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fooled-around-and-fell · 2 months

Note

your geto fic is super cute 🥰 if you're taking more requests, may I request a sukuna fic please? maybe in an au where he's a gangster and reader is of a classy, rich family so reader's parents don't agree, but then sukuna appears in one of their events in a suit and looking dashing as ever!

ooooooooo it's 3 am but i have to write this down!!!!!!!!!

shadows and silk.

summary: sukuna shows you and your parents that he is absolutely the right and the only man for you (whether they agree or not) genre: angst/fluff pairing: gangster!sukuna x female reader warnings: cursing, modern day au, not a great parent-child relationship, ooc sukuna

Masterlist

-----

your father doesn't even bother to hide his disapproval. "he has tattoos on his face. what if he's in the mafia- what have you brought our family into?!"

"father-"

"i am," sukuna clarifies, "in the mafia. my father is the leader. and one day, it'll be my time to lead."

your parents gasp in shock, surprised by sukuna's brashness.

"that wasn't a threat," he clarifies again, holding your hand. "i love your daughter, and i'd like to have a good relationship with you both. because it's important to her."

you smile appreciatively and grasp his hand, looking at your parents with hope.

"you're fucking insane."

-----

it was probably not the wisest decision to ask for your parents' approval, knowing what kind of people they are. being one of the richest families in the country, it's hard to have... any kind of life outside of what they had planned for you. like a pawn in their game of chess, your choices have been made for you since the very beginning.

unlike sukuna, you grew up "perfect". you aced your piano lessons, easily graduated from your violin school, and got straight As in all your grades. every day was the same for you; wake up, school, extra lessons, homework, sleep, and repeat.

that's actually how you met sukuna. one day, there was something wrong with the traffic so your driver was late. you'd been waiting for an hour, and sukuna just happened to finish his detention.

"hm?" his eyes caught you standing by the gate. "aren't you that rich kid?"

you looked up at him and analyzed his face -- high school student with face tattoos, you don't see that very often. "who's asking?"

"tsk, tsk." he chuckled, "so much attitude for a little person." he ruffled your hair before walking in the other direction. "wanna come? i'm gonna go have some fun."

fun... the word was so unfamiliar to you. you'd never talked to him before, and though it really was probably dangerous to just go with someone whose name you didn't even know, you couldn't help yourself. especially not when he turned around with a smile, urging you to come with him.

he took you to places you've never been before and made you feel things you've never felt. you felt free from your parents' chains, for once you felt like you could do whatever you wanted.

and sukuna was glad he could make you smile. you, the girl who always kept to herself in class, quiet, polite, almost scared. you made him feel things, too.

you got an earful from your parents that day, but the cute keychain sukuna won you from the night market was worth it.

now, the keychain hangs on your favorite bag, one that he also got you a few weeks ago. though you already have multiple designer bags that are much more expensive, the bag sukuna gave you was priceless.

"morning, baby." sukuna greets you, kissing your cheek.

"morning," you smile at him. "i'm sorry for how yesterday went. my father, he's-"

"let him be," he says. "nothing can keep me away from you, understand?"

you smile at his words and nod, "you better keep it as a promise."

sukuna smiles and kisses you, "i swear it."

he wonders what he could've possibly done to deserve someone like you.

-----

"what do you mean i'm getting married?"

your father sighs. "don't be difficult. the gojo clan is the most powerful, you should be thankful they're letting you marry their son."

"but father, i have a boyfriend, and i just graduated college! i- i can't marry, i still have so much i want to-"

"enough!" he yells, "you're marrying gojo satoru by the end of next month and that's final."

you're lucky that you have your own apartment. dialing sukuna's number, you get into your car and drive home where sukuna says he's waiting for you.

"ugh, unbelievable!" you throw your keys on the table, letting it slide off and annoying you even more.

he grimaces and sits you down, handing over a glass of water. "so it didn't go well..."

you sigh, "...they're arranging a marriage. with the gojo clan."

sukuna's jaw clenches, anger evident, but then it disappears. "that makes sense. they are the strongest and the richest."

"they're not giving me an option, like always-"

"gojo satoru is pretty handsome," he continues, "blue eyes, tall, quite built.. he's not a bad bachelor."

you squint your eyes at your boyfriend who seems like he's talking nonsense... or not really. "what are you trying to say?"

sukuna sighs. "we should break up."

the words that come out of his mouth after that are all blurry to you. something along the lines of...

"we've been together for years."

"it's time to get a fresh start."

"aren't you curious what it's like to date other people?"

"i'm getting bored to be honest."

and it all just seems like bullshit. bullshit because why is he looking at you like that when he's breaking up with you? why does he look like he's still madly in love with you and saying all that stuff is killing him?

why does he look like he's lying?

"tell me you're joking."

sukuna, unfortunately, doesn't humor you and leaves you alone in your apartment without saying anything else.

the rest of the month feels like hell. you tried running away from your parents, the guards they sent after you, but to no avail. somehow, they've repurchased your apartment and now you're back to living with them.

you met gojo satoru once throughout the entire month. he's decent, and actually a good guy like sukuna said, but he's not sukuna. he doesn't leave a random flower he picked up on the way to your place, he doesn't shower your hands with kisses when he sees you, and that's all expected -- because it's not supposed to be a loving relationship. it's a contract. once you marry him, your parents' company will merge with the gojos and become even richer.

today's the engagement party. your mother has chosen the perfect red gown for good luck, and she's made all the preparations for the party -- you, like always, never had a say in anything.

you feel like an object for them to trade with. compared to the gold bars sitting in their safe, you're probably worth less.

"i know you also didn't agree to this," gojo satoru whispers as you're both sat down in the middle of the ballroom while everyone else enjoys their meal. "but you look beautiful."

you offer him a polite smile, which turns rather sad. hidden in your sleeve is the keychain sukuna got you. your mother managed to throw away every cherished memory you had of him except for the keychain.

you wonder what sukuna is doing right now... if he's enjoying his life, if he maybe has a new girl by his side...

"sorry to shit on your party," your head snaps up the moment you hear that familiar voice, and a gasp escapes when you see the even more familiar tattooed face with pink hair. "but i'm going to have to kidnap your fiancee for a bit. maybe forever."

"..ryo." you stand up abruptly, letting your chair fall and hit the ground. he's dressed in a white suit, black vest, black shirt, and a matching black tie. he looks like he's ready to be your groom.

giving you the smile you miss most, sukuna stands in front of you and grabs your hand. "hi, princess."

"what are you doing here?" you whisper, tears about to fall from your eyes.

"saving my damsel in distress." he softens when he sees your lip tremble, kissing you gently. "i told you nothing can keep me away from you."

"but you-"

behind you, gojo satoru clears his throat, motioning to the many guards surrounding both of you, ready to pull you two apart by force.

"let my daughter go right now." your father demands.

you grasp sukuna's arm tightly, not planning on letting him go any time soon. in return, he has his arm around your waist, pulling you to him gently before he snaps his fingers, revealing rows and rows of armed men ready to fire.

the guards immediately stand down, obviously outnumbered. they let you and sukuna leave without a fight, and you stop for a second to spare a glance at your parents, looking at you disapprovingly.

-----

you're sitting on sukuna's bed. you've only been to this place a few times, considering he moves around a lot. he's helping you with the infinity amount of hairpins you have stuck in your hair while you take off the red gown you're wearing.

"ryo," you call him.

he hums to acknowledge you, mouth full of hairpins.

"...why did you break up with me?"

taking out the last piece of hairpin (he thinks it's the last), he throws them away before sitting behind you, arms snaked around your waist, his head resting on your shoulder.

"i... i thought i was doing you a favor," he admits, "with my job... it's not easy being with me, you know? i'm scared you'll think i'm a monster for what i do - it still terrifies me."

"so i thought if i just pushed you away, it'll make things easier for both of us," his grip on you tightens, "but it didn't. at least not for me. and i know i'm being selfish here by wanting you back, i know i don't deserve it, but i just... i can't imagine living without you. i'm sorry. i'm so sorry."

you turn around to face him, straddling his thighs and kissing him softly. "if being selfish means i'm stuck with you, then you need to be more selfish."

he grins, arms wrapping around you. "i love you."

"i love you more, ryo."

#ryomen sukuna #sukuna #sukuna x reader #sukuna x female reader #jjk sukuna #sukuna ryomen #sukuna x you #ryomen sukuna x reader #ryomen sukuna x female reader #sukuna fluff #sukuna angst #ooc sukuna #sukuna jjk

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andyoullhearitagain · 3 months

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Top Ten Least Bad Outfits in TNG

I'm gonna be honest and say that the non-uniform outfits in TNG are not my favorite costume design in the world, but there are some looks that stick with me:

10. That Girl Who Kissed Data That One Time's Outfit:

I can never decide if I like this look or I think it's ugly, but I love the pants and tall boots combo. Her blouse is bad and the bouclé jacket is both too heavy and too fussy for this outfit, but I love the belt and suspenders combo, and the chevron embossing on the suspenders. This costume and all the others except #9 is a Robert Blackman design.

9. This Jumpsuit On That Girl From "The Dauphin":

This is the only William Ware Theiss design on this list. I love his TOS stuff but most of his TNG designs leave me cold 🤷‍♀️. But I love this is extremely 80s jumpsuit. Love the pretty drape, love the ruching on the sleeves, love the harem pants silhouette. Only note is that the whole bodice should be a structured corset bodice instead of the kind of odd structured panel it has now.

8. Picard's Shorty Pyjama Set:

TNG is absolutely full of the strangest pyjama choices you can imagine and Picard is no exception but I love this bold look. Would kill for this pyjama set. He also takes a work zoom wearing this one time which is insane.

7. Data's 1890's Looks But Specifically This One With The Shirtsleeves And The Blue Shirt:

The best part of "Time's Arrow" is that Data isn't a fish out of water in the 1890s, he's absolutely killing it, and I love that the only real Casual Data look we get is this one. I prefer the blue shirt to the pink because Data should really wear more blue, it's a nice contrast with yellow. Please also note his emerald watch fob, which was 0% necessary to blend in, he's just having fun with it.

6. 12 Year Old Keiko's Linen Overalls:

The paperbag waist! The bow! The little bows at the shirt cuffs! I can understand why she replicated a miniature copy of this outfit.

5. Beverly and Guinan's Dixon Hill Holodeck Costumes:

I'm counting these as one because they're essentially the same design in different color pallets but what color paletts! Bev is pulling off the very difficult pink+red+red hair and the mint green on Guinan is 🤌. I particularly love how Guinan's hat is so 1940s yet also echos the silhouette of her usual costume.

4. Deanna's Teal Dress:

Like all of you I prefer Deanna in the uniform, but this dress slays, ok? The space age asymmetrical neckline. The drop waist. The structured bodice. The slit almost all the way to the hip. And of course the matching tights and shoes CANNOT BE BEATEN. Also one time I saw a dude on a Star Trek forum call this a "ballgown" which baffles me to this day, this is clearly a slightly fancy day dress.

3. Picard's 1890s Look:

You'd think Picard would go full posh in the 1890s but instead he gives us this working-class Shakespearean director look and he 👏 looks 👏 incredible 👏. Way to mix textures, Jean-Luc.

2. Lore's Turtleneck and Giant Vest:

You and I know that Lore stole these clothes from the Pakleds because we pay a lot of attention to Star Trek costumes, but to a normal viewer Lore shows up and this is just his outfit!! It's giving, like, space-age goblincore and it's incredible. I want wear this oufit every day. I want to make a little doll Lore wearing this outfit to express my love for it. It's only not #1 because the pants are too orange and a strange weave.

Deanna's Ancient West Holodeck Outfit:

Deanna!!! The pants! The hat! The calico! She looks 10/10 hot in this outfit. For sure the superior version of this is before she gives her neckerchief to Worf (it really benefits from that cool highlight) but either way this is the best anyone's ever looked on that holodeck.

#star trek tng #star trek next gen #deanna troi #jean luc picard #data soong #beverly crusher #guinan #lore soong #keiko o'brien #tng #yelling about costume design

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heliads · 10 months

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Can I pretty please request Carlos Sainz x reader where she’s rly shy and gets worried that maybe he wants someone more outgoing but he tells her he loves her any way she is? Your writing is amazing 🫶🏻

anon i love you wholeheartedly please let me speak on carlos

masterlist

You are not who you are supposed to be. There are qualifications for being the girlfriend of a Formula One driver, you’re sure of it, probably even a style guide somewhere if you only bothered to look it up. Perfect hair. Clean makeup. Pretty, but doesn’t try too hard. Willing to give up their whole life to follow one man on mad jaunts across the planet. Wherever your guidebook is, though, you must have lost it long ago, because you have absolutely no idea what you’re doing, and worst of all, it’s starting to show.

You never should have gotten into this position in the first place. That isn’t to say that you hate it, far from it; dating Carlos Sainz is the best thing that ever happened to you, making you the happiest wrong person at the right time to ever exist. In every other universe, he’s probably seeing models or actresses, but here, he has you, and you’re willing to fight off every multiversal version of you just to keep everything as it is right now.

Your butterfly effect was quite stunning, actually. You ended up getting tickets to a Grand Prix through last minute cancellations. They were great, came with paddock passes and all that, and while you were lingering through Ferrari hospitality, Carlos happened to drop by to visit a friend and he noticed you while you were in line to get some water. He’s got the confidence of, well, a world class athlete, an adrenaline junkie, a professional race car driver, and so he introduced himself.

Sometimes, it’s just as easy as that. A father’s cousin’s roommate buys two tickets to a Grand Prix, then a stranger’s roommate’s brother gets sick, and suddenly you’re touching down off a plane overseas and walking through the door of paddock hospitality. You wear red, and you are seen. Just like that.

It took one more weekend before either of you knew that you wanted what you had to last for good. He texted you, followed you on Instagram and blew his cover of seeming cool by accidentally liking a post of yours from six years ago. And, when he saw you again, he knew that he wanted the spark between you to be something more, something like a bonfire.

Coincidence may have supported you thus far, but you don’t trust it not to abandon you. At the end of the day, you are you, you are Y/N L/N, and you are so far removed from Carlos’ world that it stuns you to think that you were even in his orbit so long as to meet him. If there are powers that be somewhere in the universe, they’re either playing a cruel joke or messing around to give you a helping hand.

Hopefully, it’ll be the latter, but truly who knows at this point. As if it wasn’t surreal enough to introduce Carlos to your friends and family as Carlos Sainz, Formula One driver. As if it doesn’t blow your minds that people have started making Instagram accounts just dedicated to posting photos of you and your boyfriend whenever you’re seen out together.

The problem lies in the insanity of it all. You are not from this sort of life, you weren’t born into a silver spoon dynasty and you barely know how to interact with any of them now. You get along with the other WAGs as best you can; Heidi’s lovely, sure, and you were friendly with Charlotte until she disappeared, but sometimes it feels like it’s just you and your boyfriend against the world. Of any ally to pick, Carlos would be your top choice each and every time, but still. The fact remains that he will go out and race and leave you to your own devices, and you lack the extroverted impulses to social climb with everyone else.

This, then, is the main concern. You can pick out whatever designer clothes you want, goodness knows Carlos has offered to buy you anything already, and you can get your nails and hair done before each and every race, but that doesn’t change the fact that you, at your core, are never going to enjoy the paparazzi circus whenever you have to brave it.

It’s just not your scene, that’s all. You’re on the quieter side, happy to spend time with a few key friends but increasingly nervous in large crowds. Formula One is all large crowds, as you’ve discovered; thousands of fans, hundreds of engineers and team members, plus drivers and girlfriends and best friends. So many eyes, all on you. So many voices all shouting over each other.

You love Carlos, though, and you love him wholeheartedly, so you gather up your courage and go to race weekends when you can. Every time Carlos sees you in the crowd, he smiles so widely his friends tease him for weeks, and he runs to you first after every podium and strong finish. You want to be there for your boyfriend, truly you do, you just wonder if all of this should come easier to you than it does.

Also, you wonder if Carlos wishes the same thing. He has been nothing but perfect to you, so the spirals of guilt currently tangling their way through your insides are purely of your own creation, but what if he truly does think like that? Carlos must see the other WAGs, how they shine and sparkle with attention instead of feeling the urge to run. Wouldn’t he want that? Wouldn’t he get frustrated that you can’t be like the rest?

Thousands of girls in the world, and he picks you. You don’t know if it’s sweet or genuinely frightening. He wanted you out of everyone, yes, but he could replace you in a snap, swapping you out like some useless part on his car. There is nothing about you that cannot be replicated in any other girl. Even Charles did it, in a way, got himself a new girlfriend that’s a dead ringer for Charlotte. Carlos has no reason to keep you except for something he knows and you don’t.

The guessing will drive you mad, maybe, but you’ll lose your sanity long before that just trying to keep up with everything in his fast-paced life. You’ve been to prior F1 races, obviously, it’s how you met Carlos in the first place and it’s also how you kept him, but this upcoming weekend is different, this is Barcelona. Carlos is the center of attention at his home race, and every step he takes, a new storm of people is flooding in to ask him for autographs, selfies, anything to remind them that he’s real and right before their eyes.

Carlos doesn’t ask for a whole lot, and he certainly didn’t force you to come to this race, but you saw the hope in his dark eyes when he brought it up oh-so-casually at a dinner last week. You had assured him that you would go there to cheer him on along with the rest of his home crowd, and Carlos had been delighted for the rest of the evening.

You are happy to go, truly, but it’s taking everything in you to keep your smile up in front of the reporters and crowds and fans, and it’s just the first day. All you’re handling right now is qualifying, not even the actual race. In the back of your mind, a voice whispers that it’s only going to get worse from here on out, but when Carlos looks back at you as you wind through the paddock, you just smile and tell him you’re glad to be there with him. You’re here for him, after all, and Carlos is busy enough with race stuff that he won’t want to hear your complaints.

That’s what you keep repeating to yourself throughout the entirety of that day. Carlos qualifies well and is properly pleased about it, as he should be. The possibility of a podium or perhaps even a win for his home race has been one of his top goals for the season, and he’s as close as he can get to it right now. He earnestly talks about it the whole drive back to your hotel, but once you’re back in the safety and peace of the room, the conversation abruptly switches back to you.

Carlos sheds his jacket at the door, watches you flop down onto the bed with a smile on his face, then asks you pointedly, “And how are you doing, amor?”

You smile back at him, the expression trained to perfection after being tested so many times today. “Great! Glad that everything’s going so well for you. I’ll be cheering for P1 tomorrow.”

In truth, you’re tired more than anything. People kept coming up to you all day, assuming that taking a selfie with Carlos’ girlfriend was at least half as good as getting to see him. They gave you all manner of gifts and things to give to him, extracting promises that you’d tell him dozens of different people wished him well. You knew you’d get a lot more attention when you started dating Carlos, but the lack of personal space and privacy at the races is truly unlike anything you’d experienced before.

Carlos has been dating you long enough to pick up on this, apparently, because he furrows his brow and sits down on the edge of the bed next to you. “I’ll be glad to see you tomorrow, but do you want to tell me what is really on your mind? Don’t try to tell me otherwise. I know you, no?”

You sigh, covering your face with one of your arms. Carlos deflects from this attempt to hide by gently pulling your arm away, pressing a kiss to your forehead to make up for it. “Talk to me, cariño.”

You look sorrowfully at him, but when it becomes clear that Carlos won’t let you go until you confess, you give in. “It’s just a lot, I guess. The people and the cameras and everything.”

Carlos frowns. “I can get them to go away, you know that. Why didn’t you tell me earlier?”

You look away. “I just thought you wouldn’t want to hear it. All of the other girlfriends have no problem with it, just me. I thought you’d want me to be more outgoing, so I tried, I really did, it’s just hard for me, I don’t know why.”

When you dare to risk a glance up at Carlos, you’re surprised to notice that he looks genuinely hurt. “Sweetheart, you didn’t think that I would actually be unhappy about that? I just want you to be happy. Don’t think about me.”

You let out a low breath. “I know, it’s just– I want to be like the rest, really. I don’t want this to be a reason–”

You cut yourself off, distracted by Carlos’ hands still wrapped around yours. Carlos picks up on the obviously dropped subject, though, and looks at you with fresh concern. “You don’t want it to be a reason for what?”

“That you would break up with me,” you whisper.

That’s it, then. That’s the truth. If you can’t live with Carlos’ lifestyle, why wouldn’t he leave you for someone who could? It makes perfect sense to you, but judging by Carlos’ expression, that logic couldn’t be further from his mind.

“No, Y/N,” he says, “That’s not right at all. I don’t want to break up with you, like, ever. Not because of this. I don’t want someone else, I want you. I love you, querida. I love the girl who showed up out of nowhere and made me forget about every other woman in the world. I love the girl who shows up to my home race even though it stresses her out because she wants to be there for me. I love you, Y/N. No one else. Just you.”

And, well, in the face of such passionate declarations, who could stand firm in their own self-pity? Certainly not you. You smile and let him kiss you again and again until you can’t see straight, and after that it is better, it is all better. Hearing it straight from Carlos is better than trying to guess at it. It lets your worries finally sink off into nothingness. It’s just you and him, just what he wants. Just what you want.

f1 tag list: @j-brielmalfoy

#carlos sainz #carlos sainz imagines #carlos sainz x reader #carlos sainz oneshot #f1 #f1 imagines #f1 x reader #f1 oneshot #formula one #formula one imagines #formula one x reader #formula one oneshot #f1 carlos #f1 carlos imagines #f1 carlos x reader #f1 carlos oneshot

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thehighladywrites · 4 months

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𝖠𝖢𝖮𝖳𝖠𝖱 𝗆𝖾𝗇 𝗑 𝗁𝗒𝗉𝖾𝗋𝖿𝖾𝗆𝗂𝗇𝗂𝗇𝖾 𝗋𝖾𝖺𝖽𝖾𝗋, 𝖧𝖢’𝖲

summary: being girly in a world full of haters can be hard sometimes! I mean, people hate all the time. but these males don’t let any disrespect towards you slide. They protect you through and through 👀

warnings: fluff, tw:beron😒

amara’s note: this went from being an azriel fic, to rhys and azriel, to batboys, to batboys+lucien and finally all of them. Honestly idc bc i love all of them🤭🤭

Rhysand

Fashion bf x barbie doll gf

I can’t think of anything more cuter than being his doll.

The man does everything for you,

Picking out materials for dresses, designing them for you, working with a private seamstress to bring his visions to life

He knows you best and always supplies the cutest, girliest outfits ever

This man is so attentive and caring, he doesn’t even have to ask what you want to wear, he just knows. It’s like you share a brain

Rhys absolutely loves it when you ask for his advice on hairstyles and fashion choices. He literally goes into designer mode and fixes you up reaaaal nice

When you guys are in the Hewn City, you don’t care, you still wear your pink girly clothes bc who’s gonna say anything to the high lady?

Sparkly accessories, high heels, pretty makeup and cute hairstyles is your trademark.

Rhys loves that you are super girly, he likes the dynamic of him being dark and mysterious and you being bright and bubbly

He protects you like crazy, no one is even managing to say something insulting to you bc rhys takes care or it before the sentence even forms in their mind

Cassian

brooding bf x sunshine gf

This combo is top tier

At first, Cassian might've thought you were a bit too cheery and too involved in yourself. I mean, who else has a massive stash of fragrances, lotions, sparkly jewels, clothes, tons of bags, and enough shoes to fill a closet?

Also, who in the world is that insanely cheerful? There are a million things to focus on, and you're there pondering over matching shades of pink and which bag to wear for the day.

He tries to keep his distance, but you're so inviting and warm that he just melts and falls head over heels in love.

Cassian also falls in love with how much you care for yourself and how adorable you look every single day.

You notice how you’re always seeing him always in plain, simple athleisure or leather. So, you take matters into your own hands and whisk him away for a shopping spree, upgrading his entire wardrobe. Despite his potential, he's been stuck in a rut of black, plain, and boring clothes, and you're determined to change that.

After just a few weeks of being together, this guy has a full-on skincare routine, knows how to coordinate outfits flawlessly so he looks very put together and handsome

He has even mastered the art of silky-smooth hair thanks to you. You've truly leveled him up in every way.

Everyone can't help but notice how much more refreshed and attractive Cassian looks, and it's making you second-guess your decision to help him level up because now, people are hitting on him even more.

Azriel

Scary bf x shy gf

Top tier combo again

No one really knows how such polar opposites ended up together, but suppose they do say opposites attract.

Azriel is stoic around everyone who isn’t the direct inner circle. He lets loose around his found family but even more so around you

Really, he is super comfortable and funny when you’re alone

Azriel notices how soft spoken and kind hearted you are very early on

He is very attentive and your style is actually first thing he notices

The frilly skirts, cute tops, styled hair, cutesy nails and an aura that screamed femininity

He considers his daggers as accessories while you wear cute headbands and ribbons in your hair

Azriel’s fav activity is watching you get ready for anything, whether it be for bed, an event, in the mornings or date nights

He just adores watching your moves, how much effort you put in, the different techniques you use and how you pamper yourself

Pride fills him when he sees how relaxed and put together you feel and look. There is nothing he likes more than seeing you happy with yourself

I also believe az can be traditional and likes the dynamic of having a girly girl mate, or you being all feminine and sweet while he is more masculine and protective

Bro let’s actually talk about protection

No one, I mean absolutely no one, insults you and gets away with it. No matter how snarky the comment, Azriel deals with it.

You’re not as confrontational as him and often hide behind his wings and that makes him even more protective if possible

You always calm him down when someone says something, and he listens to you. If you don't want him to deal with it then and there, he won't ever confront someone in front of you.

Azriel just handles it later, putting fear into people for even daring to approach you.

He wouldn’t do anything remotely scary or frightening in fromt of you. Azriel keeps his work and personal life separate, especially from you

Az couldn’t dream of accidentally putting you in danger, so he never, EVER drags you into his work

You’re not stupid, you know the toll his work takes on him so you are there for him without being too involved, you know how to cheer him up from whatever he is doing behind closed doors

Eris

Arrogant bf x dark feminine gf

Power couple through and through

Eris is canonically extremely well dressed and that makes this dynamic so special

Eris adores splurging on his seamstresses to create matching outfits for both of you.

Best dressed couple in Prythian, hands down

You two are fashion icons, inspiring countless people. People look up to you as their inspiration. Established luxury brands pay you handsomely to flaunt their designs at balls, where all eyes are on you.

Speaking of matching, y’all have matching smirks and cunning mind, and since you’re mates, you have a way of communicating and plotting without anyone knowing

Before, while B*ron🤢 was alive, Eris was ridiculed for having soft hands, clean nails, and good hygiene, which always disgusted him. Why was being clean looked down upon? It disgusted him, knowing that people purposely rather be dirty than clean

Everything got better when you came around and his father passed away. Finally, he had someone who didn't judge him, someone who actually encouraged him to look his best.

You often sit in his lap, plucking his eyebrows as he wears a face mask, his hair pushed back by a cute alien headband.

You often also get manicures, and at first, Eris was like, "This is where I draw the line." But when you suggested just a clear coat and cleaning the nails, he went along with it.

No one knows though. That's the only compromise; I mean, he's still the High Lord, and people can't know he gets manicures. He'd be ridiculed for some stupid macho reason.

Anyways, when it comes to protecting you, no one does it better than him. Not only will he destroy the person with his words but he will blackmail and psychologically torture them. It might seem mean but that’s the price of people not properly respecting their High Lady

Lucien

calm bf x hyper and outspoken gf

you are an absolute sweetheart, there is no one that hates you in the slightest.

In this scenario, I think you're known for rescuing stray animals. It's not like collecting Pokémon cards; instead, you're the person who steps up when there's a stray kitten in need of care.

You definitely live in a cute cottage in the woods with him, not worrying about anything with him there

Your house is an explosion of adorable decor, with pink accents everywhere you look. It's filled with super cute and girly decorations in every corner.

When you start dating Lucien, he notices how hyper you are and how you juggle multiple tasks at once.

Lucien is like your calming anchor, keeping your energy balanced and the vibes serene.

One of your biggest hyperfixations is clothes. Whether it's dresses, coats, pants, shoes, fabrics, or makeup, anything feminine is right up your alley.

And Lucien makes sure you don't overexert yourself, always looking out for your well-being.

Since you're so hyper, you're sometimes loud in certain moments. It really hurts when people tell you to shut up and calm down.

lucien doesn’t let it slide tho

This man defends you however he deems necessary, whether it's with his words or hands.

Just know, he always has your back, no matter what.

No one is suffocating your light and energy if he has anything to do with it.

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some-triangles · 4 months

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I am now at a level of obsession with Disco Elysium where I am watching at least a little bit of every playthrough I come across. Last time this happened was with Undertale almost a decade ago. With UT this helped me get a very thorough handle on the way the game was designed and with the subtler bits of player manipulation. DE is not subtle about anything and so instead I'm getting insights into the people playing it, particularly as it spreads beyond the youtube leftist bubble.

The one I'm having the most fun with right now is by this guy named Brady, who is a therapist specializing in addiction. The fun part is not so much his insight into Harry as an addict - again, the game is not subtle - but his absolute discomfort with politics. He refuses to engage with any of the ideological choices, and that makes the game a bit of a bumpy ride for him. It's particularly striking because he's willing to read into everything else that goes on in Harry's brain - he breaks out his Johari windows and his CBT flowcharts and pins the butterfly right to the corkboard - but he shuts down when the game asks him to pick a side.

To extrapolate wildly from one dude's hangups, I think this is just part of the deal with therapy. The aim of a therapist is to make the subject more functional (particularly these days, when if you're lucky insurance will pay for ten sessions, and you better document exactly what worksheets you made your patients fill out) - and being functional means being able to be happy and productive in the society you're currently living in. If I go to a therapist and say I'm bummed out about all the murdering my government is doing they will suggest I stop watching the news, or, if I'm lucky, they'll try to help me figure out why I feel guilt about things I can't control. Delving into the whys and hows of said murdering is actively counterproductive.

This is not to say that therapy is inherently bad, or, like, counterrevolutionary, because making you a more functional person does help with a lot of things, including your ability to help others. It's just a useful thing to keep in mind when therapy and politics bump into each other. I read this paper when I was googling ABA for podcast reasons and it stuck with me. The thesis boils down to: because the world is imperfect and people need skills to live in it we should continue to torture children, and we don't have enough research to conclude that torture could be traumatic. This is on one level reasonable and on one level insane. It depends where you stand, and whether you think "ability to express affection towards parents" is worth that kind of intervention. But the authors wouldn't construe this as a political argument.

Anyway: with all this in mind, I very much recommend reading "The Saint of Bright Doors", which we will be covering on wizards vs lesbians soon.

#disco elysium #the saint of bright doors #in the ways therapy can be helpful category Brady also points out how Harry sees everything in terms of power dynamics #which I never noticed because I also do that. I wonder why??

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supernova351 · 24 days

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My opinions on the different character iterations in Trigun! (Some of these are serious…. Others less so)

Trimax Vash: My girlfriend who’s suffered more than Jesus

98 Vash: My little comphet king. You are trying so hard all the time

Badlands Rumble Vash: He’s ovulating and somebody needs to do him about it (it’s me I’m somebody)

Tristamp Vash: I like his new design solely on the basis that it was a choice Vash made to look more human, not studio orange trying to make him more fuckable. Come on. He already was.

Trimax Wolfwood: She has eldest daughter syndrome she has religious trauma he walks around wearing a suit in a hundred degree heat he’s bitchless and terrified of his girlfriend I want her

98 Wolfwood: Insane. He failed to knife fight a robot in the same episode he blew his priestly cover by shooting the same robots he failed to knife fight. This was the episode he was introduced

Badlands Rumble Wolfwood: Rack +10 waist -5 whiteness x 29

Stampede Wolfwood: hes trying so hard and it’s so pathetic I’m gonna punt him down a staircase (affectionate)

Trimax Knives: So cunty with it she slays absolute penis. She has a PRESENCE!!

98 Knives: Cartoon ass super villain. Just so pathetic it captivates me

Stampede Knives: I can’t verbalize how much I want to break a chair over his head. Just fucking let him have it.

#trigun #trimax #trigun stampede #vash the stampede #trigun maximum #nicholas d. wolfwood #vash #vashwood #millions knives #I’ll do the other characters later I’m tired and I’m the middle of class

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courtofterrasen · 1 month

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Alright, clearly some of you guys are just not getting it. So no more emotion from me; I am simply going to write in factual terms.

It takes a VAST amount of work to go into creating a series like Bad Batch. You have to go through writing, scene painting, 3D modeling, rigging, lighting, SFX, voice lines, editing, final production, etc; just to name a few. It takes hours upon hours upon hours of work for those animators to create all of the nuances in a scene, let alone in Bad Batch where there is an extremely high level of attention to detail. It’s not like anime where a character and background are mostly stationary while they talk. There’s constantly stuff happening in the background and they intentionally make choices that provide extremely little to the overall story and, in all honesty, take up a significant amount of their time and can be argued that they’re wasting their time and money and effort (I don’t think so, but I’m sure people could argue it if they thought that effort should be allocated elsewhere). But they do it because it provides a deeper sense of realism to the story as a whole and make it feel like a living, breathing world. For example, when a character trips a little bit or they animated them doing something slightly harder than it would have been otherwise or eyes darting around and studying someone. These are all very little things that take them hundreds of hours to get perfect. And those are the kinds of things that go unnoticed by the vast majority of people watching the show. Either because they don’t noticed the little detail that was put in at all, or they don’t understand the level of work that goes into creating little minute decisions like that. And all of those decisions that they make, both big and tiny, are given to them in specific instructions by the directors. When you think about the insane amount of work that goes into creating a show like Bad Batch, you realize that every single little detail that they choose to add in is intentional and was given to them via specific instruction. It’s not like in live-action shows where the actor can choose to make a subtle decision on the fly. There are hundreds of thousands of hours of work that go into this and every choice that they make is intentional. The lighting dept. has even confirmed this for us, saying that all of the lighting that they did was done very carefully and intentionally and to pay attention to what’s happening in the scene. Because there’s an extremely high level of detail that’s put into the show, based off of very detailed instructions that were presented to them.

Now. Taken all of these points into account, it’s critical to look at all of the little choices that were made when it comes to her character and the way that both she interacts with the world and the people around her, as well as how they, in turn, respond to her. Because, like the lighting dept. has already made very clear to us, every design choice they has been made in the creation of the show is 100% intentional. Even if that’s not something that they had said or wasn’t something you were aware of, when you focus on the aspect of animation, it’s sometimes hard to get a clear grasp on just how long it takes them to do these things. And that every little choice that they made was carried out under specific instruction. And that’s not even getting into the nuances of voice acting and understanding the subtle distinctions in the way someone talks and being able to discern the meaning behind their words based on dialect and the instructions they were given. And for someone who just casually watches the show, absolutely none of these are important. They’re watching it to watch it and no further thought is put into it. And there’s nothing wrong with that. People are allowed to watch things at a surface level and get enjoyment out of it.

For every character, they can be broken up into various parts:

•Their visual appearance

•Their behavior

•Their interactions with others and the world

•How others respond to their character

•Their small, subtle behaviors (such as a particular twitch or repetitive body movement that can be used to convey a deeper meaning)

•And their internal motives

In that order from the least to most complex. And these topics can also be used to understand the complexity of a character. For someone like Cid, all of these topics are touched on in a variety of ways.

•She’s different from them

•She’s gruff and money hungry

•She speaks to the Batch like they’re a bunch of kids and she knows better than them

•They never fully bring themselves to trust her and, at times, they see her has a burden

•Towards the end of their time together, she gets snappier, and whenever she’s around them her movements slow ever so slightly and she furrows her brows slightly a lot more than in the past

•And in the end, she betrays them

And that’s putting her character into a single sentence for every bullet point, which, for well written characters like Cid or Hemlock or Rampart or Nala Se, cuts a lot of things out.

When it comes to the way that Phee is written and what she contributes as a whole to the show, she is not a very complex character. I’m not going to go into every single scene with her, but I am going to touch on a few. And if I need to continue the discussion further to cover more scenes, then I will. On multiple instances, she puts the Batch into very dangerous situations, and overall appears to care very little for them as people unless it gets her something that she wants. This is made very evident when, for example, she gets Omega, a child, excited about a big grand adventure and Omega then convinced the Batch to go along with it. Even though they were very adamant about not doing it. This is said with both their words and their tense body language. They don’t want Omega to get hurt and they know it’s a bad idea; but in the end she’s able to convince them. Then, when they get to the site, she shows clear lack for them or their safety and proceeds to put them in a very dangerous situation where someone could have gotten seriously hurt or killed. And she shows no remorse for it. Her language, both verbal and bodily, are very loose and nonchalant, assuring them that she had everything under control and that they were able to handle it, despite their very clear frustration. This type of behavior is shown again and again and again as they continue to interact with her. Her actions relay to the viewer that she does not respect their boundaries, or arguably, them as people. Her words are designed to be rocks with a pretty bow on them. And again, this is not personal opinion or speculation. Every single word and action was carefully designed by the team. All the tensed muscles were created by a team of people working very hard to convey that to the audience. Every thinly veiled word was guided by a director when the VA came in to record the sessions. Every single choice was intentional for a very specific reason.

Tech likes things in a very specific way. He likes his ship to be in a particular order and takes very good care of its maintenance and upkeep. He prides himself on being able to maintain a good ship. He spends a lot of time on his data pad. It’s how he was designed on Kamino. That’s his link to his role in the group. He can do everything he needs to from there and, in certain scenarios throughout the show, you can see it provides him with a sense of comfort and stability. You can see this, not only in his subtle body language, but also in his fairly obvious body language with how he hunches over it. It’s reminiscent of a child hunching over a toy to bring it closer to them and protect it. It comforts him. You can also see, when he interacts with the rest of the Batch, his aversion to touch. It’s not significantly often that you see it, given that the rest of the Batch knows him better than anyone, but there are still times when physical contact or even just very close proximity happens and he either has a reaction by tensing up slightly or leaning away from it, or sometimes he doesn’t react to it at all and almost seems to not register it; such as when he’s focused on his work. Every little reaction that he has with his brothers was scripted and orchestrated for a very specific purpose. It conveys the nuances of who he is as a unique and individual person.

Keeping that in mind, when it comes to the way she interacts with Tech specifically and the Batch, it’s very clear to understand the dynamic behind them when you look close enough. To recall a few instances, there was a time when she was recounting a story about finding a big treasure and Tech says something along the lines of “she changes this story every time she tells it”. He’s conveying to both the people in the show and us as viewers that she is a liar. She is either changing the story to make herself seem cooler, or maybe it didn’t happen at all and she’s making the entire thing up. Which, I will briefly mention again, are traits synonymous with narcissists. In another instance, Tech, Omega, and Wrecker were having a conversation where Tech is reprimanding them for bringing items back from a junkyard that they were in that they thought were cool instead of what he asked them to go find and bring back for him. I’m this conversation, Phee inserts herself and tells Tech that it’s not junk; also, in that same instance, not calling him by his name, which I will get to in a minute. Tech, in that moment, is trying to work, and his conversation with the other two was interrupted and fizzles out as Omega gets excited about the idea of a treasure map. A third is when the group is on Pabu and Phee is trying to get Tech to converse with her. His body language is hunched, tense, and he averts eye contact with her. When she prods him further, he is unsure how to engage in the conversation. And when he doesn’t respond in the way that she’s wanting him to, she talks about him to the rest of the Batch as he stands there around him and says to them how he “doesn’t know how to have fun”. And then they proceed to laugh at him. And again, you can see in his body language that he is confused as to why they’re laughing at him as well as uncomfortable being in that situation. And going off of that for another small fourth instance, there is another moment when they are getting ready to leave Pabu and she approaches Tech, who is working alone and trying to avoid contact with anyone, and says to him “So you’re just going to leave without saying goodbye?” His body language immediately tenses, he hunches further in on himself around his datapad, and his words make it clear he is both unsure and unwanting of the conversation. And when he does not respond in the way that she wants him to, she moves the datapad away from him to make him focus on her. She removes the item that brings him the most security to force him into engaging in a conversation he is uncomfortable with having. And again, these are all very intentional choices. They are not left up for interpretation. They are there to tell us what the character is feeling in that moment. They are trying to convey to us that he is uncomfortable. Not that he’s shy around a girl he thinks is pretty. And given on other scenarios that have happened throughout the show, it’s very clear that interpersonal relationships with anyone outside of Omega and the Batch is not something that he’s interested in. If they wanted to convey that he found her attractive, there are routes they could have taken to ensure that that comes across correctly to the audience, such as a faint little blush or rubbing a hand through his hair. But they didn’t do that, and instead chose for him to shy away and hide from certain situations or tense up and keep his head down in others. They are conveying to us that he does not like being around her. Because every single action they made him carry out took hundreds of hours of work to execute, and they would not go through all that trouble for no reason.

Branching off of that, we reach the topic of Tech’s name. When you watch the series as a whole, you can count on one hand the number of times that Phee refers to Tech by his actual name, while she refers to the others as their actual names. This is different from Cid in the way that Cid made that intentional choice to call them different things as a way to maintain distance from them. It’s clear from both her body language and her words that she did not want to get close to them. And really, wanted nothing to do with them unless they made her money. These are intentional choices. Phee’s character is designed to be flighty and unbothered. And she wants what she wants when she wants it. The choice to call Tech names and refer to everyone else by their names is an intentional choice. Him not understanding why she does that is an intentional choice. She does not respect him, which is why she does this. She can see that he doesn’t know what to do about it, so she keeps doing it. Like when a person presses on a bruise. These are all intentional choices made by the directors.

There was also a comment that said she behaves exactly like Crosshair does. And there are a few things I think did not entirely process when they made that comment. The first being that Crosshair was written to be one of the main antagonists for the first two season. I know they appeared in Clone Wars as well, but I’m talking specifically about Bad Batch. He was designed to be a bad guy that goes through a redemption arc; just like Zuko did in ATLA, for those who enjoy it. They both started out as antagonists, had horrible things happen to them, realized along their journey that maybe they were wrong, and are able to redeem themselves in the end and side with, or in Cross’ case, return to, the protagonists. In the beginning Cross was very sharp and defensive and thought he knew what was best. But he grew over time and learned how to care for people and share his weaknesses instead of putting on a facade all the time. And that’s the difference. We are reaching the end of the series and Phee has never had character growth to the level that Crosshair has and softens and opens up to the rest of the group. She hasn’t had any character growth at all. She is still the same exact person she was when we met her. There have been characters who have appeared for significantly less time that her, and if you pay attention to them, they have had significantly more growth than her as well.

The problem that I have begun to notice with people who are so quick to defend her actions is that they seem to be focusing more on her than on anything else. When you focus on just her, I can see how someone could mistake these interactions for being positive. Because all they’re focusing on is someone who’s having fun, and of course that would translate to something positive for him. But for the people who focus on Tech, it becomes very evident that these interactions are not positive. When you watch Tech, and I mean actually pay attention to him and not just watch him, you see all the subtle signs that you would otherwise miss. Him being annoyed and uncomfortable and confused and tired and generally not enjoying being around her. And this, unfortunately, happens a lot in real life too. People don’t take the time to absorb both sides of what’s happening. And since we as humans are quicker to pick up on people who are happy as opposed to people who are not, it’s so easy to miss the signals and just assume that what you’re watching is a happy interaction and put forth no further effort into making sure that’s actually what’s happening.

There is no other way to say that these things are all intentional. They wrote, designed, and sent out something that they have spent the past few years creating. When you understand the level of work that was put into it all, there are a lot of things that become very clear. And sure, headcanons exist and people can speculate what happens between the episodes. But headcanons can only go so far before it becomes ridiculous. We cannot confirm that Echo didn’t run off to go have a quiet life with Cid, but that doesn’t automatically mean that it’s true. Inferring things that are not within the realm of possibility is not conducive. Assuming that Phee spent a lot of time talking about her adventures that she may or may not have had with the Batch between the episodes? That’s conducive and we have clear evidence that would support that. Assuming that her and Tech had a very close relationship and she always listens to what he had to say between episodes? As much as some people want it to be true, it’s just not. There is no evidence that supports that line of thinking, and, in fact, there is a vast amount of evidence that would actually conform the opposite; such as Phee talking over everyone and commanding the conversation, not respecting things that Tech says, etc.

I’m going to wrap this up by talking a bit more personally now. There are plenty of people assuming that I’m a racist or a misogynist or that my literacy skills are lacking or whatever, but because you’re upset that someone is calling out the awful behavior of someone you like doesn’t make it any less true. And that applies to both this type of situation and in real life. I know who I am and what I stand for, and you trying to tell me that I’m otherwise changes nothing. And defaulting to assumptions like that shows that either you do not watch the show with a more attentive eye, or that’s all that you see Phee for. A black woman. Both of which are issues.

People are allowed to not like black characters, even if they are black.

People are allowed to not like Asian characters, even if they are Asian.

People are allowed to not like female characters, even if they’re women (or AFAB people).

People are allowed to not like LGBTQ characters, even if they are queer.

People are allowed to not like neurodivergent characters, even if they are neurodivergent.

People are allowed to not like characters that display particular traits or thought processes, even if they share those same traits or thought processes.

People are allowed to not like characters if they think that the character is bad.

Also, for the people saying I’m using my autism as a shield clearly don’t understand how autism works? I don’t say that to be an excuse. I say that to provide context and reasoning behind the things that I say. Like many other neurodivergent people do. You all are getting pressed about the wrong things. If you want to debate the time and study I’ve put into the show because I genuinely enjoy it, then be my guest. But don’t throw out petty insults and waste everyone’s time. At least put forth some more critical thinking behind it and try to figure out why someone could be saying the things that they’re saying

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technofantasia · 2 years

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One of my absolute favorite parts of golden wind is the singularly horrible outfits that the main characters wear, but not just the fact that they're terrible, no no. Sure, they all look like they got dressed with their eyes closed in a boutique for clowns, but the REAL kicker is that they did not always dress in this way??

We see the characters' backstories. We see how they used to look. And almost ALL of them USED TO WEAR NORMAL PEOPLE CLOTHES!!! Why? Why the sudden shift to kitchen sink fashion?? And, of course, there are layers to this, too.

Like. Giorno is his own whole can of worms, concerning exactly what happened between middle and high school. Sure, there's the whole hair color change thing which I refuse to acknowledge the canonical reason behind, but whatever, I can ignore that. Why suddenly decide on that hairstyle? That wardrobe? Especially considering that in every other way he's not exactly the flamboyant, attention-grabbing type... The only explanation I can think of would be, I don't know, he just happens to have a surprisingly eclectic fashion sense and high school was the first time he was able to be on his own away from home to indulge it. First opportunity to show off his individuality and he went whole hog with it, I could see that. Yeah sure you go giogio!! have as many heart shaped boob windows and ladybug brooches as you like

Abbacchio, too. It looks like he mostly dressed normal for his job, but the second he left, he transitioned to his current look? Either that’s just his usual taste or his emotional crisis led him to an emo makeover. Or both. In either case, I suppose that’s valid and I support him. His weird eggshell hat is the only part of his outfit that’s really that out there anyway

But the others??

Narancia. Mista. Fucking Fugo. They all dressed at least mostly normally right up until they joined Passione, at which point they switched on a dime to looking Like That. Sure, some aesthetic preferences seemed to carry over, like Narancia’s boyish style, Fugo’s suit pattern, and Mista’s navel window + crisscross pattern + hat. But they still used to wear, yknow. People clothes. So... Why??? What on EARTH happened???

Well...

Strangely enough, Bucciarati looks like he’s ALWAYS dressed Like That. Same hair style, same colors, same patterns... Given how much everyone else’s backstory outfits clashed with their eventual outfit choices, it’s almost weirder to see that Bucciarati clearly has clothing and style preferences that match up from past to present.

So. I can’t help but wonder.

Did... did the others just assume that, since Bucciarati (and maybe also Abbacchio) dressed Like That, that was just The Mafia Style??? The Style Of Clothing That Mafia People Wear???? So, in order to integrate themselves into Passione, they’d have to start dressing Like That too??????

Actually. Given that all the members of La Squadra and Polpo and the boss’s personal guard and the boss himself ALSO dress Like That... fuck, i don’t know, maybe they were right and that IS just The Mafia Style!! The fact it also happens to align with Bucciarati’s/Abbacchio’s/Giorno’s personal fashion sense might just be a coincidence!!! Who knows!!! Who cares!!!

Where do you even go to BUY clothing like that??? Are there special, under-the-counter sections of clothing stores that specially cater to Badcore fashion for mafia members??? Do the designers earn a special commission for designing clothes no sane person would wear that fit as uncomfortably as humanly possible??? Didn't they say at some point that mafia members try to dress inconspicuously to blend in???? RISOTTO IS LITERALLY JUST WEARING A JESTER HAT WHAT KIND OF CIRCUS IS THIS

But yeah so the logistics of part 5′s character designs drive me insane and I love it

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betweengenesisfrogs · 7 months

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A HOMESTUCK MANIFESTO

I want to think about what comes next after Homestuck.

That’s a challenge to the world as much as a personal mission statement.

I want to see writers and artists and creators making the next Homestuck, taking its themes and binding them into new fabrics, giving life to new creatures even more beautiful and uncanny than the original species.

I hunger to see new forms of story and image evolving with Homestuck in their DNA.

This process is already underway. Homestuck is a massive boulder dropped into the waters of culture, and the full wake of its ripples is still to be felt. But let’s call attention to this process and ask: what would happen if we engaged in it more consciously? If we sifted through our feelings about Homestuck to create something new, deliberately, with great and wonderful purpose?

The tools we need are within our grasp. Homestuck presents itself as magic, but it’s a work constructed in time out of specific storytelling choices. So let’s understand those choices. Let’s understand how Homestuck did what it did, and use Homestuck’s tools to build art that grips the soul of future generations as strongly as Homestuck did ours.

What follows is not a traditional literary analysis. It does not cite its sources; it does not seek to give us a comprehensive understanding of Homestuck. If it does, it does so only to the extent it suits its larger purpose.

Our goal here, our quest, if you will, is not to understand the Homestuck that exists, but the Homestuck that comes next.

Let's begin.

0. THE WILD GARDEN

Let’s lay the absolute groundwork here.

Homestuck is constructed as a re-appropriation of itself. Or to put it another way, it’s a big improvisational move, a process of “yes and”-ing so hard it develops a sprawling continuity.

Tiny details are constantly re-contextualized to become part of something else. A joke might turn tragic. A silly aside might turn into something profound.

But it didn’t have to be that way.

It’s crucial to understand that what we experience as continuities were in fact choices made at specific times. Homestuck is a garden where seeds were scattered in every direction, grown en masse, then weeded down to create patterns and forms.

The shape of the garden is designed to conceal the gardener’s hand. But the gardener’s choices are there, every step of the way.

If we are to follow in its footsteps, what choices should we make?

Let’s talk about themes.

1. THE MEANING CRISIS

Nobody in Homestuck knows what they’re doing.

And neither do we.

All the old idols have broken down. The values we were taught in our childhood fail to measure up to the problems of the world we live in. We grasp after careers and lives we were told would make us happy and wonder why we’re left empty. The selves that we were told were us now fit us about as well as clothing we’ve outgrown. Crises loom, political, economic and environmental, and everywhere it feels like the people who are supposed to guide and lead us aren’t doing enough.

It's widening gyres and slouching beasts all the way from here to Bethlehem, is what I’m saying.

The reason people go absolutely insane for Homestuck is that it depicts this crisis of meaning. It shows the questions we might want to ask, and attempts to provide some kind of answer.

The protagonists of Homestuck struggle with what I’ve called “received narrative.” That is, they’ve inherited stories from their families, from the world, that they try to use to define their lives, and it doesn’t work. But these stories are so familiar that it’s hard to think outside them. They have to develop new stories by which to live. Sometimes they succeed, but other times they can’t escape the gravity of the ones they were given.

With me so far?

Great. Now understand that all this was improvised and discovered largely accidentally over the course of ten years.

Here’s a seed that became quite an impressive tree:

The streets are empty. Wind skims the voids keeping neighbors apart, as if grazing the hollow of a cut reed, or say, a plundered mailbox. A familiar note is produced. It's the one Desolation plays to keep its instrument in tune.

It’s a joke. But it was never just a joke. There’s an idea here of dissatisfaction with the stereotypical idea of American suburban life. Egbert here is looking for something more, dissatisfied for reasons they can’t fully articulate. This is typical fantasy protagonist stuff, but there’s something more here, too.

Eventually it’s redirected towards the idea that there really is an unseen riddler. But let’s put that aside for now.

This page, in its moment, says: your life is not the full picture. There’s something else out there, waiting, that’s going to change everything.

That's a potential set-up for a very powerful payoff. It gives us the sense that Egbert and all their friends are going to have to rethink what they know. That this suburban life is not going to be enough for them, that somehow or other they’re going to encounter something they aren’t prepared for, and they’ll have to find a new way of acting and being. That, try as they might to avoid it, they’re going to change over the course of this journey.

But to understand how they change, we need to talk about SBURB.

2. THE PORTAL FANTASY OF IT ALL

A lot of people like to joke that Homestuck is an isekai. I think it might clarify things to use the term portal fantasy instead.

Portal fantasy is simply the fantasy subgenre of characters, usually kids, going to a magical other world. Maybe they make friends, maybe they learn lessons and stuff. You know the drill. I don’t have to to tell you more because the story structure is already so familiar. That’s what gives it power.

Portal fantasy differs from the related Japanese genre of isekai in that isekai in its current form is much more heavily based on video games such as MMORPGs. In the most pervasive isekai narratives, protagonists are rewarded not so much for achieving personal growth as being able to exploit the game mechanics of a game-like system. That’s pretty different from your typical Narnia scenario.

The influence of portal fantasy is everywhere in Homestuck, especially in the beginning. We have nods to the fantasy films of the 1980s that gave us our contemporary idea of this story structure, such as The Neverending Story (itself, in its original book incarnation, a phenomenal commentary on the genre). Our protagonists are genre savvy; they recognize what’s happening here.

But it doesn’t fit quite right. The odd note is first sounded when Egbert asks Nanasprite if what they’re doing is going to save the world. They’re bit unsettled to learn the answer’s no, that something else is going on here. Next we have the fantasy worlds: the planetary lands each present a veneer of exciting adventure. But their inhabitants, the consorts, aren’t fully-realized people, they’re largely cute animals going through the motions, not really understanding the story they’re telling. The carapacians are a little better, but they’re still trapped in a fatalism that feels uncomfortable.

As things rev up in Act 4, we learn about doomed timelines from alt-timeline Dave and Rose, how your entire existence in this setting may be fodder for something other than you. When we learn the true purpose of SBURB and its froggy details in Act 5, we see that SBURB is more like a biological creature, mainly interested in its own reproductive desires. It was never really about the portal fantasy at all. The kids are just along for the ride.

So when we see that Rose wants to tear through SBURB, find out a way to escape fate, and snatch meaning from the jaws of futility, it makes sense. We’ve been given hints already that this is the conflict at hand: the characters vs the story that’s telling them.

(Note: it’s certainly possible to have a reading that SBURB is not evil so much as empty, that it reflects what you bring into it, that its will for you is your will for you. But that’s also a difficult thing, right? If you lack self-understanding, it’s a struggle to bring about your ideal reality.)

What we haven’t mentioned yet is that this is all mediated through the lens of video games. Which makes perfect sense. Because where do we seek meaning, especially as kids? In imaginary worlds that make more sense to us than real life, that give us achievements to take pride in and clear objectives to pursue.

SBURB evokes mechanics from games like Final Fantasy. We see its players complete objectives, cast magic spells, gain power-ups with colorful costume changes. But unlike the narratives implied by traditional video game progressions, leveling up doesn’t mean you grow as a person or process your trauma. Later, in Act 6, when we meet a player who has made his life about winning the game (Caliborn), it’s horrific to behold.

Homestuck is a portal fantasy, but it’s fundamentally a portal fantasy about games. It’s a portal fantasy that shows us how characters seek meaning in being the best at arbitrary game mechanics, but ultimately fail to find it.

So I guess…it actually is an isekai? Huh. Wild.

(But seriously, Homestuck is actually fairly prescient in predicting the ideas that come out of isekai and LitRPG. It’s engaging consciously and deconstructively with the weird ideas of self-fulfillment these genres are drowning in.)

So what might a Homestuckian work look like? It will almost certainly critique a false narrative we live by. It may comment on portal fantasy, or our personal satisfaction that comes as easily as playing a video game. But it doesn’t have to be limited to these things. It might talk about our popular TV shows and movies. It may take apart what’s flawed in Marvel, the latest triple-A game, or the modern dark fantasy novel.

Among its tools will be discomfort. Showing a disconnect early on between our character’s expectations and their happiness can serve as foundation to build on, so that when the flaws of the genre narrative are revealed, it feels like the truth. We may see characters who accept their narratives passively, or rebels like Rose Lalonde, who chose to rip everything apart in search of something better.

These are only some of the possibilities.

When I tell you the stories we live by mislead us, what is your relationship to that? If you were to tear these received narratives apart, what would you focus on, what would you try to say? The art that comes out of this question will be deeply personal to the soul who makes it.

But here’s another question:

Just who is giving us all these narratives, anyway?

3. THE PARENT FLIP

The world we live in was not made by us. It was shaped by forces that predate us, over which we have no control and are born into the grasp of without the knowledge of how to escape.

For instance, our parents.

The guardians who raise us provide our template for how to interpret life. We spend a large part of our lives immersed in the world they built, believing as they believe, living by the values that they instruct us in, so that we might carry their goals forward to the future.

This is an effort that is certain to fail.

Because the problems of today aren’t the problems of twenty or thirty years ago. At best, their messages can only to help in a limited way with the crises we go through as we live our lives. At worst, they actively hinder us from dealing with them productively.

If we are to escape the broken patterns of our world, then we need break out of the stories an earlier generation gave us.

How are parents discussed in Homestuck?

Initially? As jokes.

If we take our “future knowledge” goggles off for a moment, we can see that the early depictions of the kids’ parents are a goofy parody of standard parental tropes. Mom and Dad are nameless, faceless, exaggerated cartoon stereotypes, and conflict between them and their children is initially expressed through a silly video game fight.

There’s a seed of something real here, though. What we’re parodying is a familiar trope of tension between parents and children in kids’ fiction and YA fiction. But that trope exists for a reason. This conflict is rich with potential for any story about growing up. And Homestuck has smuggled the idea of it in as a silly RPG parody.

So we can extrapolate, for instance, that there’s tension between Egbert and their father in part because Egbert doesn’t know yet who they want to be, and that Rose and Mom’s relationship is awkward and contentious, with alcohol involved. We see that there’s something profoundly uncomfortable going on between Dave and his Bro, and Jade’s life in the shadow of a dead Grandpa suggests a psychology that’s not entirely a healthy one.

Understand that I’m not saying that all this was there from the start. Rather, a choice was made to develop these interesting possibilities out of the jokes, to tell a story about how parents that act like these ones might have affected their children.

A major turning point in this regard is when Egbert learns their father’s seeming clown obsession was the result of a failed attempt to connect with them. It’s quite silly, but it plays around with the idea of a gap in perception between parent and child. It’s also a sign the story’s starting to take more of an interest in character psychology, suggesting that what Egbert processes consciously is not the same as their deeper unconscious feelings. This in turn can become a setup for a portrait of Egbert as someone who represses things they don’t want to think about. From this moment, in the long term, comes June Egbert.

When the psychology machine revs up for all the characters in Act 4 and Act 5, it’s able to do so because this foundation was laid.

We also, as early as Act 3, get hints that the parents have intentions and personalities outside of how the kids perceive them. The original purpose is to hint at a larger conspiracy around SBURB, with Mom building a secret lab, Dad trying to investigate the mystery, and Grandpa jumping in and out of time. But what this suggests is that the psychology of the parents might at some point come into play.

But the most exciting development in the relationship between parents and children is Act 6.

The great role reversal. The parent and child flip.

How do you make your faceless parent figures into characters?

By making them kids.

We’re so used to this concept now t that it’s hard to remember how wild it is that Roxy is a teen version of a main character's mom. But the concept is genius. Meeting these characters on the same level forces our protagonists to understand them as people and reflect on their fallibility.

For us as readers, it adds detail and nuance to the cartoonish portraits we got in the beginning. Conversely, we also see what our protagonists might have been like as parents themselves—and turns it from a story of “parents just don’t understand” to a story of how people, despite their best intentions, can wound each other.

(The Homestuck Epilogues are a difficult text to evaluate, but one of the best things within them is Egbert’s arc in Candy, where we see how Egbert might have done as a parent, how their struggles with finding purpose in the world might lead them to embrace a narrative of parenthood yet struggle to have a good relationship their kid. It’s brilliant, and the culmination of everything we’ve talked about here.)

Thus the Homestuckian work of art will be concerned with themes of parents and children. It will play with the boundary between what children understand about their parents and what they don’t. It will show parents as people—fallible people, who make mistakes with severe costs, whose stories fail their children and themselves. It may build from a simple base of what children understand, or it may weave parent and child perspectives together. It may even show us how children fail when they become parents themselves. It will show us the cycles we are trapped in, how we wound and are wounded by our context.

And it will force us to look for a way out.

4. CLASSPECTS AS SIGNPOSTS

Hey. You want to know a secret?

Come closer, and I’ll whisper it to you.

Classpects aren’t actually all that complicated. Ultimately, they boil down to one thing:

Symbols we can use to construct a self.

If Homestuck is about a crisis of meaning, then classpects are part of its answer.

What do we do, when the world gives us no story we can live by?

We make one. We make one out of whatever symbols and messages we can find and put together from the stories we’ve read, from the people who teach and inspire us. Such collages are powerful things. They give us a way out of the dark, they give us a sense of something we are and can be, where there was nothing before.

They give us, in short, a personal mythology.

Classes and Aspects have often been read as codes to be unpacked and solved. It might be more productive to see them as creative tools, signposts designed not to narrow down meaning, but to allow us to explore it.

For instance, the portrayal of Light in Homestuck is unique. As a symbol, it combines notions of brightness, knowledge, future, luck, wealth, and narrative focus. These things aren’t inherently linked out in the world, but they are here, and that’s a choice, and an interesting one. It encourages us to imagine connections between these concepts, and to see if they have any relevance to ourselves. Identifying with the concept of Light, in other words choosing to value clarity, luck, and importance, might be a powerful tool for finding one’s way in the world.

Classes play with signposts at an even more basic level. Sure, we can talk about what a Knight does in the context of the story.

But a knight is already a powerful symbol. We bring so much cultural context to it. The word conjures up images and narratives of devotion, duty, violence, the slaying of dragons, armoring oneself against the world, and the rescuing of princesses. If we put that together with a concept like Time, we get a distinct character. If we put that together with our own experience of the world, we can create powerful concepts for who we want to be.

Interestingly, this complicates what we said about SBURB. As much as our protagonists struggle to find meaning within it, there’s still something there that they can latch onto. Classes, aspects, denizens, even consorts and lands—these things don’t have to be devoid of meaning. We can choose to affirm them; we can build something out of them, and say, yes, this is me, this is myself.

But it’s a double-edged sword.

We are responsible for the narratives we choose to live by. And we may find ourselves falling into a narrative that hinders us more than helps us, that creates a self-destructive self.

What does it mean to believe deeply that you are a thief, that taking from others to benefit yourself is the best way or comes to you the most naturally? What does it mean to tell yourself over and over that you’re a prince, with all the attendant baggage of power and grim responsibility that comes with that concept? Or, to follow the path further, what does it mean to tell yourself over and over that you are a destroyer or must be destroyed?

If we are to escape the story we’re trapped in, we must take care, lest we trap ourselves in a story of our own making.

Homestuck never quite resolves the ambiguity around these symbols of self, around whether SBURB hurts or helps, whether classpects are things you create or things that create you. But this ambiguity is a productive one. It gives us symbolic tools we can use in the creation of meaning, and it shows us the side of them that should make us wary.

The work that is to come after Homestuck will be about symbols. It may show us how we seek them in popular culture, or the people around us. It may use some of the clusters of meaning that that we see in Homestuck, but it will not be limited to them. It will write its own language of symbols, joining Light and Time to notions like Memory, Need, Rupture, and War, and be filled not just with knights and princes but brigadiers, lancers, healers, druids, taxidermists, sentries and waifs. It will build with tarot cards, enneagram types, and Babylonian gods. It will place all the signposts we’ve created in millennia of existence into new contexts and meanings.

By such means will it show us a way forward.

There’s one kind of symbol we haven’t talked about yet, however.

The kind that holds a mirror up to the world.

5. THE POWER OF ALTERNIA

There’s a reason dystopias have been so popular in young adult fiction. Sure, they’re cliché now, but they speak to something raw and visceral.

When you’re growing up into a world that doesn’t make sense, it’s natural to find refuge in emotional extremes. Stories of blood and violence, fates worse than death, and governments that demand horrific things of their citizens speak to the anxieties of the adolescent mind. They validate the feeling that something is wrong—that the world we’ve inherited is broken and unfair and has no place for us. And they’re right.

Alternia taps into these dystopian feelings perfectly. What makes it so fun is that it’s an inversion of a teenage fantasy. It’s a world where there are no parents, where kids can have access to power and violence, where you can sit around and play video games and design your own house. It almost feels like a response to the “parents don’t understand” themes of the early acts.

But the dystopia’s there, and it’s sneaky. A land of lost boys and girls isn’t actually all that great to live in. It’s lawless, survival of the fittest, with children killing each other left and right. And the future adult roles most of the troll kids aspire to are a glamorous veneer over competition for slots in a fascist military hierarchy. Which is to say nothing of the blood caste system as a way in which the kids are taught by their world to abuse and exploit each other. Crushes, personal slights, competition for status, group dynamics, attempts to define identity – all these familiar teenage dynamics play out on a backdrop of maiming and murder.

Which is perfect. Because when you’re young, all those social interactions genuinely do feel like life or death, and adulthood a regime of exploitation and horror bearing down on you. Alternia is a heightened, exaggerated version of reality. It expresses an emotional truth, not a literal one, validating our most intense feelings and giving us a road map to understanding them.

No wonder so many people wanted to skip to Act 5 and get to the trolls.

(See also Hiveswap Friendsim and Pesterquest, which explore these themes really really well.)

And Alternia, for a world where parents aren’t really a thing, tells us a surprising amount about the parental generation. In mid Act 5-2, Ancestors are added to Alternia’s wordbuilding, and we learn that as much as the trolls skipped having traditional parental figures, they were never devoid of role models. The deeds and exploits of notable figures throughout ancient Alternia gave them models to think about each other and themselves—even when those models were toxic ones. In a way, this isn’t so far from the human kids at all.

Furthermore, as time goes on, we acquire an origin for Alternia’s fascist worldview. Doc Scratch, manipulator of society, stands in for all those aspects of the world that work to create the false narratives we are born into, a true evil father figure – or uncle, if you prefer. And he's an extension of the ultimate evil father figure, Lord English, who controls not just Alternia but the timelines of the human children as well, whose belligerence and apathy give us aeons of toxic narratives and abuse. We see that story played out in Alternia in every interaction, in every moment, the beliefs its architects live by.

This is the power of dystopia—it can hold a broken mirror up to the world we live in.

Therefore the Homestuck that will come after Homestuck will worldbuild gardens of horror. It will not pull its punches but show us insidious societal systems and the effect they have on the people who live under them. It may depict fascism, authoritarianism, feudalistic tyranny, or all three. It will be unafraid to evoke blood and guts but use them to paint a picture of what we want, what we fear, and how we break under our false horizons.

As it depicts the path out, so, too, will it have its reverse side—it will show us all the hells and purgatories we’re trapped in.

6. SAILS TO THE WIND

Much has been written (including by this very author) about Homestuck’s metafictional aspects – the way it comes to foreground a more direct clash between character and narrative.

But the point I want to make here is that the metafictional angle wouldn’t work without these earlier choices. They allow the comic to talk about these concerns long before any notion of canon rears its head.

There are many ways of approaching these themes, and we don’t have to be limited to notions of Ultimate Selves and Beyond Canon to explore them. Such things are valuable, but they are only one retelling of the myth. If we are to make the next Homestuck, we must make our own.

I want to illustrate the space of possibility by offering some examples of works that explore similar themes. Note that I’m not saying these works were influenced by Homestuck in any way, but rather that they use some of the same tools to speak to the same questions, anxieties and concerns.

In trying to make what comes after Homestuck, we might consider:

Revolutionary Girl Utena, which foregrounds the archetype of the Prince as duelist, tyrant, and hero and dares its characters to break free from the false reality that shapes even these aspirations and dreams.

The Familiar by Mark Z. Danielewski, author of Houseof Leaves, whose core narrative concerns an twelve-year-old girl in thrall to an entity whose intentions are unclear but may be shaping the fabric of reality itself; which depicts the inner lives and uncertainties of her parents with just as much detail as they struggle, and sometimes fail, to make the right choices to help her; a story which, even in its incomplete form, explores a notion of a greater S.E.L.F that is not just you but also those who share something with you, where characters from other realities blur into transcendent archetypes in this one.

Digimon, perhaps the quintessential work of portal fantasy, not only Digimon Tamers, which steers the genre into a place of trauma, cosmic horror, and adults horrified by children saving the world, but also Digimon Adventure, which creates strong character arcs for eight very different children as they try to navigate a strange alien world, and shows us their struggle to reconcile with their parents as part of the process of understanding themselves.

The Neverending Story by Michael Ende,foundational text for Homestuck, which tells us not only about the rich possibilities inherent in reading oneself into fantasy worlds, but also the terrible potential for harm in making oneself an emperor over them.

Pale, by Wildbow, author of Worm, an urban fantasy story about three teenagers thrust into a world of magic and murder, a world where symbols literally create reality, where concepts like Carmine and Aurum have a powerful pull, where the Self is something that can be nourished or taken apart and put back together, a story where the parents are not just supporting cast but fully realized people forced to reckon with the ways in which they have deeply failed their children, and which contains perhaps the most thorough investigation of the question of “is it good for children to go on magical adventures?” ever committed to the page.

Heaven Will Be Mine, by Aevee Bee,in which the giant robots we pilot through space become the symbolic manifestation of our inner selves and our way of bringing about our ideal reality, and, relatedly, We Know the Devil, in which the repression of those selves causes them to burst out from us in terrifying and glorious new forms.

Crow Cillers, by Cate Wurtz, an often trauma-filled horror comic in which a group of kids and, eventually, adults, tries to fight back against an ever-present death cult that has its grips on every corner, all the while encountering Psyforms, beings made of pure mind, while characters from television and cartoons dance in the margins and all the while the line blurs between audience and art until it becomes difficult to tell who created who—a story that asks what it means to find meaning in stories when the corporate entities that own them are trying to devour us.

It's a tragically short list, I know. But perhaps it conveys some of the angles we might take.

We can also look at works that are known to have inspired by Homestuck. There aren’t many yet, but there are a few.

Undertale is famous for its Homestuck influences, with parallel timelines, an idea of agency that persists across them, and a contentious relationship between player and character, but for my part, I’m just as interested if not more so in Deltarune, which seems to be slowly building a grand thesis about portal fantasy, where the kids' adventures in the Dark Worlds seems to be offering them an escape and helping them become their best selves—but hints at a coming challenge to that simple worldview in the question of who’s really experiencing that escape.

The Locked Tomb, by Tamsin Muir – This is the big one, that really shows what building on Homestuckian themes can achieve. It turns out there really is an audience for weird aggro formalism in scifi publishing if you make it sufficiently gay. But smartly, like Homestuck, the Locked Tomb builds its weird mysteries gradually, adding on layer after layer on the solid foundation of characters we can follow and get invested in. There’s so much to notice – there’s the highly categorized teenagers involved in a murder feud, there’s the constant whiplash of humor and tragedy, there’s the endlessly open spaces in the story to interpret and project on to.

But to me, what stands out the most is the portrait of God and his court as every bit as emotionally chaotic as the sniping teenagers. You go to heaven, and God’s making out in the corner with his friend group, and you look for the adult in the room but the adults in the room don’t know what they’re doing and they never really did. It’s a portrait of the parents, it’s a portrait of the Ancestors, it’s a portrait of the gods of the new world, and it’s exquisite.

The Locked Tomb gives us a world at war with its own mythological narrative, rich with angst and irony. It’s a worthy successor to everything Homestuck was doing. It shows us how much these themes can say to us, and it gives us a hint at how powerful Homestuck's legacy might be.

7. THE APOTHEOSIS OF HOMESTUCK

There’s a lot of discussion about how to continue Homestuck. How to do it justice. What post-canon might look like, and what it might not. What fan comics, what fan fics, what semi-official works truly live up to the spirit of its characters and its multiverse.

To be clear, those discussions are awesome. I’m so glad those things exist, and it’s wonderful to see them unfolding.

But I don’t want the process to stop there. I'd be disappointed if it was only about adding to and re-articulating Homestuck itself.

I want this—

—This multifaceted, complicated, emotionally laden thing that is the experience of engaging with and creating with and interpreting Homestuck—

To go out into the world and to be infused into the world, to become waves spreading further and further. I want to experience the Homestuck artistic movement, the Homestuck school of thought. I want it to be an influence on the fiction of the coming generation of authors, and the next, and the next.

I want Homestuck to be one of those albums that's too obscure to be known by the general public, but everyone who listened to it went on to start an enormously successful band.

Homestuck can appear like a thing that was conjured out of the ether, but it isn’t. It’s a product of a particular time.

But that in itself is profound. When you create art, you reach back to all the things that have shaped you, and you listen to what the world around you needs, and you try to say what needs to be said. Which means you're a part of a history and culture that needs to say those things, which will be different from the things that needed to be told yesterday, and different from the stories that will be needed tomorrow.

There’s no otherworldliness to it, no platonic other reality. But for all I've talked about art being made of choices, there's still something transcendent here.

To make Homestuck—and to make art inspired by Homestuck—means being a node in a web formed of millions of people, where a light passes down the chain to you, and for the briefest of moments, you get to be filled with its presence, before it moves on to the next person in the chain.

That light isn't yours. Not really.

But at the same time, you do get to choose how that light manifests.

And to engage with that process consciously—to think deliberately about what we want to create—that gives us power and agency over that process, our sense of the world, and ourselves.

So let’s do this. Let’s make the thing that Homestuck is telling us can exist, the thing it’s paving the way for, the thing we know in our soul can come to be.

Let’s make the next Homestuck happen.

—Ari

POSTSCRIPT

“To put out a manifesto you must want: ABC

to fulminate against 1, 2, 3

to fly into a rage and sharpen your wings to conquer and disseminate little abcs and big abcs, to sign, shout, swear, to organize prose into a form of absolute and irrefutable evidence, to prove your non plus ultra and maintain that novelty resembles life… I write a manifesto and I want nothing, yet I say certain things, and in principle I am against manifestoes, as I am also against principles… I write this manifesto to show that people can perform contrary actions together while taking one fresh gulp of air…”

— Tristan Tzara, “Dada Manifesto 1918”

"The cyborg is resolutely committed to partiality, irony, intimacy, and perversity. It is oppositional, utopian, and completely without innocence....the cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of re-turning to dust...This is a dream not of a common language, but of a powerful infidel heteroglossia. It means both building and destroying machines, identities, categories, relationships, space stories...I would rather be a cyborg than a goddess."

— Donna Haraway, "A Cyborg Manifesto"

“What we need is works that are strong straight precise and forever beyond understanding... let each man proclaim: there is a great negative work of destruction to be accomplished. We must sweep and clean…to divest one's church of every useless cumbersome accessory; to spit out disagreeable or amorous ideas like a luminous waterfall, or coddle them—with the extreme satisfaction that it doesn't matter in the least…freedom: Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE.”

— Tristan Tzara, “Dada Manifesto 1918”

“These are really the thoughts of all men in all ages and lands, they are not original with me,

If they are not yours as much as mine they are nothing, or next to nothing,

If they are not the riddle and the untying of the riddle they are nothing,

If they are not just as close as they are distant they are nothing.”

—Walt Whitman, Song of Myself

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#homestuck #homestuck analysis #what comes next after homestuck #the future of homestuck #homestuckian art #you are actually 100% sure walt whitman said that

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lover-of-mine · 8 months

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I have more unhinged thoughts about Buck and costume design choices, so stay with me for a bit. I will be using Buck's previous relationships to make the point tho, so tw Taylor Kelly.

This started going around my head in a very innocent "it's so cool that they chose to put Buck in green during the coma dream" because Buck wears red a lot. Like, a LOT.

And green is on the other side of the color wheel. So him in green during the coma dream deeply bothered me for no reason.

Because like, when Buck is wearing bright colors he's usually around here on a color wheel because there's the burnt orange he wears sometimes too. So they put him in his complementary color, and the whole thing with complementary colors is to create contrast and I was mindblown by that a little bit once it registered.

But then I was making an edit and I noticed that Buck is wearing green when he breaks up with Taylor. Which is fine, we all know the whole Blue and Green thing with couples in 911, right?

So I just moved on with the idea that they put him in green because the relationship is wrong and moved on, until I noticed he wasn't always the green character. Because then shit gets interesting.

Because, when does he become the green character? When he tells her that he kissed someone else. So he's the one wearing green when the relationship starts to fall apart and when they break up.

And that alone for me is fascinating because oh my god the costume department is out there working overtime. But I am a dog with a bone and what's another time where Buck is wearing green? The fight with Ali. Who's also wearing blue, very light blue but still blue.

But also just accepted this as just a blue and green thing with couples because Ali is not around enough for me to use her to establish a pattern.

But I was also on high alert about other situations he might be wearing green, not that all of them fully registered until this morning when it finally clicked that he's wearing green on the cemetery scene.

Because another time he's wearing green on his own is when he takes Red to see Cindy and when he talks to Maddie about Abby and being left behind right after. Also when he's hiding in Eddie's place so he won't have to talk to Taylor.

I don't know about yall but I feel like this does establish a pattern of him wearing green while doing misguided stuff in his chase of his idea of romantic love.

But I have more points if you're not convinced yet.

We established that he wears a lot of red and that the thing with complementary colors is contrast, right? I'm not gonna sit here and tell you that there's a set pattern on when he wears red because he wears red in multiple circumstances, but I will tell you a few scenes that back me up.

Because baby boy is wearing red when he finally lets go of Abby, on both occasions, and when he's literally talking to Maddie about what love really means leading to him finally making the right choice to stop hanging on to Taylor.

He wears red when he finally does the right thing when it comes to love and he wears green when he's trying to convince himself he's doing the right thing. Contrast.

This show is crazy. Insane. Absolute madness.

Edit:

Okay, extra point here. I went against adding this particular scene because I legit can't tell if his shirt is green or blue here. But I got a reply here and decided to check.

so it went to color-hex to try and determine it, well, this is definitely a shade of green. I actually made a whole pallete of his shirt. This is definitely green.

So another point to team he does misguided shit on his quest for love in green clothing because this is the scene where he's telling Maddie about Abby and Maddie is telling him that she's bagging other guys but he chooses to ignore it.

Am i crazy? probably. But what's that thing once is a chance twice is a coincidence and three is a pattern? Thats 4 scenes with the green and him doing stupid shit in the name of love.

#911 meta #911 #thoughts thoughts thoughts #i feel kinda crazy sokasokasokasoka #no hinges left #but it makes sense #it does

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monzamash · 1 year

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down under — daniel ricciardo

daniel ricciardo x you | 1.3k summary – daniel receives a gift from a friend on the morning of the aus gp. warnings – 18+ (sex, course language) a/n – just wild, wild thoughts and prompts from @percervall & @estevries — both legends and brilliant writers. thank you for inspiring something so fun x masterlist

A loud yelp followed by a chesty laugh caught your attention as you stood in front of the hotel’s en suite mirror, putting on your face for the day. Daniel had answered the door and received whatever it was concierge had brought to your room. For you, it was too early to be bothered by anyone – the long haul flight that Daniel had warned you about had killed your mood and regret immediately set in while you tossed and turned all night, wishing you had heeded his warnings and flown to Australia earlier in the week with him.

The jet lag alone was bad enough without misty rain sweeping past the large sky-scraping windows, dampening the city and your already miserable spirit. There was no place you would rather be though – supporting and loving on your man for his first grand prix appearance of the season. It had been tough for both of you watching afar, the good and the bad memories flooding back. Recent history.

But Daniel had reassured you that he was at peace with his choices, happy to be a guest on the sidelines and you believed him. His smile was brighter, his painfully lame jokes were funnier and his charming disposition oozing contentment, finally returned. He was free to be who he wanted to be and to do whatever the fuck he wanted, when he wanted. Including annoying the absolute shit out of you every chance he got.

“Oh, honey! You gotta come out here and see these!” Daniel shouted from behind the door separating the two of you, closed by design so you could get through your morning routine without interruption.

“I’m drying my hair! Can you wait?”

He couldn’t. The door sliding open triggered an eye roll; knowing your kind hearted, generous boyfriend was barging in without invitation, giggles still bubbling away behind pursed lips, failing to suppress his little snorts. The whirring echo of your hairdryer diminished as you switched it off and set it down on the countertop, clipping the rest of your hair up before giving Daniel so much as a look – or a death stare.

“What do ya reckon?” He asked, patting your backside a couple of times to get your attention, bare feet tapping on the cold tiles as if he was jumping on the spot behind you. He was.

You sighed softly to yourself, prepared to plaster on a smile through gritted teeth for him as you spun around but you didn’t need to. The quick glance at Daniel’s goofy smile was brief before your eyes instantly trailed down his bare torso and landed on the only piece of material sheathing his toned body.

All that was covering him from being stark naked was a pair of skin tight Australian flag patterned budgy smugglers. Nothing else and truth be told, they weren't full-coverage. Not even a little bit.

“What the fuck are those?!” You gasped, a laugh slipping from your lips before you could clasp your hand over your mouth, shocked by the sight.

“Hot, right?” Of course he loved himself sick in them.

"Is that what concierge just dropped off? Who sent them?" You asked incredulously, reaching out and grabbing the small card hanging from Daniel's fingertips.

"It's a bucks night present from Scotty – apparently he wants all the boys to be matching when we go out on Sunday night," He replied with a raspy chuckle, aware of how strange that sounded and you couldn't help but roll your eyes when you read, 'don't cock it up and let the boys down' as you finished reading the note.

"You two fuckin' worry me sometimes..."

Your eyebrows had a life of their own, quirked so high on your forehead you were certain they had risen off your face entirely as you glanced down again. Yes, Daniel was hot, insanely so, but even you could see past all the abs and sexiness and admit he looked ridiculous, posing in front of you and catching a glimpse of himself in the mirror behind your head, smiling from ear to ear at how hilarious he looked. Blue steel activated.

“Want me to model these for ya?” He teased, poking his butt out and flexing his muscles like a body builder would.

“Seriously though – yeah or nah?”

“For what exactly?” You scoffed, unsure of what kind of yeah-nah, open-ended question you were dealing with before answering.

Daniel shrugged and bent his knees, eyebrows scrunched with a grimace, “I dunno,” He grunted, hand squeezing between his skin and the seams of the speedos, readjusting his situation in the tight confines. Some would say too tight.

“They are certainly something though…”

“Sexy? Sickening? Extremely flattering? Give me something to stroke my ego with for fucks sake,” He joked but genuinely wanted to know what your true feelings were behind that lip bite and pursed smile.

“Well they make you look massive…”

You threw that line out there for him, hoping he would bite.

“Duh, because I am massive.”

“… well,”

Your pause provoked Daniel, gasping at your insinuation as his hand immediately reached out and grabbed your jutted hips. His calloused fingertips brushing against your exposed, sensitive skin drew a high-pitched scream from your throat before catching you off guard and tickling the opposite side even harder, both watery-eyed from the uncontrollable laugher.

“I’m kidding! I’m kidding! You are! You are massive!”

You shouted loudly, palms pressed to his bare chest that was rising and falling from the dwindling laughter, curls tickling your skin as he kissed your neck softly, panting. Skin sweet from the shower you'd just taken without him, pout no longer lingering from that saga.

Daniel stifled a laugh against your ear at your proclamation, never tiring of hearing how satisfied you were with his attributes.

“I haven’t gotten any complaints so far in life so thank you for clearing that up, honey,” He sarcastically replied as you pushed him back gently, needing to get another peep at the speedos before they disappeared forever.

“They are so bloody tight, Daniel - that's why I can't stop giggling but I guess that's so everything doesn't fall out,” You reasoned, covering your blushing smile and trying not to laugh again. It was just too much, too early for you.

Daniel looked down, tugged on the waistband and glanced back up with a mischievous smirk, eyebrows wiggling as he closed the gap between the two of you again. You knew where this was going.

“Getting tighter by the second too, you know...”

Considering how tight the material was around his manhood to begin with, his voice was lot deeper than you expected in such constricting conditions. Between the seductive brown eyes practically undressing your partially clothed body and his hands roaming your waist again, reaching around to get a grip on your backside before hoisting you up on the counter, you were struggling to think of a reason to stop him.

Really, really struggling.

“Okay, big boy – simmer down. You have a press meeting in an hour so get out of the bathroom,” You ordered meekly, unconvincingly.

Daniel didn’t budge; his smirk flaring when he saw the devious glimmer in his eyes reflected back at him. He had you right where he wanted – fingertips tracing the bold 'of love and life' script inked on his clavicle forever, travelling south.

“I’m always fashionably late – you know this,” He taunted in response to your shallowed demands, peeking down and nudging forward between your thighs that he had spread with his strong hands, chuckling as he closed the inches separating you. Tantalisingly touching through thin material, breathlessly so.

“You are a walking fashion crime right now,” You retorted, pecking his puffy bottom lip and capturing the skin between your sharp teeth, assessing how far he was about to push you with limited time.

“Don’t test me, baby. Do you have any idea what you do to me?”

The gruffness in his voice strained his words as he whispered into your lips, the question tumbling down your throat along with your inaudible response. Every whine, every moan was muffled by the deep kiss he was pressing to your lips, tongues searching for one another amongst the desire that was burning within.

“We don’t have time for this,” You whispered and gently knocked Daniel back from between your thighs so you could hop down off the warm marbled counter. You were immediately met by a loud, 'noooo' protest from the man standing practically naked in front of you.

That was until you grabbed a fluffy white towel from the shelf behind him, chucked it on the ground and dropped to your knees with a smirk. You rested your palms on the sides of his muscular thighs, mind wandering until you remembered why you were down here, knees already tender but dulled by the ache between your own.

“I’m feeling particularly patriotic this morning – any idea why?”

Daniel shakily exhaled as your finger traced the white lines of the union jack, his eyes fluttering shut for a split second. He had finally realised what you meant – you didn’t have time for a quickie but the thought of having your warm lips wrapped around him had him throbbing in the tight polyester, large hand cupping your soft cheek as he gazed down into your matching lust-filled pupils.

“Want me to sing the national anthem while you suck me off?”

His crude question made you laugh as your eyes devoured what was being presented to you in a neatly sealed package. He was deliciously stiff when he sprung free, tip glistening – a whole goddamn meal served in red, white a blue. Nature’s gift.

"Go on then."

a//n – this is what you came for, right? 😂 just a little something to get my writing juices flowing again and to those new to the blog – hi! welcome to my mind lol x masterlist | askbox

#daniel ricciardo #daniel ricciardo one shot #daniel ricciardo imagine #daniel ricciardo smut #daniel ricciardo x reader #f1 smut #f1 one shot #f1 imagine #formula 1 one shot #f1 #monzamashwriting #mmsuggestions #down under fic #monzamash #monzamashmasterlist

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