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#but Can it run doom?
dark-mega · 5 months
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Someone ported DOOM to Ao3
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primal-con · 11 months
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More of this actually cause apparently I’m Full of ideas
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archivebottles · 2 years
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aitsf doodles while I was playing this game all month at a snails pace
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vampyrobot · 2 years
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IF THE GLOWFLIES ARE ON YOU YOU GET YOUR GOOFY ASS TO THE HIGHEST POINT ON THE MAP AND YOU FUCKING STAY THERE DO NOT FUCKING RUN ALL OVER THE FUCKING PLACE.
Edit: This post is about the video game Splatoon 3, glowflies aren’t real.
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kopawz · 1 year
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do NOT install doom on chai's ipod ever again even if he asks really nicely, we don't need another category 5 "RIP AND TEAR" event
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aquickstart · 5 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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jordblod · 6 months
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!! crucial !! piece of hilson lore confirmed - they're fucking LOSERS honestly? so affirming to me. this isn't news i know but to get this explicit piece of interaction about being a lonely child and now being weird adults who don't know how to make friends or have "normal" conversations or connections like this is the shit i eat for breakfast, especially accompanied with the complete and utter sense of surrender to this fact that wilson displays. there's absolutely no reason whatsoever for him to defend himself or act as if what house is saying isn't true bc it is and they both know it and knows the other knows it even if they've never actually talked about this once which is very likely but they know cause they're the same and they only have each other and and and
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canisalbus · 6 months
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AU where there is some sort of zombie-like (maybe something like a rabid vampirism?)
Where one of the boys is bit/infected and desperately wants the other to join them, while also wanting to resist?
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nightlilly0110 · 3 months
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Jayce: Hey, I know we’re in the middle of a fight right now, but I have an important question.
Viktor: *sighing* Defender, why is it that-
Jayce: Can you run Doom?
Viktor: Yes, actually.
Jayce: Really?!
Viktor: No, you idiot! With what screen?!?!
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incorrect-hs-quotes · 2 months
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Roxy: u'll be doin absolutely nothin in minecraft nd suddenly the most majestic melancholic music will begin playing and ur just like Something Just Happened
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sapphorror · 4 months
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Short Moderate Length List of Small(ish) Things I Appreciate About The Wettening
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Dib being conspicuously absent from the opening pan of the classroom, only to cartoon-teleport into existence at Zim’s desk the second Zim starts expressing mild apprehension at the sight of unfamiliar weather. This kid spends his time just hanging around staring at Zim, waiting for him to show the slightest sign of discomfort, confusion, or unease in order to immediately taunt him about it—and the surrounding chaos, if anything, is just an opportunity to come watch even more closely. We all already knew this, but it still kills me to see it in action.
Also, he’s animated popping up from below, and like… were we meant to interpret this as him just chilling underneath Zim’s desk? No, absolutely not—but is it funny (and, to add to the hilarity, miraculously somehow not completely unbelievable within the context of the show) to imagine that he was? Yes. Yes it is.
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Zim confidently walking out into a downpour he has already confirmed to be acidic just because Dib implicitly dared him to—no one’s looking, Dib hasn’t even said anything or made a claim against his humanity, Zim just can’t stand to give Dib the satisfaction of seeing him vulnerable or afraid of something (which backfires pretty spectacularly, since I’m pretty sure ‘writhing on the ground shrieking in indescribable agony’ is a significantly worse look in terms of appearing vulnerable, but all’s well that ends in Victory For Zim, I guess).
Also Zim's little baffled gesture right beforehand like he's silently asking Dib to confirm he's not hallucinating the rain dance (he does not receive an answer)
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Gaz presumably seeing Zim sneaking up behind her brother, saying nothing and making no reaction that’ll tip Dib off… only to immediately be made to regret her choices when she gets caught in another splash. Shows her for trusting Zim to be at least a little bit cool about tormenting Dib (honestly, we see her exact fitting justice on Dib at the end of the episode, but I cannot imagine she wasn't still planning to do something equally petty to Zim).
The faucet drip scene and the underlying awareness that this is just what Zim and Dib do to each other during class. Every day. It is, in fact, probably one of the least disruptive forms their constant warfare takes on a routine basis. Suddenly I understand a little bit of why their entire class hates them.
Also Dib’s happy face while he's terrorizing Zim into a shell-shocked stupor is absurdly cute and heartwarming. If I cropped that picture no one would ever guess what he's smiling about. This kid? A sadist? Impossible.
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“I don’t even feel good about winning this one,” and it's said with his hands clasped together, practically vibrating with glee, his expression vaguely reminiscent of a teenager in the throes of hormonal infatuation (the hypothetical object in this case not so much being Zim himself as a personified abstraction of Zim’s suffering). If someone hit him with the Return of Keef happy goo in this exact moment, I am completely certain it would kill him. His statement is only true insofar that a more accurate term for his current state of being would probably be euphoric.  I take back everything I’ve ever said about Zim being unreasonable in this episode—he was merciful.
Also this face the moment Zim gets up and starts threatening him. Zim still isn't even all that intimidating at the moment, but Dib knows he just fucked up. Maybe he's getting flashbacks to Dark Harvest.
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Dib’s ridiculous water balloon device. Seriously. I feel like it gets (reasonably) overshadowed by the sheer absurdity of Zim’s entire operation, but it really is so amazingly stupid and pointless in a way that is… not dissimilar to the ultimate Irken water balloon. Not only is it really not necessary for the task it's meant to accomplish, it's actively detrimental in that it slows Dib down, blatantly telegraphs his attacks, and reduces accuracy by a significant degree. The only actual benefits I can think of would be the exponential increase in force and range and the instant accessibility of a water supply—the former of which is totally unnecessary in this scenario and the latter being possible to accomplish with a much simpler device (or even just… a water tank). To summarize, it is an incredibly impressive feat of both skill and creativity in design that is also completely and utterly useless! Which is just the perfect demonstration of what I mean when I say Dib really does share nearly all of Zim’s flaws, just to a less obviously ridiculous degree—he comes off just calm and clever enough to pass as moderately reasonable  at a glance, and in some ways, that makes him more of a potential flight risk than Zim. At least that's a lunatic you see coming. 
Irkens are collapsible, apparently
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rintinningvt · 8 months
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Do not talk to me, I'm not over the fact that Betty's existence really revolves around Simon. They both love and care for each other, and grow obsessed when separated, but goddamn- When he told their love story to Fionna, she asked him "So you got on the bus with her?" and he replied in surprise "Why would I-?" Betty Grof's life revolved around Simon, before and after they started a relationship. Heck, even before they officially met. She dropped everything to be with him, losing her sense of self in the relationship. Simon loves her but he didn't (and still doesn't, debatably) have her wants and best interests in mind. They could have gone on that trip together, she could have gone alone but they could've shared some time together on the bus and gone long distance for a while. But they didn't. They were both so enamored with each other and both lost themselves in different ways to their relationship. They were doomed from the start.
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k0nstanta · 9 months
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got her ass
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sleepyiswhumping · 2 months
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Robotic pet whumpee who’s sole purpose is to run Doom for whumper
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