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#and ask you to typeset them
otrtbs · 10 months
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okay hi!! hello!! deleted the post bc i have been made aware that the person not only took down the work, but their entire ao3 account and i just want to say thank you to everyone for being so kind and lovely and for having my back <33 mwah so much love to y'all <33
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neptunesenceladus · 10 months
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Of Memories and Milk Thievery Typeset
So its here, a typeset for Of Memories and Milk Thievery by moonymoment (@mayescapade). I haven’t read this fic but it looks brilliant and is definitely on my list for the future. This did make it hard to work out an epigraph but I eventually decided on a verse from Exile by, mskingbean herself, Taylor Swift (and featuring Bon Iver).
I was unable to get in direct contact with the Author for this fic but some other posts on their blog ask people to please print and bind their fics legally (i.e handbind it yourself or commission someone for no profit. Also Jude, if you would rather this typeset was taken down I am happy to do so)
The typeset can be found in this google drive folder, read on for page counts and such.
The typeset is 6x9 inches as that seems to be the most popular. In the folder are the typeset as a Microsoft word document and a PDF depending on your file preference. Both are 168 pages (signatures of 24 as per usual).
Please contact me if you find any issues with the typeset or want any different sizes. Also lmk if you have requests for future typesets! Enjoy!
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thenon-fictiondays · 1 year
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wait i just flipped to the end and realized there's a few manga pages as extras i really hope someone's scanlated those already bc i canNOT get through this entire novel only to have open photoshop and start typesetting
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raksh-writes · 2 years
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Oof, the job hunting anxiety is real. I've barely resigned from my current job (first time for me, already stressful enough with the doubts and all) and now gotta start job hunting again for just the second time in my life and Im Stressed out of my mind, can barely focus and it's so damn counter productive 😩 Anyone has any tips? I know it'd probably be best to just-- suck it up and send those emails and applications and whatnot, but maybe there's something beside that? 🙈 Sending those out is about as stressing as the possible response and dealing with it all and my anxiety is having such a field trip with it, OOF
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zeawesomebirdie · 2 years
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Genuinely, being an adult in fandom means deciding to support every single fandom zine you come across 😌
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mpchev · 9 days
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Dissertation on Fanfiction Bookbinding — Looking for participants! [EDIT: Thank you so much, participants found!!!]
[Edit continued: I'm still sorting through emails and setting up meetings, will reply to everyone very soon, I can't even begin to thank everyone enough for the visibility that's been given to this 💜 I'll keep the updates coming as I work on the dissertation (and learn how to bookbind), in case anyone would like to follow along. For any questions about the research or comments/suggestions/resources about ficbinding, my asks are wide open. Thank you thank you thank you!!!]
Hi! My name is Marie Chevrier, I’m currently doing my postgraduate dissertation on fanfiction bookbinding, and I’m looking for people to talk to about it!
If you’ve ever taken a fanfic from somewhere online and turned it into a physical copy, either for yourself or as a gift, I’d love to know more. From printer paper stapled together to typesetting and painted edges, nothing is too simple or too complex — I’m interested in the whole process, what motivates readers or authors to bring the story to a different format, and how it’s one more way to interact with stories actively and creatively. This will be the final project of my MLitt in Folklore and Ethnology with the Elphinstone Institute (University of Aberdeen, Scotland).
What to Expect
To participate, you must be 18 or older and speak English. I’ll give you more details and answer any questions you might have via email, and will then set up individual video calls with participants (if you happen to be in North-East Scotland, we could also meet at an agreed public location). I’ll tell you more about the dissertation and explain how what you share will be used, which depends entirely on what you agree to, including if you would prefer your contribution to be credited or anonymised. I will ask you about your experience with fanfiction bookbinding and if you have some examples to show me, I would love to see them! Meetings will last approximately 45–90 minutes and take place in June 2024. You have the right to withdraw your participation at any time.
Contact Information
If you’d like to participate or have any questions, please send me an email at [email protected]
To know more about the Elphinstone Institute, please visit https://www.abdn.ac.uk/elphinstone/
To know more about me, here's an intro post for you.
If for any reason you don’t wish to participate but still have comments/suggestions/resources/musings you’d like to send my way, please do!
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sits-bound · 2 months
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Bound: The Star Splitter by @oflights
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If there is one thing I am not, it is patient. The minute I finished this fic, I ran off to ask the author for permission to bind it. I'm so happy I'll get to have this one on my shelf!
I spent a lot of time (for me, anyway) on the typeset. I wanted the chapter pages to be special but also was afraid that if I printed them in color, they'd bleed through (like what happened with The Man Who Lived.) But I didn't think I'd be able to fit the text block in my guillotine if I used a heavier weight paper.
Happily, I was able to use the heavier paper and the chapter pages and illustrations (by the absolutely incredible @littlewinnow) without any bleedthrough on the back.
I made the end papers with illustrations off pixabay and foil toner. Do I love them? Not as much as I wish I did. I may do something slightly different for the author copy. We'll see. (Mostly I don't love the color of the cardstock I printed on.)
So once I was happy with the text block, I had to think about the cover. I didn't want to do yet another navy book, so I almost went with black, but I decided to peruse the fabric store for starry printed fabric, and brought home a couple of options. I decided I liked this one the best.
I was also nervous about this because I've never used printed fabric on a cover, and I was worried how the title would look. So I reconfigured my original design to make it legible. Oh, and thanks Joann's for having this holographic HTV on clearance! I love how it looks a million different colors, depending on the light and the angle and what it's reflecting.
Now. Go read this lovely fic if you haven't already!
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gender-trash · 5 months
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(i am seriously late in posting about this due to The Problems BUT whatever! its here now!!)
somewhere around late november 2022, i asked my dad "hey are there any out of print technical books you'd like a reprint of for christmas?"
he linked me to a dubious black-and-white pdf of Foundations of Mechanical Accuracy. now, i wound up checking out a copy through link+, and the original edition is a really nicely put together book! the chapters are themed around various types of measurements (length, angle, etc), and they all have these cute little diagrams which the endpapers reuse in a lil repeating pattern... the image captions are done in this really lovely dark red that did not scan for SHIT... tons and tons of diagrams and illustrations and images (both color and b&w)... just, all around, a fucking nice book!! (see also @morrak's post about it here.)
and that made me feel kind of bad about the crappiness of the pdf, which is where the Problems began. i used my phone to take pictures of all the photos and color diagrams in the original and went about replacing them in the pdf, using what turned out to be the world's worst pdf editing software (i also got through replacing all the image captions in chapter 1 of 5 before my dad convinced me to give up). i did NOT finish the pdf editing before christmas 2022 (i was going somewhat off the deep end, because both my housemates were away visiting family and i had zero external structure in my life so it was just me and my cat and this stupid FUCKING pdf wrecking my sleep schedule together); i poked away at it for most of the rest of my time off and then got so goddamn sick of it i put the project away for months. "it'll be a birthday gift instead", i said optimistically (my dad's birthday is in april! it should have been enough time!)
gentle readers, i did not finish the pdf editing by april. mostly because it was such a miserable slog that i put it off until the last possible moment and then tried to make up for it with another death march.
hating both myself and the project again, i decided i was Not going to let myself typeset Anything Else before it was done, and then took a break to bind my immortal (using the renegade publishing typeset! i didn't do any typesetting!!). SURELY, i said, i can finish this in time for christmas 2023.
i'm sure you know where this is going.
in my defense i DID finish the pdf editing by christmas, despite first doing every other possible procrastination project (including a second edition of the little second century warlord book), because by this point my dad had managed to convince me to lower my standards. on the evening of the 22nd i kicked off the print job and said to myself "this will finish printing overnight and then tomorrow i can work on sewing the textblock!"
late on the 23rd, after lots of babysitting and using at least one cartridge of every color ink in my printer, the print job was finally done. (my sweet and lovely cat wants SO BADLY to hunt and stalk the printer while it is printing -- more specifically, the printed pages, i think because they tend to make noise and move and then STOP moving. for this reason, the printer is kept in the craft room, because the cat can be shut out of the craft room and thus prevented from chewing on the pages when i have an all-day book printing job going. unfortunately the craft room was also being pressed into service as a guest room at the time so 80% of the floor space was consumed by an air mattress which i had to repeatedly trip over in order to reach the printer and replace the ink cartridges.)
then i went to my parents' house on the 24th and 25th and apologized to my dad (again) for not having the book finished. but this worked out well because we finished putting together my awesome new book clamp:
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(the feet still aren't done being painted so they're just dry-fit on for now but you can still clamp books in it and that's what matters!!)
i came home, sewed the textblock (french link stitch over four linen tapes, with sewn endbands made of variegated embroidery floss over linen cord, and kozo paper glued over the spine)
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... and promptly realized i SHOULD HAVE PUT IN MORE OF A GUTTER because some of the text was getting reeeeeeal close to the spine. "it's fine!" i said. "i just have to make sure it lays flat!! what better time than to try out K118 binding, a technique i have literally never done before and which people on the bookbinding discord notoriously have a hard time pulling off first try! i even have tyvek tape for it!"
so it turns out that tyvek tape isn't actually tyvek with glue on it, it's tape FOR attaching pieces of tyvek TO EACH OTHER, which maybe i could have guessed if i'd done even the slightest amount of research or planning. at this point i think it was the 27th and i was still angling to get this thing done by new year's, so no time to order Actual Tyvek.
fortunately, i had ALSO received An Package in the mail with yarn for a totally unrelated knitting project... shipped in a tyvek envelope.
i peeled all the shipping labels and stickers off my tyvek envelope, cut that shit up, and glued it on there.
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and THEN it was time for gluing on covers, which i thought was going to be easy because i had actually thought ahead and ordered materials (specifically acid-free museum board), except when i cracked open the box of museum board i decided i Didn't Like It because the surface was too soft and easily dented, so i glued onto it the too-thin board material i'd previously been using (so that the cardboard goes on the outside of the book). this worked super well (the cardboard stuff has a tendency to curl up from the glue moisture, but the museum board doesn't!) and i'll probably use it on other stuff in the future.
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i thought the blue bookcloth i used was kind of boring but i showed my dad the available cloth options and he really liked it, so... what do you know? i cut the piece i used on the back cover very slightly too short but it wound up being covered by the leather, so you can barely tell.
and the leather... a scrap just baaaaarely big enough from my bag of leather scraps from discount fabrics... and this the first time i'd ever attempted to put leather on a book... AND YET the only complaint i have is that i didn't manage to put an even amount on the front and back. it's reasonably square and straight!! amazing!!
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i am super super happy with how this project came out (especially given the number of problems i encountered) and oh my god check out how much the spine bends
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AND, AS A NEW YEAR'S PRESENT, I FINALLY MANAGED TO GIVE IT TO MY DAD
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Fanbinding: Dirt and Ashes, or: The One-and-a-Half Body Problem by @tozettastone
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In which Sakura carries half of Hidan across two countries, leaving a trail of blood, bodies, and other people's legs.
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I made this book for @aetherseer as part of an exchange we did, and I had such a great time making it. I saw this fic on their list and remembered reading it ages ago and was like I CAN DO SOMETHING WITH THAT! and here it is.
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The cover is Colibri bookcloth, handpainted with acrylic (all of the lettering is freehand- easy when the font you choose is irregular). @pleasantboatpress suggested including a quote on the spine since the title wasn't working there, so I got to add the absolutely banger quote from this fic "Your pain is sacred. Your suffering is beautiful."
For the edges, I used fluid graphite and polished and waxed them. On the endbands I used my Japanese silk thread for the first time (its a dream tbh).
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For the typeset, I leaned in hard on the blood sacrifice aesthetic, creating the Jashinist symbol for the front page (and also the cover) and using a font aptly called "Bloody Scratch." You can't see them here but for paragraph breaks there are little scythe.
@tozettastone, if you would like a copy I would be happy to make you one!! (I think my ask to you got eaten, feel free to dm).
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chubsonthemoon · 1 year
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Last Binderary book is DONE!!!! This is the incredible Maybe sprout wings, by @moorishflower.
This post is going to be a doozy, so gonna just skip straight to the cut!
INTERIOR
INTRODUCTION
I really wanted to model this bind after my own copy of the Odyssey, (which is all highlighted and bookmarked and annotated to hell from my Great Text courses in undergrad ehe, so this bind was such a fun trip down memory lane!). But beyond just the cover/general aesthetic, I also wanted to give the book a similar feel to these kinds of editions of classics--there's usually an introduction, translation notes, and other supplementary materials, right? Like, a physical manifestation of the work of many, many people, all having conversations with one another across time and space.
So that's what I did! I wrote a short introduction (I will also probably post it to my AO3/my blog as well, in the name of preservation etc. etc.) and began reaching out to folks in the fandom who I knew had created art and meta for the fic. The result? 18k words of analysis, comments, and meta, and nearly twenty pages of art!
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And this is what I love most about this bind, I think! This book is the work of several people--truly a collaborative work by the fandom--all of whom I will now be shamelessly calling out below :D
CHAPTER HEADER ART
First and foremost, this book would not be what it is without the gorgeous header art by @fancy-rock-dove! Thank you so much Dove for letting include your work, and for being so supportive and kind these past few weeks about this bind <3 You in particular have contributed so much to this book (which I will be getting more into in the next section ehe), and I'm so psyched I get to hold your art and words, too!
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NOTES ON THE TEXT
This section was divided into four parts: Asks and Answers, Meta, Selected Comments, and Chapter Heading Art: Process
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For Asks and Answers, I trawled Heather's blog for meta she had written in response to questions and other meta about the fic. Asks came from @fancy-rock-dove, @quillingwords, @kulapti, and myself! (I THINK I got all of them--tumblr's search function is finnicky even on its best days, so so sorry if I missed something T_T) I first got hooked into reading this fic because of one of these asks, so I'm very fond of this section in particular :D
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For Meta, I included two wonderful essays written by @pastrypuppy (also known as @kulapti) about Hob as an author figure and the Disrupted Fisher King narrative in MSW. Her analyses were so fascinating and I just had to include them in the book! (And thank you as well for your permission, friend!) (also hello fellow Renegade comrade 🫡)
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For Selected Comments, I owe everything to (once again :3) @fancy-rock-dove, whose insights are the epitome of transformative fandom at work. I'd look for their comments after I read every chapter to see what their takes were on this or that element of the story, and every single time I would go "!!!!! I didn't even realize!!!" or "OOOOOOOH I hadn't thought of that!!" It was like being in a lecture hall and always whipping your head around when one of your classmates raised their hand, because you knew they were going to say something fascinating that you hadn't considered before.
Aside from one of my own comments, Dove's comments make up the entirety of this section (for which I owe you my life--your long-form responses to fics are a gift to this world) but GOSH was it also so much fun going through the comments section while typesetting and seeing all the keyboard smashing, yelling, and crying from the other commenters. Communal nature of storytelling and ongoing meaning-making of fanfiction, babey!
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And finally for Chapter Heading Art: Process: once again Dove coming in clutch with some wonderful insights into the design of each of the chapter heading art pieces! This kind of stuff is honestly my favorite: meta about art for a fic which is, in turn, a transformation of an existing story (not even to mention that The Sandman is its own kind of fanfiction of existing mythologies and histories)--I just!! Think it's all really, really neat :'D (for more coherent/polished thoughts on this pls see my introduction asjdfkls)
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ART
The art gallery!!! A million thanks to @fishfingersandscarves, @honeyseller, @jazzpsych, @doctor-rainbowfoxey, and (HI AGAIN DOVE) @fancy-rock-dove for granting me permission to include all of your beautiful pieces!
As usual for artworks in my binds, I printed each piece out on specialty photo paper to really make the colors pop, then sewed each page separately to the text block! Behold, everyone's beautiful beautiful pieces!
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The art gallery also satisfies the certain "oooh shiny" part of my brain that always activates when I see pictures in a book, so am also very fond of this section :3
CONSTRUCTION
And now on to the nitty gritty stuff! I used the German Bradel binding technique again, my second time using it. Even though it's more complicated than the case bind, I really love how it gives you the full board space for the cover designs (~it's free real estate~). Keep it a secret but I kiiiiiiind of made a small goof in the last few steps (I did the turn-ins a step too early and so had to paste an extra sheet of cardstock to secure the spine to the boards, whoopsie), but it's a pretty small difference, aesthetically speaking, so it wasn't the end of the world XD
Edges are once again fake gilded, but this time I tried something new with the colors! I did two layers of acrylic paint--one watered down shade of red for the base, then one metallic gold on top of that. I really like the red/gold effect! I'll have to keep experimenting with this kind of layering:
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ALSO. Y'ALL! I think I'm finally getting the hang of endbands!!! Many thanks to the folks at Renegade who hosted all the endband workshops last month--I'm still working through them, but even the few sessions I've seen have been TREMENDOUSLY helpful. I learned that tension is Very Important, as well as thread thickness, so I tried doubling my thread and keeping a Very Close Eye on how I was holding the threads while doing the beads. And behold! I still have a ways to go (and one day I would LOVE to do the fancier designs), but I'm v happy with the progress I've made so far!
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And finally the covers!! ARCHIVAL MOD PODGE MY BELOVED. I printed on the same matte presentation paper that I used for the art, then did several coats of archival matte mod podge + a pass of gloss mod podge over the title strip to make it ~shiny~. Then once those had dried and I'd adhered them to the boards, I sprayed two layers of matte clear acrylic sealer (also mod podge!) to finish it off. I had some issues with the paper tearing when I handled it before it was fully dry, but luckily the blemishes were small enough that it was easy to do spot corrections with my black acrylic paint. And now I know to be more patient next time LOL
(some non-photoshoot shots that show the shine a little better!)
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FINAL THOUGHTS
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I had a lot of thoughts while I was binding this book--about Sandman fandom, about Dreamling fandom, about the Odyssey, about storytelling, about fanbinding, about Binderary, about Renegade, about my friends--but really what came to mind the most was gratitude!
Simply put, I'm so grateful to everyone I've met both in this fandom and throughout the years I've been active online--this is SO fun, y'all. It's so much fun to love stories together--to talk about them, to write them, and of course to bind them! I hope I've adequately conveyed that gratitude.
But of course, this book would not exist without the wonderful words of @moorishflower. Heather, thank you so, SO much for sharing your stories, thoughts, and time with us--it is always a happier, better day when I get an email notif from you and when I see you on my dash. I love your work so much, and I'm so happy I finally get to put it on my shelf! So thank you so much again, for everything <3
and OKAY THAT'S IT FROM ME FOLKS!!!!! Binderary 2023 is officially a wrap! I had SUCH a blast--will probably write up a reflection post on it uhhhh after I take a very long nap ajslkdfjslk _(:3」∠)_
all my love! <3
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ashmouthbooks · 5 months
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2023 in books
better late than never, right?
2023 was a relatively slow year for me in bookbinding, but I still made 30+ books. (ask me how much time I spent on my other hobbies and it becomes clear why books were fewer.)
A5 books
the first A5 of the year was an entry for a bookbinding competition (which I didn't win), where the theme was climate change. I had a lot of fun putting it together and it was the first time I made an A5 tête-bêche book - I usually do these A6 or A7 size.
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this was also the year I decided to start a collection of menocchio fics, which also led to experiments with printing directly onto bookcloth to get titles on the spine
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what's fun about bookbinding is that you can Just Make A Book, but you can also Get Ideas And Run With Them with it. which is how I wound up with this black on black book. destiel necromancy fic, because of course it is
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going back to something more colourful...Ulysses. not the James Joyce one, the slowburn 00Q one. named for a Tennyson poem.
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final A5 book of the year is my Renegade Exchange book, which I bound for Silent Sun Press - a Crowley-centric genfic with outsider POV, so naturally I went for TV!Gomens colour schemes
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A6 and A7 books
I started the year ambitiously - in addition to entering a competition, I started my urchin specials project. thus far I've still only bound these first three books for the project, but I plan to do more. first dustjackets as well!
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I continued with the no-glue pamphlets and did three
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I joined the Tiny Books Exchange, and as a proof of concept - before I typeset an A7 sized tête-bêche - I did a little tête-bêche of the two Temeraire fics I wrote for yuletide once upon a time
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then followed of course the Tiny Book I bound for the exchange - my copy (test & proof of concept, bottom), the giftee copy (green, top right), and the author copy (blue, top left)
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I typeset a lot more than I bind - I have plans to bind so and so, so I typeset it, but don't always have the time to bind it right away. so I have folders full of typesets ready to go at a moment's notice. this one was typeset a whole year before I bound it
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are these paperbacks or just very slim hardbacks? I call them paperbacks as I used 0.5mm boards and they have no spine, but ymmv
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this one definitely is a hardback - with slightly thicker boards, a spine, and two fics in one book. I do love those tête-bêches
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at my work we have a lot of deliveries wrapped in this nice recycled brown paper that was just going into the recycling bin, and I thought: why not make books out of it? so I played around with it (and my printer) and came up with a neat aesthetic for paperbacks with breakaway spines (using 0.5mm boards)
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will I ever stop with the tête-bêches? no. also this one has endpapers made from SEAWEED. how cool is that?
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the last A6 of the year is this little collection of my own stories for a tiny Danish fandom. detectives and trauma, but make it about food? yes. food and cooking themed endpapers and cover papers, and the dustjacket has fake coffee stains on it. perfect
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and that is all, folks. I did a lot of different styles and types of binding this year, I had fun with it, I learned a lot, and I'm happy with what I've created.
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all-hallows-street · 2 months
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All Saints Street Extra Comics Translations 1-3
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Apologies for the delay! We are finally publishing translations for the All Saints Street manhua.
We will be uploading them on this drive for now and later upload to mangadex. I will have to ask you to NOT SHARE this drive PUBLICALLY, feel free to share it privately.
Example of what to do: sending the drive link to friends on discord.
Example of what not to do: posting the drive link to twitter. We are going to start with some older extras that were never translated to get a good idea for a workflow and fix problems as they rise. After that we are going to prioritize translating chapters 486-500 (why? well, if you know you know) so we can also start working on simultaneous text translations for new chapter releases. What I mean by this is that as soon as a new chapter comes out, we can upload an english text translation alongside it, like the japanese translation team does now.
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Here is an example with the bonus comics:
I am also hoping this will be a good accessibility feature. Likewise, I am releasing to the public the table I translated from the japanese group. It is a rough Work-In-Progress table, but for me it has been an invaluable whenever I have to look up a certain chapter. I even made a search engine to look up chapters by character appearance.
Meanwhile we will be going back and re-lettering chapters that have been translated by independent efforts and uploading them to Mangadex. We have obtained permission from both @saints-street-translated and @wan-sheng-jie for this! After that the translation will continue in two fronts: the comic translations from 501 onwards and releasing text translations for new comics.
Translating the whole manhua will be a looooong process. Right now, we have text translations for all extra comics, but the lettering has been going slow. That's why we are still open to more volunteers to join us for the role of cleaner/typesetter! You don't need qualifications or even software (we will get it for you cough), just time and a disposition to learn.
TL;DR
ASS manhua translation is resuming.
Older Extra comics will be translated first.
We will translate 486-500 ASAP.
We will release text translations for newer comics.
We will remake the translations for 405-485 to upload to MangaDex.
 We need YOU to typeset the ASS comics into English!
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Aziraphale's bibles
Have you ever noticed how many bibles Aziraphale has just lying about? So. Many. Bibles. Oodles of bibles! In S1 we only saw two, one on top of the desk that he used for checking the number of the beast in Revelations; and the other one on the desk surface, right behind his angel mug when he sat to read The Book (not that book, the other book, the one with the true prophecies).
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In S2, we see no less than five bibles on his desk alone and more around the bookshop.
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The first one is on the left, right under the little "For the Young: Hymns for Church and Home, with Forms of Services" book, which incidentally opens to: "So shall no wicked thing draw near, To do us harm or cause us fear." (This angel has no shame).
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Then there are three more in the desk's middle compartments. One, with a green cover, is on the left slot, right above the tray with pens (this one is a New Testament only). The other two, both with black covers, are right behind the mug, where the RadioTimes watermark is. They look identical but they could be two volumes of the same edition or two different editions. We can probably assume one of these is supposed to be the one from S1. The desk in S1 didn't have compartments, it had drawers so there were no books in that area.
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The last one is the on on top of the desk, on the right. This would be the same he used in S1 (although the bible itself is different)
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On his right side, sometimes he has an easel where he displays a large book. This is not a bible itself, but an illustrated book of biblical motifs. Sometimes it is closed and sometimes it is open. He normally has it on the Adam and Eve page (cheeky!) but in Ep 2 he opened it to the Book of Job page instead.
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There is yet another one in the shelf that Gabriel Jim is organizing
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And there is one more in the first backroom (the one with the computer where he talks with Gabriel and Sandalphon). It is on a little table by the door of the private backroom (the one where he confers with Crowley in)
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But there is a set of bibles that are even more important to him than any of the other ones. Although the show never mentioned it, the book tells us that in addition to his passion for prophecy books, he also loves and collects misprinted bibles*:
"And he had a complete set of the Infamous Bibles, individually named from errors in typesetting. These Bibles included the Unrighteous Bible, so called from a printer’s error which caused it to proclaim, in I Corinthians, “Know ye not that the unrighteous shall inherit the Kingdom of God?”; and the Wicked Bible, printed by Barker and Lucas in 1632, in which the word not was omitted from the seventh commandment, making it “Thou shalt commit Adultery.” There were the Discharge Bible, the Treacle Bible, the Standing Fishes Bible, the Charing Cross Bible and the rest. Aziraphale had them all. Even the very rarest, a Bible published in 1651 by the London publishing firm of Bilton and Scaggs."
This collection of bibles is hiding in plain sight and readily on hand. Just ask Jim!
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The rest are right there on Aziraphale's desk. The tags are hard to read but I found, from right to left, The Treacle Bible, The Discharge Bible, The Unrighteous Bible, then three that I couldn't decipher, the Standing Fishes Bible and The Charing Cross Bible. One of those three is supposed to be the Buggre All This Bible, but none of the tags seemed to fit.
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*All the bibles mentioned are real except for the Charing Cross Bible and the Buggre Alle This Bible which in the GO world was printed by Bilton and Scaggs, the publishing company that also printed The Nice and Accurate Prophecies of Agnes Nutter, Witch. I have a whole post about Bilton and Scaggs if interested. Now, looking back to S1, as part of his restoring the world, Adam replaced Aziraphale's misprinted bibles with Just William books. Let that sink in... Adam moved Aziraphale's bibles from their righteous place. No wonder Crowley realized it right away. These are Aziraphale's bibles for Go- for Sat- for Somebody's sake!
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Fortunately by S2 everything was back to normal.
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canon-in-too-deep · 1 month
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Free Persuasion Typeset
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So this is a typeset I did for Persuasion by Jane Austen, using the transcript from Project Gutenburg (definitely check them out if you're looking for free/public domain books!). This typeset is for half letter and is free to use for bookbinding purposes (personal use only), I just ask that you please leave credit and consider liking/reblogging if possible! The file can be found here:
https://drive.google.com/drive/folders/1S2wl_PuxCupofnDpqGuk7VjMHYFMWC6g?usp=sharing
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mothdogsart · 2 months
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Okay, this is gonna be a long one, so I’m putting it under a cut. Folks on Reddit have asked for a walkthrough of my bookbinding process, so I’m going to detail it. A few steps I forgot to take pictures of, but I’ll keep them in the list so that the workflow hopefully makes sense.
🌟 This is not meant to be an in-depth tutorial! For bookbinding/fanbinding tutorials with guided steps I recommend LadyBobbitt on TikTok or DASBookbinding on YouTube. 🌟
Fic pictured in every step after Step 3 is “Pretend for Me” by @obsessivelollipoplalala because I was working on an author’s copy! 🌝
Step 1 - Typesetting (not pictured)
Step 2 - Printing and folding the signatures (not pictured)
Step 3 - Punching the signatures. This is a 3D printed punch cradle from Etsy. I don’t recommend the Memory Keepers brand one on Amazon—it’s really shallow and hard to get centered punches.
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Step 4 - Sewing the signatures, aka my least favorite part. Everything is downhill after you get it sewn. My preferred method for sewing signatures is called the kettle stitch.
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Step 5 - Clamping the text block, reinforcing the spine with mull, and adding fake endbands
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Step 6 - Gluing endpapers onto the text block after the spine reinforcement has dried
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Step 7 - Measuring and cutting the cover chipboard
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Step 8 - Forming the cover. I glue the chipboard to a central piece of cardstock. Some people find that this makes your creases less sharp, but I like the extra reinforcement.
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Step 9 - Dry fit the text block to make sure everything is sized properly (not pictured)
Step 10 - Gluing the cover onto the bookcloth (this is the underside—the edges also get glued and folded over onto the chipboard)
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Step 11 - Casing in the text block (not pictured). I add glue to the outsides of the endpapers and stick them to the inside of the cover. Once everything is placed correctly, I wipe off any excess glue and make sure there are no air bubbles anywhere.
Step 12 - Placing parchment paper between all wet/glued areas to prevent moisture transfer to the pages.
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Step 13 - Press! (Not pictured)
Step 14 - Let dry overnight, then you have a book!
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Not including the dust jacket making process here because it would require me to take screenshots from my computer and I’m sick rn so who has the energy?
Anyway thanks for looking if you scrolled this far :)
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snek-panini · 1 month
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Got a bit of a different bookbinding post today. @renegadeguild got an ask from a new binder saying they were intimidated by everyone's gorgeous binds (me too, actually, some of you guys are scary good), and so they've asked people to share their first binds. And I realized I'd never even taken photos of my first one, so here it is, warts and all:
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This is E.M. Forster's The Machine Stops, a public domain scifi short story that you can read for free at the link. The first reason I chose it was that it's an interesting story, and I'd bought a print-on-demand copy a few years previously that was just terrible. Baffling cover choices, basic errors in the typeset (like quotes that face the wrong way), weird size that didn't fit on my shelf; just not a good product. I couldn't do it with more indifference than the PoD people. The second reason was that I was too intimidated by the thought of asking a fic writer if I could bind their story and then producing something with a thousand sloppy beginner mistakes, and then they'd want to see photos and I'd have to show them this and it would have been mortifying, but Forster has been dead since 1970 so I could not disappoint him. It was very freeing. I bound it in 2021 as an experiment, to see if I liked this hobby enough to stick to it. The cover is green cardstock and faux leather scrapbook paper that I bought at... probably Hobby Lobby. I added the title later, as a practice project when I first got my Cricut; for the first two years of its existence it had a blank cover.
There are more photos under the cut!
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In this photo we can see:
--Too much glue when attaching the leather-print paper, so it oozed out onto the cover.
--Cricut font too thin and too much heat/too long of a press, so the letters have gaps and the glue also oozed out here. It's a continuing theme with this bind.
--I tried to use a bone folder to give it a sharper hinge crease and accidentally pressed too hard and tore a hole in the paper; you can see this in the little white vertical line near the top of the hinge
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The fore edge is not square. I actually don't remember why this happened. I may have eyeballed the board position when I made the case, or the paper may have slipped while the glue was wet, or I cut it crooked and didn't notice till later. Either way it's bad enough that the book doesn't stand on its own. There was a crooked man/who walked a crooked mile/and found a crooked sixpence/against a crooked stile./He bought a crooked cat/which caught a crooked mouse/and they all loved together in a little crooked house, and I bet they read this little crooked book from their little crooked library.
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Top view, you can see that the case is too big and the text block doesn't sit straight in it. It has no endbands or bookmark, and it's hard to see in this photo but there's glue on the top of it, at the spine. This still happens to me but I know how to trim books now so this bit gets cut off. You can also see that the scrapbook paper has some cracks where its white core is visible. This is why I do cloth or actual faux leather on the spines now. Endpaper shows uneven trim (did I not use a ruler for this??), too much glue causing major seepage, and it doesn't sit evenly in the case. I'm not sure if this is because of the case itself being crooked, a badly-trimmed endpaper, or if the text block is also crooked. Or it may be a combination of all these factors. Unclear.
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Typeset photos! Here we see:
--Title page has a page number on it. This is a pet peeve of mine and I fixed it after this book.
--There is no half title, summary, or metadata. All my later binds have these things.
--It's typeset in Times New Roman. Unlike many I don't actually hate this font but reading it reminds me of being in high school so this is the only book I used it for. Baskerville is my beloved now. The font is also much bigger than it should be. It's not huge but it's like a large print book so it feels weird for me to read it.
--Lol what are margins
--Lol what are page headers
--Actually I think I left the headers out so it wouldn't have a header on the first page of each chapter, because I knew about page breaks but not section breaks at this time.
--It's on regular-ass lightweight printer paper. There's nothing wrong with this but I switched to heavier weight paper shortly after to help with bleed-through and the light stuff feels so flimsy now.
--I didn't understand how Word's book fold worked at this time, so when I had to set the sheets per booklet and it had an option for 4, I chose that thinking it would give me 4 sheets of paper (16 numbered pages) per sig. It did not do this. It gave me 4 numbered pages per sig. So every signature is 1 sheet of paper. Every page is its own signature. I am still mad about this but it sure drove home how the setting works and also how to make kettle stitches since you make one after every sig. A book of 48 pages has 12 signatures which is just ludicrous.
--There's no photo of this but it has a piece of printer paper on the spine because I didn't have mull. I did use PVA though. Lots and lots of PVA.
--It's stitched with regular sewing thread, which means it doesn't have much swell for a book with that many sigs, but it's less sturdy and more likely to tear the paper.
And that's that! It probably sounds a bit like I was tearing it to shreds but I actually love this book quite a lot. I learned so many things that I applied to my next binds, it was an invaluable experience. It let me fall in love with the hobby so I could make the awesome things I make now. I've got those all posted on my main blog under the tag #snek makes books, or you can see them all on my side blog @papersnakepress. For a first book it's functional and readable, and still better than the PoD copy I had before. I've been thinking of doing a rebind as a sort of progress gauge, actually. Maybe next year.
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