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chibimyumi · 4 years

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Lizzie’s Campania Dinner Dress REDESIGNED

After having redesigned the Notorious Robin Dress of O!Ciel (click here), I thought I’d try my hands on another well-known dress; Lizzie’s dress on the Campania!

As explained in the post linked above, Yana seemed to not have an inkling of historical fashion knowledge at the beginning of the series. As the series became bigger however, she employed a Victorian Era expert and the results are clear.

In this post I will examine to what extent Lizzie’s dinner dress is accurate and break this costume down from the top, and propose how to “correct” these while trying to keep as much of the original design as untouched as possible.

I. Dinner Dress

Hair

Just like I said in the Robin Dress™ REDESIGN post, needless to say, 19th century people would not have worn twin tails. Wearing the hair down was considered ungroomed for women in the 19th century, but young, unmarried girls were allowed to spare a few hairpins.

Unlike O!Ciel who would always try to strive for a more mature look, Lizzie would aim for the opposite.

In the late Victorian era it was normal to have bangs, but it was proper to have it cut well above the eyebrows. So Lizzie’s bangs only need to be trimmed a bit to be period accurate.

The long dangling fringe of Lizzie’s is a tribute to her mother, but alas, that one does need to go... I do not dare fully risk the WRATH of Frances the Formidable however, so in honour to her, I have kept that bang as much as possible. The sides of the bangs were allowed to be longer in order to frame the face better, but the point remains that the face should not be covered.

(I know, I know, two symmetrical half-arsed fringes would have been better, but I promised to try change as little as possible...)

Victorians hardly ever cut their hair, because the longer the hair, the more feminine and desirable a girl/woman was deemed to be. The aesthetic of hair in 1880s was more in the vertical direction instead of horizontal. Hence Lizzie would probably have worn her curls a bit smaller, therewith using up less hair into the width.

The period wherein people strongly favoured a horizontal aesthetic was approximately 200 to 70 years outdated. If we had to justify what type of hair Lizzie’s hairdo was supposed to be historically, I could only say it is probably the 1670s early baroque hairdo. (I mean... that portrait IS fairly similar to Lizzie’s hair, is it not?)

The hair ornament Lizzie wears is not entirely impossible, just very unlikely for the 1880s. I have kept the weird rosette that she wears, and used them to pin up both sides of her hair. I could not find any visual sources of people wearing rosettes in their hair instead of their chest after earning some type of prize, but since there were no regulations regarding how a ribbon must be tied into a bow, the rosettes can stay.

Neckline and Bodice

The design of the original bodice also requires a bit of work. Just like with the Robin Dress, the main problem lies with the silhouette.

In the height of the Victorian Era, the main endeavour was waist reducing, hence the chest area would be accentuated and “streamlined” towards the shoulder, while the seams would detract from the waist optically.

Instead of the straight design of the chest panel, I replaced it with a fan-shaped front piece, of which the lines would achieve this ‘streamline’ effect.

The halterneck-like neckline as in the original design would have been quite unlikely as it would have made the neck stand out, and make the much thinner neck compete with the desired small waist. The rule of thumb for what aesthetic bodices should have was generally open wide top, closed small bottom (V shaped, not O). Usually when there is a halterneck-line, something else that would redirect the eyes towards the larger shoulder-chest area would adorn the bodice too for compensation.

Thus, instead of the rounded halterneck-line, I replaced it with a straight square neckline. Though square-necks were not very popular in Lizzie’s time, they were not unheard of. Miraculously I happened to stumble upon this illustration from 1889 (exactly Kuro’s present day setting), and herein we can see both the short lantern sleeves and the square neckline.

Decoration wise there is nothing inconsistent with 1889 fashion, but as Lizzie is the daughter to an influential Marquis and the dress is supposed to be a dinner dress, it should be a tad gaudier. The elaborateness of Lizzie’s original dress was more alike that of a daytime walking dress. I did not deviate too much from the original manga’s design, I simply added some gold details that were not there yet.

(The anime’s dress had been simplified for animation’s sake, so my redesign is based on the manga’s slightly more elaborate triple panel decoration.)

This choker ribbon necklace is the same as for the Robin Dress. Like I said before, these were worn by people in the 1880s, but they were not standard for fancy night time events. However, as it is technically not historically ‘inaccurate’, it can stay.

Waistline

Just like the Robin Dress, Lizzie’s waistline is the most historically inaccurate part that renders the entire design a period amalgamation.

First of all, I gave the waistline a pointed end and swagged the inner skirt up towards the hips for a dramatic V-shape. The bow-sash worn around the waist was something that was in fashion during the 1780s and 1790s, and was part of the ‘Chemise de la Reine’ look that was named for and popularized by Marie Antoinette.

Fashion trends do always come back every now and then, so a ribbon bow is not necessarily taboo. But the height at which the bow sits on the original dress would guide the waistline towards the hips, which would have gone against the small-waist aesthetics of 1880s, which would have been taboo.

Hence, I removed the sash entirely, and shoved the bow itself to the back (more on this below.)

Skirt

Again, the same problem Yana had with the Robin Dress; the bell-shaped silhouette that would be at least 30 years outdated by 1889, so I simply reduced its volume.

The split panel front however, was common in the 1880s, as such it remains untouched.

The dress code for formal events would require a floor-length hem for dresses, but a dinner party such as the one on the Campania would be semi-formal, and Lizzie who strives for a very youthful look would have been able to get away with a shorter hem. Hence, the skirt length also remains unchanged.

Bustle

“Does this dress make my butt look small?” would have been the question women asked. Late Victorian fashion just LOVED a huge behind, and the bustle was the absolute star of any feminine outfit.

The design of the ornaments on the original dress is actually spot on, except that it would simply lie flat over the skirt, rather than help the skirt get a large bulge.

So for the redesign, I have decided to use the golden bow that sat at the front to draw the attention towards the maximised behind. Underneath I used the original triple row tails, and flanked this decoration with large pleats to produce a dramatic back. For completion’s sake, I have added golden embroideries to the pleats so that the large golden bow will not just sit there as a random piece of ornament.

Shoes

I could find relatively few sources on late 1880s shoe fashion, so my caveat here.

Lizzie’s d’Orsay type of shoes were not standard in the 19th century England, but they were definitely not impossible. 1880s d’Orsay pumps were a bit more closed around the lateral arch, but the technique to make completely open d’Orsays was already available in the 1600s, and wildly popular after the 1830s. As I could not find any sources on when they stopped being popular, I think Lizzie’s shoes would probably have been acceptable.

What I do propose to change is the point of the toe. Only very, very young girls (up to age 4 ish) would wear a rounded nose. Slightly older children and adults would wear pointed toes instead.

The only other thing I propose to change is only a “problem” if I were to be perfectly pedantic and nitpicky; namely the arch of the shoe. Arches of the shoe until the 1910s were mostly straight, and did not have the same arch as our natural feet have. So in order to create the perfect 1889 shoe silhouette, I straightened Lizzie’s shoes too.

Y’all still with me? Good. Now comes the trickiest part, THE UNDERWEAR, a.k.a. Lizzie’s Battle Suit.

II. Battle Suit

Lizzie’s dinner dress was actually fairly historically accurate, earning a personal Chibimyumi rating of 6.6/10 in total (as opposed to Robin Dress’ miserable total rating of 4.1/10). Her Battle Suit however, scores less well, reaching only a 5.4/10.

Chemise

Victorian undergarments were nothing like our contemporary ones. If you have no breasts then it is easy, but if you do... well, a bra is bad enough, right?

Well.... In the Victorian times women wore layers on top of layers, of which the first was the chemise. Contrary to popular belief, people did not wear corsets directly on their skin. Corsets were very hard to wash, thus the chemise served to both protect the corset from getting dirty, as well as absorb the sweat.

Yana did do pretty good research as attested by her not having fallen for this popular misconception. Lizzie does indeed wear a type of chemise underneath her corset, though I would say that the sleeves are too elaborate for the dress she has chosen to wear on top.

Such elaborate sleeves were worn to be combined with smaller sleeves so that the lace can protrude from underneath, giving the entire outfit a little icing on top (like the lace at the chest). Lizzie’s dinner dress has lantern sleeves that would not reveal any of the chemise’s sleeves.

Chemises were washed quite regularly, but lace is a very expensive and delicate material. Hence, in order to minimise wear-and-tear, people would probably have avoided wearing ultra fancy chemises if it cannot be seen anyway. But who knows. Lizzie is a rich kid, she probably has enough lacy chemises at her disposal. Still, just to be perfectly historically accurate, I gave her chemise simpler sleeves.

Corset

Unlike the chemise, corsets were not regularly washed, and thus elaborate lace was very desired.

The large ruffles on the chest of Yana’s design however, are probably a tad too elaborate, and judging from the thickness, they could easily disrupt the smoothness of the outerwear.

1880s corsets were generally not very decorated as their function was valued over anything else. This corset I found dating from 1887 is the most elaborate authentic one I could find, and it indeed strongly resembles the one Lizzie wears. However, as even this one does not have lace protruding as much as Lizzie’s, I have toned the corset down too for the redesign.

In the 1880s, both corsets with and without front closure were worn. However, the pieces as elaborately decorated in the front would not have front closures. Hence I removed the hook and eye closure in the redesign.

The thing that is the least accurate about Lizzie’s corset is the boning structure. What produced a well-shaped waist was not how tight you lace the corset, but the structure of the boning. An unlaced corset of that time would have looked much ‘curvier’ than any tight-laced straight-boned corset.

By the late 1880s, boning techniques were so advanced that they were very soft and flexible, and yet also provided the firmness necessary for the desired look. The straight paneled type of boning drawn by Yana was outdated and strongly advised against.

Finally, the mini-skirt at the bottom of the corset is cute, but I have yet to find one like that in the 1880s. I don’t think that tiny piece of fabric would disrupt the desirable silhouette, but there will be PLENTY layers on top, so I removed it just to be sure.

Skirt

The skirt - or rather, everything that happened UNDER the skirt is a stack of complexities.

The most bottom layer would have been the underwear with trouser-legs, layer 1. Layer 2 is the protruding hem of the chemise, that may either have been long or short. But the chemise and the underwear are the only things that were worn UNDER the corset, hence the frilly-frilly skirt we see Lizzie fight in should have been the chemise, and not the underskirt.

The chemise was never something as wide as the one drawn by Yana, and could therefore not achieve that flare effect. I know it is absolutely gorgeous, and from an artistic point of view I myself would not have done otherwise. But as I am doing historical fashion research and redesign, I shall compromise myself and settle with a narrow skirt. The skirt would probably have been so narrow Lizzie would have trouble fighting. So it would not have surprised me if she decided to make a large split in it, or rolled it up and tucked it under her corset.

The frilly underskirt we see Lizzie wear should be layer 4 rather than 2. If we study Lizzie’s dress, we can see that the frilly part is a separate piece of clothing, unlike what the anime-art suggests.

Underneath this layer, there would have been a bustle (layer 3) that was strapped around the waist, over the corset. Like I explained before, bustles were essential to any Victorian dress. They came in many shapes and sizes, but I have settled with the simplest one.

Should we wish to keep the frilly skirt, then we need to keep in mind that Lizzie would have worn FOUR layers, which would hardly have made it any easier for her to navigate through the water than before. So why bother remove the dress and expose herself at all then? Hence, all layers from layer 2 on will sink with the Campania.

From our 21st century point of view, the Battle Suit looks quite cute, and we would probably just wear it like that. But if we consider down to what layer a real 1889 girl would have to have stripped, and how many somewhat embarrassing contraptions had to be removed first before reaching some level of mobility, we can probably understand how embarrassing it truly must have been.

Well, I had tons of fun doing this research, and I learned a great lot about what corsets really were (and not the inhumane torture devices they are claimed to be). I hope you all also had fun reading this too. (*´▽｀*)ノ

【Related post: Ciel’s notorious Robin Dress™ REDESIGNED】

【Related post: Redesign: O!Ciel and Sebastian in different eras】

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#Kuroshitsuji #Black Butler #Redesign #design #Campania #Campania Arc #Luxury liner arc #Lizzy #Lizzie #Elizabeth Midford #historic accuracy #Historic fashion accuracy #Historic fashion #fashion

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sabugabr · 3 years

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Why the Clone problem in Star Wars animated media is also a Mandalorian problem, and why we have to talk about it (PART 2)

Hi! I finally finished wrapping this up, so here’s part 2 of what has already become a mini article (you can find Part 1 here, if you like!)

And for this part, it won’t be as much as a critic as part 1 was, but instead I’d like to focus more on what I consider to be a wasted potential regarding the representation of the Clones in the Star Wars animated media, from the first season of The Clone Wars till now, and why I believe it to be an extension of the Mandalorian problem I discussed in part 1 — the good old colonialism.

Sources used, as always, will be linked at the end of this post!

PART 2: THE CLONES

Cody will never know peace

So I’d like to state that I won’t focus as much on the blatantly whitewashing aspect, for I believe it to be very clear by now. If you aren’t familiar with it, I highly recommend you search around tumblr and the internet, there are a lot of interesting articles and posts about it that explain things very didactically and in detail. The only thing you need to know to get this started is that even at the first seasons of Clone Wars (when the troopers still had this somewhat darker skin complexion and all) they were still a whitewashed version of Temuera Morrison (Jango’s actor). And from then, as we all know, they only got whiter and whiter till we get where we are now, in rage.

Look at this very ambiguously non-white but still westernized men fiercely guarding their pin-up space poster

Now look at this still westernized but slightly (sarcasm) whiter men who for some reason now have different tanning levels among them (See how Rex now has a lighter skin tone? WHEN THE HELL DID THAT HAPPEN KKKKKKK) Anyway you got the idea. So without further ado...

2.1 THE FANTASY METAPHOR

As I mentioned before in Part 1, one thing that has to be very clear if you want to follow my train of thought is that it’s impossible to consume something without attributing cultural meanings to it, or without making cultural associations. This things will naturally happen and it often can improve our connection to certain narratives, especially fantastic ones. Even if a story takes place in a fantastic/sci fi universe, with all fictional species and people and worlds and cultures, they never come from nowhere, and almost always they have some or a lot of basing in real people and cultures. And when done properly, this can help making these stories resonate in a very beautifull, meaningfull way. I actually believe this intrisic cultural associations are the things that make these stories work at all. As the brilliant american speculative/science fiction author Ursula K. Le Guin says in the introduction (added in 1976) of her novel The Left Hand of Darkness, and that I was not able to chopp much because it’s absolutely genious and i’ll be leaving the link to the full text right here,

“The purpose of a thought-experiment, as the term was used by Schrodinger and other physicists, is not to predict the future — indeed Schrodinger's most famous thought-experiment goes to show that the ‘future,’ on the quantum level, cannot be predicted — but to describe reality, the present world.

Science fiction is not predictive; it is descriptive.”

[...] “Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

They may use all kinds of facts to support their tissue of lies. They may describe the Marshalsea Prison, which was a real place, or the battle of Borodino, which really was fought, or the process of cloning, which really takes place in laboratories, or the deterioration of a personality, which is described in real textbooks of psychology; and so on. This weight of verifiable place-event-phenomenon-behavior makes the reader forget that he is reading a pure invention, a history that never took place anywhere but in that unlocalisable region, the author's mind. In fact, while we read a novel, we are insane —bonkers. We believe in the existence of people who aren't there, we hear their voices, we watch the battle of Borodino with them, we may even become Napoleon. Sanity returns (in most cases) when the book is closed.”

[...] “ In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find — if it's a good novel — that we're a bit different from what we were before we read it, that we have been changed a little, as if by having met a new face, crossed a street we never crossed before. But it's very hard to say just what we learned, how we were changed.

The artist deals with what cannot be said in words.

The artist whose medium is fiction does this within words. The novelist says in words what cannot be said in words. Words can be used thus paradoxically because they have, along with a semiotic usage, a symbolic or metaphoric usage. [...] All fiction is metaphor. Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life — science, all the sciences, and technology, and the relativistic and the historical outlook, among them. Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another. The future, in fiction, is a metaphor.

A metaphor for what?” [1]

A metaphor for what indeed. I won’t be going into what Star Wars as a whole is a metaphor for, because I am certain that it varies from person to person, and everyone can and has the total right to take whatever they want from this story, and understand it as they see fit. That’s why it’s called the modern myth. And therefore, all I’ll be saying here is playinly my take not only on what I understand the Clones to be, but what I believe they could have meant.

2.2 SO, BOBA IS A CLONE

I don’t want to get too repetitive, but I wanted to adress it because even though I by no means intend to put Boba and the Clones in the same bag, there is one aspect about them that I find very similar and interesting, that is the persue of individuality. While the Clones have this very intrinsically connected to their narratives, in Boba’s case this appears more in his concept design. As I mentioned in Part 1, one of the things the CW staff had in mind while designing the mandalorians is that they wanted to make Boba seem unique and distinguishable from them, and honestly even in the original trilogy he stands out a lot. He is unique and memorable and that’s one of the things that draws us to him.

And as we all know, both Boba and Jango and the Clones are played by Temuera Morrison — and occasionally by the wonderful Bodie Taylor and Daniel Logan. And Temuera Morrison comes from the Maori people. And differently from the mandalorian case, where we were talking about a whole planet, in this situation we’re talking about portraying one single person, so there’s nowhere to go around his appearance and phenotypes, right? I mean, you are literally representing an actual individual, so there’s no way you could alter their looks, right?

(hahahaha wrong)

And besides that, I think that is in situations like that (when we are talking about individuals) that the actor’s perspective could really have a place to shine (just the same as how Lea was mostly written by Carrie Fisher). In this very heart-warming interview for The New York Times (which you can read full signing up for their 5-free-articles-per-month policy), Temuera Morrison talks a little bit about how he incorporated his cultural background to Boba Fett in The Mandalorian:

“I come from the Maori nation of New Zealand, the Indigenous people — we’re the Down Under Polynesians — and I wanted to bring that kind of spirit and energy, which we call wairua. I’ve been trained in my cultural dance, which we call the haka. I’ve also been trained in some of our weapons, so that’s how I was able to manipulate some of the weapons in my fight scenes and work with the gaffi stick, which my character has.” [2]

The Gaffi stick (or Gaderffii), btw, is the weapon used by the Tusken Raiders on Tatooine, and according to oceanic art expert Bruno Claessens it’s design was inspired by wooden Fijian war clubs called totokia. [3]

And I think is very clear how this background can influence one’s performance and approach to a character, and majorly how much more alive this character will feel like. Beyond that, having an actor from your culture to play and add elements to a character will higly improve your sense of connection with them (besides all the impact of seeying yourself on screen, and seeying yourself portrayed with respect). It would only make sense if the cultural elements that the actor brought when giving life to a fictional individual would’ve been kept and even deepened while expanding this role. And if you’re familiar with Star Wars Legends you’ll probably rememeber that in Legends Jango would train and raise all Clone troopers in the Mandalorian culture, so that the Clones would sing traditional war chants before battles, be fluent in Mando’a (Mandalore’s language) and some would proudly take mandalorian names for themselves. So why didn’t Filoni Inc. take that into account when they went to delve into the clones in The Clone Wars?

2.3 THE WHITE MINORITY

First of all I’d like to state that all this is 100% me conjecturing, and by no means at all I’m saying that this is what really happened. But while I was re-watching CW before The Bad Batch premiere, something came to my mind regarding the whitewashing of the Clones, and I’d like to leave that on the table.

So, you know this kind of recent movies and series that depicted like, fairies in this fictional world where fairies were very opressed, but there would be a lot of fairies played by white actors? Just like Bright and Carnival Row. If you’ve watched some of these and have some racial conscience, you’ll probably know where I’m going here. And the issue with it is that often this medias will portray real situations of racism and opression and prejudice, but all applied to white people. Like in Carnival Row, when going to work as a maid in a rich human house, our girl Cara Delevingne had to fight not to have her braids (which held a lot of significance in her culture) cut by her intolerant human mistress, because the braids were not “appropriate”. Got it? hahahaha what a joy

Look at her ethnic braids!!!

One of the reasons this happens might be to relieve a white audience of the burden of watching these stories and feeling what I like to call “white guilt”. Because, as we all know, white people were never very oppressed. Historically speaking, white people have always been in privileged social positions, and in an exploitative relationship between two ethnic groups, white people very usually would be the exploiters — the opressors. So while watching situations (that every minority would know to be very real) of opression in fiction, if these situations were lived by a white actor, there would be no real-life associations, because we have no historical parameter to associate this situation with anything in real life — if you are white. Thus, there is less chance that, when consuming one of these narratives, whoever is watching will question the "truthfulness" of these situations (because it's not "real racism", see, "they're just fairies"). It's easier for a person to watch without having to step out of their comfort zone, or confront the reality of real people who actually go through things like that. There's even a chance that this might diminish empathy for these people.

Once again, not saying this is specifically the case of the Clones, majorly because one of the main feelings you have when watching CW is exactly empathy for the troopers (at least for me, honestly, the galaxy could explode, I just wanted those poor men to be happy for God’s sake). But I’ll talk more about it later.

The thing is, the whole thing with the Clones, if you think about it, it’s not pretty. If you step on little tiny bit outside the bubble of “fictional fantasy”, the concept is very outrageous. They are kept in conditions analogous to slavery, to say the least. To say the more, they were literally made in an on-demand lab to serve a purpose they are personally not a part of, for which they will neither receive any reward nor share any part of the gains. On the contrary, as we saw in The Bad Batch, as soon as the war was over and the clones were no longer useful as cannonballs, they were discarded. In the (wonderful) episode 6 of the third season of (the almost flawless) Rebels, “The Last Battle”, we're even personally introduced to the analogy that there really wasn't much difference in value between clones and droids, something that was pretty clear in Clone Wars but hadn't been said explicitly yet.

In fact, technically the Separatists can be considered to be more human than the Republic. But that's just my opinion.

So, you had this whole army of pretty much slaves. I know this is a heavy term, but these were people who were originally stripped of any sense of humanity or individuality, made literally to go to war and die in it, doing so purely in exchange for food and lodging, under the false pretense that they belonged to a glorious purpose (yes, Loki me taught that term, that was the only thing I absorbed from this series). Doing all this under extremely precarious conditions from which they had no chance of getting out, actually, getting out was tantamount to the death penalty. They were slaves. In milder terms, an oppressed minority. And again, I don't know if that was the case, but I can understand why Filoni Inc would be apprehensive about representing phenotically indigenous people in this situation. Especially since we in theory should see Anakin and Obi-Wan as the good guys.

(and here I’d like to leave a little disclaimer that I believe the whole Anakin-was-a-slave-once plot was HUGELY misused (and honestly just badly done) both in the prequels and in the animeted series — maybe for the best, since he was, you know, white and all that, and I don’t know how the writers would have handled it, but ANYWAY — I believe this could have been further explored, particularly regarding his relationship with the Clones, and how it could have influenced his revolt against the Jedi, and manipulated to add to his anger and all that. I mean, we already HAD the fact that Anakin shared a deeper conection with his troopers than usual)

Yes, Rex, you have common trauma experiences to share. But anyway, backing to my track

As I was saying, we are to see them as good guys, and maybe that could’ve been tricky if we saw them hooping up on slavery practices. Like, idk, a “nice” sugar plantation owner? (I don’t know the correct word for it in english, but in portuguese they were called senhores de engenho) Like this guy from 12 Years a Slave?

You know, the slave owner who was “nice”. IDK, anyway

No one will ever watch Clone Wars and make this association (I believe not, at least), of course not. But if we were to see how CW deepened the clone arcs, and see them as phenotypically indigenous, subjected to certain situations that occur in CW (yes, like Umbara), maybe some kind of association would’ve been easier to make.

I mean, come onnnn I can’t be the only one seeing it

You see, maybe not the whole 12 Years a Slave association one, but I don’t think it’s hard to see there was something there. And maybe this could’ve been even more evident if they looked non-white. Because historically, both black peoples and indigenous peoples went through processes of slavery, from which we as a society are still impacted today. And to slave a people, the first thing you have to do is strip them from their humanity. So it might be easier to see this situation and apply it to real life. And maybe that could lead to a whole lot of other questions regarding the Clones, the Republic, the Jedi, and even how chill Obi-Wan was about all this. We might come out of it, as lady Ursula Le Guin stated in the fragment above, a bit different from what we were before we watch it.

Maybe even unconsciously, Filoni Inc thought we would be more confortable watching if they just looked white (and because of colonialism and all that, but I’m adding thoughts here).

And of course I don’t like the idea of, idk, looking at Obi-Wan and thinking about Benedict Cumberbatch in 12 Years a Slave or something like that. Of course that, if the Clones were to play the same role as they did in the prequels, to obediently serve the Jedi and quietly die for them, that would have been bad, and hurtfull, and pejorative if added to all that I said here. But the thing is that Clone Wars, consciously or not, already solved that. At least to my point of view, they already managed to approach this situation in an incredible competent way, that is giving them agency.

2.4 AGENCY AND INDIVIDUALITY

So, one of the things I love most in Clone Wars is how it really feels like it’s about the Clones. Like, we have the bigger scene of Palpatine taking over, Ahsoka’s growth arc, Anakin’s turn to The Dark Side, the dawn of the Jedi and rise of the Empire and all that, but it also has this idk, vibe, of there’s actually something going on that no one in scene is talking about? And this something is the Clones. We have these episodes spread throughout the seasons, even out of chronological order, which when watched together tell a parallel story to the war, to everything I mentioned. Which is a story about individuals. Clone Wars manages to, in a (at least to me) very touching way, make the Clones be the heros.

Can you really look me in the eye and say that Five’s story didn’t CRASH you like a full-speed train???? He may not have the same amount of screen-time as the protagonists, but his story is just as important as theirs (and to me, it might be the most meaningful one). Because he is the first to break free from the opression cicle all the Clones were trapped into.

His story can be divided into 6 phases.

1 - First, the construction of his individuality, in other words, the reclaiming of his humanity.

2 - Then the assimilation of understanding yourself as an individual of value, and then extending this to all his brothers, not as a unit, but as a set of individuals collectively having this same newly discovered value.

3 - This makes him realize that in the situation they find themselves in, they are not being recognized as such. This makes him question the reality of their situation.

4 - Freed from the illusion of his state, he seeks the truth about it.

5 - This then leads him to seek liberation not just for himself, but for all the Clones (it's basically Plato's Cave, and I'm not exaggerating here).

6 - And finally, precisely because he has assimilated his individuality and sought freedom for himself and his brothers, he is punished for it.

His story is all about agency. Agency, according to the Wikipedia page that is the first to appear if you type “agency” on Google, is that agency is “the abstract principle that autonomous beings, agents, are capable of acting by themselves” [4], and this abstract principle can be dissected in 7 segments:

Law - a person acting on behalf of another person

Religious - "the privilege of choice... introduced by God"

Moral - capacity for making moral judgments

Philosophical - the capacity of an autonomous agent to act, relating to action theory in philosophy

Psychological - the ability to recognize or attribute agency in humans and non-human animals

Sociological - the ability of social actors to make independent choices, relating to action theory in sociology

Structural - ability of an individual to organize future situations and resource distribution

All of them apply here. And this is just the story of one Clone. We know there are many others throughout the series.

Agency is what can make the world of a difference when you are telling a story about an opressed minority. Because opressed minorities do exist, and opression exists, and if you are insecure about consuming a fictional media about opressed minorities, see if they have agency might be a good place to start. So that’s why I think that everything I said before in 2.3 falls short. Because the solution already existed, and was indeed done. Honestly, making the non-agency representation of the Clones (the one we see in the prequels) to be the one played by Temuera Morrison, and then giving them agency in the version where they appear to be white, just leaves a bitter taste in my mouth.

And honestly, if they were to make the Clones look like Temuera Morrison, and by that mean, take more inspiration in the Māori culture, maybe they wouldn’t even have to change much of their representation besides their facial features. As I said in part 1, I am not by any means an expert in polynesian cultures, but there was something that really got me while I was researching about it. And is the facial tattoos. More precisely, the tā moko.

2.5 TĀ MOKO

Once again I’ll be using the Te Ara: The Encyclopedia of New Zealand as source, and you can find the articles used linked at the end of this post.

Etymologically speaking,

“The term moko traditionally applied to male facial tattooing, while kauae referred to moko on the chins of women. There were other specific terms for tattooing on other parts of the body. Eventually ‘moko’ came to be used for Māori tattooing in general.” [5]

So moko is the correct name for the characteristic tattoos we often see when we look for Māori culture.

These ones ^. Please also look this book up, it’s beautiful. It’s written by Ngahuia Te Awekotuku, a New Zealand academic specialising in Māori cultural issues and a lesbian activist. She’s wonderful.

According to the Tourism NewZealand website,

“In Māori culture, it [moko] reflects the individual's whakapapa (ancestry) and personal history. In earlier times it was an important signifier of social rank, knowledge, skill and eligibility to marry.”

“Traditionally men received moko on their faces, buttocks and thighs. Māori face tattoos are the ultimate expression of Māori identity. Māori believe the head is the most sacred part of the body, so facial tattoos have special significance.”

[...] “The main lines in a Māori tattoo are called manawa, which is the Māori word for heart.” [6]

Therefore, in the Māori culture, there’s this incredibly deep meaning attributed to the (specific of their culture) tattooing of the face. The act of tattooing the body, any part of the body, is incredibly powerful in many cultures around the globe. The adornment of the body can have different meanings for these different cultures, but all of which I've come into contact with do mean a lot. It’s one of the oldest and most beautiful human expressions of individuality and identity.

And in the Star Wars universe, the Clones are the group that has the deeper connection to, and the best narrative regarding, tattoos. In fact, besides Hera’s father, Cham Syndulla, the Clones are the only individuals to have tattooed skin, at least that I can recall of. And they do share a deep connection to it.

For the Clones, the tattoos (added to hairstyles) are the most meaningful way in which they can express themselves. Is what makes them distinguishable from each other to other people. Tattoos are one of the things that represent them as individuals.

And I’m not BY ANY MEANS sayin that the Clones facial tattoos = Moko. That’s not my point. But that’s one of the things I meant when I said earlier about the wasted potential of the representation of the Clones (in my point of view). Because maybe if it were their intention to base the culture of the clones after the polynesian culture, maybe if it were their intention to make the Clones actually look like Temuera Morrison, this could have meant a whole deal. More than it’d appear looking to it from outside this culture. Maybe if there were actual polynesian people in the team that designed the Clones and wrote them (or at least indigenous people, something), who knows what we could’ve had.

Even in Hunter’s design, I noticed that if you take for example this frame of Temuera from the movie River Queen (2005), where we can have a closer look at the design of his tā moko

Speaking purely plastically (because I don’t want to get into the movie itself, just using it as example because then I can use Temuera himself as a comparison), see the lines around the contours of his mouth? Now look at Hunter’s.

I find it interesting that they choose to design this lines coming from around his nose like that. But at this point I am stretching A LOT into plastic and semiotics, so this comparison is just a little thing that got my attention. I know that his tattoo is a skull and etc etc, I’m just poiting this out. And it even makes me a little frustrated, because they could have taken so many interesting paths in the Bad Batch designs. But instead they choose to pay homage to Rambo. And I mean, I like Rambo, I think he’s cool and all that.

Look at him doing Filipino martial arts

But then, as we say in Brasil, they had the knife and the cheese in their hands (all they had to do was cut the cheese, but they didn’t). Istead, it seems like in order to make Hunter look like Rambo, they made him even whiter???

2.6 SO...

Look, I love The Clone Wars. I’m crazy about it. I love the Clones, I love their stories and plots. They are great characters and one of the greatest addings ever made in the Star Wars universe. They even have, in my opinion, the best soundtrack piece to feature in a Star Wars media since John Williams’ wonderful score. It just feels to me as if their narrative core is full of bagage, and meanings, and associations that were just wiped under the carpet when they suddenly became white. It just feels to me as if, once again, they were trying to erase the person behing the trooper mask, and the people they were to represent, and the history they should evoke.

I don’t know why they were whitewashed. Maybe it was just the old due racism and colonialism. Maybe it was meant for us to not question the Jedi, or our good guys, or the real morality of this fictional universe where we were immersed. But then, was it meant for what?

The Clones were a metaphor for what?

(spoiler: the answer still contains colonialism)

Thank you so much for reading !!!! (and congratulations for getting this far, you are a true hero)

SOURCES USED IN THIS:

[1] Ursulla K. Le Guin, 'The Left Hand of Darkness', 14th ACE print run of June, 1977

[2] Dave Itzkoff, 'Being Boba Fett: Temuera Morrison Discusses ‘The Mandalorian’', The New York Times, published Dec. 7, 2020, https://www.nytimes.com/2020/12/07/arts/television/the-mandalorian-boba-fett-temuera-morrison.html (accessed 15 September 2021)

[3] Bruno Claessens, 'George Lucas' "Star Wars" and Oceanic art' , Archived from the original on December 5, 2020, https://web.archive.org/web/20201205114353/http://brunoclaessens.com/2015/07/george-lucas-star-wars-and-oceanic-art/#.YEiJ-p37RhF (accessed 15 September 2021)

[4] Wikipedia contributors, "Agency," Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Agency&oldid=1037924611 (accessed September 17, 2021)

[5] Rawinia Higgins, 'Tā moko – Māori tattooing - Origins of tā moko', Te Ara - the Encyclopedia of New Zealand, http://www.TeAra.govt.nz/en/ta-moko-maori-tattooing/page-1 (accessed 17 September 2021)

[6] Tourism New Zealand, ‘The meaning of tā moko, traditional Māori tattoos’, The Tourism New Zealand website, https://www.newzealand.com/us/feature/ta-moko-maori-tattoo/ (accessed 17 September 2021)

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bnhayyy · 3 years

Text

The Call (10)

Chapter Title: Friendship

Wordcount: 2.9k

Fic Tag: Click

Ao3 Link: Click

Chapter Summary: The death of Marco Bodt.

Notes: I stopped uploading chapters to tumblr for a while, but I've decided to get caught up! And getting caught up meant starting with. This. Enjoy? Also! if you want to see what happens next, please know that the next eight chapters are all already posted on Ao3.

"Kirstein. It's Ymir; I'm sure the slayers have told you all about me. Probably not good stuff either, so right now, I need you to ignore all of that and listen to me. Reiner Braun and Bertolt Hoover are vampires, Reiner has a gem that lets him walk in the sunlight, and Annie is in league with them. I have too many damn calls to make to go into detail, but Reiner's the killer you've been looking for. Bastard almost took Krista out last night. They're after Ackerman, and if you want to stay alive, you'll stay the fuck away from them. I mean it. They are not the people you think they are."

***

"Hey Jean, I just got a really weird voicemail from someone called Ymir. She was talking about vampires and magic rings and... something about Reiner being a murderer? It's probably nothing, but... she sounded really worked up and angry for a prank. I'm going to go over to Reiner's place and talk to him. I don't know what's going on, but I'm sure we can talk it out. Anyway, I just wanted to let you know in case you get a call as well. I've got it under control."

***

Jean felt all the blood drain from his face as he stared down at his phone. He stood there for a moment, unsure of what to think or feel.

Then he called Marco.

No answer.

He called again.

No answer.

After the third missed call, he pulled on his shoes and raced out of the apartment.

The first message had left him breathless - how the fuck had the vampire that Mikasa and Annie were hunting gotten his phone number?

That much he figured out almost immediately. It wasn't a nice thought, but it was the obvious answer. Ymir and Krista had been seen together at the club, and from the sound of it, they had been very friendly. Maybe the slayers were right and Krista was being manipulated. Maybe they weren't. Either way, he imagined that someone as charismatic and involved in the college as Krista wouldn't have much difficulty getting her hands on some phone numbers. It was an upsetting thought, but it wasn't his priority right now.

He didn't believe Ymir for even a second. But if she was involved, he did believe that Marco was walking into danger.

And he was walking into it blindly.

Jean cursed himself for listening to Erwin as he raced down the steps and to the rack that his bike was attached to. With fumbling fingers, he put in the code and yanked it free. He tore it from the rack and jumped on without bothering with a helmet.

As he peddled, his heart raced. Something cold slithered down his throat and into his stomach as he considered what might be waiting for him. Was this some elaborate trap set by Ymir? Would he get there to find everyone dead and the vampire waiting to set upon any of the slayer's friends who were foolish enough to show up? Did Bertolt and Reiner know about the story she was spinning? God, was she planning on turning them? Was she planning on turning Annie ? He didn't know what a slayer being turned into a vampire would mean in the grand scheme of things, but he couldn't imagine that it was anything good.

Was Marco going to die because Jean hadn't told him the truth?

The cold feeling spread throughout his body as worse and worse scenarios flashed through his mind. He could almost taste the fear threatening to paralyze him - or maybe that was bile. He definitely wouldn't be surprised if he ended up vomiting at some point in the night. The only thing that kept him going was the knowledge that if he didn't do anything, it could cost Marco his life. He had to - he had to -

He didn't know what he would do. What he could do. But he had to do something. Every bit of logic and reason within him told him to go back home and call Mikasa, and he wanted nothing more than to listen to it. The only problem was the obnoxious little thing he called a conscience, reminding him that he wouldn't be able to live with himself if he didn't at least try to do something.

Damnit. He was probably going to get both of them killed.

He'd almost made it to Reiner's house when he rode past an alleyway. Jean caught sight of three figures standing by its mouth out of the corner of his eye. It was only a glimpse, but with his heart pounding in his chest and adrenaline rushing through his veins, it was enough to make him slam his feet against the pavement to stop his bike. He jumped off and abandoned it right on the side of the street as he rushed over to the alleyway.

His first instincts had been correct. No more than a few feet into the alleyway, Marco stood facing a stern-faced Reiner and Bertolt, talking rapid-fire and peppering his words with expressive gestures.

"Marco!" Jean called.

Marco, Reiner, and Bertolt all turned to face him. "Jean?" Marco asked, blinking. "What are you doing here?"

Jean cursed under his breath as he raced over to his friend. "Stopping you from doing something stupid," he said. "What about that call made you think this was a good idea? Ymir-"

"Did she call you as well?" Reiner asked. His expression was a combination of stony, frustrated, disappointed, and angry. It was a little odd, but far from the highest priority at the moment.

"Yeah," Jean said as he stepped over to Marco's side. He and everyone else looked uninjured - good. Ymir must not have been able to try anything yet. "She tried to feed me some nonsense about you two being vampires."

Bertolt groaned and shook his head. "Reiner, if she told Jean and Marco..."

"She probably told everyone," Reiner finished.

"So?" Jean asked, scowling. "It's not like any of us would believe her. The important thing is making sure that she isn't able to do anything serious."

"Yeah!" Marco added. "I mean - I'm still kinda... struggling to wrap my head around this, and that all this is real, but... just because you guys are vampires-"

Jean snapped his head around to stare at Marco. "Wait, what?"

Reiner sighed heavily.

There was only one short moment between that sigh and Reiner starting to speak. However, that moment was enough for Jean's innards to freeze up with a whole new sort of cold.

Maybe he should have given Ymir some credit after all.

"You see, Jean," Reiner began, a whisper of regret staining his voice, "Ymir wasn't lying."

"Maybe not completely," Marco said, oblivious to how Jean's heart was sinking in his chest. Oh, he was definitely nervous - the sweat beginning to form on his face and anxious strain to his smile said that much. But he also sounded like he sincerely believed what he was saying.

Because he didn't know what being a vampire meant. But then again, neither did Jean, now that he thought about it. He knew that they were blood-sucking monsters, but... maybe that wasn't everything. The Reiner and Bertolt that he knew were good people. Marco was a naive goody-two-shoes, but maybe there was some merit to what he was trying to say.

In the time that it took for Jean to go through that train of thought, Marco continued speaking. "But just because you're vampires doesn't mean you have to be killers!"

A shadowed look fell over Bertolt's face, while Reiner just frowned. Jean felt his stomach twist, and Marco's smile twitched fractionally.

Yet he didn't give up.

"A-and even if you are," Marco stammered, "this could be an opportunity to turn over a new leaf! I mean, is there any rule saying that you can't be good? What's stopping you?"

Bertolt bit his lower lip. "It doesn't..." Reiner gave him a heavy look as he trailed off, and he took in a deep breath before finishing, "it doesn't work that way."

"Why not!?" Jean demanded. The words felt like they were shards of glass forcing their way out of his throat and his heart was all but ready to burst out of his chest. He knew that he should turn and run. If Bertolt and Reiner really were vampires, he had to turn around and run if he wanted to get out alive.

But his friends needed him. Marco for sure, and maybe, if he wasn't being a complete moron, Bertolt and Reiner as well.

Jean should have turned around and run away. Instead, he stepped in front of Marco and held his arms out. "Why can't you be good? Vampires might not be the same as humans mentally and emotionally or whatever, but you have free will, don't you? And we're friends, aren't we? So why does this have to mean anything? Even if..." Jean swallowed and tried not to think too heavily on the horrible implications of what he was saying, of what Ymir had said, even as he forced himself to acknowledge their existence. "Even if you've done horrible things, I'm sure the others would be willing to give you another chance if you're willing to atone and try to do good now."

"He's right!" Marco chimed in, stepping forward and around Jean. "I-it might not mean much, but I would vouch for you."

Bertolt faltered. Beside him, Reiner closed his eyes, just for a moment.

When he opened them, all of their usual warmth had been replaced with ice. "Enough of this."

"Reiner-"

"No, Bertolt. They know now. Ackerman knows. We need to show them that we mean business."

Jean was moving before he even finished speaking. He grabbed Marco's arm and tried to drag him toward the mouth of the alley. However, his friend fought back and remained rooted to the spot. Both of them spoke at once.

"H-hey, let not do anything hasty-"

"-Marco, we need to go now-"

Meanwhile, Reiner jerked his head toward Jean and said, "hold him back."

Then Reiner twitched, his gaze jerking off to the side for a moment.

Bertolt didn't seem to notice. He didn't hesitate in closing the distance between himself and Jean and, with far more strength than any human should - could - have, tugged him away from Marco, and pinned his arms behind his back. Jean flailed and yelled wordlessly, but was unable to break out of his grasp.

"I'm sorry," Bertolt whispered. "We were only after Mikasa, you weren't supposed to be - this wasn't part of the plan."

"If you're sorry, then why don't you do something!? " Jean shouted.

Meanwhile, Reiner was approaching Marco. He looked steady, unstoppable - aside from how he kept looking over to the side every few seconds. At the same time, Marco took one, two, three steps away, until his back was pinned to the wall.

Reiner's sudden twitchiness did nothing to soothe him. "Don't do this," he pleaded. "Reiner, please, we're friends, don't-"

"What's going on?"

All four of them froze. Despite his need to keep his eyes on Marco, Jean's eyes momentarily darted toward the opening of the alleyway. There stood Annie Leonhardt. She was beaten and bloody. At just a quick glance, he noticed that her shoulder was positioned oddly and there was a gruesome cut on her leg. Even so, for one bright, shining moment, he felt something that almost felt like hope. For a moment, he wanted to call out to her for help.

Then he remembered Ymir's call.

"Annie!" Marco called out, still hopeful where Jean could feel despair lapping at his heels. "Th-there's been some sort of misunderstanding. Maybe you could-"

"Ymir knows about us," Reiner interrupted, making Jean's eyes snap back to him. Where Jean, Marco, and Bertolt had all paused to look at Annie, he had gotten ahold of himself and re-focused his attention on Marco. A predator fixated on its prey. "She told everyone."

"Mikasa knows too," Annie said, voice empty. "She got away."

Reiner's expression darkened. "She got away, or you let her go?"

No sooner had he spoken than a twitch ran through his jaw. But of course, with all that was going on, Annie didn't notice it. It looked like she was going to say something, but she never got the chance.

"She should let Mikasa go!" Jean exclaimed. "Annie, you're a slayer! You can't do this. You're supposed to be a hero. "

Meanwhile, Reiner grabbed Marco by the shoulder and pulled them both around to face Annie. "I think you've gotten too attached," he said. As soon as he spoke, he visibly tightened his grip on Marco's shoulder as he spoke, jaw clenching a little tighter yet.

Annie scowled. "No! I just-"

"None of you are too attached!" Marco pleaded. "We're friends! Annie, Reiner, please- "

"Reiner," Jean hissed. "Annie. Bertolt." The vampire holding him swallowed audibly, but made no move to cut Jean off, nor did he try to join the current cacophony of voices. "Listen to me. If you do this, I swear to god, you will- "

"Shut up, Eren!" Reiner snapped.

Silence fell over the group. Or rather, everyone aside from Reiner, who went on to murmur, a hint of intermingled exhaustion and agitation creeping into his voice, "I'm not going to regret anything."

Jean stared. Marco didn't dare move, but he could make out the confusion on his face. Annie's expression morphed into a frown.

"Reiner," Bertolt whispered, "who's Eren?"

Reiner raised the hand that wasn't clutching onto Marco to scrub at the side of his face. "No one," he said. "Let's just get this over with."

He lowered his hand and pushed Marco into Annie's arms. "Kill him."

Annie grabbed onto Marco, whose expression had settled firmly into one of horror.

"Annie, please," he begged, "we can still talk this out, we can-"

"Annie!" Jean howled. "If you do this, you'll-"

"Annie has a soul," Bertolt called out, voice pitched loud enough to cut through the din.

Reiner raised an eyebrow at Bertolt. "So?"

" Look at her," Bertolt pressed.

So Jean looked. He saw that Annie's eyes were wide and her face was pale. She looked pained, but that could very well be because of her injuries.

Perhaps it was because he wasn't as kind of Marco, but to him, she just looked like a murderer in the making. Nonetheless, Bertolt pressed on.

"There are other ways for her to prove her loyalty, but you need to remember that she isn't like us, Reiner. You're asking her to kill a friend. That sort of thing-"

"Right," Reiner said, letting out a mirthless laugh. "We have to look out for the slayer's precious soul."

Reiner wrenched Marco out of Annie's grasp and snapped his neck.

Nobody had time to do anything. Nobody even had time to react. One second Marco was standing there, terrified but alive, and the next his lifeless body was falling to the ground. It was the sort of thing that was impossible to witness without receiving a permanent scar on your soul.

But vampires didn't have souls to scar, and as he stared down at Marco's body, Reiner's expression was utterly impassive.

"Annie," he said, voice empty save for a faint hint of irritation. "Someone will need to dispose of the body. Do you think you can handle that, at least?"

"Once I get the arrow out of my shoulder," she said. Her voice was choked up. If Jean didn't know better, he might suspect that he would see tears in her eyes if he looked at her. But he didn't. He wasn't able to look at anything but Marco's body.

"I'll help," Bertolt offered.

"Not yet," Reiner said. "We aren't done here."

With that, he approached Jean, eyes dark and heavy. Jean met his gaze with his own, eyes promising vengeance, for all that he knew that his death was probably upon him.

Yet when Reiner opened his mouth, it was to say, "now that you know we're serious... Jean. Because we're friends, I'm going to let you live. And if you, Sasha, and Connie stay out of the way, none of you will be hurt."

Faintly, Jean heard Annie murmur, "hypocrite." He couldn't tell if Reiner caught it, as his eyes remained fixed on Jean, waiting for his answer.

A smart person would have agreed. A selfish person would have agreed. If you asked Jean prior to that moment, he would have expected himself to agree.

Instead, he looked Reiner in the eyes and said, "we won't. Reiner, if you let me live, I promise that you will regret it."

Reiner gave a thin smile. "Good thing I'm willing to take that bet."

He stepped away and collected Marco's body in his arms. For a moment, it looked like he would pass it - him - to Annie, but he hesitated upon getting a closer look at her arm. With a sigh, he called, "Bertolt?"

"I really am sorry," Bertolt murmured before letting go of Jean and stepping away.

Jean wanted to charge at Marco's murderers. To fight for his body so that he would at least get a proper burial. To avenge his death. Instead, without Bertolt to support him, his legs gave out and he fell to his knees.

"Think about my offer," Reiner called.

With that, the trio left the alleyway, taking Marco's corpse with them.

And Jean was alone.

#attack on titan #snk #The Call #Jean Kirstein #Marco Bodt #Marco Bott #Reiner Braun #Bertolt Hoover #Annie Leonhart #Annie Leonhardt #Mikannie #as in. there is no mikannie this chapter #but this is a mikannie fic as a whole #my fic #my writing

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calicorn · 4 years

Text

My experience with WeLoveFine/ForFansByFans as an artist.

This in regards to the Act 6/7 Tarot Project, which occurred from 2017 to 2018. I also want to thank @aryll for the chance to participate in such a project, and thank you for doing what you could with the group and what occurred. I realize this is a few years late, however, but it’s been bothering me ever since it occurred, and I only chose to speak my mind about it. But to summarize, the project started out as unofficial, however we were approached by FFBF in February of 2018. They were willing to sell the deck as official merchandise on their store. I have my own opinions on the company, as it’s known they underpay artists severely for their work despite selling most items for extremely high prices. A similar payment issue occurred with the Official Homestuck Zine, and one of the artists of the Tarot Project posted this in the comments: “Can relate OP. I did work for the new tarot deck (using my throwaway account for that reason lol) but we aren’t being paid at all. No money. The only compensation we are getting is a free deck and an exclusive enamel pin which is pennies compared to what they’ll be making off us. One might argue that the project wasn’t supposed to be printed so I should be grateful it’s even happening but I expected a big company like WLF to y’know, pay artists... The only reason I agreed to letting them use my art was to get a free deck. I also honestly dislike WLF’s artist compensation policy. My art has been selected from the Fan Forge before and the idea of being able to sell my HS art was so appealing, but the execution is so poor. They don’t pay us until we sell $100 worth of shirts, but that is so difficult in a market that is so oversaturated. I wish they like, cycled designs in and out. Instead, they just keep adding more and more designs, drowning out old ones and just flooding the entire market. Plus, they get to withhold money from artists until every hundred-dollar mark. I can’t imagine how much they’ve made off of small time artists that get their design accepted and sell maybe 3 shirts since it happens so often.” So. What exactly happened? I’ll explain under the cut given there’s a decent amount to go through. Though to summarize; WeLoveFine/ForFansByFans is an extremely egregious company that does not value their artists whatsoever and will do what they can to pay them as little as possible. Please support said artists on sites that actually do give them fair pay, or support them via commissions.

There were a few bumps during the tarot project, though overall it went extremely smoothly and we released our art to the Tumblr blog. FFBF approached us during this time, and we were all given the option to agree to continue working or the project or decline. However, this is what was an important piece to the initial email sent out by the Tarot Project team; • Each participating artist will get a full finalized copy of the deck, COMPLETELY free. This includes packaging and free shipping of the deck. • Each participating artist will get an enamel pin commemorating the project, EXCLUSIVE to the artists of this project only, with a custom design as chosen/designed by us. What will most likely occur is that everyone who wishes to submit a design for the pin can do so, and as a group, we will vote on which one we would like to submit as our final design choice! • Each participating artist will receive FULL COMMISSION on any further usage of their artwork by What Pumpkin or For Fans By Fans. For example, if they release a mini-print, wallet, etc. with your design on it, you will be paid in commission for the usage of your work. (If you have ANY questions about how this would work, please don’t hesitate to ask and I will hook you up ASAP with a For fans By Fans representative who can go over the details with you further.) • Each participating artist will have a window in which they will be able to make updates or revisions to their illustration(s) before the project is released. This means that if something is bugging you about your work, or you feel that it does not reflect your current level of skill, you will be allowed to resubmit a new version before the project officially goes up as merchandise! So, the majority of us agreed to continue forward with the project and retouch our cards. From there, things continued, and we were emailed by a FFBF representative on occasion to discuss how the process went, as well as various other things that required discussion, plus asked to assist in the promotion of the 4/13/18 celebration on their website. This is where the issues began and would continue through the entire project, with it still being seen post-release of the cards. We were sent an email in April of 2018 requiring information to be provided in the accompanying booklet of the deck, as well as being asked to answer various interview questions that would be posted to FFBF’s Tumblr, and most importantly; the Commission Agreement form. So what did it entail? This was the form I was sent. My interview was never posted. I have looked multiple times and never seen evidence it ever was, either. And this was also included in the email; • We are going to be hosting a pre-order bonus promotion surrounding the new tarot set, starting 413. Anyone who pre-orders the set will be entered into a drawing to win a commissioned art piece from a random artist who worked on the tarot. You will be paid by us, FFBF, for this commission work in the amount of $50. So we had to draw more art with a very close deadline date to obtain a payment for art we had already created, both of which should have easily been worth more than $50 total. I signed without thinking, which looking back on, was incredibly idiotic, despite my own worries over the fact that even at the time, $50 did not seem like a lot. Progress continued. An exclusive pin was designed and created for the artists, though the production and delivery dates would be delayed to September of 2018. During this time, we were also invited to join FFBF’s Discord server as well, which I am still in, though am not active in. And eventually, we were provided a Commission Schedule. I do not know if I’m missing an email between the enamel pin shipment and this schedule post, however I cannot find any trace of it. This is the Commission Schedule email, and what it consists of. Of course I found it strange, because looking at the schedule, I could never find any sign of myself having been added. Obviously I should have replied then and there due to that, but I didn’t, and that is my own fault. But that rolled into October of 2018, when I did finally email back and asked about why I hadn’t been added. I was sent back this; “Hi Calicorn! I’m sorry I misinterpreted your response as not wanting to proceed:“3) I am completely willing to sign up for being one of the artists for the commission raffle event, though I must say $50 would be underpaying considering most artists’ base prices for commissions tend to be $50 or more.” Then I sent “If you do not want to be part of the give-away, that’s totally ok. We are offering $50 for these commissions but if that price is not within your comfort, there’s no pressure!” You never came back with anything so I didn’t want to proceed since it seemed like you were uncomfortable with the amount we were offering – I’m really sorry if I misunderstood! The giveaway is actually over I’m sorry to say but I appreciate you following up about this. I wonder why the message went into spam.. Please let me know if there is anything else I can do for you Thanks!” And one of the most glaring issues popped up in October as well. When we finally received our decks in the mail, our project’s Discord group began to discuss the fact that our emails had been printed in the pamphlet without our permission. Mind you, this was also a project that included minors in it, and our emails had now been given away without our knowledge. Another issue with the pamphlets is the fact that FFBF had reused the same text from the Homestuck Kickstarter Tarot Deck, as seen on the New Booklet/Old Booklet, and here/here. FFBF then decided to remove the booklet from every outgoing tarot that gets ordered, with customers receiving a corrected digital PDF that was coordinated in its creation by Aryll. And apparently previous customers would receive this PDF via emails, as well as a link to download it on the product page. Thankfully FFBF seemed to have at least posted the PDF on the product page, however this seems extremely lazy compared to simply including the newly reprinted booklet. Though this may not be the last of issues, as I stumbled across the Amazon product page for our tarot deck earlier before typing this all up. To say the least, it is extremely infuriating, especially given the quality of the cards and how many people of complained about them on both Amazon and FFBF’s websites. Of course we, the artists, were never alerted to this development, nor were we paid for such.

But overall, we were hardly paid for our time and effort during this project, which is a massive disappointment, but perhaps that much should have been expected from WeloveFine/ForFansByFans, who are notorious for underpaying artists and overpricing products. Their actions are inexcusable, and I am still both disappointed and furious with this company as a whole. But thank you for reading, and please spread the word, as I do not want FFBF’s actions to go unnoticed.

#homestuck #welovefine #forfansbyfans #act6tarotproject

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jackdawyt · 4 years

Video

youtube

Dragon Age: Inquisition is one of my favourite games of all time. I love everything about this game, from the compelling hero’s journey, to the roster of lovable characters, to making the Inquisitor my very own unique protagonist. Few games compare to the experiences and tremendous moments that Inquisition provides, not to mention the Trespasser DLC which revealed the true intention of the game’s villain, and paved the story forward for future titles.

I think it’s rather telling how good this game is, considering we’re still talking about it nearly 6 years later after launch, discovering new theories and mysterious hidden deep within the lore. Heck, if Dragon Age: Inquisition was a mediocre experience, I don’t think I’d have a YouTube channel today with thousands of recurring views weekly talking about the game, and where the story is going to go since the events of Inquisition.

However, there is something critical that I feel is necessary to discuss regarding Dragon Age Inquisition’s original marketing demos and the expectations they set for the finished game.

Following up to the launch of Dragon Age: Inquisition, I used to obsessively re-watch the first original gameplay demo shown at Pax Prime 2013. At the time the game was in its pre-alpha build, however, there were many impressive features and dynamics showing just a glimpse of what we’d come to expect once we got our hands on the game.

In retrospect, these promises were scrapped before the finished project released.

This post is not meant to be a negative outlook, poking holes at BioWare’s effort, but an investigation and critique into BioWare’s game design, more specifically, the cuts the developers made tackling Inquisition’s complicated release, and how they’ve learned since.

For the uninitiated, Dragon Age: Inquisition released in November, 2014, a month after the next generation of consoles launched. As the game was jammed in-between two gaming generations, it was designed to ship on both the previous generation of consoles (Xbox 360/PS3) and the current generation (XB1/PS4).

In order for the game to predominantly run on the lower spec consoles, many gameplay cuts, downgrades and setbacks were made to the final project.

I’m not talking about conceptual ideas in pre-production that were drafted for the game, like The Architect making a cameo appearance in a “Here Lies The Abyss” alternative twist, or the Hero of Ferelden, Hawke and The Inquisitor meeting up in a potential drafted prologue. Of course, there were plenty of ideas, concepts and story threads that were canned and reworked because the developers had better, and frankly more relevant plans for the game.

I’m talking about actual features and mechanics that were incorporated and designed into the vertical slice demo that was shown off to the fans at Pax Prime 2013, and then were removed later on just before launch.

I would like to point out that the gameplay I’m going to show was alpha footage, and the developers made sure we all understood that it could easily change, nobody lied to us. If anything, BioWare were so eager to show off the next Dragon Age game, that perhaps this was the biggest detriment to the project.

I’ll have the full Pax gameplay demo linked for those who want to watch it fully. But without further ado, I’m going to be revealing the Dragon Age: Inquisition we almost got.

Cut Content:

The demo starts with a significant cut, originally Dragon Age: Inquisition would’ve featured stunning party member cutscenes when entering new areas for the first time. We see Varric, Cassandra and Vivienne discussing how prepared they are since the Inquisition formed. Varric banters that he’s outnumbered by the ladies once again.

We can assume that these dynamic banter cutscenes based on your party members were replaced with Scout Harding’s area report.

The models and textures for the characters and armours look very different too. Cassandra has a more angled facial structure, like her original concept art. And, the Inquisitor’s armour and textures don’t even exist in the final game, I remember attempting to recreate this look, a thousand times over, however, no fabrics in the game have this orange texture.

Helmets also appear in conversations, which is a huge pet peeve of mine, I’m still upset to this day that we can’t see helmets in conversations and there’s no mod to fix it. However, they added this feature in Mass Effect: Andromeda, so maybe we’ll see it in the future.

In general, this demo showed that there was going to be a lot more cutscenes when entering new areas, in party banter, and for minor conversations with smaller characters.

Upon inspecting the gameplay, we can see the camera’s placement was significantly adjusted. The demo had a third-person feel, whereas the game ended up with a pulled back camera, probably to suite the tactical camera for combat. Fortunately, there are mods that actually fix this issue.

The UI has evolved since the demo, there used to be a Skyrim-esqe navigation compass that was replaced with a radar. And the party member icons are different, but that’s just nit-picking.

The combat is more or less the same, however, it does seem more reactive and heftier in the demo. Most likely because the camera is more zoomed into the action. There are some tweaks though, the enemies react more to the Inquisitor’s attacks, the stumble, flail and even run away, as opposed to just taking the damage and then attacking you back.

However, minor these cuts may seem to you; they did change the game a fair amount adding more immersion to the overall experience.

Even so, the most obvious and upsetting cut when watching this demo regards the entirety of Crestwood, the area has been dramatically reduced in the final game.

In this demo, the Inquisitor is given a conflict. One of the Inquisition’s soldiers asks the player how does the Inquisitor want to handle their armies' movements throughout the area.

The Inquisitor could send the Inquisition army to save the town of Crestwood.

They could lead the soldiers to tend to the nearby wounded.

Or they could bolster every solider to the Keep, leaving both the wounded and the town of Crestwood.

Each choice had a consequence, and both Mike Laidlaw and Mark Darrah spoke on having multiple ways to approach the situation. For instance, in the demo’s scenario the Inquisitor decides to leave the town while it’s under siege, instead, they find a secret entrance towards the Keep. Using Antivan Fire, they burn the invaders’ boats which would prevent them from escaping after their attack. The Inquisition take the Keep, and head back to the ransacked town filled with newly fresh corpses. A dynamic cutscene of Varric mourning the dead plays out, adding emotional impact and weight to the decision the Inquisitor just made.

And this was just a side questline...

The demo ends with the developers reiterated the tactical and dynamic approaches when showing the Inquisition taking over the Keep at The Western Approach.

According to Mark Darrah, you could weaken enemy defences by doing things like drawing out the troops or poisoning their wells.

Then, once you claimed the keep for yourself, you’d get a quest called ‘This Water Tastes Funny’, in which your Keep's well was poisoned and you’d have to go find fresh water.

The Keep’s themselves were originally designed to have a lot more influence and reactivity throughout the world. Once captured, the Inquisitor could choose a dynamic choice for the Keep’s overall goal, if you had enough Inquisition agents.

The Keep could be specialised based on the Inquisition’s advisors. You could choose to run your Keep as a Military outpost, boosting fortifications. It could be a Keep of espionage and secrets, for information gathering, or you could make it a Keep of connections and merchants for diplomatic purposes. Each different speciality had a different advantage and aesthetic to suit its purpose.

Adding more choices and roleplaying values for making the Inquisition your own army, having a say in what aspects it should grow in.

That sums up the majority of the cuts made since this demo. I will say it’s unfortunate seeing these unfinished features that shaped the game in a completely different direction, that inevitably couldn’t make it into the finished project.

But I think it’s wrong to pin the blame of this cut content on anyone because the developers were tackling a console generation shift, and they wanted everyone to have the opportunity to play the game without having to get a new console. Can you really blame them for that?

Perhaps many of these features may be designed into a future title since the developers wanted them so much in Inquisition? And speaking of the future title, at least the next Dragon Age game won’t be coming out in between a console generation, it is being designed strictly for next-gen, so there shouldn't be any console setbacks and limitations.

Even still, when Dragon Age 4 does eventually get a gameplay reveal, don’t set your expectations in stone based on that reveal. The finished project will look very different. These days gameplay previews aren’t always accurate, and that’s just a dilemma of the entire games industry, not just EA and BioWare.

Wrapping up on a positive note, BioWare have learned from this experience, and they’re approaching Dragon Age 4 with a “show, don’t tell” strategy. They will be proceeding with caution when marketing and revealing the next Dragon Age game, and that may play a part in why we haven't and won't see anything official for a while.

I don’t think I could end on a better note then the Narrative Director, John Epler’s message about Inquisition’s development. John said: “A good 90% of 'bad' decisions are, in fact, the best decision at the time. Game dev is all about making the best decision you can at the time, with the resources you have. A lot of stuff you thought was weird or awkward came down to a gut call of 'this is the best I can make this and I trust it's good enough'. Sometimes we're right, sometimes not.”

BioWare decided to make these cuts to Inquisition because they realised it was the right thing to do for the entire project, perhaps they felt they couldn’t deliver these features to their full capacity, or they wanted a change of direction. They believe these decisions were made for the greater good of the game, and I commend them for that.

Dragon Age Inquisition is an incredible RPG with tons of personality, that not many games can even mimic. Although the game had some minor setbacks with the fair amount of content that was cut, the game is just as amazing without those initial features.

Like I said, perhaps we’ll see these mechanics in the next game, if not, then at least it has been a learning experience for BioWare, that they can utilise for the development of Dragon Age 4.

In any regard, let me know your thoughts down below on this gameplay demo relating to the finished game, and don’t forget to check out my latest news update!

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starker-stories · 4 years

Text

The Cold, Chapter 8 - The Messages Series

This chapter on AO3

By @thestarkerisobvious and @starker-stories

New chapters in the series post every Thursday. Unless Von forgets it’s Thursday. Then they post on Friday. Sorry.

All links are to AO3. You don’t need to be a creator to have an AO3 account. You can have one solely as a reader. But to read anything at all in this series, you can just be an anonymous reader and/or commenter.

The best way to keep up with The Cold is to subscribe to the story on AO3. And the best way to keep up with the Messages Series is also to subscribe to it as well as the individual stories. That way you’ll know when the next book is added.

Tags: Tony Stark Feels, Peter Parker Feels, College Student Peter Parker, Established Relationship, Anal Sex, Oral Sex, Tony Stark Still Has Arc Reactor, Arc Reactor Kink, Peter Parker is a Mess, Spider-Man powers, Communication, They Finally Communicate!, And Fuck Of Course Look at Who It’s Written By Of Course They Fuck, Avengers Compound

The entire Messages Series. All links are to AO3.

Messages Unsent (complete & posted)

Nothing More Than A Machine (complete & posted)

Tomorrow (complete & posted)

My Virgin (Revisited) (completely & posted)

The Cold (completely written) Posts Every Thursday

There’s been a change.

The Cold is the final book in the main line of the Messages series. There is this one and two more chapters until the end (10 chapters total.) The story has been completely finished and is ready to post to schedule.

What were formerly the last two chapters will be written as Messages Interludes and won’t be posted to the same schedule that Messages has been.

The best way to follow them is to subscribe to the Interludes series link. These stories involve time jumps that make them their own separate thing from the contiguous week that Peter and Tony have been through in Messages.

The Opposite of Cold ( in progress )

Untitled ( in progress )

Chapter 8: A Naughty Thing

Peter gave Tony a mischievous look and said, “Please don’t suggest we not have sex tonight.”

“Well, we don’t have to. But if you insist…” Tony said as he opened the door, closing it behind them.

In the privacy of Tony’s room Peter hugged him again. It was the same kind of ‘thank you’ hug he’d given him in the hallway, one that involved squeezing Tony hard for just a moment, then holding him close for a few moments more. Then Peter pulled away, and kissed Tony gently.

Then he kissed him gently again.

Then he kissed him again, and again, pressing against him until he was walking Tony backwards to the wall, where he pinned the man with a grin.

“Oh no, I’m not done with you yet, Mr. Stark,” he growled, while grinning, holding Tony’s wrists in his hands, teasing his mouth with tongue and little kisses, smiling the more he realized he could do anything he wanted with his lover, if his lover were willing.

Unable to use his hands without letting go of Tony, he used his face to nudge open Tony’s jacket and began nuzzling against the arc reactor through his shirt, using his nose to tease the edges where he knew it was the most sensitive. He released Tony’s left wrist to use the hand that had been holding it to unbutton an opening, giving him more access. Then he began poking his tongue through the shirt, teasing the edge of the reactor, teasing himself with that spark of silver-edged taste. He peeked up at Tony’s face.

Tony’s eyes were closed, but he wasn’t moaning the way he usually did when Peter touched him there, so Peter slowed down. Pressing his legs against Tony’s, he released Tony’s other wrist to use both hands to unbutton the center of the shirt, leaving the collar closed. Opening a little window Peter gently began brushing his fingertips over the sapphire glass.

The shirt, closed at the collar, prevented him from accessing Tony’s neck (and dammit he was headed toward that safe place in Tony’s neck, but he wasn’t going there yet, not yet.) He straightened his back and instead pressed his nose against Tony’s ear.

He wanted to ask a question, something sexy, but now Tony’s breath was hitching and, oh yes, Peter could feel his reaction through his trousers. He grinned and said nothing at all. He leaned down instead and began kissing Tony gently in the center of the reactor. When Tony didn’t speak, Peter continued, running his tongue in a complete circle around the edge.

Tony moaned, but still didn’t speak. He wasn’t touching Peter. His hands were pressed to the wall. This was an interesting development, letting Peter have that kind of control. Brushing up so close to the fear that Tony held inside him. Then having that fear supplanted by the fact that this was Peter. He’d let Peter in and Peter hadn’t hurt him. So Tony played with the little frisson that ran up his spine. And he stayed still, letting the kid do what he wanted to do. Peter could touch him.

Peter thrilled at not being interrupted, then panicked a little when he realized he was ‘running the fuck’ now and that meant he had to continue. But when he put both hands on Tony’s sides he thrilled at the new opportunity. He ran his hands over Tony’s ribs, around to the small of his back and back again. Damn, had he EVER gotten to feel Tony up like this? He continued mouthing the edge of the reactor in the places he knew Tony liked best while his hands went lower, running over waist and hips and ass then back to his ribcage.

Still Tony didn’t speak — a new reaction, but nothing Peter couldn’t handle. He began teasing the edge of the reactor with his teeth (enjoying the reaction that move inspired) before standing up again and kissing Tony on the mouth, slipping his hands behind Tony’s back and pulling him close.

For a moment Peter had a sudden realization that took him by surprise, almost like an epiphany.

First, he was nose to nose with Tony? Was that a thing now?

Second, he had never kissed another person this way, ever. When he had kissed Tony, from the very beginning, his hands had been around Tony’s neck (and his head had been tilted up.) Kissing other guys had always been a sitting-down affair, something that had always involved beds or futons or couches, something that had always involved getting naked and and messing around and a lot of further negotiations.

But this? Standing up, facing forward, his hands on his waist and kissing… this was… this was almost…

Cautiously (but he didn’t want to be cautious!) Peter took Tony’s hands (still pressing, really pressing, against the wall as if he were trying to hang onto it) and draped them around his neck, never breaking the kiss.

Tony moved then, placing one hand on the nape of Peter’s neck, as he had done many times before, holding him close. But the kiss remained the same, Peter moving in, Tony not moving away, not taking over (something Peter was very used to), but something else. Waiting.

Then Peter, realizing what he could do next, moaned, and began.

All his life, it seemed, Peter had some romantic notion of being kissed in a dark hallway, his arms around the neck of some tall handsome man, while that handsome man kissed him passionately and… well… groped him. ‘Took advantage’ of him, Aunt May would say. And that was a bad thing for the man to do. A naughty thing. Oh, Peter had understood that part, but damn, Peter had always dreamed of being on the receiving end of such bad treatment. It was such an old, odd fantasy he hadn’t even expressed it to Tony (who took such good advantage of him in so many other positions it had never really come up.) But here they were, Tony deliberately saying nothing and well… damn… it was time for Peter to take advantage.

Holding his lover close with one firm hand at the small of Tony’s back, Peter ran the other hand down and boldly took a handful of ass, massaging it gently and moaning in appreciation. It felt so good he moved his other hand there too, thrilling at the opportunity to play with his lover’s legendary ass. Had he ever gotten to touch Tony there? Certainly not for this long. Cupping, stroking, sometimes teasing the rise the way Tony liked to do to him, Peter felt Tony moaning and pushing into the kiss, starting to take control. That meant he wouldn’t have much time to act out his fantasy, so he ran one hand up to Tony’s chest, avoiding the arc reactor. (The arc reactor hadn’t played into that fantasy, that fantasy was too early) and teasing one pebbled nipple through the fabric of the shirt.

The shirt was partially open, of course, and Peter ran that same hand up to the top button, breaking the kiss to gently lift Tony’s chin up and out of the way. Pressing kisses and a few gentle bites along Tony’s jaw (ah, that was another fantasy altogether, one he had indulged in many times) he slipped that hand boldly under Tony’s shirt and starred out over the pectoral muscle, moaning in appreciation.

“I want you, Tony,” he growled, the same way the tall handsome man in his fantasy had growled, stroking his thumb over the nipple one more time before moving his hand down to caress Tony’s stomach. He pulled away and watched Tony’s face, now — when Tony touched him there it really made him weak all over — before gently pulling Tony’s shirt free of his trousers, keeping their faces close. Looking down he moaned in appreciation at the sight of his lover’s body as the shirt was pulled away.

Suddenly overwhelmed with what Tony was letting him do, Peter stepped away from his fantasy, took Tony’s face in both hands and pulled their mouths together.

“Jesus Christ, Tony, I love you so much,” he whimpered, kissing the man hard.

“Thank you for letting me touch you,” he said, and suddenly he couldn’t stop grinning again, feeling foolish. “You never let me touch you like this.”

“Thank you’s a little formal for the situation, kid,” Tony said smiling. “I didn’t just hand you a pastry over the counter. But yeah. It’s… your hands are warm.”

Tony had to consider the truth of what he wanted to say. He certainly loved Peter. He trusted him more than he’d ever trusted anyone in his life. But there was still a level… a body level of hesitancy there. Even when he didn’t want there to be. When the body in question didn’t want it to be, the mind still struggled to let go of his fear. He never simply went with what his body wanted, because what his body wanted made him… made him feel vulnerable, he remembered to amend his thought. Because he wasn’t vulnerable with Peter. He only felt so because of people who weren’t Peter.

“I like it when you touch me,” he admitted. And went farther. “I like it better when you’re touching me and not my clothes.” Tony brought Peter’s hands to the buttons of his shirt. “I used to wonder if your hands would be warm or cold. I avoided touching you so much when we’d be working together. Avoided even brushing hands with you. So I wondered. And then when I found out how warm you are all over. How soft your hands feel but how strong you’d hold me with them when I’d get you all gone.”

“I get… gone?”

“I’ve had the finger bruises to prove it,” Tony said, taking one of Peter’s hands and kissing his fingertips.

“Stop,” Peter groaned, hiding his face in Tony’s shoulder (dammit he was there again!) He pulled up his face immediately and kissed Tony on the mouth, before allowing him to continue on his fingertips. But Tony had put his fingers on the buttons of his shirt, so Peter took the hint and pulled the rest of it free, exposing all of Tony’s chest as the man spoke.

“But baby, I love it when you get all gone and leave me the proof that I made you that way on my body.” Tony ran his fingertip along the outside line of Peter’s face. “Undeniable evidence. I love your fingers. I love your hands.” He kissed Peter’s palm. “So warm. Like I dreamed they’d be when you’d touch me.”

“You dreamed I’d touch… oh Tony…” Peter moaned a little and began to kiss the exposed collar bone, pushing the shirt away. Dammit, that jacket would have to go, and soon. He couldn’t take it off and let it drop to the floor, it was one of the expensive ones.

“I remember one day you got so frustrated and you squeezed the hell out of a wooden chemistry model and… I kept wondering what those fingers would feel like gripping my arm while you were lost…”

Peter moaned at the words and nuzzled Tony’s neck, teasing it with tongue and teeth. This was not the same as hiding, he assured himself, because he was still in the process of feeling Tony up. And when he wasn’t convinced, he reached down again and reassured himself with two handfuls of ass while Tony talked.

“Only you’d know… you’d know that it was me and you’d stop before you… only so hard and no harder… and that’s what you did. From the first night. You always know when to stop yourself. Because I’m not a dorm room wall or a chemistry model. You know… even when you’re gone… that it’s me.” Tony looked at Peter… face to face… still such an unusual realization and one that thrilled him. “So yeah. I love your hands.”

“You trusted me more that night than I trusted myself,” Peter groused, kissing Tony on the mouth again. Still, he couldn’t deny that Tony had been right in every case.

A sudden thought made him grin.

“Do you trust me now?

“Because right now I really want to throw you down on the bed and go down on you.”

Tony laughed. “Throw me down on the bed, huh? I know you won’t hurt me, but the bed? It’s not made of vibranium. Though one could always be made…” he said grinning.

“Not the size you like your beds to be…”

“You seriously underestimate the amount of that stuff I have hidden away in my lab.” Tony’s grin widened. “Enough to build all sorts of things that a spider might not be able to break. Certainly enough for a bed. That you think you can throw me down onto. Your aim better be good Pete, my back can’t take hitting the floor. I’m an old man, remember?”

“Oh, I’m making sweet tender love to you gently on this bed, old man,” Peter said, grinning from ear to ear as he led Tony away from the wall. “But I’m not sure… it’s only big enough for eight people, not sixteen, so I don’t know how you’ll cope…”

“It is a smaller bed than at home. You might miss it. You’re not that good. You missed the top of the berm with that post and made it bounce instead. I don’t bounce.”

“Oh that’s how it is?” Peter said laughing, wrapping his arms around Tony’s waist and picking him up from the floor, swinging him around playfully and closing the distance to the bed with Tony off his feet. He grinned all the way across the room, laughing as Tony shouted.

“Jesus fuckin’ Christ, Pete!” Tony said with a laugh. “Don’t miss goddammit! Don’t miss!” he was still laughing but his voice screeched higher in volume and pitch.

“Oh you are in trouble now, Stark,” Peter exclaimed as he kicked off his shoes and climbed aboard the bed, Tony still in his arms.

“This had better be one EPIC blowjob for getting me up this high off the ground! Put me down!”

“I’m going down, just watch,” Peter cried out over Tony’s protests. Good god, what if any of the other Avengers were in earshot? Peter was so used to them having the entire top floors of Stark Tower to themselves… the thought made him grin even more. Soon he’d been smiling too much to make good on his threat.

Tony landed with a little bounce like he hadn’t landed on a bed since… EVER. Jarvis was always there to stop him. He couldn’t help the giggle that escaped when he finally settled flat on his back and looked up at Peter, still standing on the bed, now looming above him.

Peter stood over Tony, glowing with pride. He had managed to position Tony perfectly and drop him squarely on his back in one smooth motion successfully… god he loved being graceful. And now Tony was lying supine and Peter was towering over him. It was a good position to be in. But inwardly Peter was asking himself, ‘What do I do next?’

#starker #messages series #Messages Cold #Von writes stuff #thewitchway writes stuff

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yeniayofnymeria · 4 years

Text

Arya Stark and Black Swan

(I don't know who the picture belongs to, I found it a long time ago.)

Hello/Selam,

In fact, as you know, Arya is one of the biggest five of GRRM. She has a key role in the books. The problem is that it's hard to predict exactly what this role is. I've been trying to piece together her puzzle pieces for years. The result I have achieved so far; Arya is on the side of the ice in the Battle of Ice and Fire alongside FM / Great Other ... Most people see this story as a classic good-bad battle, but I don't. The reason I think so is GRRM's statements.

Men are still capable of great heroism. But I don’t necessarily think there are heroes. That’s something that’s very much in my books: I believe in great characters. We’re all capable of doing great things, and of doing bad things. We have the angels and the demons inside of us, and our lives are a succession of choices…[Woodrow Wilson] was a racist who tried to end war. Now, does one cancel out the other? Well, they don’t cancel out the other. You can’t make him a hero or a villain. He was both. And we’re all both. - GRRM

...

Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, “Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys.” - GRRM

So I don't see the side of ice and fire pure good and pure bad. They're both. Just like the Stark and Lannister war. So I don't see any problem putting Arya on the ice. After all, she's a Stark, and the Stark family is portrayed as "ice."

Lets continue.

The post was created using multiple topics(I combined them.): u/DutchArya 's https://asoiaf.westeros.org/index.php?/topic/146440-arya-the-singing-bird-stark/ post and u/Arya1100's https://www.reddit.com/r/asoiaf/comments/7vw332/spoilers_extended_black_swans_and_arya_stark_an/ post.

It's an old theory(of theirs), but it's been a year or so. I wanted to resurrect. I just added a few things. And I commented in my own words.

Black Swan Theory

The black swan theory or theory of black swan events is a metaphor that describes an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight**.** The term is based on an ancient saying that presumed black swans did not exist – a saying that became reinterpreted to teach a different lesson after black swans were discovered in the wild.

The theory was developed by Nassim Nicholas Taleb to explain:

The disproportionate role of high-profile, hard-to-predict, and rare events that are beyond the realm of normal expectations in history, science, finance, and technology.

The non-computability of the probability of the consequential rare events using scientific methods (owing to the very nature of small probabilities).

The psychological biases that blind people, both individually and collectively, to uncertainty and to a rare event's massive role in historical affairs.

Unlike the earlier and broader "black swan problem" in philosophy (i.e. the problem of induction), Taleb's "black swan theory" refers only to unexpected events of large magnitude and consequence and their dominant role in history. Such events, considered extreme outliers**, collectively play vastly larger roles than regular occurrences:**xxi More technically, in the scientific monograph 'Silent Risk', Taleb mathematically defines the black swan problem as "stemming from the use of degenerate metaprobability" - From wikizeroo.org

Black Swan in summary = A term used to refer to an unexpectedly large event, effect, event.

Arya Stark is thought to have a connection with the Black Swan... This is both a “theory i'm issue I mentioned above and a kind of ugly duckling that turns into a beautiful swan.

Black Swan

Arya felt as though the lake were calling her. She wanted to leap into those placid blue waters, to feel clean again, to swim and splash and bask in the sun. But she dare not take off her clothes where the others could see...

From up here, she could see a small wooded island off to the northeast. Thirty yards from shore, three black swans were gliding over the water, so serene . . . no one had told them that war had come, and they cared nothing for burning towns and butchered men. She stared at them with yearning. Part of her wanted to be a swan the other part wanted to eat one. - (Arya, A Clash of Kings)

The important thing in this quote is that he sees “3 BLACK SWAN as I mentioned above. In fact, the Europeans did not know Black Swan until the 1697s, and I think that this is the basis of the theory that I mentioned first. So, in essence, these animals are a very rare species. Considering that the ASOIAF universe is a kind of a different version of Europe... In other words, the author added a “black swan" instead of the common white swan.

In the next book (book 3) Arya meets some of the Brotherhood and Lady Ravella Smallwood. She treats Arya well, washes and dresses her.

It was even worse than before; Lady Smallwood insisted that Arya take another bath, and cut and comb her hair besides; the dress she put her in this time was sort of lilac-colored, and decorated with little baby pearls. The only good thing about it was that it was so delicate that no one could expect her to ride in it. So the next morning as they broke their fast, Lady Smallwood gave her breeches, belt, and tunic to wear, and a brown doeskin jerkin dotted with iron studs. "They were my son's things," she said. "He died when he was seven."

"I'm sorry, my lady." Arya suddenly felt bad for her, and ashamed. "I'm sorry I tore the acorn dress too. It was pretty."

"Yes, child. And so are you. Be brave."

This woman from House Swan. Their sigil is so interesting

Battling swans black and white and so is the House of Black and White and that is where Arya is being reborn at every dark moon.

In the books Black and White was often touted as the struggle for darkness and light; therefore, we may interpret the question of swans as the struggle between dark and light parts of Arya or some kind of foreshadowing, which expresses an "enemy" in the future. In another comment 3 black swans; 3 can not be predicted to affect the story, may also express the great effect.

Water Dance

Arya stands on her toes, on one leg. This is indeed reminiscent of ballet. Ballet dancers learn to stand upright, on the tip of their toes, often on one leg. It's explicitly linked to the water dancing. So, "water dancing" = "ballet" and Swan Lake is a ballet that also has narrative similarities to Arya's story.

Ned stopped and looked at her. "Arya, what are you doing?"

"Syrio says a water dancer can stand on one toe for hours." Her hands flailed at the air to steady herself.

Ned had to smile. "Which toe?" he teased.

"Any toe." - (Eddard V, aGoT)

Later on, Arya wishes she could dance on water. This is what the Swan ballet dancers do!

Skinny as they were, her legs were strong and springy and growing longer every day. She was glad of that. A water dancer needs good legs. Blind Beth was no water dancer, but she would not be Beth forever. - The Blind Girl, ADWD

...

She was not far from the Gate as the crows flies, but for girls with feet instead of wings, the way was longer. - Mercy, Winds

Ugly Duck and Beautiful Swan

You all know the story of the ugly duckling. The swan, which started life as an ugly duck, is considered by all to be ugly and excluded. But one day something happens that when the ugly duck grows up, it turns into a beautiful swan and amazes everyone.

Readers think that the swan motif is also one aspect of it, which I'm sure everyone who reads the books carefully noticed it.

Arya considered herself ugly from the very beginning, and Sansa and Jeyne mocked her long face and subjected them to “Horse-faced” insults. According to Arya, her mother told her; if she wore beautiful dresses like Sansa and combed her hair, she could have been as beautiful as her sister.

But Jon and Ned always said she was beautiful; his father stated that she resembled his sister Lyanna, who is said to be a very beautiful girl. On the other hand, as she grew up during her adventure (such as Lady Smallwood), some began to emphasize that she was “beautiful.. For example, we have recently seen The Gentle Man said to her face is beautiful.

There is also a reference link to the swan and beauty in the series.

Arianne touched the pin that clasped [Balon’s] cloak, with its quarreling swans. “I have always been fond of swans. No other bird is half so beautiful, this side of the Summer Isles.”

“Your peacocks might dispute that,” said Ser Balon.

“They might,” said Arianne, “but peacocks are vain, proud creatures, strutting about in all those gaudy colors. Give me a swan serene in white or beautiful in black.” - The Watcher, ADwD

Thank you for read.

#AryaStark #black swan #asoiaf #JonryaWeek2020

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cindylouwho-2 · 4 years

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RECENT NEWS, RESOURCES & STUDIES, late February 2020

Welcome to my latest summary of recent ecommerce news, resources & studies including search, analytics, content marketing, social media & Etsy! This covers articles I came across since the early February report, although some may be older than that. I am a bit behind due to my trip last week and other events, but some things here are a bit time-sensitive so I wanted to release this now.

I am still looking into setting up a new ecommerce business forum where we can discuss this sort of news, as well as any day-to-day issues we face. I need some good suggestions for a cheap or free forum space that has some editing tools, is fairly intuitive for inexperienced members, and is accessible. If you have any suggestions, please reply to this post, email me on my website, or send me a tweet. (I will put out a survey once we narrow this down to some good candidates, but if you have any other comments on what you want from such a forum, please include those too!)

As always, if you see any stories I might be interested in, please let me know!

TOP NEWS & ARTICLES

Since we are seeing more shops closed due to Etsy’s customer service level standards, my blog post on ODR now has major revisions explaining what we have learned, and includes some tips for staying out of trouble and if necessary, appealing a suspension. Please circulate the info widely, as many sellers still haven’t heard about this, and some were closed without having any clue this was possible.

Mobile continues to grow while desktop use is slowly shrinking. It should affect how we design web pages. “Mobile visitors also behave differently from their desktop web counterparts, staying on pages for shorter periods of time, for example.” Other interesting takeaways from this SimilarWeb report: “[Facebook] lost 8.6% of [web] traffic over the past year alone” but increased in app sessions.

The price of domains ending in “.com” will almost certainly be going up soon, and will go up most years after that, unless something changes at the last minute. If you are absolutely certain that you will continue to use the same domain name for your website, blog, ecommerce forwarding etc., then you might consider paying a few years in advance to save a few bucks.

Another article explaining how people are selling thrift store and vintage clothing on Instagram, without setting up a checkout/cart anywhere. (The article focusses on teenagers, but does reference other examples.)

ETSY NEWS

Two weeks ago, Etsy Support posted on Twitter that they were no longer monitoring the account, and asked everyone to use the help page maze instead when they need support. Forum thread here.

Another trend report for 2020 from Dayna Isom Johnson [podcast links & transcript] She leads off with tips on how to get featured: “ so it's incredibly important to see a bright representation that really clearly shows your product...Do be original. I'm always trying to find the latest and the greatest that isn’t already on the shelves...Do be inclusive. ... I'm talking about models of all ethnicities, all genders, all body types, all ages.” Etsy chose chartreuse as their colour of the year: “in the last three months, there's been a 12% increase in searches for green already, and a 55% increase in neon green.” The wedding trends part was mostly already covered in a blog post, but she does also answer a few seller questions.

Website user experience (UX) is a big part of getting people to convert, and an outside group ranks Etsy’s as “acceptable”. Many will be unsurprised that search gets a score of “mediocre” and Accounts & Self-Service get a “poor” grade.

The migration to Google Cloud services is complete, so now Etsy can run more experiments more often, including those involving AI. (Although the forum thread was laughing at the idea of bad reviews helping shops, there is actually some research supporting that, so it is a logical thing to test.)

Etsy sellers in the US, UK & Canada who use Instagram can apply to win a trip to Etsy HQ here, until March 1.

Etsy is launching an Etsy U program which just seems a bit sketchy. Forum thread here.

Reverb (owned by Etsy) named a new Chief Technology Officer on Feb. 18.

SEO: GOOGLE & OTHER SEARCH ENGINES

Google does not confirm every large search update, so this one remains a mystery at the moment, since Google refused to give an answer. That means it’s not a core update.

Another video (with subtitles in several languages) from the SEO for Beginners series from Google, on the basics you need for good website SEO.

If you are interested in “searcher intent”, this 500 person survey asks about what people are really looking for, and what they think of the search results the end up with. Overwhelmingly, they say they prefer organic results to ads, and the majority see targeted ads that they can’t figure out the reason/s behind. “Sixty-eight percent responded that Google adding more ads to the search results would make them want to use the search engine less.” Also, a slight majority preferred text results to images, video, & audio. “When asked which factor had the most significant impact on their decision to click a result, 62.9% responded it was the description, followed by 24.2% who said the brand name, and 13% who said title.” That means that the first part of your Etsy listing description, or the coded meta description on a page on your website, has the most influence on people clicking on your link once they see it.

I usually strongly suggest that people setting up their own websites make sure they do some SEO work & keyword research for their category/shop section pages, and it turns out that there is new research showing I am correct. “Specifically, e-commerce category pages – which include parent category, subcategory and product grid pages with faceted navigation – ranked for 19% more keywords on average than product detail pages ranked for. The additional keywords they ranked for drove an estimated 413% more traffic, based on the keywords’ search demand and the pages’ ranking position. With optimization, those ranking category pages also showed the potential to drive 32% more traffic.”

Semi-advanced: explaining the (seemingly endless) debate on whether subdomains or subdirectories are better for SEO.

SEO study - do you really need to use H1 tags on a page? Maybe not, although some screen readers recognize them as the page title so they help with accessibility. (Etsy & many other marketplaces don’t let you make this coding choice, so don’t worry about it there.)

Confused about how to apply all of these SEO tips I post here to your Shopify site? Good news! Here’s a list of what is most important for Shopify SEO. Note the attention to setting up your category pages, which is something I completely agree with. (it’s by Ahrefs so of course it pushes their tools; you don’t need to pay for that.)

CONTENT MARKETING & SOCIAL MEDIA (includes blogging & emails)

Some businesses say social media doesn’t work, but maybe they aren’t doing it right. See if you are making one or more of these three mistakes. “Understanding who your target audience is - what they want, what they need, where you fit in, etc. - is critical to maximizing your social media marketing performance.”

Email marketing also works better if you do it right, so here are 5 things you might be doing wrong. And if you like a quick read, here’s an infographic on the psychology of email marketing.

8 ideas for getting more interactions on Facebook (detailed infographic).

More fourth quarter reports continue: Pinterest’s 4th quarter revenue was up 46% but they lost $1.36 billion, and they are introducing a verified merchant program. “Almost all (97%) of the top searches on Pinterest are unbranded, according to the company, giving merchants a chance to stand out.”

Want to tap into that Pinterest traffic? You should because “90% of weekly Pinterest users log in to make buying decisions.” Here are 10 ways to get more attention, followers, and pins.

Like almost all social media, Twitter has an algorithm that mediates what users see (although you can turn it off, or use apps such as Tweetdeck to get around it as a reader). Ranking factors include recency, engagement, media and activity. The article includes a few tips on how to make it work for you, but then slides into promoting its app as the solution - you can just skip that part.

ONLINE ADVERTISING (SEARCH ENGINES, SOCIAL MEDIA, & OTHERS)

Google search ads get more results than Facebook and Instagram, simply because more people who see them want to buy something. “Less expensive products tend to sell better than more expensive ones on Facebook and Instagram, per the study.”

If you are running ads where you can choose your keywords, don’t forget to examine your organic search results and impressions for new words to advertise. Google Search Console is a great source.

If you found Instagram ads too expensive, check out this post on how the ads are priced, which can help you make decisions on your spend.

ECOMMERCE NEWS, IDEAS, TRENDS

Amazon has nearly 40% of the US ecommerce market, according to a report by eMarketer. Etsy is not in the top 10; eBay is 3rd behind Walmart.

Sales on Shopify sites during the Black Friday-Cyber Monday long weekend went up 61% to $3 billion in 2019. They claim that the “direct -to-consumer” approach can be successful for both big & small brands.

Japanese authorities are going after Rakuten for the ecommerce company’s push to make its sellers offer free shipping.

eCommerceBytes’ annual Sellers Choice survey placed eBay first out of the online marketplaces that were rate. Note that this is not a scientific survey and largely covers the site’s readership only. Bonanza was the most improved & Etsy showed the worst drop (from 1st to 5th place).

A review of that article last month that says ecommerce sites should have info pages as well as product pages, if only for SEO reasons. The author approves.

The CBC show Marketplace did a large test buying branded items on AliExpress, Amazon, eBay, Walmart and Wish. It turns out that most were fake.

Facebook’s cryptocurrency plans (Libra) finally have a partner: Shopify. The potential benefits include no credit card processing fees.

BUSINESS & CONSUMER STUDIES, STATS & REPORTS; SOCIOLOGY & PSYCHOLOGY, CUSTOMER SERVICE

Younger people (think Gen Z) expect to see gender treated expansively and beyond traditional stereotypes, and they expect this from companies and advertising. “Half of women and four in 10 men in the U.S. now believe that there is a spectrum of gender identities, according to a recent Ipsos poll titled "The Future of Gender is Increasingly Nonbinary." An additional 16% of those surveyed said they know a person who identifies as transgender”

MISCELLANEOUS (including humour)

Google employees are pushing back against the sea change in the company’s culture and values - and some are being fired.

Turns out that the “Peleton Wife” ad might not have hurt them as much as you might think. However, their stock dropped 12% after the fourth quarter report showed a 77% increase in revenue that still managed to be below market predictions. Interesting discussion around going viral in a negative fashion.

#Cindylouwho2newsupdates #seo #search engine optimization #search engine marketing #Etsynews #etsy #social media #Contentmarketing #Content marketing #ecommerce #Smallbiz #Seotips #Customer service #Ppc advertising #onlinemarketing #ecommercetips #EmailMarketing #socialmedianews

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l4rg · 4 years

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How to Use Twitter for B2B Lead Generation?

Most people don’t consider Twitter as a marketing tool. But I should confess that the best deals I have ever got are from Twitter.

Twitter is certainly different from other social media platforms but with a proper content strategy and tactics, anyone can crack the code.

I have been using Twitter as one of my marketing tools and seen tremendous results. The tactics I use are simple to execute and thought I should share them with my readers.

So let’s get started-

1. Optimize Your Bio

The first thing people see is your bio so make it engaging. Though Twitter allows only 160 characters to play with that would be enough to make things happen your way.

Most people think it is the place where you put a description of themselves but believe me nobody is interested to know you. People always look for value. So Provide value.

2. Create Content that Hits on Twitter

There is a different ideology behind the content on every social media platform.

The ideology that works behind the content on Twitter is as follows:

Keep it Short & Simple-

Use Visual Content

Use Facts and Figures to support your say

Use newsworthy/trending content

Curate content from retweets and replies

Don’t forget the hashtags

3. Use the Community Engagement Tactic

Community is the keyword you are going to use in your Twitter search box.

Twitter provides people to engage with each other as a community. But you would be wondering how you are going to leverage it?

Answer Peoples’ Questions

People keep putting their queries on Twitter make sure to keep a track of them. Answering queries of your audience will increase your credibility in the market and make you recognize in your community.

Create Mini-Campaigns for your Long-Form Content

This is one of the best strategies I have used to promote my content on Twitter. What you have do is- collect multiple data points of long-form content, then use those data points to create a mini-campaign for that long-form content.

Keep tweeting with those data points(make sure they are click-worthy) with the link of your long-form content.

Target Events to Reach Decision-Makers

This tactic involves targeting events or conferences instead of people. What you need to do is target people who are following particular events or conferences in your industry.

Events and conferences could be a great source of building your own network and be part of their community. The best thing about finding people following these kinds of events is- those people are already interested to make connections, products/services or business opportunities as you want.

These kinds of people mostly include decision-makers, founders, CEOs, other powerful people in their companies.

Influencer Nurturing

You might be wondering- How do you start reaching out to them?

The process is simple. Start following them, read their content, share their stuff, engage through healthy comments in their comments section, ask questions and after all build relationships with them.

Once you have built a healthy relationship with them start sharing your content with them and ask them to share from their behalf with your mention in it or ask them to feature you in their content.

Use Follower Targetting to leads from your competitors

How do you do it?

Well, similar to other market research techniques, research of your competitors and take out their weaknesses or drawbacks which even their audience is pointing out.

Now you have to create an ad campaign promoting content explaining how you are going to solve their problem by being better than your competitor.

Automate your Lead Gen Posts

Automating your posts will help you to get your strategy streamlined.

When you have your content strategy in place it might be possible you miss on some of the things while targetting and scheduling your posts. Automating them will ensure you will not miss anything while your content is posted timely.

Engage and Entertain

Engage with other peoples’ content with no intention of pitching and converting them into your customers. Just try to be friendly and build relationships with them. This might be the easiest way to increase your followers too.

Promotion through Twitter Ads

Some of the ways that you can use Twitter ads apart from generating direct leads:

Run Website Clicks or Conversion Ads for your most Successful Posts

Run Video Ads for your b2b webinar clips

Promote the Downloadable Form of Content

You can also run conversion ads for the downloadable type of content like e-book or pdf on your website.

Don’t underestimate Twitter ads. They are certainly powerful but demands a clear content strategy to follow.

Pin Your Most Engaging Tweet

Twitter has this beautiful feature of pinning a tweet at top of your profile feeds, use this feature to pin your most successful or engaging tweet.

You can also pin your tweet which is the most relevant to the trending topic and most importantly, tries to keep up with the trend. It is like free promotion of your content.

Twitter Polls

Twitter uses polls to engage and educate people. A lot of people follow and participate in these polls.

Create Twitter polls with click-worthy content and relevant to your industry. If people find your pole interesting and valuable they might come to visit your profile which gives you a huge opportunity to have leads.

Live Tweet During Major Events

When you attend events or conferences in your industry make sure to make a live tweet whether its post or a video tweet. Though it is always recommended to tweet a live video since videos tend to get more engagement.

Track and Measure

If you don’t track your results then don’t know what can be improved and in what way.

You should keep track of the engagement your content is having which can be easily done through the Twitter dashboard.

The other alternative could be- Put a tracking could on the landing page which you are promoting in your Twitter ad campaigns so you know exactly how good is your campaign along with the content that you are promoting.

Observe what kind of content your audience is engaging with. The whole point is Track, Measure and Adjust.

Twitter is one of the strongest platforms that I am using in my b2b lead generation campaigns. What I felt is Twitter is totally different from other social media platforms but it doesn’t mean you don’t bother to try it.

These are some of the tactics I feel I should share, if you think there’s something should be added, make sure to share in the comment section.

#Twitter #twitter marketing #marketing #internet #internet marketing #Business #leads #lead generation #business leads #revenue #finance #post #infulencer #influencer marketing

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psychosistr · 5 years

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Uplifting- CaeJose Dancer!AU

Summary: Joseph, a transgender dmab girl, is the best dancer in her troupe and assists with teaching her mother’s class. Being larger than most girls, though, not many people are too keen on being her partner for certain lessons- namely, lifting. That is, until a new blond haired student waltzes into her life...

Edit: I have decided to make this a series and have added a second part x3

Notes: So, after reading this post by @freckledbastard the idea for a CaeJose Dancer!AU got stuck in my head and I ended up writing out the whole thing instead of sleeping tonight! My brain is now mush ~_~ Anyway, enjoy!

Also: The song I envisioned Joseph and Caesar’s dance to was an extended version of the song “Dance of Swords” from Steven Universe, you can easily look it up by typing the song name into Google- go check it out sometime, it’s lovely :)

Joseph sighed while looking out over the various new students of her mother’s dance class. There were certainly a lot of promising new faces, many of them already possessing limber and strong bodies that would look amazing through the art of properly choreographed dance. The best of the bunch, like Joseph, would be invited to join the Hamon Troupe- the country’s premiere dance group that always guaranteed sold out shows wherever they performed.

While waiting for the instructor, Lady Lisa Lisa, Joseph over heard the usual gossip that tended to transpire between new students and the veterans of the class that had yet to be scouted for the troupe.

Unfortunately, though, as always, it was gossip about Joseph.

“Hey, so, who’s the big guy in the pink tights?”

“Shh! Don’t call him a guy out loud or you’ll get kicked out!”

“What? Why? Who is that?”

“That’s Lady Lisa Lisa’s kid- Joseph Joestar. He’s been a member of the Hamon Troupe since he was, like, sixteen or something.”

“Seriously?! Wow, he must be REALLY good!”

“Yeah, he is. Kind of weird, though…”

“Huh? Whattaya mean?”

“I mean, well, look at how he’s dressed, for starters.”

“Yeah, I was wondering about that- why’s he a wearing a girl’s uniform?”

“Eh, some weird artistic thing, I guess. Says he’s a girl and gets really mad if you call him a guy to his face.”

“Ha! Seriously?! The dude’s built like a body builder and says he’s a girl?”

“Yeah, yeah, we all know- but keep your voice down! He’s really sensitive about it and if you upset him then his mom’ll kick you out of the class.”

“Damn, what a freak…”

Joseph took a deep breath in slowly through her nose, then exhaled it through her mouth, masking the breathing exercise as part of her warm-up routine as she stretched her leg over the balance bars. She stayed close to the radio and pretended not to hear a word they said. They were idiots, anyway, she shouldn’t take what they said to heart.

Still…

Joseph took her leg back off the bar as she finished her warm-ups and looked at herself in the mirrors spread around the room: She was large and muscular, but that was simply how her body retained muscle after years of her mother’s intense training. She also kept her hair styled short and a bit messy, but that was simply how she liked it- it was easier to pin it back if she didn’t let it get too long. She wore make-up occasionally, though today wasn’t one of those days, but she was an all-or-nothing person and either went without the make-up or went over the top with full on paint and glitter until it was stage make-up level. She knew her outfit- the standard women’s class uniform of a black leotard, pale pink tights, sheer black mid-thigh length cover skirtlet, and black dance slippers- was a bit tight on her muscular form, but that’s because it was hard to find women’s clothes for someone as tall and big as she was.

Even so, none of that made her a freak, by any means. Her family accepted her, and she accepted herself, that’s all that mattered. The others were just fools intimated by her beauty and talent.

“If you all have the energy to talk, then I’ll assume that means you’re finished warming up.” The sharp voice of her mother cut through the studio like a knife and everyone jumped to attention, Joseph chuckling to herself at how nervous the new ones were. Walking to join her at the front of the studio by the radio, Lisa Lisa gestured for Joseph to turn off the music. After it was done, Joseph stood proudly beside her mother, feeling like a drill instructor surveying new soldiers. “Let me start by congratulating all of you for making it this far- merely getting into this class is quite an accomplishment. However, do not take that to mean your life will get any easier. From here on out, you will receive the most grueling training of your lives. You will eat, breathe, sleep, and bleed dance by the time I am done with you! Then, if any of you show significant promise, you MAY have the chance to join the Hamon Troupe.” She adjusted her sunglasses, looking over the students with a sternness that made the weaker ones quiver in fear. “However, don’t get your hopes up: The senior students here will quickly tell you that they have been here for years perfecting their craft and still have yet to reach the standard I hold my troupe members to.” With an elegant wave of her hand, she gestured to Joseph beside her. “This is my child, Joseph Joestar. Jojo has received personal training from me since childhood and is the standard to which the rest of you will be held to: If you do not demonstrate even half the talent Jojo has, then you won’t even be CONSIDERED for the Hamon Troupe.”

Joseph smirked at the nervous and uncomfortable faces staring at her. “That’s right, and I’m essentially the best dancer you’ll ever see, so don’t get your hopes up too high!”

“Now then, let’s get started on your first lesson!” Lisa Lisa clapped her hands together and began class, everyone hurrying to their starting points.

As Joseph set up the music for the lesson, she thought she felt someone looking at her. When she turned to look, though, everyone was already mirroring her mother’s movements.

She decided to brush it off as more people staring at her and being jealous of how amazing she was.

After the first couple weeks of lessons, they were starting to weed out the weaker links among the new students. A few had already quit and several more looked close to it by now. Others, though, were showing promise and might stick around.

The ones that had stayed were now being treated to a special lesson: The male members of the Hamon Troupe were visiting the class today to assist with the one lesson that Joseph and her mother would need help to teach properly: Lifting.

Joseph both loved and hated lift day. On one hand, lifting always looked like so much fun, the way the other girls twirled and arched in the air was dazzling. On the other hand, however, it always left her feeling depressed because of one sad, constant fact:

No one ever lifted Joseph.

With her size and weight, it was something that she had simply grown to accept over the years. Every other dancer in her classes and in the troupe would take one look at her and offer up a nervous smile and a shake of their heads when it came time to choose partners.

Today was no different, sadly.

After the troupe members had demonstrated the basics of lifting to the new students and her mother showed them the basic choreography they would use for today’s training, everyone was instructed to go find a partner. As with every other time this occurred, Joseph had resignedly found a spot to lean against one of the bars as the boys in the class hurried to pair up with the smaller, cuter girls, no one even sparing her a glance or asking her if she wanted to dance-

“Pardon me for intruding, signora, but are you not going to participate in the lesson today?”

Joseph was surprised by the smooth, accented voice suddenly speaking to her. She looked up from the spot on the floor she’d been staring at and saw one of the new students leaning on the bar beside her with an expectant look.

She hadn’t fully memorized all of the new students’ names yet, but she remembered this one standing out as one of the better dancers. He was also one of the more handsome ones, if she was being honest: He had bright blond hair, fascinating purple marks on his cheeks that were either birthmarks or tattoos, eyes that sparkled like twin emeralds, and a charming smile that could make any woman’s knees weak. He was pretty tall, too- only a couple inches shorter than Joseph herself, and quite muscular, though, again, not as much as Joseph.

Joseph also noticed him in the crowds because of how he liked to add accents to his uniform in the form of a purple and orange headband that trailed behind him as he moved and the feathered pins in his hair that fluttered whenever he turned. She could certainly appreciate his sense of style, as she too personalized her outfits by usually wearing her favorite green and yellow striped scarf around the studio and pinning various flowers to her hair (today’s flower was a pink rose with a silver clip).

She realized she’d been staring too long and looked back out at the dance floor where the students and troupe members were taking turns in the center showing off their mastery of the choreography. “Oh..yeah..uh, no, I don’t really get to participate on days like this.”

“Why is that? You’re the best dancer here, are you not?” The blond student asked with a curious tilt of his head.

“Tch, well, duh, of course I am!” She replied quickly, crossing her arms over her chest proudly. Her pride deflated a bit, though, as she watched one of the new girls being lifted into the air as if she weighed nothing, an excited smile on her face. “But..lifting’s not exactly something I can do by myself..”

“Then why not ask someone to do it for you?” He sounded almost concerned by this point.

She sighed and closed her eyes, a pout on her face. “It doesn’t do any good. No one can lift me- I’m too big.” She opened her eyes again and was surprised to see the man looking at her with a displeased expression. “What’s with the look?”

“No one can lift you? Really? Not even the members of your troupe? Have they ever TRIED?” He asked her, looking somehow insulted even though the situation had nothing to do with him.

“Er, well, no, not really. I’ve asked before, but most guys just say they can’t and- Hey! What are you-?!” She was startled when the blonde student suddenly grabbed her by the hand and led her out to the center of the dance floor. He even went so far as to harshly shove one of the troupe members who was about to take a turn out of his way. “Wait, why are we-?”

“You know the choreography, si?” He asked as he took his place across from her on the floor, getting into the starting position for the lesson’s dance.

Joseph hesitantly got into her starting position as well. “Well, yeah, of course I do, but-”

“Then dance with me.” He said firmly as the song looped back around to the beginning, leaving no room or time for argument on Joseph’s part.

“Don’t tell me what to do.” She said with a huff but began to dance anyway.

The movements for the dance were simple, a way for the students to get used to each other’s tempo and movement so they could synch up well enough for the female partners to be lifted properly. The smooth twirls and measured steps were a bit boring for someone as skilled as Joseph, but she followed the choreography flawlessly. The man, whatever his name was, performed the movements with just as much ease as they slowly drew closer to one another.

When they finally reached each other, Joseph did the appropriate spin that landed her in her dance partner’s arms. Closing her eyes, Joseph prepared for the imminent hesitation or realization of how heavy she actually was to kick in so the dance would come to an abrupt end.

She was instead surprised to feel strong hands gliding smoothly over her leotard and tights so that one was braced on the back of her thigh and the other on her back. Those hands then began to effortlessly hold her weight and allow her to rise up.

“?!” Joseph opened her eyes and realized with shock what was happening as she saw everything around her shift: She was being lifted off of the ground.

Surprised gasps and murmurs filled the room at the sight of Joseph being lifted up upside down over her partner’s head. By pure instinct and her own natural dancing prowess, Joseph remembered the right way to tense her body into a graceful arch above the man below her. She held the pose effortlessly, despite it being her first time.

When she expected to be set down at the end of the dance, though, she was surprised once again by the blonde man when he lowered her back do the ground gracefully, but continued dancing with her. The song was technically about two and a half minutes long, though they’d only been taught enough choreography to cover about thirty seconds of it. Despite this, her partner seemed content to keep going and, in all honesty, Joseph was feeling too giddy to stop herself either.

They moved together flawlessly: Every brush of their hands was coordinated in perfect synch. No step was misjudged between them. Each spin they did while joined together caused Joseph’s long scarf and the twin trails of the blonde’s headband to billow around them like ribbons. The man even picked Joseph up on a few of the spins so that she could feel the wind rushing through her hair like never before.

It was all so incredible, an entirely new experience for Joseph. Sure, she’d danced with several skilled dancers over the years, but none of them had this level of strength- this PASSION behind their movements like this stranger did. Even though this was their first dance, they moved as if their very souls had been dancing together since the dawn of time. She honestly wished the song would go on forever, leaving just the two of them dancing in their own little world.

Alas, all good things come to an end eventually. The end came when the song reached its final crescendo, Joseph’s partner lifting her in the air one last time at the peak of the music before lowering her seamlessly into a dip. The way he smiled down at her made her heart skip a beat and her cheeks flush- no partner had ever looked at her like that, let alone managed to dip her without looking strained.

At the end of the song, he carefully lifted Joseph back up into a standing position. Instead of letting her go, though, he kept his hand planted firmly on her back, holding her close against him. While holding her almost protectively, he raised his other hand and pointed at the men- both the students as well as the troupe members- with that same displeased, almost angry, expression he had earlier before the dance.

“Cowards!” He yelled at them harshly, his finger pointing in an accusing, sweeping gesture at the various male dancers. “Cowards and weaklings, the lot of you! How dare you leave such a bella fanciulla on her own!” He shook his head disapprovingly. “It’s absolutely shameful to consider yourselves skilled if you’re too scared to even try dancing with someone of such high caliber.”

‘Wow..’ Joseph thought to herself, a slight blush blooming across her cheeks. ‘He seems really offended about that. It’s..kind of sweet, actually…’

He looked back up at her, a charming smile returning to his face once again. “My apologies, signora- I nearly forgot to thank you for that wonderful dance.” He took her hand in his own and placed a kiss to the back of it like a classic gentleman from an old movie. “Grazie, mia bella dea.”

Joseph’s face flushed a little more, certainly not used to such treatment- let alone from such a handsome guy. “Uh..Uh huh..” Her heart was hammering in her chest and her hand tingled where his lips had touched her skin.

He gently caressed the back of her hand with his thumb as he spoke. “My name is Caesar A. Zeppeli. It is an honor to finally meet you formally, signora Joestar.”

“C-Call me Jojo..please..” She found herself speaking even though her mind felt like a pile of mush.

“Jojo.” The way he said her name should be illegal with how sexy he made it sound. He placed one last kiss to her hand before letting it go. “I shall look forward to our next dance, mia bellissima angelo.”

“Yeah..” Joseph blushed as she watched him walk back into the crowd of dancers, holding her hand to her chest and feeling her thrumming heart beat beneath it. “Me too..”

It was the first time she had been lifted by a partner, and, she realized, the first time she’d ever looked forward to a second dance with one as well.

Next Part->

#caejose #caesar zeppeli #joseph joestar #dancer!au #modern!au #trans!character #trans!joseph #thanks to @freckledbastard for the inspiration #i honestly might do more of this au later after I get some sleep lol

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minblush · 6 years

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Leave mimi alone. If you could get over your jealousy for one second you would see would a sweet person she is. I follow her because she doesn't look for fights unlike blogs like yours. Yet there are fights on her blog cause of people who don't have anything better to do like you.

so it’s been a while and i finally worked up any sort of courage to address all of this and i will do it under this one ask because out of all the ones mimi’s “fans” sent me, this one was the most civil

i’m still shocked that i got so many people attacking me over rightfully calling mimi out, and ofc there is no jealousy involved, i guess i just don’t understand why she is the blog that anyone would want defend, like let me summarize

she only gets notes because she is fast with her updates, why is she fast? she just takes updates from twitter and twitter translators a lot of the time without crediting and without any factchecking herself

she spreads unverified information and rumours because of it and got into trouble because of it more than once

she posts sasaeng information and photos taken outside of official schedules in the boys’ private time despite being criticized for it (like the jikook vacation)

she also still has the fact that she “stalks” the boys in her bio, even though i know for a fact people told her many times it’s inappropriate in the context of the fan culture in korea

she is very ignorant about mental illness (the post where she claims that jimin suffers from depression and was saved from it by jin as a fact is still up btw), the entertainment business in korea, colorism and racism (she thinks “reverse racism” is an actual thing lol) and she spreads her harmful opinions by writing essays about it to her large following

what bothers me personally a lot as a gay person, she is one of those obnoxious delusional shippers and normalizes that behaviour to her followers and also fetishizes gay men to a really ugly extent (i’m not talking here about normal shipping BTW I SHIP LOWKEY TOO, it’s about boundaries though, i’m talking about writing conspiracy theories and fetishizing, FETISHIZING, treating sexuality as a joke and treating it like a commodity, direct quote from one of her very “funny” posts: “BTS is gay ! Shippers : Of course. Why would I stan straight boys ? Who does that ?”)

(and yes as someone said in the tags, apparently she also did make racial jokes and jokes about north korea etc, but i haven’t seen those myself, only saw people mention it second hand so since i don’t have receipts i wasn’t going to include it initially)

and that is all before the jonghyun issue, which i feel like is kind of a culmination of a lot of what i dislike about her blog

she didn’t wait for an official confirmation from SM and immediately started posting about his death, all actual fanbases of jonghyun and shinee waited until after the confirmation to actually post about it, because can you imagine if it wasn’t true (no matter how real it may seem?), just like other actual bts fanbases most of these serious blogs wait for official confirmations for anything, unlike mimi who just jumps on any opportunity for notes and for her to be the news bearer. you could see people asking her to wait until the confirmation in the notes of her first posts, BUT SHE DIDN’T LISTEN, instead she let her posts spread and only added confirmation much later when it came out (which is what she does in general, spreads rumours / unconfirmed info, then when confirmation or denial comes out she edits the post and apologizes in some extremely lowkey way, despite her getting the heat for it she keeps repeating the same pattern)

her posts were made from the point of view of a bts fan instead of a human being, she was extremely tribal by saying things like that “as a bts fan, as an army” i offer my hand to shawol etc, “jonghyun took care of bts”

then she made her post about saying how we should be grateful the boys are under BigHit and not SM, because bighit supports the boys in expressing themselves about mental illness and provides help for them, blaming the company and the entertainment business for jonghyun’s death, showing her complete ignorance, not only do we not know what bighit is actually like behind the scenes (do people not remember the scandal where one of the managers hit jungkook on camera?), but the issue is that this didn’t apply to sm anyway… because…jonghyun was very outspoken about his issues with mental illness, so were other sm artists like taeyeon or leeteuk, there was/is even a support group for idols under sm that these guys as well as others like onew or yoona were a part of

and depression isn’t that simple, jonghyun had friends and outlets, but if anyone has ever been depressed or suicidal, then you as i would understand that sometimes that doesn’t matter, depression is a serious illness and the illness just won in this case, this is an opportunity to spread awareness about the illness, to urge people to seek treatment as well (jonghyun sought it himself) not try to analyze and pin it on any company or any circumstance

yet mimi linked jonghyun’s death to being oppressed by his company, by having to hold things on the inside, as if he didn’t talk about it candidly and didn’t express himself in his music

what i also found distasteful but i also can’t prove anything and people grieve differently, i still raised my eyebrows because when she lashed out at people who got rightfully angry for her for using this opportunity for notes and to make it about bts and bighit, she revealed that she was upset and cried because she thought about how it could’ve been “one of her idols” that this happened to and that she didn’t even know shinee that well… she was very coherent up until that point, but when people called her out she started to cry and be very emotional and started to talk about how she had liked shinee since debut and jonghyun was her favourite (so she has been following them for like 10 years? that is longer than i have been into kpop and i am OLD and have liked shinee since 2009.. so she’s been a fan that long and doesn’t even know the basics of what jjong was like and what he dealt with?) and then went onto analyze his lyrics and talk about how she should’ve known, and her blog transformed into other people consoling her despite her being the person that upset so many people with what she had done… that stuff doesn’t add up for me, but that is just speculation since grief is different for everyone etc, it’s just something i personally can’t buy considering how she behaves online a lot of the time

she said she was sorry without actually acknowledging what she did wrong and after people defended her vehemently she actually changed her tune and started to say things like how it was a misunderstanding and even asked her followers to approach any people who were still “misunderstanding” and let them know, which,,, what even? i suppose i’m party this to thank for all the people that told me i was an ugly/jealous loser that should delete and/or die

and despite her being like this, despite her never learning from her mistakes, people still keep defending her and attacking people that call her out, and why?

i would agree if it were one mistake, everyone always says.. let’s educate her instead of attacking her, let her learn from her mistakes, that’s what life is all about, right? i agree, people grow from their mistakes

but.. SHE NEVER LEARNS! she keeps repeating the same things, no matter how many times she gets in trouble, and you guys keep enabling her, i think it’s this culture of fans stanning other fans that creates toxic behaviour like this, why would she change? why would she learn? why would she start and mature, why? when she has so many people telling her that it’s okay, that she is right and everybody else is wrong everytime she messes up? i think people that send me those messages are complicit really

i just wonder, what will she have to do for you guys to see that she isn’t someone worth sticking up to to this extent, because due to this environment, she won’t learn?

is she the hill you guys want to die on?

i often see people saying that she does a lot for the fandom, but? she doesn’t actually do anything special, she basically takes from others and profits from them, if you follow actual update blogs that do their homework, like allforbts, ktaebwi, sweaterpawsjimin, or vlissful on twitter, you will see the difference right away.. those are the people that do work for the fandom, she redistributes and doesn’t even thank those that did the work, there are people that spend dozens of hours translating and researching, books worth of content, people that paid for japanese tv subcriptions so they can record those shows for you, those are the people that do a lot, reposting tweets, anyone can do that (and a lot of people do, which is fine as long as due credit is given, what i’m saying is… it isn’t special and doesn’t require any effort at all, so why worship someone for like… doing the bare minimum? and sometimes not even that?)

why would you guys go to such an extent to then attack people that called her out, and rightfully, you guys would tell me a person with depression and an actual fan of jonghyun, that “if you care about jonghyun so much why don’t you join him”

over mimi? over someone who acts like all that i described? is that worth it… i don’t understand this cult-like mentality, even if she were an actual angel that did save the fandom, what in the world would make this okay?

i now have anxiety every time i try to get on tumblr and will have to work to overcome it because you people told me to die over calling HER out while going to her and telling her how everyone else sucks and she is a lovely angel…

and why she doesn’t pick fights? i talked to her in the past and let me tell you… she is stubborn and won’t change her mind and when she sees she can’t out-argue and manipulate the person SHE BLOCKS THEM and doesn’t let them express their views on her blog, no she only lets views that paint her as a victim there, she doesn’t let her followers see any validand CONSTRUCTIVE criticism

that’s why she seems like she is above it, like she is only nice and the angel and people like me are scum for ever saying anything, she is very smart about that aspect of things. but she isn’t above criticism (and neither am i), she is a human being like me or you :/.

i’m not telling you to hate her or attack her, don’t please.., i’m just asking you to see her for what she is, someone who is notes and attention hungry, someone who refuses to learn from her mistakes and someone who actually flaunts her ignorance, please give your time and attention and thankfulness to people in the fandom that aren’t like that :( and mostly, don’t go around telling people that call her (or anyone) out to die like.. please?

if she wanted to defend herself she could always talk to me, or anyone, or address it in a constructive manner, instead of relying on her followers to do that for her while publishing dozens asks on her blog that praise her and tell her how everybody else is wrong

she isn’t a celebrity, she can speak for herself

the fact that she chooses to deal with things the way she does says it all, right?

just…please reconsider stanning other fans, it creates all this toxicity, nothing good comes out of it, that is mostly what i wanted to say

and she specifically isn’t worth all the hurt

thanks

#ask #anon #it took me so long to address this and i know no one will care at this point but #i had so many asks attacking me and i feel like tumblr isn't even safe for me anymore #and all over tHAT BLOG? really ugh

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japanslope7 · 2 years

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#seo

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outdoors-living · 3 years

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Gardening for small spaces

Are you an enthusiast about gardening?

So we are.

We are excited to present this new blog post about how to create your outdoor cute garden in a small backyard.

As a gardening enthusiast, I read blogs very often, but I find all those are to describe big gardens. So I life in a tiny house and my yard is so small…only one of those a pergolas would take all the place.

Years ago I was learning bout window farming, this concept of growing veggies indoor…I love. Ever since I grow my Italian herbs at home.

I’m kind of inspired by home and garden décor, I tend to choose minimalistic products for my self and I curate them for others. I enjoy simple living and the décor accents that I choose are durable, well constructed and enhance calm and Zen.

At the end, indoors or outdoors, the target is to create this intimate sense of home.

Read more about this topic on my last blog post here

Keeping my blog updated is something I do constantly. I'm inspired by creating an ambiance of beauty, warmth and welcoming atmosphere to welcome my loved ones and to make them feel comfortable in my home

To discover the full line up of blog posts, please follow this link https://solytierra.shop/blogs/news

I put together 10 easy gardening tips for small spaces, so you can set-up your dream outdoor living space, even if it’s tiny. This is great for you living in a urban apartment or tiny house, or even those having (as me) a small house entrance.

As said, finding good gardening ideas for small spaces is not easy. Pinterest, Instagram and others show impressive gardens, but what about the real homes or apartments?

In this post you will discover how easy is to gardening for small spaces and it’s like a therapy. I like to take things positively, so every time I sit down on my garden I think to myself…well…at least I don’t have to do the lawn (since is so tiny)

So let’s dive into it and let’s answer the question: how to build a garden in a small space?

We may all have dreams of big, never ending gardens, but the reality is that most of us simply don’t have the space.

There’s nothing wrong with that– with a little creativity even the smallest of spaces can give you plenty of joy of gardening, flowers, or even a relaxing outdoor green room all your own. Keep reading to learn more about plants for small spaces and how to make a garden with little space.

Here are my 10 tips to create your very own garden area

1 Using containers

Creating a Small Garden Space with containers to create this sense of space without clutter. Less is more in small living areas.

On the image above, you can view an sphere solar powered fountain behind the nice lavenders.

You can get the look in this Pinterest post

If your space is too small for a wooden raised bed, you can also make gardens in small spaces using containers.

Containers are rectangular concrete planters, also known as box planters.

These are great to create this sense of botanical garden , where everything has its place and all is so coherent that it seems all had been there for years.

You can choose a nice container garden to suit whatever space you have available. I curated this set-of-3 multi size containers for you

Plant things that have interesting foliage and bark and a long flowering period, so they beautify the space year-round. Plant a single large item, like a flowering bush or dwarf tree, to create a sense of varying levels and different views from different angles.

I selected these nice containers here on Amazon

2 incorporating the element water, solar water fountains fo complete the look

I curated these self powered water fountains, so you don’t need electricity wires, just to set-up the small solar panel and start enjoying the nice sound of the water stream.

Discover these solar powered water fountains

3 Using all the space to extend the outdoors living area

What about using all the space, even if it’s a tiny patio?

Do you find that you only really use one particular section of your garden? If so, dividing your space up into specific zones is a great way to maximise every inch.

As a basic layout, you can divide your garden area in three distinct areas for sunbathing, playing on the grass, and in order to create these sections, you can use box planters. They are easy to set-up and a great décor addition to your outdoor living area as well.

What about creating a mini path between those sections? This would be great to entertain your visits and to give your place a feeling of order and sense.

These set-of 3 concrete planters are great to ensure that even the very bottom of the garden is used.

4 Incorporating flooring for outdoors living room

Flooring is a really effective way to zone a garden space – see how the paving, grass and decking are used here. But if you can't change your flooring, look to screens, outdoor rugs or living walls, to create distinct 'rooms' within your garden.

Small garden ideas can be quite subtle. Take this one, using zoning, a trick usually reserved for breaking up large indoor rooms into different areas – say, one for relaxing, and one for dining. The key to garden zoning is using different textures, colours or materials to differentiate between the areas. Flooring, for example, is perfect for doing this, and will create a larger-feeling, more interesting outdoor living space.

5 STACK GARDEN POTS IN MULTIPLE HEIGHTS TO ADD DIMENSION

Container gardening is one of the best small garden ideas, especially if your garden has a patio or decking. The trick is to go for as many different types and heights of garden as possible: this will help add dimension and texture to the space. For instance, mix and match large terra-cotta pots with tall and slender glazed pots. And if you have a really small space, stack them up like this or wall-hang them to pack more in.

6 INCLUDE AN OUTDOOR FIREPLACE OR PIT FOR COOL NIGHTS

Outdoor fireplaces are actually even better suited to smaller gardens than larger ones, for the simple reason you will really feel the cosiness in a smaller space.

If your house won't permit the addition of a fireplace structurally, consider getting a clay chiminea or look at fire pit ideas instead.

7 CREATE A SMALL BUT LUXURIOUS OUTDOOR RELAXATION AREA

Even the tiniest garden can become a luxurious, relaxing sanctuary. You will have to decide what's most important to you – a fully planted up outdoor space, a nook for reading, perhaps even a tiny pond... However small your garden is, once you've decided what you want your space to be like, there's no reason you can't achieve it, with the help of a skillful garden designer or landscape architect.

8 LESS IS MORE IN A SMALL GARDEN

'In a small space, a few large features are better than many small ones. Two or three big pots will have much more impact and look far more stylish than a dozen ill-assorted smaller ones. One tree, if you can fit it in, is better than three shrubs of a middling size,' says gardening expert and TV personality Alan Titchmarsh.

9 Growing your food

how to grow a vegetable garden in a small space?

You can also think of growing Italian herbs for your foodies’ creations. Are you a hero of homemade pizza? Growing oregano is so easy as throwing seeds on a box container and water it often. Put this under morning sunlight and voila! Fresh herbs right away on your doorstep

10 GO MONOCHROME TO ENHANCE A SMALL GARDEN

And by monochrome we don't mean black or white; washing your entire small garden in a deep, vibrant colour will create a jewel-box effect that's very attractive, and it'll distract from the small size of your garden.

In the case you’d like to have pottery, add other elements in terracotta tones, maybe other plant pots or play with fabrics.

Bonus: ADDING TEXTURES

Adding some outdoor potteries can create a huge impact recreating this sense of eternal décor. Even you can extend this feeling by using clay dinnerware sets, as these ones on Etsy

Is gardening a therapy for you? Read my last post about this topic here

https://solytierra.shop/blogs/news/creating-your-dream-garden-as-a-therapy

Would you like how to bring Feng Shui to your garden area? Find it here https://solytierra.shop/blogs/news/5-tips-bring-feng-shui-to-your-outdoor-space-this-summer

Are you a Pinterest aficionado? Discover these beautiful pins here

https://www.pinterest.ca/Pottery_sol_y_tierra

Thanks for reading, don't hesitate to contact me for suggestions, comments or ideas

Bernat

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cindylouwho-2 · 5 years

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