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insanityclause · 17 days

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EXCLUSIVE: One year ago we told you that a second season of John le Carré adaptation The Night Manager was quietly being developed under the codename Steelworks.

Now, Deadline can reveal that the BBC and new co-pro partner Amazon have gone big on a supercharged two-season order of the thriller, with Tom Hiddleston returning to lead, Hugh Laurie coming back as EP and with a new director in I Hate Suzie’s Georgi Banks-Davies. A third season has also been greenlit. David Farr returns as writer and Stephen Garrett is showrunner.

The Night Manager Season 2 will begin filming later this year and will pick up with Hiddleston’s Jonathan Pine eight years after the explosive finale of Season 1, going beyond the original book, which was written by the celebrated British writer in 1993. Additional plot details are being kept under wraps and there is not yet confirmation as to whether EP Laurie’s Richard Roper, who was last seen in the back of a paddy wagon driven by arms buyers who were not best pleased with him, will return to star. Hiddleston will also EP and will discuss in more depth on tonight’s Jimmy Kimmel Live!

Produced by The Ink Factory in association with Character 7, Demarest Films and 127 Wall, and in co-production with Spanish partner Nostromo Pictures, The Night Manager Season 2 was sold to Amazon by Fifth Season. The first was co-produced with AMC.

New director Banks-Davies, a BAFTA-nominee who takes over from Susanne Bier, has credits including I Hate Suzie, Garfield and upcoming Netflix series Kaos.

The Night Manager Season 1 was a huge success, watched by millions and winning multiple BAFTAs, Emmys and Golden Globes including best actor for Hiddleston. Also starring Tom Hollander, Olivia Colman and Elizabeth Debicki, it followed Pine – who ran a luxury hotel in Cairo – as he attempted to infiltrate the inner circle of Roper’s crime syndicate after being hired by Foreign Office task force manager Angela Burr.

The first season was commissioned more than 10 years ago and the show has since been remade in India, lapping the UK version by swiftly having a Season 2 greenlit for Disney+ Hotstar in May last year.

Simon Cornwell and Stephen Cornwell, le Carré’s sons who run The Ink Factory, said Season 1 proved “a landmark moment for the golden era of television – uniting on-screen and behind-the-camera talent at the top of their game – and an audience reception which was beyond our wildest imagining.”

They added: “Revisiting the story of Pine also means going beyond the events of John le Carré’s original work: that is a decision we have not taken lightly, but his compelling characters and the vision David has for their next chapter were irresistible.”

Amazon MGM Studios Head of Television Vernon Sanders said: “We are elated to bring additional seasons of The Night Manager to our Prime Video customers. The combination of terrific source material, the wonderful team at The Ink Factory, a great writer in David Farr, an award-winning director in Georgi Banks-Davies, as well as the talented cast truly make the series the full package.”

Hiddleston said: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.”

BBC content boss Charlotte Moore added: “After years of fervent speculation I’m incredibly excited to confirm that The Night Manager is returning to the BBC for two more series.”

The Night Manager series two is created and executive produced by Farr, based on the characters created by le Carré. Additional executive producers include Garrett for Character 7, Banks-Davies, Laurie and Hiddleston; Joe Tsai and Arthur Wang for 127 Wall; Stephen and Simon Cornwell, Michele Wolkoff, and Tessa Inkelaar for The Ink Factory; Adrián Guerra for Nostromo Pictures; William D. Johnson for Demarest Films, Nick Cornwell, Susanne Bier, Chris Rice for Fifth Season and Gaynor Holmes for the BBC.

#tom hiddleston #the night manager #seasons 2 and 3 #official #jonathan pine #hugh laurie #booked and busy

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cuubism · 2 years

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actor hob, and pretentious asshole film director dream

[ this got so long and so weird and specific i'm so sorry ]

so hob is an everyman actor. a good actor, charismatic, funny, fan favorite, but not the type that gets cast in highbrow art films. mostly he does like romcoms, mid-budget action movies, feel-good family films, etc etc. and he's totally cool with that, he's good at what he does, and people enjoy those films, anyway. he might be getting a bit bored though, a bit stagnant. might be thinking it's time for some reinvention. and there might be a certain director whose ridiculous and nonsensical but dreamy films he's particularly enamored with...

dream makes REALLY pretentious art films. the types that get studied in graduate level film classes and have fifty different academic papers with fifty different theses trying to puzzle them out. dream is a master of themes and images and subtle construction. he is also a COMPLETE asshole and impossible to work with, an auteur in the most stereotypical way possible, he writes and directs, he micromanages all his projects, he asserts his vision and god help anyone who goes against it. nobody can handle him, nobody can STAND him, and the only reason he still gets funding for these projects is because they win awards, so many awards, and the studios want to ride on the coattails of those awards. but it's getting to the point where even his most ride-or-die producers are ready to give up.

right off the back of dream's most recent bafta, a rather naive Big Exec approaches him to direct the next installment of his Big Superhero Franchise. dream is immediately like fuck off with that bullshit but the exec pleads with him that the franchise is flagging and they really need something new to spice it up. plus the pay will be enough for dream to finance like 10 of his own ridiculous art films without having to rely on producers for money. and dream really is about to get cut off for being a complete insufferable asshole so he takes the gig. it kind of feels like prison though.

anyway, he gets to work trying to make this shitty boring film at least marginally less shitty and boring. he doesn't have a lot of leeway -- a lot of the story is locked in, half the cast is set from prior installments etc. dream immediately regrets taking this job, he'd rather die in actual prison than work on this mindnumbing piece of trash. it feels like it's taking an eternity and who could possibly stand an eternity of this???

well. enter hob, whose agent managed to snag him a 2nd-lead sort of role in this thing. it's not QUITE the reinvention he was going for but the pay and exposure are really good -- and even if they weren't, the moment hob saw that dream was attached he was immediately on board.

cue dream tearing his fucking hair out and basically being a complete menace and diva on set -- no that wasn't good, yes we have to do a 57th take, oh my god this dialogue is horrible give me that shitty script i'm writing my own thing, what do you mean the plot is linear???, wait there are how many cgi aliens????? i'm going to kill myself -- and Hob, pretty much Just Happy To Be There as always, takes one look at this beautiful dramatic emo asshole and is like oh. yes. i don't know what i'm saying yes to, but i'm saying yes. just immediately enamored with this bitch against all logic, he's like i've seen all your films i know how your mind works you brilliant nihilistic mess of a person. i'm on board. let's go.

first scene that hob's in dream is once again ranting about the atrocious script, which he did not write and is hardly allowed to change -- or, every change he makes is too weird and the studio keeps nixing it. everyone keeps sighing and being like oh my god can we please just shoot i wanna go home, meanwhile hob's like alright then. let's workshop it. and dream's just like. what. you aren't just gonna tell me to shut up? and hob's like no, youre right, this script is trash, but i know you're just going to write something really weird and psychedelic that they won't let you shoot. and dream's like you dare to speak to me that way??? and hob just puts his hands on his hips and is like listen, i actually know more about this sort of general audience family film thing than you do, mister arthouse, so are you going to work with me or not? and dream's just like what... is happening... because usually people who try to 'handle' him either just cave to his every demand like wimps, or just fight him on everything to 'prove' that they're in control, and hob is just kind of... not doing either of those? anyway dream doesn't know what to do with him.

so they workshop it. turns out hob actually DOES know how these sort of general audience all-follow-the-same-three-act-structure films work and how to improve things within those confines, and also he understands what like, normal people like, you know, casual feel good movies, not everything has to be a mindbender, jesus. so they bounce ideas off each other for like 3 hours until they finally get something that's okay enough that dream no longer wants to fling himself into the sun. meanwhile everyone on set is staring at them like 👀. then dream is like come back to my trailer we are rewriting the other 116 pages of this script right NOW. what else is hob supposed to do but follow.

then hob becomes the designated Dream Handler on set. dream starts using him as his barometer for what 'normal people' would like because he does not understand that at all. ("hob, will 'people' accept this?" "well considering youre spinning the camera around on a string i'm gonna go out on a limb and say no"). dream becomes kind of obsessed with him because his life is so like, normal, and he's okay with it?? he doesn't find existence to be an insufferable prison from which there is no escape?? and hob is like aw i know you're such a tortured artistic soul *pats him on the head*. plus, hob is actually a good actor, and he's able to put a lot of heart into even this mediocre big budget film, and kind of forces dream to confront the idea that there's more than one good type of story. that different stories serve different purposes and a straightforward happy story is okay, actually.

(and that the problem is the corporatization of the storytelling, not the story itself)

anyway the movie ends up being pretty good, dream still kind of hates it because he wasn't given full artistic license but he has to grudgingly admit that it has at least some merit. after the premiere hob is like (cheekily) so you gonna direct the sequel? and dream is like i did not write that to have a sequel. and hob's like it has a cliffhanger? and dream's like so???? and hob's like well theyre definitely gonna make a sequel. and dream's like i hate this planet. also no i'm not going to make the sequel. i'm going to fuck off to the woods and make a movie about teeth. do you want to star in it? and hob's like you're so fucking weird i'm obsessed with you i'm going to kiss you now.

so yeah, that.

#dreamling #the sandman #just chuckin aus into the void cuz who knows if i'll ever actually write them #sorry this au became insane XD #it got SO much longer and more meandering than i was aiming for i just wanted to write a little 2 paragraph summary LOL #then it grew several legs #long post #anyway dream doesn't have a 'full name' in this btw he just directs under Dream like he's beyonce or something 😂#you can think of dream as sort of like ingmar bergman or luis bunuel #and hob is like. mark ruffalo. so you can try to imagine that dynamic if you wish XD #sort of inspired by the way art film directors keep getting roped into directing marvel and disney films for some reason??#my writing

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denimbex1986 · 2 months

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'What a night at the Bafta film awards. And we're not just talking about Oppenheimer picking up the most prizes.

David Tennant brought a dog, Barry Keoghan showed his love for Sophie Ellis-Bextor and our favourite US star Da'Vine Joy Randolph cracked on to Chiwetel Ejiofor. We're here for it...

...best supporting winner Downey Jr said he owed his award in part to Oppenheimer director Christopher Nolan's "British sensibility".

Shout-out to the Oppenhomies

Best actor winner Cillian Murphy probably made his teenage sons cringe when he thanked his "Oppenhomies" in his acceptance speech but we loved it.

He's the first Irish-born performer to win a best actor Bafta and said, "I'm a really proud Irishman, it means a lot." He added: "People have come up to me on the street and said they've seen the film [Oppenheimer] five, six, seven times... it's very humbling... and it's been a brilliant year for cinema."

At three hours long, six or seven times might be just a bit too much.

Tennant triumph

Host David Tennant was an all-round success this year, with his natural enthusiasm proving infectious and a genuinely funny script. And how many men could get away with a combo of kilt, sporran and sparkly epaulettes?

He also brought a DOG to the Baftas. Bark Ruffalo, geddit? Loving the canine theme this awards season. We're only just getting over the dog from Anatomy of a Fall rocking up to the Oscars luncheon last week.

Tennant also had fun with the Barbie crew, introducing "the ugly corner" as the camera panned to gorgeous pair Margot Robbie and Ryan Gosling in the audience. Signing off the show with "Come on Barbie, let's go party" was also a highlight...'

#Oppenheimer #Barbie #David Tennant #Ryan Gosling #Bark Ruffalo #Margot Robbie #Cillian Murphy #Robert Downey Jr.#BAFTAs #Da'Vine Joy Randolph #Sophie Ellis-Bextor #Christopher Nolan

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aliveandfullofjoy · 1 year

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95th Academy Awards: Oscars Trivia!

Another torturously long awards season is over! A24's highest-grossing film ever, Everything Everywhere All at Once, defied almost every piece of popular wisdom about the Academy Awards and easily cleared every hurdle in its path to a blowout, historic Best Picture win.

As you probably know, I'm a sucker for Oscar trivia, and this year has plenty of juicy nuggets to dig into. Let's get to it, starting with our newest Best Picture winner.

Everything Everywhere All at Once is the third film in Oscar history to win three of the four acting categories, after A Streetcar Named Desire (1951) and Network (1976). All three films won Best Actress and Best Supporting Actress. Everything Everywhere All at Once is the only film of the three that managed to win Best Picture.

Michelle Yeoh is the first Malaysian actress, first Asian actress, and second woman of color to win Best Actress. This is only the thirteenth time that Best Actress and Best Picture have overlapped in the 95-year history of the Oscars. Yeoh's nomination made her the first Asian actress nominated for the award since 1935. The only other is Merle Oberon, who hid her Asian identity in life and passed as white.

Everything Everywhere All at Once is the first science-fiction film to win Best Picture.

Everything Everywhere All at Once is the first Best Picture winner with a woman of color (Michelle Yeoh) in the lead role.

Having opened in theaters in late March 2022 (the same weekend of the 94th Academy Awards), Everything Everywhere All at Once is the Best Picture winner with the earliest calendar release since The Silence of the Lambs, which opened Valentine's Day 1991.

Everything Everywhere All at Once is the third Best Picture winner with a majority non-white cast (after 2016's Moonlight and 2019's Parasite) and the first American film with a majority Asian cast.

Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once) are the third directing team to win Best Director, joining Jerome Robbins and Robert Wise (West Side Story, 1961) and Joel Coen and Ethan Coen (No Country for Old Men, 2007). Kwan is also the fourth Asian director (and first Asian-American) to win Best Director.

Everything Everywhere All at Once is the first movie in 95 years of Oscars history to win six(!) so-called "above the line" awards -- referring to Best Picture, Director, the four acting categories, and the two writing categories.

Everything Everywhere All at Once is the first film to sweep the four primary guild awards (Producers Guild, Directors Guild, Writers Guild, and Screen Actors Guild) since Argo (2012), and only the fifth overall.

Some crazy coincidences between Michelle Yeoh and her Best Actress presenter Halle Berry: in addition to currently being the only two women of color to win Best Actress, they are also both former Bond girls (Yeoh in Tomorrow Never Dies [1997], Berry in Die Another Day [2002], both with Pierce Brosnan). Additionally, both women are former contestants of the Miss World pageant: Berry represented the United States in 1986, while Yeoh represented Malaysia in 1983. Also, in a weird case of history rhyming, both Berry and Yeoh won over a previous Oscar-winner in a film directed by Todd Field (Sissy Spacek in In the Bedroom in 2001, Cate Blanchett in TÁR in 2022).

With four wins, All Quiet on the Western Front tied with Parasite (2019), Roma (2018), Crouching Tiger, Hidden Dragon (2000), and Fanny and Alexander (1982) as the most-rewarded non-English language films in Oscars history.

This is also the second time that Cate Blanchett has won a Golden Globe, a BAFTA, and a Critics Choice Award for a performance, only to lose the Oscar to the lead of the Best Picture winner. The other time this happened was the year another comedy won seven Oscars: Shakespeare in Love. Blanchett, who was nominated for Elizabeth that year, lost to Gwyneth Paltrow.

TÁR brought Blanchett her eighth Oscar nomination, tying her as the fourth most-nominated actress in Oscar history. Only Bette Davis (10), Katharine Hepburn (12), and Meryl Streep (21) are ahead of her.

TÁR is only director Todd Field's third feature (after 2001's In the Bedroom and 2006's Little Children), but all three of his films have gotten Best Actress nominations for their leads.

Blanchett has also extended her record as the Oscar-nominated actress with the most appearances in films nominated for Best Picture. With TÁR, she has now appeared in 10 Best Picture nominees.

Tom Hanks (who turned in one of the weirdest performances ever caught on film in Elvis) also crossed the 10 Best Picture appearance threshold with this year's nominations. The only nominated actor with more Best Picture appearances is Jack Nicholson, who's been in 11.

This year's nominations saw a record-breaking number of Asian actors nominated: Yeoh in Best Actress, Ke Huy Quan (Everything Everywhere All at Once) in Best Supporting Actor, and Hong Chau (The Whale) and Stephanie Hsu (Everything Everywhere All at Once) in Best Supporting Actress. Yeoh and Quan won, marking the first time multiple Asian actors have won in a single ceremony.

Hong Chau (The Whale) is the first Oscar-nominated actor to be born in a refugee camp.

This year also saw a record number of Irish actors nominated in a single year, with five: Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) in Best Actor, Brendan Gleeson and Barry Keoghan (both from The Banshees of Inisherin) in Best Supporting Actor, and Kerry Condon (again, The Banshees of Inisherin) in Best Supporting Actress.

It was a banner year for Ireland in other categories, too, with nominations in Best Live Action Short (An Irish Goodbye, which won the award) and in Best International Feature (The Quiet Girl, the first Irish-language film ever nominated for an Oscar).

With his win in the Supporting Actor category, Quan became only the second Asian actor to win that award, joining the late Haing S. Ngor, who won for his debut performance in The Killing Fields (1984).

All five of the nominees for Best Actor -- Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), and Bill Nighy (Living) -- were first-time nominees. This is the first time this has happened in this category since 1934(!!!).

It was a huge year for first-time nominees across all four acting categories: 16(!) of the 20 actors nominated were first-timers. This is the most ever in a single year. The only actors with previous nominations were Cate Blanchett, Angela Bassett, Judd Hirsch, and Michelle Williams.

Jamie Lee Curtis (Everything Everywhere All at Once) is the third person to be nominated for an Oscar after both of her parents were nominated as well: her father Tony Curtis was nominated for The Defiant Ones (1958), while her mother Janet Leigh was nominated for Psycho (1960). The other sets of nominated parents and children are Liza Minnelli (with parents Judy Garland and Vincente Minnelli) and Laura Dern (with parents Diane Ladd and Bruce Dern). Minnelli, Dern, and Curtis all won acting Oscars.

With his performance in The Whale, Brendan Fraser became the first person to win Best Actor for a film not nominated for Best Picture since Jeff Bridges in Crazy Heart (2009).

This is also the first time since 2005 that all four acting winners were first-time nominees. Additionally, none of the four acting winners won in their category at the BAFTAs, which has never happened before.

With his Best Supporting Actor nomination, Judd Hirsch (The Fabelmans) broke the record for the longest gap between acting nominations: he was last nominated 42 years ago for Ordinary People (1980). The record previously belonged to Henry Fonda, who had a 41-year gap between nods.

In addition to being the first actor ever nominated for a performance in a Marvel movie, Angela Bassett (Black Panther: Wakanda Forever) also became the fourth Black actress to be nominated more than once. She joined Viola Davis, Whoopi Goldberg, and Octavia Spencer.

The Fabelmans is the first movie to win the Golden Globe for Best Picture - Drama to go home emptyhanded at the Oscars since The Turning Point (1977[!]). In fact, this is the first time ever that both Golden Globe Best Picture winners (The Fabelmans in Drama, The Banshees of Inisherin in Comedy) went home with zero Oscars.

2022 had some other similarities with 1977, too: this was the first year since 1977 that two films (Everything Everywhere All at Once and The Banshees of Inisherin in 2022, Julia and The Turning Point in 1977) got four individual acting nominations. Both years saw comedies win Best Picture and Best Actress (Annie Hall in 1977), and both years had a sci-fi blockbuster nominated in Best Picture (Star Wars and Avatar: The Way of Water).

Ana de Armas (Blonde) became the second actor nominated for playing Marilyn Monroe, which is more Oscars than Monroe herself was ever nominated for. She was nominated in Best Actress alongside Michelle Williams (The Fabelmans), the other actress nominated for playing the star (in 2011's My Week with Marilyn).

De Armas also became the fifth Latina nominated for Best Actress, joining Fernanda Montenegro, Salma Hayek, Catalina Sandino Moreno, and Yalitza Aparicio. She is also the second Cuban actor ever nominated, after Andy Garcia.

With her win for Black Panther: Wakanda Forever, legendary costume designer Ruth Carter became the first Black woman to win two Oscars — ever.

Only Austin Butler and Ana de Armas were nominated for playing historical figures this year. Weirdly, both Elvis and Blonde feature actor Xavier Samuel in small roles. What does it mean?

At 34 minutes long, The Boy, the Mole, the Fox and the Horse is the longest Best Animated Short winner ever.

In addition to being the first song from an Indian film to be nominated for and win the Oscar for Best Song, "Naatu Naatu" (RRR) is the fourth non-English language winner of that award, after "Never on Sunday" (1960, originally performed in Greek), "Al otro lado del río" (2004, in Spanish), and "Jai Ho" (2008, in Hindi, Urdu, and Punjabi). "Naatu Naatu" is in Telugu.

It was the year of the sequel: between Avatar: The Way of Water and Top Gun: Maverick, this marked the first time multiple sequels were nominated in Best Picture in the same year. Black Panther: Wakanda Forever and Glass Onion: A Knives Out Mystery also received major nominations.

Avatar and Top Gun also marked the first time since 1982 that the two highest-grossing films of the year were both nominated for Best Picture.

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moodboardmix · 1 year

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youtube

Ryuichi Sakamoto (January 17, 1952 - March 28, 2023)

Professor Sakamoto was one of Japan’s most successful musicians, acclaimed for work in Yellow Magic Orchestra as well as solo albums and film scores.

As a member of Yellow Magic Orchestra alongside Haruomi Hosono and Yukihiro Takahashi, Sakamoto created joyous and progressive electronic pop in the late 1970s and early 1980s, alongside solo releases. He acted alongside David Bowie in the 1983 film Merry Christmas, Mr Lawrence and composed its Celebrated theme, the first in a series of film scores including Oscar-winning work in 1987 with David Byrne and Cong Su for Bernardo Bertolucci’s The Last Emperor.

Alongside YMO, Sakamoto continued releasing solo albums including 1980’s B-2 Unit, another influence on the robotically funky sound of electro that also foreshadowed other dance music styles. After focusing purely on solo work, he forged further connections in the west, collaborating with musicians including Iggy Pop, Robert Wyatt, Laurie Anderson, David Sylvian and more. Sylvian contributed Forbidden Colours, a vocal version of one of Sakamoto’s most famous works, the theme to second world war drama Merry Christmas, Mr Lawrence. Sakamoto also starred in the film as a prisoner of war camp commander.

Following The last Emperor (in which he also had an acting role), he collaborated with Bernardo Bertolucci again for The Last Buddha, and with Merry Christmas, Mr Lawrence director Nagisa Oshima for Gohatto. He also scored two films by Brian De Palma (Snake Eyes and Femme Fatale), plus Wild Palms for Oliver Stone, High Heels for Pedro Almodóvar, the 1990 film adaptation of The Handmaid’s Tale, and more. His 2015 score for Alejandro González Iñárritu’s film The Revenant was nominated for Golden Globe, Bafta and Grammy awards. In 2019, he composed the music for an episode of dystopian TV drama series Black Mirror. He took no further acting roles, aside from appearing as a film director in Rain, a music video for Madonna.

Mr Sakamoto released a steady schedule of solo releases throughout the 1990s and onwards, and wrote a piece for the opening ceremony of the 1992 Olympic Games in Barcelona. In 1999 he debuted the multimedia opera project Life, in collaboration with artist Shiro Takatani with contributions from Bertolucci, Pina Bausch and more. He and Takatani extended the concept into installation work from 2007 onwards.

Also in 2007, he began the ambitious Schola project, curating 17 compilations of global music ranging from composers such as Ravel and Beethoven to Japanese pop. It was released via his record label Commons, set up in 2006, which has also released work by artists including Boredoms and OOIOO.

In 2002, he began a fruitful partnership with German musician Carsten Nicolai, who used his Alva Noto alias for four collaborative albums of minimalist electronica.

Mr Sakamoto was also an environmental campaigner, opposing the use of nuclear power, and creating the forestry project More Trees to enable carbon offsetting.

Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence

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trendfilmsetter · 2 months

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EARTH MAMA wins the award for Outstanding Debut by a British Director or Producer at the 77th British Academy Film Awards (BAFTA’s)

#earth mama #movies #2024 movies #bafta awards #bafta 2024 #bafta

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brian-in-finance · 5 months

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Question.

Considering that Cait is pretty much gone from SM, do you think it works in her favor acting wise or not?

She's probably busy now with The Amateur resuming filming but in general how do you see it?

Thanks for the questions, Anon. 😃

Do I think Caitríona’s limited social media use works in her favour, acting wise?

Gifer

I think her limited use of social media is incidental, acting wise.

While she’s still a relatively small fish in a big pond, the quality of her performances, accolades from directors, colleagues, and critics, and her 19 award wins and 51 nominations (IMBd) make enough noise. Her name is listed among the nominees and winners of four of the five top acting awards.* She’s been nominated for a BAFTA, won one Scottish BAFTA and been nominated for another. She’s been nominated for five Golden Globe, three Critics Choice, and two Screen Actors Guild awards. (And has won an IFTA award and been nominated for eight others.)

Despite her not being nominated for an Academy Award, she, with Tony, represented Le Mans ’66 (Ford v. Ferrari) and Belfast at the 2020 and 2022 ceremonies, where the films won three Oscars in total.

FarFarAwaySite

Instagram

You mentioned she’s currently busy filming (The) Amateur. Its star and executive producer, Rami Malek, is the 12th Oscar winner who’s shared film credits with Caitríona. The others are:

Sir Michael Caine (2)

Morgan Freeman

Jodie Foster (2)

Julia Roberts

George Clooney (2)

Matt Damon

Christian Bale

Andrew Buckland & Michael McCusker**

Donald Sylvester***

Dame Judi Dench

Sir Kenneth Branagh

She is and has been in good company.

Your second question, Anon, is how do I see it in general, Caitríona’s limited social media use?

I appreciate her limited use of social media. I imagine she fulfills contractual obligations and posts beyond that when the spirit moves her, but I get why she’s pulled back. Many actors who have the luxury of choosing not to use social media stay away from it. Some who choose to use it post only project-related, non-personal information. Her being cast in Outlander, and the show’s success, are gifts she cherishes, but they’ve come at a cost. We’ve seen where fans ignore reality and comment on her social media “direct from” Fantasy Island. Who needs that?

Remember… if you're gonna ask people to pay money to come see you in a movie, they don't need to know your every thought all the time. I think there has to be some element of mystery. — George Clooney in Esquire

*Alphabetically, Academy Award, BAFTA Award, Critics Choice Award, Golden Globe Award, Screen Actors Guild Award

**Best Achievement in Film Editing, Le Mans ’66/Ford v. Ferrari

***Best Achievement in Sound Editing, Le Mans ’66/Ford v. Ferrari

#Tait rhymes with hat #Good times #Inbox #Anonymous #Caitríona’s limited use of social media #Asked 25 November / Answered 26 November 3023

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bcacstuff · 2 months

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demifiendrsa · 1 year

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Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.

Volume 2 shorts:

Title: “Sith”

Studio: El Guiri

Writer-director: Rodrigo Blaas

Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.

Title: “Screecher’s Reach”

Studio: Cartoon Saloon

Director: Paul Young

Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.

Title: “In the Stars”

Studio: Punkrobot

Writer-director: Gabriel Osorio

Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.

Title: “I Am Your Mother”

Studio: Aardman

Director: Magdalena Osinska

Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.

Title: “Journey to the Dark Head”

Studio: Studio Mir

Director: Hyeong Geun Park

Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.

Title: “The Spy Dancer”

Studio: Studio La Cachette

Writer-director: Julien Chheng

Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.

Title: “The Bandits of Golak”

Studio: 88 Pictures

Director: Ishan Shukla

Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.

Title: “The Pit”

Studios: D’art Shtajio and Lucasfilm Ltd.

Writer-director-executive producer: LeAndre Thomas

Co-director: Justin Ridge

LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.

Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.

Title: “Aau’s Song”

Studio: Triggerfish

Writer-directors: Nadia Darries and Daniel Clarke

Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.

Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.

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weclassybouquetfun · 4 months

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Awards season is inching to a close with the last gasp of screenings coming up the week of January 8th. My favourite movie of the year is SALTBURN and Amazon-MGM is holding three screenings of it on the same day to end its FYC run. The same night Disney finally remembers THE CREATOR exists and is having a screening/Q&A with its director Gareth Edwards.

Notable award season dates:

Jan. 6th-7th: The Creative Arts Emmys. This is the portion of the Emmys that awards the winners of the Outstanding Guest Star category. TED LASSO has four in this category: Three who have all been previously nominated for their roles on the show: Harriet Walter, Sarah Niles and Sam Richardson; and newbie Becky Ann Baker as Dottie Lasso.

If James Lance wasn't promoted to regular, surely he would have received and likely won a S3 nomination in this category.

James and his hair situation with his fellow voice-over artists for the BBC Radio 4 show "We Forced a Bot to Write This Show".

Jan. 7th: The Golden Globes

Prayer circles for Barry Keoghan and Rosamund Pike for their work in SALTBURN and TED LASSO, Jason Sudeikis and Hannah Waddingham.

Wed. Jan. 10: The SAG-AFTRA awards nominations

Sun. Jan 14th: The Critics Choice Awards . Hate that there was no love for TED LASSO and that SALTBURN actors and the script was ignored (but at least the artisans were recognized).

They were robbed!

Really pulling for Da'Vine Joy Randolph of THE HOLDOVERS, Charles Melton of MAY DECEMBER and for Young Actor/Actress, Milo Machada Graner for ANATOMY OF THE FALL.

If Milo wasn't this category, I would be rooting for THE HOLDOVERS' Dominic Sessa who is in the same category. Though, Sessa will very likely win.

Mon. Jan 15th: The Primetime Emmys. We have nods for Jason Sudeikis, Hannah Waddingham, Juno Temple, Brett Goldstein, Phil Dunster, nods for outstanding writing, directing, editing,production design, VFX, hairstyling, original music & lyrics and series. I am just hoping for some wins.

Thurs. Jan. 18th: The BAFTA Film Awards nominations.

Tues. Jan 23rd: The Academy Awards nominations

During this time Sundance Film Festival will be live (Jan 18th-28th) ,there we will likely get a couple of presumptive nominees for 2024-2025 film awards season.

Tues. Jan. 23: Academy Awards nominations. I'm a broken record. I'm all in on SALTBURN, especially hoping for nominations for Barry Keoghan and Rosamund Pike.; and one for Best Film. But as I was all in on BABYLON last year and it got goose eggs, no film should want me as a fan.

I'm hoping for JA Bayona's SOCIETY OF THE SNOW gets a nom and win for Best International.

And as France didn't submit ANATOMY OF A FALL (I assume there's too much English spoken for it to qualify), I hope it gets the same love last year's ALL QUIET ON THE WESTERN FRONT received and it's put up for Best Picture.

Sun. Feb. 18: BAFTA Awards.

Sat. Feb. 24: Screen Actors Guild Awards

Sun. Feb. 25: Spirit AwardsSun. Mar. 10: Academy Awards

Then we pause until late April and Emmy season kicks right up again and we continue the dance.

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maraschinocheri · 2 months

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It was 20 years ago today :: The Return of the King sweeps to win all of its 11 nominations at the Academy Awards, 29 February 2004. The Oscars went to Barrie Osborne, Peter Jackson, and Fran Walsh for Best Picture; Peter Jackson for Best Director; Fran Walsh, Philippa Boyens, and Peter Jackson for Best Adapted Screenplay; Howard Shore for Best Original Score; Fran Walsh, Howard Shore, and Annie Lennox for Best Original Song; Grant Major, Dan Hennah, and Alan Lee for Best Art Direction; Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke for Best Visual Effects; Christopher Boyes, Michael Semanick, Michael Hedges, and Hammond Peek for Best Sound Mixing; Ngila Dickson and Richard Taylor for Best Costume Design; Jamie Selkirk for Best Film Editing; and Richard Taylor and Peter King for Best Makeup. Liv Tyler introduced the nominated performances for Best Original Song (including 'Into the West,' performed during the show by Annie Lennox), and Ian McKellen presented ROTK's Best Picture reel. Joining the cast and creatives onstage for the Best Picture award were Robert Shaye and Michael Lynne from New Line Cinema.

#lotr: rotk #peter jackson #fran walsh #philippa boyens #liv tyler #ian mckellen #elijah wood #billy boyd #dominic monaghan #annie lennox #howard shore #ngila dickson

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servants-hall · 4 months

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All Creatures Great and Small: Samuel West on his Yorkshire heritage, meeting his fellow cast members and finding Siegfried

All Creatures Great and Small actor Samuel West talks to Stephanie Smith about his Yorkshire heritage, first meeting his fellow cast members – and finding Siegfried Farnon.

paywalled article - full article copied below

If there is a magic formula for making a hit TV drama series in the 21st century, All Creatures Great and Small has bottled and then gift-wrapped it. Values are key and, says Samuel West, the upcoming Christmas Special spreads a much-needed message of decency and kindness.

“It’s about people coming together in difficulty, to support each other, at a time when so many terrible things are happening in the world,” he says. “It’s got absent friends, people who are missing, people who won’t ever come back, just like life.”

Samuel plays Siegfried Farnon, the Yorkshire Dales vet with a short fuse and a huge heart. It is a role that he has more than made his own, even for those who remember Robert Hardy in the original BBC series that ran from 1978 to 1990.

Samuel West and Peter Wright in All Creatures Great and Small Meets The Yorkshire Vet. Photo: Channel 5

The “new” Channel 5 adaptation launched amid a pandemic-crippled UK back in September 2020, coinciding with the 50th anniversary of the publication of If Only They Could Talk, the first of the James Herriot bestsellers penned by Thirsk vet James Alfred “Alf” Wight. There have now been four TV series made (and we are talking to mark the release of a DVD box set of them).

All Creatures has been a great success for Channel 5, with viewing figures for the fourth season peaking at 3.7million. Samuel saw the show’s potential from the off. “I was already thinking about Channel 5 as a good place, because they had given up Big Brother and so they had to fill about 250 hours a year of schedule, and they started filling it with drama, which was delightful.”

When approached to play Siegfried, he was already a respected actor, with a rich and varied career mingling theatre, TV and film, radio and voiceover work. Nominated in 1993 for a BAFTA for Howards End, his film credits also include Jane Eyre, Van Helsing and Notting Hill, while his TV work includes the BBC’s Jonathan Strange and Mr Norrell (filmed in York in 2015), Waking the Dead, Any Human Heart, Slow Horses, The Crown, Small Axe and four series of Mr Selfridge. He was artistic director of Sheffield Theatres from 2005 to 2007.

He learned that Golden Globe and BAFTA award-winning production company Playground was making the new All Creatures. “I had just finished watching Playground’s Wolf Hall, which I had adored, and that period stuff is hard to get right, and expensive to do well,” he says.

The treatment he was sent included a back story about Siegfried, written by lead writer, Ben Vanstone. “It was beautiful,” says Samuel. “Almost sort of Chekhovian in its detail and the cables that ran through the man. They had set a lot of things in this past that had made him layered, and I realised, just from thinking about the man, and looking at the books and remembering Robert Hardy’s performance in the 1970s, that he was going to need a lot of playing. It was going to need vocal and physical size. But I thought, if I am on the right track and I know where I am coming from, I think I’m quite good casting.”

He met Nicholas Ralph (James Herriot), Rachel Shenton (Helen) and Callum Woodhouse (Tristan) on the train from Leeds to Skipton for a couple of days’ rehearsal. Samuel says: “At the end of the journey, I thought, what lovely people, and at the end of the rehearsal, I thought, this ensemble really works, and then they cast Anna Madeley and she was the icing on the cake that was already rising.”

Siegfried is often spotted reading The Yorkshire Post. “Quite right, too,” says Samuel. “ I also love the paper. I think your editorials are sometimes some of the most sensible things I read all week.”

In this series, Siegfried is a widower, a detail not in the Herriot novels but echoing the life of the real man who inspired the character, Donald Sinclair, whose first wife, Evelyn, died of tuberculosis. He was married to his second wife for 53 years. She was called Audrey, which just happens to be the lesser heard name of Anna Madeley’s character, Mrs Hall.

Samuel discovered more about Donald Sinclair when he teamed up with real-life vet Peter Wright while making the programme All Creatures Great and Small Meets The Yorkshire Vet, which airs on Channel 5 just before the All Creatures Christmas Special on December 21. He also visited The World of James Herriot with Alf Wight’s children, Jim Wight and Rosie Page, and has incorporated into Siegfried’s portrayal some of the details they passed on. “My father says, do as much research as you can because, even if only 10 per cent is useful, the more you do, the bigger the 10 per cent is. Except he says I say that.”

Samuel’s father, actor Timothy West, is Bradford-born. Family legend has it that Timothy’s father (actor Lockwood West, known as Harry) was on tour there at the time. “It's not true,” says Samuel. What actually happened was, in pre-NHS days, he and his wife, Olive, also an actor, had been told of an inexpensive maternity home up in Yorkshire. Samuel says: “They were playing in Eastbourne at the time. She went by train to Bradford, had the baby, and Harry continued to do eight shows a week.”

Samuel - who has two daughters, aged nine and six, with his partner, the playwright Laura Wade - plans to save the All Creatures Christmas special to watch with his father and mother, fellow actor Prunella Scales. “My father, in particular, is quite cross that he’s not in it, but he can’t be in everything,” he says. “And we would have to be related - we look increasingly like each other.”

The All Creatures Great and Christmas 2023 episode will be broadcast on December 21, at 9pm in the UK on Channel 5 and My5.

#all creatures great and small #acgas 2020 #acgas spoilers #acgas interviews #acgas s4 #samuel west #siegfried farnon

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denimbex1986 · 2 months

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'Russell T. Davies recently spoke up about why he believes Andrew Scott was overlooked by the BAFTAs this year, reminding us about an important component to the ongoing conversation about queer actors playing queer roles.

When the BAFTA nominees were announced this year, All of Us Strangers received a well-deserved six nominations, although it ultimately did not win any of its categories. But the number of nominations it received — for Outstanding British Film, Director, Adapted Screenplay, Supporting Actor, Supporting Actress, and Casting — made a lack of nod for Scott’s leading role feel like a pointedly glaring omission.

“What I think happened there was, when a gay man plays a gay man, he’s not considered to be acting," Davies said during a recent queer representation in media panel, according to Attitude. “I genuinely think that happened there, that people thought, ‘Oh, it’s very good, but he’s not acting there. He’s not reaching; he was just being himself.”

The Doctor Who showrunner went on to explain that that’s part of why he finds it so important to make sure queer actors are being considered for and cast in queer roles — a controversial topic, as it’s often interpreted as suggesting straight actors (or actors presumed to be straight) shouldn’t be allowed to play queer characters, but the reality is a lot more nuanced than that.

“If a queer person plays a queer role, people are like, ‘Oh yeah, very well done, lovely,’” actor Nathaniel Curtis said during the same panel. “But if a straight actor plays a queer role, a lot of the time, they’re like, ‘Give them an Oscar.’”

And the BAFTAs snub makes it even more frustrating that Scott was subjected to being asked about another actor’s nudity in a movie he wasn’t even in on the red carpet for the event, when the time could have been spent talking more about the role for which he deserved more recognition.

According to Davies, Scott gave “a world-class performance [that] was massively underrated because he’s gay and very publicly and visibly gay.” And unfortunately, he might not be wrong.'

#Russell T. Davies #Doctor Who #BAFTAs #Andrew Scott #All of Us Strangers #Nathaniel Curtis #Andrew Haigh #Paul Mescal #Claire Foy

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maximumwobblerbanditdonut · 2 months

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Colin Firth, filming Lockerbie and embodying Dr Jim Swire, 88, in Glasgow as he sported Jim's famous 'Lockerbie: The Truth Must Be Known' badge. 📸 © Wattie Cheung

Sky drama and Peacock “Lockerbie”.

It's not the one original series "Lockerbie," about the 1988 flight disaster. Sky and Peacock began filming in Scotland in February and BBC, Netflix and MGM started programming in March.

The cast members in Lockerbie Colin Firth (The King’s Speech, A Single Man, The Staircase) join Catherine McCormack (Slow Horses, Temple, Lucan) to play Jane Swire opposite Firth’s Dr Jim Swire.

Known as the Lockerbie bombing and the Lockerbie air disaster in the UK, it was described by Scotland's Lord Advocate as the UK's largest criminal inquiry led by the smallest police force in Britain, Dumfries and Galloway Constabulary.

The five-part series, featuring Oscar-winning actor Colin Firth, is based on the tragic Lockerbie terror attack on 21st December 1988 when Pan Am flight 103 from London to New York exploded over the Dumfries and Galloway town, killing all 259 on board and 11 residents.

Colin Firth, will play Dr Jim Swire, a doctor who lost his daughter, Flora, in the 1988 tragedy. Writers also took inspiration from Jim's book, The Lockerbie Bombing: A Father's Search for Justice.

In the wake of the disaster, Dr Jim Swire (Firth), is nominated spokesperson for the UK victims’ families, who have united to demand truth and justice. Travelling across continents and political divides, Jim embarks on a relentless journey that not only jeopardises his stability, family and life, but completely overturns his trust in the justice system. As the truth shifts under Jim’s feet, his view of the world is left forever sullied.

Firth was seen on the set of the new drama in Linlithgow, which will close several roads in the east end and city centre during the filming. Colin was spotted in character and has taken on the role of Jim, 88, the father of one of the 270 victims of the 21st December 1988 Lockerbie bombing.

At the back of Colin's briefcase was a drawing of Jim's daughter, Flora Swire, who was on her way to the US to spend Christmas with her boyfriend when Libyan terrorists blew up the plane.

The real Jim (pictured in 2015) became famous after the bombing for his relentless lobbying towards a solution for the difficulties in bringing suspects in the original bombing to trial 📸 © PA

The series is based on the book The Lockerbie Bombing: A Father’s Search for Justice by Jim Swire and Peter Biddulph – as well as other sources.

Lockerbie bombing, The new drama, Flight 103: Film crew in Linlithgow to work on, have been spotted in Glasgow as filming begins in the city. Road closures are in place as filming kick starts.

A film crew is currently filming in Linlithgow working on a new TV series based on the Lockerbie disaster.

Linlithgow is situated between Edinburgh and Glasgow, to the south of the Firth of Forth and on the edge of Linlithgow Loch. Linlithgow Palace, Stewart residence, birthplace of Mary Queen of Scots, and rest stop between Edinburgh Castle and Stirling Castle.

It had been noticed for its similarity to the original Pan Am Flight 103 which exploded over the town of Dumfries and Galloway, 40 minutes into its flight from London to New York.

@getty Images

Scottish playwright David Harrower (Blackbird, Knives in Hens) is the lead writer. Maryam Hamidi (Vigil) is guest writer on an episode. Additional writing comes from Jim, Kirsten and Naomi Sheridan.

BAFTA Award-winning Otto Bathurst (Peaky Blinders, The Winter King) is lead director. Jim Loach (Save Me) will also direct an episode. Gareth Neame and Nigel Marchant are Executive Producers for Carnival Films. Sam Hoyle is Executive Producer for Sky Studios. Additional Executive Producers include David Harrower, Otto Bathurst, Liz Trubridge, Jim Sheridan, Kirsten Sheridan and Oskar Slingerland.

youtube

A true story with an Academy Award®-winning actor Colin Firth not to be missed 📍

#Lockerbie #ColinFirth #DrJimSwire #book #TheLockerbieBombing: AFather'sSearchfor Justice #SKY #Peacok #truestory #bombing #CatherineMcCormack #Linlithgow #Scotland #PanAmflight103 #DumfriesandGalloway #disaster #filming #newdrama #FloraSwire #JaneSwire #series #Libyanterrorists #plane #LockerbieairdisasterintheUK #policeforce

A release date for the series hasn't yet been set.

Posted 6th March 2024

#Youtube

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