BOOK REVIEW
Series: The Four Horsemen
Author: Sienna Moreau
Rating: 5 / 5 Stars (for the series thus far)
I recently read Sienna Moreau’s new novel based in a world where the Seven Deadly Sins have a great deal of power (the title is Lust and it’s out now) and it was so good I wanted to explore her back catalog. So I started reading this LGBTQ romance series about the four horsemen of the apocalypse and the immortal beings they fall in love with. I fell in love with the overall story arc that carries throughout the four books (there will be a fifth–it’s due out summer 2024), the world building, the magic systems, the found family vibe, the kinks, the spice, and most of all? I fell in love with the characters and their chaotic hot mess found family vibe.
The first book, Conquest, focuses on the first horsemen and a naive baby angel who, for some reason, has no wings and no memories of ever being human. He’s an enigma and he’s being sent down from Heaven to try and find out as much as he can about what Conquest and his brothers are doing and report back to God and the Archangels. This book is heavy on the grumpy/sunshine, size difference, possessive alphahole, “touch him and you die” vibes. Raziel, the baby angel in question, is not only adorable, but he must be protected at all costs.
War is all about enemies to lovers and second-chance romance. Uriel is an Archangel who still remembers being human very well and somehow he and War get stuck in a different dimension together. They hate one another but boy do they love to hate one another. This one is heavy on the mutual possessive AF vibes, the “I’m the only one who gets to hurt you” vibes, and the opposites attract.
Famine is about the centuries and centuries old romance between Lucifer and the third horseman. These two have been in love for almost as long as they’ve known one another, but they’ve gotten too good at hurting one another. God punished them both for falling in love in extreme ways and Famine has never forgiven himself for it. Lucifer doesn’t care about forgiveness because he’s too busy being insane. This one leans very heavy on the second-chance romance, found family, and lots of kinky hot spice vibes.
Death is literally about “touch him and you die”, because Death’s touch is literal. Death last sent the demon Abaddon to death by kissing him. It was the only kiss Death has ever had and it was the only time anyone has ever asked Death to kiss them when they were sent back into the cycle. When Abaddon comes back in an unexpected way, all they can both think about is that kiss. It leads to more than they ever knew could happen. This one is HEAVY on kink and sadomasochism. Like, all the TW/CWs.
Throughout these books there is an intertwined story of gods, angels, demons, madness, blood, war, and terror. There are intelligent horses, innocent but cheeky cherubs, a cute as hell dog-sized arachnid named Paul that I would give my life for, and even a three-headed hell hound named Spot. I have enjoyed reading this series so much and I highly recommend it.
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South Asian and Hindu Influences in ATLA (Part 2)
disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.
please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.
Part 1
In the previous post, I discussed some of the things ATLA got right in its depictions of desi and hindu cultures. unfortunately, they also got plenty of things wrong - often in ways that leaned towards racist caricatures - so let's break them down, starting with...
Guru Pathik
both the word "guru" and name "pathik" come from sanskrit. pathik means "traveler" or "he who knows the way" while guru is a term for a guide or mentor, similar to a teacher.
gurus were responsible for the very first education systems in ancient india, setting up institutions called gurukuls. students, referred to as disciples, would often spend years living with and learning from their gurus in these gurukuls, studying vedic and buddhist texts, philosophy, music and even martial arts.
however, their learning was not limited merely to academic study, as gurus were also responsible for guiding the spiritual evolution of their disciples. it was common for disciples to meditate, practice yoga, fast for days or weeks, and complete mundane household chores every day in order to instill them with self-discipline and help them achieve enlightenment and spiritual awareness. the relationship between a guru and his disciple was considered a sacred, holy bond, far exceeding that of a mere teacher and student.
aang's training with guru pathik mirrors some of these elements. similar to real gurus, pathik takes on the role of aang's spiritual mentor. he guides aang in unblocking his chakras and mastering the avatar state through meditation, fasting, and self-reflection - all of which are practices that would have likely been encouraged in disciples by their gurus.
pathik's design also takes inspiration from sadhus, holy men who renounced their worldly ties to follow a path of spiritual discipline. the guru's simple, nondescript clothing and hair are reflective of the ascetic lifestyle sadhus are expected to lead, giving up material belongings and desires in order to achieve spiritual enlightenment and, ultimately, liberation from the reincarnation cycle.
unfortunately, this is where the respectful references end because everything else about guru pathik was insensitive at best and stereotypical at worst.
it is extremely distasteful that the guru speaks with an overexaggerated indian accent, even though the iranian-indian actor who plays him has a naturally british accent. why not just hire an actual indian voice actor if the intention was to make pathik sound authentic? besides, i doubt authenticity was the sole intention, given that the purposeful distortion of indian accents was a common racist trope played for comedy in early 2000s children's media (see: phineas and ferb, diary of a wimpy kid, jessie... the list goes on).
furthermore, while pathik is presented a wise and respected figure within this episode, his next (and last) appearance in the show is entirely the opposite.
in the episode nightmares and daydreams, pathik appears in aang's nightmare with six hands, holding what appears to be a veena (a classical indian music instrument). this references the iconography of the hindu deity Saraswati, the goddess of wisdom and knowledge. the embodiment of divine enlightenment, learning, insight and truth, Saraswati is a member of the Tridevi (the female version of the Trimurti), one of the most respected and revered goddesses in the Hindu pantheon... and her likeness is used for a cheap laugh on a character who's already treated as a caricature.
that's bad enough on its own, but when you consider that guru pathik is the only explicitly south asian coded character in the entire show, it's downright insulting. for a show that took so many of its foundational concepts from south asia and hinduism and yet provided almost no desi representation in return, this is just rubbing salt in the wound.
Chakras
"chakra", meaning "circle" or "wheel of life" in sanskrit, refers to sources of energy found in the human body. chakra points are aligned along the spine, with energy flowing from the lowest to the highest point. the energy pooled at the lowest chakra is called kundalini, and the aim is to release this energy to the highest chakra in order to achieve spiritual enlightenment and consciousness.
the number of chakras varies in different religions, with buddhism referencing five chakras while hinduism has seven. atla draws from the latter influence, so let's take a look at the seven chakras:
Muladhara (the Root Chakra). located at the base of the spine, this chakra deals with our basest instincts and is linked to the element of earth.
Swadhisthana (the Sacral Chakra). located just below the navel, this chakra deals with emotional intensity and pleasure and is linked to the element of water.
Manipura (the Solar Plexus Chakra). located in the stomach, this chakra deals with willpower and self-acceptance and is linked to the element of fire.
Anahata (the Heart Chakra). located in the heart, this chakra deals with love, compassion and forgiveness and is linked to the element of air. in the show, this chakra is blocked by aang's grief over the loss of the air nomads, which is a nice elemental allusion.
Vishudda (the Throat Chakra). located at the base of the throat, this chakra deals with communication and honesty and is linked to the fifth classical element of space. the show calls this the Sound Chakra, though i'm unsure where they got that from.
Ajna (the Third Eye Chakra). located in the centre of the forehead, this chakra deals with spirituality and insight and is also linked to the element of space. the show calls it the Light Chakra, which is fairly close.
Sahasrara (the Crown Chakra). located at the very top of the head, this chakra deals with pure cosmic consciousness and is also linked to the element of space. it makes perfect sense that this would be the final chakra aang has to unblock in order to connect with the avatar spirit, since the crown chakra is meant to be the point of communion with one's deepest, truest self.
the show follows these associations and descriptions almost verbatim, and does a good job linking the individual chakras to their associated struggles in aang's arc.
Cosmic Energy
the idea of chakras is associated with the concept of shakti, which refers to the life-giving energy that flows throughout the universe and within every individual.
the idea of shakti is a fundamentally unifying one, stating that all living beings are connected to one another and the universe through the cosmic energy that flows through us all. this philosophy is referenced both in the swamp episode and in guru pathik telling aang that the greatest illusion in the world is that of separation - after all, how can there be any real separation when every life is sustained by the same force?
this is also why aang needing to let go of katara did not, as he mistakenly assumed, mean he had to stop loving her. rather, the point of shedding earthly attachment is to allow one to become more attuned to shakti, both within oneself and others. ironically, in letting go of katara and allowing himself to commune with the divine energy of the universe instead, aang would have been more connected to her - not less.
The Avatar State
according to hinduism, there are five classical elements known as pancha bhuta that form the foundations of all creation: air, water, earth, fire, and space/atmosphere.
obviously, atla borrows this concept in making a world entirely based on the four classical elements. but looking at how the avatar spirit is portrayed as a giant version of aang suspended in mid-air, far above the earth, it's possible that this could reference the fifth liminal element of space as well.
admittedly this might be a bit of a reach, but personally i find it a neat piece of worldbuilding that could further explain the power of the avatar. compared to anyone else who might be able to master only one element, mastering all five means having control of every building block of the world. this would allow the avatar to be far more attuned to the spiritual energy within the universe - and themselves - as a result, setting in motion the endless cycle of death and rebirth that would connect their soul even across lifetimes.
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