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demifiendrsa · 1 year
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Star Wars: Visions Volume 2 animated shorts posters
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disneytva · 1 year
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Lucasfilm has unveiled the key art of "In The Stars" Directed by Gabriel Osorio and Chilean animation studio Punkrobot Estudio.
Star Wars Visions streams May 4 only on Disney+.
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space-blue · 1 year
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‘In The Stars’ —  Punkrobot —  Visions II
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danwhobrowses · 1 year
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Star Wars Visions Season 2 Confirmed
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Once again Anime is coming to enrich the Star Wars universe again. This time we have a much redder aesthetic, which makes me wonder if the stories will be more Dark Side-oriented (though we had a mix of it last season with The Duel, The Twins and Akakiri being more dark side-focused) the episode names seem to suggest it too.
The most interesting company to have their hand at it are the claymation gods Aardman, responsible for Wallace & Gromit, Morph and Chicken Run. But do not underestimate Cartoon Saloon's potential, the studio that gave us Wolf Walkers have the caliber especially in the sci-fi wonder of Star Wars. Same can be said for Studio Mir (Legend of Korra & Voltron) and Studio La Cachette (Primal, LD&R's Sucker of Souls).
Wonder what we'll get from the next 9, though I'm not expecting continuation from the last nine.
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roguerebels · 1 year
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Rogue Rebels Podcast 162: Star Wars: Visions Vol. 2 (Part 1)
#RogueRebelsPodcast 162! #StarWarsVisions Vol. 2 (Part 1)!!
Sal, Lizzy, and Liz talk the first five episodes of Star Wars: Visions Vol. 2! Happy May 4th!! Cute droids!! foolish younglings! Awesome moms! Light and dark!! Future police! And loving the multicultural influence! We want to hear from you! Check out our questions and polls on Spotify! Click here to subscribe wherever you listen to podcasts! Check out our pods on Visions Vol. 1 Visions Vol.…
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Punk Rock Vegan Movie é um documentário de longa-metragem escrito e dirigido (e filmado e marcado) por Moby. Ele analisa a surpreendente história do punk rock e do ativismo pelos direitos dos animais, apresenta entrevistas com dezenas de lendas do punk rock e também participações especiais de Bagel, o cachorro, o diabo e uma sala de reuniões de demônios. É a esperança do cineasta e dos produtores que ninguém pague para ver este filme, pois é um trabalho de amor e ativismo. Todos os direitos aos seus respectivos donos. Link para a licença pública: https://www.punkrockveganmovie.com/legal
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hlebrecht · 1 year
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thenerdsofcolor · 1 year
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'Star Wars Visions Volume 2' Trailer Is A Global Animation Celebration
Disney unveiled its latest trailer for Star Wars Visions Volume 2 at Star Wars Celebration today. Much like Volume 1, Volume 2 invites global animation studios to push the limits on Star Wars storytelling while incorporating their country’s history and culture into their stories and created original characters that fit into the Star Wars galaxy and cast local talent to bring these characters to…
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swreactions · 1 year
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Welcome to the 125th episode of  Star Wars Reactions!
This week, we kick off our first of three episodes reacting to the all new Star Wars: Visions, Volume 2! In its second season, Star Wars: Visions brings all new stories from all of over the saga created by the leading animation studios from around the world! 
For this episode, hosts Aaron Harris and David Modders will be sitting down and sharing their reactions to the first three episodes: “Sith”, “Screecher’s Reach”, and “In The Stars”. Join them for a discussion which covers everything from the beauty of the animation to the how the stories mirror real life to nods to the rest of the Saga.
Then, as usual, Aaron wraps things up by sharing an all new Star Wars Dad Joke of the Week.
Episode 125 Talking Points:
Upcoming SWR Episodes
David and the Galactic Starcruiser
Episode 1: “Sith”
Synopsis
Animation
Lola and Ahsoka
Light vs Dark
Episode 2: “Screecher’s Reach”
Synopsis
Daal’s journey
Sith Mother
Mirrors events in real life
Episode 3: “In The Stars”
Synopsis
Emotional Episode
The Stars
Maternal instinct of Koten
Fearlessness of Tichina
Star Wars Dad Joke of the Week
Star Wars Reactions: Elegant discussions for a more civilized age!
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Subscribe on YouTube!
Follow Aaron and David on Twitter!
Follow David on Instagram!
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ruescott · 1 year
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they need to keep making star wars: visions forever I am so serious
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sudden-stops-kill · 1 year
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tichina...koten
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demifiendrsa · 1 year
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Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.
Volume 2 shorts:
Title: “Sith”
Studio: El Guiri
Writer-director: Rodrigo Blaas
Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.
Title: “Screecher’s Reach”
Studio: Cartoon Saloon
Director: Paul Young
Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.
Title: “In the Stars”
Studio: Punkrobot
Writer-director: Gabriel Osorio
Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.
Title: “I Am Your Mother”
Studio: Aardman
Director: Magdalena Osinska
Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.
Title: “Journey to the Dark Head”
Studio: Studio Mir
Director: Hyeong Geun Park
Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.
Title: “The Spy Dancer”
Studio: Studio La Cachette
Writer-director: Julien Chheng
Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.
Title: “The Bandits of Golak”
Studio: 88 Pictures
Director: Ishan Shukla
Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.
Title: “The Pit”
Studios: D’art Shtajio and Lucasfilm Ltd.
Writer-director-executive producer: LeAndre Thomas
Co-director: Justin Ridge
LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.
Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.
Title: “Aau’s Song”
Studio: Triggerfish
Writer-directors: Nadia Darries and Daniel Clarke
Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.
Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.
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disneytva · 1 year
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Lucasfilm Unveils Animation Studios And Creatives For Star Wars Visions Season 2, Slated For May The 4th Be With You On Disney+.
May The 4th Be With You as Star Wars Visions expands beyond Japan with multiple animation studios around the world for second season. Today, Disney+ and Lucasfilm announced that the second volume of the animated anthology series Star Wars: Visions will premiere exclusively on Disney+ on May 4, (a.k.a. Star Wars Day).
The studios tapped for Vol. 2, the titles and directors of their shorts were also revealed, with storied European outfits such as Aardman and Cartoon Saloon taking part alongside Oscar-winning Chilean boutique Punkrobot, Korea’s Studio Mir, South Africa’s Triggerfish and more.
Participating studios for Volume 2 include:
El Guiri (Spain)
Cartoon Saloon (Ireland)
Punkrobot (Chile)
Aardman (United Kingdom)
Studio Mir (South Korea)
Studio La Cachette (France)
88 Pictures (India)
D’art Shtajio (Japan), in collaboration with Lucasfilm Ltd. and LucasFilm Animation. (U.S.)
Triggerfish (South Africa)
“Sith” | El Guiri | Writer-director: Rodrigo Blaas
“Screecher’s Reach” | Cartoon Saloon | Director: Paul Young
“I Am Your Mother” | Aardman | Director: Magdalena Osinska
“In the Stars” | Punkrobot | Writer-director: Gabriel Osorio
“Journey to the Dark Head” | Studio Mir | Director: Hyeong Geun Park
“The Spy Dancer” |Studio La Cachette | Writer-director: Julien Chheng 
“The Bandits of Golak” | 88 Pictures | Director: Ishan Shukla 
“Aau’s Song” Studio: Triggerfish | Writer-directors: Nadia Darries and Daniel Clarke
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jonberry555 · 11 months
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Star Wars Visions Volume 2 - In the Stars REVIEW
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My review of Star Wars Visions Volume 2 Episode 3 - In the Stars Written & Directed by Gabriel Osorio, and Animated by Punkrobot.
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danwhobrowses · 1 year
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Star Wars Visions: Volume 2 - Review
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I am one with the 4th and the 4th is with me, and it's time for Star Wars to return into the experimental animation department for Visions' second season.
I had high opinions of the first season, so the second had a high standard to live up to. But this is what I thought about it
Spoilers for Visions: Volume 2. Watch it first if you don't want to be told major plot points and what my opinion on it is
And again I was left impressed and satisfied. Very glad to see Visions hit a home run once again because there is a lot of meat to bite into of a similar and different variety to the previous season.
As we have for the review of last season we'll start with the negatives to get them out of the way.
What Wasn't Great
No existing story is picked up A small gripe would be that after the great episodes of the first season it was an overall shame that none got a continuation, despite their potential for greater mileage. It's not entirely a bad thing, but it's a shame nonetheless.
The runtime still lacks Before we were looking at 20 minute episodes, but it seems volume 2 has ran down to episodes as short as 10-15 minutes. Which for a fan never feels long enough. While nobody's asking for padding, some episodes could've benefited from a bit more time to flesh out their action or emotional scenes.
Dumb Hopeful Child is Dumb (Twice) Once is passable but twice is worth noting, but the 'In the Stars' and 'Bandits of Golak' storyline both seemed to use the same idea of a force sensitive child's ignorance to how much the empire would hammer down on them, leading to the older sibling to step in. Rani and Tichina may have endearing qualities, but given what the episode tells about their past bereavement at the hands of the empire you'd think them to be at least a little more apprehensive towards using the Force in front of the Empire.
'This Path is only meant for you' (Thrice!) While one side is Jedi x2 and another Sith, there's also a similarity in conclusion in 'Screecher's Reach', 'Aau's Song' and again 'Bandits of Golak' with the young force sensitive having to leave their companions in order to complete training with their master - who in the former and latter is adamant to only take the one child - in search of a better life. In comparison, Daal's tragic story which sees her forced to kill to fall into the dark was more compelling than Rani's previously mentioned naivete stumbling into it, but Aau's tale achieves the opposite side of being hopeful as a counter to Daal's which I'll get more into. But again since Visions is meant to be fresh stories from appraised animation studios, it's a shame that you see duplication: it wouldn't have been too difficult really to tell each other what your story is so there's no overlap.
The Pit's main conflict is easily fixable While 'The Pit' acts well as a well-animated story with a dark turn midway, the whole problem of them being stuck in a hole they have dug felt like it could have been resolved a numeral amount of ways other than 'one will climb out into the imperial controlled city to tell people how the imperial has built this city on prison labor' or just 'chanting in unison so they can hear', I mean they could just build steps out of the bedrock, or just climb out the way Crux did. I also think that the story didn't want to go super dark with the troopers opening fire on the civilians, even though they were okay abandoning people in a pit to die. I dunno it felt rather unambitious at times, taking stories of other media (The Dark Knight Rises) and putting it into Star Wars.
What Was Great
An immediate feast for the eyes Immediately from the episode 'Sith', we are presented with a fresh and stylish level of animation; from the sketchbook-esque world, the flat brush strokes to the classic claymation, everyone's unique take on how the Star Wars world looks offers a new and intriguing perspective. The action is dynamic and fluid too, not to mention the character design for most are unique and themed to their environment.
Aardman understood the assignment At face value 'I Am Your Mother' felt like it'd be little more than a silly story. But its unique charm, blatant references, typical anime antagonist behaviour and its relatable storyline managed to pull off a lighthearted but fun ride.
Journey to the Dark Head! My favourite for this volume has to be the fifth episode, Studio Mir's 'Journey to the Dark Head', I mean fuck yes! A story of multiple plot threads, character development, and stakes, paired with japanese-esque settings, anime visuals and an unnerving villain, not to mention the core theme of balance rather than just light and dark. It's much of what I expect from this series and much like my last favourite 'The Ninth Jedi' it leaves me desiring more.
But also, The Spy Dancer! Second only to this would be the mesmerising Spy Dancer by Studio La Cachette that came right after it. What could've simply been an episode of manipulation underlined by a stunning performance immediately got turned on its head when the imperial ended up being Loi'e's kidnapped and indoctrinated son! Providing a new layer of complexity to the entire second half. A story which could've ended in brutal tragedy was instead given a merciful and hopeful open end. I can't exactly tell you the reasons why it doesn't beat Journey to the Dark Head, it could even be because I saw it first, but these are two stories that go higher and harder than the others in the volume in the similar bar as Ninth Jedi, Village Bride, Lop & Ocho and The Ronin.
Slight Familiarity Although it is unique content, you can see many influences in the episodes from other Star Wars Legends; a Malak-like sith, Gennedy's Clone Wars aesthetic, even an actual Wedge Antilles appearance, the familiarity does usher an easier immersion into the story.
It didn't end on a bummer like last time One of my biggest critiques of season 1 was that the season ended on a sore and bitter note with 'Akakiri', but this season seemed to remedy that with the ethereal-like story of Triggerfish's 'Aau's Song'. Immediately drawn in on premise, Aau achieves where Rani and Tichina struggled in being curious but aware, and also using her powers when necessary rather than forcing another to step in. While Aau also leaves her companions behind, her choice appears a lot more soft than Daal and Rani's 'leave or continue to suffer in this poor existence', and her departure feels more hopeful than bittersweet.
Definitely more stories to expand upon While we didn't pick up anything from Season 1 (yet), Season 2 has offered even more great story paths to look into; I do feel like each episode provided enough to be explored further and most would be captivating enough to be commissioned into full series if given the chance.
Conclusion
It was another good showing from Visions to show the newer and creative avenues the Star Wars universe can take under the helm of various animation styles and creative minds. With episodes tailored to different audiences too, there is a widespread appeal. If I were to rank them from best to worst in my opinion it would be:
Journey to the Dark Head, The Spy Dancer, The Sith, I Am Your Mother, Aau's Song, In the Stars, Screecher's Reach, The Pit, The Bandits of Golak
I'd say Bandits is probably the one I liked the least because In the Stars and Screecher's Reach/Aau's Song had the same plot elements done better, in spite of its unique arabic culture aesthetic and inquisitor villain. The Pit's lack of ambition also harmed it, but the rest were all very strong stories. It's actually a very good sign how much I had to toil between where to rank the third to fifth spots, with Aau's Song and I Am Your Mother surprising me on their quality, Screecher's Reach is great too with its tragedy but I do like positive stories over 'trauma be upon thee'. But yeah I think I'll gush a long time over Dark Head and Spy Dancer, that's some premium gourmet star wars there.
Bring on a Volume 3.
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lobosluna · 8 months
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HISTORIA DE UN OSO -  Dir. Gabriel Osorio (Punkrobot Studio).
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