled in Sci-fi, and this portrayal was one of my favorite. (Most of my physics studies have been dedicated to the theory of time, so like. Strong Opinions.) 
Fantasy
Stardust! It wasn’t until Good Omens can out that I realized Neil Gaiman is responsible for most of the stories I loved as a kid lol, and I had no idea he wrote stardust! But that is such a beautiful movie (I have a Stardust AU lol) and it’s definitely one of my comfort movies. Captain Shakespeare is one of the best characters ever, bless Robert de Niro. I would die for him. Fun fact, i had no idea Ipswitch was a real place until like. 2019. I 100% thought it was made up for the movie 😂
Alongside Stardust, I’ve always loved The Golden Compass. It’s fantasy, but also with that old-timey steampunk science feel, which is so fun and surprisingly difficult to find! 
Mortal Engines also has the same kind of feel, and it was such an epic movie in every sense of the word. I’m a little sad that after all the work that went into it, it didn’t get a dedicated following or fan base, because I feel there’s so much potential in it. But at the same time, fandom tends to gather around media that has plenty of flaws for us to repair with gold, and there wasn’t much room for that in Mortal Engines. 
I’m going to put Jupiter Ascending here even though it technically fits with the sci-fi, because that section is long as fuck and also this movie has such a fantastic feel. Mila Kunis? beautiful. The CGI? beautiful. Eddy Redmayne? One of the best villain portrayals i’ve ever seen. The whole oedipal vibe he had was immaculate, as was their portrayal of reincarnation, and just. The world building. GOD. I get so weak for through world building. Also the fkn intergalactic bureaucracy when they’re basically at the space DMV? One of my all time favorite scenes in movie history. 
Horror
I have very little room in my life for horror. As I said, I have strong movie opinions, especially when it comes to horror movies. I don’t like how most of them rely on cheap jump scares and overused gore and gratuitous rape scenes, instead of, y'know, actual good writing. 
Which is EXACTLY why I adore It: Chapter 1 & 2. It has none of those things, but still manages to be so terrifying. They are my favorite horror movies, and I’m saying this as someone who has genuine childhood trauma bc of the novel. Like. I couldn’t shower/take baths alone until I was almost 10 T_T When I was 6-7 and saw kids play by storm drains, I would run over screaming about how Pennywise was going to get them. Like, I had issues man. I was terrified to see the first one, and wouldn’t go until I could go with my best friend after she had already seen it, so she could warn me when something scary was about to happen 😂
And, one of my favorite aspects of the movie, and the thing that gave me Mad Respect for Any Muschietti? The way he filmed Bev and her father. They have a character who is literally being molested, but they never once have to show it. And yet their interactions are still so viscerally upsetting to watch. Sexploitation puts me off of most horror, and the fact that Muschietti doesn’t use it here, even when it would be actually somewhat justified? *chef’s kiss*. I love him. 
I love horror as a concept, I’m just really picky about it because I expect the writing to be good. I don’t like short cuts. But in a lot of cases, even if I don’t enjoy the movie itself, I love to watch analysis videos on youtube! I love to see the philosophy and symbolism in different horror movies, even if i don’t like to watch the movies themselves. It’s a fun hobby. 
Misc. 
Then in general, some other stuff I love in no particular order:
The Internship (Bless Dylan, Stuart is such a bitch and I love him) 
American Assassin (ofc. The writing itself is eh, but Mitch is my man) 
Dylan’s episode of Weird City. (I actually have a lot of feelings about this one. Jordan Peele is another amazing writer/director, I really need to catch up on his works.) 
Dorian Gray (*chef’s kiss*)
Rogue One (Makes me cry every time) 
WARCRAFT (Obviously this is a fav. It made me so happy, words cannot express.) 
Coraline and most other stop motion animation. I’ve always had a soft spot in my heart for that. 
Literally anything associated with Tim Burton. Fun fact, when I was 12 and in middle school, I planned to decorate my future house inspired by tim burton. Like, i had Plans. 
Most adaptations of Alice in Wonderland!
So! this got long as fuck! But you said you like that kind of thing lol 😂 I had kinda Eh sleep since I was up so late lmao, and I kept waking up (as usual, rip). And I’m so mad I go up for nothing! The dude I was supposed to show my listing to never showed, and is refusing to answer my calls >_> It’s been 2 hours now, and I still haven’t heard from him. But whatever, I already have a full price cash offer on the house so who cares. And that means I can play WoW all day, now! 
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This is probably a strange question since KH is already a crossover in and of itself, but... KH-Crossovers you'd love? XD Not limited to Disney or any medium in particular btw :)
Fun question!
Hmm... Off the top of my head? Things that I love, because I’m selfish like that. Haha. Something like Inception comes to mind (and I’ve actually written a KH and Inception crossover. Though it would never entirely work out, but shh). But they lend themselves well to each other. Mainly because DDD was clearly inspired by Inception. What?
The Mortal Instruments, Percy Jackson, and Buffy the Vampire Slayer, as I think all three of them would mesh well with KH. Also, Dark Angel (and a lot of Fox shows, like Dark Angel and Tru Calling), because again with the selfishness. Also, Fox movies. More on some of that later.
Edit: ABC shows, like Alias and LOST, as they’re mystery box stories like KH.
W.I.T.C.H. Gargoyles too, though I barely remember it.
Kilala Princess, probably. And perhaps Disney Princess: Enchanted Journey (at least the villain from it would be great for KH).
I know there are some companies out there who have adapted fairytales that Disney already has. And it would be cool to see their take on them in KH. In my Namiku multi-chapter story--that I’ll sadly never finish--this was going to be a thing. There was something wrong with Kingdom Hearts, so the characters would go to a world and be like, “Wait... I know this is supposed to be Cinderella’s world, but something is off about it.” But that could also work with things like Once Upon a Time and the new Disney live-action movies.
That being said: Once Upon a Time.
National Treasure... that could actually potentially be in KH (as a few on these list could be), but I doubt it ever will be. So I might as well include it. Enchanted, too.
Phantom of the Opera or Phantom of the Megaplex. Preferably the former.
Some DCOMS Pixel Perfect and Disney Channel shows, tbh. Kim Possible!
I think people, like Shire Folk, who have written the characters with Digimon are on point.
Things like Soul Eater... and probably other animes, Square Enix made or not.
Syfy Alice, because it’s my favorite version of Alice in Wonderland.
Pokémon. Because I think Ash and Sora have a lot in common, of course (perhaps also Misty and Kairi, and somewhat SoKai and Pokeshipping). And because, as weird as it is to say... in the first game, where they made a big deal about the Keyblade choosing its master and choosing Sora (and it was very much sentient), the bond that Sora made with his Keyblade (that eventually chose him over Riku) somewhat reminded me of Ash and Pikachu’s journey. To a lesser extent, of course. But still.
Square Enix worlds...
I don’t think I want a “Beauty and the Beast & the Enchanted Christmas” world per se, but I want a Forte boss fight, somehow and some way.
Winx Club.
A crossover with Clamp could be interesting. Especially since Tsubasa and KH are so similar.
I’m down for the Muppets and Oswald the Lucky Rabbit to be cameos.
Anastasia and Titan A.E.
Tales of Vesperia or something? Just because I once made a manip of Estelle and Naminé together, and someone commented that that wasn’t a bad crosier idea and I kind of agreed?
It would never happen in a million years, for so many reasons, but A Song of Ice and Fire could be interesting. They’re both fantasy theories that keep you guessing, with a lot of theory crafting in both.
People have often theorized what KH would be like if it had been Nickelodeon or something. LOL People say “Spongebob would have taken on Mickey’s role”, and I wouldn’t be opposed to seeing what could be done with a Nickeloden crossover, a Cartoon Network one, or what have you.
Grimm’s Fairytales, maybe? Or even the show Grimm? -shrugs-
I could maybe give the Star Wars, Marvel, and Indiana Jones ideas a try...
Roswell?
Tenchi could be interesting... The sword from that/Master Key reminds me of the Keyblade, somewhat.
Madoka Magica?
Sabrina: The Teenage Witch? I have no freaking clue. But I’ve been rewatching episodes of that show on some week nights lately, so it’s on my mind.
Firefly could probably work, and I am trying to write that. And parts of Dollhouse would lend itself beautifully to KH.
Oh. Avatar: The Last Airbender.
Danny Phantom.
People have been saying stuff like Naruto for years, and I agree.
I also wouldn’t say no to DC. I once wrote a Smallville and KH crossover once, but that was wish-fulfillment. I don’t know how much it would actually work. Haha.
Static Shock. Teen Titans and/or Young Justice. Batman Beyond.
I’m also someone who thinks a High School Musical could work, and would like to see it. XD. I once wrote a KHxHSM crossover, and at least one reviewer seemed to think I handled it pretty well. So it can be done, imo. .
..Maybe even things like Boy Meets World, even though it shouldn’t work. But ever since the fandom joked that Jason Marsden will be announced for KH, and then the fandom will war over whether he’s voicing Max Goof, Noel Kreiss, or Kovu, and I added on that, “You guys are forgetting Eric’s friend on Boy Meets World. Don’t forget that Boy Meets World is Disney owned”, I’ve weirdly been thinking of Boy Meets World in KH. Mostly as a joke. But meh.
Perhaps “I am Number Four”...
Oh! Harry Potter! Duh! People have been doing that for years, and it works.
People have also written Fullmetal Alchemist/KH crossovers, I think. And I haven’t seen FMAB yet (for shame, I know. It’s been on my list for ages, and hopefully I’ll get to it soon), from what I know of it, I love the idea.
The Kingdom Keepers series would probably be good for KH, even though I haven’t read it yet. Descendants?
Phineas and Ferb!
I’ll just add Sailor Moon, because. Actually, you know what? Sailor Pluto’s staff was pretty much the first Keyblade. So it works and works well.
And why am I now imagining things like NCIS and Castle? IDK.
Hocus Pocus!
And can we get Rinoa in the series, already?
Wizards of Waverly Place. Maybe not as a world, but something. I think that exploring what went wrong with Jerry, Kelbo, and Megan’s relationship could be a good warning for Sora, Riku, and Kairi, perhaps. And there are other things you could, too. To a lesser extent: Phil of the Future and That’s So Raven. Again, they probably wouldn’t work as worlds (maybe cameos). But I think there are interesting things there the games could use. Like, “Oh, you can time travel, Xehanorts? Well, let me hop in my friends’ the Diffy’s time machine and beat you at your own game.” Or, “You can see the future Master of Masters, so can my friend Raven.”
Doctor Who.
The Real Adventures of Jonny Quest.
Moana.
This is everything that I can think of right now...
I also think it would be fun to add in little cameos, like Proud Snacks from the Proud Family.
Edit: I want Max Goof in this series.
Edit 2: Oh! The Swan Princess and Quest for Camelot!
Edit 3: Hanna Barbara and Paramount’s monster movies could be a good idea.
Edit 4: Studio Ghibli!
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