Izuku 1/2 - better name pending -Snip
"You haven't used your quirk."
Izuku looked up from the snack he got at the vendors.
"The first two events of the Sports Festival are over." Todoroki stated. "You could have handled the obstacle course with ease with your wings, no one would have been able to touch you. Instead you handicapped yourself."
"This is not a criticism I need to hear from someone who's only been using half their quirk the entire year." Izuku pointed out.
"It's not a criticism, I just wanted to know if...if we're doing it for the same reason." There was an edge of desperation in his voice. An almost need that somebody would understand.
"It's not just that I'm not using it." Izuku unscrewed the the cap of his water and pour some on his exposed arm, where it beaded up unnaturally. "I've made it so I can't. There was a time when these water-based transformation quirks were a lot more common, so they developed a type of waterproof soap to prevent accidents."
"Why?' Todoroki breathed.
"Because," Izuku seemed to falter for a second before steeling himself. "I love my quirk. I love how useful it can be in being a hero. But I am NOT my quirk. My potential, my capacity to help, to grow, to achieve, those things are me and not a magical transformation. So many people see a hero and their potential as as nothing more than their quirk and they're wrong." Izuku ended his impromptu speech with a snarl.
Todoroki sat down hard. Blood pounded in his ears as Midoriya's words repeated themselves again and again in his ears I am not my quirk.
Because his quirk was all he'd even been. He'd been born for it, his siblings had been born in their attempts to make what would be his quirk. His childhood, his training, everything he'd ever been was because of his quirk, and the bastard that gave him half of it.
I am not my quirk
They're wrong
"Todoroki, are you okay?"
"Do you really believe there's more to me than my quirk?"
Izuku was quiet for a moment. "Todoroki, who do I need to have Sensei beat up?"
Sheer confusion brought him back to his sense for a bit. "What?"
"If I beat them up I'm going to get expelled. Sensei, he -he really doesn't care."
"He doesn't care about going toe to toe with the number 2 pro hero?" Todoroki asked skeptically.
To his surprise, Midoriya grinned. "Well, the last pro hero was a hugely disappointing fight, so this would probably be a treat."
"Who was the last hero?"
"Not gonna name names, but someone who thought me being quirkless meant I should be abused and be thankful for the opportunity to serve my betters."
That was sick. "I hope your Sensei kicked his ass."
Izuku grinned. It wasn't a nice grin. "He did." Then his grin faltered. "I was a late bloomer. Eight years old."
"Did things get better?" Todoraki asked.
"Almost immediately." Izuku said bitterly. "But that was almost worse because, things didn't really change, I just wasn't someone less evolved, so how they treated me was wrong. But...that's not why it was wrong and the next quirkless person or person with an unactivated quirk would be treated just how I was. So I want to change the idea that quirks are what's important. I'm going to do my best to win the sports festival quirkless. I'll show everyone just what the quirkless can do!"
Todoroki's hands gripped his knees. "My father, Endeavor - the number two hero. He bought my mother because he wanted her quirk. He wanted to create a strong enough quirk to unseat All Might. It took him four tries to succeed. He doesn't really care about my siblings, just me - his masterpiece."
"And your mother?" Izuku was almost afraid to ask.
"She's been in a mental hospital since I was small."
"Consider his ass kicked." Izuku took a swing of his water. "Todoroki...I completely support you not using your fire today, but you're going to have to use it in hero work eventually. So," Izuku grinned. "How would you feel about using it in a way impossible for Endeavor?"
"Impossible for Endeavor?" Todoroki tilted his head like a confused cat. "For all his faults as a human being, he's a master of the flame."
Izuku snorted. "Master? His abilities are no fire, yes fire, and unreasonable amount of fire. What I'm talking about is being a rescue hero."
Todoroki let out a small laugh at Izuku's description of Endeavor's capabilities. The first Izuku had ever heard him make. "What do you mean a rescue hero? I'm clearly most suited for combat."
"And according to the people growing up the only thing I was suitable for was a training tool for actual quirked people to practice their quirks on, so fuck was people say we're 'suited' for'." Izuku paled. "Please don't tell my Mom I said that. But your quirk would be perfect for rescue work."
"How so?"
"You can make fire at will. You could keep people warm in an avalanche - and your ice could do the opposite in an overheating situation. You could be light in a cave in or night rescue. You could combine your fire and ice to make fresh water, or use your fire to cook. Your ice could act as supports to prevent further collapse, kind of like Rock Lock's quirk. You would be an AMAZING rescue hero. And all of it would be using both sides of your quirk to help and comfort rather than just attack. And that's kinda of what I meant by something Endeavor wasn't capable of. He's sort of a combat monster, for a given value, but that's all he is."
That was...that was a lot of things no one had ever told him before. He was told since his quirk appeared that he was going to be the best hero, and to do that he needed to take down villains. But to Midoriya, he had potential outside of combat. To help those that needed it the most without causing harm. That the fire he hated so much could be used as a gentle warmth.
Midoriya was right. That was impossible for his father.
"A rescue hero. I...I think I like that. Thank you for you guidance."
"We both have something to prove." Midoriya he'd out his water bottle like a toast. "Let's mess with their conceptions."
Todoroki grinned and tapped his own water bottle to Midoriya's. "Let's"
~
"Your sensei is BATTLE GRANNY!!!!!!!"
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what i love about laios is that he's actually very good at putting puzzle pieces together BUT HERE'S THE THING 1) he needs to HAVE the information, and 2) (this is important) he needs to KNOW it is information he should care about
and i think this could be said of anyone but the thing with laios is that people tend to view his lack of awareness wrt social etiquette and memory problems as pure indifference and/or obliviousness; sometimes they misinterpret his motives based on their inaccurate expectations of him and therefore don't give his thoughts on a subject the credit he deserves
one of the most obvious examples of this happens at least twice in the manga as i remember it, but the most recent incident was when they were trying to resurrect falin. there's a moment where laios mentions reconstructing both of the warg skeletons, as their bones are mixed in with hers. both chilchuck and senshi balk at this, with chilchuck complaining aloud, questioning laios' priorities,
and laios quickly, angrily retorts. his reason for making the suggestion is perfectly logical and practical, but because his friends are used to his interest in monsters influencing his judgement, often in ways they see as frivolous or dangerous, they don't come to the same conclusion. one which i'd argue is kind of obvious considering the situation
we see it again during his fight with toshiro, where toshiro demands to know what laios plans to do to save falin. laios takes a minute to answer, but he DOES answer, following the logic that if falin is a chimera because of (and controlled by) the mad mage, then the logical next step is to confront/defeat/usurp them
then in the following episode, when chilchuck brings it up again, laios explains what he (now) knows about thistle, mentioning that he's the same elf that laios saw in the living paintings, which is why he knows thistle's connection to delgal. the party reacts like this:
i'd say this is an example of them feeling frustration over laios' habit of having 'bad timing', not knowing when or how to speak at appropriate moments. theyre judging him for not saying something earlier, as if he already knew all this but didn't think to mention it when it was relevant, when the reality is that laios only just now had all the pieces he needed to understand the full picture
and i mention this bit specifically because i think it's a great way to explain what i mean by point 2: laios needs to know when information is important and worth considering
which, again, feels fucking obvious. but as someone who ALSO has debilitating issues with remembering important shit, i find this particular element of it pretty relatable and critical to my overall point. it's not laios' fault that he didn't know who thistle was or his significance - why the hell would he assume that a person he met in a living painting, presumably long since dead in reality, should be someone who's face, name, or motives he keeps in mind?
ultimately, i guess what i'm trying to say with all this is that the way others treat laios' intelligence is not congruent to how actually smart he is. one of the things i love most about laios, what is possibly his biggest strength and the reason he is such a great protagonist, is that laios is willing to think things through and find the most logical conclusion to a problem, no matter how outlandish or dangerous or seemingly impossible that conclusion may be. sister got eaten? race back down to go get her. can't afford food? fight, defeat, and eat dangerous monsters. sister's fully digested? use black magic to bring her back. now she's a chimera? defeat the mage controlling her and use that power to fix it.
anyways. what was even my point with this post? i guess it is that laios is smart, at least as smart as anyone else in the cast, arguably smarter than some. he is intelligent and utilizes that intelligence in many ways, not JUST when it comes to monster info (though that is his best and sexiest brand of knowledge)
and also please be nice to your friends with memory problems. it's rough out here for forgetful bitches
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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359
TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon.
[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]
~~~
Ep21 Minkowski Commanding
First appearance
We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.
EIFFEL (over comm)
Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit?
MINKOWSKI
Don't worry. I've got that.
EIFFEL
Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine?
MINKOWSKI
Yeah, I've got that too.
EIFFEL
And this empty rack I'm looking at right now with a label that says "harpoon" suggests that...
MINKOWSKI
Yes. I have it, Eiffel.
The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way.
'Goddamn harpoon' speech
So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:
MINKOWSKI (getting psyched up)
You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.
There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)
But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.
Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!"
The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.
The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat.
Absurdity
A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on."
Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.
We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.
I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).
Other mentions of the harpoon
The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.
Ep27 Knock, Knock
EIFFEL [to Minkowski]
Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.
In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.
Ep45 Desperate Measures
LOVELACE [to Kepler]
Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.
Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.
The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…
Characterisation through Weaponry
When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.
A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is.
Maxwell's Death
When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about.
Ep61 Brave New World
About a third of the way into the finale, there's another indirect mention of the harpoon:
RACHEL
Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…
This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.
Which brings us, of course, to the harpoon's most significant moment:
Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.
MINKOWSKI
Let's see you catch this.
FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.
MR. CUTTER
... a... harpoon? That's not... how this is... supposed... to...
He struggles for a few more moments...and then he stops.
This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.
Human unpredictability
It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive.
It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.
Making good on her promise
Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."
It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew).
As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative.
And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.
The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.
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Now hold on a gosh-diddly-darn minute, I noticed the entire time talking about a tipsy Peppino no one thought to ask this but what about tipsy GUS? I mean we saw him a li'l tipsy in the fastfood saloon escape, can I hear your thoughts about that/him please? Have they ever gotten tipsy together?
(I just like the mental image of the two alone, just being real giggly with each other (Gus just says "hey" and Peppi starts giggling which sets Gus off giggling) and being sappy goofs with each other <3)
HEEHEE u are so right and i am so sorry for withholding this information from the masses 😭
My homebrew for gnomes is that they are simultaneously hardy folk (able to eat virtually anything and immune to most poisonous creatures) AND extremely intolerant of alcohol. Theres no reason for that, i just like it alot :)
So Gus would be an extreme lightweight 😭 its SO bad; he cant speak clearly at all, he cant walk straight, he has the Worst hangovers and he wont remember anything from the previous night. The line between ‘pleasantly buzzed’ and ‘blackout drunk’ is so thin that Gus doesnt even try social drinking. If he MUST drink, it will be in the comfort of his own barebones apartment 😭 at least, until Peppino started hanging out with vigilante and his crew.
Gustavo LIKES drinking! Its just hard to find a good balance, and THATS bc he simply doesnt know how alcohol works. Peppino is like:
“Look ‘ere. All of these have a number somewhere on the bottle. Or a percentage. Lower the number, the better it is for you.”
Gustavo is like !!! Oh!!! That is very helpful! What would you recommend for me then?
“Probably…2-5%. 5-10 proof. Small 'a numbers.”
Gustavo nods, interested. He points at a bottle he recognizes from the last time he came here and got shitfaced. “That one up there; do you know how ‘a strong that one is? Or should i ask the bartender?”
Peppino squints at the company label. “45%.”
“Oh!” That makes sense. “Well what do you usually drink?”
“70%.”
“Oh!”
Peppino recommends some of the LIGHT light wines, the ones that barely have a hint of anything. Theyre sweet (which Gustavo loves so very very much) and for the first time in a very long time, he Stays buzzed instead of immediately faceplanting into being blackout drunk.
Hes very. Playful. Is what Peppino would describe a tipsy Gustavo. He hesitates to use the term ‘flirty’ because that is not whats happening. But hes like. Clearly entertaining some gruff looking men like five times his size as they ramble drunkenly about random shit like ‘waow….thasso cool…and then what happened???’
Its funny at first bc Gustavo is so fucking TINY that all you can see of him, in the group of men as they yapyapyap about some inane shit that Gustavo wont even remember, is his tiny little tail 😭 It is less funny, however, when Peppino catches himself rambling about work and Gustavo is like (ears perked; tail swaying) ‘mmhmm. wrow…thats ‘a kinda nice…what else did you do??’ Peppino is like *buffering* (‘something is happening right now that will need to be addressed at a later time. Do not forget DO NOT FORGET. URGENT!!!!’)
Otherwise Gustavo is just a silly guy. Vigilante will make a joke and he laughs so low and deep that he sounds downright villainous 😭 Peppino will point out something stupid on the TV and like hours later Gus is like ‘…heeeuehuuueee…..do u remember [insert stupid reference] and Peppino will giggle. Peppinos affinity for throwing around ilus are met with Gustavo going ‘😊😊😊😊😊😊😊😊😊😊😊😊’ with absolutely no way to even pretend to mask it.
Gustavo has fun being out in the saloon but he really enjoys drinking in Peppinos house. Its not nearly as loud as the saloon and theres usually homecooked foods like breads and soups (Because Peppino stress-cooks ALL the time). Brick gets to stay indoors instead of waiting outside the saloon, so Gustavo gets to mess with his soft fur contentedly. He just gets to be cozy; its quite nice 😊
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