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#because it literally always on standby because it never powers off
cloama · 2 months
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If they weren’t a gift, I swear I’d throw them across the room.
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sabo-has-my-heart · 1 year
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Scenarios 13, dialogue fluff 4, character Ace.
So I tried to write the other one, but I couldn't come up with something and wanted to get one out, so here's the Ace one. though at the rate my event is currently going, I'll end up writing the other character later.
Warnings: mentions of death, killing, perhaps a little melancholy 
Word Count: 1260
     How long had you been alive now? Decades? Centuries? You’d lost track long ago, lost track of how long you’d been alive, your age, all of it. It had been interesting at first, not being able to die. Not even a bullet through the head or a literal knife to the heart could kill you. Neither freezing nor burning, not age or blood loss, nothing would kill you. You still felt pain, you still felt the flames on your skin or the knife in your heart, the blood leaving your veins, or the water in your lungs, but death never came for you. He never came for you because he was angry with you. No, angry didn’t cover it, he was livid. You hadn’t meant to piss him off so badly, hell, you’d loved him once, but a single argument had kept him away from you. At first you’d enjoyed it, being able to do reckless shit without having to worry about dying. Pain, maybe, time to heal, sure, but not death. Then you’d started taking out the ‘evils’ of the world, killing people to try and make the world better. Murderers, crime lords, and drug cartels, the occasional dictator or tyrant. But that, too, had eventually become tiresome. Death still technically came for them, but only after you’d left. They would only die after you were gone, so strong was his anger with you. After this little discovery and after you grew tired of killing, you decided to save people. You became a doctor, no patient died when you were around. Successful, life saving surgeries and treatments, your mortality rate of 0 instantly marking you as ‘the best surgeon of the generation’. None of them knew the truth, which was fine with you, but again, that grew tiring and once again, you moved on. Each new thing grew tiring after a while and now, even immortality had grown tedious and exhausting. So you did everything in your power to find death, to see him. If you could just fix things, maybe he’d finally let you die. It wasn’t necessarily that you ‘wanted to die’, just that immortality wasn’t as great as people made it out to be. Besides, you missed him, of all the things you’d let go of over time, your feelings towards him weren’t one of them. So instead you spent your time in the company of death, so to speak. People with terminal illnesses, out of control fires and war zones, anything to try to see him again. But he was as hard to catch as ever. Looking down at the summoning circle, you glared. It had taken so long to find the right spells, to find the right materials, but it would be worth it if this worked. A spell to summon death. Not a demon, nor an angel, not monsters, eldritch beings, or gods, but death himself. A binding spell stood on standby in the off-chance that he tried to escape, in the chance that he tried to get out of this. 
     Ace stood, confused, in the middle of a summoning circle, looking around for a moment before his eyes landed on you. Instantly, his eyes narrowed, glaring at you. He’d been avoiding you for centuries, doing anything not to go near you. Unlike you, he remembered the argument, remembered why he avoided you and why he refused to take you. It had been a ‘simple’ conversation, something that you hadn’t even thought about. What would happen to you when you died? Where would he take your soul? It was something he hadn’t wanted to think about, he was Death, he took souls, but yours was one he never wanted to take. You were the one person he never wanted to die. You should always be alive, skin warm and inviting, eyes bright and full of life, you should never feel cold, should never have to be taken from the world. The two of you had argued for hours about how he’d have to take your soul sooner or later, it was his job, to take souls to the afterlife, to take those who should be dead. But he wouldn’t, he couldn’t, not to you. Now, staring at you for the first time in centuries, he felt a lump form in his throat. You were just as beautiful as the day he’d last seen you, more tired, clearly exhausted, but still beautiful. Despite his hard look, tears began to gather in his eyes, he didn’t want to take you, yet at the same time, he wanted to hold you close again.
     “Ace, I’m sorry.” you said softly. The first words to him in so long and they were an apology, “I’m sorry for the fight we had, but please, please stop avoiding me. I’m tired of immortality, I’m tired of not seeing you… I still love you. Even if you hate me, even if you never want to see me again, I still love you.” you whispered, looking down at the floor. Ace immediately gathered you up in his arms, holding you close. 
     “I don’t hate you, I could never hate you. I love you, I know I’ve been avoiding you and it seems like I hate you and that for some complicated reason I refuse to see you, but I love you. It’s as simple and terrifying as that.” he admitted, trying to hold the tears back.
     “Then why do you do it? Why do you avoid me? Why do you refuse to see me?” you whispered, your arms wrapped around him.
     “Because I don’t want to lose you. If I go near you, if I see you again, I have to take you. Humans… they aren’t meant to live for so long and you’re the one person I don’t want to take. I love you too much.” he said, burying his head into the crook of your neck. His words stabbed at your heart, and having been stabbed in the heart, you knew exactly how that felt. Closing your eyes, you were silent for a moment, you loved him too, more than words could say. 
     “Then don’t. Find another way. You’re Death, surely you can come up with something. Some other way to bend the rules or avoid taking my soul.” you offered, pulling back, caressing his cheek. Ace leaned into your touch, your hand still as warm and comforting as he remembered, if not a little rougher. 
     “I was already bending the rules by avoiding you, besides, you were the smart one, the one who always came up with all the great ideas.” he said with a chuckle, making you laugh slightly as well. Things felt almost like they had before your immortality, back when you’d sit on the couch together, cuddled up together. 
     “Then take me with you, you have to take me with you, no one ever said you had to deliver me.” you suggested, a mischievous smirk making its way across your lips. Ace laughed, picking you up and spinning you around before pulling you in for a passionate kiss. 
     “See? I told you, you were the smart one.” he said with a wide smile.
     “It’s temporary while I figure out something more permanent.” you said softly, happy to be with him again. 
     “Well until then, you’re not leaving my side. You’re not allowed to.” he said teasingly, still holding you tightly.
     “Why would I ever want to leave your side? I love you.” you said. You were reunited with your love, you never wanted to leave him again, so you wouldn’t.
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ecoamerica · 23 days
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3milesup · 11 months
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Musings of a ground hostess
I have always loved airports, as they were the synonym of holidays. Ever since i live abroad, they have become something even more important: the synonym of going home. Of taking a break from everything.
Which is why, when i hear about "your useless job that doesn't bring you any money and is only going to get you killed on the road, and you only insist on doing it for the glory of working at the airport" i want to kick and punch.
Yes, we are underpaid as hell.
Yes, the 40km drive is tough in the middle of the night, or after the shift when i just want to be in bed already...
And no, in my black pants and white polo and black blazer i have all bought myself, with barely concealed bags beneath my eyes because getting ready for work at 2am my thoughts are a coffee and black tea combo not my make-up, i am nowhere near the glory of the flight attendants strolling past in their colourful uniforms and perfect side caps perfectly sitting on perfect hair... i only have my perfectly-tied-into-a-bow golden company foulard that i spend three minutes in front of the mirror with every day, because it is the only eye-catching, telling sign that i am your person.
But useless no, not ever. Sorry, but no. Yeah, i am the bitch that will make you pay for damned 3kg of excess weight, that won't let you fly with a cabin trolley if your low-cost company doesn't include it in the basic fare, that will make you fish out your power bank from the bottom of the fully packed 20 kg suitcase, that will inform you your flight is in overbooking and you are in standby until the end of the boarding and possibly staying where you are until the next flight... because i have my supervisors and airlines' regulations to abide by. Maybe one day we will become obsolete as well and the AI will do all of this just as good and without discussions. But trust me that until then, the bitch will first try everything, from various advice on how to lower the weight to violently squishing your luggage to make it fit into the small part of the sizer, and all the bothering is for your safety because people have died from certain devices in the checked-in luggage, and even when there is little to nothing to do and it hurts a bit to hear we are disgusting because we sell tickets that don't exist, whereas we have nothing to do at all with any of that overbooking shite, the bitch is there, literally day and night, for you.
For you who take off to golden beaches and turquoise seas i only see in my dreams but i wish you a wonderful holiday with all my heart.
For you who are going home. Because there’s nothing like going home, and sometimes, one only starts to understand it when the home is faraway.
For you, restless souls like me, who always want to get away, to keep moving, and the airport feels like second, third, fourth, umpteenth home (because home is anywhere the loved ones are, therefore in many places...) Now that i feel stuck in one place, i urgently beg of you: never lose your freedom. Never.
And while i work this job, i will never lose that smile the passengers often point our to me, and i only realise when they do, that i actually am grinning... because it's not a face i am wearing, it is joy.
Because the warm shiver up my spine when i manage to help someone with even the smallest thing is priceless.
Because for every frowny or arrogant passenger, there are dozens of those who wish you good work, some give you a candy, or elbow their friend at the gate saying "hey, that's the smiling lady from check-in" and head towards your desk...
And that is a charge of life energy no better-paid, regular-hours, full-time job in sight can give me.
Thank you, travellers.
Yours truly,
check-in agent 3milesup
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jonsa101 · 3 years
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Episode 3x14: A Reflection of How Max Stepped Into Love After A Season of Suffering
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Gif credit @supagirl
Hey guys! I can’t believe the season finale has come and gone! I think my mind is just taking time to comprehend everything that has happened! Sharpwin is officially canon! As I’m typing this out, it feels strange writing a meta on the other side of things. Since season one, I’ve been writing metas about how these two belong together and making predictions about the trajectory of their relationship. Now, to be on the other side of things where I know longer have to do that because these two are finally together is kinda crazy. I feel so elated!
Now y’all, I’m not going to lie to you, I had a totally different meta planned out and that meta is still in my drafts. I will probably release it because it was a general review of the episode but I thought it was more important that I put this meta out first. When I was watching the finale live, I didn’t love it. I just didn’t. I loved that Max and Helen finally got together at the end of the episode but I had a major issue with how it unfolded. The issue my friends was this scene right here: 
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Baby!!! When I tell you this scene TRIGGERED me, it did! Now mind you, I wasn’t upset with Max’s storyline of searching and struggling to take off his wedding ring. It is human nature for Max to still have an emotional attachment to his ring. He’s not still grieving but essentially that ring is the only thing he has left of Georgia and represents a life he once had. Him taking it off was always going to be a monumental moment for Sharpwin and for himself. The issue that I had was Max casually telling Helen that he freaked out about losing his ring!!! To me, after the voicemail he left her, after Helen flew standby and was in a six hour flight to see him, it was an incredibly CALLOUS thing for Max to say. I know Max wasn’t thinking in this moment. I know his intentions were clearly not to hurt her but words matter and him being careless with his was a complete disregard of Helen’s feelings. She was deeply hurt and upset when he said this and rightfully so! I mean just look at her expression here:
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Helen’s entire being read like
“I can’t believe you”
And girl same, because neither could I!! He knew he fucked up and he obviously made up for it in the end but y’all when I was watching it live, everything that came after that elevator scene was was tainted for me. I had a hard time believing that Helen would let what he said slide so easily and in the moment, I couldn’t appreciate the beauty of them finally coming together! 😩 In my personal opinion, there were so many other ways that scene could have played out without Max having to literally tell Helen to her face that he was worried about his wedding ring! I know they were trying to build up to the “big moment” where he finally takes his ring off and runs back to Helen’s apartment but man, that moment did not sit right with me in my spirit! It still doesn’t and I don’t think my opinion will ever change on this.
With that said, I’ve now done several rewatches of the finale where I specifically watched the scenes after that awful moment by the elevator. As I’ve had time to reflect, my perspective has changed. I no longer view the moments after the elevator scene as tainted but as something deeply profound and beautiful. Hell, even as I reflect on that scene by the elevator, I still don’t like it, but in a way I understand it in how it relates to Max’s overall journey when it comes to Helen. To me, Max Goodwin is a man who fell deeply in love with Helen in the midst of the most complex situations and a season of him suffering. It’s been deep rooted, complicated and messy from the start and over the past three years we’ve seen Max navigate through the complexities of his feelings for Helen and the circumstances he’s found himself in on our screens. I think when you look at season three finale and specifically the journey of Max finally making a choice to be with Helen, you have to put into context Max’s history and how it influenced what that looked like. So y’all that is exactly what I want to do in this meta so let’s dive in.
One thing I think we need to acknowledge is that, even though as an audience we have loved seeing Max and Helen’s journey unfold, the road has been so TOUGH for them. As Helen said in 3x13, it’s been a fight! Especially for Max. The suffering he has endured over the past three years has been unfathomable and much of his relationship with Helen and his feelings for her have been developed under these traumatic and tragic circumstances. 
At the very beginning of the series, when Max and Helen first meet they clash but it doesn’t last for long. It’s his first day at New Amsterdam and as the new Medical Director, he wants her to stay at the hospital and treat patients instead of doing press tours. Helen on the other hand wants to continue doing press and for the most part ignores his demands for her to return to the hospital. When she finally does return, she does so because she learns that Max has cancer. This bonds them at the onset as Helen is the only person in his life that knows about his diagnosis. As an audience, when we first see them interact, we instantly saw the sparks fly between them. Their chemistry and natural witty banter made us immediately take a look at their relationship and what potential they could have in the future. Though we were shocked by his cancer diagnosis, I think the fun and lightheartedness of Sharpwin’s first interactions really masked how traumatic this must have been for Max. On the first day of his dream job, that he sacrificed his marriage for, he learns that he has cancer while having a baby on the way. Those are the awful circumstances that first bring Max and Helen together. 
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As Helen becomes Max’s doctor and he swears her to secrecy about his diagnosis, their friendship and bond grows deeper. His passion and drive to help his patients, reignites Sharpe’s love for medicine again and inspires her to put her patients first. They become vulnerable with each other more than anyone else in their lives. He confides in her about his broken marriage and she tells him that she wants a baby. When he almost dies, she becomes his deputy medical director so that he can focus on his care. All of these moments are significant to them because somewhere along the way they develop feelings for each other. They didn’t plan for it and it’s something neither of them are consciously aware of but unknowingly, they both start to fill a place in each other’s lives that was clearly more than a doctor and patient relationship or a friendship. This “place” wasn’t called out until episode 1x16 were the clairvoyant called out their feelings for each other. When episode 1x17 comes around, after a night of revelations and a scramble to get the power back on in the hospital, Helen decides to step back as his doctor. If she wasn’t aware of her feelings before, in this moment, she’s fully aware of them now. This is an effort to safeguard her heart and set boundaries because the lines of who they are to each other were already so blurred. When she “triages” their relationship Max’s reacts badly and honestly they’re both devastated and are on the verge of tears:
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As viewers, we loved this moment but when you peel back the layers of what’s actually going on in this scene, it’s gut-wrenching. The subtext is so clear here yet their situation is so complex and layered. We know for a fact that Max wasn’t trying to lose her in ANY CAPACITY. We also know that in the way he TRULY wanted her he couldn’t have her and Helen knew that too. Not when he was married, had a baby on the way, and fighting cancer at the same time. Y’all that’s hard and profoundly painful when you think about it and it makes this scene all the more tragic. 
When Helen steps back as his doctor, at first Max seems to be handling it well but as his cancer starts to get worse, he completely breaks. Like I said earlier, over the course of his cancer treatment, Helen filled a place in Max’s life that was so much more than just his doctor or his friend. So when he’s dying and no longer has the person he feels deeply for play an active role in his treatment, he lashes out. He’s dealing with a range of emotions he can’t handle or properly process. Things only get worse from there and at the end of season one Georgia and Luna’s life are on the line and Bloom and Helen scramble to save them. When it seems like everyone was able to come out of that traumatic event unscathed, they get into a devastating ambulance crash that changes everything. 
Season 2 brings another level of pain and suffering for Max when he loses his wife after the crash and is thrust into single fatherhood. Not only is he grieving but he’s also dealing with guilt of falling in love with Helen while he was married. The complexities of his feelings is something he struggles with throughout this season and it affects his relationship with Helen. At some points he pushes her away and at others he desperately needs her. Once again, Helen and Max’s relationship is caught up in the most complex of circumstances that is riddled with agony and trauma. 
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By time we head into season 3, Max doesn’t even have time to breathe or think about his relationship with Helen because they’re both thrust to the frontlines of the pandemic. 
I bring all of this up again to emphasize that there has never been a time where Max and Helen’s relationship hasn’t been wrapped up in trauma or some sort of suffering. It has always been one thing or another with them. It’s been A LOT and Max has tried to navigate being in love with Helen through his suffering and under these crazy ass circumstances. So after rewatching the finale, the questions that run through my mind are:
How do you step into love when all you’ve known for the past three years has been suffering?
How do you love openly and freely when for so long you’ve emotionally suppressed your feelings for someone because it was “wrong?” 
How do you let go, heal, and move on with your life?
To me, answering these questions is what the season finale for Max was all about. When you’ve suffered so much and endured so much it’s not easy to step into a new chapter in your life that’s hopeful and filled with love and possibilities. For Max, I don’t think in his wildest dreams that he ever imagined that he and Helen would be in a place where they could actually be together. Considering everything they’ve gone through, quite frankly it’s a fucking miracle! So when he actually makes it to the other side and not only SURVIVES but has a chance for happiness, I don’t think he knows what he’s doing. Pursuing/having feelings for Helen from a place that isn’t wrapped up in trauma and tragedy, where there are seemingly no obstacles in his way, is totally and completely new territory for Max. I think he’s clueless in how to do that in the right way and as he navigates through that, naturally there are hiccups.
That’s evident with what he said by the elevator and also in this moment here: 
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Max doesn’t have a clue but he wants to make sure that he doesn’t fuck it up because he DESPERATELY wants this! I also think there’s something to be said about how we as human beings can self-sabotage ourselves when we finally have an opportunity to get what we want. Fear, guilt, worthiness usually comes into play with that and I think for Max there was definitely a fear with moving on with his life, guilt of surviving it all and having a chance to be with the woman he’s loved for so long, and a question of if he’s worthy of actually having happiness.
Their walk in my mind perfectly embodies him self sabotaging while also trying to navigate his feelings of desperately wanting to be with her. At the beginning of their walk, you see that at one point he clearly wants to hold Helen’s hand but he doesn’t (I would use a gif here y’all but I literally only have room for 10 😩). I’m focusing my attention on Max here because essentially this whole moment between them is a part of Max’s “mini story” in the episode. The ball has always been in his court and truly what we are witnessing is his journey to step into love because Helen is ready and has been waiting on him. 
The most compelling moment in their walk scene for me was this one: 
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I find it strange for Max to walk so far ahead when he was the one who asked her if he could walk with her. My first thought while watching it live was “what is he doing” and I think Helen’s expression reads the same way. After analyzing this for a bit, I genuinely think that’s the point of this scene. Like I said earlier, Max doesn’t know what he’s doing. To be with Helen like this is, where its romantic, peaceful and drama free is probably blowing his mind and he doesn't know how to navigate this. He doesn’t know how to receive this second chance at happiness. 
The internal war of Max stepping into love or allowing fear, guilt, and unworthiness to hold him back becomes all the more evident when they get to Helen’s door: 
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He knows he wants to come in. Helen know he wants to come in too. This man literally says goodnight twice and when Helen responds with “you said that,” it perfects this scene. She wants him to come in as well but she’s not going to ask him to. In this moment, she sees his internal struggle and she knows that he has to make the choice himself on whether or not he wants to move on with his life with her.
When he walks away, for a moment that was Max choosing to hold onto the pain and trauma of his past. That was him choosing to hold onto the guilt that was keeping him from healing and moving on. With the suffering he’s been through, it makes sense. In many ways he’s been conditioned to fight, to suffer and to endure. It’s what he’s used to. But praise the lord, he thinks of the moments he just shared with Helen. 
The joy he has with just being in her presence. 
The opportunity he has to freely be with her and have a life with her after loving her for so long.
He is not condemned to a life of suffering. It was only for a season. He’s in love with Helen and wants to be with her. Like hell is he going to let this opportunity at a second chance of love and happiness slip away from him. So guys, he slips off that ring, runs back to Helen’s apartment and makes a choice to step into love. Step into this new, uncharted, chapter of his life with Helen Sharpe. 
Anyway guys! I hope y’all enjoyed this! I might be releasing one more meta but we will see how it goes.
As always feel free to reach out to me on Tumblr and on Twitter @oyindaodewale. Love you guys!
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everythingsinred · 3 years
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Let's Talk About NatsuMikan: Natsume (pt. 24)
Hello, friends. The story is rapidly approaching an end. I imagine I'll only be posting for another couple weeks (maybe three at the most) before this essay draws to a close.
Last night we wrapped up the Time Travel Arc. Now we return to the larger parent arc, the Escape Arc. Mikan has made up her mind to escape the school with her mother, and although this breaks Natsume's heart, he'll do all he can to get her out safely without at all complaining. If she's leaving for good, then the only thing that matters to him for the next little bit is keeping her as safe as possible. After that, he's resigned himself to a lonely and imminent death... And then Mikan has an epiphany.
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Chapter One Hundred Twenty-Four
They’re finally all back in the present. The room they left is now empty, and they wonder what happened. Undoubtedly the situation is more pressing than ever.
Mikan is concerned about everyone’s safety, but Natsume makes it clear that the priority is making sure she can make it out of the academy with her mother. If she’s going to leave, then he will do everything he can to make sure the process goes as smoothly and safely for her as possible. Her concerns about everyone else have no place here when everyone’s dreams and futures are threatened by the ESP if he ever gets his hands on Mikan’s alices. Besides, his happiness and safety always come dead last to him. He’d act and speak this way, even if it was only Mikan’s well-being on the line.
He will protect her no matter what happens, he says. That’s his priority. This is no different than the way he’s been living for the last year or so.
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Yeah, there's the whole thing with the school and protecting the student body and stopping the ESP but Mikan is his priority always.
Everyone else agrees, and Mikan is outvoted. She comes first now.
Chapter One Hundred and Twenty-Seven
Mikan and her friends run into a horde of students, either controlled by Luna’s alice or afraid that they’ll end up being controlled or punished. They all move to attack Mikan in particular, to capture her because maybe they’ll even be rewarded for it.
This is a mistake, because Natsume will not allow anything to happen to her. He uses his alice to fend off the students, but his fire takes a strange shape, unlike anything he’s ever made before. His ability to manipulate the shape better than ever is a result of the stone Mikan inserted into him, which Tsubasa theorizes is psychokinesis.
Ruka pleads with him to stop, concerned about Natsume’s health the more he uses his alice. He immediately stops on the behest of his best friend, but then he uses his new alice to pull everyone over closer to him. Mikan specifically flies into his arms, where he wanted her. He’s able to catch her, whereas the others land on their heads. Now that they’re safer, he tells her to teleport them.
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Who cares where the rest of them land? They can deal with it on their own.
Tsubasa comments that this extra power makes Natsume feel like more of a man, more powerful. This isn’t a farfetched theory. We know how much Natsume wants to grow up, to have power. Now that he has this extra alice, he’s more useful than he already was, and that naturally translates into some extra confidence.
Another thing is that Natsume is putting his all into getting Mikan out safe. He’s willing to expend all his energy and alice in order to accomplish his goal. Adding on to that, he knows he won’t see her again after this. He can hold on for a little longer, but to survive the unknowable amount of years before he can see her again? Unlikely. He doubted he’d even be able to graduate, let alone be on standby for possibly a decade and maybe even more. He has no reason to believe he’ll make it. So he keeps her close now. He’ll be right by her side ‘til the very end, take advantage of every touch and interaction he can. So even if everyone else collapses onto the ground after he uses his extra alice, Mikan will land safely in his arms.
Chapter One Hundred and Twenty-Nine
Natsume may have spared Nobara earlier, but he still doesn’t really trust her. She’s been acting weird this whole time and he’s suspicious. When they have a moment, he confronts her, warning her that if she sells them out to Persona, he won’t go easy on her. After all, to him, she’s still the girl who’s always been Persona’s little pet.
But Nobara doesn’t want to sell them out. She wants to stop Persona and her DA friends from hurting the cause and themselves. She wants to stop them so they don’t become a part of the fight.
She stands back so she doesn’t teleport again with the rest of them. She wants to do this for Mikan.
Mikan doesn’t understand. She’s concerned that she left Nobara behind, so she says she’ll go back to get her, but Natsume stops her. She needs to allow Nobara to make her own choice. Even if Mikan doesn’t get it, the only thing that matters is their original mission. Nothing will change that. He won’t be strayed from it, no matter what obstacles come their way. Nobara made the choice, and she’s the best person to confront the DA class. The rest of them should allow her to do as she wants.
They move forward, and Natsume keeps back when he feels his coughing fit coming on. Now that everything is dire, he definitely doesn’t want to slow things down by worrying people with his body. He worries that he won’t be able to properly protect Mikan, considering the shape he’s in, but he would never say that out loud.
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Death creeps ever closer... Why isn't he ever concerned for himself?
Even more, Nobara stressed before she left that Natsume was the most important person to stay by Mikan's side, that he should protect her to the end. Though he wouldn't be so bold to say that about himself, he wants to stay 'til the end. But the fact that he might die at any moment doesn't reassure him. However, any insecurities or fears he has must stay in his mind. He wants to be strong for Mikan, to accomplish their goal and keep her safe. He’s pushed any and all feelings of his own out the window. All that matters is their goal.
He can die afterwards.
Chapter One Hundred and Thirty-Four
Mikan needs to go to her mother. She and Ruka are to teleport to Yuka, since Ruka has the barrier alice and he can keep her safe. The rest of them are going to hold off the Fuukitai and other enemies. There’s really no time for heartfelt goodbyes. Natsume might never see Mikan again, but he turns away because there’s no time for anything else. He will fight off the enemies to keep her safe. That’s what he can do. Anything else will just waste precious time.
Except that Mikan has the telepathy alice now. She’s mostly kept it a secret, sharing it with Hotaru and nobody else.
Natsume can stay silent all he wants, but his heart and mind are racing with thoughts and feelings. She couldn’t ignore it if she wanted to. It’s not the time to be lollygagging. She has to get going, and everyone is urging her to move on and teleport with Ruka, but she’s hesitating.
And then Natsume hears it too. She’s saying it back, telepathically, that she loves him too.
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Terrible timing, Mikan. You had all night to say it back! (joking)
It’s all he’s never allowed himself to want to hear. Something that would only happen in a delusional fantasy world. Mikan may care about him, to some degree, but he’d never expected she would love him back. She should love Ruka, who is kind and polite, or literally anybody else. He’s always had to push her away, and even if she saw through his insults to see what he really meant, he still wouldn’t be good enough. He can’t be with her, because his life is running out. He shouldn’t be with her, because all he will do is cause her more pain. He’ll never be with her, because he doesn’t deserve to be. He won’t be with her, because she’s running away with her mother and he’ll never see her again.
But she loves him too anyway.
Despite every insult and attempt to keep his distance. Despite their beginnings of mutual disdain. Despite how he’s said he hated everything about her, about how he wanted her out of his sight. Despite acting like she was a pest and nothing more than an annoyance. Despite everything he did, she somehow still loves him.
It’s the worst thing to ever happen to him, to stand there and hear her saying that in his mind and then watch her disappear forever.
He’s said it out loud only one time. He confessed with his kiss at Christmas, with his alice stone, with the borrowing race, with his speech to the ESP. He’s confessed with every time he got in front of her to protect her, with every cruel word forced out of him by the higher ups, with every smile he had just for her.
Now she finally said it back and it’s too late for anything. He can’t kiss her and show her how much he means it, how much it isn’t just hype over nothing. He can’t tell her he loves her to her face and with his whole chest. He can’t take her by the hand and run away with her. He can’t live happily ever after with her.
That was all okay before, when it was just him who was suffering. So his life would be lonely and short. Okay. Who cares? But now he knows she wants all that too.
He’s miserable. He calls out to her but it’s too late. She’s gone now and all he can do is fight the enemies who want to threaten her security.
Natsume has been left behind with Tono and Tsubasa to fight as hard as they can against the Fuukitai. When they finally get away for a moment, Tono tells them to fight for the girls they love. Tsubasa and Natsume both berate him for this, because who was he talking about? Tono argues it wasn’t about him; he was just trying to cheer the two up after they had to break apart from their girls.
Natsume is clearly in emotional turmoil, but he frequently is, so he doesn’t let it show a lot. He may threaten Tono with his alice or tease him with Tsubasa like all is normal, but it’s not. His current circumstances couldn’t be any worse unless Mikan were in danger, and he’s doing everything he can to keep that from happening.
Tono finally admits that he’s been nervous this whole time because Noda is probably the traitor among them, but Natsume realizes the truth: It’s Goshima.
Tsubasa and Tono are going to try and find Goshima, who has the key Yuka and Mikan need to escape. They also need someone to go and tell them that Goshima can’t be trusted, and Tono wants Natsume to do it.
Chapter One Hundred and Thirty-Five
Tono is urging Natsume to go and tell Mikan about Goshima, to go protect her. Naturally, he doesn’t hesitate before taking off. Any excuse to see her again and keep her safe is enough for him.
Tsubasa doesn’t understand why Tono sent him off, though, since Natsume is in such bad shape. Having him run and exert himself further seems wrong.
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I just want him to be happy. Is that really so much to ask?
Tono puts it all into perspective. It had to be Natsume. The kid was in a state of absolute misery, even knowing his love is requited and perhaps because of it. He can never see Mikan again. His life will end. The rest of them can talk about decades and decades into the future and still be sure that they will meet Mikan again, but it’s clear that Natsume won’t make it that far. As Tono puts it, it’s important that Natsume has a chance to see her for the last time, to say good-bye properly.
Natsume would go to her no matter what, too, and he does, running with all his might to find her, even though he’s coughing and his body is breaking.
He will use his alice and do anything he can to find her and tell her and keep her safe, and they finally meet again.
He’s standing over the bodies of enemies that he’s just defeated for her, and he finally has a chance to say the good-bye he thought he’d never get.
There are other things that need to be said, but he might not have a chance to say his feelings again if he doesn’t take the opportunity now. He’s sad, because no matter what, their story will end soon. But this is more than he could’ve asked for.
But all of the words that should come out of his mouth don’t. He doesn’t talk about the traitor. He doesn’t tell her he loves her to her face. He doesn’t say anything except her name. None of the feelings he has can be put into words. For the moment he’s speechless.
She is too. She rushes into his arms and they share a quick second of holding each other before they inevitably part forever. The fact that she hugs him might have reminded him that she loves him too. Then again, how could he forget? Either way, he finds the words that were lost to him before.
He’s going to stay with her until the very last second. He won’t leave her or part from her for even a moment again until they have to say good-bye for good.
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No, they won't last. She'll leave and he'll die, but they have this moment, even if it's the only thing they'll ever have.
No, he doesn’t mention the traitor even though he was sent to. Natsume very rarely talks about his feelings, but they felt so important this time that he had to say them out loud.
Chapter One Hundred and Thirty-Six
Even though Natsume didn’t say it to Mikan, Shiki got the information from him via telepathy and then conveyed the information to Yuka.
Now that Yuka and Mikan are reunited, they can all go to see them off, fighting Fuukitai and Luna along the way. Narumi and Mikan are trapped in an enemy’s ice alice for a moment, until Natsume melts the ice and takes Mikan’s hand. He wasn’t joking about staying by her side until the very end.
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Until the very last moment.
Sure, she needed to reunite with her mother and Narumi, but they’ll be spending forever with her after this night. He only has these next few minutes. He’ll be the one to take her by the hand until he has no choice but to let go. Until then, he will stay by her side.
Lucky for them, Yuka’s plan to wait until the last moment for the key so they can leave with Naru panned out. “Tsubasa” arrives with the key and hands it off. There’s no time to waste; Yuka rushes to open the warp-hole but all that comes from it is an explosion.
Chapter One Hundred and Thirty-Seven
Yuka and Narumi were caught in the blast. Yuka shielded Narumi with her body and took the brunt of the hit. She’s now in critical condition.
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No hesitation. That's his only keepsake from his mother, his only reprieve from endless pain, but he'll give it Yuka because he can't not give it to her.
Natsume doesn’t hesitate, and he gives Mikan the healing alice stone that his mother got from Yuka. Yuka is Mikan’s mother. Her death would be crushing for Mikan, who’s already had to face so much trauma from watching her father die too. This all was about getting Mikan and Yuka out safely, and all that effort would be in vain if Yuka dies. And after Natsume has seen everything that happened in the past, he respects Yuka too. All Yuka has ever done is suffer, just like he has. To simply die after all that--he doesn’t want that either. Yuka gave his mother that alice stone, something that brought him a little reprieve whenever he had a coughing fit or felt ill. The least he can do now is give it back.
But it doesn’t work. It’s not enough. Yuka has enough time before her death to hug Mikan and apologize to Luna, but then her heart stops.
Chapter One Hundred and Thirty-Eight
The ESP arrives to break the period of mourning. Luna can’t believe that he would orchestrate this, but it’s not much of a surprise to anyone else. The “Tsubasa” decoy reveals himself to be Goshima, who holds Mikan by the wrists. The ESP only needed one person with the stealing alice. Yuka had become extendable, so he eliminated her.
Goshima goes to surrender Mikan to the ESP, but she fights, and Natsume moves to fight too, because that’s his girlfriend and he promised he would keep her safe. But the ESP always has the barrier alice cast on him, always protected, even from Natsume’s strong alice. Even Natsume can’t help Mikan now.
But Shiki breaks the ESP’s barrier and Mikan rushes to her friends’ side.
Z is invading the school and threatening to take the students captive. The MSP needs her successor, Shiki to be appointed so that he can protect the school with his barrier alice. The ESP is in a bind. Shiki can either run away with Mikan as Yuka had intended to, or he will agree to stay and act as the MSP to protect the school.
Conclusion
God this arc is a mess when all you want are the NM moments. How dare they be so scattered! Anyways, Natsume now knows that Mikan loves him too, romantically, but everything has been upside down for a while, specifically tonight, so the future doesn't look bright. In the next part, we'll talk about how Natsume feels about being separated from Mikan when she's locked away.
Sorry this is late. I'm not in a fantastic mood today which affected my motivation. I shoved a bunch of content in here and it might be too much. I don't know. There wasn't a clear way I could cut it into multiple parts without them being choppy and short as hell. I just wanted to get to the next part because this arc was stressing me out.
In any case, I feel like crap right now emotionally, because this day was very draining. I'll try to post tomorrow at a reasonable time. Thank you for reading.
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luvteez · 4 years
Text
bassists do it deeper
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pairing: yunho x genderneutral!reader genre + tags: smut, band au | kink discovery, exhibitionism, a brief segment of semi-public sex, hand kink, size kink, yunho monster cock bc this deserves a tag, power play, switch dynamics (i think??), dom!yunho pulls through in the end, unprotected sex wc: 6.3k
note: big thanks to my fav babie @lustjoong​ for motivating me to combine the two ideas i had for the prompt into one and motivating me to finish this!! here’s my take on the unspoken obligatory yunho size kink fic every ateez smut writer should have written once but make him a bassist. also, the band au to this pwp is literally just there as an excuse to make yeosang the lead singer of the band bc if kq won’t give yeosang lines, i will 
A lot can happen throughout a single weekend, as your English professor suddenly quitting her job, your brother Yeosang almost burning down the kitchen from deep frying an egg, an influx of voicemails in your inbox all sent from Wooyoung, as well as Yeosang’s punk rock band losing a member. It’s a lot to process when all you’ve done is stay the night at Yuqi’s, even harder so when Wooyoung keeps repeating every five seconds that Seonghwa quit the band. (”Why did it have to be Seonghwa who left Stereowave? He was the hottest one!”)
That being said, you expected to come home to a beyond grumpy Yeosang who was trying to find a replacement asap. A band without a bassist sounds empty, and while Stereowave has garnered a big enough fanbase over the years that wouldn’t mind the band continuing as a trio, it just feels wrong. Besides, branding a group consisting of Yeosang the frontman, San the guitarist, Mingi the drummer, and nobody covering the bassist position a band doesn’t sit right.
You were prepared for the worst; a messy kitchen, Yeosang walking around in clothes he wore for five days straight, possibly the outbreak of World War III depending on how shitty he’s feeling. But instead, you find the kitchen exceptionally clean and Yeosang acting as if nothing ever happened.
“Can you help set up the camera? The guys and I wanna film a new song.”
“Uh, sure,” you answer irritatedly. “Shouldn’t you be more concerned about finding a replacement for Seonghwa though?”
“Oh, we already have a new bassist,” he waves off casually, “What are you gaping at? Shut that jaw of yours before flies fly into your nasty mouth.”
“First of all, rude.” Yeosang rolls his eyes at that comment. For a split second, you’re contemplating letting him figure out on his own how to use the camera because he’s the walking embodiment of a technology illiterate, but your curiosity about the new band member is bigger. “But how did you manage to find a new replacement so fast? It’s been like, what, a day since Seonghwa left?”
Yeosang sighs. “He’s been thinking of quitting for weeks now, so I had enough time to look for a new bassist. It’s not that big of a deal anyway.”
And this is exactly why you should never get dicked down by your bandmate several times in a month, you think to yourself. Seonghwa and Yeosang thought they were slick, but everyone figured they were more than friends. Needless to say, it was only a matter of time until the strain of their relationship wreaked havoc within the band.
“So,” you say as you two walk to the makeshift studio in the basement, “Is the new guy good? What’s his name?”
The change of topic makes Yeosang relax visibly. There’s a sheepish smile on his face and he replies, “You’ll see.”
You arch a brow. For some reason, that doesn’t settle comfortably in your gut. Then there’s the fact that Yeosang is slightly skipping, and that makes you more concerned than relieved. Because Yeosang barely skips, only when he’s being petty and is planning on pranking somebody. (Most of the time, it’s San.)
The faint vibrations of drums and guitars ring in your ears before you step a foot into the basement. Mingi is the first to acknowledge your presence, immediately dampening the cymbals before waving at you. That causes the other two guys to stop playing their instruments and turn their heads around. You greet San like you normally do, and when your eyes flit to the new addition, all brightness drops from your face.
“What. The. Fuck.”
Yunho cocks his head to the side almost tauntingly, eyes challenging. The corners of his mouth quirk upwards, though more with the intention of saying hah you thought you’d never see me again. “Hello to you too, honey. Looks like fate brought us together once more, eh?”
You blink multiple times to make sure your eyes aren’t deceiving you. To your dismay, they sure aren’t. It really is Yunho standing right next to an utterly confused San, and the bass in his hands just confirms it furthermore.
“Since when do you play an instrument?” you gawk. There’s no fucking way he could’ve had time to pick up music, not when his schedule was already jammed with basketball training and student council activities. Then again, that was his schedule in middle school.
“Since I was fifteen,” he drawls, unaffected by your outburst. “Any other questions, honey? Preferably something along the lines of how have you been? I expected a warmer welcome from you, not gonna lie.”
“What does Yeosang even see in you?” you splutter instead, disgust prevalent in your voice.
“Talent. Believe it or not.”
“Guys, no fighting,” Yeosang warns, but you’re too busy sending Yunho daggers and every pg rated curse under the sun your brain can wrack up.
Meanwhile, San shifts his weight on one leg awkwardly and asks in the background as your verbal dispute continues, “Are they exes or something?”
“Nah, just childhood enemies,” Mingi mumbles, clearly used to your interactions to the point where he’s becoming bored of it. He’s heard all the profanities too many times coming out from the same mouth, hence why he isn’t as disturbed as San is.
“Listen up, you piec—“ 
“(y/n), the camera. Help your older brother out, will ya?” Yeosang cuts you off urgently, the warning tone in his words hard to miss.
“Yeah, help your brother out, shorty,” Yunho snickers. Appalled by his blatant shamelessness, you scowl.
“I’m not that short—!”
“Still shorter than I am, shorty. Or do you prefer honey?”
World War III would’ve broken out right then and there if it weren’t for Yeosang’s death glare — you know, the look he has etched on his face whenever he means business and is willing to go so far and expose all of the nasty mishaps you’ve done in middle school, which is definitely something that should never see the light of day.
“I prefer neither,” you mutter after weighing the gravity of Yeosang’s wrath, avoiding any eyes before you set up the camera. Luckily, nobody further comments on that and eventually, everybody resumes practicing their parts of the songs.
Just in time as Mingi takes another short break to chug his water down, you stumble across a problem. “Uh, Yeosang? You should buy a new camera. This is still usable, but you might have to reset every ten minutes or so.”
A groan leaves him, followed by a shrill guitar riff, and you can see that he’d prefer death over spending money for a new one. “Can’t you just stay here during practice and reset it? You also get to hear some new tracks of the upcoming EP!” That fucker, he’s just too lazy to run forward and press a button every few minutes.
“I have to be on standby for the Block B ticket sale,” you lie. Technically, it’s not really a lie because you do plan on going to the Block B concert with Wooyoung, but 1) the ticket sale isn’t even today and 2) it’s always Wooyoung who buys the tickets. Yeosang doesn’t need to know that though. Any excuse is better than having to sit through practice and see if Yunho is as good as he claims.
Seems like Yeosang desperately doesn’t want to keep running back and forth to reset the camera as he suddenly says, “You can do it here too.” You would argue that the garage has its separate WiFi and only the band members have access to it, but then: “You can use my laptop instead.”
And letting you use his laptop is something he never does. You failed to submit an assignment in time because your own laptop broke down and he didn’t let you borrow his computer for even that.
“Fine,” you sigh in defeat. Yeosang thanks you with a smile so obnoxiously sweet it makes you gag. When all he gets in return from you is the middle finger, his demeanor drops and he mutters something inaudible under his breath, pointing to the small table at the side where all their phones and laptops are lying before he goes back to the others.
Once all four of them are in position and ready to play, you press the record button before flipping yourself onto the old patchwork couch Yeosang bought at a garage sale for only thirty quid a few years back. To your surprise, Yeosang’s MacBook is already unlocked, the default wallpaper of mountains and northern lights quite jarring to your eyes.
When given the rare chance to have unlimited access to your sibling’s devices, it’s self-explanatory what to do. You either a) go through all of their accounts and find as much dirt as possible about them that serves as good material for future blackmail purposes or b) sign them up to as many online subscriptions as possible that will make them go crazy. Unfortunately, that doesn’t work on Yeosang because 1) he doesn’t mind online subscriptions, and 2) he never checks his email account, hence why his inbox is filled with over 2000 mails, a third of them most likely unopened. On top of that, his MacBook is strictly meant for work, so if you really wanted to find out his most embarrassing secrets, your only shot is his phone.
That being said, you’re left with option c) which is checking out Block B’s concert merch since that’s the only sensible thing you can do right now. Forget productivity; that isn’t doable when Yeosang’s deep timbre is blaring in your ears along with the instruments. To be honest, you really enjoy Stereowave’s music and that’s on their music, not because your brother is the lead singer. You’ve enjoyed each of their performances and perhaps you’ve been indulging in the privilege of hearing their new songs first.
But now that Yunho’s involved, suddenly the prospect of having a new favorite band sounds tempting. What was Yuqi’s favorite band again? Day6? You should take a closer look at their discography.
As much as you want to mute the sound, from San’s riffs to Mingi’s drum solo, you fail to do so. One moment you’re opening the search browser, and in the next, your eyes are set on the group. They’re practicing like they usually do; fun etched on their faces as they lose themselves in the music. Yeosang is singing as if he was performing in front of a million viewers while San improvises a solo on a whim. Mingi messes up the beat for a split second after failing to catch his stick and somehow, your eyes have zoomed in on Yunho. It doesn’t take you five seconds to realize:
Yunho is good.
While he might not seem as fired up as the other three, he’s visibly relaxed. Just like Seonghwa, he plays smoothly and isn’t overpowered by the others, but he seems to have an easier time gliding his fingers across the fingerboard. The bassline is easy to filter out, not the generic pattern you can find in every second pop song, yet still compliments the other instruments.
He can play, fair game. However, that’s the least of your worries. You’re more attentive to the ratio of his hands to the bass. His hands are larger than Seonghwa’s by far, no doubt. That makes sense given his height, maybe an inch taller than Mingi. But Mingi doesn’t have that big hands. Doesn’t that mean that Yunho’s body is disproportional?
Before you know it, you drag your gaze from his shoes up to his legs and stop at his hands briefly, only to proceed upwards until you see the cocky smirk and amused eyes directed at you. All clogs in your brain come to a stillstand and despite that, that’s when you realize you’ve been 1) enjoying his music, 2) checking him out, and 3) checking him out and caught red-handed.
It feels as if you were living on the sun instead of on Earth as you burn up in embarrassment. Knowing there’s no way you can deflect what you just did, you quickly turn back to the laptop, the Google search bar staring back at you.
You’re about to type in something when the search history pops up, catching your eyes. A gasp leaves you but it goes under the music, everyone too immersed in their own thing to notice the prevalent horror settling on your face.
exhibitionism
getting off in public
best crowded places to have sex and get away with it
You blink, thinking that your sleep deprivation got the worst out of you and that you’ve finally reached the stage where you start hallucinating. Except, you know you’re not hallucinating. After going through the words again and again, you know that you’re really not fucking hallucinating and that your nonexistent sleep cycle isn’t as bad as Yuqi makes it out to be.
When you said you wanted to dig up dirt on your brother, you didn’t mean it in the form of his kinks. Money can’t buy everything, but how you wish it could so you could unsee that shocking discovery.
Since this is Yeosang’s work computer and he’s signed into his Google account, he must make use of the drive to save a copy of his ideas. It probably won’t amount to anything since he’s the walking embodiment of staying unbothered, but writing him a note on his docs about how he’s made your life worse by not clearing his search history is better than staying silent.
You click on the little icon on the top right corner, expecting to see Yeosang’s name right above the email address. But then you see Yunho’s name instead, and suddenly everything makes much more sense.
This was never Yeosang’s laptop to begin with.
To say you’re at a loss of words is an understatement. There’s no way someone could have as little self-awareness and leave their laptop unlocked, let alone Yunho out of all people. Then again, the last thing you expected from him was to play the bass and blend well with the rest of the band as if he’s always been the bassist of Stereowave and not the newly found replacement.
This is absolutely bonkers. But:
You could have fun with it. Maybe it’s for the better that money can’t buy everything.
Besides dozens of articles about semi-public sex and even a blogpost titled Shagging in Broad Daylight for Dummies, his search history of the last 24 hours consists of many forum links discussing the morality of exhibitionism, conspiracy theories, and hand care guides. You wheeze when you see the private playlist he saved on his YouTube account; a collection of videos about filing your nails properly and the best hand cream brands for dry skin.
Yeosang calls in for a break, and everyone’s grateful for it. San lets out a relieved noise as he places his guitar on the stand before catching the water bottle Mingi chucks at him.
“My arms are beat,” Mingi complains.
San sends him an incredulous look and snorts, “All you do is bang! crash! ppang! while my throat is fucked! And so are my legs!”
“Not my fault if you keep doing your high pitched oows! while jumping around like a— like a cricket!”
“A cricket? Are you serious?”
“I’m tired, okay!”
“Then that means we should call it a day and go home and rest, right?”
“Choi San, I think you’re onto something.”
“Absolutely not,” Yeosang deadpans, causing the bickering duo to pout in sync. “We have lots to do especially since Yunho’s now part of the band.” When all he’s met with is an attempt of cute puppy eyes that rather looks like a bad rendition of any horror movie featuring creepy dolls, Yeosang sighs, “I ordered chicken for dinner and yes, it’s on me.”
In an instant, Mingi and San’s faces brighten up and they’re celebrating as if they won a free cruise to the Bahamas. They don’t hesitate to envelop Yeosang in a bear hug, crushing the life out of him. A chuckle escapes you at the sight of your brother wringing for his sanity. Sometimes you wonder how on Earth those three guys are the same three guys who perform in abandoned warehouses, jamming out their punk rock songs while looking all edgy (in a cool way that has at least half of their fans thirsting after them).
Meanwhile, Yunho drops himself on the other end of the couch. Propping his right leg on the coffee table in front, he digs around in his pockets before pulling something out.
“Since when do you file your nails?” You pointedly raise a brow at him. Although your extensive research on his browser history already answered that question, you ask him just for the sake of it.
“Hand care is important, shorty,” Yunho replies, keeping his eyes trained on his fingers as he works the file around a nail. “If Kageyama Tobio files his nails, I can too. But enough with the small talk, what do you want?”
“I didn’t peg you as an exhibitionist.”
His hand stops moving. Yunho looks up at you, irritation written all over his features. “Because I file my nails...? A bold assumption, honey.”
There’s a reason why Yunho has always gotten away with pretty much everything. He’s a good actor who’s able to feign innocence at any time. His posture is relaxed, voice genuinely sounding flabbergasted that not even your shit-eating grin can throw him off guard.
You can’t, but your proof will do the job.
“I never said it’s because of your hand fixation.” You turn the laptop screen his way and once his eyes flicker on it and decipher the words, his face falls. Gone is the faux-confusion; as all color drains from him, his eyes look like they’re about to fall out of their sockets. “Is it really a bold assumption now, honey?”
Yunho inhales sharply when you scoot closer to him and put a firm hand on his left leg, his laptop now closed and long forgotten. Your fingers are placed too high for it to be friendly, skimming lightly on the inside of his thigh. Yeosang and the others are busy minding their own business but the chance of getting caught in the act is still there. The simple realization has adrenaline running a hundred miles an hour in your veins, and with the way Yunho clenches his jaw — a desperate attempt to fight the groan that’s threatening in the back of his throat — you’re not the only one who’s aroused by the setup.
Slowly, your hand inches closer to his growing bulge. Before you can dare yet another experimental squeeze, Yunho’s hand surges forward and holds your wrist in a vice grip.
“Don’t,” he snarls through gritted teeth, but it sounds sadder than it is intimidating when he’s sporting a boner right in front of your eyes.
You cock your head to the side, almost in a mocking demeanor. “You sure? Think about it, it’s a win-win situation. You get to live out your exhibitionist right here in front of your new bandmates, and I get the confirmation that you’re into it. But if you really don’t want to…” you try to retreat your hand but Yunho doesn’t let you budge, hand still enclosed around yours. That won’t do as an answer.
“Which one is it? Say it, Yunho,” you assert, narrowing your eyes. Yunho looks distraught, feverishly biting his lip while he’s internally fighting with himself, but he eventually chokes out a response.
“As long as nobody notices—”
“You either say you want me to touch you or not. I don’t want any roundabout stories.”
“Touch me,” he whispers defeatedly and the grip on your hand disappears completely. “But I swear to God if anyone realizes what you’re doing— hhnh—!” he cuts himself off with a low moan when you cup him over the material of his jeans.
“Yes yes, I get it. I don’t need Yeosang to know about this,” you dismiss. “And oh wow, you’re getting hard fast when I’m just touching you over your pants.”
“Just get to it.”
The snappish attitude causes you to stop dead in your tracks. “You think you’re in the position to tell me what to do? I can be mean too, y’know,” you start nonchalantly, a stark contrast to the way your heart is shaking in your ribcage. The power you suddenly hold is exhilarating. “I could just leave you like this, and then you’d have to try to cover your situation down there while practice goes on. How would the others react if they only knew your dick is hard? Probably won’t take them too long to find out since standing for a long time can be tiring, hm?”
Yunho’s head lolls back in response as he’s struggling to keep his eyes open. His breathing is uneven and the resulting moan that follows suit makes you smirk. You lightly smack the inside of his thigh, causing another wave of arousal to rupture in him. He chokes out a hushed ‘f-fuck’ and at this point, the constriction around his cock must be bordering painful.
“Who would’ve thought that the big bad Jeong Yunho is actually a submissive bitch who’s hungry for attention?” you ask gleefully, delivering another slap before stroking the area. “Who would’ve fucking thought you were a sub?”
“I-I’m not— shit, s-stop that, hngh— a fucking sub.”
“Yeah yeah, say that to yourself.” You rip your gaze away from Yunho’s flushed face to check if the coast is clear before targeting his fisted hands. He stiffens when you pry his hand open and bring three digits to your lips, sticking your tongue out to give kitten licks to his fingertips before pushing them into your mouth. You hum, suck, swirl your tongue around his fingers, giggling when all he does is stare at you wordlessly, unable to form any coherent thoughts. “See? Not even once have you put up a fight.”
That seems to snap him out of his daze. In an instant, his eyes darken and his jaw clenches.
“Oh honey, you know, you really shouldn’t tease me.”
You snicker, seeing through his bluff. “Wow, I’m so scared. What do you wanna do? Leave practice right now? Drag me to my room and pound me into the mattress?”
“Don’t tempt me.”
“You could never, sub.”
Whatever strands of self-control were still residing in Yunho have turned to dust by now. One moment he’s towering over you in full height, looking down on your sitting form in bitter distaste, and in the next, he’s dragging you out of the basement, unaffected by the sudden silence and Yeosang, Mingi and San’s confused expressions.
Once you’re in the living room, Yunho wastes no time crowding you against the wall and crashing his lips against yours. The kiss is a messy clash of teeth and tongues, but it leaves you hot and lightheaded and aching for more. Yunho knows no limits and snakes one arm around your waist to pull you closer to him, the other hand fisting your hair. He tugs harshly and the sharp sting sends all your nerves into a frenzy.
“Bedroom. Now.” The sudden huskiness in his tone catches you off guard and you wonder when his voice has ever sounded so rough. You moan into the kiss, fisting his shirt as you stumble your way to your bedroom.
Yunho pins you against the door once you’re in your bedroom. His lips are addictive, just like the groans he slips in kisses and his hands roaming your body. He gets rid of your clothes until you’re left in your underwear, then forces a knee between your legs to keep them from closing. Your eyes roll back at the friction, growing needier and hotter when he presses his thigh against you harder. 
When you finally pull away, his eyes are hooded and his lips are red and swollen. There’s no trace of inhibitions left in him as he watches you like a predator. With horror, you realize that the tables have turned, and when he easily locks both of your wrists above your head with one hand only, that’s when you know you’re undisputedly powerless against him.
“Who’s the sub now?” he pants, eyes sparkling with glee.
“Still y-you.” The response sounds pathetic to your own ears, but you have too big of an ego to admit it out loud. Yunho doesn’t buy it either if his quirked brow wasn’t telling enough.
“Still in denial, honey? I see. Guess I’ll have to do more then.” His free hand reaches down to tug on the waistband of your underwear, only to let it snap against your skin. The slight sting is enough to render your knees into mush and set fog into your vision. He does it again, and then he actually tugs the fabric down and you finally grab his motives.
“You’re bluffing— y-you wouldn’t put y-your fingers,” you ramble, hyperaware about how dangerously close his fingers are. Just when you think he’s about to shove a digit in, he pulls away completely.
“You know, you keep talking about my hands. It’s always my hands this, my hands that,” Yunho says casually, giving his nails a quick glance before meeting your eyes. “Rather than me having a hand fixation, it’s you who has a thing for hands. My hands specifically.”
You don’t like how every word is true. You don’t want to acknowledge that he’s correct. Verbally, because your body is moving on its own and has betrayed you long ago.
Yunho taps on your bottom lip and you comply reluctantly, letting him shove the same three fingers you sucked before. Mumbling unintelligible words under his breath, he watches intently as you hum around him, eyes fluttering shut when he slowly moves them in and out of your mouth. A whine escapes you when he pulls them out for good, soaked wet with your spit.
“Tell me.” Yunho grins, “Tell me what you like about them. Or else I’ll leave you hanging.” He’s not lying and you know it. The look he sends you is enough proof that he wouldn’t hesitate to leave you high and dry.
You don’t like how he’s stringing you on like a rag doll. You don’t like how he’s stripping you off your dignity step by step. Strangely enough, you feel yourself leaking and wanting nothing but his pretty long fingers inside of you.
“I like how they, agh I— I l-like how—” you stutter, losing all levels of rationality when he suddenly circles around your entrance. Yunho urges you to continue and it takes up all of your brainpower to pick up where you left off, “—they’re so long and big and pretty—”
“So you have a size kink.”
You stare at him in disbelief. Now that, that’s something he shouldn’t have deduced. “W-wha— I don’t!”
“Seems to me that you have one though. You kept stressing how big and bad and tall I was after all.” You stiffen. Did you? Did you really? You don’t recall saying it that many times but it's hard to think straight when Yunho still has your wrists above your head and is looking down at you in a downright patronizing way. It leaves you trembling pitifully, feeling called out and feeling so, so small.
He really wants you to hit your lowest peak because he doesn’t stop there. “Who’s the real sub here? Is it really me? Or is it you who likes feeling so short, small, tiny.” His smirk widens when your breath hitches ever so slightly. “I fucking knew it.”
“You don’t know shit,” you bark back, but to no avail. Your credibility has diminished the moment he caught up to your kinks.
“Say whatever you want but that won’t change the fact that you’re tiny baby,” he pauses, takes his bottom lip between his teeth as he’s giving you a thorough once-over and then enunciates the next syllables with such clarity that forces time to stop, “My tiny, helpless baby.”
The pet name breaks you. It’s the final trigger that takes all your inhibitions away and the pathetic size of an ego that was left in your stubborn head.
“Please,” your voice cracks but that’s the least of your worries. You can’t move, can’t talk back, and won’t get anything in return. Yunho is right in front of you, finding satisfaction in your internal destruction and yet, after all of the things he’s slaughtered you to, he won’t give you anything in return.
“Just a little bit more, baby. I’ll give you what you want if you repeat after me; I’m your—”
“I’m your tiny, helpless baby who desperately wants you to fuck me.” Yunho is mildly taken aback that you were still able to think and get it right before he even finished his sentence. “Now get on to it, Yunho. Please.”
You’re sniffling at this point, begging for any kind of stimulation that shoots you to the stars. You’re fucking sniffling, and that’s all it takes for Yunho to manhandle you on the bed. A gasp escapes you, not expecting this turn of events at all. It all happens in a flash and the next thing you know, you’re on all fours, face buried in the pillow.
“Yunho, I t-thought y-you’d fuck me,” you complain, glancing behind to see what’s taking him so long. Your mouth waters at the sight.
“Patience, baby,” he says as he’s unbuckling his belt, taking his sweet time. You rub your legs together to ease the tension, but you can’t really say you’re not enjoying the show. Yunho’s lean, slightly defined, and once he’s only left in his underwear, you swallow heavily. There’s a large, dark patch on the fabric and the bulge seems more prominent than before.
If your mouth was only watering, you’re drooling by now. Yunho takes off his boxers, revealing his painfully hard cock, tip red and oozing precum. Just like the rest of him, he’s abnormally huge.
You have two thoughts. One: Fuck, you want him. Now. Two:
“That’s never going to fit inside of me.”
“Oh it will,” he says with such confidence it gives you shivers. “I’ll pound you into the mattress and you’ll take it all.”
He grabs you by your thighs to pull you closer to him before positioning himself right behind you. “W-wait!” you cry, heart suddenly feeling heavy in your chest, “D-don’t just put it in without prep— o-oh, hnngh—” your body feels like jelly when Yunho presses two spit-coated fingers past your entrance, stretching you out with finesse.
“I’m not that heartless,” he chuckles amusedly, right at the same time he curls his digits right against your sweet spot, sending you headfirst into bliss. “You’re so small you wouldn’t be able to take an inch without prep.”
You only whine into the pillow, arching your back as he continues his ministrations. Once Yunho deems you stretched out enough, he retreats his fingers and replaces them immediately with his cock.
The difference is like night and day. It’s like his fingers didn’t amount to anything compared to this. The high-pitched cry that escapes you is loud as you grasp onto the pillow for dear life.
“How can you be so big?” you pant. There’s no way he’s past four inches deep inside of you. You’re far from being filled, but your walls are already clenching hard around him.
“Bassists do it deeper for a reason.” The innuendo is tacky but in your current headspace, it sounds like the sexiest thing you’ve ever heard. Yunho stills his hips, letting you get used to him. “How are you feeling?”
“Guh—” he chuckles at your inability to form coherent words, let alone thoughts. “So big.”
“You’ll get used to it, honey.” He leans forward to pet your hair. “Tell me when I can move,” he adds gently, and you swear you could melt right then.
It takes you a moment to get your breathing steady, and then he pushes more of his length inside. Whimpering, you writhe beneath him, feeling as if you’re being torn apart. Meanwhile, he’s breathing hard through his nose, trying his damn hardest to go as slow as possible. At a certain point, Yunho stops pressing for more and pulls out ever so slightly before rocking his hips back forward. It starts out slowly, but he gradually picks up the pace and you lose yourself into him.
“Faster,” you moan, bending your back for an even deeper angle. “Hnngh, so full. Want m-more.”
“You were right, you can’t take me to the hilt.” Yunho readjusts his grip on his hips and you know that bruises are going to last until the end of the week. “God, you’re so fucking small that you can’t take me to the fucking hilt.”
Your vision turns foggy once the meaning gets through you. Now that he’s saying it, how much of his cock is inside of you? Half of it? A third? He’s stretching you out so well, filling you up so impossibly deep and that wasn’t even his everything?
“That’s not— want more of you, all of you,” you stammer, not realizing what you’re even saying. “Baby wants all of you.” God, you’re so drunk and desperate for his cock that you can’t refer yourself in the first person anymore.
Yunho reacts just as perplexed, eyes widening. His hips still once more, and though you’d want to shout at him to keep on moving, you don’t find the energy to move your head, or even lift a finger.
“So fucking greedy,” he growls, pulling out of you completely. Not even a second later, he flips you around on your back so that you’re facing him dead in the eye, and then he pushes back in. The new position has you gurgling on broken words as your arms flail around for dear life.
Yunho throws a leg over his shoulder, creating a deeper angle. You don’t know if he’s actually giving you more if he’s managed to force more of him into you. All you register is the messy squelch of liquids and your moans bouncing off the walls. You can’t even see properly, everything a blur and a mix of different colors.
“I’m gonna cum,” you whimper, sensing your demise nearing closer and closer.
“Then cum,” Yunho orders in between groans, then adds in a louder voice, “You hear that baby? Cum and make a mess out of yourself.”
Your orgasm crashes onto you in a big singular wave as you tremble under his frame, walls clenching around him tightly. His name leaves your mouth like a mantra as you continue to convulse. Yunho pulls out moments later, just to spurt white on your abdomen. His face is flushed and beads of sweat are forming on his forehead while he jerks himself dry.
It’s a miracle that Yunho hasn’t toppled on you once he slowly comes down from his high. The fog in your vision clears up gradually, but your limbs are as good as worthless. You won’t be able to move freely for a good day or two.
As you continue to blink at the ceiling, only finding the energy to breathe, Yunho grabs the box of tissues from your nightstand and wipes himself off before doing the same to you. His touch is gentle unlike before, and you’d thank him if your vocal cords were still functioning.
You’re about to drift to sleep until he suddenly leans down and pecks your lips. In an instant, you narrow your eyes at him and ask, “What was that for?”
“You had some cum on your lip. I wanted to taste too.” Yunho smiles cheekily and runs his tongue against his bottom lip, then grimaces. “It tastes... yikes.”
He cleans you up in silence before plopping onto the bed right next to you. No words are exchanged up until you say, “Yeosang is going to kill you.”
“He can’t afford to kill me. He needs me for the band,” he muses.
“He’ll still kill you.”
“I appreciate the concern, honey.”
“Just scram back to practice.”
“Don’t you want to go to the bathroom first?”
“I can do it myself.”
“Oh really?”
“... Yunho, help me on my legs and then scram back to practice.”
Meanwhile, back in the basement, the guys are waiting for their bandmate to come back so they can finally finish practice and then eat chicken.
“You sure (y/n) and Yunho are only childhood enemies? They’ve been going at it like rabbits if he isn’t back here yet!” San exclaims, throwing his arms up for dramatic effect.
Mingi can’t counter that because San has a point, so he whips his head to Yeosang. “Dude, you sure they’re not in a relationship? They have to be at least fuckbuddies! Or fuckrivals? Fuckenemies? Or…”
“I do not know and I do not care,” Yeosang says blankly, looking like he’s about to bang his head against the wall because he sure won’t walk into your room and curse his eyes for the rest of his life. Damnit, all he wants is to practice and get the band together; their next gig is only a few weeks away. “In fact, I want to unsee what I just saw and unhear what you just said.”
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daemoninwhiteround2 · 3 years
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Sometimes I get really upset that you converted me to bottom Jason because I love bottom Tim (because my favorite character is always the one that gets railed) but now because I love both bottom Jason and Tim so much, I can never win with JayTim fics because I am indecisive with who gets to bottom and can’t decide 😭 and I can never get both of them as bottoms while being shipped together. You’ve ruined me Dae,,,,,,and I love you for it. Thanks for everything you’ve written!
Ahaha, I’ve had people get up me for converting them to lac kink, but I don’t think I’ve ever converted someone to bottom!Jay! Give me a second whilst I cross it off my bucket list...
tbh while I like me a top!Tim, the idea that their first time went as below is deeply hilarious:
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It’s not Tim’s fault! It isn’t! Yeah, sure, leaning into stereotypes is bad, but they’re there for a reason, especially in the LGBT community, and Jason is big all over, and cultivates a presence that makes him seem twice as large, and wears a lot of leather...
Sure, there are other things they could do - he’s been fantasising about getting his mouth around Jason’s cock ever since he started fantasising, it feels like - but he’s really had his heart set on getting fucked. He’d cleaned himself out and everything! Even snuck off during patrol to ... help things along, just in case they were too impatient to wait for proper stretching and foreplay once they were back at his place. Tim’s planned his seduction of Jason meticulously.
Jason insisting on going to his place was the first bump in the road. It hadn’t been enough to throw Tim entirely off his rhythm - if fighting with Young Justice taught him anything it was how to adapt plans on the fly - but it had left him with a weird feeling in his stomach, like when you think there’s one more step in a staircase than there actually is, and you wind up slamming your foot down. An unexpected stumbling block.
Jason had been so nervous, offering Tim a drink, that Tim hadn’t been able to stop himself from throwing his arms around Jason’s neck and pulling him into a kiss. Things had got better from there; patrol had been successful and easy, had left Tim’s blood feeling like it was boiling just beneath his skin, and from the way Jason had roused so rapidly, he’d assumed the same of him.
Jason allowing Tim to push him onto his bed had raised a red flag, but Tim had overlooked it, already imagining riding Jason, Jason’s big hands digging into his hips, bruising him up until Jason’s control snapped and he rolled them over and fucked Tim through the mattress. He could already feel the way his thighs and ass would hurt tomorrow, the way the muscle would pull whenever he walked. Steph was on standby to take his patrol, having been bribed weeks ago when Tim had invited her along to breakfasts at Jason’s (he makes amazing waffles. Steph had taken a bite and nodded solemnly at Tim, even as Jason had turned away to start washing the dishes. He’d been wearing an apron. Steph had got it).
Positioning had taken a while. Jason kept moving weirdly. Tim had thought that he’d just wanted to grind, and yeah, Tim could see the appeal in that (oh, fuck, he’s gotta do that the next time they share patrol, crowding Jason up against a random rooftop and grinding against the Red Hood until they both come... fuck yeah, that’s an idea) but he’d come with a goal and it’s getting that deliciously thick cock inside of himself.
He’d finally settled on Jason’s stomach, reached behind him for Jason’s cock, ready to back up onto it when Jason’s big hands had landed on his hips (fuck yes) and stopped him (fuck no).
“Um. I think we’re. We should talk.”
Tim stared down at Jason, slack-jawed. “I’m literally about to ride you through the bed and you hit me with that?”
“Yeah, about that. I.” He swallowed and Tim zeroed in on the way his Adam’s apple bobbed. “I prefer to bottom?”
“What.”
“I don’t have to - yes. Yes, I don’t like topping. OK?”
Tim dropped Jason’s dick. This wasn’t a conversation he could have while holding that big, thick... Down, boy. “You’re a bottom?”
“Yes.”
Tim buried his head in his hands and muffled a scream. “But you’re so!”
“So what?”
“Butch!” Tim cried, flapping his hands at Jason’s everything. “I think I could be forgiven for expecting-”
Jason’s expression cooled. “You don’t have to-”
“No!” Tim slammed his hands onto Jason’s shoulders, forced him flat on the bed. “No, wait, shit, I’m sorry. I still want to have sex with you. I just. I really wanted to be fucked.”
Jason’s face twisted. “Oh. But. The way you’re with the Titans - I’d assumed.”
Tim gave a slightly hysterical laugh. “You know what they say about that!”
Jason snorted and Tim felt his muscles relax. “Yeah. Looks like we both got bit by it.” He rubbed his thumbs back and forth over Tim’s hip bones. All things considered, Tim’s erection should really be flagging by now, but behold the power of the naked Jason Todd. He buried his face between Jason’s pecs and sighed.
There was a long beat of silence.
“Um,” Jason broke it. “I think I have a way we could still?”
Tim twisted so that he could look Jason in the face. “Hrm?”
A blush slowly crept up Jason’s throat. “I have, a. Um. Double-sided...?”
Tim felt a wicked smile creep across his face. “Show me.”
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youichi-kuramochi · 3 years
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dearest viv,
how the FUCK do you connect scenes?
i forgot what sign off i was gonna use
started with an r
umm
fuck. whatever
i cant remember if it was regards or respectfully. maybe respectfully?? yeah since i was yelling?? ok
respectfully,
honey ʕ ﹒ ᴥ ﹒ ʔ
ALDFKJGALDFKGDLFJ THIS WAS THE FUNNIEST ASK TO WAKE UP TO THANK YOU FOR THAT OMG
ANYWAY............ do u mean like in general or me personally lmao bc my answer to the second is probably like. totally unhelpful bc I just kinda vibe it most of the time when I’m writing adflkjagdfk at least first drafts. editing is another story (standby. we’ll get there lmao)
[sidebar: OH MY GOD THIS ANSWER GOT SO LONG I’M SO SORRY IF THIS WAS A JOKEY ASK AND I JUST RAMBLED UNNECESSARILY FOR LIKE FOREVER I am just. I am very passionate about writing even though my own process is a Mess aldkfjglkgf anyway I’m putting this under a cut bc uh. this really got away from me]
alright so theoretically??? I think transitions are less important than like. there should be a point each scene is trying to make. it either develops character or plot or relationships or any combination of those, and you need to have enough to make that point and then it can end (though I overelaborate a lot so. idk. I don’t think I follow most of this advice even though I understand it In Theory adlfkgjlkf). similarly, when you string the scenes together, they should to build towards a larger narrative arc. like because character a learned this thing about themself in the previous scene, now they can confront character b about something else. or because of this character establishing moment, we can now have this character do this thing because we, the readers, now have some insight into their motivations/fears/desires/etc. or whatever. I guess this is sort of about transitions lmao but the point is that the larger narrative should connect, not that you need to be super careful always about making the words/physical scenes themselves connect, if that makes sense
imo scenes can start and end abruptly and like as long as the narrative point is made you don’t really miss out on much. I’m terrible at actually doing this which is why my fics all wind up so long but I don’t mind it at all when I’m reading. I think it’s really cool when someone can make a really powerful point with far fewer words than I ever could. idk who told me this maybe a professor or maybe I just read it somewhere but it’s often a good move to drop readers right in the middle of the action like you don’t need that much buildup to it (unless the buildup serves a purpose. maybe your character is hesitating. maybe they’re overthinking.) you might need more buildup/general exposition in the beginning to get us acquainted with the world of the fic, but especially as you go on, exposition only as needed can be a good move. something something kill your darlings, y’know?
actually this last bit I do follow sometimes lmao I often wind up with several pages of just. unused text that I’d written and then decided was extraneous to the point I was trying to make or made a scene drag on or just didn’t click. like for my current ongoing fic, I have entire scenes I’ve cut. I wrote 2k of a high school scene that I ended up only using slivers of for flashbacks. there was a scene when onigiri miya opened at one point. for my bkak big bang fic I literally have over 6k that I took out completely that if I had kept in would’ve given the whole thing a completely different tone that I decided I didn’t like after I’d already written like half the fic. so I scrapped them. I usually save these, not do anything with really but just because deleting text forever is hard lmao so saving the writing somewhere, if not in the fic itself, makes it easier for me to cut
ALL THAT SAID it’s also totally cool to just trust your gut and run with a vague idea. like this kind of writing should be fun and I wouldn’t let worrying about this stuff get in the way of having a good time. and also everyone’s process is different!! everyone’s writing style is different and your writing probably won’t have the same tone or style as writers you admire and that’s okay!! it’s a good thing, even, imo. that’s what’s so cool about writing and honestly a lot of my favorite writers do not write like I do and I love that
and when I said I vibe it w my fics I really honestly do 90% of the time. I usually have a general sense of where I’m going but it’s more enjoyable for me discover things on the way. some people swear by outlines, I fundamentally do not other than like. AT MAX writing a short bullet point list of scenes I want to include as I think of them bc my brain is like a sieve. and usually weeks after starting something, I’ll write a line/paragraph/scene and have an epiphany like oh my god. oh my god I get what this whole piece is trying to say. (this is my favorite part of writing tbh. discovering that moment) and once I have that, it’s much easier to figure out what belongs and what doesn’t when I go back and edit earlier scenes and make sure that everything ties together
and also, finally, (sorry I know I’ve been rambling for a while now I swear this is the last point) I want to note that all of this gets easier and more natural with practice. I’ve been writing for over 10 years, on and off. ao3 says I have 500k+ of published fic, not to mention I probably as much if not more from abandoned wips that will never see the light of day AND a bunch of stuff floating around on livejournal (lol) from the pre-ao3 days, so I have written. a LOT. and over time you sort of hone your intuition about what works for you and what doesn’t and at least for me, now I think a lot less abt the nitty gritty and just go wherever my writing takes me and I’ll usually land in the general vicinity of making sense. I think anyone can get there (or wherever it is you’d like to be if this isn’t your style). the trick is just to keep writing! it’s a skill like everything else ☺️
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tobiasdrake · 3 years
Text
One Beef with Little Hope
So I just finished The Dark Pictures Anthology: Little Hope. And something bothered me. No, not that. If you’ve finished the game, you know what that is. And yes, that did bother me, that really pissed me off, but it’s not what I’m talking about right now. Spoilers after the jump.
See, here’s the thing about me. I’m a misotheistic humanist who enjoys power fantasies aimed at taking the power back from the fantastic and supernatural. Ghostbusters is my jam. So I always engage with supernatural sci-fi and horror from a combative perspective.
Every time I watch a horror movie, I write stupid little Ghostbusters fanfics in my head about my own little Ghostbusters OCs battling whatever the creature of the film was. I like seeing normal people fight monsters and come out on top, even though there may be losses along the way (and Ghostbusters is, like, the only IP out there that offers options to do that even when the monsters are untouchable spookers).
But it’s not just about Ghostbusters. In general, “Fight the monster” is my standby and my brain is always looking for ways to do that. And what bothered me about Little Hope is that it was trivially easy to come up with a violent solution to the game’s central beasties.
Here’s the thing. I noticed this literally as soon as the monsters showed up. It haunted me through the entire game that not one character ever even thought of it. They very first spooker that we meet with violent intentions is Angela’s Spooker. I named her Spooker A.
Spooker A is the zombie ghost monster of Angela’s doppleganger from the Witch Trials. She was wrapped in chains and dropped off a pier to drown, and now Xeroxes of Angela are cursed to be killed by suffocation. Spooker A is here to drown Angela.
When Spooker A crawls out of the river, the game gives you a choice to help Angela or John escape from her. Realizing instantly what she was about, I helped Angela. I hedged my bets that she would not attack John. She cannot attack John. She can only harm Angela. It’s her curse monster programming.
And I was right. John helps himself out of that situation just fine. He is in absolutely no danger from Spooker A.
Later in the game, Daniel is attacked by his own Spooker. Spooker D was executed by impalement, and so all Daniel Xeroxes are cursed to die by impalement. There’s a point where Daniel and John are hiding and Spooker D is shambling its way towards John. The game lets you, as Daniel, confront the Spooker or bail.
I bailed. Once again made the judgment call. Spooker D is shambling towards John but that’s fine. Spooker D cannot harm John. Spooker D can only harm Daniel. And once again, John gets away from Spooker D just fine. Spooker D barely even seems to notice him. Until the inevitable arrival of Spooker J, John is entirely safe from the malevolent ghost zombies.
And that is what makes these monsters trivial to fight. Spooker T, likewise, only ever attacks Taylor. And Spooker J is only interested in John. Andrew’s Xeroxes survive all the events; there isn’t a Spooker at all for him, so he is literally impervious to all the supernatural threats.
The game is building to four major choice points where each character must face their demons head-on and demonstrate courage and commitment to each other, and anyone who fails to do so will be abruptly murdered at the end. And thematically that’s pretty neat.
But as a humanist monster-fighter, this never stopped bothering me all throughout the game: if they wanted to keep the group safe, literally all the survivors would have to do is mix it up. Have Daniel attack Spooker T and her whippy tongue. Have Taylor stomp the shit out of Spooker A’s waterlogged face. Have Andrew mixing it up with whatever monster he wants because none of them can actually harm him.
As Spookers go, the creatures of Little Hope are practically harmless. The only reason they are able to threaten the group again and again is because the survivors lack basic observational skills and a bit of imagination.
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hey-hamlet · 4 years
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BNHA AU Ideas: Songbird, Part 2
Also on AO3! 
Link to Part 1 
TL;DR: 
Izuku has a powerful quirk: he can give powers to the people around him based on the different songs he sings. Unfortunately, everyone else really wants that quirk and are willing to kidnap him to get it. 
Songbirds sing even when the music stops.
Hello I’m redefining Izuku’s quirk for the sake of more dramatic powers: Most songs are general power-ups (everyone in auditory range), others are personal power-ups (only the person singing). Both only affect those who hear them, unless the effect is 100% intrinsic. Izuku uses a lot of general power-ups because he’s helpful like that. Each song can only be used once per day.
Examples: A song that creates a forcefield will only be a barrier to those who hear it, but a strength increase is a strength increase no matter which way you slice it.
anyway! day 1 of class is ok bc izuku and bakugo head to school together, and its honestly a miracle he didn't get kidnapped again
anyway, he meets iida and is fucking floored when he apologises for yelling at him. uraraka calls him the "boy with the singing quirk" and hes pretty happy. bakugo is grudgingly pleased izuku has friends and sits down, izuku following suit. shinsou is half asleep at his desk and seems to have been there the whole time
aizawa does his little spiel, quirk assessment happens yadda-yadda. izuku looks so chill on the outside but the kid is freaking the fuck out internally
he's coming second in the test, aizawa still erases his quirk, more of an example to the class because he assumed izuku wouldnt lose his shit. he didn't - at least externally
from this we also find out izuku has a kind of internal metronome because he suddenly has no internal 'beat' when his quirk is erased. his hearing gets substantially worse too.
which serves to freak him the fuck out because he feels off balance and like hes had cotton stuffed in his ears
anyway, yeets the ball, all is good, bakugo glares fucking daggers at aizawa for singling out izuku and izuku tries not to dissociate
battle trial is nothing special, but bakugo just fucking,,, turns his hearing aids off so izukus quirk doesnt work on him
its a blessing and a curse because it leaves izuku free to use most personal powerups, but honestly bakugo wants a nice fight more than he wants to win so thats fine with him
izuku wins, but only just, izuku gives uraraka a speed up through the comm link, iida who was Not ready for that, loses
USJ
Bakugo and Izuku sing Stronger than You and kick ass for a solid while before the song runs out and the nomu hits them into the lake. Izuku, with a broken leg and the beginnings of a concussion, has to drag a semi-conscious Bakugo to shore and let me tell you they both almost drown like 8 times. Izuku helps All Might by singing Anything (Hedly), which functions honestly like a big Ol’ Plus Ultra to anyone believing in what they are doing. (It starts working on Shigiraki after the Stain arc, but before then he was acting without purpose)
Sports festival!
All Might and Izuku are basically dad and son in this universe too, so, despite the dissimilar quirks, Todoroki still calls out Izuku to fight. Because Todoroki is the son of Endeavour and privy to a little more heroics insider info than he really should be, he also knows how often Izuku deals with villains. In an attempt to piss off the eternally nice and collected boy enough to give him a fight he can piss off Endeavour with, he calls him a damsel in distress.
Izuku is fuming and Bakugo has to basically hold onto his forearm to stop him from clocking Todoroki right in the jaw, but lord is Bakugo also pissed. Todoroki, for a second, realises he may have fucked up.
Todoroki wins the first event, Izuku is pretty middling. Like he's top 10? But he didn’t make a major impact. But the guy sees Monoma and gets an Idea
“HI SO – I know you hate class 1A, and really there is something to be said for the way our school is trying to pit 2 classes of children against each other like a bitter blood feud - BUT I have an idea that could be 100% ridiculous and if you want 1B to make an impact, please work with me. I need to shove something in Todoroki’s face.”
“… I’m listening.”
The general idea is Izuku’s songs have a different effect when sung in a duet, some are only practical in duet form: IE, stronger than you is a dodge boost alone, but in a duet is a massive power boost to the two singing it. So what if two people with Izuku’s quirk sung a duet? Chaos, probably.
Monoma agrees because one of the only things he likes more than 1 upping 1A is quirk based tomfoolery. The team ends up consisting of Izuku, Monoma, Kendo and Uraraka. Kendo and Uraraka, with the use of Uraraka’s quirk, carry both Izuku and Monoma – the better you sing, the better the quirk works.
Its lucky Monoma knows most of the songs Izuku brings up as ideas, and adds some suggestions of his own. If the other two know the song it's not a bad idea to join in, but its not the end of the world if they don’t.
The list of songs they have on standby and their effect when sung by two people with the Songbird Quirk
Two Player Game - Be More Chill: It forms both a connection between the people singing it, allowing them to anticipate the other's movements and creates a semi-translucent double of each singer that mimics their movements with a half second delay, aka: each punch you throw hits twice.
Family – Mother Mother: Creates a kinda forcefield that hovers just above the body. The stronger the bond between the singers, the stronger the shield – good thing Uraraka and Kendo know that one.
Hurry Hurry – Airtraffic Controllers: Slows down your perception of time, giving the appearance of superhuman reflexes. With the addition of a partner, it also grants superspeed.
We don’t get tired, we get even – Pat the Bunny: The more energy you’ve used up, the more energy you get back when singing this song + a proportional increase in general ability.
Doubt Comes In – Hadestown: Anyone who hears it quickly loses the ability to fight other people, including the singers.
The Greatest Show – The Greatest Showman: In addition to the normal effect of drawing attention to the point you can’t look away, singers get a ‘moon jump’ ability.
Turn the Lights Off – Tally Hall: Makes the area pitch black and gives the singers monstrous forms with plenty of claws and eyes.
How they use these is up to your imagination, but they end having taken the 10’000’000 point band from Todoroki. Bakugo, the only person with a decent understanding of Izuku’s quirk, just turned off his hearing aids and told his team to block their ears when weird shit started to happen. They came second, Todoroki third and Shinsou’s team fourth.
Uraraka gets to the second round bc Bakugo fights Monoma in the first round and jesus that fight is hilarious because its just Monoma – while using Bakugo’s quirk too – insisting that Izuku has abandoned class 1A for class 1B and Bakugo getting progressively more done with this boy’s shit.
Izuku and Bakugo + Todoroki and Iida are the semi finalists. Izuku and Bakugo are mostly just like “Thank fuck I’ve been talking to so many god damn weirdos today please can we just have a normal fight”. Izuku wins, j u u s t. (Izuku and Bakugo have a pretty 50/50 win loss ratio going on in this AU)
Todoroki vs Izuku is the final round of the whole thing, Todoroki told him about Endeavour, Izuku is pissed that no one looks at him and sees him, they only see his quirk (other than like, 6 people at this point). So he gets where Todoroki is coming from but holy shit hes doing literally just that. The main song Izuku uses for that round is Escapism – Steven Universe which makes him intangible (other than like his feet so he doesn’t go through the floor like Mirio). He’s trying to get the vibe across to Todoroki that he is free of his blood. He stops singing just to scream that at him, which is really what loses him the round. He's not intangible anymore, so he has no way to dodge the fire that comes at him. But he's pretty happy anyway.
Stain Arc!
Izuku’s hero name is Lyre!
Izuku doesn’t intern with Gran, but he does visit the guy with him. All Might hasn’t given his quirk to anyone else because the only suitable person he can see is Izuku, but Izuku basically can’t say no to him so he’s having a crisis. Izuku just thinks he’s there to visit All Mights old mentor and shoot the shit, which is really what they do.
Gran basically just ends up telling him “Kid aint a wallflower, he’ll tell you to fuck off if he doesn’t want it. All Might decides to ask Izuku about it after everything is over.
Izuku ends up interning with Endeavour, along with Todoroki. He never ended up yelling at endeavour, even though he hates the guy. Shouto encouraged him to take the offer bc, 1, Endeavour literally never gives out internship offers and 2, it’d be more fun because that way he doesn’t need to deal with his dad’s bullshit alone.
Endeavour is like “Oh it’s the kidnap kid, your quirk is neat.” And izuku is smiling through gritted teeth like “Th Anks SiRr”
So, starts pretty normal, then the winged Nomu steals Izuku right off the ground. Izuku just says “I’ll be fine! Just keep doing what you're doing, I’ll get myself down.” Endeavour just shrugs like “Ok, I give you permission to defend yourself.” While Todoroki is screaming internally because his new friend is literally being flown away
So the Nomu that was once a really good friend of Izuku’s (not that izuku is aware of that) literally just dumps him somewhere else and leaves. Izuku is confused, really confused, so he starts walking his way back to where he was before he hears a familiar voice.
Guess who it’s Iida, with a serial killer standing right over him. Izuku panics and goes straight into Turn the Lights Off. Without Monoma it only makes it dark, but it’ll have to do.
Thing is: he has a key problem. By virtue of the fact he’s singing, Stain can always hear him. Izuku’s only advantage is that he can see Stain but stain can’t see him, and the darkness means Stain moves more cautiously.
Anyway, in the artificial darkness, he can send a longer text anyway.
Midoriya [7:31PM] stain – [Location Pin Dropped]
So a lot of people, All Might and Aizawa included, f r e a k o u t. Todoroki goes running, Endeavour sends sidekicks with him because he saw his son, normally deadpan, almost chocking on panic as he mutters “Midoriya found Stain.”
Endeavour very much wants to also get Stain but the Nomu are Very Pressing Right Now, so there isn’t much he can do other than try and hurry the fuck up. Torino is kicking around because he could mostly, trying to get a glimpse of All Might’s kid in action, ends up having to kick villain ass. He's not that concerned until he remembers “OH SHIT TOSHI’S BOY”. When he finds Endeavour the man, a little panicked for Endeavour’s standards, yells at him to go to the address bc his son and intern are fighting the fucking hero killer.
Gran Doesn’t think he’s moved so fast since he kicked All for One in the face with Nana 25 odd years ago.
So Stain is kinda pissed bc suddenly he can’t see and someone is singing. He goes to stab Iida but,,, he ain't there anymore, and the singing is fading away. He figures “oh well, lemme get native” the singing changes to a different song. Very quickly he can see, but the singing boy, still singing is rocketing towards him and rapidly changing form.
Monster – dodie: Literally shifts Izuku into a monster. Stain suddenly realises that this is Songbird, talk of the underground, most wanted quirk by villains and quirk traffickers everywhere. This kid, target of villains everywhere, has put himself in their sights just to try and help people.
He thinks maybe Songbird might be one of the good ones.
Oh, an aside? People calling him Songbird sets off hella panic attacks because the only people who do that are people actively trying to kidnap him. And that’s what stain is calling him.
His monster form wavers and he tries to sing through tears and hitching breaths and Stain smiles because he's still curled around Native with his claws out.
Todoroki gets there first and helps defend Iida, Izuku is fighting to keep stain away from Native. The pros are on the way, Izuku is fading fast. Endeavour has been training them hard so he's exhausted and freaking the fuck out, while someone waves swords in his face.
Stain gets him, he loses the monster form. This doesn’t help Izuku’s panic, because now he can’t move and he’s felt this before along with grabbing hands, and dark vans and ropes around his wrists praying someone knew where he was going so someone might know to come for him when he doesn’t get home.
Todoroki sees that and he doesn’t know what to do. Izuku is panicking – the boy who seemed so put together and on top of things s falling apart at the seams. Iida feels horrible. He just wants to go to his friend he's never seen that distraught before.
Todoroki does the only thing he can think of. He sings.
He was never into music before, be after the sports festival he learnt Escapism -the song Izuku sang to him – and singing it back to him is the only thing he can think of doing.
It helps. It really helps, because if there was one thing that never happened when Izuku was taken – it was singing. He calms down just enough to breathe, which is all he needs to do.
The quirk wears off and Izuku throws himself at Stain, the words to Thunder by Imagine Dragons already pouring from his lips and electricity pouring from himself. If Stain touches him, he's toast, even if its via a sword. Izuku just has to avoid thrown weapons.
Izuku gets a hit, the quirk wears off Iida, who rushes in to stop Izuku from taking a throwing knife to the arm. The three of them knock out Stain just as the heroes skid into the alley. Izuku lets out a sob and crumples to the ground, Iida and Todoroki rushing over to him. They both honestly look like they’d bite anyone who got too close. Gran calls All Might who starts hightailing his way over there – Aizawa is also breaking a few traffic laws to reach his pack of injured kids.
They don’t get there in time. Shirigaki, furious that the hero killer went against him, orders Kurogiri to get Izuku. They take Iida and Todoroki for good measure. The heroes watch in horror as the children they were meant to protect vanish under their noses.
Headlines the next day: “UA sports festival finalists defeat Hero Killer – only to be taken by Villains seconds later.”
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histoireettralala · 4 years
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Charles Nungesser, fighter ace, adventurer, war hero.
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Charles Eugène Jules Marie Nungesser (15 March 1892 – presumably on or after 8 May 1927) was a French ace pilot and adventurer, best remembered as a rival of Charles Lindbergh. Nungesser was a renowned ace in France, ranking third highest in the country with 43 air combat victories during World War I.
After the war, Nungesser mysteriously disappears on an attempt to make the first non-stop transatlantic flight from Paris to New York, flying with wartime comrade François Coli in L’Oiseau Blanc (The White Bird). Their aircraft takes off from Paris on 8 May 1927, is sighted once more over Ireland, and then is never seen again. The disappearance of Nungesser is considered one of the great mysteries in the history of aviation, and modern speculation is that the aircraft was either lost over the Atlantic or crashed in Newfoundland or Maine.
Wikipedia
Filled with an exceptionnal spirit and energy, Nungesser is very early confronted with the difficulties of life, he is not afraid to cross the Atlantic although he is not yet an adult. Once on the soil of the South American subcontinent, he will practice a whole series of trades. In turn boxer, gaucho or racing driver, Nungesser asserts himself as an adventurous heart. A thrill seeker, he already takes all the risks and does not hesitate to punch even with men, whose stature is much higher than his. It was in South America that he developed his passion for aviation and contracted the piloting virus. Therefore, all the elements are already in place to make Nungesser an extraordinary character, literally atypical and flamboyant. The Great War will give the young man the opportunity to find his vocation and become a legend ...
It is September 3, 1914, during a reconnaissance mission, Nungesser, freshly incorporated into the 2nd Hussar regiment, both rescues his wounded officer and with the help of a few infantrymen captures a Mors type automobile killing both its occupants and above all, recovering the documents it contained. Back in his regiment, after crossing enemy lines under heavy fire behind the wheel of the captured vehicle, his feat caused a sensation and rose to the ears of the general commanding his division. The latter immediately made him obtain the military medal and therefore gave him his nickname Hussard de la Mors, by reference to the Hussars of Death (”Hussards de la Mort”), a squadron created in 1792 and whose motto was "conquer or die".
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He is then granted his request to be transferred to the Service Aéronautique, to Escadrille VB106. While there, in July 1915, he shoots down his first plane, a German Albatros, and is awarded the Croix de Guerre. This action initiates the Nungesser legend. On 31 July 1915, Nungesser and his mechanic Roger Pochon are on standby duty. The two take off in a Voisin 3LAS despite Nungesser's assignment to non-flying duties. In an encounter with five Albatros two-seaters, the French duo shoots one down near Nancy. Returning to their airfield, Nungesser is placed under house arrest for eight days for his insubordination. He is then decorated and forwarded to training in Nieuport fighters.
Assigned to N 65, Charles displays a fiery temper and a courage that strikes the minds of all his comrades in arms. He also willingly shows a certain independence of spirit and cannot help frequently ending his patrols with acrobatics above his airfield, which will earn him a few days off, that the command will lift just as quickly as it cannot do without the excellence of Nungesser's services while the position war is in full swing…
Charles isn’t one for strict military discipline. His rugged good looks, flamboyant personality, appetite for danger, women, wine and fast cars make him the embodiment of the stereotypical fighter ace and contribute to his legend. He is sometimes spotted arriving for morning patrol still dressed in the tuxedo he'd worn the night before and even occasionally with a female companion.
He is well liked by his comrades. Determined, fiery, excellent pilot, he is selected at the beginning of 2016 to test a prototype fighter plane, the Ponnier. Decided not to go easy on the machine, the indestructible Nungesser soars into the air and pushes the plane into its entrenchments. The result was immediate: the plane went into a spin and Charles crashed to the ground. The broomstick crosses his jaw and he suffers from multiple fractures, particularly in the legs and numerous bruises. You would believe his career is over ? Not at all! Barely out of the hospital and after a period in a coma, he refuses to be discharged and fights tooth and nail to return to Nancy.
He can’t go without a walking stick and has to be helped into his cockpit. It doesn’t stop him from fighting above Verdun (ten victories) and then over the Somme (nine victories) during 1916. He shows concern for the infantrymen, and often comes to help allied pilots, which will earn him many foreign decorations (from the UK, USA, Belgium, Serbia, Russia, Portugal..).
This is the year he famously decorates his plane with a black heart-shaped field, a macabre skull and bones, and a coffin and candles painted inside, in tribute in particular to his nickname as well as to his terrible accident of 1916. At the end of the Great War, Nungesser will accumulate forty-five approved victories and his war cross will count twenty-eight palms and two stars… Nothing and no one will have prevented him from flying and fighting until the last day.
His Officier de la Légion d'honneur citation, 19 May 1918, reads:
"Incomparable pursuit pilot, with exceptional knowledge and magnificent bravery, which reflect the power and inflexible will of his ancestry. In the cavalry, where during his first engagements he earned the Médaille militaire, then in a groupe de bombardement where for his daily prowess he was cited several times in orders and was decorated with the Legion of Honor, and finally with an Escadrille de chasse, for thirty months his exploits were prodigious, and he always presented himself as a superb example of tenacity and audacity, displaying an arrogant contempt for death. Absent from the front several times because of crashes and wounds, his ferocious energy was not dampened, and he returned each time to the fray, with his spirit undaunted gaining victory after victory, finally becoming famous as the most feared adversary for German aviation. 31 enemy aircraft downed, three balloons flamed, two wounds, fifteen citations."
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By the end of the war, a succinct summary of Nungesser's wounds and injuries reads: "Skull fracture, brain concussion, internal injuries (multiple), five fractures of the upper jaw, two fractures of lower jaw, piece of anti-aircraft shrapnel imbedded [sic] in right arm, dislocation of knees (left and right), re-dislocation of left knee, bullet wound in mouth, bullet wound in ear, atrophy of tendons in left leg, atrophy of muscles in calf, dislocated clavicle, dislocated wrist, dislocated right ankle, loss of teeth, contusions too numerous to mention."
When the war ends, Captain Charles Nungesser is 26, and the third ranked French flying ace behind René Fonck and Georges Guynemer, in spite of his many wounds, accidents and physical disabilities.
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Some anecdotes:
In 1915 he does a bunch of wild flying over a nearby town, and many people complains.  The commander of the squadron tells Nungesser that if he was going to do aerobatics, do them over the German lines.  Nungesser jumps into his plane, flies to the nearest German field, and gives them quite a show.  He reports back to his commander, tells him what he did and is put under arrest again.
1916: during a flight, he runs out of ammunition and places himself in the middle of enemy planes, since they cannot shoot him if they risk hitting one of their own.
One of Nungesser's drinking buddies is Jean Navarre, another flamboyant ace. The two of them almost create the image of fighter pilots as handsome, reckless, hard-living, womanizing rakes. They dislike military discipline and enjoy Paris' many attractions as often as possible. Once, Nungesser is driving into Paris, amidst heavy traffic, when he spots his own aircraft heading that way. It is Navarre! He has borrowed Nungesser's airplane; he explains that his own has been shot up and that he "has forgotten what a woman looks like”.
On August 26, 1918 he gives his popularity a new boost by participating in the crossing of Paris by swimming, and, if he does not win the competition, asserts himself as the spokesman of the disabled veterans and attracts cheers from the public.
We still don’t know what really happened... but if he reached the land he was indeed the first man - with François Coli- to cross the Atlantic by plane.
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Even though René Fonck ended up as the French Ace of Aces, both Georges Guynemer and Charles Nungesser have enjoyed a greater popularity, due to their personality, the legend that quickly built around them, and probably to their disappearance up in the sky while they were world famous.
Sources:
Opérationnels SLDS 38 39 hiver 2018 Nungesser le Résilient, article de Romain Petit
David Méchin, "Charles Nungesser, la rage de vaincre", dans Le Fana de l'Aviation no 551 et 552 (octobre et novembre 2015)
Wikipedia, French and English articles
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ecoamerica · 23 days
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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krizaland · 5 years
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So im in love with your fanfics. Their all really fun to read and they make me laugh. I was reading your one based on into the zimvoid and its super cool. I had a thought that the evil boss zim from the first chapter (idk who he is i haven't read the comic yet sorry) would be like yandere zim and i find that a horrifying idea but i also cant stop laughing at how terrible a zim would be as a yandere
Thank you for your kind words, anon! I actually really like your idea. However, Enter the Zimvoid is heavily based on issues #46 and #47 of the Invader Zim comics. 
Unfortunately, issues #46 and #47 are parts of a four part story arc that hasn’t been completed yet. The third installment, issue #48, is said to be released on October 30th. 
Therefore, there hasn’t been enough information about Number 1 to properly write about him. Hell, we don’t even know what he looks like yet. He was just depicted as an evil shadow. So until the last two issues are released, I can’t really write anything for Number 1.
With that being said, I still love your idea! While I can’t exactly have Number 1 be our yandere overlord at this time, I can have Emperor Zim (From issue #12 of the Invader Zim comics) play the part!
Be warned: Reader will get kidnapped and Emperor Zim will get creepy! Yanderes are just creepy fucks in general. Especially if said yandere is in any position of power. Don’t worry, there won’t be anything too graphic nor anything sexual. However, there will be a major character death! Things will definitely get uncomfortable and possibly a bit disturbing. There will also be a ton of swearing. Be sure to have some tissues and some funny videos on standby.
Now with all of that out of the way, Onwards to the story!
Emperor Zim sat on his throne and let out a sigh. From an outsider’s perspective, it would be hard to believe the Emperor would be unhappy.  He had finally conquered the Urth! Everybody was literally bowing before him! Hell, even the Tallest finally respected him! Emperor Zim could have anything he wanted! 
Well almost anything.
He may have conquered the Urth but he could never conquer your heart. 
Even long before he became emperor, you always rejected his advances. He still couldn’t believe how you would much rather be with Dib than him!
It felt like no matter what he did, he would always lose to Dib!
Emperor Zim growled at the mere thought of you and Dib being even in the same room together, let alone in love.
Before he became emperor, Zim would always question what made Dib so special. Once he became Emperor, Zim was so certain you would finally see his superiority! 
Imagine his fury when you still had the audacity to reject him! He was the ruler of your home planet! You should’ve felt honored to even be considered to rule by his side!
As punishment for your defiance, Emperor had Dib executed and forced you to watch every painful second of it.
Needless to say, you were absolutely traumatized when you were forced to watch the love of your life die right in front of your eyes. You were helpless to save him from his fate!
“There! Now with the boy nuisance out of the way, we can finally be together!” Emperor Zim cackled as he sauntered towards you.
All you could do was sob as you fell to your knees. You could’t look the Emperor in the eye as he loomed over you.
“Stop sniveling, my sweet. You won’t need to worry about the FILTHY DIB-STINK anymore. Now we can finally be together.” Emperor Zim’s voice was a low whisper as he slowly tilted your head upwards to face him.
Before you could respond, Emperor Zim grabbed your face and crashed his lips onto yours.
You let out a few muffled yelps as his worm like tongue forced its way into your mouth. His worm like tongue quickly overpowered your human one as it invaded your mouth.
Emperor Zim let out a growly moan as he tasted every inch of you. Oh how long he had waited for this moment!
You tasted even better than he imagined! The Emperor savored every second until he needed to part for air. 
However, Emperor Zim didn’t get much more time to enjoy himself.
WHAP!
The Emperor’s bubble of euphoria was burst by your hand colliding with his cheek.
“How dare you! You forced me to watch the love of my life die and now you kiss me?! What the fuck is wrong with you?! You think now that my boyfriend’s dead that I’ll magically fall in love with you?!” You roared as you rose to your feet.
“Well I-”
“I got news for you, shithead! I will never. EVER love you! You’re the most disgusting, narcissistic, delusional, pathetic deranged lunatic I have ever met IN MY LIFE! You are too fucking stupid to take responsibility for your actions, so you blame everybody else for YOUR PROBLEMS! You wanna know why I chose Dib over you?! Because he isn’t a fucking douchewaffle LIKE YOU!” You roared as you loomed over him.
Emperor Zim was at a loss for words. All he could do was try to avoid your fiery gaze.
“I’ve only got two words for you: FUCK YOU!” 
Without saying another word, you slapped Emperor Zim again and ran out of the Emperor’s palace. 
Emperor Zim was left with his jaw on the floor and two throbbing pink handprints on the side of his cheek. 
After a minute of stunned silence, The Emperor’s shock melted into enchantment. He did not expect that to happen but...Wow! What a firecracker!   Emperor Zim never thought any human would dare defy him let alone try to fight back!  You were like a sublime force of nature! Emperor Zim had never seen something so terrifying yet so beautiful all at the same time! He purred as he rubbed the handprints that you left on his cheek.
Meanwhile, you didn’t stop running until the palace was nothing more than a speck in the distance.
Soon your legs begun to give out. You decided to hide out behind a dumpster to catch your breath.
As tired as you were, you knew the Emperor would, without a doubt, be furious with you! You had to find somewhere to hide! And fast!
After a few moments of searching, you came across an old abandoned warehouse.
What luck!
Without a second thought, you quickly rushed inside.
Inside the warehouse, you were surrounded by countless boxes upon boxes.
You opened a few boxes and found some dusty pillows, a slightly stained mattress and a somewhat tattered blanket.
It certainly wasn’t the most luxurious of sleeping arrangements but hey! It was better than sleeping on the cold concrete floor.
You dusted off the mattress, pillows, and blanket and tried to get as comfy.
After tossing and turning for a bit, you finally managed to fall asleep.
When your body slowly started to wake up, you noticed that your blanket, mattress, and pillows were a lot softer than they were before. At first you assumed that everything was just a horrible nightmare and you’ve woken up back in the comfort of your bedroom.
You opened your eyes and let out a gasp. You were not in your bedroom nor the warehouse. You were in a very fancy guest room. The sheets were purple and the duvet had gold trimming. A large shimmery canopy was draped over your bed frame. 
“Where am I?” You groaned groggily as you slowly sat up.
“Ah, you’re finally awake, sweet Y/N.”
You let out a gasp as your mind processed that familiar voice all too well.
No! It couldn’t be!
“Zim?!” 
“That’s Emperor Zim to you. At least for now anyway. Because soon you’ll just be calling me your lover!” Emperor Zim giggled as he drew closer.
“What the- How did you-”
“Bring you here? HA! That was soo simple, sweet Y/N! All I had to do was use your DNA to track you down!” Emperor Zim chuckled.
“How did you get- You know what? I don’t even wanna know.” You whimpered.
“Now then, let’s try this again, shall we?” Zim grabbed your face and whispered
“You belong to me.”
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kisskissbanggang · 4 years
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@starxblossom - entirely overdue, thank you for your patience
Alright below the cut is literally just me responding to some fic feedback by my darling Rae it is just
too long
to not put under a read more so move along
Let me set the scene: I woke up entirely too late this morning, spending the previous night - more appropriately, early dawn - mourning the fact that my laptop crashed in the middle of me playing Stardew Valley. Rolling out of bed, I knew what I planned to get done today, but after such a sour night, the ball got rolling pretty late. Nevertheless, I’m more than glad to be overly-opinionated about something, if only you still want to hear what I have to say - otherwise feel free to ignore this 😂
Barely bothering with an outfit, I merely threw on my fluffy robe, slipped on the pair of glasses that I need, yet refuse, to wear more consistently, and tied my hair up in that half-effort pony tail that I only wear when I have a long day of analysing to do. By this point, I have powered through four cups of English Breakfast (because I am trying so hard to kick my coffee habits), and I’m overdue for my fifth one. 
The sun sets quite fast these days; or maybe I’ve just been waking up too late. But by the time I’ve powered through most of the list - my reading device has signalled its need to be recharged so I decided to hold off on the last two on the list (Prowl and The Sabotage of Simkung House) for the following day - the sun has set and the street lamps glow orange within the misty winter evening. 
I’ve always liked your writing - still very much do. And for a long time, I can admit that I was envious of how well you can write, how well you understand your characters and their motivations, and how aware you are of what’s happening in the story from start to finish. I used to punish myself for not being nearly as good as you. I say all of this not to guilt you, but to express my humbled gratitude, that you would turn to me and consistently seek out my opinion. So I tried to be constructive, not just bombard you with well-deserved praises, but also see the work objectively too. 
SO let me set the scene. Over the past few months, I have sent you every single thing I write because I’m a glutton for feedback and validation, but also because I found something so touching and forward in how you found me in the first place. You came to me, said you enjoyed my work, only to find out that you’re a terrific and talented writer and human being in general in your own right? I value your take on all art so, so much, and I’ve figured I’ve been greedy on numerous occasions, but I also treasured your critique when it’s difficult to do that to a friend’s work.
So here’s where I’m at. I worked from home today, and this morning starts out fine enough until I deal with a very agitated client on the phone. I’m dour as I sip on the cold brew boba I made this morning in a fit of restless self-criticism, and check my inbox on a whim because I know I’m terrible at keeping up and see your feedback on not just one or two, but nearly EVERYTHING that you hadn’t caught up on yet.
As an added note, I also don’t wear my glasses nearly as much as I should. They spend much more time on top of my head than they should.
Now, shall we begin?
Standby
What I like most about Standby, and really all of your writings, is that it often calls to question, something of a moral dilemma. In Standby, the dilemma is clear, ‘is love allowed to exist in the professional work environment?’, but not just that, there’s also the factor of Chan being an idol and MC being a staff member. Already, there are plenty layers of politics(?) at play here - public vs private, media/celebrity status, gender inequality, etc. Looking over my notes [yes, I wrote physical notes as I read each piece lmao I have too much time now that I’m on semester break], I reserve so many high praises to Standby for constructing a story well, start to finish, and for highlighting the power play effectively through their physical relationship - the sex isn’t just thrown there, it’s an intentional device to shed light to the motivations and the personalities of these characters. It’s not just porn with plot, as you sometimes jokingly claim your writings to be, it’s porn and plot. I’d say other examples of this would be the Keep Away and Asking For It series. 
Playing on this same idea, I’m very fond of Chan and MC’s dynamic - the naive and the hyper-anxious, or better, the idealist and the realist. We’ve all been both at some point in our relationships, so I feel like it’s almost too easy to empathise with both, especially when the stakes are so goddamn high. And because these characters are so fleshed out - as in we understand what’s in it for them - every action and every progression in the story makes complete sense. Every twist has a logical resolution as a result of the reader being able to understand who the characters are. 
In saying this, I don’t know if it’s only because I didn’t re-read everything from the start, but I would love to know exactly why Chan’s in love with the MC, or why he thinks he is. Their relationship is so circumstantial(?), that one could easily strike Chan out as merely delusional.  I think there could’ve been some really interesting storyline about his vulnerabilities as an idealist with such a demanding occupation, or that despite being human his job doesn’t allow him to make mistakes. Perhaps that’s just the pessimist in me refusing to believe he could simply be so ardently in love with the MC in other areas besides their physical romance, but I would’ve loved to see you make room for more emotional confrontations - put the reader right in the thick mud of it all! 
Oh, and before I forget: HyunJae! Best side character I’ve read in a fic in a long while. Well developed and contributed to the story in so many, almost blink and you’ll miss it, ways. I especially love the gradual development of her relationship, going from mentor, to sisterly, to borderline parental. And that line about humanising her in the same way as when you first realise your parent is only human too - genius !!
Your points here on Chan’s development is so entirely valid and a great critique to point out. His motives aren’t fleshed out, and we can blame MC’s lack of seeking that out, but I know it’s really on me. If I dig in, I know I originally wanted Chan to find someone who was efficient and professional he was, but even more in control without being as controlling as other people in his life. She challenges him and keeps him on track when he’s very much in that position with his members on a regular basis. He feels comfortable with MC because he feels he’s seen a side of her she doesn’t really show much, and she’s willing to break those walls down to let him in and that really intrigues him and lights his fire, while also encouraging him to let someone else be in charge when he take a break from being leader for a little bit.
And Hyunjae is best girl. She was so fun to write, and I knew right away she needed a solid arc. It’s heartbreaking to feel like you outgrew a mentor, but if you’re lucky they can still be dear to you in some way.
Young Wings
When you said you wrote Young Wings with me in mind, I was more nervous than I was excited; what could possibly warrant such a level of affection? As an unfortunate result, I read this piece while constantly digging for the answer. Does she think I’d make a good stewardess? Am I this skeptical of cute boys? Oh my God did the pilot just die?! Anyhow, I kept being pleasantly surprised as the story progressed, as the characters are stripped back layer by layer, until they’re both literally naked. And soon enough, I figured out why you said you wrote this story with me in mind. You once mentioned - and I’m gravely paraphrasing here - that you saw me as a romantic, maybe even a hopeless one. I refused to believe the title, convincing myself that I have such a hardened heart [despite loving rom-com’s to a fault]. But no, you’re absolutely right, I’m an absolute sucker for romance. And Young Wings has such a beautiful high, a very warm glow of romance emanating from the two characters. They’re very human, very easy to like. And even though it employs a character dynamic of one being professionally above the other (like in Standby, Chan’s job is clearly a lot more essential that MC’s), it’s a softer approach, in a lot better lighting - Also, tangent, but thank you for addressing sexism in the Flight Attendant industry! 
And I can’t not point out this heartwarming quote:
“The terrifying thing no one told us growing up was that finding your ‘thing’ isn’t a finish line. It’s not like you find it and that’s it. A lot of times it’s more like goalposts. You have to keep passing them and sometimes there’s never a finish line, but you love it and that’s what matters.”
I’m not an active stan of Stray Kids, nor an active stan of Chan. But I very much fell in love with him in this piece!
I forgot what, exactly, was the precise impetus for having you in mind when writing this (aside from your astute recollection of my labeling you a hopeless romantic) and now I remembered! I believe at the time I wrote it you were going through a period of cold feet around school and a career path and general restlessness and apprehension that I remembered regularly suffering through when I was in school. In my own way, I woke up one day and didn’t feel at home in the skies anymore like the MC does. I keep three or four drafts going simultaneously at almost all times, so here I believe I was wrestling with Prowl pt. 3 and feeling a bit harried on the feelings there. I usually end up pivoting to a project with compared or contrasted feelings, so this is the warmth to Prowl’s cold. And you would make a cute flight attendant for what it’s worth.
To Those Who Wait
I’m not gonna lie, I thought this was set up to be a rom-com of sorts, I really did not think this would take such a tense turn. I really like the premise! Again, it’s such an interesting moral dilemma, having to choose between being stubborn or taking the high ground. Perhaps it was in how well the narrative is set up, that I, too, kept waiting for the curtain to be pulled and for Changbin to reveal some underlying plan. I was antsy, and nervous. And as a result, I really didn’t expect the oncoming series of events - I seldom read the warning labels, especially when I trust the writer and I know what kind of content I can expect from them. But this one really did take me by surprise. I love that, in revising the story, it really was all hinted from the beginning - the power play was clear from the moment the MC was introduced as this ball-busting office worker, and Changbin as the polite and reserved assistant - but I was so invested in hunting down the truth, and being disarmed by Changbin’s sickly sweet performance, that I completely missed the underlying motives of their actions/reactions. I also seemed to have made a note about wanting to see more of Changbin’s submissive nature through real life interactions - ie. he had never taken the train before, so in this situation, he was being guided by the MC - but I think that reaches too far over the line of where you intended to put/write this relationship; it’s more of a personal preference really. Anyhow, this was a thrilling read from start to finish - underlined by the fact that Changbin is my fave in Stray Kids ><
A CHANGBIN STAN WE LOVE TO SEE IT. I fell head over heels for Changbin’s IRL rich kid upbringing, like he really did come from this cushy background and he’s still so talented and capable, and I wanted a fun scenario to plant that into. Funny and thrilling was truly where I wanted it, and I do have this projected as a series to really explore this relationship and what, exactly, these two characters are waiting for. And I’m glad you were caught by Changbin’s reveal! It had to be something he was truly ashamed of and that MC would be bitter about for years but could ultimately forgive.
What You Don’t Know
Funnily enough, my first note is that this reminds me a lot of a friendship I had with someone. Even from the way it began - the unbelievably clever line: It’s not like you hated Jisung when you met him. It wasn’t like you liked him, either. Really, you didn’t anything Jisung - with Jisung and the MC going from strangers, to friends, to questionably more than friends. The bloom of their interactions reads so organically -probably because it mirrors my own experiences- even down to Stephanie’s interference. I really do like this one for a lot of reasons: it’s my favourite AU, it’s a setting that is real to me therefore I can vividly feel everything, and the stakes of the relationship aren’t so dire that it makes the pining so much worse, because you can’t justify the jealousy properly. And the dialogues between Jisung and the MC also reads so realistic, it’s not stiff nor vague. It cleverly reflects the stages of their familiarity, from unsure and stilted to playfully affectionate - this is why I’m so especially fond of the first time she tugs his hair, the tense change in the air, asking you if they just crossed a line or simply made the natural progression in their very fond relationship. ( Also don’t think that scene with MC and Chan in the car is just going to fly over my head missy, I need to know the history there! ) I like this for a multitude of reasons, all of which are deeply influenced by the fact that I’ve been in the MC’s exact shoes. The only difference being that I did not sleep with that friend, and his Stephanie made us stop talking to each other. Otherwise, this story made me squeal, 10/10 for realism!
Yes! Who doesn’t love a college au? They’re so easy to retreat back to. I was literally inspired by a joke in Scrubs (“I nothing you” is the line there) and built an entire scenario around that. The sub argument is an infamous embarrassing moment for me where I did, repeatedly, label one of our friends as a sub and definitely definitely definitely thought of how easy it’d be to prove it like the MC does and NOW IT’S WEIRD WHEN HE CALLS MY PARTNER TO HANG OUT ON THE PHONE ALL THE TIME. I think we’ve all had to deal with a Stephanie (I certainly have) but I hate that yours drove you away! I always thought this scenario was a little universal, but I didn’t expect it to be to that extent. Also, don’t worry, the Chan story gets explained down the line.
Au Pair 
I cannot stress this enough, but I love this!! The premise reads like a telenovela, with a quiet tension that can only be found when a scene is handled as expertly as you have. As a result, from the get go, I think I was just waiting for the trouble to kick in. I thought it would hit during the pool scene, or perhaps even the dining room scene when Carson refuses his food. But what I didn’t expect was for the first kick to not even include the MC, but rather just be something that she observed - classic telenovela ! I re-read that paragraph thrice because my jaw dropped. I knew something bad was going to happen, but I really didn’t expect it to be that! I know you wrote is as a oneshot, but I really would love to read more of this. I feel like it could have been fleshed out a bit more, really unpack the characters and their motives. I feel like I’m just getting a taster of something amazing here, something really dramatic and jaw-dropping. I’d also love to see things from Carson’s perspective somehow too! Something I’ve picked up during my babysitting days, very young children tend to subconsciously reflect a lot of a family’s conflicts. Carson is obviously smart, but he’s also a kid, and in a family structure like that with - as you said - a rotation of authority figures, I feel like he could have a lot to contribute, especially as a narrative device! Also I love your choice of mystery member! I think it makes complete sense, I really couldn’t see anyone else for the role, he’s a very fitting choice! I’m obviously fond of this one, it got me really invested, and - I’m not meaning this in a demanding way - I only wish I could read more of it. 
A telenovella I LIVE. I guess growing up with Days of Our Lives paid off. This is one of those readings I never expected but I’m thriving off of. I love a good turn of a character feeling like they’ve exposed themselves as a fool, and I’m glad it read well here. Carson IS smart and I love that idea of his perspective. At one point I did picture a small epilogue where Miranda steps up to the plate while the Mystery Member and MC run away and start a new life in San Francisco where he becomes head chef of a trendy fusion restaurant.
Exposure 
This made me incredibly nervous in the same way Surreptitious made my hands clammy. Because not only am I (a) a photographer who (b) will pass as a child given the right outfit and mannerisms, but © I know what it’s like to be asked to give up your artistic integrity in exchange for money or exposure (ba dum tsss). So this hits home a little too hard, especially that you made Doyoung the photographic subject rip. But I really really like this one too! It was thrilling in the ways I least expected it to be, this undercover adventure of being a paparazzi, and the active use of disguises to reflect an outward character that Jungwoo has the pleasure of, well, pleasuring himself to - which I think is what makes her last outfit in the story, the black ensemble, all the more interesting!
I also love seeing Jungwoo portrayed this way, that you didn’t entirely sacrifice his disarmingly innocent aura, but you also gave him a devilish streak - so faithful to how I personally imagine him. It’s a wonderful balance that kind of perfectly hits the middle ground, and makes him such an interesting and almost unpredictable character. And I love the MC in this, that she has an inner integrity that is undercut by the way she dresses as these multiple characters throughout the story - I think two two characters compliment each other well. She outwardly presents dynamism, while Jungwoo represents it more inwardly. So when they come together, it’s so masterful and I cannot peel my eyes away from them. I also really like that you didn’t make either one a dom or a sub, which only speaks so much more to that dynamic previously mentioned. It works so especially well, given what we know about these characters, and the non-stakes of their story arcs. I want to see more of this, but I’d also be really satisfied with where it ends. It leaves such a well-rounded note of camaraderie between the two characters, that in my head, I’m rooting for them to somehow end up together. 
I felt like I entirely punted this one across the finish line so I am FLOORED by your reading and response. I wanted to try something a little different and felt so, SO self-conscious the whole time I was convinced it showed, so I’m honesty surprised it was effective. I’ve had my own experiences as well with lying to get a job done, but my biggest goal was to challenge the Jungwoo Innocent Baby Boy narrative that the fandom likes to feed into, so I’m VERY glad that was effective.
I just realised that this is now over 2k long, so it’s a good thing that I’m finishing here. Like I said earlier, I’ll be venturing to read Prowl and The Sabotage of Simkung House tomorrow, so expect to hear from me again soon. Otherwise have a good night, or morning, depending when you read this, and thank you for writing such wonderful stories! Truly, you continue to impress me as a writer, and I’m humbled to be your friend.
So by the end of my first reading of these notes, I was pretty much in tears because I loved that you took the time to do this, to read my work that you are not obligated to and give me feedback that I am not entitled to. I love you to bits, Rae, and it stuns me that I found a friend on the other side of the sunset that I feel like I can confide in and look to for guidance. I hope you know how much you shine. ❤️
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totalvibration · 4 years
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55 Albums Released in 2019 That Splash Oat Milk In My Earl Grey
This year felt like slo-mo, a holding pattern and a fast-forward button stumbling towards unknown ends. I spent the early months in paternal bliss and sleep deprivation, caring for my newborn daughter, then spent the rest of the year running to slow down… to make the most of small moments with my family, to juggle that thing every lifestyle magazine calls the work-life balance, to know when I need help and being willing to ask for it, to making priorities with loved ones. 
Also, after years of oolongs and a staunch no-milk-in-tea-except-milk-teas policy, I started putting honey and oat milk in my Earl Grey, an old tea standby that's felt warmly familiar in colder months. Similarly, I dug my heels into familiar-to-me gnarly metal, deep drone and abrasive punk this year, uninterested in poptimist takes on indie-rock. In an effort to maximize more time with new family and less with bulls***, I leaned hard into my Viking's Choice column at NPR Music (which went weekly!) to shout out underground debauchery and beauty to anyone who would listen. 
Below are 55 albums (and a few reissues and archival releases) that hit me in different ways over 2019. No ranking, just links out to Bandcamp where available. They come paired with emoji because that's a thing I do on Twitter. 
See also:
Viking's Choice: The Year In The Loud And The Weird (my annual year-end episode of All Songs Considered)
20 Punk Albums Released In 2019 That Flip Eggs, Pick Up Chains
20 Metal Albums Released In 2019 That Bluurgh Over Sick Riffs
A nine-hour playlist of 2019 jamz 
But first, some stray thoughts:
Ta-Nehisi Coates' still-ongoing Captain America run has been extremely rewarding. A beloved superhero comes to terms with the line between patriotism and nationalism as Coates underlines that American progress often comes from reluctance. 
Daniel Warren Johnson's Murder Falcon spoke to me not only as a metalhead who loves cartoonishly kick-ass violence, but also as a dude with a tender heart… that final issue still gets me in the feels. 
Krzysztof Kieślowski's Three Colours is secretly a trilogy of movies about the loving, painstaking process of creation, specifically music. I'd never seen any of them until paternity leave (and a sleeping baby) gave me hours to binge long-neglected to-watch lists. In 1993's Blue, in particular, a composition mirrors the grief of Juliette Binoche in an exquisite performance. 
Tiny Desk concerts I produced for NPR Music in 2019: American Football (with a children’s choir!), Thou, Erin Rae, Carly Rae Jepsen (sort of), Jimmy Eat World and Mount Eerie (videos coming in 2020). 
There’s a gallery at Glenstone, a truly stunning museum experience, that’s literally just a room full of books, a sculpted wooden bench and a large window that looks out on the rolling hills of Maryland. I could spend hours there. 
The second season of KCRW's Lost Notes, hosted by Jessica Hopper, built episodes like albums, sequenced with eureka moments throughout. See: the story of a teenage Farsi New Wave sibling duo and a difficult and necessary reassessment of John Fahey through the women in his life.  
High Spirits (May 7, Atlas Brew Works) is such a force for good. Heavy metal singalongs about love, friendship and positivity. I feel like this band needs to tour with Sheer Mag to be fully appreciated by an unknowing audience. 
Has your baseball team ever won the pennant with the sleeping baby on your chest? So many silent screams of joy in our household as the Nats not only won the National League, but the whole dang World Series. I haven't lived in a city/state with a baseball team that's gone to the World Series since 1995. 
Circuit Des Yeux's Haley Fohr (Dec. 5, Hirshhorn) tuned her voice to feedback hum and the rest that followed felt like a wordless eulogy for 2019. I felt renewed by it. 
I can't think of a prettier song released in 2019 than "This Time Around" by Jessica Pratt. It is saudade whispered into the wind.
This was my Linda Ronstadt year. Heart Like a Wheel, Canciones de mi Padre, her records with the Stone Poneys — the Queen of LA, with a voice that both bursts out of and melts into dusk, softened the edges of long days with an equally adventurous and easygoing spirit.
�� Petrol Girls, Cut & Stitch: In 2019, it was crucial — life-affirming and -saving, even — to make your own noise. "This is the sound / It moves in our bodies / It passes through time / Brings what came before us," Petrol Girls' Ren Aldridge screamed at the top of a turbulent punk record filled with compassion. That boundless philosophy resonated with me this year — to listen and absorb more deeply, to excavate the traces of memory in music.
👽 Blood Incantation, Hidden History of the Human Race: Simultaneously exists in the gaping maw of death-metal tradition and the galaxy brain of its future. 
💾 Kali Malone, The Sacrificial Code: Seeks the solemnity of the drone in the pipe organ, but leans into the vulnerability pushed through the air.
🕹️ billy woods & Kenny Segal, Hiding Places:  An album-length self-excavation that crawls through moldy memories in a brutal poetry that is at times darkly funny but mostly wrestles with personal and societal truths that'll leave you touched, shook. 
📟 Holly Herndon, PROTO: One of our deepest thinkers went to the past to make music from the future. 
🚨 Rakta, Falha Comum: Creepazoid emanations from a subterranean plane.
🐣 Sunwatchers, Illegal Moves: Ecstatic protest music summoning the beauty and rage of Alice Coltrane, Sonny Sharrock, Rhys Chatham and Hawkwind. 
🏞 Bill Orcutt, Odds Against Tomorrow: The most engaging, radical, but surprisingly accessible solo guitar album of the year. Bill Orcutt's ragged-yet-tender guitar skronk gives shaggy texture to rapturous melodies.
🍕 Control Top, Covert Contracts: This hits some dance-punky Erase Errata sweet spots for me, but with the technical finesse of a power trio. 
🚟 Real Life Rock & Roll Band, Hollerin' the Spirit: Applies minimalist techniques to rumbling, dueling guitar histrionics with a reckless, but locked-in energy. Never woulda thunk American Football and Henry Flynt could hoedown together. 
🐠 Caroline Shaw & Attacca Quartet, Orange: Balances austere beauty with rumbling earth. Riveting music for string quartet. 
💥 Mdou Moctor, Ilana (The Creator): Where ZZ Top bombast, Black Sabbath riffs and Tuareg trance rhythms swirl into an acid-rock stomp. 
👑 Vagabon, Vagabon: Goes so many places, yet always returns home. 
🎭 JPEGMAFIA, All My Heroes Are Cornballs: A neon-freaked feast blasted in slow mo and fast forward all at once.
🌆 Denzel Curry, ZUU: Dude's a metal rapper without a metal band, but if he ever started one, I'm down 100 percent. 
💨 Whistling Arrow, Whistling Arrow: An avant UK supergroup of prepared guitar, violin, electronics and hypnotic percussion drinks deep of dark lagers and mossy earth.
🐸 101 Notes on Jazz: Things are getting hard around the boloney hole...
🐳 M. Sage, Catch a Blessing: Warm, fuzzy world-building from blocks of sound stretched and warped into a new nostalgia.
🚇 Mizmor, Cairn: Deliberate and patient in its annihilating pace; lumbering, yet regally melodic riffs echo into a chasm of feedback.
🌅 Takafumi Matsubara, Strange, Beautiful And Fast: Next-level grind from the Gridlink mastermind and friends. While No One Knows What the Dead Think picked up where Discordance Axis left off, Takafumi Matsubara shreds into the future.
🐎 American Football, LP3: A reunion that keeps on giving and growing. Impressionistic in its quietly bursting arrangements and attuned to the individual talents of its vocal guests, especially that stunning duet with Hayley Williams. 
🔋 v/a, Seitō: In the Beginning, Woman Was the Sun: This compilation does for modern Japanese women in experimental music what P.S.F.’s Tokyo Flashback comps did for the Japanese psychedelic scenes of yore. 
👗 Carly Rae Jepsen, Dedicated: Didn't hold together as much as I wanted, or play like E•MO•TION's late-night mixtape, but every time one of its singles popped up on a friend's playlist -- "Julien," "Want You in My Room," "The Sound" and especially the slow-burn synth-pop exhaustion of "Too Much" -- I'd think, "Carly Rae Jepsen is the Queen of the Song I Needed Right Now."
🌕 Rong, wormhat: Just bonkers. Boston's Rong channels the joyous chaos of Japanese punks Melt-Banana and the aggro skronk of Brainiac with a tad of Deerhoof's weirdo-pop hooks.
✊🏿 Sounds of Liberation, Sounds of Liberation / Unreleased Columbia University 1973: Free jazz and funk band deep in spiritual grooves. Killer performances all around, but such a trip to hear more from young vibraphonist Khan Jamal during his Drum Dance to the Motherland era. 
🐬 Great Grandpa, Four of Arrows: If Sixpence None the Richer made an emo record, but only had Return of the Frog Queen on the mood board. 
📳 Sarah Louise, Nighttime Birds and Morning Stars: One of my favorite guitarists right now. Digitally processes melodies and single notes in an electronic elation landing somewhere between Robert Fripp, Alice Coltrane and Terry Riley.
📮 Sarah Hennies, Reservoir 1: An immersive sound cycle in constant motion, a quiet rumble that slowly transforms in and out of a glorious clatter. 
👣 Psychedelic Speed Freaks, Psychedelic Speed Freaks: Munehiro Narita essentially picks up where High Rise left off, still plays the guitar like it's about to blow up. 
🍩 Town Portal, Of Violence: Most instrumental post/prog-rock puts me to sleep, but this Danish trio illustrates just how dynamic and sound-rich this music can be. 
🛀 Jim O'Rourke, steamroom 45: An electronic excavation from the deep abyss. The 37-minute "Sigaretstraat" is a master class in patience, dynamics and sublime dissonance.
🎀 Cristina Quesada, I Think I Heard a Rumor: Multi-lingual, ultra-chic dance-pop with super-smart synth arrangements. Think: Tiki drinks and mod dresses. 
⏹ John Luther Adams, Become Desert: Truly time-less music; as in, music without time. 
⏏ Julia Reidy, brace, brace: Late night, longform excursions that offer an alternate Blade Runner soundtrack with frenzied 12-string, fuzzy synth glossolalia and an Auto-Tuned bummer haze.
🚞 A Million Dollars, I Love Your Voice and I Love You: Weird and warped twee-pop that woulda headlined Silent Barn. 
📠 Priests, The Seduction of Kansas: Truth-telling and truth-seeking through a mangled disco haze and bleak New Wave romanticism. 
🏭 Werner Durand with Amelia Cuni and Victor Meertens, processions: Majestic drones capture an undulating wonder with enveloping somnolence.
🎳 Sheer Mag, A Distant Call: The denim-and-leather-jacket-wearing standard bearers of truly independent rock and roll double-downed on their sound, but opened their hearts a bit more. 
📒 Susan Alcorn / Joe McPhee / Ken Vandermark, Invitation to a Dream: Illuminates the flickering motions of exploration. 
😱 Serpent Column, Mirror in Darkness: Pitch-black metal chaos with forceful melodies twisted into the tableau. Honestly? Deathspell Omega but skramz.
🏅 Pernice Brothers, Spread the Feeling: Joe Pernice digs into his '80s record collection to return with some of his most delicately written, winsome guitar-pop in years and tons of one-liners: "Love is a shoeless charlatan, a silver-tongued huckster with a sadist’s lipless grin."
🍓 Kalie Schorr, Open Book: Whip-smart, hook-twanged country-pop raised on MTV2 pop-punk and Sheryl Crow. 
📀 Angel Olsen, All Mirrors: In a year where we lost Scott Walker, this felt like a torch passed from 1969. 
😪 Mount Eerie, Lost Wisdom pt. 2: Phil Elverum draws us in evermore, revisiting a beloved album, mode and collaborator (the remarkable Julie Doiron), and molding them into his ever-changing songwriting and circumstance. Contains the most tender couplet of the year, which I'll carry with me always: "If ever the bonfire that I carry around could warm you again / I will be out here in the weather for you glowing."
🙉 75 Dollar Bill, I Was Real: Serious hypno-grooves from these drone excavators. 
👢 Karen Marks, Cold Cafe: The early '80s artist behind the Sky Girl comp's broodiest track gets a few more songs of existential synth-pop and jangly post-punk. Just wanna put them on mixtapes for friends. 
🍻 Haunt, If Icarus Could Fly: Synthesizes an earnest, studied love for '80s heavy metal with tons of guitar harmonies and can-crushing anthems, yes, but also a ton of heart.
🍖 Bob Dylan, The Rolling Thunder Revue: The strangest, most mystical and wild Dylan persona in all of its face-painted glory. 
🌹 A Pregnant Light, Broken Play: Damian Master's endless creativity and shameless bravado coalesce into a rugged beauty. As always, riffs for days. 
🦄 Fire-Toolz, Field Whispers (Into the Crystal Palace): Clashes New Age synthscapes, clubby raves, jazz fusion and metal shrieks into an idiosyncratic master's pure creation.
🌇 Maria W Horn, Epistasis: Quiet, yet forceful acoustic elements are wrapped in the sinews of technology to blur composition. A stirring mix of icy string drones and minimalist piano. 
🐲 Soul Glo, The N**** in Me Is Me: Distills the rage and terror of living in America while being black with blunt force.
🍢 Mára, Here Behold Your Own: Snapshots of a time before parenthood rendered in garbled organ, ambient guitar loops and echoing lullabies. Felt this one deeply. 
🚙 The Go-Betweens, G Stands for Go-Betweens: The Go-Betweens Anthology - Volume 2: There's a live KCRW version of "Quiet Heart" that just absolutely destroys me. Deeply thankful for the presentation and preservation that's gone into these box sets. 
😈 Bat for Lashes, Lost Girls: A coming-of-age concept album about a teenage vampire gang that was somehow severely overlooked. Some of Natasha's most tender songwriting and a rich synth-pop world that'd make M83 jealous.
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dyker-farmer · 4 years
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More bro fic.... angst fodder kind content.
Take that can away if you can
I never see Shane works that don't go all in for romance nor explore the more realistic ugly parts of recovery, and I kind of crave That TM. So let me have at it too with the self-insert whump mumbo jumbo; no romo version.
Set post-8 hearts event- not 10, jesus-, Farmer Uidelsib is two years or so in, full house built and married to Emily. They/them pronouns, same as me.
Diverges from then on, Shane-centric from an outside POV for the most part.
I also put it on Ao3.
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A bitch bastard man and a bitch walk into a room... Chapter 1/2/3/4
"I think we should talk about this."
If the room was stifled before, this just causes the pin to drop, and the relative lull to shatter with it. I don't want a storm, but we can't pretend the sea's a slightly oversized pond if we want him not drowning in it- again, my mind supplies, unhelpful.
He's zoning out again, blurry eyes pointedly off me, preferring the turned-off TV.
Let's start easy. "Why did you come here, Shane?"
"I-I-" It sounds like an excuse building up and it bubbles out like a shaken can, "I don't- I shouldn't have-" he goes to up and leave, and we just can't have that.
I scrape my chair closer and grab his shoulder, same as before. Hopefully it's more placating than caging. "No, you should have. You did good. Seeking out, remember?"
He doesn't answer but stills.
"Like Dr.Campbell and Harvey said." I try again.
"Yeah… Yeah." Deep breathing. "I. Don't know." He searches for my face, not quite past the nose. I nod, ushering him on. "It's. Stupid." I frown and my eyebrow goes higher than before and he immediately doubles down. "I know- positiv' reinforchment and all that shit! But… It's hard." A tired hand wipes the most of moisture off his face, before it goes back to wriggle with the other on his lap. "It's so fuckin' hard. Didn't even last two seasons!-"
I cut him off. "Two seasons is a lot! One and a half too. Last time, you'd tried to go cold turkey on the spot. We know what that got us." Sea foam in the mouth and a shared cold in the early spring, on top of a Joja lawsuit. "Shit's hard, like you said. You lasted one and a half this time. Next time-"
"Why the fuck do you always think there's gonna be a next time."
This time, I still. My laidback demeanor mirror his, but so does the cold anger creeping in and tensing both our backs.
"Because. There is going to be a next time. And another after that. And another. Same way there's been next times before this one now."
What's left unsaid we don't touch.
All irritation floods from him like it's just pointless to keep it in anymore, and his forehead goes to thunk softly against the wooden surface he leaned on before. The table muffles his next words a little.
"I can't… keep doing that." I don't peep. "I can't keep rolling back down and then up and down, and up, and down. I- I just can't, Garcia- Uidel-"
"I'll drag you there." I shrug.
"But you shouldn't have to!" His voice raises and make the boards vibrate where his skin's still pressed. "You shouldn't have to-to fuckin'-" he sniffles, the following words drowned out in held-back sobs. "Fuck damn it, you- I said I- I wouldn't be a burden anymore!"
He's crying out loud now, open sorrow and no walls left. Out of all the things you could stick on the not-so amiable man sulking straight from bed to Jojamart to Stardrop Saloon to bed, you probably wouldn't think of "extreme scare of bothering anyone". Yet it's all here in how he collapses silently in the mattress, wake without a sound, keep his head down the whole time he crosses town, tries to merge himself in the fake-nice blue of the shelves at work, then corners himself right between the chimney and the bar on Emily's side, stuck in-between two sources of warmth that can never touch him unless he swings one way or the other. And he doesn't a lot, still keeping to himself strictly. You probably wouldn't think either of how dreamy he gets, hidden in his alcove but seeing everything from there.
When Harvey nerds out about classical, jazz and electro swing music down the bar to me, trying to catch me up on my fuzzy memories of arts history and the implications of breaking codes in the tempo and the leisure of each instruments; of how each note gets a specific response from the brain if done right, and can make up for caffeine deprivation in miraculous ways, when there are no more chances to push back the dread of midterms season at doctor school.
When Elliott, boisterous and drunk, arm-on-arm with an equally inebriated Leah, calls out to the whole place to hear out his latest soliloquy, and drags on the words too much, but with a voice that carries it well, all flamboyance and no limits, as his hair floats around him in a crown and he reigns over the room like a kind lion- Description all intoxicated words from your chicken man truly, not mine. I always get too caught up in the pendulum of Leah's braid and her crooked smile to quite appreciate his theatrics. But the recital rings clear, and everyone applauds the performance- because hey, you applaud a drunk guy showing off the prowess of not tripping a single word in a ten minutes tirade, but also because it really is that good! Everyone, even Shane, whose hands zipped to under his armpits the moment our eyes crossed and I met his pink cheeks with a clairvoyant smile.
Hey, what can I say. Dude's a sapiosexual. Hence why we'll never and cannot bang. That, and, uh, the being lesbian thing.
But all this is closed off and not for anyone to see behind see-through fogged windows, like those kitchen cabinets, when you can make out the piled plates all resting against the cold surface precariously, bound to crash and shatter the moment you open them.
It took a good wrecking ball of a fake-oblivious polite faced stranger and my incessant, hot pepper poppers-powered pestering, to even just crackles the glass.
The rest was all done out of his own volition. He can't see that because alcohol is a depressant, and guzzling it down leads to blurry concepts made softer always and pretty much lush in brain, and when he's off the thing, and that's rare, he instantly goes from not there to thinking he's everywhere, soiling everything and giving nothing.
His sobbing doesn't relent, and he whimpers issues of "trustworthy sack of shit", "not being worth the fucking shrink's money", "not being worth his aunt's troubles", "not being worth Jas". At some point he goes to grapple with his hair, and tugs brusquely once, then twice, then I have to reach for his wrist to make him stop, which he snatches back as soon as I make contact. But he doesn't grab anything to pull or pinch or punch again, so that's good. I stay on standby beside him, but don't touch him. He rasps more condemnations, struggles to breathe enough through the phlegm spreading in his respiratory system, and I start reenacting the steps to stop a hyperventilation in my head, and the first aid for choking, when he begins to cough violently, his entire frame upset with the movement.
He takes the tissue box i nudge with insistence toward him, and ends up spitting mouthfuls of mucus mixed with some bile in the basin under his feet. Most of it is clear and smells of fruits, not beer, so I'm not too worried. When I go to stabilize him by taking his shoulders, he grasps at my wrists to stop me- but let them stay here, while he clings. The tremors get to me now, and I remind myself that this is good, this is before the cliffs and him finding refuge to burst open, not glassily stare at the weeping clouds as he blabbers on the meaninglessness of his life.
This is… very alive.
I ought to be glad.
I let him come down at his rhythm, counting the pulses of his wrists as I feel mine numb with the blood circulation slowed down under his hold.
When he's back with a mind, I count to three, then let go. His arms flop back down, on his lap and hands dangling between his tighs. He blows his nose again.
"I'm so pathetic…"
"Yeah sure, and I'm a serial prom queen."
Instead of jabbing back and forth, we get interrupted by a soft mewling. Both of us turn to the door, that's opened slightly to let in Eryza, the pitter-patter of her paws on the stone flooring the only sound for a moment…
As we both stare in revulsion at her jaw, a single line of vomit dripping of it.
Shane puts his head down in shame, not even having the strenght to hide further.
"Sorry."
"Nah, 's okay. She's already trash, anyway."
Eryza edges closer and rapidly tour around our legs- going back to Shane's feet twice, her whiskers tickling his exposed ankles. Purring loudly, she completely ignore my chastizing as I threaten to make her diet periwinkle-based to counter-act her literal potty mouth, and she scampers to do who-knows-what in the rooms.
"Your vibes are rancid, do you hear me?? Rancid, girl!" I call after her. "I swear to Yoba, Shane, your aunt might as well have brought me a raccoon."
Turning back to him, I can see the short-lived humor of the situation was, well, short-lived. I sigh.
It's late. We're both tired. Tomorrow is sunday. It's cool. We've got time.
I don't sit back down right away. First, I put a hand down on the nape of his neck, that slides to the top of his scalp, right where he'd tug. My quota, remember?
He sniffles some, a few teardrops make their way to the planks, unheard. We stay like this for a moment.
He doesn't shake me off, but in the slow tandem his body takes, rocking lightly from back to forth, I can tell it's enough, for now.
I sit back down on my chair.
I lean on the hand I'd put in his dark purple strands before, smelling cedar wood and pine trees. I don't assume. My farm has plenty of those to stumble through. And even if he went back to the cliff, another time again. I do that too. With my own cliffs back at not-home, but close. There's a sense, in staring down what couldn't take you.
Like visiting a scene crime that you've narrowly escaped from. And pride too. And the thrill of asking- "what if again? What if this time?"- and okay, I can see why it'd be worrying to have him go there a thrice time on his own late in the evening.
But last time was fine, the one before was made fine, and he might need a bitch for a friend right now, but not a watchdog.
His forehead is back against the table.
Three fingers massage my temple. I don't know how much he'll even remember tomorrow, but it's worth the try, always.
"Shane, dude, look at me." He doesn't.
"Dude."
Still doesn't budge. I knock the wood lightly.
"Yo, punk, my eyes are up here." I joke.
He snorts, or maybe he sniffles, and his chin's now resting on the table, peering through the forgotten drinks to watch me. His hands are hidden, probably still clutching his midsection. If I went on a rollercoaster toasted, I'd probably look the exact same.
"I told you before that you literally couldn't be a burden."
He snorts for sure this time, derisive. I knock wood again. "Don't look away from me when I talk, young man. Rude ass punk."
"Bitch." He throws.
"Bitch bastard man." I send back. "Anyways, as I was saying. If I choose you're my dumb of ass to keep around, that's me, that's my decision. You can't burden me if I choose the hard mode package and roll with it. So stop it. I literally told you before, it's not about you not making efforts or burdening people, it's about people who want to deal with you, out of free will."
"Freaky."
"Oh shut up, you dramatic himbo wannabe."
"A what now?"
"Internet slang. Gotta admit you're closer to a dad bod type, but the energy's here, according to many."
He shuffles, self-conscious. "Y'don't need to remind me…"
"Oh hush you, you're perfectly fine. And Elliott would eat his dumb little lobster and pomegranate toasts off that belly if you'd grow out of your own shell and let him."
He sputters unintelligibly, red as a fecking pepper. Good. Flustered is better than self-depreciating.
But now he's pulled on his hood and the strings all the way out, and resumes to chanting me to fuck off, so that might be a good call for a break.
"I'm gonna change and clean up, you need anything? Do you think you'll go back to the ranch, or stay here for the night?" It's happened before, but you can count them on the fingers of one hand.
A long silence follows and I allow myself a quick look in the mirror. Yeah, we're skipping a shower tonight, but the simple hairbrush will not do. I look like a bird's nest that the birds fought in to know who'd keep the children when bird 2 takes off and bird 1 is left to mourn the empty space that'll never fill up the same again and the good times that won't be- wow, trauma lane much, not now, cowpal. First we buckle up our current rodeo. I walk back to the main room, now pajama-clad.
"I've got the beds for the possible kids up there, don't ask me why Robin put so many there, we're two people in a house, and I can lend you a Tee if you want."
He's anxious, chewing his thumb. "Emily won't mind?"
"She's out, sleeping at Haley's tonight. Girls' night and sisters catching up. It's important for her energy flow and karmic balance. Plus, you know she wouldn't mind, she likes you."
That makes him blush more, covering up the alcohol damage enough. I take note, but don't comment. Things for later. They pile up tonight.
"I- I can't go back to the ranch like this."
"You could. Marnie knows better than act as if you're doing this for fun, now. She'd have to understand. But you don't have to." I reassure him when agitated pupils jump up to me. Let's keep that ongoing panic attack at bay. "Either way, I won't mind."
I sit back. Stretch my arms between us. Catch his worrying hands into mine. Give him a squeeze. Tense appendages don't squeeze back, but don't pull back either. That's half a win. He stops torturing the poor things, and unfold with visible effort, like a crumpled up paper flower put on water. His head shakes, and I can't tell if it's conscious, him speaking with himself or trying to shake off a thought, or just a reflex. He visibly forces his shoulders to relax.
"I'm… not bothering you?" Righteous. Seeking vocal positive reinforcement, like a pro.
"Nope." I pop out the 'p'.
"... I think I'll, uh, stay for tonight."
My hands shoot into the air. "Woo! Sleepover, baby!"
I don't catch his hands curling back on themselves, trying to capture that leftover warmth in the late summer night.
--- to be continued.
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wetookanoath · 5 years
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*Literally ignores why this episode exists* So, La Llorona Special, this one got VERY long because apparently, I had a lot to say. So the rest is under the cut, but--
This is the worst preview in the story of forever, oh my God, what am I watching, what the fuck is this, what the hell. "Señora, yo no los conozco" FUCKING SAME, CURLY. I'M SO SORRY, LOVE. (My dogs were sleeping when I started this and they all stood and barked their asses off, the poor kittens ran into their little beds to hide behind their mom, oh my god)
Unpopular opinion: I don't like Ryan's facial hair in the sitting part, he looks like El Diablo, please never use that again. Though, I really like when he wears that t-shirt. Shane's cute, and fashion icon Curly is always the best dressed and better looking all around, ALWAYS.
"I'm half-mexican", I just love how he has been just straight up saying half-mexican lately, it waters my crops. Shane just staying there while these two latino icons talk, hjdnsjnksdjnkdnfr. Honey. Good white boy.
"I'm a shame in my family", bitch does that mean the rest of his family does talk spanish? He is the cousin that doesn't talk spanish, jndsinsdinefi. Y'all, just so we are good here: You don't need the language to be part of the culture. Your culture is yours, doesn't matter what you speak. As long as you feel it as part of you, your identity, your family, your place in this world, you belong.
Shane Madej is one of the few white guys I genuinely stan and I love him for staying there with his :D face while he heard these two exchange things about their culture. He is such a sweetheart wHO CAN PRONOUNCE SPANISH BETTER THAN RYAN????? Iconic.
"You know this, I'm a Boogara". How many times do you think Curly has fangirled over Ryan and the show? I honestly love that he was invited because he really is their biggest fan.
Shane saying he loves Curly? My shit. I love it. "But I'm thankful for you because every time I'm freaking out like you [Ryan], you'll say something and I'm like, Oh Thank God" I fucking love this. Also, Ryan trying to silence Curly, not wanting him to give Shane some validation, jdnsinkedneifn. HONEY.
I love Curly mentioning how all Latinx countries fight over the story because in reality, and if our research at Uni is still accurate and valid, this is a story that dates from pre-colonization but became widely know during the Colony and something we fail to remember is that the various Colonies sometimes took part in various areas that are now little or bigger countries. The New Spain was mostly Mexico, yes, but it was also part of Guatemala and so on. So to actually say "this is orginal from here", well that's like. Not gonna happen, lol.
Rude, Ryan. Chill.
Shane's 0: face at Curly's tía's tale is me listening to all the other world encounters I have hear during the long of my life since forever because I swear to God, there's no latino kid out there who doesn't have a tía or primo that saw something once.
Ryan is in so much pain listening to this, jnsdisndinsie. But look at him, remembering his tall counterpart is of polish heritage, and Shane knowing shit about it, ndsjwndjf.
Ah yes, la vieja confiable of telling your kids some angry spirit will take them if they don't behave. That's... the most latino thing I have ever hear Ryan say, lmao.
Shane saying he would run into the woman crying if they hear one to make sure she is real or not is like... Man, now I want them to fucking find her. Go find mama, kiddos.
I remember this from the thesis, this like "theory" that La Llorona could be connected to doña Marina. She is such a figure for our cultures, this woman put in a position of so much power even thought she didn't ask for it, that for many years has been seen as a figure of betrayal... that's another level and conversation for another day.
What Curly is saying of feeding the spirits by telling their stories is also such a thing from these lands. Who else has this belief of how you feed the spirits by believing in them?
"SEÑORA LLORONA, DEJA DE SER CHILLONA" CURLY NO FHDJNSBFJENFSUJENFU. I'M CRYING, OH MY GOD HDBNSHEJNF.
Ryan laughing at Shane saying "he said my name for sure!" djfniensfien FUCKER.
Seduce men??????? FEMME FATALE???????? WHAT THE FUCK????? NO????????
Shane and Curly wanting Ryan to show his biceps is a huge ass mood. "Why don't you show her your legs?" yes please. OH YEHA, THAT'S A THING THAT HAPPENED. ALRIGHT, I'M FINE WITH THAT. "No, no, no! It's too sexy!", Ryan are you okay?
"That's my girl Guadalupe, she's here. That's my girl, I'm happy she's here" I ADORE THAT CURLY IS A MARIANO. Like, part of being mexican is kinda believe or at least know the story of Maria de Guadalupe, and it makes me so fucking happy when other latinos also believe in her because what the story means to the people that was suffering during the Colony and specially to indigenous people in that time is something that is with us still, it's very present, very there, and it's really something to see. Like, no joking, even people who is not all that religious come to see the Manto and La Basilica because it's so iconic of our country and culture. If you guys ever visit Mexico City, get into a bus and drive to El Ajusco, you are not going to regret it. Say hi to mami Lupita.
"I'm not here to judge you, maybe he is here to judge you" "OF COURSE I'M HERE TO JUDGE YOU" I'm Shane.
"Can you hear that?" HOLY FUCK, THAT WAS CLEAR AS FUCKING FUCK BFDJNISNDFIRNFIR. RYAN'S FACE, HE IS PISSING HIMSELF, MY POOR CHILD. Shane's big laugh, oh my GOD, HE IS HAVING THE TIME OF HIS FUCKING LIFE. I'm so glad Curly is there to see that, lmao fjdfnjnsdrngfr. Awww, Curly saying thank you for that jdfnsndie. SAME.
Hello, Ryan's beautiful curly hair. Oh man, I love everyone's look in this one. Handsome boys, the three of them.
Shane's faces as the girl is speaking, I love how resposive he is and the fact that he doesn't say shit even if he obviously doesn't believe in it. Curly saying how we just know it's her? True, lmao. I have never had such experience, but every single story I hear, they just know. She's our Boogieman!
"Oh, this is where I'm going to lose it later?" "Your virginity?" WHAT THE FUCK SHANE, WHAT DOES THAT EVEN HAS TO DO WITH THIS?JFDNFDIDNFIR DID YOU LOSE YOURS ON A PUBLIC PLACE, HOLY SHIT JFDBFNIWSNDFIR.
Did Ryan just joked about having sex with both of them? LMAO, their laughs jdfnuenjf. Also, Ryan looks tiny with these two, someone get him highheels.
"This is a place were you get your children if you hate them" honestly, who does a park in a place that says has a spirit that steals children?! JDNSKAMSDKFD
Ryan having a picture of Shane as a child is everyting I care about now. Also, "we can of look alike! BEST BUDS!" Oh god, they look so freakin' adorable in those pictures, baby Ryan is the cutest fuking tihng in the world, I'M CRYING.
Curly and Shane in the swings is so cuteeeee. "Shane, what if we pretend we are children?" "Okay" I wonder, do they ever stop to think about their brilliant ideas to attrack spirits and realize, "Hey, are we like high or something?" "Don't think so, man" "UHM!". I just love that Shane just went, "okay" and also how softly Ryan asked that, they are cute af.
Did Ryan just said he wanted to push Shane on the swing? So. You just wanted to... you know what, valid.
"Look at this big, tall firned of mine!" Ryan, honey...
Curly's face as they are doing their bit, jdnfisnfijdfirjfir. Same. "Push your friend Curly, too" AWWWWW.
Curly talking to la Llorona is how I would go searching for ghosts. And these boys in the car, they look so cute. It was a good day for everyone's handsomeness.
SHANE WANTING LA LLORONA TO KILL HIM, IT ME.
... Ryan knowing exactly what Shane was going to do? Fucking magnificent. Ryan sounds so fond while saying "He's gonna move to his old standby of asking La Llorona to murder him", goddammit. "Sweet Curly" JDNSINWMSINFRINFGR. "The timid man" awwwwnnnn.
"I tried to appeal to that lady's interests but she wasn't having it" jdnfsjensfineifnir.
And of course Shane also knows perfectly what Ryan is doing during his solo walk. Oh man. I love them. Thank you for this, Curly. Did Ryan just said "ninios" jdnsindmfif.
"The Ghoul Boys prevail again" "This time" jfdbnsuwsndjeknfie, CURLY NO LES ECHES EL MALEFICIO JDFNDSDNINF.
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