ONCE UPON A TIME, THERE WAS A KNIGHT...
the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin
this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.
you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.
also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.
⭐ I have a tip jar (ko-fi)!
⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
2K notes
·
View notes
I dreamed about a lost Star Trek: The Next Generation episode about trans men.
So my grandma had a DVD featuring interviews with the cast of TNG and it had a special feature of this episode that hadn't been completed.
So there was a planet where the local species had a thing like the Gerudo in Zelda, where they seem like a one-gender species, but in reality they have super-rare male births, and that male is the king.
So this almost-single-gender race had gotten access to Starfleet medical technology somehow, and now could trans their gender. This turned out to be super disruptive to their society because they were, like, genetically programmed to obey the King, the only male born on a generation... And now suddenly they had thousands of men, and everything was falling apart. These men had almost-mind-control levels of control over the populace.
So Troi went down (they couldn't send any of the male members of the cast, for obvious reasons) and met up with the (cis) king and was taking him somewhere on the planet, through some flooded caves on a small raft.
An important thing about the aliens: the women looked just like human women, but the men (cis and trans) were all like 4 feet tall with mullets.
Anyway the episode somehow ended with a basketball game in the B-plot, and that was it. They never got back to finishing the A plot about the planet Terrorized by Trans Men.
189 notes
·
View notes
"Why do you look so frightened...?"
BLOOD WARNING
Also me questioning the Dreams update thingy for oyster because I'm me-
Okay look, while I myself do like sum good ol' added angst material; I don't really know why she even stole and (maybe) murdered her "friend" in the context the nanny gave.
I mean- I get it in the lore-sense to specify how she apparently got "cursed", but that just didn't feel right to me.
Because it conflicts with this flavor text in a trivia screen. "Old sailors say that when a mermaid loses her pearl, she will be cursed to descend into the lightless abyss."
Soooooooo.... Originally I thought because since she gave her pearl to moron Oyster Senior, she was slowly becoming more and more corrupt along with the growing greed of dumbass. But. she was still putting on a brave and happy front. Because love right? Until eventually Oyster just ran off and completely and literally threw her to the deep end... And THAT'S how she got cursed and bitter.
And it seemed to be going the way I figured... More or less, the naivete and growing greed was a new one but eh, I'm flexible.
But then the whole petty theft thing happened suddenly and just... Why is it when she steals from her buddy does she THEN get cursed? Is that one different from the first one? does she have two? Is the Nanny's story add-libbed? WHY DID SHE EVEN STEAL FROM THEM IN THE FIRST PLACE, WHAT WAS HER GOAL THERE???
216 notes
·
View notes
ok ive been thinking about it a while but im thinking about angela again. specifically about the way she functions physically, as a machine.
during lobcorp, angela never really did much outside of the whole Perfect Assistant thing. can of worms, but it's not an immediately terribly physically demanding thing. and then, towards ruina, she becomes a bit more active, but still never participates in any of the receptions herself. and then theres the whole Becoming Human thing. but that's not really what im here about.
specifically, im curious if angela can even... get. hurt. at all. weve seen her get swung at a few times during ruina, but even those have their asterisks-- the library's protection, her becoming less mechanical, and so on-- but just on her own, is she just... fine? can she take physical damage?
what im getting at is, how is her upkeep? does she need to worry about any of that at all? i can see her being built to deal with a lot given um. the environment. but mechanics are a delicate thing-- even With the way the setting is. how would repairs even Work? and additionally, has she ever had to deal with them before?
and a step past that, how would they handle that post-lobcorp, when the people responsible for her, the ones who Know how she works, are um. not exactly. able. to. closest one is hokma, but... again, can of worms.
and then, talking about angela's thought processes, how she functions-- i can't imagine she's ever been like... off. for very long. if at all. she's spent a lot of time keeping everything together, keeping things in order, constantly storing and retrieving information and executing processes-- something like that must be pretty strange.
...am i making sense? what im saying is, theres something very interesting to be said about vulnerability, the symbolism of raw mechanics and technology behind a seemingly impenetrable surface of metal, of self-image and fallibility and trust and care.
can you see the line?
wounds can heal and scars can fade, but what about angela?
33 notes
·
View notes
It simply appeared in the forest one day.
The tower, as all bewildered folk referred to it, was exactly 36,000 bricks high, and ten soldiers could easily link arms around its unassuming circumference. Nearest its capped peak was a small, barred window seemingly chiseled out of the grey stone— hardly wide enough to fit through and dim enough that one could not peer inside to determine just what was hidden inside such a strange phenomenon.
And as bizarre as this all was, perhaps the most oddest of things was the doorknob located at the base of the tower, with not a door in sight. It would not turn for any of the initial curious who had tried it, nor could it be removed, melted, or smashed. There was a magic here, as uneasy murmurings began to grow; a magic even more ancient than that of the forest itself. A magic that ought not to be remembered, the kind that persists in dreams alone and there ought to remain.
Naturally, the Queen could only send her best to investigate, and General Lilia Vanrouge drums his fingers idly against the hilt of his weapon as he watches the various accompanying mages weave all manner of spells against the unyielding stone exterior, each one more ineffective than the last. The use of magic is taking its deadly toll, and he's seen more than one be pulled away, rubbing uselessly at the spots of accumulated blot as the tower endures their attempts to uncover its secrets and grows all the more reticent for it.
"Perhaps we should simply knock and try the door once again?"
His exasperated attempt at humor falls flat over the heads of the wan and weary mages, and before he can raise his hands in mild supplication, he finds himself pushed by rather desperate hands to the very doorknob in question. And while he certainly meant his suggestion in jest, it isn't as if there's anything to lose by following through. Only, he needn't have wondered— the moment his hand folds around the knob and before he can even raise his other arm to knock, the stones surrounding the doorknob smoothly swing inwards as if greased, revealing the most unpredicted of sights to their wide and disbelieving eyes.
Before them, still and pliant on the stone floor as if a doll that had been tossed aside from play, lies of all things a boy. A human one, Lilia's keen gaze notes despite the dumbfounded surprise, with a shock of pale hair and strangely dressed too in what seems to be some kind of military uniform, one that Lilia certainly doesn't recognize; the garments are a gleaming obsidian, acid stripes of green lancing the fabric. All seems to be as pristine as if newly washed and pressed, no evidence in sight of the passage of time dusted upon the silent figure.
"Is he . . . dead?"
Lilia cannot fathom what possesses him to move so roughly past the other mages at that hushed observation despite their startled and disapproving cries, struck by a strange desire to prove the speaker otherwise despite all battle-hardened instincts screaming at him that something about this macabre scene is so terribly, woefully, wrong. But the moment that Lilia's gloved fingers brush against the boy's shoulder, he's met with a tired gaze of the brightest dawn and a yawned greeting that stills the blood in his already frozen heart, the young man stirring to life as he stretches idly as if falling asleep in strange appearing towers was simply a normal occurrence.
"Oh— it's you, Father. How long have I been asleep?"
148 notes
·
View notes
JACK THE GIANT KILLER
originally this was a kind of personal visual vibe test: I'm still turning some thoughts around about jack in my head (altho I have finished assembling the skeleton of a story and I'm looking forward to seeing what happens when I start to press at it) but I really liked how it turned out so I'm posting it as it's own illustration :)
the first post about this idea is over here, but I've fine tuned it down a bit so that the story begins with jack finding the body of a giant while he's out in the woods one day, and the story spirals out of hand before he can stop it.
it's been interesting to read up on jack tales from a literary analysis point of view while I figure this story out!! and through the power of more coffee, I think. I'm close to pinning down an underlying theme I'd really like to bite into. I just need to condense it down to a couple of sentences instead of several paragraphs.
and to close this post out, here's another excerpt from the j.g. ballard's the drowned giant that haunts me!
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara ⭐ ko-fi
161 notes
·
View notes