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#acrylic painting ideas on black canvas
s7ieben · 2 months
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Spacemaker
acrylic on canvas – painting – 27 x 41 cm
Exupéry’s Little Prince is playing... read on here:
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Paint Job (Buggy the Clown x F!Reader)
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Summary: In which Buggy indulges his two favorite hobbies: doing your makeup and driving you crazy. Pairing: Buggy the Clown x F!Reader Rating: General. Word Count: ~1k. Warnings: Pregnancy. A/N: my birthday was yesterday so i wrote this for myself
Your belly button popped out. He had no idea until you stripped your clothes off for a nap and fell asleep cradled in that dumb pregnancy pillow you use instead of cuddling with him.
He squints at it. It looks funny. Round. Sticks out. Kinda like...
...hmm.
The intrusive thought hits him like a fish jumping out of the water and into a boat.
You'd look so cute and he'd get to show off his artistic talent. Not to mention that everyone would know whose baby is in your belly. Not that there's any doubt, of course, but he has to mark his territory somehow and he suspects that you wouldn't appreciate being peed on.
(The obvious answer of putting some jewelry on those naked ring fingers of yours has occurred to him many times, but that thought is somehow scarier than fatherhood. So he ignores it.)
Grabbing his bag of tricks from the vanity, he tiptoes to the bed. He sets himself down slowly, gently, carefully. The bed squeaks as he eases his weight onto it, but you don't stir.
He works quickly. First some white greasepaint, squeezed onto his wrist and dabbed onto your belly with a makeup sponge. Follow that with a bit of black paint, applied with a careful stroke of the brush. Then pigment sticks for the detail work and outlines...
The baby seems to enjoy it. It occasionally moves in response to his touch. Nothing herky jerky -- just little shifts and nudges. Makes his heart melt. He can't wait to meet the little rugrat.
And now the piece de résistance, a dab of red right on the mound of your navel.
Et voilà. Perfection.
He leans back to marvel at his artistry as he wipes the extra makeup from his hand. In another life, he'd have made a damn good painter. Hell, maybe he should invest in some acrylics and canvas. Start a money laundering scheme.
Buggy notices that your eyes are open. Two little windows into a warm, dark abyss. The same color as falling asleep in a cozy bed on a cold, dark night.
“Having fun?” you ask.
“Tons,” he says coolly. “How was the snooze?”
“Great, ‘til your kid started tap dancing on my bladder.” You lean back on your elbows as you stretch your legs out, splaying your toes out like Richie does after he wakes up from a nap. Your belly rests on your thighs now. Try as you might, you can't see over the top. “What were you doing?”
He hops off the bed and offers you his arm, easing you to your feet. He guides you to his vanity with a hand on your waist. Your gait has gained a wobble and, while he's never seen anything hotter, being on a constantly rocking ship makes him nervous.
Your eyes go wide when you see his Jolly Roger painted across your stomach, your belly button forming the nose. You twist this way and that, your smile growing with each shift.
He rests his head against yours. “So everyone knows just who put you up the pole,” he murmurs.
“As if there's any question with how handsy you are,” you snort. You turn that warm smile to him. “Love it, Bugs.”
He didn't think you'd be upset, not really, but hearing you happy eases his nerves greatly. “I decided to take an impressionist approach,” he says. “You can tell from the brush strokes and my liberal use of white.”
You were right, that night you first spent together: you laugh like a gaggle of News Coos. Clattery, loud, inelegant. It's his third favorite sound in the world. The second is that snort you make when you're trying not to laugh, and the first is... Well, his pursuit of that sound is what led to your current condition.
He pushes the gag a little further. “Made it during my Alabastan Period, where I was influenced by--” You push your lips against his. He keeps talking, just to annoy you. “--traditional geometric patterns of nomadic--”
You grab his cheeks and shove your tongue in his mouth. Once he's runs out of breath, you pull away with a big red splotch across your smile. “Shut up,” you say.
“Never.” He moves behind you. He pops his hands off to lace his fingers underneath your belly as he drapes his arms around your shoulders. "How's that?"
You sigh in relief as the weight is lifted off your organs, your spine, everything. "Fucking hell, thank you," you breathe.
He makes a mental note to thank the old ex-con who told him the trick. Surefire way to make your old lady love you forever, she'd said, grinning at her husband. How else you think I ended up with having six kids with this knucklehead?
The thought of six little humans running around fills him with dread... but at the same time, everyone loves a family act. Matching threads for everyone, him in his best and you all dolled up like a work of art. Suits for the boys and little tutus for the girls.
Six little faces looking up at him in adoration, six little creatures to do his bidding, six little people guaranteed to worship the ground he walks on...
You snap your fingers in front of him. "Hey. Clown."
That's enough to bring him back to earth. He hopes to every god that will listen that it's just one in there. "Just distracted by your beauty," he says.
You give him a dry look. "Liar."
"Alright, ya got me. I was thinking about your tits." Buggy rests his chin in the crook of your neck. “How much longer?”
You reach up to pat his cheek. “Couple months.”
He groans. “But I wanna meet Buggy Junior noooow-wuh,” he whines.
Your smile vanishes. “Over my dead body you name my kid that.”
“Why not? It's a great name. Buggy Balthazar Zebulon Xerxes Mixolydian Macadamia--” You pinch his lips shut with your fingers, but he keeps talking. “--Jeremiah Jubilee--”
You turn and shove your tongue in his mouth again. He shuts up for good this time.
---
To the "Curious Courtship" Masterpost | To the Mastahpost | Tip Jar
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thebestofoneshots · 20 days
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Gilded Constellations | (wolfstar x reader)
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Series Masterlist | Previous episode
Pairing: Wolfstar x Reader Word Count: 7.6 K Warnings: None Prompt: Time to wrap it all up, and perhaps receive one or two surprises. This IS a Wolfstar x reader fic, but it's incredibly slow burn. They won't start all dating each other until we're very deep into the story, but I promise the long wait will be worth it. Proofread by lovely: @aremuslupinsimp
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Chapter 42: Have Yourself a Merry Little Christmas
Wednesday, December 23rd
The art store was small, but filled with colours all around. Small little black cabinets with golden numbers on top behind the counter, and walls lined with different paint pots and colours, a wall with wooden frames and delicately separated boxes that held paint brushes of all different sizes and shapes and, by the bits you’d read, also materials. 
At the top of the cabinets there was a small display of colourful markers and pens and other things that you knew muggles used but you weren’t too familiar with. Apparently, they used stick glue instead of sticking spells to adhere stuff. You wondered how much of this stuff Sirius actually knew about and vowed to bring him to this place with you one day. 
And while you did appreciate art, thoroughly – you’d gone to multiple museums, both muggle and wizarding through your trips – you had no idea what the difference was between gouache and acrylic, or why the “Rembrandt” that claimed to be made out of oil, where much more expensive than the “Winsor & Newton” ones that claimed the same. It had to be because of the quality, right? 
“Good evening, may I help you?” a young man, probably in his late twenties asked as he approached you. He was dressed in rather formal clothes and had a pair of thin-rimmed golden glasses. You would have probably considered him attractive if you hadn’t been accustomed to Sirius’ dashing looks or Remus’ lovely smile. You really were lucky to be surrounded by handsome and pretty humans, you thought, thinking of the rest of your friends. 
You must have looked as lost as a Bowtruckle in the middle of New York since he looked like he would try to be overly polite. 
“I’m looking for a gift, my boyfriend loves to draw, but I’m… not really good with all the supplies and stuff, I was thinking perhaps a nice set of pencils and a sketchbook. I’ve been looking through the paints as well, but I don’t think he’s the kind to do the whole canvas thing, at least not while we’re in school.” 
“Well, does he colour his drawings?” 
You thought about it for a moment, what he’d shown you were mostly sketches done in pencil, though there were some with an underlayer of red and or blue. “I think he uses some for the base of the drawings.” 
“Does he overline them?” The expression you gave him when he asked made him clarify it. “After the pencil sketch is done, does he add a pen or marker to finish up the details?” 
Sirius did not do that, but you also thought how complicated it would be to do such a thing with a quill instead of the pens and trinkets the muggles had invented so you nodded in response. “Yeah… not that often but I’m sure he’d like something to be able to do it.” 
“All right, follow me,” he said as he motioned to one of the furthest walls. “This is where we keep all of our sketchbooks, the thicker the grammage the stronger pens and markers it will hold. Also, some can even hold watercolour, not sure if he’s into that too.” 
“Do you have like – a book on the basics of watercoloring? I feel like he might actually be interested in that.” 
“We do,” he said with a nod and moved to the other side of the store bringing you a few options. You picked one of them and then looked through the sketchbooks. There were different sizes and colours and the pages felt really different on most of them. Some were especially made for watercolours and some were for drawing. You took one with about 100 pages for watercolour and one with the same amount of pages but with a bit less grammage for sketches. 
They both had a black cover with golden elegant trims that you thought would definitely go with Sirius’ look, although one opened from the side, making it more of a panoramic view while the other one stayed horizontal. You handed them in to the guy and he took them to the counter as you continued looking around. You leaned into the watercolour section and started to look at all the different options available. 
“If this is the first time he’ll do watercolour, may I recommend you buy a set?” he asked politely as he showed you a small wooden case, when he opened it there were all sorts of small blocks with different colours on them. “These are my favourite brand, but really gentle with beginners, they also come with this interesting thing,” he added as he handed you a small brush with a clear section at the top. “It comes with water, you don’t have to dip your brush that often, really useful once you get the hang of it.” 
“You have more of those?” you asked and he nodded, showing you the different sizes of brush ends. After a while, and with a lot of his help, you ended up selecting about 5 different brushes and the colours that you’d fill the small wooden box with as well, which you thought was fantastic since you could fill it up with whatever colours you chose and not a set palette. 
“You’ll also take the marker set, the watercolour book and the sketchbooks, correct? Anything else?” 
“Uhh… Am I missing anything that he might need?
“Does he draw portraits or landscapes?” 
You thought back of the Remus drawing he’d shown you, and then of the one you had chosen not to see. “He draws portraits and anatomy studies. Though I’m sure I’ve seen him doodle other stuff too.” 
“He might like this book then,” he told you as he handed over another book. It was about proportions and hand drawing and a lot of very advanced-looking stuff, you smiled. 
“This one as well, please…” he was about to finish the bill when you stopped him, looking down through the glass display and pointing towards something, “Is that a penknife?” 
“Well, yes,” he replied, “Although sharpeners are used more often nowadays, some people still prefer them.” 
“I’d like one of those as well,” you added with a smile. 
“Excellent.” The man gave you your total and then handed every single thing in a thick paper bag. “You said it was for a gift, right?” 
“Yes,” you nodded and he walked to the back of the shop, pulling a very elegant and sturdy black box, he eyed the bag as if calculating if everything would fit and then handed it over to you along with a black and gold ribbon with the name of the store repeated over and over. 
As he handed it over he pulled it back for a second and gave you a smile. “That young gentleman is very lucky to have you as a girlfriend.” 
“I think I’m just as lucky as he is,” you responded with a small smirk as you took the box. 
“Would you like me to call you a cab?” 
You thought about it for a second. Your house wasn’t that far, and with a short levitating spell you wouldn’t have to carry much stuff either, but the Knight Bus did mention they’d be very busy and you had been walking all day. “Yes, thank you.”
The man called for one and you waited inside the store until the cabbie arrived. You gave him your address and he took you straight there. You took the lift of your building, using your wand to unlock the secret –magical- floor your parents had purchased in London and waited. 
When the two, golden doors of the lift opened to your drawing room, you sighed. Leaning down to take off your shoes. “Mom? Dad?” 
No answer. “What time is it?” you whispered to yourself as you looked at the clock, quarter past ten? That art store surely has late closing times, you thought as you leaned back down to pull your bags up and drag them to your room. 
There was a note on the table along with what looked like a delightfully looking salad and steak. 
We’ll be home late, serve yourself. See you tomorrow darling.
You sighed and after placing the bags on the table, and using a warming spell on the food, you ate. Once you were done, the plate disappeared from the table and instead, a chocolate cake showed up. You smiled, at least they knew you liked sweets. You took a few bites from that and took it, along with your gifts, to your room. 
That’s when you remembered you had promised to tell your friends when you arrived here so you quickly scribbled a few notes. Sending your owl –Resse– back to the Potter’s and Barnaby –the family’s owl– to Beth. Then you took some Floo powder and leaned over the fire. 
“Tom?” You asked as you peeked through his chimney. 
“Sly sprite?” He asked as he leaned over. “I was starting to worry,” he said as he left a book on the side. “You got home, all right?” 
“Yeah!” you said with a smile. “And I got a bunch of good stuff at the store too, it was worth it.” 
“It better have been! Beth is home too, we stopped by hers first.” 
You chatted with Tom for a little while more and ended the call when you started to yawn and he followed right after. With that, you went for a quick and warm shower and then back to bed. 
Thursday, December 24th
There was a soft knock on the door, you stirred on your bed but didn’t wake and then there was another one. “Sweetheart? Breakfast’s ready, come eat.” 
“On my way,” you said as you sat on your bed and rubbed your eyes a couple of times. The day was bright, you’d forgotten to shut your windows at night and now you had the perfect view of the Thames through your window. You thought back to Hogwarts and how all the splendour of it had been made by magic, while the splendour of London had mostly been made by muggles. 
The high skyscrapers, the Ferris Wheel across the river, the towers, palaces and bridges, all muggle-made, and without magic, it was fascinating. You didn’t understand why wizards had so many prejudices against them –aside from the whole burning on steak part, muggles seemed to be quite incredible and determined people.  Perhaps you should have taken that muggle studies optative. 
“Sweetheart?” you heard your father’s voice, a bit more stern than your mother’s. 
“I’m coming, I’m coming!” you said as you shook your covers off and grabbed your wand from the nightstand. “As if they hadn’t been home hours after I got here,” you mumbled as you fished for a pair of slippers under your bed. 
By the time you got out of your room both your mom and dad were sitting on the living room table. Your mom was wearing a beautiful cocktail dress while your dad had a perfectly fitting black suit on with a small cape, draped elegantly behind his chair. You were still wearing a band shirt you had stolen from Sirius a while ago, and that you had been wearing under Remus’ jumper before the trip. “Lovely to see you,” you said with an awkward smile, “it’s been a while.” 
Your father looked up from his newspaper with a cup of coffee in his hand only for a second, nodded and then went back to read. Your mom gave you a sympathetic look and nodded for you to sit down. After a couple of minutes, your dad bent the newspaper and placed it on the side of the table.  
“We’ve heard plenty of your Hogwarts Adventures,” your father said looking at you. “You’ve been doing a masterful job at maintaining our house’s name relevant.”  
You frowned at that, that had never been your intention. 
“You were incredible in the broom race though you lost,” your father said. “And you’ve won two quidditch matches–” 
“That was a team effort…” you said, your voice growing smaller as his hand dismissed you. 
“You’ve kept your grades high and you’ve even entered the duelling club…”
“Not to mention her Theoretical Magic grades,” your mom added with a smile. 
“And you’re dating one of the Black kids.” 
You swallowed. You had mentioned in your letters that you and Sirius had gotten along now that you were in the same house, but you hadn’t specifically mentioned you were dating him.
“The disowned Black kid,” your father continued. 
You straightened a little, you had discussed with your dad the things that happened back in your vacations with the Blacks. It hadn’t been particularly nice talk, but you weren’t going to back down, his political means could not be worth more than his morals. And things had been rather tense between the two since then.
When two people had such intense ideological differences and desires, they were bound to clash against each other, especially when those ideologies juxtaposed against the other often, being only furthered by the fact that you were –at least on breaks– living under the same roof. 
Your priorities had been wildly different and you weren’t shy about letting him know, which caused your relationship to deteriorate quickly. Not to say you –or him– had been particularly rude to each other, but you were much colder. It was almost Christmas, and you didn’t want to start a fight with him, let alone over something that you were most definitely not going to yield on. 
“I think it’s all right. He might have been disowned by his family but he still stays in contact with some of the other Blacks like Alphard and the other disowned child… whatever her name is…” Andromeda, you thought as you tried to process the fact that he had just said it was fine. “Just try to avoid mentioning him in tomorrow’s dinner. I’m sure Walburga wouldn’t be particularly pleased.” 
“Tomorrow’s dinn– Walburga will be coming?” 
“Of course not, they have invited us to their Christmas dinner,” he said. “It’ll be hosted in Rosier Manor, I believe.” 
“Whose manor?” You asked, your breath going short along with your question. 
“Mr. Rosier,” your mom repeated. “All important wizards will be there.” 
“I’d rather skip Christmas altogether.” 
“I’m sorry, darling. This isn’t a matter of preferences. You will go and then we’ll let you do whatever you please for the rest of the break. Visit muggle London as much as you want or dally with your friends, I really don’t care as long as you maintain your composure during tomorrow’s dinner.”
Your leg was bouncing slightly under the table. “I don’t believe I will be welcomed in that house.” 
“You will be welcomed because you are my daughter and I’m me,” he said with an air of finality. “We need to present a strong family front, play your part and you’ll be rewarded.” 
“Right, my part,” you said bitterly. You wondered if your mother was playing her part too, they were in love, that wasn’t questionable, but sometimes it felt like she became nothing more than an addition to his recollection of what a perfect life should look like. Did he marry her because of the love he felt for her or because she’d look like a delightful trophy wife by his side on political dinners? Had she not been as beautiful as she was, had she not been well educated, would he have married her either way? 
You wondered, when had Silas become the man he is now? When did his greed for power become so intense he would sacrifice his morals to achieve it? When you were smaller, you thought they loved each other, even now, you saw when they looked at each other with those adoring eyes, but… there was a tale of sacrifice weaved in between their story, and with one party constantly bending to the other’s wishes, you weren’t sure you could still call it love. 
When devotion became toxic, was it still something that came from love, or had it become something else altogether? 
“Indeed darling, we ask for nothing more than one night. Then you will not be bothered, free to go wherever you want and with whomever you please. Does that sound like a fair deal?” 
You sighed and nodded, “One dinner.”
Your mother smiled at that, letting out a nervous breath and then reached for your hand. “Your clothes for tomorrow are already in your closet, I also got you some nice potions and make-up.” 
“Thanks, Mum,” you said with a short smile and looked at your food. It looked delicious, it was French toast with berries and fruit on top –probably there to appeal to your sweet tooth and convince you to go– but you didn’t feel hungry at all. Especially not at the thought of having to go to Rosier Manor. As if you didn’t see enough of Evan at school, now you had to go see him on the break as well, bIoody brilliant. “Breakfast was great,” you said as you stood up. Both of them decided to ignore your almost intact plate, “I’ll be in my room in case you need anything else, you know like me playing the role of the perfect child of the politician if your friends come around or whatever.”
Your mom gave you a reproachful look while your dad gave you an impassive one, you raised your eyebrows at the two of them, almost tauntingly before you turned around, walking back to your room and letting the door close behind you gently –it was not the inanimate objects fault that your parents were acting like pricks. 
You sat on your bed and took a deep breath before you saw a small owl by one of your windows, you let him in and took the rolled parchment from his feet before feeding him some water. 
Dear Vix, Hope this letter finds you all right, Sirius was moaning about you going along Beth and Tom and not inviting him to buy Christmas stuff it was draining! Now I was not going to write to you about it because he said he would punch me in the face but I had to write anyway since mum and dad wanted you to have our address so you could come here through floo anytime.  Hope you’re having a great time, Sirius and I went flying with Pete today (he lives a few houses from us, did we tell you?), and while it was nice not having to worry about Sirius distracting himself from snogging you, we missed you still.  Mum and Dad send greetings to your parents, hope you’re also having a blast.  Your bestest friend, James P.  PS. Mum sent this tea for you, she said she thinks you’d like it with how much sweet stuff you eat and stuff.  PS 2. Love you, but I bet you’re missing me more <– That was Sirius. 
James’ stupid letter made you chuckle, especially the last bit, as if it had been necessary to point out that Sirius had been the one to write it. You placed the letter into a small box in your bag and smiled as you walked to pick up some of the stuff you’d be giving your friends as their gifts.  
You picked up some wrapping paper and started wrapping all of their gifts, the owls would have to do a couple of trips to take them all to their place, but you’d make sure to leave them plenty of food throughout the night, so they could continue their trips and the presents would be at your friend’s beds in the morning. 
You had gone through most of the smaller gifts first, writing small, and neatly written Christmas cards on them. Then you went for the bigger ones, the books you’d gotten for Lily, some of the stuff for Mary and Marlene, James’ pack, and of course, Remus and Sirius’. 
It wasn’t until then, that you realised how overboard you had gone with your gifts. You’d gotten Remus so many books, both magical and muggle, that you almost felt guilty you hadn’t gotten Lily and James more stuff. And then you tried telling yourself it was because Remus would spend Christmas alone and he deserved at least a bit of happiness, you weren’t deliberately playing favourites. 
And then Sirius’ pile was clearly a mess, you had all the music you’d gotten, the shirts, the penknife that you wanted to engrave with his name (you were researching for the right spell to do it) and a bunch of other stuff for him. Besides, you still wanted to make the playlists, so before you finished packing the bigger boxes, you started testing the recorder. Now there wasn’t exactly a step by step guide on how to record music, but there was a small booklet that showed you how the thing worked and you spend the rest of the day figuring it out, listening to music and making a playlist for each of your friends. Using all the songs you thought they might like.
When you were done with that, you continued packing all the stuff. Deciding to send all the music back to the boys’ room at Hogwarts so they could leave it on Sirius’ stash. Well, all of them except for the David Bowie tape you had specifically gotten for Sirius and that would look great with his shirt and the rest of the gifts you’d gotten him. 
You went out to get some food at some point during the day, and there was another note from your parents telling you they were off at an event. Well, good riddance, you thought as you went back to your room with a sandwich in your hands. You picked one of the books you’d gotten for yourself and you spent almost the rest of the day reading it while jamming to one of the playlists you’d made. A copy of the one you’d made for Remus since you thought it went well with the book you’d chosen to read. 
You fell asleep before your parents got home, with the book still in your hands and the music playing softly in the background until the cassette ran out of tape and was softly ejected by the machine. The sound it made had been so soft it didn’t wake you at all. 
Thankfully, you had remembered to leave enough water and food for the owls, since they had spent all night doing trips back and forth to your house and your friends’. 
Friday, December 25th
You woke up by being pecked in the face by a very big and very angry owl. 
“Oi!” you complained. “What’s wrong with you?” The owl chirped and picked you again, this time on the ear. “Bitch,” you mumbled as you pushed him back lightly, only for him to pick you in the finger again. 
You gave him an upset look and he pulled back just a little, tilting his head towards the window, and the lack of food and refreshments. 
“Oh, so that’s why you’ve been attacking me non-stop?” you asked as you stood up from the bed, failing to see the pile of wrapped gifts at the end of it. The owl chirped in response, a scowl that you weren’t sure was his natural face shape or an actual scowl directed towards you. “I’m sorry,” you added, “Barnaby and Reese must have eaten them all. They did many trips last night, you know?” 
The owl chirped again, a little angry as he flew towards the window, as if saying «I too flew many trips last night» looking as indignant as a Towny Owl could. You added a few of the special snacks you kept for Reese just to keep him from biting you again. You looked at the name tag and realised who the owner of the owl had been. 
Eun-ji, Minho had told you about her, she was his family’s owl and apparently, the name meant something like “kind”. So much for a kind owl, you thought as you looked at her, gobbling up Reese’s treats. You leaned over when you noticed there was a small letter attached to his feet and took it in your hands before the owl flapped his wings and left. 
Merry Christmas Star Seeker,  Hope you’re having a great time. Thought of giving you a special thanks for that one time you –quite literally– pushed me towards my crush and got us to start a conversation, that, well, you know how great it ended!  Even for a Gryffindor, you’re really nice, so I thought of getting you something for you to get some more hate from your fellow Gryffindor, Eun-ji must have left the gift near your bed.
You turned to the side in the middle of reading and stood agape, there was not only a green and silver wrapped gift in what looked suspiciously like the shape of a snake, but there were also a bunch of other gifts wrapped in all sorts of colours. 
Anyway thanks for everything, hope you have fun and all. I’m looking forward to beating you all next time we play,   Love,  The one and only, and your favourite Slytherin, Minho Cha. 
You rolled your eyes at the last bit, it had been very Slytherin of him, but since you knew Minho, you also knew he was playing it off as a joke on his own house, which made a joke inside a joke and you thought it was actually kind of funny. 
You took a deep breath and walked over to your bed. There were all sorts of gifts prompted there and you decided to unwrap Minho’s first. There was a small, green snake plushie with a bow on it that had a small pendant with something written on it:  “From the snakes that love you dearly,” and then it had the names of all of your Slytherin friends: Minho, Comet, Nox, Reggie, and even some you weren’t expecting like Dorcas and Solacis. You thought it was an adorable little thing, even if –and you were certain of this– your friends would absolutely hate it. Well, not Lily, she’d also think it was adorable. 
And thinking of her, was that you picked the next gift, wrapped in pink and yellow paper, and with her a small dedicatory on the corner, you instantly knew it was from her, her neat and perfect handwriting being the dеad giveaway. You smile as you read her small dedication. She wished you a very, merry Christmas and promised to tell you everything about the train with James as soon as you saw each other in person. She wrote something along the lines of not being able to put it on paper, which made you laugh. 
When you opened the present you were thrilled, it was a small leather notebook, dark red with golden trims and your name on the cover. Not Vixen, not Starshine, or any of the other nicknames that you had come to own and love since you arrived at Hogwarts, but your name. You smiled as you traced your fingers over the letters. There was a pen on the side, golden and apparently of some interesting muggle technology that wasn’t that popular in the wizarding world. You thought it was fascinating. When you opened the notebook you realised there was something written, again in her handwriting. 
You’ve had more adventures this year than I’ve had in my lifetime. I think it’s time for you to start writing down some of them, in case you ever want to revisit them. If journaling is not your thing (which I feel like it would be because I know you), you can just use this notebook however you want. You know grocery lists, songs for mixtapes, your favourite lyrics, poems, quotes, Sirius’ doodles, your doodles,  dried flowers, stickers, whatever you want, it’s your space, and you may use it as you wish! Love, Lily
You thought the idea of having your own journal was brilliant, you always admired her for keeping hers so incredibly neat looking, and perhaps being able to let some of your feelings go on a blank page would be better than keeping them bottled up. You doubted you would be nearly as consistent as her, but you decided to add your first couple of words in there, detailing the gifts you’d gotten and the few you still had yet to open. 
You’d gotten a box of your favourite candies from Mary and some incredible quidditch trading cards from Marlene, but she had also added some makeup to her gift because if not you and James would have gotten the exact same thing and you were her favourite between the two. You got a spellbook and a muggle prank book from Tom “to further your career” according to him. There was a large, embossed book from Nina, which you discovered was an annotated version of one of your favourite books and a small set of runes from Sybil. You had gotten her a deck of cards and a book about premonitions. 
There were candies from Nox and a muggle book lantern from Neil Perry, you had both complained at some point about reading with your wand and you thought the solution he’d found was adorable. Peter had gotten you a book about canines, packed along with a small fox-themed bookmarker and a note that said “Thank you for not busting my make-out session and Merry Christmas.” He also added, “PS. maybe with this one you’ll be able to tame Pads.” Which had you wheezing with laughter for a while. 
It took at least a minute to go for the next gift, it was a small box that said to be handled carefully. You opened it according to the instructions. “Shut the fuck up!” you said the moment you realized what was inside. A small Felix Felicis vial. “Shut up, shut up, shut up,” you repeated over and over again. “How did he even get his hands on it?” 
You picked up the paper from behind it, there was a small note. 
Okay say it: aside from Sirius, I AM your favourite Marauder.  You might be wondering, “How the hell did James get his hands on this?”. Well dear, I must say, I have contacts.  AKA my parents are expert potioneers and I somehow convinced Mum to brew one and that’s how I got my hands on it.  Now, I could have given it to any of my friends but I get the feeling you might be needing some of this soon enough. You know, from things I’ve seen and such (please don’t waste it on a quidditch match, though). Anyway, I know you’ll use it well, hope you have a very Merry Christmas!  Your favourite marauder AND bestest friend,  Prongs. 
You chuckled when you finished reading and went back to look at the vial with incredulity. Brewing one of these potions was arduous work, and it took weeks, which meant James must have had convinced Effie to do it even before she’d met you. Never underestimate James Potter, you thought as you grabbed onto the vial and placed it around your neck with a chain, casting a disillusionment charm on it so it wouldn’t be so obvious you had it with you. You thought the gift was brilliant. 
After that, there were only 2 gifts left. You picked the one with a silver bow first. It was a square box, about 12” wide, and had been wrapped in the same paper as James’, which made you guess who it might be from. There were chocolates and a small letter on top, neatly closed and with your name written on the back with Sirius’ almost perfect calligraphy. There was also a paper covering something, but you picked the letter up first. 
You know, I tried writing a love letter, but James wouldn’t stop making ridiculous comments about it not being profound enough and I feared I’d end up writing something close to the painfully ridiculous letters he used to write to Lily so I had to stop myself.  Who would have thought it would be that hard to put thoughts into words? I suppose if I were like Remus it would come out much easier but, unfortunately, you’re stuck with me. Actually no, fortunately you’re stuck with me, I’m delightful.
You laughed, he’s not wrong. 
Anyway, I suppose what I wanted to express in those dreadful attempts of being a poet was that I’m incredibly thankful that you came to Hogwarts and that you came back to me. I’m grateful that you tolerate me and my moods and that you love me for who I am, flaws and all. I wasn’t sure I’d ever found that kind of love, one that I even doubted it existed, and yet you’re always there to tease and make me laugh and– I already sound like James, but you know what I mean. You always know what I mean.  As you see, I am far from a poet, but there is something I like to do and I thought that perhaps, you’d enjoy it more than this terrible love letter.  You know, you and Remus were the first to ever see a sketch from my book, and I was feeling all sorts of things after I offered, and yet, you were there, reassuring me and telling me I didn’t have to do it if I didn’t want to. You know Walburga, it wasn’t much of a choice for me, so it truly meant the world, and fed me the courage I needed to let you see that part of me. And when you two finally saw it and praised me for my skills, for what I did with my own hands… You make me so incredibly gleeful, it’s almost scary how much power you could hold over me. But frankly, I’ll let you hold it all you want.  All right, enough of the sappy stuff, Merry Christmas Starshine, you know you shine brighter than my own star. Hope you like your gift.  Love,  Sirius 
See the letter here
You read the letter a few more times, smiling at the little details and jokes Sirius had sprinkled all over. And then you pulled on the bit of tissue paper covering the very last thing in the box and when you finally saw its content you couldn’t help but swear again, “Son of a bitch!” you whispered. 
There were still some small pieces of paper over the small portrait, and you carefully brushed them out to be able to lift it from the box. The image was a hand-drawn portrait of you. You had a big smile and were looking at what would be the camera if it were an image. It looked like it might have been from one of the pictures from Marlene’s party although Sirius had changed the outfit, you were wearing an oversized sweater and his leather jacket. You could tell it was his because it had one of the enamel pins you had gotten him as a gift on the lapel. 
There were touches of colours in the strokes, not quite painting the drawing but rather giving it relatively bright edges that made it look special, unlike any other doodle. And of course, he had framed it, it was a simple yet elegant frame, dark oak and with small carved details on the sides. On the left bottom corner of the drawing, there was something written in French: 
À l'étoile la plus brillante.  Amour, 
And then, instead of his name, he signed with a small and elegant star doodle. You smiled again, it was one of the loveliest things you’d ever gotten, even if it was a portrait of yourself, the fact that Sirius had been the one to draw it, made it the most special of things. There were portraits upon portraits of you in your house, with magic that allowed you to move and smile, and even talk sometimes, but none of them held as much value as the frozen drawing Sirius had given you. 
Eventually, you placed it on your night table and picked up the last gift still sitting in your bed. His box was smaller than Sirius’, about the size of a book, which had you assumed he had gotten you something along the lines of that. 
You opened the book and found a small, pocket-sized book. It was a Sreath Bàrdachd, according to the golden script at the top. You hadn’t quite realised as you pulled it from the box, but it was handmade. You looked at it in shock as you flipped to the 50+ pages, all in carefully and methodically written cursive, his handwriting. 
Later you realised it was something between a book of poems and a compilation of quotes from different books. You admired the booklet for a few more minutes when you spotted that there was a small letter, still waiting for you inside the box. You pulled it off and broke the seal with a small sword letter opener Nox had given you as a gift. 
As you did, a small chain fell from the letter and you picked it up. It was small and dainty, just long enough to wrap around your wrist, which made you wonder how he’d guessed the size. The chain was simple, and it broke off into two different sections, one with a small crescent moon and then another one with a small star. It also had one small gemstone in between the bigger charms. You looked at it with a smile and held it in your hand as you read the letter. 
Hey there, Little Witch,  Hope you’re having an incredible Christmas. By the time you read this, you’ve probably seen the Sreath Bàrdachd, and knowing how clever you are, you probably already know what that could mean. Yes, It’s a book of poems, but also a bit more than that.  I knew Sirius was making you that incredible gift of his, and I didn’t want to fall behind. Prongs didn’t tell us what he got you but he seemed pretty confident he’d have the best gift of all. Did he?  Never mind, don’t tell me, it’s a silly competition. Either way, I thought you might like having one of these. Mum used to have one, which is why I know they exist. She told me a good friend gave it to her and she has kept it ever since then. I remembered borrowing it from her once when I was little, and she taught me how to carefully flip through the pages as she read to me. She also mentioned it was a silly girl’s thing but I thought it was amazing, and went on to make my own.  Although wonky and, with quotes from children’s books, she thought I was quite a mastermind for making it by myself. Of course, I put a lot more effort into the one you have with you now. Or perhaps the same effort but with better skills. If you’ve flipped through the pages, which I assume you have, since you’re incredibly curious, you’ve probably seen some familiar quotes.  There’s stuff from books we’ve both read and stuff that only I have read but that I thought you might like. Some of my favourite poems too, and some quotes from movies that only you’d be able to get. There are even lyrics from songs, some that we really like, some that Sirius has heard so many times that I already knew them by memory, and since the two of you like similar music, I assumed you’d know them too.  Also, there’s a small bracelet in the letter. I’ve cross-charmed it, in case you ever lose the Sreath Bàrdachd (I truly hope you never do), the gemstone will shine as you approach it. I’ve also added a few luck charms that, while they won’t keep you away from trouble –I don’t think anything could– they may give you some luck while navigating it.  Don’t hit me for saying that, you know it’s true.  Love,  Moony.  PS. Prongs told me about your little quarrel with Sirius on the platform, Sirius definitely misses you more.
See the letter here
By the time you finished Remus’ letter, you were smiling as brightly as you had when you read Sirius’. You were so lucky you had found such incredible people in Hogwarts. Your bedsheets filled with torn wrapping paper were a testament to that. You spend the rest of the afternoon listening to some more music and reading through the book Remus had made. 
He had been especially careful with his handwriting which you thought was adorable, and there were a lot of quotes from Oscar Wilde’s Picture of Dorian Grey. He had written in pencil –so you could erase it if you wanted, not that you would– that it was your fault he was obsessed with his writing now. Taking poems and quotations from both, the book aforementioned and The Ghost of Canterville. You hadn’t read the latter yet, but you were almost counting the days to go back to school and ask him to lend you his copy. 
Unfortunately, all good things come to an end, and you had to leave the warm comfort of reading and listening to music in favour of changing into the clothes your mom had chosen for you. You sighed as the alarm clock you’d set earlier went off, and then went straight towards your closet. The dress she had picked was simple, yet elegant. It wasn’t a long dress like the one she’d probably wear, but a more youthful one with clever intricate details on the sleeves and a midi skirt.  
“Thank god it has sleeves,” you whispered to yourself as you pulled the edge of the sleeve of Sirius’ shirt up. While your skin looked almost smooth, the lighter (almost silvery) shapes where the new skin was growing over the gush Moony had made were pretty evident. You supposed makeup and a spell could make them less visible, at least for a while, but that would have probably taken you a lot more time to achieve. 
You plopped the black dress on, smoothing the sides as walking towards your vanity where your mum had left all the potions and make-up. You sighed, remembering how much more fun it had been to dress for the Gryffindor parties than it was to dress for this one. With the black dress and the pearls on your neck, you felt a lot more like you were about to walk into a funeral rather than a party. My own funeral, you thought with a laugh when you remembered whose house you’d actually be going to. 
You grabbed a pair of red, not-too-high heels, put them on, and took another look in the large mirror by the window. You looked lovely, at least there would be no complaints from your parents on that aspect. What they might complain about was the fact that you took a bag with an undetectable extension charm and filled it with a few of the books you’d gotten as a Christmas gift. You also took the journal Lily had given you and Remus’ Sreath Bàrdachd. And you weren’t sure who’d be attending that party but you sure hoped you’d be able to sneak into a corner and read a book rather than having to interact with some of the most disagreeable friends of your parents. 
“Sweetheart, are you ready?” your mom asked from the kitchen. 
“Yeah, coming,” you said as you grabbed a few more trinkets and dumped them in your bag, just in case. 
You were about to leave the room when you saw a small glistening thing in your bed and you went straight to grab it. It was the bracelet Remus had given you, and even if it took you a while to put it on, and you continued looking between your wrist and the door as you tried to get the clasp to do its job, you thought it was worth it. I could really use that extra luck. You thought. You accommodated the necklace Sirius had given you and that you never took off and then took off James’ potion and placed it on your bag since it might be safer there than around your neck. 
One last look in the mirror to make sure everything was in order and you walked out towards the living room. 
“You look delightful, darling,” your father said as he spotted you walking out of the room. 
You gave him a half shrug in response and then managed to mutter a “thanks” that you hoped didn’t sound as bitter as it felt. After another moment of silence, your mom grabbed her bag and finished clipping on one of her earrings. 
“We’ll take the floo?” you asked. 
Your father shook his head, “They’ve sent over a Portkey,” your mom explained and motioned to the table, there was a small, fancy-looking invitation right in the middle. 
“Nice,” you said as you used your wand to levitate the object and move it right in between your parents. Perhaps if it had been floo, you could have sneakily said James’ address instead of Evan’s and escaped the party altogether. Once there, your parents wouldn’t make a fuss about it in order to not make your insubordination evident. But of course, you weren’t that lucky, and you’d have to take the portkey and you’d have to go to the party. 
“In three,” your father said as he moved his hand towards the invitation, “two… one… go.” 
The three of you placed your hands on the invitation at the same time and you felt the very familiar pull on your lower back, in less than a second, the entire world distorted around you, and then, you weren’t in your house anymore.
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A/N: Aww that was so cute wasn't it? Now it's time to strap on, we're about to dive head-first into the darkest side of the story, and it's going to be fun and sad and just a rollercoaster of emotions in general. Love, Lils xx
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mvltisstuff · 11 months
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hello again, i’ve requested a few times (the feels and sweet nothing) and i was hoping i could request again? (i think i might add an emoji at the end bc i love your writing and will keep requesting as much as you allow ❤️❤️) anyway, i hope you’re doing well and things are going good.
i was wondering if i could request a buck fic where is partner is an artist and he finds a sketchbook of sketches of him and when he asks about it they talk about how pretty he is and how deserves to be appreciated and just making him feel super loved with it. thank you if you get to it and ofc no troubles if you don’t. take care 🥰
also is 🚒 good for a way to recognize me??
wasteland, baby! - e.b
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summary: request
evan buckley x reader
a/n: omg you always have such creative ideas! i love receiving requests so always feel free :)) 🚒 = ❤️‍🔥 i also won’t be posting as frequently for the next few weeks due to finals, but after that i’ll be posting a ton!!
buck had come over to y/n’s apartment after his shift for dinner, and the scent of thick acrylic paint and primer had stung at his nostrils. he began to love the smell, as he knew that it meant she was around. he had let himself in with his key, taking in all of the perfectly placed plants and artwork on the walls.
she had a canvas that was almost complete, with just a few finishing touches. buck had walked over to it to examine. her talent was extraordinary. he knew it was out of this world, and the way she was so proud of her pieces his made his heart swell up with love.
“hi, buck!” y/n says, beginning to walk out of the hallway from her room to her art. she was wearing a pair of dark green pants and a white t-shirt which somehow complimented her beautifully. her face had small specks of blue and red on her cheeks and black and grey streaks on her shirt. “sorry it’s such a mess in here, but doesn’t this look great?”
“no, don’t worry about the mess, but how long did that take? it’s amazing!” buck stutters a big, not being able to comprehend how art like that could come out of her hands.
“thank you, love,” she replies, taking his belongings and placing them down for him. “how was work today? anything good?”
“just a normal old day, but you know it’s the 118.”
“it is never normal at the 118,” y/n smiles and gives him a cheek kiss before going to wipe her face off. buck goes to sit down in her living room on the couch, and she follows behind him with a quick change of shirt. she placed a small pizza in the oven to cook for them, and cuddled up next to him while they told each other stories about their day.
“it was wild, y/n,” buck starts. “i mean this woman literally rose from the dead after like 15 minutes, after being under a street. oh! you’re going to love this- and we saved some puppies in a sewer.”
“oh my god, are they ok?”
“they’re all fine, but i’m not sure if we are right now.”
“what do you mean?” she asks, slowly and carefully.
“you don’t smell something burning?”
she takes a deep inhale and looks over to her smokey kitchen. it wasn’t too bad, but definitely enough to make it inedible. “shit! fuck, i forgot about it!” she says, bouncing the pan up and down while trying not to burn herself.
y/n was busy discarding of the pizza when buck looked over at her with joy. he had a cheeky smile on his face and was laughing at the forgetfulness of both of them. he looked back down in front of him and the coffee table, and he saw a book that y/n always has on her. she brings it to work, to her family, anywhere she goes, she has it. it was her beloved sketchbook, filled with hundreds of small doodles and big pieces. buck has seen a lot of things in it, admiring each one before he comes across a bookmarked section.
when he flips the pages of the book, he notices that the person that is sketched and shaded looks particularly familiar. he makes note of the sharp nose and soft, but hard jaw. he sees the famous birthmark on the side of his face. he’s never looking right on, though. he’s always focused on something or has a light grin on his face. buck knows these are of him, but he doesn’t think he had any importance to be the top drawing in her book.
y/n walks back in to greet her boyfriend, “i think we might just have to ord-“ she looks at the sketches that she had put on that paper. a heat rose up into her face, reddening her cheeks and making her feel a sense of embarrassment.
“a-are these me?” buck asks, quietly. y/n nods, slowly, praying that she didn’t make him uncomfortable and that she will see him again tomorrow. “i-um..”
“you don’t have to say anything, buck. i never meant for you to see those and if you don’t like them, i’ll never do it again i swear. you just, you’re so beautiful, buck. and i love to draw beautiful things.”
“i just don’t know what to say, these are so good. i feel like you know me more than i know myself,” he says, chuckling a bit.
“you like ‘em?”
“i love them,” buck says.
“good, i just couldnt stop myself. you are always so pretty, no matter what and i want you to know that, so i tried to convey it through this. i was going to show you eventually, but i wanted to do more.”
“why me, though? you could draw anyone,” buck asks.
“no one else is you! you might have a pretty face and all but there is really nothing more beautiful than your soul. you are filled with so much love and sweetness and i’ve been dying to find a way to show you, because you are loved, evan. i love you and i wanted to put my two favorite things together. not a day goes by where i have anything but love for you.”
suddenly, the feeling in bucks chest is rising stronger, feeling like it’s going to burst. when it does, he has strong riptides of tears in his eyes. with a pure smile on his face, he passionately leaves a kiss on her lips, and he feels loved for the first time.
growing up, his parents never showed him love. he always begged for it from everyone he knew, and now he feels like it isn’t deserved. but someone, y/n made him feel like he will forever be worthy of love. and he will never forget how she fixed him for the best.
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21stc3nturyd1gitalb0y · 10 months
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Hellooo! How do i make patches? I want to make some very badly but I have no idea how to make them
the only things you really need are scissors and fabric! other things like glue, tape, thread/floss, needles, hardware (any kind of chains, safety pins, added objects) are great but optional.
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i start by cutting the shape i want from my fabric. this can be any scrap fabric; canvas and denim are good if painting on a flimsy layer bothers you, but a thinner or silkier fabric may help you achieve more detail and a cleaner look. depending on your fabric, you may need to seal edges with glue so they don’t fray.
i use masking tape to secure the fabric to a surface as i paint it, and then freehand my design. you can also sketch out more complicated patterns with a white jelly roll pen, but i am lazy and usually don’t. i do touchups with black acrylic paint since my fabric is black.
hope this helps :)
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cant-shake-it · 8 months
Text
How to Make a Printing Screen from Home
I wanted to share a quick cute little tutorial for how I made my own screen for making patches (and other things that don't require exact measurements). Cute lil how-to under the cut >:)
Disclaimer: I have absolutely no idea what I'm doing at any given moment. There could be a better tutorial out there for you. I'm just guessing for a lot of the things I do and this is no exception. With that out of the way:
THE SUPPLIES YOU DEFINITELY ABSOLUTELY NEED:
a small/medium canvas (depending on what you have and how big your design will be)
paintbrushes
a tight-woven sheer fabric (preferably not stretchy and STRONG)
a fine-tip pen
water-resistant gloss of some kind (mod podge works, but make sure it's a waterproof kind if you want to make more than one print)
paint that won't come off in the wash (acrylic/spray paint work)
good strong tape
a good sturdy card-like thingy
an easy/cool design for your print :)
THE SUPPLIES THAT ARE RECCOMENDED BUT NOT NECESSARY (aka things I like to use):
a good canvas fabric/thick cotton for printing on
fabric paint (will stay on the fabric best duh)
a 1/2in, 1/3in, and fine tip paintbrush for details (depending on your design)
some company for fun :)
Alright, so first you'll want to figure out the design you want to print out and get a good sketch over it. I'm a detail freak so I like sketching out my design then going over it in a black pen. The ideal is hard contrast and clear and discernable lines/fill-in spots, like pictured below:
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(Note how I emphasized which spots were to have thicker lines, which parts of the stripes were to be printed, etc. I tried to think a lot about which portions I wanted to show up on the finished design and how they would look on the fabric as a whole.)
So you've got your design. Great! Next step is a fun one: Grab a canvas you are willing to part with (this one was a painting I made when I was 16. I hate it), and rip all the fabric off of that fucker!! If you pull off some staples in the process, don't worry. Just make sure you can retain the shape of the frame, since that's the part you'll need to keep. You don't need to take off every single bit of the fabric, but as previously stated, I'm a freak, so I did. You'll come out with something like this:
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For the next steps you'll need a good pair of scissors as well as your pen and your sheer fabric. You're going to want to set the frame on your fabric and cut about an inch and a half around it so there's extra to wrap around the frame and tape down. You can draw a guideline for where to cut if you want, but once again, I'm a freak:
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Now lay the front of the canvas frame (the part without staples on it) face down on the fabric and grab your tape! Now we're going to tape down each end of the frame so the sheer lays taut on the frame. I like to put one or two strips of tape on the ends parallel to each other and pull them tight, then do the same with the other side, then continue adding tape until the whole outside of the frame is covered. See below:
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(Note: your goal in this step is to stretch the sheer as tight as it can comfortably go so there are no wrinkles or depressions in the fabric.)
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So now you have you're frame. Fuck yes!!! Go ahead and grab the design you came up with as well as your pen (you can use a pencil too, but the pen shows up much better through the fabric so I definitely prefer it), and put the frame front side down onto the sketch.
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If you're worried about keeping the frame steady, feel free to tape the frame down and go ahead and trace over the design with your pen. Make sure to fill in all the dark parts enough that you can differentiate them from the light parts.
Once you have your sketch copied to the frame, now you can grab your gloss!!! Hurry!!! You're almost done!!!!
With this step I like to start big and go into the details once all the larger portions of the sheer are covered. Pretty much you're going to paint over every part that isn't the black of the pen with your waterproof gloss. This ensures that once you start printing, the only parts that are going to bleed through the fabric will be the black parts that weren't painted over with gloss/varnish/mod podge/whatever you used as long as it's waterproof!!! Take all the time you need, it's not a race. Once you're done and the gloss has dried, your screen is going to look something like this when put up to a light:
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Now that this step is over with, congratulations - you have just made a mesh screen!!! Keep reading to learn how to use it lol
So for the patches that I make I just went with black and white paint, and black and white fabric to keep it traditional, but you can use any colors of paint and fabric you want, truly! The world is your oyster! I do not care! That being said, we're keeping it simple today.
Grab your screen, a piece of fabric that can cover the design and leave at least an inch of space around it, and a surface you won't mid getting paint on on accident. You'll also want to grab that card-like thingy for this as well. It can really be anything that can provide a sturdy, even pressure across the screen consistently. Go ahead and pick up that fabric paint too, I guess. We'll probably need that.
At this point, this is what your workspace might look like:
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Next up you are going to center your design onto your piece of fabric-
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-and grab your fabric paint. put a thin little stripe over the top (start slow and add more - as you can see I added a little too much and kinda fucked up my design) then grab your card thingy. Make sure you have even pressure on it and swipe it down at a medium speed so you're dragging the paint down the screen:
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Once you've got everything covered I like to go over it a few more times for even coverage. Then you pull it up from the screen (which you might want to rinse off so no paint sticks to it!!!), wait for that bitch to dry, and you're done!! Congratulations, you have your very own fun silly patch! Go sew it on something! Or not! I do really do not care!!!!!!
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sleepingdeath-light · 11 months
Text
wally + painting as foreplay hcs ; 18+
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requested by ; anonymous (19/06/23)
fandom(s) ; welcome home
fandom masterlist(s) ; sfw | nsfw
character(s) ; wally darling
outline ; “nsfw request (from an adult! haha) for more of Wally and the painting foreplay from your last post because I absolutely love the idea and I’m curious about the details!”
warning(s) ; sexually explicit content, referenced sexual intercourse, use of painting as a form of foreplay
note ; block the tag ‘playfellowxxx’ if you don’t want to see nsfw content for this fandom — clown created it for this specific use haha
additional note ; if anyone can guess what the third method is a reference to then you get a cookie
minors and ageless blogs will be blocked
wally is, before anything else, an artist — painting is practically in his blood — so it’s no surprise that this passion of his would make its way into the bedroom
there are a few ways that this tends to manifest itself so i’ll go through them in order of likelihood
the first is that it’s a painting of an erotic pose/outfit that turns into something more involved
typically this begins with him being solidly behind a canvas and viewing you and the scene you’re apart of through the lens of artistry rather than arousal
of course he finds the sight appealing and attractive on principle — it involves you after all — but the intention is innocent enough so his mind is centred on mixing acrylics and sketching shapes and the like
he’s mentally breaking you down to your components rather than seeing the whole picture: the curve of your throat, the swell of your thighs, the strain of your arms and the array of toys and gear that surround you
light and shadow and shading and colours and his hands are covered in paints and there’s some on his face… his hair is more black than blue, even
and he’s not going to be thinking about sex unless you invite him into the scene or mention wanting to see the painting close up
even then it will take him a minute since his mind is elsewhere, but after that he’ll start to appreciate the full picture in a much more active (and enjoyable) way for you both
the second is done through him painting you whilst you’re being pleasured or pleasuring yourself
whether it’s by instructing you to masturbate or using a remote controlled toy, this method will involve him trying to depict you in the throes of pleasure to the best of his abilities
he thinks you look absolutely stunning when you’re getting off and he wants to be able to capture that moment in paint and pencil — which, of course, means that there will be more than one attempt needed for him to get it right
this time he’s not oblivious to the eroticism of the situation and is instructing you on what to do in a calm and gentle voice — praising you for doing so well as he always does
‘hmm… spread your legs a bit wider please, dear,’
‘now, now, don’t muffle yourself — i promise you’re not distracting me,’
‘hmm… i’m not sure if i got your eyes quite right. would you be okay with trying that again?’
he’ll show you each sketch and painting after the fact whilst he helps you come down from your climax
talking you through the techniques he used and pointing out things about you that he loves through the art piece
and, of course, he’s more than happy to reward you for a job well done — which is what leads to some more active commentary on how much he appreciates your body, your words and, well, just you in general
the third, and final, way that painting is used as a type of foreplay for wally would be him painting your body like it’s a canvas
this would rarely ever happen because it just wouldn’t be something he’d think of doing — so you’d have to be the one to propose it
he’d probably struggle a bit with planning and fretting over the logistics of finding body safe paints (especially if you have sensitive skin)
but once everything is sorted out he’d probably get really into it in the moment
he’s printing the natural world onto your naked body and he’s being so gentle and focused as he does so
petunias and forget-me-nots and baby’s breath and lilies and roses and lavender and bluebells and daisies and so much more
each one with its petals painted heavy and thick with it’s stems brushed faint and thin — decorating and complimenting every dip and curve and scar and stretch mark that made your body your own
he’s humming some song or another as he makes his way further and further down: from your lips and cheeks, to your throat and chest, down your stomach and back, along your thighs and calves before ending at your sex
by then you’re a breathing work of art and the sun is warm and low and he’s looking at you like you were one of the beautiful blooming flowers that now decorated your skin
and you kiss him and he kisses you and you make love
the artwork gone — smudged all over your faces and bodies and the blanket beneath you — but it’s impact permanent
a memory, a moment, an emotion
then nothing went to waste — not even as you carry yourselves up to shower together and are intimate once again and you feel and see the paint (in a mixture of other things) washing away down the drain
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Napoleon Crossing the Alps , painted by me
Start Date: December 22, 2022 approx. 21" x 17" , acrylic + dry watercolour paint , on the back of a cardboard lego box
( art process + close ups + catpoleon in the keep reading )
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Day 1 stuff
The idea actually started in my history class after my final exam, I sketched Napoleon Crossing the Alps in my history notebook and showed it to my teacher and he liked it so :D I also had a fever while painting this bc my immune system SUCKS but I'm okay now! ( i think?). Funny story, if you look at the picture of my art layout on my bedroom floor, the paints that I used were the watercolour tube thingies that you are supposed to mix with water but I thought they were acrylic so that's why it came out a different texture. So if you actually touch the painting, his face is softer than the rest of the painting, which is pretty cool thinking back on it. This was my first time painting so I didn't have a set up or anything so I just took the floor as a space :0) I also finished a base layer of paint the next day
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Face close up
I'm actually really proud of the face because it somewhat resembles him... i think. The hardest part was the area around his eyes since the colour always came out too dark or too saturated and stuff. This was the part I used watercolour paint for on accident so I was able to just smooth it out with my fingers and I ended up practically finger painting the face. Also i practically bs-ed the nose and the mouth. I didn't know how to draw either of those things because my former art style was very anime inspired so I would just draw a line and call it a day. I still haven't gotten down how to draw a mouth or nose but it's fineeee
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Shiny Jacket Things (idk what they're called)
THESE THINGIES ARE THE BANE OF MY EXISTENCE– literally in the painting, their location is kind of vague so I practically came up with my own pattern. I'm not even sure if I painted this correctly. I started with a yellow but it didn't look shiny enough. But literally a week later I found metallic acrylic paint which is AWESOME so I used a copper colour over the yellow and then added some white for the shine. If i ever paint Napoleon again I literally might just not paint these.
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The Cockade
I'm actually really proud of this! This was on the day I found my metallic acrylic paint. I actually did each colour separately so I started with red, then blue, then white, then yellow. The hardest part was painting in the shadow of something that wasn't even on the canvas yet haha. Even though it's not shiny in the painting, i wanted to give it some luster to stand out against the plain black hat so I lightly went over some areas with my metallic paint :D
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CATPOLEON >:D
I made the ears in the colours of the french flag on purpose hehe. So i was in my room doing homework and being bored and I thought to myself, what would cheer me up? And the little voice in my head said to put cat ears on Napoleon so I did it !
Final Thoughts: I think I did pretty well for my first painting! I had literally no idea what I was doing and honestly I think there's something wrong with my paint, but I literally got them at a craft store so that's probably why. Next time, I will not drink the paint water out of curiosity and I'm not gonna paint on the floor since I got paint on my floor. But overall, I'm proud of myself and that's what really matters :D hope you all like it too!
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ellisphantart · 10 months
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"This isn't what I meant when I said 'come to bed'." By me, 16 x 20cm, acrylic gouache on canvas paper.
This was a fun colour study I did around this time last year. It's been the hardest painting to photograph so I included some detail pics with a bit of enhancement so you can get an idea of the amount of colour I actually used, especially around the shadows. Also, painting the canvas black so that your shadows are already there for you? Incredible technique, 10/10 would recommend.
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tzaraat · 9 months
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Thank you for answering my previous ask. I’m getting into drawing/painting - What would you suggest for someone interested in starting oil painting? Like, videos/books/general tips? Sorry for an annoying big question like that, I’m just a little lost and wary about wasting materials
first of all, good luck, i hope you have fun :)
second of all, this is not authoritative - just what works for me, and i don't have formal training. another disclaimer is that i am not personally too concerned with archivability, which means i am unbothered by the idea of my paintings and drawings warping and degrading over time.
the actual advice is under the cut.
supplies:
oil paints are expensive. if you know someone who used to paint, or still does, and can give you their old stuff - that will be the most economical (and most convenient) way. if you don't have something like that, i recommend going for cheap, but decent-quality materials. get everything at a small-medium size, it will last you a relatively long time - and replace things as needed.
linseed oil and turpentine (mineral spirits also works) are gonne create your medium and let you clean your brushes. go to an art store and get a container of each. i have half-litre containers which i have been using for the past 3 years and are not yet done. you don't need to replace them that often.
paints
if you already paint in another medium (acrylic, gouache, watercolor, etc), and have a base of pigments you're comfortable working with - get the equivalent oil paints. try to narrow down your list - 5-10 pigments.
if you are on a limited budget, get a basic kit - one of those 8-tubes in a cardboard box things. make sure you have a dark blue and a dark brown in there. you don't need black. i would aim for something with two blues, two browns, two yellows, two reds. also get a tube of titanium white.
if you prefer picking individual pigments and don't know where to start, these are basic ones i like:
titanium white, burnt umber, raw umber, yellow ochre, cadmium yellow, cadmium red, magenta, prussian blue, cerulean blue. you don't need all of them, just make sure you have at least one from each color family, and that some of them are dark.
get 37ml tubes at the largest. if you like it and run out, you can replenish your kit. most people use white a lot - get a larger tube of that one, or two small ones.
my main pallette is this one: titanium white, burnt umber, raw umber, burnt sienna, raw sienna, yellow ochre, cadmium yellow, lemon yellow, naples yellow, cadmium red, alizarin crimson, magenta, ultramarine blue, prussian blue, phthalo blue, cerulean blue. if you buy all of these at once, they will cost a fortune. don't do it unless you're super rich or someone else is paying. acquire paints over time.
substrates
the common substrates for oils are canvas or wood. that said, you can paint on other things - paper, glass, metal, whatever - you just need to prepare them first.
i paint a lot in my sketchbook. this isn't necessarily a great idea unless you can predict how long it takes for stuff to dry, and other things of that nature.
regardless of your substrate, if you are just beginning, aim for things around the size of an A3 sheet of paper. this is large enough to give you space, but is not overwhelming. you can go a little smaller, but - at least at the beginning - no smaller than A4.
if you already have a preferred size of work, or once you get the sense that some size is the most comfortable for you, go for that one. i'm usually a large-canvas artist, but those are hard to fit through the door. i know people who rarely if ever paint or draw anything larger than an A4 sheet of paper. your mileage may vary.
because you will be preparing your substrate anyway, this can be the place to cut costs. high quality substrates are nicer to work on, and are better for archival purposes - but you can paint on anything, shitty canvas included. try to get non pre-gessoed canvas, though.
if you get paper, default to something relatively heavy. 300gsm is standard watercolor paper weight - if you're going to be oil painting, and you don't want it to warp, this is the ballpark. don't get high quality watercolor paper if you're gonna paint with oil or acrylic though - get a different heavy paper.
if you want to work on an unprimed substrate, test it before you begin. if you work on a porous one, like wood or paper, the oil will seep in. if you work on a smooth one, like glass or metal, you might have to rough it up so the paint adheres. in any way, this is not great for longevity - but you don't have to care sbout longevity.
gesso
get white acrylic gesso. not a huge container, unless you're gonna be doing it a LOT. also get a large, square brush, like for painting houses - this is your gesso brush. it's ok if it gets kind of shitty over time. if you are bothered by textured substrates, also get some sandpaper.
if gesso is too expensive, or you can't find any, get white acrylic paint. it will do the same job. get something cheap.
brushes:
if you already paint, use those (or buy doubles, if you don't feel like washing brushes all of the time). if you don't, buy some that are sold as a set, they tend to be cheaper. get decent quality - you don't want them shedding on your painting all the time.
clean-up:
get a rag, your turpentine or mineral spirits, and an all-purpose soap bar (the kind that's good for stain removal). don't pour stuff down the drain - you're using toxic materials, and oils clog up pipes.
general:
you'll need rags and a few jars.
get a pallette - can be any flat, smooth surface. i used to use a bath tile i picked up on the street. now i use the surface of my desk. you can use anything, just make sure it's large enough.n
the process of painting
priming and preparation:
if just acrylic gesso: with your big brush, spread gesso to cover the canvas, preferably with your strokes going in one direction. try to create even coverage. i usually do two to five layers, letting the gesso dry in between my second layer has brushstrokes perpendicular to the first. the texture will be somewhat plastic-y.
if ground: mix gesso with modeling paste. spread evenly across the surface with a brush, using the same perpendicular layers as when using just acrylic gesso. smooth between layers with the edge of a razor. the texture should resemble an eggshell.
if you're very traditional, you'll make and use a rabbit skin glue gesso. that is far too expensive for me.
gesso typically dries between 30 minutes and an hour. leave it to dry COMPLETELY before painting - you don't want moisture getting in your paint.
for general preparation, fill a jar about a fourth-or-third of the way with linseed oil. fill another jar with your turpentine. lay the paints on your pallette - i like having them around the edge, with similar pigments grouped together. you do whatever is comfortable for you.
open a window! you're working with toxic materials, and solvents fume. ideally, don't do it in your bedroom. (i paint in my windowless bedroom. do as i say, not as i do).
oil painting- general notes:
most people paint with a mixture of oil and solvents. if you want to create a medium, mix linseed oil with turpentine. use more oil than turpentine (2:1 or 3:1 ratio, usually, depending on many factors, just play with it until you figure it out).
i personally use linseed oil almost exclusively, and reserve turpentine pretty much only for underpainting and cleanup. the downsides are that it dries relatively slowly and that it yellows easily. the upsides are that i'm used to this method and that oil does not fume the way many solvents do.
many people will tell you you should paint fat-over-lean, thick-over-thin, slow-over-fast. all three "rules" serve the same purpose - they try to make sure that, as the painting "dries" (oxidizes) and its surface deforms, it does not lose structural integrity (e.g. by cracking). the main principle is that, if you work in layers, you want your top layers to remain flexible as the bottom layers dry. "fat" paint means paint mixed with oil or medium. "lean" paint means paint with solvent mixed into it. fast-drying pigments include most earth tones, slow-drying pigments include most jewel tones.
oil painting - common techniques:
many people paint alla prima. this means your painting does not dry between layers. your initial layers should be loose, thin and lean - ideally semitransparent washes. the top layers should be the most vivid and opaque, with the most tonal range - highlights and deep shadows go last. working alla prima, you also have the option of taking paint away from your canvas - don't be afraid to experiment with scratching it with the blunt end of your brush or with a pallette knife. account for mixing on the canvas by making the color on your pallette more vivid, and load the brush heavily.
if you let your painting dry between layers, there are many classical techniques. mix and match between those as you see fit. you can use as many or as few layers as you like.
regardless of specific technique, people usually go through these stages:
graphic layer - this is the process of establishing your drawing on your substrate.
underpainting: there are many styles of underpainting, like imprimatura, verdaccio and grisaille. for imprimatura, you apply a wash of colour (in a warm earth tone) to the canvas, then rub out the light areas and darken the shadows. some add white for the highlights for a fuller tonal range. for verdaccio, the monochromatic underpainting is done in a greenish/yellowish grey (mixture of black, white and yellow pigment). in flemish painting, a verdaccio layer is done (usually in tempera) over the imprimatura background, and neutralises it. in grisaille, the painting is fully rendered in a neutral monochrome (unlike the warm imprimatura and greenish verdaccio), including fully developed highlights and shadows, and detail work.
color: color layers may fully cover the underpainting, or be transparent enough to allow it to it show through. usually, more opaque color is applied for highlights, whereas shadow areas reveal the underpainting by being relatively transparent.
glazes: transparent layers that tone the previous, more opaque ones.
in principle, oil paints tend toward some level of transparency. usually, the very surface of the painting will be primarily a transparent film - with the pigment sitting at the bottom. glazes explicitly utilise the transparency in order to create depth and luminosity. the process of glazing is similar to that of watercolor painting.
wait for the painting to be dry to the touch before applying the next layer.
after your painting is completely finished and dry (this can take a very long time), a varnish can seal and protect it.
ON THE USE OF BLACK: some people prefer using a black pigment, like ivory black. personally, i mostly use chromatic black - a mix of dark blue and brown, which creates the effect of black without use of black pigment. i prefer this way because it allows me to easily change the tonality of my black tones, and push them towards blue or red as i see fit. a mix of prussian blue and burnt umber creates a very deep and versatile black tone.
cleanup:
wash your brushes in the linseed oil, then dry them with a rag. wash in turpentine and dry with a rag until they no longer leave a stain. now get a jar with water and your all-purpose soap bar. clean your brushes using soap and water until completely clean. leave them to dry. do not use brushes which are not yet fully dry for oil painting.
close the jars containing your linseed oil and your turpentine (and medium, if you made some). unlike with watercolors, you do not need to replace your oil once it gets dirty. the pigments sink to the bottom, and you can later use them for glazes and washes. do not pour the water down the drain. it is your choice how to dispose of waste - personally, i wait until it gets too dirty, then evaporate it and get rid of the solids alongside any pallette shavings i may have.
if you still have fresh paint on your pallette, and are not going to be using it soon, you can store it in a box in your freezer to keep it fresh. if that is not an option, store it in a cool and dark place, like a cupboard. if you take your paint out of the freezer, make sure there is no condensation on it when you start working, so that you don't introduce moisture into your oils.
it is generally speaking a good idea to try and avoid getting your hands dirty with oils, because some of the pigments are toxic, as is turpentine. it's at your discretion to decide how much you care about that. i work with my hands a lot and don't care. conversely, i have friends who glove up.
resources:
i don't really watch youtube videos on painting, because most of the popular channels annoy me. if you want to learn a specific technique, there are good videos out there - they usually have less than 10000 views.
as for textbooks, i go for ones that get into specific artists' methodologies. alternatively, research papers. there are also useful books from academies, that have exercises in them.
experimentation is crucial for learning a medium. use it a lot. it's ok to waste SOME materials - it's very likely your first pieces will be kind of bad.
if it scares you to work on a designated canvas, say it's a sketch in preparation for a different painting. prime it roughly, and set yourself a time limit. you can always paint over a pre-existing painting. it's fine.
if you want to paint realistic works, you will have to also practice your skills of drawing and of observation. i'm always a proponent of working from real life rather than from an image, though of course it's a legitimate and enjoyable technique. i also like working from video reference and moving models, but that can be hard for some people.
if you want to paint abstract works, experimentation is your friend. familiarise yourself with the intricacies of the paint and its application, and play with it and your substrates. work a lot on your compositional skills. train your eye to decide what you like and dislike by metrics independent of how much a piece visually represents any specific object. express concepts - philosophical, emotional, visual, whatever - through abstract forms. get really into color and light.
if you have any other questions, feel free to ask. i can't currently think of anything else i would go over before starting to paint. just please don't kill your entire paycheck by buying supplies, there is always a good chance that you can get something for cheap or for free by just asking around or experimenting. there might also be programs around where you live in community centres or something where they teach painting, who will let you maybe borrow materials or something. if you can worm your way out of paying, by any means that don't get you in major trouble, that's better.
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joan1998 · 1 year
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alexander mcqueen a/w 2001 "what a merry-go-round", backstage photos by martina hoogland ivanow. makeup: val garland. hair: guido. styling: katy england.
FACING THE DARK ARTS WITH VAL GARLAND 
“The collection was an exploration of the sinister side of childhood. Lee (McQueen) took his inspiration from the 80s US slasher film Child’s Play by Don Mancini. Much like the clothes, he wanted the hair and make-up to challenge people, so we created this extreme beauty look that transformed runway models into these macabre clowns. Nobody else but Lee would have dared to do this. I felt like we were part of history in the making.
We needed girls that could be used as a blank canvas with simple features and a strong bone structure. Acrylic makeup wasn’t available back then, so I used thick theatre paints and blanked out the entire face, then drew thick black graphic patterns around the eyes, nose and mouth to convey this idea of a menacing clown. I remember Lee examining the models and saying, ‘let’s push it further, let’s do more!’ He never wanted to play it safe.
There was an enormous amount of energy backstage at the show that day, as there always was when Lee was around. He always put himself under lot of pressure to achieve something new and meaningful, and we all wanted to go that extra mile for him. The stark, shadowy lighting made the hair and makeup seem so much more intense and I think that’s captured on camera here – these images capture the darkness of McQueen.”
via dazed
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ranarh · 6 months
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Asleep
"Asleep", acrylic on paper mounted to canvas board, 30×40cm. A repaint of an Inktober piece. I have done several of those lately, as I find myself thinking in colour so much that I typically know exactly which colours a black and white image is supposed to have. That can be an issue for monochromes; I love using colour and wanted to paint a few ideas I had during these challenges. I considered drawing them again, especially when there were small mistakes in the drawing, but for now have been perfectly happy simply painting over them. Maybe I'll come across some in the future that I like enough as a drawing to keep them - I did once when I wanted to paint larger than the ink drawing. Anywho, this was originally created for the prompt Sleep and drawn with ink pens and markers, then mounted to board and painted in acrylics, using them in a watercolour fashion, I especially loved the bloom effect of the strong spotlight from above on the guard's armour. You can read a longer walkthrough in my art blog, https://wordpress.com/post/jenniferslange.wordpress.com/765
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k00293613 · 3 months
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Movement
Moving on from the silhouette idea I traced a silhouette of elvis and put it on a canvas board with acrylic black paint and a steady hand . I was inspired to do this as I stated previously I could not find any Knick knacks or memorabilia with elvis as when I was growing up it seemed as bits and bobs of elvis were everywhere especially with this depiction of him holding the guitar .
Maybe he really is cancelled and I’ve just missed the bus or maybe because he is being cancelled super fans and collectors are swooping it all up .
Either way I’m going to frame this and give it as a present
I wanted to add his signature to bring him back to life into 2024 signing an autograph
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If I have some extra time I might make more of these as I have the tracing and from playing around with some filters on here I am getting more ideas
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notforthebin · 7 months
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Three Times Out (Hugh Lane)
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Andy Warhol, Mao, 1972. Acrylic, oil and silkscreens on canvas. 208 x 163cm. Luckily got to see the new exhibition Three Times Out in the Hugh Lane Gallery Dublin City yesterday on the second day of the opening. Before visiting the exhibition I definitely knew about Warhol but hadn't had any major knowledge about him in regard to his work and works outside of his Marylin's and Campbell Soup cans - So this was a huge eye opener for me. The exhibition opened with his floating Silver Clouds - but what fascinated me most was the next entry room of his sketchbooks. They resonated with what I see a lot of the time with artists sketchbook's, which for some reason surprised me because I had had this view of the artist that he was just someone who had a lot of people make his work for him in a factory consumer type setting. These pages were filled with beautiful fine line ink drawings sometimes - containing blasts of colour which stained parts of the page. This room was by far to me the most authentic and interesting. It's like looking into how everything started for him and what kind of artist he was maybe before some if his work became tainted by perhaps what the public makes of it and critics ideas. The exhibition proceeded into his screen prints and some of his most famous works including those he shared with Jean Michel Basquiat which were amazing to see in person - mostly because I wasn't expecting it and for the fact that I knew and appreciated Basquiat's work much more before visiting Warhols exhibition. One of the works which I adorned over was their collaboration Lice, (unknown date). It was a small perhaps, 8 by 10 painting/screen print collar of the two artists depicting a lice which seemed to have been a reoccurring theme within basquiats work - using these teeming insects as a metaphor for people or perhaps the culture of capitalism at the time (1950s).
A huge subject being put forward throughout the exhibition about Warhol seemed to be his mixture of the subjects - Disaster, beauty and celebrity. All in all, there seems to be a huge enigma around him - I still haven't made up my mind about him and his intentions as an artist but all I can say is that his works and the themes he deals are within a huge pool of political, aesthetic complexities and pop. I think his personality or ambitions got him where he needed to be to create the work he was and after he got there - the name Andy Warhol and his work took on a life of his own which he tried to contain but it was too late. I think the work he made was the product of the society and politics of the time. Artists are deep people who divulge in all aspects of the world in order to create some form of understand visually for people - this can be a heavy load.
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Andy Warhol, Kiss, 1964. 16mm film transferred to video (black and white, silent) 55 minutes.
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paintingzen · 9 months
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Watercolor Painting For Beginners
Unleash Your Creativity: Acrylic Easy Painting Ideas For Beginners
Are you ready to dive into the world of acrylic painting? Whether you're a complete newbie or have dabbled in art before, Acrylic easy painting ideas offer a fantastic avenue for self-expression and creativity.
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Don't be intimidated by the blank canvas in front of you – with a bit of guidance and inspiration, you can create stunning artworks that reflect your unique style. In this article, we'll explore some easy Watercolor painting for beginners to get you started on your artistic journey.
Supplies
Before diving into the painting inspirations, it is vital to have the right supplies. Acrylic paints, brushes, canvas or paper, and water to mix and thin your paint are all essential.
You can also purchase pre-made beginner paint kits with all the essential materials to help you get started.
Underwater World
One of the easiest acrylic painting ideas for beginners is painting an underwater scene. Start by picking blue and green colors to create the ocean's depth. 
The trick is to start lighter and blend darker colors to create gradient effects. After creating the sea background, add sea creatures. You can use sponges, brushes, or even your fingers to have fun and add texture.
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Galaxy Painting
Galaxy paintings are simple yet stunning. Stir black with a bit of blue to create the night sky and splatter white and yellow dots across the canvas.
You can also use a sponge to add more texture and depth. Mix white, blue, and even a little red to create galaxies, and use a toothbrush to splatter them across your painting. The stars will make it easy to add contrast to the painting.
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Sunset Landscape
Using red, orange, and yellow color acrylics to create a beautiful sunset paintscape. Start with a lighter color of yellow to paint the sky and work downwards to create the sun using darker shades of each color.
Once you've finished the sky portion, use a different texture and technique to add the foreground. You can use sponges, brushes, or even your fingers to add depth. Add foreground trees, mountains, or hills to create depth and perspective.
Flowers
Painting simple flowers is a classic and Easy watercolor painting idea for beginners. Start with picking one color, usually pink, for the flowers.
You can use a realistic approach and pastel colors and shading to create depth or use bright and vibrant colors of choice for a more fun vibe.
Using small strokes, make petals with the darker paint color and carefully add highlights to the petals. Do this for many flowers to cover the canvas's whole area.
Conclusion:
Easy trippy painting ideas are an excellent way to unleash creativity and express your inner art. Even if you've never painted before, starting with simple ideas is the best way to start.
These inspirations will get you started on the right foot and help you explore the vast world of acrylic painting. It's essential to remember that art is a way to have fun, so be bold and experiment with colors and techniques.
The possibilities are endless with patience, practice, and the right painting supplies.
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creativinn · 1 year
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Braille puzzles to tactile paintings: this Chennai art exhibition has an inclusive display - The Hindu
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Tactile tigers, sculptures that sign, and a Braille puzzle on a canvas. 
At Apparao Gallery today, accessibility leads the conversation, for artworks - some interactive - by 10 artists with disabilities that occupy the otherwise conventional gallery space that Chennai’s collectors frequent. An abstract, panelled work and realistic portraits of the national animal of India, complemented by an experimental series of acrylic flora that spills over canvas frames, kickstart the display that do not follow a narrative per se. Mediums are aplenty - from acrylics and clay to paper and cloth make an appearance through canvases that hope to catch the collector’s eye. Dubbed a sensory art exhibit, the display hopes to cater to senses other than just sight and in essence advocates inclusivity even from a viewer’s perspective. 
The artists who mostly hail from Chennai and Tamil Nadu are part of Kai Rassi, a not-for-profit organisation that leads vocational art programmes and creates inclusive spaces for artists with disabilities. And this marks their fourth formal exhibition. As the display opens, each of them stands guard next to their respective artworks, eager to fill the audience in on their idea behind each concept, while busy interacting with fellow artists who they share space with. For founders Divya Rao, Kadambari Narendran and Indira Reddy, the display is meant to be more than just ‘disability-driven’. Divya says, “Then, the buyer who comes in is not looking for anything more than just donating money. We wanted to change that. We wanted to make them aware that they are also getting something beautiful in return.” The idea is to make galleries want to collaborate with each of the artists in an individual capacity.      
Midway, a series of 11 clay sculptures fashioned by students from the Mary Clubwala Jadhav School for the hearing impaired, makes for an interesting break in the narrative. They make one pause, and pay attention. Each sculpture is a hand mould with the imprint of each students’ hand. They depict letters from the American and Indian sign language, paired with pictures of students signing them, and read “We are Hear”: a witty take on the very disability that ostracises them. Visual artist Shreya Chajjed who led this particular project says, “They were really excited about the medium, and went about it very smartly. We rehearsed with them before making the final models.”   
The showstopper perhaps is the work by UK-based, partially-blind artist Clarke Reynold, accompanied by leaflets with patterns that denote each alphabet. The viewer can use this leaflet as reference to interpret the words on the canvas. The takeaway is the message. The collaborative work is put together through a virtual workshop with students from Lady Andal IB, Yein Udaan and girls from Prem Vihar.  
One of the works on display | Photo Credit: Special Arrangement
Aishwarya is elated. The hearing and speech-impaired artist, who specialises in many mediums of painting, has worked with fine paper-cutting this time. The delicate, concentric circles which are sometimes embellished with gilded paper, takes her nothing less than a week of work. As for Lokesh whose penchant for animal forms has been established through his acrylic works, made signs to the interpreter who translates, “The national animal of India has always fascinated me. Sometimes, I see photographs of these big cats and try to trace them onto canvas.” He points to a black-and-white series of canvases with bulls in motion and says, “But when I think of Tamil Nadu, bulls come to mind.” He is hearing-impaired.
For Anthony, who has been a carpentry and art teacher for the past 34 years with a special school in the city, art equals functionality. The unusual canvas frames on which acrylic paintings of flora spill out, came out of the need to be unique. “I wanted to do something that is a little different, which will look good in a home,” he says.  He had polio as a three-month old baby. An independent artist, he strives to remove the stigma around people with physical and intellectual disabilities. 
Betsy’s acrylic works speak of minute skill. Serpentine shadows fall on a path laden with trees. A tactile version of the work, by Access for All, accompanies the frame. Pavithra’s abstract series is a study on gradation of colours, blue being her muse. Siva’s line drawings on the other hand have already gained him a good following and recognition, says Divya. 
The display will be on till April 2 at Apparao Gallery, Nungambakkam
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