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#and sometimes i don't mind that but i usually just find it isolating in an almost upsetting kind of way
neverendingford · 3 months
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#tag talk#I lie a lot. to other people. to myself. I don't really lie here (usually) because I don't have an image to maintain but like...#I don't always even recognize the lies in telling myself. I retell stories to make myself seem clever and smart#retell interactions to make people take my side in the matter. and it even works on me sometimes.#I've always wanted to be the hardboiled loner. independent and happily isolated from others.#and to an extent I am. it helps when you despise most people you meet. when you find them inane and simple.#but I play it off like I'm somehow cool and aloof when in reality I'm alone because I hurt so much around others.#I have such a hard time identifying with others. I genuinely feel estranged and alien.#it makes me immune to caring about their pain. which can be useful I guess. but that's still not great.#I think part of my desire to be- and questioning of being aroace is in part a desire for independence.#because I have been wildly romantic before. I was head over heals for my first boyfriend (still my best friend).#I wrote them poetry. left love notes around their house. cooked him food and went on dates. and I did enjoy it. felt natural and good.#I just... that happens so rarely. this is the first time in almost ten years that it's happened again. I have the capacity. I have the want.#but I just... I don't click with others. I don't get along with them. I interact with to know them and then I start to loathe them.#I've gotten too many followers here and I go through their blogs and I get an idea of who they are and there's at least five of you I hate.#and I'm getting awfully close to reaching the annoyance threshold because I don't mind you existing but I need it to happen somewhere else.#I don't get paid to exist in the same space as you so we don't even have a functional relationship.#anyway. I dislike being lonely but I constantly feel a visceral disconnect between myself and others and it aches every single day.#adhd meds and hrt are doing huge things to help me be happy with myself. which means I need people less. I can exist alone.#but it doesn't remove the need. doesn't fill the void. it remedies one problem but emphasizes another.#and I'm not used to wanting someone. I want things From people but I don't want Them. except now I do. I want this person.#and I'm so out of my depth because my play is usually to keep distance. engage politely. get the company I need and then retreat.#and I want more than that here. I was about to say “I'm afraid of fucking it up” but I'm not. that's a cliche that my mind auto filled.#I know I won't fuck it up because I understand her and I know my own abilities. but I'm afraid of what this means for me.#will this work loose something in my own mind? Will I become more painfully aware of my own needs? Will loneliness hurt more?#I know I'm moving again in a few years. I'm staying with my brother for the foreseeable future so I know this won't be long term.#so if I can figure this out in the next year or so then maybe I'll be more prepared the next time we settle somewhere.#idk. my mind has been in overdrive processing this for the last three weeks. I feel noticeably more tired because of it.#I'm just so preoccupied with trying to figure out this new part of me that's only shown up once before.
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liinos · 1 year
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Freesia, Carnation, Alstroemeria, Cymbidium
freesia - are you still friends with the person you considered your best friend two years ago?
yeah 🫶🏻
carnation - does true love exist?
honestly idk but i think it would be nice 😭 like i think some people do just Click and i want that for me but idk if that would be considered "true love" you know
alstroemeria - dream vacation?
omg that's really hard... i don't even think i have one at this point cuz i just do Not like traveling especially with flying involved cuz it makes me feel really weird for a while + even in other countries the place i'm most comfortable in is wherever i'm staying so that kind of defeats the purpose of the vacation i guess 💀 i've always wanted to take a friend to njivice tho so I guess that? i think it would be fun to travel with a friend but i also know i'm a Menace to travel with so idk
cymbidium - sexuality?
as far as i know i'm straight
flower asks
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signedkoko · 3 months
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could you do something with lucifer/ reader where they’re always taking care of him but that day they’re not mentally well, so he takes care of them? <333 please and thank you, i love your writing!
Lucifer X Reader [Comfort]
In which anytime he needs you, you are there; only this time you need him. Reader is genderneutral.
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Sometimes, Lucifer became so sure of himself
That he was alone, that he needed to work harder, and he needed to surround himself with worthless activities to keep himself distracated
He would spiral into episodes of isolation until everyone forgot about him again, until he was sure he no longer held responsibility.
As much as he wanted to do it again, you wouldn't let him do that to himself anymore
Every morning you'd leave him breakfast, ask him what he planned for the day, and ask him to join you for dinner, did he have any requests for the meal? Would he show you what he made once he was done? So on
You were so good at keeping him in check that he didn't really realize that's what you were doing; he just expected that you'd be there
Made sure he would get a little messy, so when you'd bring breakfast, you would clean him up a bit with a cloth, like you always did
Lucifer was still so busy working that he only realized the time when his stomach grumbled
Usually you'd be here by now, but you never came
Well, he supposed it wouldn't hurt to take a little break and check up on you
One big stretch and a moment to grab his cane, and he was off to find you
First, the kitchen! Only you weren't there, nor was the living room in your usual spot, or even outside, where you had tea before starting up on anything
Worried and faster in pace, the fallen angel had slammed your shred room door open so hard it slammed the wall with a loud bang
" Lucifer! Goodness, you scared me- "
" You scared me first! Dear, darling, what's happening? "
He was already crawling into the bed to loom over you, making sure you weren't hurt
Your smile was weak, and you seemed pale
" Oh Lucy, I just don't feel okay. "
Now he was really frowning, pulling you close while manoeuvring the blankets around you like a swaddle, making sure you were well surrounded by them and his warmth
He doesn't know what to say or what to ask; anything he tries to stutter out into nothing
He has a servant handling you, making you something to eat, something for the both of you, while clinging to you as if you'd disappear
When he feels bad, he would usually rot away in bed until he felt he had energy to do something—or he used to—before you encouraged him to keep going every day
For now, he will lay with you and let you rest, but the moment you can, he promises to go with you on a walk—how about a park? Or a cafe you like? Anything to ease your mind
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Author's Note - First solo Lucifer request, ya love to see it! I'm so glad you enjoy my work, thank you so much for requesting 🖤
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thatonebipotato · 6 months
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a somewhat swap au of Scarab and Prismo. i say somewhat because its not just swapping them, i changed a lot of stuff other than just like their jobs. heehoo ok enjoy :]
text descriptions and more information under cut ^^!
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Prismo -
his [physical] body is "frozen" in time
a bit more calloused over his years of working, but still considered very chill
he usually talks people down so he doesn't have the fight them
the crystal weapon is around his neck
it shoots out like a flashlight
the auras/souls of his victims get trapped in jars
pupils go starry when he does this
So here, Prismo is a god auditor! He's still very down to earth, but after years of fighting and monitoring and capturing, he's a bit worn down. That being said, he's still generally considered to be everybody's pal! The crystal he uses can't store the people he gets, so he has to carry around the jars. Because of this, he can usually only detain like two people at once, maybe three if he pushes it.
Prismo has some resentment about not being Wishmaster, but not the way that Scarab would! He just thinks he could do a better job, but he respects Wishmaster Scarab and just kinda lets it slide. He and Scarab are actually pretty close, and if he's injured or just very bored he'll go bother the cosmic bug.
Things he can do that aren't mentioned are that he can walk on walls/defy gravity, make duplicates of himself, and teleport. Duplicating himself and teleporting takes a looot of energy out of him, and considering that he is perpetually tired, he really doesn't use those abilities a lot.
Scarab -
this form resembles his physical body, but is still just a projection
he can touch stuff, but can't feel anything and can't be hurt/damaged
he's a bit more relaxed, but is still quite strict/rule oriented
the wings of his mask can open up, but usually don't
he is very big :)
the time room is less of a room and more like a never-ending labyrinth of paths
only the truly determined will obtain a wish
Scarab as the Wishmaster is a lot more relaxed than in canon, but due to his nature he is still a bit strict about rules and such. He will explain how exactly a wish will work to those who reach their goal, and if they choose to ignore that, they don't get a second chance. He usually won't go further into detail about the rules, either. This is where Prismo's slight distaste comes from, because he thinks that if he were in Scarab's place he would be nicer about it. That's about as far as that goes, though.
The main entrance that everyone is allowed through(the labyrinth) is infinite, but there is space around it(like a pocket dimension inside of a pocket dimension). Getting into the outside space will lead to the rest of the Time Room, but only Scarab has access to that. He spends most of his time floating in the abyss of the main area. There is no set path to find him, and he will instead come to whoever enters, if they're determined enough.
Scarab does not let people wander freely through the Time Room, so most of the other cosmic entities tend to avoid him because he isn't very fun. Prismo doesn't, though. Unlike anyone else who may enter, if Prismo simply calls out for Scarab, he will arrive almost immediately. Though Scarab has a 3D form, he is still confined to the Time Room, and does not find joy in watching the universes(he only does it if he's reeeallly bored, or if it's necessary). And since he blocks off the rest of the room to anyone else, he never gets any visitors, only mortals looking for his favor.
He doesn't mind the isolation at all, but he does enjoy the company that Prismo offers him. He doesn't mind being secluded, but he gets lonely sometimes. Prismo has many tales of his adventures being an auditor, and Scarab has begun keeping notes on all of them. He looks forward to Prismo's next visit always.
That's about all I have to say about them and their lore, at least as a base to build off of later, so uhhh here's they're color pallets :]
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On the left is just how they both look, and the right is just missing the gradient for Scarab so it's easier to see(they don't look super great, but im just laying out the colors)
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princescribbler · 8 months
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5 Common Misconceptions of ABDLs!
To be clear, these are common misconceptions ABDLs have, not common misconceptions ABOUT us ABDLs!
1. "My kink is so rare!"
Really? Because candidly, abdl, ageplay, and diaper fetishism intersect in a fascinating way. There are diaper fetishists who despise any form of ageplay or regression, there are ageplayers who get off on the Ageplay, or the diapers, or the humiliation, teasing, or any other aspect of the kink. And candidly, you can tell ABDL really isn't that uncommon when the communities that show up are this large and varied. Heck, there's entire communities on reddit with tens of thousands of abdls, and that's just one site (and not the most kink friendly space to begin with.) Add in the fact that many people are very embarrassed or worried about this kink and you've got an even better explanation for why it can FEEL very rare or isolating... but it often comes down to just being hard to find, at first!
2. "Nobody vanilla will accept me! They must all think I'm a freak" (or similar negative expectation setting)
Except.. they do, all the time, every day. I've personally avoided most vanilla relationships, but I know MARRIED abdl couples who started with one partner totally vanilla, and some of the biggest and most successful content creators in this space are well known for having partners not into ABDL.
Simply put, if you assume it'll go wrong and you'll be judged, your body language, words, and tone can be much more nervous and defensive and make your partner feel ill at ease. Try to not go in with negative assumptions!
3. "I have to find a caregiver to feel little!"
Uh... no you don't. Your kink might involve a partner, your desires might include one or more people around to care for you or dominate you or join you in diapered submission... but none of that means you can't enjoy still, and have a GREAT time. You can try to foster your own regressive or littlespace mindset, happily. And you don't need ANYONE else to enable that. If you're expecting that just having sometime else around will fix things, you're sadly incorrect! You need, at some level, to be comfortable enough to not just rely on EXTERNAL enforcement of your abdl side!
4. "I should get rid of [x] because I feel embarrassed/bad/upset!" (Or any similar variant of the binge/ purge mentality)
Binge and purge cycles happen, and can be very emotionally destructive. Try to instead put the object in storage instead of throwing it out, because often your emotional negative response will only get worse when you later regret it or judge your own reaction.
Try to give yourself the space to struggle, but don't just throw things away or destroy them if they're kink items... instead, realize you might feel differently later and give yourself the grace to be allowed to change your mind without any further fear or judgment!
5. "Everybody can tell if I'm padded/ little/ going out discretely!"
No they can't. I could stop there but truly let's consider this: you realize that incontinence is common... shockingly common. You've passed people in adult diapers, pull ups, discrete pads, you've likely even been in a room with another heavily diapered adult and NEVER realized. Because unless you're being obvious, have leaks, or make a point to wear very form fitting clothing, nobody will notice or likely even look! You're much less exposed than your brain makes you think!!
My point is this: be nice to yourself, and work hard to challenge those negative self talk moments that come up for so many abdls. Your interests and desires aren't as rare as you think, more people are ok with it than you realize, nobody can usually tell even if you are padded (and would be more likely to assume it medical than kinky even if they noticed), and struggling with this is normal too!
BE NICER TO YOURSELF: THAT'S THIS PAPI'S ORDERS! You don't deserve to feel bad about something that helps you feel good!
And as always; stay happy, stay healthy, and stay kinky!
- Scribbler
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starlightshadowsworld · 3 months
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Headcannon that a lot of the Orphanage staff were people displaced from the Great war.
People who weren't originally from Japan who found a place working at the Orphanage because of the Headmaster.
He fought with them and gave them a job, a home.
And maybe that's why they turned a blind eye to his methods, or even why they understood them and followed them.
Anyway, this results in Atsushi being multilingual.
As while the staff taught Japanese, a lot of them would speak in their own native languages.
Especially when they were angry, which they usually were. And so the kids learned to picked up on it fast.
You couldn't use "I didn't understand" as an excuse.
It just meant you were ignoring orders.
A lot of the books were ones the staff had owned as kids.
Given they hadn't had the budget for anything more.
And Atsushi spent hours pouring over pages and figuring out details and words.
Atsushi didn't realise that most people don't know more than one language.
For him it was the norm, a necessity, a means of survival.
Because the staff would change their language like shades on a chameleon, and if you got caught out you'd be punished.
He never bought it up, he hadn't needed to given everyone at the Agency spoke Japanese.
So did he.
Sometimes he listen to music on headphones from other languages.
Because it was werid speaking and listening to one language all the time.
Though Atsushi makes an effort to look more into the languages he's learned.
Because he's afraid of losing another part of himself. Esspecially after everything that happens in Dead Apple.
There are clues here and there.
Like how Atsushi watches soaps in his spare time.
Ones his old matrons would watch when they were supposed to be watching him.
Kyouka finds them intresting and sometimes watches them with him.
She doesn't notice that Atsushi only turns on subtitles when she's watching.
However no one knew until one time Fyodor made a mistake with his Japanese.
(Going off of Wan where he struggles with it.)
Dazai laughed at him, Fyodor cursed at him in Russian. And Atsushi, absolutely done with all this man's bullshit.
Proceeded to swear at him in Russian. Full on, rip this man to shreds, curse out his entire bloodline.
Fyodor was completely speechless, as was everyone else.
Dazai looks at Atsushi with the most devious look in the world. "Soo... Atsushi, mind sharing that with the class?"
Atsushi is confused, realised no one else knows what he said and is so embarrassed.
"You know Russian?!"
"You... Don't?"
Eventually, Atsushi quietly tells Dazai what he said.
Dazai falls onto the ground rolling around laughing his ass off.
"Atsushi I have never been more proud of you than I am now."
This post is bought to you by that one manga panel in chapter 13.
Detective Minoura visits the Agency, spots Kyouka and wonders if she's the assassin they're after.
Atsushi makes up a lie about finding her on a mission... And was doing a cossack dance in a wheat field.
Which 1st off, someone teach Atsushi how to lie plz.
And second of all, Google tells me is known as Hopak and is a dance in both Ukraine and Russia.... Sorry if that's wrong.
And I'm like... What an oddly specific thing to pull out of nowhere?
And how the fuck does Atsushi, I lived in secluded and isolated Orphanage in the middle of nowhere in Japan, know what that is?
Someone had to have taught him that.
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ishcliff · 2 months
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i don't remember if i posted this, but around release, i was wondering if the numerical designations of the sinners corresponded with the major arcana. i feel like this is a yes, but there are a few that feel like a reach.
here are the brief summaries of my thoughts:
yi sang - the magician — yes! the magician is a creator that utilizes genius-level mastery over all natural life, with an unending fountain of passion for creation just for the sake of creation.
faust - the high priestess — yes! another genius, this time in the realm of the subconscious and mastery of intuition. creation in the high priestess's case cannot be easily comprehended by the conscious mind. in addition, the high priestess is a keeper of many secrets.
don quixote - the empress — maybe? i can see it! the empress is a protective, nurturing figure that is akin to "mother nature" itself who encourages empathy and connection with the world around you. at times, the empress can be overbearing even with good intent.
ryōshū - the emperor — yes! this card is also protective and nurturing, but in a much more authoritative and commanding way. the emperor is the paternal figure to the empress's maternal, and focuses on logic and practicality as an expression of care.
meursault - the hierophant — yes! this card represents tradition, faith, adherence to social hierarchy, and going to the elders of one's community for wisdom on all matters in life.
hong lu - the lovers — dunno! i know essentially nothing about his source material. but, the lovers represents decisions, divisions, duality, and the necessity to pick a path at a fork in the road. typically this is related to matters of harmony between actions and values. and, or course, it also represents pure love in all relationships, be they romantic, familial, etc.
heathcliff - the chariot — yes! when the chariot has a destination, it stops for nothing and will trample everything in its way to get there. this card represents inner strength, determination, strategy, and forward-thinking.
ishmael - strength — yes! the strength in this card is similar to the strength inherent to the chariot, but with more of a focus on mastery of the self and compassion towards others. it can also represent the relationship between man and beast – sometimes internal/metaphorical, but also sometimes literal. in addition, something to note is that in many other variations of the major arcana, this number is actually justice.
rodion - the hermit — yes! the hermit is about a self-imposed isolation for the purpose of personal development. sacrificing interpersonal connections forces one to focus on fostering their internal world. while this is rarely ever in a negative connotation, in rodion's case, her distance from others very well could be due to her generally unresolved self-loathing.
dante - wheel of fortune — YES! this is the card that made me realize the connection to begin with. the wheel of fortune is about predestination, fate, and cycles of all kinds. the wheel is emblazoned with YHVH, and given dante's connection to lobotomy corporation by way of the boughs, it doesn't feel like a coincidence when you factor in the structure of the company revolves around the teachings of kabbalah AND as a goal revolves around breaking cycles. in addition, dante's head itself is a wheel.
sinclair - justice — yes! justice represents, you guessed it, justice. usually in the form of accountability, retribution, and cause-and-effect. often it indicates that one must feel consequences for their actions in the form of harsh life lessons. and just like with ishmael, an interesting fact: in many other variations of the major arcana, this number is actually strength.
outis - the hanged man — dunno! like hong lu, i have not read her source. but, the hanged man is about finding yourself trapped in a position where you are forced to take on a new perspective and to relinquish control over your life. there's no choice in the matter. accepting this lack of control/certainty of your future is what brings enlightenment and peace.
gregor - death — yes! while death can be literal, more often than not it actually represents....... metamorphosis. haha... but yes, generally it represents rebirth or transformation by way of changing from one phase in life/of a situation to the next, sometimes in unrecognizable ways.
probably my favorite detail in this is the way that ishmael and sinclair invert each other's cards while also dealing with extremely similar situations – and walking away with very similar lessons to learn.
aside from the places where it may or may not be a stretch, this connection begets the question: who is the fool? dante would usually be an obvious choice, but they are not 0 – though, of course, 10 includes 0. but i dunno! maybe we'll get an idea sooner or later.
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oleander-nin · 1 year
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Hihi! I love your writing for the yan!rise turtles! I'm not sure if you take requests, but, may I request a post about the yandere turtles reacting to or interacting with a s/o who copes with the stress of their kidnapping by singing? The songs I think of would be like musical style songs like ballads that really convict emotions.
If you don't take requests that's totally fine! I hope you're having a great day/afternoon/night!
A/N, not important: This isn't as Yan as I wanted it to be, but this would literally be like, the optimal situation for all of them. If it sucks majorly, just send me another ask, and I'll edit it to make it more dark. Thank you for requesting, you literally requested like a minute before I closed them you lucky duck. If you're ever curious about requesting, you can check my pinned post which has my requesting rules linked. I recommend you always check that before requesting. I'm trying to push out as many as I can because I want to clean out my inbox before I post the 100/200 follower special. It's impressive how fast these can go once I stop being such a lazy prick. Posts are probbles gonna be a bit shorter for a while, my apologies. Any criticism is welcome, constructive or not. This is supposed to be a gender neutral reader, so if I screwed up somewhere, please tell me.
-Ollie
Tw: Themes of being kidnapped, obsessive behavior, isolation(Donnie), yandere themes, coping mechanisms
Words: 639
Summary: The Yan! ROTTMNT turtles deal with a S/O that sings to cope with being kidnapped.
Mikey:
Is intrigued.
Will usually try and hang around while you’re singing, finding your voice soothing. Even if you sound like a screaming goat, he still loves it. You’re perfect, and so is your voice.
Encourages it as well.
Not only does he love to hear you sing, but he also recognizes it as a healthier coping mechanism.
When you’re singing, even if it’s a really sad song, you’re not really fighting him or using some destructive coping mechanism. 
Has you sing while he draws. Feels it brings you both closer together, the both of you making a form of art. Yours just happens to be intangible.
Records it when he can and shows off your singing to his brothers.
Is very proud of you and your talent
Pretends it’s not a trauma response/a coping mechanism.
He is well aware that it is, but he likes to pretend it isn’t
Donnie:
Either sits you in his lab with him, or records you while you sing in his room.
Since those are the two main places you’re going to be, he’s able to almost always listen.
Plays the tapes of you singing when you are either refusing to speak to him, or he’s punishing you via isolation and is unable to listen to you in person.
If you sing more musical style songs, he will 100% try to duet with you, especially if it’s a love song.
Will just tell you to sing sometimes. If he gets overwhelmed, and needs some form of stimulation, he goes to you and just sits in front of you and demands you to sing.
Gets incredibly huffy if you refuse.
On the flip side, he can also get extremely irritated if you’re singing for too long or if it’s distracting him or something.
Will demand you either shut up or make you go into your little isolation room to sing since it’s soundproof.
Raph:
Just a friendly reminder for Raph’s before I get yelled at. You might not actually be smaller than him, or weaker than him, but he very much sees you that way.
Anyways, he finds it cute that you sing to deal with your stress.
You’re already so fragile and weak, but you sing to cope too?
Now that’s just plain adorable.
It’s just proof that you need him. Your mind is too feeble to deal with the stress head on.
You need him to take care of you, and he’s happy to listen to your little performances.
Will scoop you into his arms(or drag you towards him if you’re bigger) and hold you tight, having you sing away while you're stuck with him.
Doesn’t understand why you stopped singing after he grabbed you.
He’s only helping after all.
Leo:
Sits criss-cross applesauce in front of you as you sing.
Very much appreciates and likes it.
Mikey mentioned offhandedly it being your coping mechanism, and Leo thought it was a really pretty one.
Begs Donnie to figure out how to cleanly record your voice without you knowing.
He wanted to listen to you sing while he’s on patrol or in battle.
Like Donnie, would try his best to sing along.
Or hum along since he doesn't want to disrupt you too much.
Usually drops what he’s doing to come listen to you, gives you all his attention.
It’s unnerving, but he doesn't want to miss a single moment with you.
Especially not when he finds your voice such a gift.
Has you sing before you both go to sleep, likes to pull you close to his chest and bury his face into your neck as you do so.
Is incredibly conflicted, he wants to show off your voice to his brothers, but at the same time, he wants to be the only one to be able to hear you.
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junosmindpalace · 10 months
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Hello!!! Can I request how would Senku, Tsukasa, Ryusui and Xeno (if you're familiar with him) (separately, slightly angst??) react to finding out their s/o has self-harm scars/is self-harming? If you're not comfortable writing that, it’s totally okay!! I just thought that because I've never seen anyone do this I'd maybe try to request it before the asks close.
Don't know if you heard this but I really like your writing!! 💕
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hello there!! thank you for your request! i hope that you are safe and well, and i hope i did this request justice. feedback is absolutely welcome.
warnings: implied self harm but nothing descriptive
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Senku: alternatives. Senku could handle the emotional shtick pretty well, even if it wasn't his forté, but with a matter so sensitive, he opted to go for what he did best; using his knowledge of science to help you in whatever ways he can.
Senku has always been a man of action, and so that’s the way to go for him. His care and concern is expressed through his means of trying to help you cope or recover, but you can also see it in his eyes when he catches glimpses of the scars.
He has a good eye and good intuition- besides, he cares about you enough to know what makes you tick. He tries to prevent your harmful thoughts or redirect your attention away from them before they can manifest further. This usually means making some witty comment that you can resonate with, or having Senku whisk you away to aid him in a science experiment, finding ways to keep your hands and mind busy on something fun and creative that can help you relieve stress. 
His medical knowledge comes in handy when he suggests harm minimization strategies, and he knows sometimes they can feel silly or not do enough justice, but if he can do anything at all to ease the pain in your mind and keep you away from harm, he’ll absolutely be doing it, whether its physical means of relieving yourself in slightly safer and less damaging ways, such as trying to reduce how often you harm and what means you use. He teaches you about all these other methods as well, from something more mellow to drawing on skin to something a bit reminiscent of the pain, such as physical activity. 
Whatever it may be, Senku will absolutely be using it in an attempt to help you, but makes sure not to push too hard with them, and simply suggest or show you methods and let you dictate for yourself whether they were helpful or not. Whatever it is you choose, he'll always make an active effort to help support you in whatever ways he can with his knowledge of science.
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Tsukasa: listens judgment free. He understands feeling isolated, and from experience, he knows how simply hearing a person out can go a long way. He understands that the subject is difficult to talk about, and so he’ll never pressure you into opening up about details you’re uncomfortable with. He lets you take your time, always making sure to be there for you in other ways to reinforce in your mind that he’s someone you could trust. 
Whether you pour out your feelings or only reveal bits and pieces in the way you’re most comfortable, he won’t once interrupt until he’s sure you’re finished talking. All his attention is fixed on you, and he doesn’t overwhelm you with questions or his own opinions either. Telling a person to stop is much easier said than done, and so he doesn’t, instead doing his best to communicate that he’s here for you if he can do anything at all to help.
Though not too familiar with alternatives himself, he remembers soothers that helped calm his sister when she was a baby, and he offers to try them on you when the urge arises. Though maybe childish, if they could distract you even for a little while, Tsukasa was glad. And even though he’ll always gently direct you to people and resources that could be of better help, if all you need sometimes is a listening ear to vent, he’ll always be right there with absolutely no exceptions. 
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Ryusui: pampers. The man is treating you like royalty. But not before he gives you some sort of inspiring or emotional speech. No matter if it comes out harsh or corny sometimes, it always leaves you feeling the slightest bit lighter.
He’s distressed by this habit of yours of course, and it’s evident in his face that he’s biting back on a comment when it’s addressed. He doesn’t mean any harm or to be overbearing, and he never is. He’s not one to pressure or guilt you, he knows better than that.
He tends to intervene sometimes however, occasionally overstepping with good intention. He’d much rather have you safe and angry at him over anything else if he does tend to overstep. In general however, he just wants to look out for you and help you cope safely. 
Cue all the pampering that comes in. Cue all the projects he immerses you in to keep you busy, hands and mind preoccupied with his endless amount of enthusiasm and constant new interests because he knows from experience that working away on something has always made him feel good. Besides, it occupies his mind for weeks. He’s always thinking of you and ways to uplift you- it’s how he’s always been with you. 
He knows he can hire the best of the best medical staff to assist in helping break this habit, but he mostly has that group of staff train him to help assist you, because he knows going to other people can be stressful and difficult and he hopes he can be someone you lean on during those vulnerable moments to carefully take care of you and your wounds. 
Say the word, and he’ll buy you the world to help lessen the pain in your heart. 
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Xeno: encourages medical help. He’s a scientist and an astronaut after all. He’s undergone medical training himself, and he knows quite a bit about psychology. He uses both in an attempt to try to help ease your mind and your pain. 
The very first thing he’ll suggest is seeking medical assistance. He’s a man of science, of course, and science can help you recover. But going for help isn’t easy, especially if you don’t have the means to do it. So he always makes sure to remind you that his services are open any time you need them.
He’s treating your wounds the moment they appear, and encourages you to at least see him regarding the issue. He never gets upset if you don’t, because he knows these kind of things are sensitive and hard to deal with, but he’ll always do his best to remind you in subtle and non-invasive ways that he was a person you could trust, and that he wasn’t going to shame you or let anyone else shame you.
He’ll check up on you from time to time, but won’t press for any details or emotional chats. Like Senku, Xeno is a man mainly of action, and he has good observational skills. He also does his best to try and minimize the damage before it can grow into something dangerous.
His means of looking out for you are more traditional and upfront, but they aren't any less well-intentioned, only wanting to make sure you're safe and healthy.
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maladaptiv3 · 1 year
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you're not a kid anymore (pt. 1)
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Pairing: JJ Maybank x Reader
Content: JJ's dad is back, JJ self-isolates to deal with it!
Warning: allusions to past abuse, angst, past trauma, JJ is mid-20s in this, I don't like to write teenage characters (since I am not one)
Word Count: 3,811 - this is long, sorry! I got carried away (it will be multiple parts)
this playlist would be nice to listen to while you read
*original content by maladaptiv3* please do not repost my work
(new screen name hey)
Time was slowly creeping into the territory where you would begin to really worry about where he was and what he was doing. Sure, he would get sort of distant and spend time by himself on the water once in a while, but you always knew where he was and you always, always knew he would trudge in here in the morning before you left for work. This time was different. His dad was back in town. You didn't know much about their relationship, just the small pockets he would share with you and rumors that would make it to your side of the island back in high school. Even as a sometimes acquaintance, you knew no one deserved to be treated like that, especially by someone meant to protect them. Now, you feel an ache in your heart whenever he shuts down because you know why it is happening. Trauma was not just something that one could get over just like that. No matter what you did to try and take his pain away, it was always there, just right behind his bright blue eyes. You often wondered how his eyes could be so soft and inviting when they held onto so much pain and anger. 
*four days ago*
He texted you while you were at work, which he rarely does. You opened the message and all it said was, "He's back." You knew exactly who he was, but you did not know what that meant for him. You wanted to run out of your classroom and go to where he was and just hug him—to catch him when he fell. You knew you couldn't. It was remarkable how he could make you want to give in to reckless abandon like you were a teenager. Unfortunately, you were not a teenager. You sent a quick text back, "I love you, baby. I will be home right after school." Your hands trembled for a second as your attention turned back to the lesson you were supposed to be teaching. 
The instant the dismissal bell rang you grabbed your bag and walked as fast as you could to your car. The short drive home seemed to take hours. You could not get there fast enough. Thoughts swirled in your mind. You did not know what to expect when you got there. You felt like you needed to prepare yourself for the worst. His car was in the driveway. You slowly turned the key to your front door and cautiously pushed the door open. You walked in and it was quiet. His hips weren't swaying to the radio while he did dishes, how you usually find him when he gets home before you. You set your bag down and peek around the corner and see the back door is open, "Babe?" There is no answer. You make it to the open door and he's sitting in one of the patio chairs, his eyes are red, and he has a cigarette burning between his swollen lips. Your heart sinks as he just holds a hand out for you to take and join him, "How was work?" You begin to sit in the chair next to him but he lightly pulls you toward him indicating he wants you closer, "It was fine, J. Are you okay?" You settle on his lap swinging your legs over the side of his chair as he wraps his arms around you. He flicks the cigarette into the ashtray and buries his head in your chest.
You being to stroke his hair and you feel his body simultaneously relax in your grip and begin to tremble. He's crying, "I don't wanna go see him." You try to pull him closer to you than he already is, "You don't need to, baby. You don't owe him anything."  It was quiet for a minute as you ran your fingers through his hair. "I'm gonna go see him tonight." The tears begin to form in the corners of your eyes as he continued to fall apart in your arms. You try your best to keep it a secret, "I can go with you." He looks up at you, his face wet and hair matted to his forehead, "You don't need to." "I want to." He presses a kiss to your clothed chest, "I need you to stay home. I need to do this alone." You tenderly cup one side of his face with your hand and he relaxes into it, kissing your palm, "J, he can't hurt you. You're not a kid anymore." He just takes a deep breath, "I know."
He leaned back in the chair and you guys sat on there for what felt like hours just listening to each other breathe and the waves crash onto the shore. He broke the silence, "I gotta go, sweetheart." You stood up and he followed you. You threw your arms around his neck, balancing on your tip toes, "Be safe, please." His hands found their home on your waist and he squeezed it lightly, pressing a long and deep kiss to your lips. He broke the kiss and looked down at you with those big blue eyes, "I love you." You sniffled and wiped a tear from falling down your cheek, "I love you, too." He kissed you again, "I'll be back tomorrow." You couldn't hide your tears anymore, "Please come home tonight." He kissed you on the forehead before walking away, "I love you so much. I'll see you tomorrow." You shouted after him, "I love you. Forever." He didn't look back as he walked out of the back gate. You knew if he did he wouldn't have left and you knew he needed to, no matter how much neither of you wanted him to go. 
That was four days ago.
day one
Admittedly, you hoped he was going to walk through that door sometime during the night. You knew deep down that wasn't going to happen, but you couldn't help yourself from trying to will it to happen. You lay awake most of the night, tossing and turning, worrying about what was happening between him and his father. You knew that it was not an easy decision for him to make—to go and see his father after everything that had happened when he was growing up. At the same time, you knew that he needed to go to see him. He had always wanted more closure than he was afforded when he left that day when JJ was a teenager. Still, selfishly, you wished J hadn't gone. Somewhere between putting your headphones in, playing your and J's favorite songs, and letting your mind wander, you had drifted off to sleep. 
You were startled by your alarm. You groaned at the sunlight peeking through the blinds you couldn't be bothered to close last night. You didn't have any messages from J and he still wasn't home. You had a sinking feeling, but he always comes home. Maybe he went straight to work to open the shop. You call him, but he doesn't answer. You swallowed the lump in your throat and decided to leave early to go drive by the shop. You pull into the parking lot and his car isn't there. You notice his motorcycle had been taken out of the garage, which felt unusual. You rummage through your purse for a minute looking for the spare key to the front door. You finally find it and make your way into the garage. It was still dark enough outside so the garage's sensor lights were still on. JJ's truck and the boat were gone. You still didn't like not knowing where he was or if he was safe, but you had some peace knowing where he likely was. You wrote a quick note and left it on his desk before locking back up and heading to work. 
Before going to your classroom, you stopped by the office to check your mailbox. You walked into the front office and noticed your box was empty. You walked up to the receptionist counter and you were greeted by the office manager's, Rhonda, smile. You smiled back at her, "Morning, Rhonda." She pushed her bowl of Jolly Ranchers closer to you, "Morning, honey. Want a Jolly Rancher for the road?" She knew your weakness. You picked a couple from the bowl and turned to leave. You stopped and thought for a second, "Hey, Rhonda. Can I ask you something?" She stopped typing on her computer, "Not if you're gonna ask me to change the toner." You smiled and laughed weakly, "No, you don't have to worry about that. I know you too well." Her smile was warm and I think she could tell something was on your mind, "What's on your mind?" I cleared my throat, "Did Joe mention seeing JJ at the shop last night?" She looked a bit puzzled and shook her head no, "I'm sorry, no. Is everything okay?" You quickly shook your head yes, "Yeah, everything's fine. He's just going through something right now. Have a good day, Rhonda." "You too."
day two
It had been just over 24 hours since you had last seen him. These days, he never disappears for this long without checking in. You tried your best to keep your mind from going to dark places. Sometimes those thoughts go the best of you though. You were at a loss. You checked all of his usual corners after school yesterday and came up empty. You couldn't exactly take the boat out and look for him on the water, he had the damn boat. 
You didn't want to get anyone else involved. What use was it to worry everyone if he was fine? Probably fine. He's fine. You were going to drive yourself crazy if you didn't at least reach out to John B. It was early, but you still dialed his number. You could tell you woke him up by the rasp in his voice, "Hello?" It was a question, not a greeting. He was still half asleep and probably very confused as to why you were calling him so early, or even calling him in the first place. You took a deep breath choking back tears, but your voice still trembled, "Hey, I'm so sorry to wake you." You could hear Sarah in the background, "Is she okay? Put her on speaker." They spoke almost in unison, "Is everything okay?" "Have either of you talked to JJ? He hasn't come home for two nights in a row." You heard John B. clear his throat, "He came by the other night before going to see his dad, but I figured he would have been home by now. Has he called you?" You clenched your fist, nails digging into your palm, to keep from breaking down completely, "No, I haven't talked to him since he left that day. I think I need to go to the police." Sarah chimed in, "Do you want me to go with you?" "No, I'll be fine." Her voice was reassuring, "Are you sure?" "Yeah, I am. I'm gonna go before work. Text me if you hear from him?" They answered together, "Of course."
You had two preps this morning, so you had plenty of time to head to the station before your first class. You parked and pulled down the visor mirror to make sure your eyes weren't too red. You took a deep breath, counted to three, and got out of the car. The walk to the door felt hundreds of miles long. Chills covered your body as you walked up to the counter. An officer you recognized as a parent of one of your students was sitting going through files when she looked up, "Oh, don't tell me this is about my son." You chuckled a bit, "It's not." "Thank god. What can I do for you then?" You leaned forward against the counter a little, "Is Shoupe in yet?" She sat back a bit to get a better look through the frosted office window, "I think so. Can I tell him what this is about? Everything okay?" You bit your bottom lip to keep it from quivering, "Can you please just tell him I need to talk to him about something?" She got up from her seat taking her coffee cup with her, "I sure can." "Thank you."
Shoupe stood in the doorway of his office motioning his head as an invitation. He waited until you were sitting to close the door. You fidgeted with the loose thread on the sleeve of your sweater. He sat down opposite you and took a sip of his coffee. The warm scent reminded you that you hadn't smelled coffee in two days, JJ drank it, not you. The scent filled your nostrils and you closed your eyes for a second basking in it. Shoupe broke you out of your thoughts, "What brings you in? How are your parents? I ran into your dad at the dealership the other day." You nodded, "My parents are good. Yeah, he mentioned you were in the market for a new truck." He just shook his head yes, confused about why I was making small talk about my dad's business at 7:30 in the morning on a Wednesday, "So, are you gonna tell me why you're really here?"
You smoothed down your dress nervously running your hands back and forth on your thighs, "JJ hasn't been home in two days." Shoupe didn't look surprised, "Isn't that kind of what he does?" You kept yourself from rolling your eyes, "It's what he used to do. He's not a teenager anymore, Shoupe. He has responsibilities now. A good life, he just wouldn't run off. He wouldn't do this to me. I'm really worried about him. No one has seen or heard from him in two days. I don't know what else to do. I'm freaking out." You felt the tears begin to form on your bottom lash line and broke down completely, "Shoupe, I need you to do something.  He wouldn't do this to me." He leaned forward in his chair and pulled paperwork from the bottom drawer of his desk. He offered you a box of tissues and a pen, "Let's just fill out the missing person's report and go from there." You nodded, drying your tears, and taking the pen, "Okay, let's do that. But then what?" He typed something into his computer, "We wait."
day three
The last thing you wanted to do was get out of bed and deal with teenagers all day. You loved your students to death, but it had been a long couple of days, especially because you weren't sleeping all that well. You were physically and emotionally exhausted. You finished your tea before you even made it to work, so you headed to the office to make a new cup and see Rhonda so she could fuel your Jolly Rancher habit. Rhonda can usually see right through you so you tried your best not to look as tired and worn out as you actually were, "Morning, Rhonda." She put her candy bowl on the counter so you could reach it, "Morning, honey." You stood there waiting for the electric kettle to heat up. You absentmindedly spun the ring that sat on your ring finger. Rhonda took notice, "Your boy not back yet?" You shook your head no, "Can you thank Joe for opening up the garage this week?" She smiled that warm and comforting smile at you, "Of course. He really did get you a beautiful ring." You plopped your tea bag into your mug, "Thank you. He had some help." She placed her hand onto yours, "He loves you. He'll be back." You just smiled back and nodded slightly, "Have a good day, Rhonda."
You really didn't want to spend another night alone in your and JJ's home. You texted Sarah. 
*text chain*
Hey, would you mind spending the night tonight?
Not at all, do you want me to come by after you get home from work?
That would be great. You know where the key is if you get there before me. :)
You pulled up to your house to see Sarah's car already in the driveway. You unlocked the door to see her drying some dishes. She turned around abruptly, "Oh, you startled me. You're home early." You pulled her into a hug, "I had a prep. You didn't need to clean my kitchen." She squeezed you a little tighter, "I know, I just wanted to help." You released each other and you thanked her. You changed and sat down on the couch. She sat on the loveseat adjacent to you, "You haven't heard from him?" You sighed, "No, but I talked to Shoupe yesterday." She rolled her eyes, "Did he say anything worthwhile?" "Nope." You enjoyed not being alone and got lost in reality TV to occupy your mind for a bit. 
Sarah broke the silence, "You hungry?" You nodded, realizing you hadn't eaten much of anything the last few days. She took her phone off the coffee table, "I can have John B. go pick up a pizza or something." You snuggled deeper under your blanket, "That sounds good." You were thankful for your friends. Even though they were JJ's first, you were welcomed quickly and found a best friend in Sarah that you had wanted your whole life. You didn't talk much in high school, she had a certain untouchable aura to her back then. She was far from untouchable, however. She was warm and fiercely loyal to those whom she loved. 
day four
You were thankful that both Sarah and John B. decided to spend the night last night. John B. took up residence on the couch insisting that he didn't need to sleep in the guest room if Sarah wasn't going to be in there. You insisted that you could sleep alone, you think she knew you didn't mean it. She was still asleep when your alarm went off. It was a half day and you literally could not be more thankful. All you had to do was make it through four hours of teaching AP English and you could retreat back to your safe haven, to your friends, and maybe to JJ. You couldn't help but think that every day when you came home this week, JJ would be there waiting for you. It hadn't happened yet, but you weren't about to give up hope. 
When you got home, both Sarah and John B. had left. Sarah left a note on the kitchen table: "Went home to get some stuff and John's at the surf shop. We'll be back later." You told them they didn't need to spend another night but you were thankful they chose to. You made a cup of tea and settled onto the couch, trying your best to take a nap. Your mind was racing but listening to music always seemed to help. You were startled awake by the door lock clicking closed. Sarah muttered to herself, "Shit." You sat up, "Hey." She looked apologetic, "I am so sorry, I was trying not to wake you." You got up from your place on the couch, the hair on the back of your neck was sticking to it and all you wanted to do was take a shower, "It's okay, I'm gonna take a shower." Sarah placed some grocery bags on the kitchen table, "You'll feel much better after that. I'll fix us some dinner. John B. will be by later, he's got inventory coming in tonight." 
The steam filled the bathroom as you stepped into the hot water. You let the slightly too hot water wash over your shoulders. For a just moment, you felt everything melt away. There was truly nothing like a hot shower. You sat with your thoughts for a few minutes. You missed JJ so much and were really starting to get concerned. You hadn't heard anything from Shoupe yet, though you were wondering if he was actually doing anything. You wanted nothing more than to go back in time and not let him leave or force him to take you with him. You regretted not going after him, making sure he was okay. You kept telling yourself you could have prevented this, but in reality, you knew couldn't have. 
After your shower, you and Sarah sat down to eat dinner. You spent it reminiscing about old times—talking about everything and nothing at the same time. You have to admit, the banter was a welcome distraction. Shortly after dinner, you guys settled in to watch a movie. You were tired but you enjoyed doing something other than worrying about your wayward fiancé. You could feel yourself starting to fall asleep, "Hey, I'm gonna turn in." She nodded and pulled you into a side hug from her spot next to you on the couch, "I'm gonna wait out here for John B. Shout if you need anything." You squeezed her hand, "Thanks, Sarah."
You rummaged through JJ's drawers searching for his favorite t-shirt—his faded Sex Wax shirt. You wanted to feel close to him. He had had the thing since high school, so it was perfectly worn in. You slipped the shirt over your head and crawled under the pile of blankets that you couldn't sleep without but JJ always complained about. You had been lulled to sleep by the sound of the TV in the living room. For the first time in the last few days, you were actually asleep. 
After a couple of hours, you were woken up by whispering coming from the hallway. You didn't think anything of it. You checked the time on your phone. It was 2:38 in the morning. You had a message. You opened the messaging app and it was from JJ, almost an hour ago. It just read, "I'm sorry." Before you could manage to untangle yourself from your pile of blankets (JJ was right, you really didn't need all of these), the bedroom door opened slowly, the light from the kitchen peeking through. Your heart sank when his familiar backward cap and his blonde locks fluttering out from beneath it were illuminated in the doorway. You choked back a sob, "JJ?" He rushed over to you taking you in his arms. You wrapped your arms around his neck, tears streaming down your cheeks. He broke the hug and your eyes met. He wiped a tear from your cheek. You were so unbelievably angry and thankful at the same time. He kissed you. You cried harder. He pressed a kiss to the top of your head, "Shhh, I'm here. You're safe. I'm safe." You pulled back a bit, "You look like hell." "I feel like hell."
part 2
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plus-i-miss-you · 4 months
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hi!!! could i request mikoto or/and kotoko with a socially awkward prisoner reader? have a great day ^^!
▷ listening to:
"it's okay, i'll sit next to you even in silence" (gn!reader)
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⇆ㅤ ㅤ◁ㅤ ❚❚ ㅤ▷ ㅤㅤ↻ ılıılıılıılıılıılıㅤ
♪ note: hello hello! sorry this took so long, but i hope you still enjoy reading it <3
♪ summary: it doesn't matter if social interactions are a bit hard for you, because your intimidating wolf girlfriend and/or your boyfriend that looks like he was made at a regular guy factory would still love you the same.
♪ warnings: none! also you can interpret these hcs as being in a relationship with both of them or separately. also kotoko might be a bit ooc.
mikoto kayano.
♪ oh.. you're a quiet one, aren't you? well, that's okay! he doesn't mind, really, he finds it kinda cute- ah, that probably sounded rude, haha.. it can be a little hard for mikoto to understand what you want to say sometimes, but he really will try his best to understand it. you can write him a note or point at an object and he will go ":O!! okay i get it now :D" he will also try not to be too overwhelming for you, so if you feel like your social battery is running out, you can always tell him to stop, he won't be mad at you or anything! he just wants you to feel comfortable.
♪ mikoto can notice when you're feeling like you don't want to participate in a conversation or finding it hard to find the right words to say, so if you don't mind, he will say the things you want to say for you! or even if you don't want to actually talk to anyone, but it's obvious that you have something to say, he will help you with anything you might struggle with. for example, maybe you don't like your food, but you're too scared to say anything about it, he will notice it and ask if you want to have some of his instead. it might take him a while to notice that something is wrong, but he really is trying his best and you appreciate it a lot.
♪ when mikoto is feeling tired, he actually finds your presence very comforting. it's like.. he doesn't have to act like everything is okay, maybe? also he really does find your awkwardness cute! it's okay, you don't have to say anything! he's just happy to be here with you. when you two hang out, it's either mikoto doing most of the talking or you two just chilling and doing your own thing, but still enjoying each other's company. maybe it's mikoto explaining you something and you just nodding, or him drawing something while you do something else, but still softly poke his shoulder, basically asking if it's okay to take a look.
♪ mikoto understands that being socially awkward can be very hard and you may feel lonely or isolated from others in some way. it's okay, he has moments like that too sometimes. he doesn't know what it was like for you before milgram and he's actually a little worried about you, but he hopes that you can at least feel more comfortable here and it's not too hard for you to talk to other prisoners. and if you're having any trouble, you can always ask him for help!
kotoko yuzuriha.
♪ oh, so.. social interactions are hard for you? okay. no, seriously, she's fine with it. you thought she would leave you or something like that? nope, as you try to explain to kotoko that you have some problem with socializing, she just nods and keeps her usual face expression but on the inside? she's going "GOD I WANT TO PROTECT THEM FROM EVERYTHING SO BAD". there must be some kind of reason why socializing is hard for you, right? it's okay, she won't ask unless you want to talk about it. but if anyone in this prison decides to even lightly tease you about this, it's on sight.
♪ kotoko is not really a "loud" person herself and she's not that extroverted, so you feel surprisingly comfortable around her. it's just.. because of her face expression and tone of voice, you can't help but feel like you've done something wrong most of the time. so when she notices that you're acting kinda weird and asks you what happened and you scream because of how scared you are and start apologizing.. okay, you really are hiding something from her, aren't you. 
♪ when you finally tell her the truth and say that you just find her a little bit.. intimidating, she just goes "... oh" and sighs. okay, yeah, she can't deny that she probably has a vibe like that. she actually apologizes for scaring you and says that she can't really control it, but at least this way she can scare off anyone who tries to hurt you. she looks at you and sees a cute little bunny shaking and crying and in need of someone protecting them from this cruel world. all of this in a good way.
♪ you two literally have the "they asked for no pickles" dynamic. if you're having problems with anything, kotoko is already here. you don't know why she's here. you don't know how and when she got here. she's just here, standing right behind your back and asking what's wrong. actually, you don't have to answer, she already knows. who does she have to kill- beat up. she meant beating someone up. what do you mean it's not better. okay, she'll just kill them then. no? okay. okay sorry. she just loves you a lot. please let her protect you.
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yelenasdiary · 2 months
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Forbidden || Meet The Characters - Wanda Maximoff
No Warnings: | 0.6K
Forbidden Masterlist
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I'm not as bad as the people make me out to be. They see a 'weird' and quiet person who keeps to themselves and suddenly I am some witch who beheads anybody who steps foot on my property. They aren't wrong, about the witch part. I don't behead people, that's crazy. But I enjoy witchcraft, some may not believe the magic you can do and others, well, most, just think you're crazy. 
Of course, I don't do things that'll bring harm to people, but I do get a little kick out of seeing the look on their faces when you throw them that one tiny glare. The whispers and the way they pick their feet up quickly just to get away from me is funny to me. I know who I am, and I don't need them to tell me who I am. 
I live in a little cottage close to Redpeaks, right on the edge of the coastline. Nobody bothers me here besides my brother, Pietro when he gets home from work. He works at the gun store in Olsen, but mostly likes doing one-off ranch work for those seeking an extra pair of hands. He can never sit still long enough to do one thing, he's always off doing something. 
Although there's much talk about me and I don't mind finding some fun in it, it is lonely. I have never done anything to make people genuinely afraid of me and most people just believe the talk. I try to help people where I can, I give money to charities and those begging. I don't ask for praises because that's not how I do it, I do it because I want to. But, with the talk of others, people are too quick to run from me or stay clear as I walk the street. They drove me out of town the moment they heard my parents died, I am an outsider and I am isolated away from everyone as they wished. But I am not the evil they say I am, I am not. 
Children play games around my home, I see them, I hear them. I hear their giggles and "I heard she's this" talk and while they are children, I wish they wouldn't be so afraid of me. Sometimes I leave out bread for them to take home but that usually gets thrown back at my home and they make jokes of how the food is cursed and they would probably turn into a rat if they ate it. 
Not all the people around me are cruel, the Bishop girls are kind to me. They always wave and say hello whenever they see me walking by their ranch. Y/n is so sweet, she is always so happy to greet me and sometimes even comes running to the fence with left over food she doesn't want to go to waste! I have a painting she did for me hanging above my bed, it's a beautiful painting of Talon's lake. That girl has an eye for beauty! Kate is just as lovely, both girls have been brought up so well. I often see Kate and their dog hunting in Redpeaks on my walk to town, I always carry some treats with me for Lucky as I walk by. 
Well, that's me for now. Have a wonderful day, please don't be afraid to say hi!
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Taglist: @madislayyy | @riveramorylunar | @teganmiller | @kyleeservopoulos | @yelenaslyubov | @kacka84 | @lesbiarmy | @meurgen | @caporal-nino | @sl-ut | @scarletwidowblackwitch | @dogtamer415 | @mousetheorist | 
If you want to be on the taglist for this series, please see the masterlist. It's link at the top of this post.
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xoxo-ren-xoxo · 6 months
Text
The Grumbo Apocalypse / Monster Horror AU
Massive thank you and credit to @angeart for helping me out with this AU of mine, coming up with new ideas, listening to my insane rambles, writing cool stuff, and making some brilliant concept art!
(and helping with this post too!)
CW/TW for this au: apocalyptic scenario, discussions of death / existential dread / being replaced / horror themes, body horror, issues of identity and self-image
SO the 'grumbo apocalypse / monster horror' AU is sort of what it says on the tin? Mumbo is just a regular guy with a coding job who wakes up one day to a nice bright apocalypse outside.
The sky turns white, the sun turns black, shadows become death traps, wormhole open up in the middle of the road... you get the picture. At first, everything is reported on by local news stations- it all seems rather mundane despite the horror of it all. People are hunted down by various monsters in the streets, and you can hear all about it on the ten 'o clock news.
Still, eventually, humanity seems to flicker out. No more electricity. No more news. Mumbo goes to his living room window and Something looks back at him. So he does what any self-respecting person would do, and cowers under the windowsill waiting to die.
The monster that breaks into his house through the glass is something the media called an 'outsider'. Its form shifts, changing fluidly with horrible wet sounds. It has scales and feathers which move across its pale skin like insects. Two- five- three- two eyes. A mouth, filled with rows of teeth and black bile, opens up from nothing on its face. It stares at Mumbo. Mumbo thinks he's going to die.
Then the monster speaks to him. It says 'hello' in a disjointed, stuttering voice. Mumbo doesn't die. The monster tries to look more human. It's name is Grian, apparently.
Grian is part of a species which existed long before the apocalypse. A monster which lived on the outskirts of towns and cities, usually just keeping to themselves. Like pests, they would sometimes wander into isolated houses, and find themselves nesting there.
Outsiders- we will call them that for now- can change form easily. Naturally. They also mimic sounds. Voices. Screams of the dead. And they are designed to blend in. To slip into a home, kill a human, take their voice, become them. If they feel threatened enough.
The apocalypse made them angrier, more feral. Hunting, eating, killing humans just seemed natural, despite their generally passive past.
Mumbo survives because he freezes. Naturally, he's the type to panic and stop moving entirely. He freezes and hides and waits. Outsiders are built to chase a moving target. They don't tend to attack an unmoving figure.
Grian settles, and Mumbo becomes his new friend. Like that, because Mumbo is still reeling from not being slashed to death or eaten, Grian simply stays. Or, Mumbo stays.
Grian is very protective of Mumbo. They leave the city, Grian using his teeth and claws to kill any threats. Into the forest, they find Grian's nest- where his flock is (though Mumbo can never quite be sure if they are there, hidden in the shadows) and they survive.
It is nice, for a while.
Grian only sometimes talks in an original voice. He can speak his own language (chirps, whistles, gurgles, clicks) just fine, but he is only made to mimic human language. The most basic words- though he's learning. He can use the voices of the dead (and has a funny habit of replicating their dying screams).
(Mumbo tries not to hear familiar screams in Grian's voice)
(If he has nightmares about it, and panics when he wakes up wrapped in Grian's arms, the arms of a killing machine, he doesn't mention it)
But, also, the apocalypse, and living in the forest, and cuddling with a being designed to kill and replace you, is scary. Mumbo wants to go home. He wants to stay. The sky is white. His mind can't quite take it.
And when another monster tries to attack him, he runs. Grian kills the monster fast. He sees Mumbo running. Instinct triggers. He pounces.
Mumbo tries to forgive Grian for the scratches. (They aren't scratches. Mumbo calls them scratches. They run deep). He still flinches for the next week whenever Grian gets close. They both know it couldn't have been helped- their instincts are incompatible. Human and monster. Made enemies by the end of the world.
Grian tries to make himself more human. Two eyes, two arms, two legs, no tail, less feathers, smoother skin, a normal face, a normal voice. It hurts to hold that form. It hurts to look at his true form, knowing it scares Mumbo. It's worth the pain to pretend they are a normal pair.
Neither of them talk. Neither of them try. Soon, one of them will break, and the other will come crumbling down after... but that's a story for another day.
(psst. ask me questions about this AU I get insane about it always) (also scar, cub, pearl, joe hills and cleo have very minor roles you should ask about them too)
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yanderes-galore · 1 year
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Maybe something with yandere prompts 2, 5 and 9 with toy bonnie please?
Sure! Using my prompts for this as usual. Been awhile since I've written for Toy Bonnie. I struggled on the plot for this one so hopefully it still makes a good story :)
Again, like usual, AU where all bots have the AI like the Glamrocks.
Yandere! Toy Bonnie Prompts 2, 5, 9
"It's an honor for someone such as me to take you in and love you!"
"Manipulation? No, dear, I'm just encouraging you!"
"The wound in your leg serves as a lesson, does it not?"
Pairing: Romantic/Platonic
Possible Trigger Warnings: Gender-Neutral Darling, Manipulation, Narcissism, Social isolation, Violence, Sabotage, Obsession, Jealousy, Possessive behavior, Forced companionship, Intimidation, Broken bones, Implied kidnapping or death.
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When the new Freddy Fazbear's location opened there were new animatronics introduced. The new Toy Series of animatronics were meant to look 'kid-friendly' compared to older models.
They went all out with the new look, too. The newer Freddy, Bonnie, and Chica looked way friendlier than the older models... who were stored away for part use. The newer Foxy didn't last long, unfortunately, and the new Balloon Boy and Puppet animatronic still seemed to creep out children even with attempted changes.
The more interesting part of their AI, in your opinion, was the ability to scan and register employees into their database. Although... while the previous models had this tech, it didn't transfer the best to the Toys.
That was the mechanic's assumption... many complained they stared blankly at adults but were fine with kids.
The staring was occasional and did not happen all the time, but when it did... it was freaky. The animatronics also had a component that could allow the bots to speak to employees in their own instead of the pre-programmed song library. The designer really thought things through... wanting to make the AI as realistic as possible.
Such tech isn't perfect... as you'd soon find out.
Each bot had their own personality. Although you noticed most, if not all the Toy line, has a craving for attention. It made sense... they were meant to be for kids. Kids tend to crave attention, too.
Such a quirk in their AI made the bots cling to and follow employees. The worst bots had to be the new Bonnie and Freddy. Luckily you only ever saw one around you all the time.
For the most part, each bot got along with you. They would greet you and often offer to help. Even Mangle (the broken new Foxy) with its heavily damaged AI made attempts to communicate through static.
Bonnie was the one who often looked to talk to you. Toy Bonnie, a blue rabbit with wide green eyes, was built to play songs with kids. He was always one for the spotlight and thrived on attention.
With the cute exterior and high-pitched voice, Toy Bonnie was a hit with the kids. Even when trying to speak with you... he still attempted to be friendly. You didn't mind the bot deciding you're his favorite.
You could never get used to the staring, unfortunately.
Sometimes it was just during his performances. Those green eyes would never leave you... even if you left the room. They'd always linger where you were.
It's worse when you're with another bot. Perhaps you're setting up a show with Freddy or Chica? Bonnie's staring... as though his programming is glitched.
Yet when checked, things worked fine.
This wasn't an issue you could physically find. No, it's nearly impossible to find a self-aware AI as they hid their traces. Bonnie didn't stare because he was glitching necessarily....
In his eyes, he's jealous.
He's incredibly upset at the fact the others are on such good terms with you...
The rabbit starts dropping hints.
"My guitar needs tuning!
He comes up with excuse after excuse...
"The stage needs cleaning!"
He hopes he takes up all of your time...
"Can you listen to this for me?"
Yet it never seems enough.
"I don't like that you care so much about the others...!"
"I need to, Bonnie. It's my job!"
"They have their own employees... I have you! You're meant to help me and only me! Not them! Your time is much better spent around me! Ditch them...."
"Can't believe they programmed manipulation into you...."
Toy Bonnie's eyes narrow, he hates it when you fight....
"Manipulation? No, dear, I'm just encouraging you!" Toy Bonnie answers, grinning. "It's never good to waste time with unworthy scrap metal."
Sometimes you wish these locations had normal robots. Toy Bonnie's craving for attention makes the bot too obsessive about you... causing fights.
Many fights.
Toy Bonnie hates the idea of sharing... maybe you need to learn a lesson.
A harsh lesson....
Toy Bonnie knew harm towards employees was frowned upon in his programming. In his eyes, though...
This was deserved.
All it took was a planned slip and a painful fall to put you out of commission for a bit. According to gossip Bonnie heard from stage and while wandering party rooms, his little trick damaged your leg. He didn't know the degree... but you weren't coming to work for a bit.
Just in case... Toy Bonnie threatened the others during their scheduled night routine to keep their distance if his other plan didn't work. The night guard certainly got an interesting event to watch on the cameras that night....
You'd think after that you'd leave the others be, right?
Sadly, it seems the rabbit was wrong. You still paid attention to the others and not him when you came back. Still claiming it was your job....
The rabbit didn't want to stand by and be docile anymore like he was supposed to.
"The wound in your leg serves as a lesson, does it not?"
Toy Bonnie taunts you again in a quieter area while you look for something in a storage room. The bot's green eyes look towards your bandaged leg. He scans it... looks like a fracture.
You pause and look towards him. Your eyes hold fear... and anger.
"What are you talking about?"
"I'd think after that little tumble of yours you'd learn who deserves your attention. Especially when the others started ignoring you." Toy Bonnie chides, optics narrowing. You realize what he means....
"I'll have you scrapped...." You warn, teeth gritting. "You broke my damn leg!"
"Knew you were my smart rockstar! Now... perhaps I have to be more direct?"
Toy Bonnie jolts forward, causing you to jump in fear.
"You are my little rockstar... not theirs... mine. I'm the one you should care for... not them. Do you need another lesson, or do you understand?"
The presumably malfunctioning bot steps closer, blocking your exit.
"It's an honor for someone such as me to take you in and love you!"
The bot growls, glitchy twitches making the normally cute appearance of the animatronic unhinged and dangerous. You notice Bonnie position into a pounce... the room's shelves not giving you enough room to move.
"Here's your final lesson, rockstar..." Bonnie chuckles, servos clicking before launching into a dangerous attack. "I can break way more than your leg if you really want!"
Your screaming was cut off quickly, one way or another.
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thydungeongal · 8 months
Text
Finding the right balance between challenging players and challenging their characters is tough, because I very much believe both have their upsides.
First of all, I am firmly a believe in rolling for stuff like social skills. Being able to build a character geared towards social problem-solving and being able to flex that is cool and that possibility needs to be open to players in spite of their social skills and without going outside anyone's comfort zone. I still kinda need to know what your character is doing in the fiction (on an abstract level, what is your character's argument/lie/threat?) to ground it, but there's no need to speak in first person or actually destroy me the GM with facts and logic.
But there's one part of RPGs where we're kind of accustomed to the game challenging both the player and the character. The one part that usually, largely due to historic reasons, gets a lot of mechanical weight dedicated to it. Yep, combat. Combat is usually a minigame with its own mechanics and even when the outside systems don't really engage player skill (there's usually no need to learn, as a player, what lock of lockpick is best against what type of lock, and so on) in most RPGs it is possible to develop system mastery in the combat system in isolation. And often when people talk about optimization in the context of your traditional action adventure RPGs it usually refers to optimizing your combat skills, because it is the one part of RPGs where there are usually very objective and tangible goals in place (optimization outside of combat usually boils down to finding the options that are the most versatile and that can apply equally well outside of combat).
Of course combat also tests characters, because characters bring their stats and skills and whatever into the encounter, but the skill of how to apply those skills and stats to the best effect is the system mastery. Especially since GMs will sometimes prod their players for skill checks unprompted (something I think you shouldn't do, but that's another post) there is a much smaller space for players to identify the sorts of situations where their characters' strengths are best applied. And that's kind of a shame.
Of course this is not universal: while the above does apply to most games, some games have intricate subsystems specifically outside of combat while making combat itself much more abstract. Monsterhearts comes to mind. It is entirely possible to optimize a Monsterhearts character and develop system mastery in Monsterhearts. But this will also be applied to a completely different end: an optimized Monsterhearts character is one that can effectively interact with the game's main social economy, Strings, and that usually also means driving the narrative towards an explosive, dramatic finish. Break!! is a game that makes exploration into a minigame, with different effects depending on your group's movement speed, with different abilities being tested, and so on. Exploration is something you can, as a group, develop system mastery in!
So getting back to that social skill example, what if our social skill systems allowed for an abstract, zoomed out view of the social situation to fit everyone's comfort level, but still allowed players to develop system mastery in where to apply those skills? Just like you don't wanna use lightning against a shambling mound (a skill players can learn through system mastery) what if it was possible for players to develop a skill in identifying whether a given social situation is best handled through impassioned pleas, logical arguments, threats, or duplicity?
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apprenticestanheight · 4 months
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THE FIVE DAYS OF SMUTMAS QUEUE: DAY TWO
Work Shirts - Lawrence Gordon x gn! reader
All right!! This is day two of my silly little christmas celebration, and of course I had to do what I've been procrastinating since basically the start of this account--write a Lawrence reader insert piece!
I love him wholeheartedly despite my lack of fics for him so this has definitely been a long time coming, and this one, much like yesterdays fic, stems from a thought I had—though with this thought, @mrkheartffmans and I went a lil feral together through the reblogs of the original post and thus, the fic concept came to light!
This is also a few years post trap because I was like "yeah working somewhere for a decade is cool but what about a decade and a half??" also—my mentality was that having it set a few years post-trap would be easier to write?? I don't know how true that actually is but it was my thought process lol.
This fic is for audiences of 18+, so minors, do not interact!
Fic type- this is mostly--almost entirely--smut. There's also angst if you squint because yeah, angst was bound to be present somewhere lol
Warnings- unprotected sex (reader is on BC), and as per usual, the reader is GN for all intents and purposes (petnames included), but I went with AFAB anatomy as that's the anatomy that I know best.
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Lawrence wishes he could act like the surprise on the faces of his coworkers when he mentioned having the last two weeks of December off came as a surprise to him, but he can't and he kind of hates that.
Of course people are bound to be a little surprised by it. In the decade and a half that he's worked at Angels of Mercy, the only incident where he took any sizeable amount of time off was while he was recovering from the bathroom trap and could hardly stand, let alone walk like he used to.
But, in the three years since the bathroom trap and aside from that month long period where he allowed himself to recover before going back to work, he'd not taken a single day away. Being at work, seeing to patients and talking to people—even just going to work and filling out miscellaneous paperwork while he sat in the isolation of his office—kept his mind busy and his hands busier.
He came home from work every night and saw you, which just made his entire day as it were. You'd order food or make something quick and just spend your time lounging on the couch, occasionally get a little flirty, and laugh when Lawrences hands started wandering how they used to in the days of your masters degree and his days of medical school.
But, because of a backlog of PTO and the fact that he'd been overworking himself almost to the bone with the onslaught of people needing medical care during the last three months of the year, Lawrence decided to book the 14th through to the 2nd of January off so that he could get some rest and worry about housework so that you didn't have to worry at all, where you normally split the housework fifty-fifty.
Lawrence knew that your marketing job got really, really stressful during the last month of the year. People always unearthed different versions of themselves come the holidays, and all he wanted was for you to come home from your workday and not have to worry about menial things like a messy bathroom counter, week-old leftovers in need of throwing away or dishes not yet moved from the dishwasher to the cupboards.
He gets called into work for an emergency on the 21st, and after running to grab groceries during the afternoon on the 22nd, he's delighted to find what he does waiting for him in the bed you share.
You're typically home from work at around seven, sometimes eight thirty on particularly busy days, and when Lawrence arrives home, it's half past eight.
He goes into your bedroom, having indeed hoped to see you there or at least get a call about work running late with the promise of more details upon your arrival at home as he enters your shared bedroom, but what he sees is so much better than anything he could've hoped for.
You're sitting on the bed, back pressed against the head board, focused on whatever romance book you'd plucked from a charity bookstore on your way home, but it's not what you're reading that Lawrence really takes note of.
No, it's not the book at all, though he does note that the title makes it seem like something from either the regency or the victorian era. It's what you're wearing.
You're wearing the shirt he wore to work the previous day, buttons undone with the cufflinks you'd gifted him for christmas the year his residency ended still holding the sleeves of the shirt together, the duvet covering your legs and hips, which makes Lawrence assume you've stolen a pair of his sweatpants in addition to the shirt.
He knocks, lightly, on the side of the door, and you startle, looking up to the source of the knock and relaxing the minute you see his face.
"You startled me," you say, grinning and closing your book over your thumb so as not to lose your place. "I remember you told me you'd be getting groceries around when I would get home, so I stole one of your shirts and settled in. Figured we could order Thai food or something to that effect, have a late dinner and relax."
Lawrence runs his tongue over his lips, notices the keen way with which you watch him do it.
"Yeah," he grins, further enters the room. "That sounds lovely. I grabbed the last of the necessary ingredients for dinner Christmas Day so that you wouldn't have to worry—I know that work has been something of a mess for you lately and I want to make sure you have the opportunity to relax when you come home."
He approaches the bed, watches you place the book you'd been reading open on your nightstand beneath the lamp.
"I don't deserve you," you laugh.
You've been dating since you were starting up with your masters a year after getting your bachelors degree when you were twenty-three and Lawrence was two years into medical school at twenty-four.
You've been married since you were twenty-five and twenty-six, and seventeen years down the line, you both knew that marrying each other was the best possible thing either of you could've done with regard to the romantic part of your lives, and while you were married you ended up doing the best possible things for your respective careers so it worked in both of your favors regardless.
You were Lawrences rock, especially so in the aftermath of the bathroom trap, and he was yours and would be such forevermore.
"You're right," he says, moving away from the bed to grab a pair of sweatpants. "You deserve more, but I do strive to be what you deserve day in and day out."
"Don't say that," you chide. "You're perfect, Lawrence. I wouldn't've married you had I thought otherwise, I promise."
He can feel your gaze on him as he slips out of the khaki pants he wears, deciding to go commando and put a pair of light gray sweatpants on for comfort. He changes out of the black button up he'd chosen to wear, pulls a baggy dark blue Henley over his torso and climbs into bed beside you, pressing kiss after kiss down the line of your jaw and across your neck.
"How stressful has work been?" He asks, tone genuine but also slightly seductive.
"Oh, so stressful," you laugh, knowing exactly what he's doing and the fact that seeing you in one of his shirts and just one of his shirts has spurred that on by a mile. "I think if I have to hear one more coworker complaining about last minute shopping during the last few days before Christmas Eve or even on Christmas Eve in and of itself, I will start causing heads to roll. December is the worst time to be in the offices because everyone stops caring about year-end quotas and making sure things are good going into next year and starts caring about whatever gossip is being spread around. It's dreadful, Lawrence."
He pauses, looking at you with genuine sympathy in his gaze. "I'm sorry—I feel gross. I didn't mean to attempt to proposition you for sex like that. I really do want to hear about your day and I'm sorry it's been so terrible, my love. Are you going to book time off?"
You grin. Lawrence is ever-so considerate, always apologizing and stepping back if he's done something in a way that he doesn't appreciate midway through.
"You're going to be stuck with me from tomorrow through to the second," you say. "And—for the record, I didn't hate it. I like it when you proposition me for sex with kisses because your kisses are quite honestly one of the best parts of being married to you. Plus, I have had a stressful month and I won't lie and say that my current outfitting was just for comfort. Sure, bare ass on satin sheets is an amazing feeling, but I was hoping that I'd get the reaction I did, admittedly."
Lawrence tilts his head inquisitively. "You're not—you're—I thought you'd taken a pair of my sweatpants," he grins, moves a hand to your thigh. Sure enough, it's bare. "Oh, Christmas must've come early."
You laugh. "You fuckin' wish," you say, ignoring the goosebumps that Lawrences touch brings on.
You unbutton the few buttons done up on the shirt, press your back against the headboard.
"Stressful month, yeah baby?" Lawrence is almost beaming as his hand moves from your thigh to your stomach, lazily perusing up your chest.
You clench your jaw, squeeze your arms against your sides because you are not going to give in to your handsome husband and his illustrious whims just with a few touches and some whispered sentiments.
"So stressful, Lawrence," you nod. "So, so stressful."
"Do you need a way to destress?" His thumb and first finger locate your nipple, and you exhale a breathy moan, quiet and already wanting to give in to his whims. "If you do, I think I could be of assistance."
"Lawrence," you moan, quiet and needy. "Oh, fuck, Lawrence."
Lawrence moves his hand away from you for a second, only to take off his shirt and the sweatpants he wears before he's back to kissing your neck and letting his hands roam across your chest.
A few minutes of much the same passes by, Lawrences kisses lining your neck and jawline and face and your ethereal lips while he rolls your nipples between his fingers. His hand dips to your folds for just a few minutes, taking your slick onto his fingers and laughing against your shoulder.
"You're so wet for me already," he says. "Fuck, you're perfect."
"Wanna ride you," you're almost stunned at how evenly the words fall from your lips but not at all stunned when Lawrence agrees.
He pulls you onto his lap, lets you grind against his half-hard cock until it's fully hard and you're begging to feel him inside of you and moans when you bottom out, gaze watching you intently as his hands settle on your hips.
"Lawrence," you whisper. "Fuck."
A smile spreads onto Lawrences face before he can stop it, and when you start riding him, he presses his back against the headboard, one hand on your hip while the other lightly holds your chin so as to keep your gaze on his.
You get lost in how good it feels within the space of a minute, maybe two—Lawrence's cock is long and thick, and even if riding it takes some adjusting occasionally, it still becomes very enjoyable very quickly.
"You're so wonderful for me, Y/N," he says. "Oh, this never gets old."
He's loving how you feel around him, clenching occasionally and moaning after a particularly deep thrust that hits your g-spot, and you're just—it's just perfect.
And then, Lawrence gets an idea. He moves the hand that's cupping your face to your wrist, which is attached to the hand that you use to grope relentlessly at yourself, rolling your nipples between your thumb and first finger, sometimes moving to rub your clit.
"The cufflinks, baby," he says. "Don't touch yourself, mm? Use those for me."
He watches you press the cold silver cufflink against one of your nipples, moans as you clench around him at the sensation of the cold meeting your warm skin. You moan in turn, pressing the metal against your nipples and moaning his name.
He moves a hand back to your chin, placing his first and middle finger against your bottom lip. You take the hint immediately and bring his fingers into your mouth, grinding down onto him as you do.
"You're so good for me, pet," he says, moving the hand that rests on your hip to your clit. He starts rubbing it with practiced expertise, knowing the way you like it best after nearly two decades of marriage. "Oh, this is amazing. You can steal my work shirts whenever you want, okay? Especially the ones with the cufflinks. You're amazing."
You moan at the praise, pressing the cufflinks against yourself further, loving the way that the metal feels against your sensitive nipples.
He takes his fingers out of your mouth and goes back to holding your chin so as to keep your gaze on his, wanting to watch you orgasm.
You come completely undone when Lawrence speeds up his ministrations on your clit just enough to make you want more, and Lawrence watches.
You thrust your way through the aftershocks, at which point Lawrence releases into you and lets your chin free from his light grip, kissing you and offering praise as he does.
He pulls you off of him and gets a bath set up, helping you into it while giving you more praise and pressing kisses along the back of your neck and shoulder blades because the orgasm had left you both completely and totally breathless.
You bathe in light conversation, once again talking about your days but focusing on the more positive parts, and Lawrence lets you steal a Henley from the days of medical school. You pull a pair of boxers on and curl up in bed next to him, falling asleep only seconds before Lawrence does.
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