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#a first i love you story
pomidaea · 16 days
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Thank you encyclopedia
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thatone-highlighter · 7 months
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I love you albums. I love you songs connected by similar themes. I love you listening to songs in a specific order picked by the artist. I love you reoccurring motifs throughout the same album. I love you album covers. I love you albums with extended editions. I love you songs that reference each other.
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poorly-drawn-mdzs · 9 days
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An unbothered queen has entered, and subsequently left.
[First] Prev <–-> Next
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novelconcepts · 2 years
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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lotus-pear · 3 months
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bsd rewatch w my friend means obligatory art of my fav found family ever
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umeji-imeji · 1 month
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So.......... I might have become obsessed with MDZS too I redrew my favorite book illustration, and added the color (original artwork by Marina Privalova)
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heymacy · 1 month
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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doctorsiren · 7 months
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I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.
So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)
Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)
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ducktracy · 6 months
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a short placing heavy emphasis on Hungarian Rhapsody No. II is a rite of passage for golden age cartoons. Bugs Bunny did it! Tom and Jerry did it! Daffy and Donald! but one thing Woody Woodpecker has above the competition is that he is held hostage by a group of gangsters and is forced to entertain, lest he get executed. amazing
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melverie · 5 months
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Can I just say that I absolutely LOVE how ever since they all found out that MC is human and was brought here against their will, it was Lucifer who kept insisting that they shouldn't be the ones to trap MC in the Devildom. That whether they want to stay or not is a decision MC has to make themself and that the brothers should support them no matter what they end up choosing
And now that the moment is finally here, now that MC has confirmed that they indeed plan on heading home, and now that all of his brothers agreed on helping them get back, having forged a pact and lending their powers to do so—
Now that he knows that he's the final piece needed to send them back; that the lingering idea of the yet to be forged pact between them is what's stopping MC from potentially leaving their side for good, leaving his side for good—
Now that they have finally gotten to this point, he realizes something. And he's unable to live with it
And so, he goes back on his word.
He's taking that choice from them.
"I don't want to."
Lucifer's pride is what keeps his voice leveled and neutral, as if it were just another day. As if he everything was completely fine. As if he didn't feel this pain in his heart, almost as if someone had rammed a dagger through his chest over and over and over again
To most people, he'd appear to be in perfect control of his emotions—if only his gaze wouldn't completely obliterated that frail façade of his. The way his beautiful dark eyes shimmering with a hint of blood red silently plead, beg MC to stay...
Internally, he is breaking apart because he knows what he is doing isn't right. He knows that he shouldn't trap them like a bird in a cage, and yet he can't help himself. Not in this situation. Not when it comes to MC
'No'
He—Lucifer, Avatar of Pride himself—is the last thing trapping the very person that finally made him realize what his sister had meant forever ago
'I won't let you go'
How one day, someone would stumble their way into his life, and how he'd love them so wholeheartedly and so deeply that everything else would become trivial as long as he'd get to hold them in his arms
'I can't let you go'
Someone that he'd happily throw away everything for, not even considering any alternatives if only for the shred of a chance at just one last tomorrow with them
'Please stay with us. Please stay with me'
Everything.
'I cannot lose you, MC'
Even if they'll never forgive him for it.
"I'm not going to forge a pact with MC."
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thesunisatangerine · 6 months
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against all odds (to wait for you is all i can do) – part four
alexia putellas x photojournalist!reader
warnings: explicit sexual content
(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]
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It didn’t stop after the first and it sure didn’t stop after the third, either. 
Depending on her schedule, you saw Alexia once or twice at most a week; most of the time it was on the night after a Barcelona match and by the next morning, she’d be gone before you even woke up. But you’d noticed her visits had been increasing in frequency lately, not to mention that sometimes she’d still be in bed when you awakened. The first time you found her still asleep beside you, you were dumbfounded, thinking it was a dream image of her in front of you. And what amazed you even further was that it kept happening.
It wasn’t an unpleasant development. In fact, it was something you gratefully welcomed. And it wasn’t just that, either. Sometimes when Alexia came over, you didn’t even have sex you just… talked: about her training and her health, her teammates’ shenanigans–and hers, of course–her family and bits of her personal life. Meanwhile you told her about places you explored and showed her photos of where you’d been. Then she’d tell you about places you could check out, food to try, and even went ahead and promised to take you to some of the places herself when she had the opportunity.
These times were rare, sure, but you found yourself enjoying her company more and more to the point you noticed yourself craving for it–found yourself missing her presence despite your constant back-and-forth messages. And still you didn’t ask where this was going for fear of ruining whatever the two of you had; you were content and you just simply wanted to watch this unfold as it was. And anyway, it wasn’t like you weren’t used to fleeting relationships, situationships–whatever you’d like to call it–because who was to say this wouldn’t end up like your previous dalliances–ending before it could ever truly begin? Despite you hoping otherwise, a large part of you already convinced yourself that this wouldn’t be anything different: just another highlight to your getaway vacation that you’d look fondly back on a few years down the line.
You had a month left in Barcelona, maybe an additional few weeks depending on the client. What could possibly go wrong?
———
A knock took your attention from your work to the door. You looked at the time–it was early evening on a Saturday and you weren’t expecting anyone. Perhaps you just imagined it? But then it came again not a minute later. You were reluctant to open it seeing as it was already dark but a ping from your phone that signalled a message from Alexia asking if you were home had you flying to the door. 
Upon opening it, you found Alexia there with Nala resting in the crook of her arm, phone in hand, and a paper bag in the other. 
“Took you long enough.” Alexia said playfully, all cool and confident but then her brows quirked upwards almost sheepishly as she said in a more tamed tone, “is this a bad time? I didn’t mean to disturb you.”
You smiled at her consideration before you ushered her in. “No, no! It’s fine, really! Come on in. Sorry, I just wasn’t comfortable opening the door when it’s dark without knowing who it was.”
“Ah, it’s my bad. I should’ve let you know before dropping by.” She bent down and let Nala loose before she untied her shoes and left them by the door. Nala bounded to the living charged with curiosity, nose to the ground, tail wagging as she carefully examined the new space. 
Alexia regarded her dog with an amused expression before she looked back at you. “I meant to bring this over after the game tomorrow but I saw the lights as I drove past so… here I am, I guess.”
You reassured her again as you locked the door behind her and you watched as she made her way to the kitchen. As you passed through the archway to the kitchen room, Alexia already situated herself by the counter taking out glass canisters from the paper bag she brought. When she took the lids off, a delicious aroma instantly filled the air, enticing your senses.
“What do you have there?” You asked as you leaned on the opposite side of the counter.
Alexia smiled at the eagerness in your tone and pride shone in her eyes as she spoke, “only the best fideuà and esqueixada in the world. Made special by my mother, of course.”
You peered into the containers and the sight made your mouth water instantly. As if it remembered that you hadn’t had any food yet, your stomach grumbled obnoxiously. Alexia definitely heard it because she fixed you with an amused smile and at that, your cheeks warmed so you tried to divert her attention. “You know what would put this all together?” 
“What?”
“Wine or champagne. Wait–are you allowed to drink?”
“I’m allowed since I’m still not qualified to play yet.” Her visage became somber for a moment–it fleeted so quickly you almost didn’t catch it–before the light in them returned again. “If you have it, white wine is the best complement for this.”
You hummed and tapped your chin, turning to make your way to the cellar. “I’ll have a look. I’m sure Derek has some wine stored in here somewhere.”
You’d mumbled the last part but it seemed Alexia’d caught it because she asked, “who’s Derek?”
Something odd in her tone stopped you and made you look back at her. Her face was unreadable, almost too neutral. She didn’t think Derek was your boyfriend, did she?
“Oh, Derek’s my brother. He hasn’t been here for a while but he owns this house.”
“Ah, I see,” Alexia cleared her throat, looking away and you could just see a hint of redness in her cheeks. “Well, I’ll lay out the plates. I suppose they’re just in...?”
“The bottom drawer to your right and the utensils are in the upper one.” You instructed as you continued towards the cellar.
“Oh, yeah, I see,” came Alexia’s muffled response. 
When you returned with the bottle of white wine, you found that Alexia managed to locate the glasswares by herself and were drying them with a tea towel. There was only one set of plate and utensils laid out though so you fixed her with a confused look.
“You’re not going to eat?”
Alexia shook her head. “I already had my fill with my family earlier. I’ll take the drink, though.”
“That’s nice that you visited your family today. How are they?” You sat at one of the high chairs by the counter, popped the wine open and poured each of you a glass. You noticed that Alexia’d heated up the fideuà for you from the steam that rose from its container which strengthened its aroma and made it all the more enticing. Alexia remained opposite you but she was close enough with her leaning forward on her elbows, her glass of wine in hand.
She sipped her wine and told you they were well, described little snippets of what’s been happening in her family life. She even told you about a prank she recently played on her sister, one that nearly made you choke on your wine. 
You listened as she talked, liking the way her brows quirked and her shoulders move as she spoke, how each gesture became more pronounced the more passionate or interested she was on a subject. You asked questions and engaged with the conversation every now and again as you savoured the rich taste of the pasta and the freshness of the salad. You’d never had anything like it and you told her as much. In response, she said she’d give the compliment to her mother when she saw her next which made your cheeks warm up again. Once you finished, you tidied up and though you insisted she didn’t have to, Alexia helped you wash up anyway. 
Afterwards, the both of you ended up in the living room with your glasses of wine. She gestured at your laptop on the couch with her glass.
“Work?”
“Yeah. Just double checking if I missed anything important and preparing for the match tomorrow.” You sat on the couch and put the laptop on your lap. Alexia opted to sit on the carpet, legs stretched and crossed, back leaned back against the couch, her head just beside your legs as Nala settled by her side.
She turned her head, looking up at you. “Can I see?”
You turned your laptop so she could see better. You flicked through the photos you were sorting through, explaining to her every now and then the thought process behind each shot. On some photos, Alexia asked you to pause so she could soak them in.
“These are great. You have a great eye.” Alexia complimented with an appraising nod as you got to the end. You thanked her as you pulled back. Then a question came to mind.
“Do you ever get used to it? The cameras, I mean.”
A pause.
“I’m not and I don’t think I ever will. I’m more comfortable with it now but if it’s possible to avoid, I’d do it. I know it’s a part of football and god knows how much more exposure women’s football needs,” Alexia released a heavy sigh, “but sometimes it just gets too much, you know? I mean, I really should be grateful, right? To have gotten to this point? But the media side of it is… not without its own set of miseries.” 
There was an inflection in her tone upon her admittance–guilt. You gently carded your fingers through her hair, Alexia leaned into your touch in response, and you replied just as softly, “it must’ve been difficult. It still is and for you, especially. And I don’t know if anyone’s told you lately but you have to know: you’ve given so much of yourself already. It’s not a sin to want a little peace, Alexia, and it doesn’t make you ungrateful for wanting it, it just makes you human.” 
Alexia took a deep breathe before she rested her temple against your knee. Then you heard her whisper, “thank you.”
A silence fell upon the both of you after that but it wasn’t an uncomfortable one. She remained that way for the majority of the night, head against your knee as she watched a game of football on the TV. 
By the time you finished up your work, it was already late evening and Alexia’d dozed off beside you. You felt bad as you gently woke her up and groggy hazel eyes found yours when you did. The sight made your heart ache from how much Alexia looked younger and more at peace this way, and you told her to wash up so she could stay the night.
And she did.
Now, your cheek felt warm against her chest despite the slight dampness of her borrowed shirt from her hair. Her skin smelt faintly of the soap you were using and with her arm around your waist, you fell asleep content, lulled to a deep slumber by the steady rhythm of her heart.
———
“Hey, please don’t wear that, it’s dirty,” came Alexia’s reprimand from behind you.
You glanced at her reflection in the mirror: Alexia was propped up on the pillows against the headboard, an arm behind her head, nude except for the bundle of sheets that covered one of her thighs, the marks you’d left on her neck and chest last night and this morning generously displayed for you to behold. 
She was nothing short of glorious, you thought, looking relaxed and content like this. 
You turned your attention back to your own reflection: Alexia’s Barcelona jersey draped over your smaller frame and fell just partway down your bare thighs. It felt comfortable against your skin and the fact that it smelt just like Alexia made it feel all the more special.
When you looked at her reflection again, you found her with an affectionate smile, eyes lidded and brows inflected slightly upwards, and suddenly the attention warmed your cheeks.
“But you only wore it for a shoot, right?”
“I mean, yeah, but you know what I mean.”
You hummed, “do you need it?”
“No, I have spares,” she replied before she raised an eyebrow. “Why?”
“That means I have time to wash it before I give it back since you insists that it’s dirty.” You said drily as you turned away from the mirror and padded your way to the bed, crawling on the sheets on your knees once you got there.
As soon as you got close enough, Alexia’s hands were immediately on you, guiding you to straddle her lap before she embraced you fully, resting her chin between the valley of your breasts as she looked up at you. You carded your fingers through her hair to see those fair, hazel eyes that never failed to make you shiver.
“I didn’t say you have to hurry. Plus… I kinda like seeing my number on you.” And then she was kissing your neck and you felt one of her hand creeping its way down to cup your ass. You gasped when you felt the heat of her fingers brushing against your core and you buried your own in her hair as she traced a path from your throat to your ear with her tongue, nipping at your lobe when she got there.
“Fuck… Alexia…” You moaned, “you’re insatiable.”
She kissed your shoulder and then she whispered, “only for you.”
———
Something flashed from the corner of your eye followed immediately by a string of whispered curses and a familiar whirring sound. You put your thumb over the line you were just reading so you wouldn’t lose your place before you looked over your bare shoulder to the corner of the room you knew Alexia was who you found, as expected, holding one of your Polaroid cameras. 
She was only wearing a pair of grey sweats which left her torso bare and–like all the time you saw her nude–you couldn’t help but appreciate the soft curves of her breasts and the carved muscles of her stomach. When she met your gaze, she smiled almost sheepishly at you not dissimilar to a child being caught stealing cookies from the jar.
You raised a playful eyebrow at her but instead of answering, she placed her eye over the viewfinder, aimed the camera at you, then pressed the shutter again.
The film came out with a whir and Alexia immediately tucked it into the pocket of her sweats. She then began to make her way towards you and at every other step, she’d stop to take a photo of you, carefully manoeuvring the camera to get the right angle as she did so. It was an endearing sight, really, and it was one that filled your chest full of warmth. 
Eventually, she ended up on you, turning you over on your back as she straddled your waist, leaving you at the mercy of Alexia and her camera. From this position, you couldn’t help but feel extremely vulnerable and exposed not because of your bareness, but because you knew with the way your chest surged with warmth from how Alexia gazed down at you with a satisfied grin, the dimple on her cheek showing as her tongue peeked out between her teeth at the corner of her mouth, seemingly focused on getting the right shot, that this was a woman who had the power to completely and utterly unravel you. 
As a photographer, you were well acquainted with how cameras had the capacity to capture the essence of a moment–to display in raw details the emotions of its subject and freeze them in time, readying them for the dissection and scrutiny of the viewer. You wondered then what Alexia would see written in the shadow, the light, and the colours in the photos she just took of you once she looked at them, and the thought both elated and frightened you. 
Alexia brushed away hair from your temple but as she was about to pull away, you put yours atop of hers and turned your cheek into her palm, looking directly at her behind the camera. You heard her breath catch and then she stuttered out a breath, and the flash barely registered in your mind because you were too focused on the strength and the warmth of Alexia’s hand as you pressed butterfly kisses on the inside of her palm. 
The next thing you knew, the camera was abandoned completely and you couldn’t help the laugh that bubbled out from your throat when you finally felt Alexia’s lips on yours.
———
Alexia sat on one of the high chairs in the kitchen room, hair damp, a game of football on the mounted TV that was left forgotten in place of… something that you couldn’t quite see from this distance. Alexia’s shoulders were hunched over in concentration and you didn’t have the heart to interrupt whatever she was doing so you leaned on the archway, content with just observing her do her work.
“Are you just gonna stand there or would you care to join me?” You rolled your eyes and you didn’t fight the smile that graced your lips. So much for being sneaky–the fact that Alexia was an accomplished footballer who had crazy spatial awareness occasionally slipped your mind.
“Okay, Gwen Stacy, calm down.” Alexia looked over her shoulder then and stuck her tongue out at you, grinning. “How did you even know I was here?”
“Your reflection on the microwave.” She gestured to it with her chin and sure enough from this angle you were instantly visible especially with the white shirt you had on. The dark glossy surface almost made you look like a ghost.
Standing on your toes, you draped yourself over her broad back, arms wrapping loosely around her neck as you peered down. “So, what are we working on?”
“This.” 
A bracelet made of a dark-blue and red string that looped into itself with a singular, small gold diamond-shaped charm right in the middle, a vertical bar at the two corner points of the long edge of the diamond, dangled between Alexia’s fingers. She took your right hand and placed it in your palm so you could look at it: the bracelet was simple but it’s delicate nature made it all the more beautiful and elegant.
“Oh, wow, this is so pretty.” 
“It’s for you.” At that you looked at her, half-afraid that she’d feel the way your heart raced at her words against her back. 
You were so busy trying to find the right thing to say that you didn’t realise that she took the bracelet back until you felt the warmth of her fingers on your palm as she turned your hand over. You watched her as she wrapped it around your wrist, securing the tie. You turned your right wrist over and looked at the delicate bracelet, and something in your heart soared at the small gift. The fact that Alexia made it herself made it all the more special to you.
“Thank you, Alexia. I love it.”
“You’re welcome.”
That night while you were sufficiently warm nestled by Alexia’s side, naked except for the sheets, your head on her chest, a realisation hit you.
“It represents FC Barcelona, isn’t it?”
Alexia hummed in answer, the rumble from the sound a pleasant sensation on your cheek. Then she held your wrist in the space between her thumb and index finger, the width of her palm supporting your hand as she turned your hand just so so the gold of the diamond could catch the light.
“And what else?”
At that, you looked at the bracelet intently. The two bars: one and one–Alexia’s number. So she really was serious when she said she liked seeing her number on you.
You let out a small laugh, then you nuzzled her jaw as you spoke, “you little sneak.”
———
Minding her bad knee, you flipped the both of you over with a strength that even surprised yourself and with how Alexia’s brows raised high, you supposed it took her off guard, too. You settled your weight on her stomach and you bit your lip when you felt her abs tense against your core, and the desire in you blazed into a raging inferno that threatened to burn you inside out.
She grabbed your ass in both hands with a firm grip, making you gasp when her hold made you grind against her stomach, her eyes smouldering as she looked up at you. 
That look was your last straw; you couldn’t stop fighting your desire anymore so you let it swallow you whole. You fell forward, bracing your weight against your elbows as you craned your neck to kiss Alexia, rough and desperate, her lower lip between your teeth. The action rewarded you with a low moan, a delicious sound that shot heat straight down to your core.
“Just what do you think you’re doing?” Alexia gasped out between your relentless kisses.
“I like being on top,” was your simple answer whispered hotly against her ear, nipping gently at the soft skin there–teasing. 
Then it was your turn to gasp. 
Her fingers dug delightfully into your flesh, kneading your ass roughly before easing them apart with equal force. The harsh treatment caught you by surprise and the effect of it even more unexpected as you immediately melted against her, moaning her name helplessly against the crook of her neck. 
She knew just how to make a mess of you.
“Hmm, do you?” She asked coyly and then proceeded in a deliciously low voice that oozed seduction, smugness, and sex. “Too bad I’m still in control.”
“Fuck.” Your body answered for you in a full-body shiver. Her words turned you on to the brink of falling and you found no purchase as you slipped from the ledge.
It should be embarrassing how you could come without Alexia even fucking you, and it should scare you that she had this much power over your body but in this moment, when her hands were everywhere but your pussy and her filthy words were whispered hotly in your ear, you could care less. So you fell apart, shaking and weak, as you sank on top of Alexia’s firm and soft body, her name barely coherent from the sobs that came out of your lips. Euphoria lit every nerve in your body as you came, the fabric of your underwear latched deliciously on your pussy like a second skin and you were sure that you’d made a mess on Alexia’s bare stomach.
You only realised Alexia had stopped her teasing ministrations until you heard her thick voice through the haze of the afterglow which you barely caught.
“You came.”
It wasn’t a question, really, but you let out a small affirmative moan because what else could you do? You were mush–the intensity of your orgasm caught you off guard and left you floundering that no thoughts formed in your mind, just pure bliss and ecstacy. But as the veil of euphoria began to lift, embarrassment bled into the edges of your consciousness and with it the instinct to apologise. The words were poised at the tip of your tongue when Alexia moaned.
“Fuck, that’s so hot,” she breathed out and when you found the strength to lift your head to look at her, her eyes were lidded, pupils blown so wide they were almost all black.
And then she was pulling you in for a kiss, and then the wet heat of her tongue traced the edge of your ear, and she was nipping at your jaw while she dragged her palms from your ass to the side of your ribs. Your skin burnt at her touch and you could do nothing but surrender, to moan and whimper as your heat blazed anew despite having just been swept away.
“But this time, you’re going to come with my fingers in you.”
She didn’t even let the words sink in. Instead she wasted no time to slip her hand between your bodies and to push aside the fabric of your ruined underwear. Usually, Alexia liked to tease you and ease her fingers in you slowly as she sought as much reaction from you as she could, but the slick she found there must had been enough to satisfy her because she pushed two fingers in as soon as she found you. The thickness of her fingers slid in easily and you nearly screamed her name from the pleasure. 
She was relentless in her endeavour to make her words true with the way she gripped your hip steady with her free hand so you didn’t stray too far from her touch when you moved to meet her thrusts, the pace at which she worked her fingers in you left you lightheaded the same way her teeth on your neck worked to drive you insane.
“Alexia, Alexia, Alexia–” You chanted her name like a holy litany, burying your face into her hair that was now slightly damp with sweat and breathed her in: her scent of sun and freshly cut grass, of faint wintergreen, and an essence that was uniquely hers. The moment left you full with something heavy and warm, something that spoke of and hoped for forever, and clarity washed over you: this wasn’t like one of your previous dalliances anymore because you wanted more with her.
The realisation hit you hard, the gravity of it left your mind in a momentary stasis that when you came back to yourself, the shock of your orgasm knocked the breath from your lungs and you felt yourself being pulled by the tide. So strong was it that you could do nothing but pray the flood wouldn’t take you–that Alexia wouldn’t let you drown.
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oobbbear · 7 months
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HAPPY 1 YEAR ANNIVERSARY TO OUR LITTLE GAY WITCH STORY!!!
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bird-inacage · 1 month
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A First Kanaphan Gifset | Eyes that Speak: First as Yok
"Have you ever looked into someone's eyes and knew that person was so different than others?"
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kaladinkholins · 4 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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neitherlightnordark · 10 months
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from studying undertale (re: panicking while running from undyne) i have to say that its softness and kindness and sheer emotional weight is made more effective when paired with the fact that its so sarcastic and funny. obviously sans and especially papyrus are a good example here. papyrus follows 'dont kill and dont be killed' to a t bc that doesnt mean he cant be Fucking Brutal i cannot tell you how many times ive been owned by him. and yet there's moments where he casually slips in that youre his good friend. the moment you see the core when his expression crumples? when you try to call him one more time after talking to him before the core and he yells 'you don't have to say goodbye!!!'?all of these are made more effective by him looking me in the eye and saying things like 'it's undynes house. you know, the one with a skeleton in front'
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godofstupidsentences · 5 months
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The Ballad of Songbirds and Snakes, Suzanne Collins / Antigone, Sofocles
How do you mourn a brother you wanted dead?
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