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devilfic · 11 months

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part five of this series dedicated to @aspenaspid because they asked so, so nicely

cw: 18+ mdni, implied masturbation (m), non-sexual bondage... technically. it definitely didn’t start that way, miguel’s definitely got a thing for “sir”, EXTREMELY suggestive, no explicit smut.

miguel cannot look you in the eyes right now.

you’re suspended above the crime scene in a web stronger than your own, and it’s hard to see you the same after what he’d done. it should’ve drained him, made him immune, or at least exhausted his desire for you a bit. and you’re none the wiser, of course, and he’s the only bearer of shame, but he’s watching you wriggle and writhe and he’s struggling not to turn back around and portal himself out of there before he made a mess of his suit again.

jessica had since subdued her anomaly, the one you both had come for, and found miguel standing at the far back of the scene with his mouth set in a hard line, “you might wanna take a sample of that web before we head back. villain’s webbing is double the strength of anything I’ve seen. if you can reproduce it, could be useful.”

it would be useful, yes. the synthetic webbers in the spider-society could definitely benefit. his own webs had their perks, but he imagines what he could do if he had access to something this strong. they’re strong enough to hold you captive, thin enough to look translucent. the white strings knot around your ankles, your wrists and chest, pressing deep into your flesh even as you tug and tug and tug. you keep tugging, growing winded with a fine sheen of sweat across your brow, groaning and whining for someone to just cut you out, that you’d do anything for someone to just run their talon down the axis of your chest and cut you free, catching on your suit in the process and ripping a hole for him to just tear-

you groan even louder this time, “can someone get me out, please?”

jessica laughs, pats miguel’s shoulder, “think I’ll leave this one to you.”

miguel whips his head to her, “me? you’re the one that got them in this mess. you cut ‘em out.”

but she’s already on her way, fashioning a portal out of thin air, “they’re your assistant.” and she falls through before miguel has the chance to argue.

there’s a lot less people around now. this universe’s spider had been tied up on the brooklyn bridge and someone was heading out to get them down, so it was just you and miguel and a spattering of police assessing the damage to the city. you blow a stray piece of hair out of your face and whine, “miguel.”

he swallows. maybe cutting you out sooner than later would be for the best.

you’re suspended horizontally, laid back in the bed of webs spread eagle. he uses his own webs to swing up and onto the surface, careful to keep from getting himself caught, and crawls his way over to you on all fours. he reaches your ankles first and extends a talon to snip away the webbing. it falls apart with a little effort.

as soon as your legs are free, you draw your knees to your chest and sigh and miguel has to look away before he gets any ideas. he crawls toward your wrist next, but hesitates. you’re looking up at him with such doe eyes that he feels his hand tremble a bit, “are you hurt?”

you glance away, suddenly a little irritated, “no. I barely got in on the action before that asshole webbed me up like this. he was gonna eat me.”

miguel raises an eyebrow, “eat you?”

“you should’ve seen the guy. he was huge, had fangs just like yours and six more legs.”

miguel frowns. a giant mutated spider appears in his mind, hovering over you with drooling fangs positioned over your throat, prepared to devour you whole. he was sure he didn’t look much different with a villain in his grasp. “just like mine?”

you turn back to him, eyes searching his own. it seems you both are remembering when his teeth sunk into your arm days ago. “not exactly... one fang was the size of my head,” something that big would’ve killed you with one drop of venom, “I tried picturing you as him to sweeten my imminent death, but he wasn’t nearly as good-looking.”

a comment like that would’ve usually had him cutting a hole in the web just to watch you fall to your demise, but hovering over your body (your trapped body, with nowhere to go, and a tantalizing view of your throat on display) had him thinking... other things.

he crouches on a single line of web, hunching his body over you until he blots out the light of the city above you, until his shadow overtakes you and your eyes widen. he places one hand by your head. his lips part slowly, naturally, revealing the very tips of his fangs to you. he watches your breath quicken and your throat bob with a hard swallow. if he’d had 24 hours to get over the images of you he’d conjured up to get him off, you both would’ve been back in nueva york by now.

but it’s been about an hour since he’d spilled into his hand over you for the fourth (or fifth? or sixth?) time, and none of it compared to seeing you like this.

“oh, really?” his voice rasps low.

for once, for once, he’s caught you off guard.

it was no doubt he was bigger than you. and when he wanted, he could be frightening. but even when he tried—and oh, he tried in the beginning, hoped it’d scare you away—you never wavered. it irritated him then. he’d wanted to make you shake.

and now you’re looking up at him and it’s not quite fear, but it stings like an electric current between you. you’re not quick to quip like usual. he can hear the tremor in your breathing. there are police sirens abound but it might as well be completely silent the way you zero in on him.

he’s committing it all to memory in the event his shame can’t keep his hand from finding its way back into his pants later.

you fill your chest with air and arch your back, a movement that makes his brain short-circuit, just to release your sweet breath and fall back into the webs again, “if I didn’t know any better,” you begin, eyes trailing up from his talons curling around the web by your face to his eyes, “I’d say you were trying to get me excited, mr. o’hara.”

his eyes narrow into slits, “what happened to ‘sir’?”

your face breaks out into a smile so triumphant that he realizes you’d done that on purpose, had tried out that “sir” to see if he liked it, not just to tease him. and now you had him hovering over you with his teeth bared like he had no sense. you were insufferably smug. he could feel how pleased you were, the way your body eased into the webs and each and every twist of your body traveled back to his fingers, overwhelming his senses. you’d caught him in a web of your own.

“if I call you sir, will you let me go?”

miguel doesn’t see it but he hears the sound of you stretching your fingers, making no attempts to free yourself anymore. he feels one of your knees brush his hip and wonders if the web will stay intact if he portals the both of you out like this. he needs it. to research, of course.

“I could just leave you here, let them handle you.” he nods to the people down below, forcing himself not to react.

“it would be just like you to leave right before it gets good.”

“that implies ‘it’ was ever gonna happen.”

your eyes flash with something. miguel watches your forehead wrinkle, then smooth over once more, “you’re right. maybe I should take web-slinger up on his offer when we get back, then.”

web-slinger... hit on you?

miguel’s fist clenches and before he realizes it, the webs underneath his hand snap and his arm falls through, throwing him off balance and dropping his full weight on top of you. he tries to gather his bearings but suddenly something is touching his face—you, your hand that had broken free when he’d closed his talons into a fist at the thought of patrick o’hara (oh, you’d definitely done that on purpose) and you—and holding it an inch apart from your own. he waits with bated breath, all at once at your mercy.

you tuck a stray hair behind his ear and he all but full-body shudders, “don’t worry. you’re the only o’hara for me.”

part six

#a little bit of jealous miguel for the culture #miguel o'hara x reader #miguel o'hara scenarios #miguel o'hara imagines #miguel o'hara headcanons #miguel o'hara fic #spiderman 2099 #across the spiderverse #marvel #mjwrites

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cobalt-knave · 5 months

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Tag game by @genxrocker! Pick a song for each letter of your URL, and then tag that many people!

Thanks for the tag @thewrongshop!

C - Crossfire by Stephen

O - Old King Cole by The Mechanisms

B - Bury Me Low by 8 Graves

A - Another Cog In The Machine by The Cog Is Dead

L - Last Saskatchewan Pirate by the Derina Harvey Band

T - Torture Tango from Spies Are Forever

K - Kids In America by Kim Wilde

N - Noel's Lament by annapantsu

A - An Unhealthy Obsession by Blake Robinson Synthetic Orchestra

V - Villains pt 1 by Emma Blackery

E - Eat Your Young by Hozier (fun fact, for some reason, this is one of the few songs that I can listen to while writing, so my "writing playlist" is just different covers of Eat Your Young)

tagging @lucymason217 @generic-internet-name @leochantisallspiders @the-poppy-outie-effect

#I really could not think of any for K XD #tag game #music recs

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quasi-normalcy · 20 days

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I know I say that modern Star Trek hasn't really introduced very many original villains, but that's not quite fair., So...

Comprehensive list of new villains offered by modern Star Trek (post 2017)

BA'UL

Why They're villains: They oppressed the Kelpiens on Kaminar for thousands of years and lied about their origins. Pros: Notably creepy design, and notably creepy technology Cons: They can't really be used as recurring villains because the Kelpiens overthrew them at the end of the episode; 900 years later, they'd become allies.

CONTROL(technically borrowed from the novels, but whatever):

Why They're Villains: Did that standard basic bitch evil computer move where they tried to wipe out all organic life in the galaxy. Pros: Um...at least the writers got it out of the way so that they couldn't make that particular aspect of the novelverse canon.

Cons:

CONTROL sucks.

Seriously, at their best, they're just like...Diet Borg. Fuck CONTROL.

Can't come back because Emperor Georgiou murdered it up but good, yum yum. Not that you would want it to.

HIGHER SYNTHETICS:

Why They're Villains: "Just ring us up and we'll come kill all organic life in your galaxy", lol.

Pros:

Tentacular

Introduces some cosmic horror to the Star Trek universe.

Cons:

Kind of a generic doomsday villain.

Too powerful to really use them again.

GELRAKIANS:

Why They're Villains: Turn hostile if you show them wood.

Pros: Umm...

Cons:

Completely obsessed with crystals

Not really prime "recurring villain" material

DROOKMANI:

Why They're Villains: Extremely territorial about their salvage.

Pros: So far, they're the first villains on this list who have actually been recurring

Cons: They don't really seem like a threat to any ship more powerful than California class.

BADGEY:

Pros: "I will burn! Your heart! In a fiiiiiiiire!"

Why He's a Villain: Daddy issues.

Cons:

Kind of a one-note joke.

Ascended to a higher plane of existence so he can't be come back.

AGIMUS & PEANUT HAMPER:

Why They're Villains: He's a tyrannical supercomputer! She's just kind of a bitchy robot! Together they're...legitimately just making each other into better people?

Pros: They're kind of adorable?

Cons:

They're not really villains anymore

Peanut Hamper shouldn't even be on this list since Exocomps were from TNG.

SPECIES 10-C:

Why They're Villains: Gravitationally dredging the Milky Way for dark matter.

Pros:

Kind of a cool concept

Not a type of alien that Star Trek has really done before.

Cons:

Not really villains.

Extremely unlikely to recur.

TRANSWARP CONDUIT ALIENS:

Cons:

Why They're Villains: They, uh, opened up a big-ass transwarp conduit in the middle of Federation space for some reason.

Pros: Umm. They gave Agnes something to do in the finale.

Blatantly just created at the last minute to justify the presence of the Borg at the beginning of the season.

By the writers' own admission, they never had any actual intent to follow up on them, even though they really ought to.

They're a complete blank slate; even more so than the Higher Synthetics. Who are they? Dunno. What do they want? Dunno.

Honestly I don't even care about them, I just want to see more Jurati-Borg

VAU N'AKAT

Why They're Villains: They blame the Federation for destroying their planet in the future.

Pros:

It's nice to actually have an original alien species as arc villains for a change

I like the aesthetics of their technology

John Noble and Jameela Jamil both have really pleasant voices; like, I could listen to them all day

Space Goths

Drednok

Cons:

There's only, like, a hundred of them who came back from the future so it's not clear how much of a threat they can be without their living construct jiggerypokery.

I'm sure that this will get fleshed out in season 2, but they seem kind of underdeveloped as a culture at this point.

I assume that they'll probably make friends by the end of the series, so they probably can't be recurring antagonists elsewhere.

SHEPHERDS:

Why They're Villains: Ancient fundamentalists amorally protecting a holy comet on its path.

Pros: It was a good episode.

Cons: Unless you run into that one specific comet, they'll probably just leave you alone.

MAJALANS:

Why They're Villains: You know The Ones Who Walk Away from Omelas? That.

Pros: It was a good short story.

Cons: Aside from ritualistically torturing a child to death every few years, they're kind of upstanding citizens of a the galactic community. Not really villain material.

HYSPERIANS:

Why They're Villains: Their evil queen keeps trying to trick her asexual son into losing his virginity.

Pros:

Their ship is really pretty.

The concept of Ren Faire larpers getting together to make a real kingdom is kind of hilarious.

Cons:

They're just another type of human

They seem to mind their own business when they're not trying to interfere in the sex life of one specific Starfleet engineer.

KROMSAPIODS:

Why They're Villains: They have a undeniable biological need to hunt

Pros: Kind of terrifying design

Cons: Catch-and-release hunters aren't really threatening.

MOOPSY:

Why It's a Villain: The Moopsy DRINKS YOUR BONES!!!

Pros: Moopsy!

Cons: Moopsy!

#star trek discovery #star trek picard #star trek lower decks #star trek prodigy #star trek strange new worlds

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tellmeallaboutit · 1 month

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knock knock (Raphael x F!Player)

Chapter 2, In Which You Meet A Tall Dark Stranger

Chapter 1

SUMMARY: Careful which mods you install for BG3. Did you read the terms and conditions carefully?

TAGS: meta romance, psychological horror, smut, the character is the player, Raphael is after you, you wanted him, you invited him to our world, he accepted your invitation

RATING: explicit

AO3

Chapter 2

The next day, during your lunch break, you made another attempt to persuade Raphael to take his clothes off. The clock struck noon; your private laptop was on the right side of your desk, while your work laptop was on the left, Teams open and your mouse ready to show signs of activity from time to time.

The sun was shining through the wide open window, children playing outside. Idyllic. Nothing sinister could be happening in broad daylight with those happy sounds in the background. The horror movies told you so. Except for Midsommar.

Well, screw Midsommar, then. This isn’t Sweden.

"All right, I'm going to set some ground rules here," you said to the loading screen. "I can be as creepy as I want to be to you, because you're just a bunch of pixels, but you can't do anything creepy to me, because I'm a human being. Got that? Good."

The sound of your voice made you feel braver.

As you heard the familiar sinister 'you-let-the-villain-win-bad-player' music in the background, you covered your eyes with your hands and peered through splayed fingers.

Then he appeared. Just as you had wished. Perfectly naked, with a stereotypical video game six-pack and just the right amount of body hair. The orange lighting made his skin glow, and his flaccid penis, like that of the game's generic male model, vanished from sight as he strode closer.

Your ears pricked up to listen to the scripted monologue you knew by heart, watching (waiting?) for any hiccups or new animations, the YouTube app on your phone playing the identical scene for comparison.

Everything happened exactly as it should, word for word, save for the speaker’s nudity.

All good. You breathed a sigh of relief and spread your fingers wider to admire Raphael a little better.

Same as always. Handsome and charming and completely imaginary, which, now that you thought about it, was the biggest part of his charm.

"Ta-ta... for now," Raphael's signature line echoed through the room.

"Bravo, Raphael," you praised the screen. "You've done nothing creepy. You have earned your title of Archdevil Supreme."

After waiting for a response that never came, you laughed off your silliness and shook your head. Your laptop was overheating, giving off a slight synthetic smell. Should have upgraded a long time ago. Just need to put enough money aside.

"OK, screenshots," you said. "I wanted to take some screenshots. Do you mind, Raphael? Can I have your consent? They’ll help recruit more followers for you, my liege."

Your phone vibrated. The FaceID gave you a preview of the Discord messages from Queen-of-the-Bored, one of the few Raphaelites you'd actually spoken to directly and felt like you kinda sorta knew.

queen-of-the-bored: ngl that was some really funny joke, we spent the whole night trying to recreate it :-D queen-of-the-bored: you sounded legit worried over that voice message tho haha you: it was legit. check the reddit thread queen-of-the-bored: which thread

Ok, let me google that for you. You typed in the same search words as yesterday, "Raphael naked mod April prank," clicked on the thread from yesterday, and skimmed through the comments.

“nah not joking there is this naked mod for teenage mutant ninja""

“all dongs appeared MASSIVE on April’s first”

Scrolling further, you realized that was not the correct Raphael - it's Raphael the Turtle, not Raphael the Devil. Why was there so much NSFW content about him? What did people see in turtles?

You quickly corrected your search to "Raphael BG3 naked mod April prank," but it didn’t bring back any relevant results. So, you changed it to "last twenty four hours" just to be thorough.

Didn’t help. Nothing. You were the only to be called a naughty little mouse. The special one.

queen-of-the-bored: which thread dude??? you: my bad it was the turtle queen-of-the-bored: ??? queen-of-the-bored: I am slowly getting worried about you haha

Next step? Contact the mod developer directly? What if they have no idea what you're talking about?

Then what? What were the alternative theories? You've been hacked and doxxed to madness for that one Twitter post that got people waving pitchforks at you?

There you go, you were scared again. Daytime, sun shining and children playing outside, but there you were, alone in your flat, scared again.

You took a deep breath and looked at the screen. "All right, I understand, Mr Archdevil Supreme. No screenshots. I'll uninstall the mod and I apologise for my disrespectful behaviour."

You couldn't bear to see Raphael's face on the screen again so you hit ctrl alt delete instead of Escape and stared blankly at the Task Manager.

Next, you uninstalled the mod that had caused all this trouble. Then you went to Tumblr and removed the reblog of Raphael in a cat playsuit with the tag "my poor miau miau". Then you deleted your bookmarks on AO3. Your Twitter account was beyond repair, so you deleted it altogether.

None of these actions made you feel any better. You grabbed a quick cup of shrimp noodles, but eating it only made you feel worse. As you tasted the sodium on your tongue, you came to a realisation: what you needed was to go the fuck outside.

You had been stuck in your flat and home office since the start of the pandemic, chronically online. Online work, online colleagues, online friends, who was the last real person you saw, talked to and hugged?

Your mum, probably.

Oh yes, no wonder you were going mad. You need to get out there and meet some real people. You opened Discord, quickly scrolled past the sketch of Tav giving Raphael head, and typed a message: you needed to touch grass.

queen-of-the-bored: well there is Comic-Con this weekend you: this is NOT touching grass, this is burning it queen-of-the-bored: true you: besides not going alone queen-of-the-bored: maybe Raph will keep you company 😈

What? Such a strange thing to say. Or was it? Who the hell was that behind the screen anyway? Apparently someone called Sammy from Ohio. Supposedly. Wasn’t she the one who recommended this mod?

She was.

Come on, you're just letting your paranoia get the best of you.

queen-of-the-bored: oh BTW I found THE hottest Raph smut queen-of-the-bored: mind the tags it's so hot but soooooo fucked up queen-of-the-bored: just read it trust me thank me later

Who the hell were you, Sammy from Ohio, Korilla? You put the phone down and started pacing around your small flat. It was not much to pace around, only forty-two square meters.

At least you rent a flat in a building with other people and not some house at the edge of the forest. Strangers live below you, above you and on either side of you. They don't know you and you don't know them... but they were there, just in case...

Just in case.

"You know what?" you said to your computer. "I need a break. I need to focus on my mental health. Self-care, Raphael. I'm not playing with you. For now".

The moment you finished speaking, your phone lit up again with another notification. This time it was an email. You made a mental note to start managing your notifications better.

Did you enjoy your Devil Dick © - Natural Red experience? We know you will be back for more 😈 Check out the new...

What the fuck? Oh no, no, click away and make a mental note to never order from Bad Dragon again with customer satisfaction emails like this. It's borderline harassment. You ordered from them ONCE, as a joke, just to see what ridges might feel like.

Not as good as the smut had promised you,

Private. Private stuff. Between you and your bed drawer. Between you and your browser. God, how much stuff you have in your browser history. You should have used incognito mode more often.

Would that have helped?

"That was low, Raphael," you muttered. "Or is it Haarlep today?"

You glanced around your room before angling your computer screen towards the wall, then retrieved the Devil Dick © from its hideaway in your bedside drawer. Your fingers grazed over the silicon ridges as you swiftly stashed it away in a box beneath the bed.

"If you must know, it was too big for me. Flattered?"

Crawling out from under the dusty bed, you looked up and realized for the first time that anyone in the building could easily peep into the flat if they tried hard enough or cared enough to do so.

Enough is enough.

You need to hydrate, you need to eat some vegetables, you need to start jogging again and you definitely... you definitely need to go out and talk to some real people. Maybe it's time to get back on Bumble and try your luck again. Who knows, it might actually work this time.

He wouldn't like that.

Where did that thought just come from? He wouldn't like it, who the hell cares what some imaginary devil thinks.

Standing up straight, you pointed a finger at the screen in front of you.

"Raphael, just so we are clear, you and I: I really like you. I do PR for you every day for free. You don't have to scare me to get my attention. You should appreciate me and be nice to me. I'm the best agent you'll ever have.”

Having made your point, you put on your running shoes and AirPods. It brought back memories of all the times you had jogged through the nearby park. Afterwards you'd sit on the bench and eat an ice-cream, watching couples, happy and glowing, watching families with children, happy and stressed, watching people living their lives in a reality parallel to yours, and then you'd come home and go into a reality parallel to theirs.

The AirPods picked up right where they left off last time.

I want to hold you close, soft breasts, beating heart, as I whisper in your ear

I wanna fucking tear you apart

You removed the AirPods from your earlobes and exhaled. This wasn’t Raphael's fault. This is She Wants Revenge, you have listened to it a thousand times. You knew the lyrics, they hadn't changed.

You can't even listen to music anymore. Pull yourself together.

Get some vitamins from the pharmacy.

Touch some goddamn grass.

***

You stuck to your digital and physical diet until the weekend, and as a reward, nothing happened. No oddly timed emails, no strange messages, no random phone calls. Maybe it was your pitch talk or the vitamins you started taking, but either way, Raphael was on his best behavior, and so were you.

No Tumblr, no AO3. Didn't even touch Steam. Got into a highbrow podcast about the Roman Empire.

You set a new personal record for days without 'self-indulgence', as Raphael would put it, although that wasn't really the intention. Something always seemed to interrupt - whether it was the loud hum of the fridge (which was always obnoxious) or the flickering light in the hallway (which had been broken for over a week).

By Friday, you had finally finished the work projects you had been putting off for months. The job wasn't too bad, but it hadn't been any fun for years, if it ever had been. You did the bare minimum to get the paycheck and keep the job, and your employer kept the paycheck at the bare minimum to keep you. If there was anything else you could do, you would do something else.

Still, this was probably the most productive week you had in years. You scrubbed your flat from top to bottom twice and cleared your wardrobe of clothes that no longer fit.

You were proud of yourself.

Gradually your sense of security began to return. You tried not to dwell too much on the incident with the naughty little mouse; if you didn't think about it, it almost felt like it hadn't happened.

On Friday, you plucked up the courage to play BG3 again, wandered through Baldur's Gate, avoiding the House of Hope for the time being, had a few fights, played the graveyard scene with Astarion (daring, but a small part of you hoped it would make Raphael jealous enough to come out again), and shut it down.

Nothing out of the ordinary.

You hadn't planned to go to Comic-Con. For one thing, it was on the other side of the city, in the business district of the convention centre, so it would take at least an hour to get there. Secondly, going alone just felt... weird.

It was not until Friday night that a little voice in your head started to whisper, "Why not? Maybe you'll meet some like-minded people”. Make some friends you can actually touch (not in a creepy way).

It's a better chance than endlessly swiping on Bumble.

Maybe you'll meet...

Neil Newbon. If you can get past the hordes of fangirls. Andrew Wincott. No, Andrew Wincott wouldn't be there; you'd checked beforehand. To be honest, hearing his voice might have been too much for your psyche at that moment.

So you decided to go. You went, and it was as fun as you had imagined it would be - that is, hardly any. The convention hall was huge and crowded, rows and rows of stalls, crowds and crowds of people. Live panel discussions, cosplayers, flashing lights, bright colors, chatter, laughter, very loud, very lively.

Raphael wouldn't last a minute in that chaos.

"Hell is other people," you thought to yourself, quoting Sartre. If you ever met Raphael, you'd quote Sartre to him too. He must know that you read intelligent books and not just fanfiction.

Some people might be comfortable going to events and eating alone in restaurants, but not you. It's even worse being the odd one out in a group of odd ones. How come all the others had someone to take along? Where did they find all those people in this godforsaken city?

You talked to a few people and a few people talked to you. Nothing really took off. Your mind was elsewhere, to be fair. You were looking for something in the crowd.

Someone.

It was absurd, yes, but so was what happened this week with the mod. You had met a few Raphael cosplayers, three at least, but they were...

Well, of course they weren't him. But they did a great job with the clothes and the hair and the make-up, and one had really great prosthetic horns, and you touched them and admired them and praised that particular Raphael for all his hard work in creating them.

They were real people, not video game characters that had come to life, and neither were you. You looked down at your jeans, at your thighs, and thought you should start jogging again, and felt even less comfortable in your own skin.

Then Neil Newbon came along and things quickly became too chaotic for you.

You decided to take a break and walked down the street until you came across a cosy café - none of that generic chain stuff, but something that tried hard to be authentic with pretty flowers in the windows.

Sitting alone at a table for two, you looked down at your phone and opened the Discord chat because you came here to talk to some real people.

In the main chat, there was a heated debate about whether devils are allowed to torture mortals into signing contracts. Both sides presented arguments based on lore, edition contradictions, past precedents and personal conviction.

A man's voice interrupted you as you typed your own very elaborated opinion of hellish law. "Excuse me, may I?" he asked, his words slightly muffled by the AirPods.

"Sure," you replied with practiced friendliness, not even looking up. That was always your default answer. It's not like you can say no to this kind of request anyway.

People ask and do a lot of things out of politeness. That was precisely why you took the AirPods out of your ears.

The moment you lifted your eyes to meet the man's, you learned the true meaning of the word 'jumpscare'. Your body jerked upwards, the table shook and the coffee cup tumbled - narrowly missing Raphael.

Raphael.

Not a man who looked like Raphael, not a man who was dressed like him - Raphael.

You weren't sure if you made any sound or uttered any words. You probably yelped.

What you did do for sure was gawk.

His skin tone identical; hair slicked back just right; eyes uncannily accurate in hue and shape - down to every wrinkle. A perfectly realistic rendering. Not the uncanny valley type, no, perfectly believable. This is exactly what he would look like if he were real and swapped his fantasy clothes for a business suit.

So this is what it feels like to go completely insane.

Very banal, actually. You are having a psychotic breakdown and no one is even looking at you, except for an imaginary devil.

"Oh my, my apologies," Raphael said as he quickly grabbed napkins to mop up the spreading lake of coffee on the table. "I did not mean to scare you."

Oh, but he did, very much. You could not breathe, your chest encased in an iron brace of fear. It's you who needs to apologise, and apologise fast, and apologise a lot, and beg for mercy. Especially for liking the Twitter art of him being spit-roasted between Yurgir and Haarlep.

If you only knew... you would never have clicked on it... absolutely never... all those posts you wrote...

"Raphael?" you managed to squeak out. “I didn’t mean it, I swear.”

This must be how a deer feels in the headlights of an oncoming truck.

He looked at you, very sincere confusion etched across his handsome face. "Excuse me?"

You drew in a shaky breath, your nostrils flaring as you tried to catch a whiff of cherries under the aroma of fresh coffee, not caring how absurd you appeared. Yes? No? Or was that strawberry jam on his croissant? Have your senses gone haywire? Your mind certainly has.

"You're... you're here to cosplay Raphael?"

The thought tumbled out of your mouth before it had time to fully form in your head. It was the only explanation that made sense... It didn't, but it made more sense than all the others put together.

Raphael moved closer, pulled up a chair and asked, amused: "I beg your pardon, I'm here to do what to whom?"

The voice. The voice was the same. Andrew Wincott's voice. The man had simply stolen his voice. Or had the man stolen it from him? The movements, the mannerisms, the facial expressions. This man could not be Raphael because...

Well, because this man was real. As real as you were.

"Raphael," you explained. "From the video game. Are you here to cosplay... to play... Raphael?"

The man gave you a look as if questioning your sanity, and rightfully so. You were also sweating bullets - could he see the damp patches under your hoodie? You pressed your arms against your sides; wouldn't want him noticing.

"I'm hardly an actor," Raphael replied with a polite smile, "although there was a time in my youth when I entertained such ambitions."

He chuckled lightly and took a leisurely sip of his coffee.

"I'm here to enjoy my espresso, nothing more. I... have never been particularly fond of..." he added with the disdain of a typical middle-aged man, "... video games.”

You had no response for that because Raphael wouldn't be into video games either; that much was believable.

"My office is across the street," he said, pointing towards the office complex opposite you. "Precisely there."

The golden sign on the building across from you, d'Avergni & Partners, told you nothing, except that Raphael had an office job and an office space and a desk and all the things that the devil shouldn’t have because the devil invented them to torture the others.

Raphael was dressed like he had just stepped out of a board meeting. A three-piece slate gray tailored suit, white shirt peeking out from underneath, silk tie and matching pocket square. Of all the modern Raphael AUs, you preferred the Professor one, you voted for it, you had Sucharide’s fic bookmarked. The Professor was more, ugh...

Safe.

As for you, you were wearing a hoodie with your university on it. A clean hoodie, but a hoodie nonetheless. What the hell else would you be wearing to Comic Con? You didn't do your hair. Well, putting it in a ponytail is not doing your hair. Why did you not do your hair?

"I know, I know, you must be wondering why anyone would toil on a weekend," Raphael continued. That was the last thing you were wondering. "Alas, no rest for the wicked."

"Wicked?" you echoed. You looked at the people in the cafe, sure they were staring at the both of you, but they weren't.

"Oh," he chuckled lightly, "it's just an expression – 'No rest for the wicked.' You've never heard it before?"

"Of course I have," you said, momentarily embarrassed. "Never mind...sorry."

"You have nothing to apologise for," Raphael raised his eyebrows. "In fact, I should be the one to apologise for startling you. May I offer you another cup of... ah, what was that... cappuccino? After twelve? Tsk-tsk, young lady".

Not a single modern man could ever manage to say the words "tsk-tsk, young lady" as charmingly. That was Raphael.

"No bother, I can get one myself," you said quickly, about to stand up.

He raised his hand slightly and put it down to halt your movement, and for a second you thought he was going to touch you, and if he had, if you had felt the skin of his skin, he would have felt more real and you would have died on the spot from a bursting heart.

"I have no doubt about that. But may I treat you? It would be my absolute pleasure”.

Pleasure. The way he said the word was straight obscene. You couldn't handle the word 'pleasure' coming from a man who had been responsible for more than half your orgasms in the last few months.

So in your daze, you mumbled: "Yeah. Yeah, sure."

Raphael stood up and walked over to the barista. She acknowledged him, so that's one point for him being real and you not hallucinating. Not only did she acknowledge him but she flashed him a goofy grin - clearly smitten.

Of course she is.

You have to take a picture of him. How do you take a picture of someone without their consent without being a total creep?

You don't. It's in the fucking definition; you can't. But you should. Maybe you'll open your camera roll and see someone completely different, and then you'll know it's time to call for mental health services.

Your phone was buzzing with messages, which you quickly swiped away and went straight to the camera. You took a picture of him from behind while he ordered you a coffee. The barista gave you a “fucking weirdo” look.

Fuck you, you thought, you have no idea what I am going through right now. Then you switched to the camera roll and checked to see if the photo reflected what you saw.

A broad, fit back of a very attractive middle-aged man with lush brown hair, paying for coffee with cash.

You couldn't decide whether this made you feel better or worse.

When Raphael returned with your cup, you had something for him too. "This is the character I was talking about," you said, a screenshot of virtual Raphael ready on your screen.

Anyone who saw the screenshot would say, "Who motion-captured me?"

Not Raphael. He barely glanced before shrugging and handing your phone back. "Hmm, I see some resemblance, I guess."

Resemblance? What fucking resemblance? There was no resemblance; he WAS Raphael! You were about to argue but he beat you to it: "Why? Were you hoping to meet this...Raphael?"

His voice dropped an octave and he looked at you intently. He was flirting - openly, unashamedly.

"I...I was," you stammered out. "He's my favourite character."

Brilliant, brilliant line. Dear diary, today I wanted to meet Raphael, my favourite character from my favourite game. So much for quoting Sartre.

"Well now, I'm flattered," Raphael purred, causing you to wriggle uncomfortably in your seat. "I do bear some physical likeness."

That was a massive understatement.

The man had a disarmingly charming smile. You tried to remember if Raphael had ever smiled like that in the game. It was mostly scowls and grins and smirks, but this kind of smile? You didn't think so. You caught a glimpse of yourself in his hazel eyes, and that was not Tav; that was you. Just you.

Not that you were unattractive or anything. Average. Maybe even a little pretty on a good day. You didn't like yourself very much. Then again, most people don't. That's how the beauty industry makes its money.

You got your share of attention, some, nothing to brag about. Had two boyfriends, it didn't work out, you used to care, now you don't. Certainly never got any attention from men who looked like him.

Why should this man be interested in you, why? Ah, yes. Your soul. He probably wants your soul. Is it worth much at all? Is it worth coming all the way to Earth? You wanted to apologize to him for going through all this trouble just for you.

"So this event in the convention hall down the street..." he snapped his fingers as if trying to recall a forgotten name.

"Comic-Con 2024," you supplied. "It's huge in fandom culture. TV shows, video games, that sort of stuff.”

"Ah. Not my kind of entertainment - or my kind of audience, for that matter," Raphael said with a slightly raised eyebrow, eyeing the “Astarion approves” badge on your backpack. "It does remind me of a deal I signed recently."

"Deal?" you asked in a weak voice. He nodded. "What deal? With who?"

"With who? No, I meant the Microsoft-Blizzard acquisition".

Ah, that kind of deal. The words felt so reassuring, so real, the acquisition. Raphael would have no idea about these words. Raphael wouldn't say "Microsoft". You mean the real Raphael. What the hell is a 'real' Raphael again?

For the first time, you let go of a little tension. You took a first sip of your coffee and leaned back slightly in your chair.

"Actually, I think these acquisitions are really harmful for the industry," you said.

Why did you have to be so confrontational? You didn't have anything clever to say about such things, so you spoke the truth instead. Bad idea.

"How candid of you to say that. Well, I’ll be just as candid with you: I am indeed a villain." Raphael grinned. "I hope you can forgive me."

There went your short-lived relaxation, which lasted less than a minute. Raphael had just looked at you and said "I am a villain". Challenge him. Tell him it's him because, well, it's him. It can only be him. Tell him you know it's him, and then...

And then what?

"Everybody's got a job to do, I guess", you managed to utter the most generic phrase in existence.

"Isn't that so..." Raphael replied, pausing for a moment before finishing the sentence with your name.

You did not introduce yourself to him. You were sure of it. Absolutely sure.

"How do you know my name?" you asked, half rising from your chair, raising your voice and quickly lowering it again. "I didn't tell you my name. How do you know it?"

Raphael gestured to your phone, which lay on the table screen between the two of you. Your work ID card was tucked away in its transparent case - something you hadn't needed for a while.

It had your first and last name on it.

"I saw it right before my eyes," he explained. "I thought it was a hint."

"It wasn't," you said.

"Oh, another faux pas on my part then," he said. "At this rate, I owe you something to make up for all my many transgressions. Perhaps dinner?"

You let out a nervous chuckle. One of your popular Tumblr posts had been an impassioned rant about how Raphael had promised a similar in-game offer but failed to deliver despite the many times you gave him the Crown.

"I seem to have absolutely terrified you, and that was not my intention. I insist on making it up to you. If you allow me, of course. I don't want to impose. Would you allow me to?"

He looked at you with the intensity of a man admiring a beautiful woman, his shoulders back and chin slightly up, trying to present himself from his best angle - something you've seen men do before, but rarely (if ever) to you. It was as if he could hang on every word that came out of your mouth, simply because he enjoyed watching your lips move. Raphael looked like he was in love, for Christ's sake.

Your cheeks grew warm.

"Yes," you replied.

He kept silent for a bit, savouring your answer.

"Splendid. Where might I collect you?"

It took you a moment to realise that he was asking for your address. Your personal address. Shouldn't he know it already, if he was Raphael? You replied as nonchalantly as possible:

"Why don't I give you my number and we can arrange to meet at the center?"

His expression darkened slightly; you've seen this look in the game before.

No, you shouldn't have said that. You wanted him to like you.

Desperately.

"You don't trust me?" Raphael's voice dropped an octave or two, playful and just a little threatening.

You felt his breath on your face (cherries?) and the next second you stopped feeling your legs. The attraction that had been simmering inside you for months started boiling over.

Breathe. Pretend it's not Raphael. A man came up to you in a coffee shop and asked you if you trusted him in that kind of tone, leaning in like that. You know what the sensible thing to do would be - get up and walk away. And if it really was Raphael, get up and run away.

You remained seated and stayed.

"Just, ugh..." was all you managed to get out of the jumbled thoughts in your head; two coherent sentences so far into the conversation, and both of them made you sound like an absolute madwoman.

Raphael laughed.

"Of course you don't trust me, that's only prudent, and you seem to be quite an intelligent young lady. But just so we are clear, you and I: you have nothing to fear from me. What is that number of yours?"

Quite an intelligent young lady, the words echoed in your mind and you remembered your naughty anonymous Tumblr confession: I would suck every last drop of cum out of him as long as he kept praising me.

God, everything you've read with him in the main role. Double penetration, double vaginal penetration, pet play... you weren't even into half of it. You hoped Raphael didn’t think you actually wanted him to do all of the things you read with you.

You just liked clicking on random links.

"Do you need something to write it down or...?" you asked hesitantly.

"I will remember," he said curtly. “I do not forget things easily”.

You realised that there was something far more frightening than anything that had happened before: that he wouldn't remember, that he would never call you, and that this conversation and this meeting would end there.

So you carefully enunciated each number, then took a pen from your pocket and wrote it down on a napkin: it seemed romantic in the movies, but your handwriting and the coffee stain made it look like a secret message from the madhouse.

He grinned and tucked the napkin into the pocket of his suit.

He took the last sip of coffee and then took your hand in his. He touched you. His skin was warm and real and soft and everything you had ever imagined, his touch surprisingly tender.

Your whole body responded to that tiny crumb of affection, viscerally. You hadn't realized how famished you were for a touch until that moment.

He lifted your hand to his lips and pressed them against yours. His lips were soft too, slightly damp from the coffee.

"I am looking forward to our rendezvous," Raphael murmured against your palm. "Ver much so."

Rendezvous.

In any other situation, a middle-aged man kissing your hand would be downright creepy. But this... this was a fever dream, an illusion, anything but reality. Because there was no way this madness could actually be happening to you.

Was it a bad thing? Was reality ever... this? So unpredictable? So exciting?

You only snapped out of it when the door closed behind him, but you snapped out hard. You practically threw yourself at the next table, where a group of guys were sitting, their appearance screaming video games - backpacks and scruffy beards, Warhammer-emblazoned T-shirts.

You grabbed one by the shoulder and hissed urgently: "Guys-guys-guys-guys." Your words came like rapid fire. "Tell me that guy doesn't look exactly like Raphael from Baldur's Gate? That one? On the street behind the window?"

Damn, you sounded desperate.

"Ah, sorry, never played it," came the nonchalant reply before he turned back to his friends' conversation.

"Baldur's Gate," chimed in another, his face lighting up. "Amazing game. Looks like who?"

"Raphael," you said. "The devil."

The guy laughed, but didn't even look where you were pointing.

"Ah, the two-pump chump?"

You shot a quick glance at Raphael. His eyes met yours through the glass window, and they were cold now; his smile was gone.

I didn't say that, you pleaded with him in your thoughts. That guy said that. That guy over there. I would never say that.

Your defence of his bed skills stretched from Reddit to Tumblr threads, you argued that Haarlep was slandering him, that Raphael was the best fuck there ever was and you personally vouched for that because you fucked him a thousand times in your head.

"Don't call him that, please," you whispered to the guy. He gave you a confused look when you pointed at Raphael again: "Look at him. The one staring at us. Does he look like him?

Is he real? Do you see him too?

"Ah yes," he admitted with a grin on his face, raising the cup of coffee to his lips, "he sort of does. Yes, he does! Well, I hope he doesn't...oh shit! FUCK!".

The guy's face contorted in pain as he clutched his mouth, jumping, cursing, tears streaming down his face. You could see the skin on his lips reddening and blistering.

"What the fuck?! It's fucking boiling! FUCK! "

The barista rushed over to him, spewing apologies as she tried to handle the situation. You took a step back and glanced at Raphael whose lips were moving subtly - two syllables that matched rhythmically: 'bye-bye' or maybe 'ciao-ciao'.

It didn't have to be 'ta-ta'. He waved nonchalantly at you.

You waved back.

NEXT: Chapter 3, In Which Larian Introduces The Raphael Romance

#bg3 raphael #raphael the cambion #raphael x player #raphael x tav #raphael x oc #raphael x you #meta fanfic #knock knock

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public-trans-it · 9 months

Note

i would love to hear your dark spore rant. i didnt even know spore had a sequel.

Oh anon. Poor sweet anon. I’m so sorry.

So, the thing about Darkspore is…

… it was a really REALLY… mediocre game.

Like, the moment to moment gameplay was… fine. Just fine. Not incredible. But not BAD! Really, it only had two major flaws:

The first, it was buggy as hell. One particularly nasty bug was present in the games launcher, and on certain systems the game would fail to install at all. They were unable to ever fix this bug, which I speculate was a major reason the game was abandoned by the devs so quickly and lead to it being taken down from every major digital distribution site. You could still install and play it if you already bought it though! If… it actually installed for you.

Which leads us to the second flaw. It’s right there on the box.

“Internet connection required”

The game has Always Online DRM. All the levels, enemies, loot, your entire account, was all stored server side. And servers are expensive. So, when the games bugs became unwieldy and not worth fixing, and they took it offline… it became a money sink. It was a game generating ZERO revenue, but had huge server maintenance costs. So eventually, they just shut down the servers.

It is now very difficult to obtain the game, requiring you to buy one of the few unopened physical copies remaining. And even once you do have it, it is IMPOSSIBLE to play. There is a project called Resurrection Capsule in the works, some fans trying to create a private server for it. But with so much info stored server side, they basically have to recreate entire subsystems from scratch. It’s… not going very fast, and to my knowledge hasn’t been touched in over a year.

Story

The story of the game is pretty basic. A progenitor race of alien super-scientists create a new, synthetic form of DNA, called Exponential-DNA, or E-DNA. This rapidly mutates to create new life, and can be guided to create specific, specialized organisms, condensing thousands of years of evolution to a few hours. It can also be injected into existing creatures to alter them and make them more powerful. However it also linked everything affected by it into a hivemind. So it was outlawed. The creator of it decided to respond by creating a E-DNA virus, called The Darkspore, infecting himself with it, and spreading it across the galaxy and conquering it, wiping out his own race.

You play as another member of that race, who has been in hibernation for 1000 years while that was going down. Your ship AI has woken you up because it has managed to stabilize E-DNA and also keep it disconnected from the hivemind, and needs you to go kill the guy who took over the galaxy. That is how the game starts.

…

And how the story ends. There is not really any more story past that part. You get a cutscene describing each of the games 6 planets the first time you visit it, and a final “Hey you won!” cutscene after killing the final boss which ends with the cliche “implication the villain isn’t really dead” trope, and… that’s it. That’s the entire story. Not really the selling point of this game. Its not even entirely clear if it takes place in the same universe as Spore! It’s just set dressing for “Run through these 24 levels and beat everything up”

Gameplay

Darkspore was created by Maxis. This alone was HUGE. This was a team of developers who only really made lifesims like The Sims and Sim City, taking a stab at making a diablolike game.

And I GENUINELY BELIEVE every single studio out there needs to do shit like this. Designing for something so outside your wheelhouse creates SOOOOO much innovation so quickly. You get fresh new ideas injected into the genre so quickly. The final product won’t be good! You don’t have any damn experience in the genre! But it will create something unique beautiful, and god damn I wish we lived in a world where that alone was enough and devs weren’t focused on chasing profits instead.

Genesis

Genesis is just a fancy way of saying ‘Element’. There are 5 of them: Plasma (fire and lightning), Bio (plants and animals), Cyber (machines), Necro (death and fear), and Quantum (space and time) and the way they interact is… certainly a choice I guess. Each Darkspore you face has a genesis it falls into, and each of your heroes has one as well. If your Genesis matches that of the darkspore you are fighting at the moment, you take double damage and they take half damage. If they don’t match, all damage both ways is neutral.

The system itself is kinda mediocre. The biggest part of it, however, is the Variant Skills. Each Genesis has 4 unique skills tied to it that represent the common elements of that type.

Heroes

There are 25 heroes in the game, which each have one Genesis and one Class (Sentinel which are the tanks, Ravagers which are the DPS, and Tempest which are the Casters/Support)

Each hero has 4 total variants, with the first one you unlock being Alpha, and as you level up your account (heroes do not have their own levels) you eventually can purchase their Beta, Gamma, and Delta variants, with each variant having slightly different stats, and a different one of their Genesis’ 4 variant abilities.

Each hero has a unique basic attack, which USUALLY has a little extra to it. For example Sage shoots a bolt that hurts enemies it hits, but heals allies it hits. Zrin alternates between two different punches, one of which has a short duration DoT and the other of which has a 10% stun chance. Stuff like that.

They also have a passive effect that is always active while you are playing them. Collect a soul from each enemy killed for a 5% damage boost, 10% damage bonus when attacking from behind, a stacking defense buff every time you take damage, stuff like that.

Finally, a character has 2 unique abilities. One that is unique to them and can only be used while you are playing that hero, and a second ability that is everyone in the squad can use if that hero is present.

Squad Decks

Which brings me to the first rant and something I am SO AUTISTIC ABOUT (positive). SQUADS. The game had you craft Squad Decks, collections of 3 heroes that you can swap between during your missions, for a total of 883.2k squad combinations (I think my math might be off on that). Swapping between them is on a cooldown of about 10 seconds, but otherwise is don’t instantaneously and as often as you want without penalty. You always have 5 abilities active:

- The unique ability of your active hero

- The Genesis ability of your active heroes variant

- Hero 1’s Squad ability

- Hero 2’s Squad ability

- Hero 3’s squad ability

The first two abilities change out every time you swap heroes, but the last 3 are fixed. So you have 3 abilities that you always have access to, and 6 abilities that are paired up and you can swap between which pair of those abilities is active.

Your heroes do NOT share a health/energy pool, but DO share healing pickups. Any time you pick up a health or energy restoration pickup, it refills a chunk of the respective health pool of your currently active hero, and a smaller chunk of each of your inactive heroes in the squad.

So the core loop of moment to moment gameplay becomes swapping situationally between heroes both offensively and defensively, to get access to your other heroes skills and also to mitigate damage from enemies based on their genesis or control where your healing is directed.

Loot

Loot in Darkspore is fairly standard for your average Diablolike. Item drops have 4 tiers: Common (Item Level=Account Level-5), Uncommon (Item Level=Account Level), Rarified (Item Level=Account Level+5), and Purified (Item Level=Account Level+10)

Items of higher tiers have more chances to roll on a table to gain beneficial modifiers.

Each item fell into one of a few different categories: Weapon, Hands, Feet, Offensive, Defensive, or Utility.

Each hero has one of each slot, plus an additional slot based on their class. Ravagers have an extra Offense slot, Sentinels have an extra Defense slot, and Tempests have an extra Utility slot. Any hero can equip any item you gain, with the exception of Weapons that are hero specific. Some heroes also lack Hands or Feet, in which case their weapon has extra stats and can get the same modifiers as hands and feet can.

The items you equip can then be added onto the Hero in the Hero Editor. The Hero Editor is often equated to the Creature Editor in Spore, which is BULLSHIT and was a pet peeve of mine the ENTIRE DAMN TIME THE FAME WAS LIVE. This is a FALSE EQUIVALENCE. It uses the outfit editor from the Tribal/Civilization phases of Spore instead. Importantly: this means you cannot alter the overall silhouette of your hero. It will always maintain the same basic profile and animations. However you can freely place the extra parts you equip anywhere on its body, and can also place multiple copies of them.

Additionally, old parts can have their stats stripped, converting them into ‘Detail’ parts with no stats, of which you can equip 6 different parts, each of which you can include 10 copies of on your hero. So you could get some pretty cool looks from it!

However all this loot is garbage and you likely would not use most of it outside of appearance. Which brings me to…

Cash-out Loot

Usually if you mention the word ‘cash’ in any sentence involving a game published by EA, it would be a call for concern. Luckily this isn’t that! It’s just gambling! Everything is fine!

The main progression in Darkspore comes from gear, and the best gear comes from how good your ships engines are. These come from account upgrades as you level up your account, determining how many levels you can do in a row. Every time you complete a level, you are given an option: Keep going, or ‘cash out’ and get a guaranteed piece of Uncommon gear, with a 10% chance of it becoming Rarified, as well as all the gear you picked up in the level.

If you choose to keep going, you have to complete the next level. If you die, you lose ALL the gear you picked up, including that guaranteed piece. If you make it to the end, you are given another choice: Risk it all again and go on to the next level, or stop here and get your TWO pieces of guaranteed uncommon loot, which each now have a 20% chance of becoming rarified and a 5% chance of becoming purified.

You can only go another of levels equal to the number of Engine Upgrades you have earned by leveling up your account. So at first, after the second level you HAVE to cash out. As you progress you can start to do many more levels at a time, getting a dozen pieces of gear that are practically guaranteed to be the highest rank.

But of course you have to play these levels in order, and you don’t get a chance to upgrade your character with all the cool new loot you found on the way, so you can’t just jump straight into this. You have to slowly build up to being able to push yourself this much, and once you can, you have a readily available source of some of the best gear in the game.

And that ties into my absolute favorite system of Darkspore:

Catalysts

Many diablolikes have a mechanic called ‘Sockets’. The gear you equip has its own type of equipment slot, and you put gems in there that give you small bonuses. Every game does it a little differently, but it’s kind of a staple of the series.

Darkspore uses a similar system, but utilizes it VERY differently. While you are running levels, enemies will rarely drop Catalysts instead of loot. These come in 5 colors: Purple (boosts your base stats), Red (boosts offensive secondary stats like damage or attack speed), Blue (boosts defensive secondary stats like health regen or damage resistance), Green (boosts utility secondary stats like movement speed or lifesteal), and Rainbow (can contain any of the bonuses of the previous categories) They also come in two sizes: Big and Small. This determines how big the bonus from them is.

You have a 3x3 grid on your HUD that the catalysts you collect go into. You can rearrange them however you want, and if you create a line of 3 of the same color (Rainbow is a wildcard and matches with all of them), it will double the bonus of all Catalysts in that line. This stacks, meaning if you create multiple lines over a single catalyst it could get a x3, x4, or even x5 bonus if it’s the center piece of the grid and forms a line in every direction.

However, you can’t save Catalysts. You can equip it to the grid or drop it on the ground and move on. That’s it. You have to decide now. Do you keep that Big Purple you have for the big buff to your most important stat, or do you trade it for that Small Rainbow for a mediocre stat you just found that you can plug in the middle and double everything else in your grid?

“Surely that only matters early game, and once you have good catalysts you don’t swap them out that much, right?” I hear the diablolike veterans asking, because that is how socketing works in most of those games. And normally you would be right. Except for one major change: All your catalysts only last until the end of your run. When you get to the cash out screen, and choose to keep going? You keep them. But if you choose to cash out, or if you ever die, your catalysts all vanish. Every new run you have to go through and collect them again, which results in you playing your heroes in new ways and adopting new strategies based on what catalysts drop for you each run.

It’s an INCREDIBLE easy to learn system that adds SO MUCH depth and replayability to the game. I love it so incredibly much. Each mechanic flows elegantly into the the next. The catalysts help you do better runs which gets you better gear which upgrades your heroes which lets you do better runs, the entire spiral being locked into your account level to give a quantifiable metric of how far this spiral is gone. It was so good!

And now, it’s gone forever.

Man that sure was a long post. Friends have heard me go on this rant SO many times. Thank god I never got into a second mediocre game filled with novel innovations that are ultimately lost to time and can never be experienced again due to Always Online DRM making it unplayable. Can you imagine if I didn’t learn my lesson and did that a second time? Ha!

… I never did that again. Right?

… right?

…

HEX: Shards of Fate

Hex was a digital TCG legal battle with TCG elements created by Cryptozoic. It was originally put up on Kickstarter, advertised as a digital card game with both PvE and PvP modes, a unique focus on the design space opened up by being a digital game, and gameplay damn near identical to Magic: The Gathering.

The thinly veiled truth was that this game was never meant to succeed. They had hoped it would, and it would be great if it did, but I’m fairly certain that was always a secondary objective. The first objective was to get sued by Wizards of the Coast over the similarities to Magic: The Gathering.

Now, that might sound strange to an outsider, but to anyone in the industry, they are probably nodding along and going “Yeah that tracks actually.”

You see, Wizards of the Coast is… bad. Really bad. They do everything in their power to choke the life out of the industry and have resorted to a lot of questionable tactics to do so. One of these is against anyone who develops any form of trading card game. You see, WotC has a patent on booster packs, customizable decks of cards, and turning cards sideways.

Literally.

U.S. Patent No 5,662,332 (A)

It is not a coincidence that the second two biggest names in TCGs don’t involve turning your cards sideways. Konami contested that Yugioh was different enough to not violate the patent.

WotC responded by suing them. They settled out of court.

Nintendo actually hired WotC to design the Pokémon TCG to NOT violate the patent in return for WotC getting to distribute the first few sets. WotC gladly accepted, distributed the game, got their cut of the sales, and as soon as that was over….

WotC responded by suing them. They settled out of court.

Every single other game out there ended up paying royalties to WotC. Because the cut of the sales to WotC was cheaper than going to court even if you won. WotC had their fingers in every pie, but was smart enough to make sure not to piss people off so much that refusal was ever a viable option.

Cryptozoic was a company that, at the time, was making several licensed TCGs. The big one that jumps out was the World of Warcraft TCG, which they were in charge of (though it was originally made by Upper Deck). Cryptozoic was begrudgingly paying royalties because having the WoWTCG license was too good and they didn’t want to give that up. Then Hearthstone happened and Cryptozoic was going to lose the WoWTCG license as it got discontinued.

So Cryptozoic set up their new game, Hex, specifically to bait WotC into suing them, so they could get the patent overturned.

See, the patent isn’t actually valid. You cannot patent a game mechanic. There are certainly aspects of the patent that ARE valid and CAN be enforced, but the parts about mechanics can’t actually be enforced. WotC uses it because people can’t contest it, but if it actually was used in court it would get overturned VERY easily, and WotC would be declawed.

So Cryptozoic created a game that was a clone of MtG, used a Kickstarter to build up a large amount of legal funds, and got sued by WotC! Yes! Exactly what they wanted!

… and then they settled out of court.

Sigh.

I guess I’ll talk about the game now.

Lore

The lore of the game was solid. Pretty typical fantasy setting. Humans and elves and sort of racist orcs (better than most other orcs I’ve seen at least) and extremely racist tribal coyote people make up the good guys. Undead, spider-orcs, dwarves, and also pretty racist samurai rabbit people make up the bad guys.

There are two types of magic in the world: Blood magic and Wild magic. Elves are adept at wild magic. Shin’hare (the rabbit people) are adept at wild magic as well. The Shin’hare tried to take over the world, forcing the Orcs, Humans, Elves, and Cyotle to ally together to drive them underground into the underworld.

There the Shin’hare met and allied with the Vennen, an all male race descended from Orcs. They were adept blood mages, and they procreated by kidnapping orcs and using them as incubators for spiders. I fucking love the Vennen. I’ll focus on them a lot in this. The Vennen taught the Shin’hare how to sacrifice their young for more power.

The two then allied with the Dwarves, a genderless race of sentient stone statues who excel at creating machinery, and who believe the world itself is a giant machine. Specifically, a weapon of mass destruction, and they are trying to set it off. They believe blowing people the fuck up to be their natural calling.

The underworld and overworld forces go back and forth a bit, with the Elves doing a large chunk of the work as the only overworld race that can use magic.

Then Hex happened. Hex is a massive meteor made up of Diamond, Emerald, and Sapphire. Hex punched clean through the world, scattering gems all across it, before stabilizing in orbit on the other side, becoming the worlds moon.

These gems were incredibly magical, allowing every race to now use magic. Diamonds were restorative, bringing life to things. Rubies were extremely destructive and burned bright and hot and quickly. Sapphire allowed finesse manipulation and control over water. These

Yes this is just the MtG color pie.

Eventually, humanity stumbled into one of their old crypts that was very close to the impact site of Hex, and found it CRAWLING with undead. They were taking the Diamonds from Hex and putting them into the eye sockets of human corpses, causing those corpses to reanimate. These were NOT actually undead, but an alien consciousness that existed within the gems that were using human corpses as a host.

The Necrotic sought a peaceful and symbiotic relationship with humanity as thanks for the use of the bodies. Humanity responded by getting really pissed off that the Necrotic were grave robbing, and went to war over it. Eventually the Necrotic retreated deep into the underworld and allied with the other races instead, eventually helping the Shin’hare with a second attack on the surface.

The lore has a lot more depth than that, but that’s the basic. I liked it a lot. The Orcs being good guys who just really liked tests of strength was a refreshing take on orcs. I liked them a lot. The extremely racist caricature that made up the Cyotle and the Shin’hare? Less so.

Digital Design Space

As for the actual gameplay… it was MtG. Like, almost 1:1.

Like…

Seriously.

Shards work similarly to Lands, with there being 5 basic shards, Diamond, Sapphire, Ruby, Wild, and Blood. You can only play one Shard per turn and when you do you get 1/1 Resource. 1 resource to spend on this turn, and 1 permanent resource. You spend that resource to play a card that costs 1, and you go down to 0/1 resources. Start of your turn, you would go back up to 1/1 resource.

Pretty straight forward stuff. Resources are a card type like in MtG, but once it’s played it acts as a perpetual resource like the Mana in Hearthstone, with no need to care about where the resource is coming from.

… wait a second though, this is a MtG clone. It uses the color pie. Caring where those resources come from is KIND OF a big deal in MtG.

Which is the first really cool difference between Hex and MtG! THRESHOLD! Each time you play a shard you gain 1 threshold in that color. To play a card, you have to have at least as many threshold as are displayed below its cost. See that purple dot below Murder? That means you need 1 blood threshold to play it.

Threshold is NOT consumed when you play a card, which DRASTICALLY alters deckbuilding and how feasible multi-color decks are.

For example, in MtG, if you had 4 swamps and 1 mountain in play, and 5 cards in hand that all cost R…. You can play 1 whole card this turn.

In Hex, if you have 4 Blood and 1 Ruby, and have 5 cards that all cost 1 and have a single Ruby threshold, you can play your entire hand that turn. This made it incredibly viable to splash colors in relatively smaller amounts. It also opened up cool new design space, like cards that cost 1 but still required 3 threshold in a color. Or cards that require 1 threshold of every type to activate a bonus effect (very common among Necrotic) or… for sockets!

HEY WE ARE COMING FULL CIRCLE!

Remember how I mentioned Diablolike games having sockets, but how Darkspore didn’t use it? Well Hex DOES. There was a pair of keywords called Socketable Major and Socketable Minor. Each set, there would be 10 gems (two of each color) that rotated out for Socketable cards. Cards with Major sockets could equip any gem, while minor sockets could only equip half of them. So for example the current rotation might have the Sapphire gems be “While you have at least 1 Sapphire Threshold, this card has Flying” for its Minor gem, and “When you play this card, if you have at least 3 Sapphire Threshold, target player draws 3 cards”

You chose which gem was in each Socketable card during deckbuilding. Different copies of the same card could have different gems equipped, or you could have the same gem equipped across multiple different cards. It was basically a way to go “This card was designed to be splashed in other color decks. You pick what that other color is.”

It opened up a lot of design space! This was something Hex did VERY well. They knew they were making a MtG clone, but they weren’t beholden to the same restrictions a physical card game did, and they THRIVED in those areas.

For example, REPLICATORS GAMBIT, a one cost card that creates six copies of a troop (read: creature) that just… could not exist in MtG.

Another example of this was in my favorite archetype in Hex: Mill. Now, I’m not normally a blue player. I’m not a big fan of the ‘you don’t get to play the game’ archetype. Even mill isn’t really my thing. But the way it worked in HexTCG? God I loved it. I wish I could see my opponents faces as they reached a trembling hand out to their bloated, grotesque deck, a cruel mockery of what it once was. They had started the match with only 60 cards, but now it held twice that number. Knowing every draw was more likely to bring their own skittering death out.

…

Maybe I should back up a bit.

Vennen are, in MtG terms, tribal Blue/Black with a focus on control. Specifically an aggressive form of control. Your wincon is still ‘beat your opponent to death’, but the means by which you do it is… spiders.

Lots of Vennen cards work by still allowing your opponent to do the thing that you blocked, but it now creates Spider Eggs in their deck. Lock down a creature as it enters play with ‘Everytime this creature becomes tapped, shuffle 3 spider eggs into your deck’ or ‘Whenever an opponent draws a third card this turn add a spider egg to their deck’ or ‘When this creature is destroyed add a spider egg to your opponent’s deck’ and when they DRAW a spider egg… well… the effect of a spider egg is more or less ‘When this card enters your hand or graveyard, draw/discard another card into that zone and destroy this one. Your opponent creates a Spiderling and puts it in play. “

Spiderlings are 1/1 Unblockable creatures.

The Vennen win con is to just fill your opponent with spiders and then shred them apart once the spiders start hatching. It was a DELIGHTFUL playstyle.

PvE

Hex also features a fairly robust PvE mode with a point crawl encounter map that was quite delightful. There were cards unique to PvE, but all PvP cards were also legal in PvE. In general, all your staples came from PvP and were the same core staples everyone uses to win (they were very generous with handing out common/uncommon PvP cards in the single player mode, which in turn also made Pauper a very popular format), however you also had PvE cards which made up your win cons. PvE cards weren’t balanced as tightly, and allowed to just be dumb overpowered bullshit just because it’s fun to use dumb overpowered bullshit sometimes!

There were also equipment slots that would modify the cards in your deck, turning PvP cards into PvE cards. For example, Replicators Gambit made it so that EVERY copy of that card gained that text.

PvE started with character creation. You would create a character that was one of the 8 races, and one of 6 3 different classes. Warrior, Cleric, or Ranger. I think there was a late update that added Mage but I don’t recall too clearly, and it isn’t document online anymore as far as I can tell!

Each class had a unique talent tree that you could customize and change how you played. Your race determined what colors you could play, and your level determined how many of each rarity you could play.

I played a Vennen Cleric. Cleric’s whole thing was that you would gain Blessings, 0 cost cards that would rise in your deck each turn, and could be played to draw a card as well as additional effects based on your build. My blessings put more eggs in the enemy deck, to the surprise of no one.

As you went from encounter to encounter you would earn new cards to modify your deck, swapping decks between fights. Then there were dungeons, long laborious streaks of a dozen or so encounters, with branching paths and decisions to be made, earning you tons of new packs and equipment and experience to boost your character. One especially fun encounter was crossing a desert with a pack of… I think it was gnomes? There were 20 of them that needed rescuing. The way you rescued them was putting them in your deck, and then leaving the desert through a single combat encounter. Except they were AWFUL. Like 3 cost vanilla 1/1’s level of awful. The more you had in your deck, the harder the encounter became. It was a really nice way to portray the logistical challenge of trying to fight while protecting all these useless tagalongs.

There were plans to even introduce Raids, 3v1 PvE encounters, but they fizzled out as the game got sunset.

The game was good. REALLY good. It relished in the digital design space in a way I haven’t quite seen since then. A few games, like Legends of Runeterra, have come close, but always fall short, and that’s so sad! I DESPERATELY want to play a TCG with this level of customization again!

Luckily that was the end of it. I finally learned the error of my ways, never touched anything ‘always online’ again, and now can live a life without regrets! … except Legends of Runeterra a little bit like I mentioned above but THATS IT! There are no other always online games I have regrets about!

…

ToonTown Online

Okay no, not seriously. I’ve never played toontown. But honestly it looked kinda silly and like a shitpost in video game form. I think it would have been fun to try at some point with a few friends. Not seriously, just to screw around in for a bit.

Never going to get that chance. Just like nearly everyone reading this will never get to play two of my biggest influences that shaped how I think about game design.

Always Online DRM is an insidious beast. It doesn’t just kill games, it kills *archival*. All we have left of these games is a relatively small number of gameplay videos. I was planning on having a lot more pictures in this post of all the interface elements I was talking about as I talked about them, but there just… aren’t any good pictures of them. Even these details are based on my own memory cross referenced with a couple of wikis, and even those were sparse.

Some games can’t feasibly avoid Always Online. MMO’s are a big example. But by adding it into a game that has a single player experience involved, and not making that single player experience a standalone thing on its own, you are destroying any hope that your game will be remembered. It will fade into obscurity. There will never be a cult revival. Your work will be discarded and forgotten and it’s… so incredibly sad to see.

I jokingly titled this section being about ToonTown, but really this section is about Kingdom Hearts: Union X. It was a mediocre and disgustingly predatory gacha. It was horribly managed with horrible issues around localization and it was just… a mess. But it was part of the world of Kingdom Hearts, and it’s story was important and mattered.

The game is no longer playable, but it’s also not entirely lost. The devs created a new version of it, as a gallery to view the cutscenes. The single-player side mode, Dark Road, is also included. The devs didn’t have to do this. They could have gone the same route as Darkspore and HexTCG, and had their work be forgotten. They chose to save it. Not in full, but at least the parts the deemed important.

It also makes me wonder how much this happens in other mediums. Ludology is a pretty new field, and it rarely goes into specific games and their impact on the medium, mostly just focusing on the impacts they have on humanity, rather than the mechanics themselves as these beautiful pieces of art. And it makes me wonder how often this happens with say… film critics. Are there any indie film makers who are deep in the paint of indie films and critique of not just the films themselves, but the very techniques being used, just sitting there going “It’s so upsetting that this big studio managed to do something this beautiful and all of us in the scene recognize it’s beauty, but no one else seems to, and now it’s gone?”

… as I’m writing this I actually realize that this does happen there. It’s how I found out about what became my favorite film of all time, The Man From Earth. It’s a small film that flopped horribly in theaters, and only gained any attention by being pirated by a lot by indies who wanted to talk about it. It’s a good movie, highly recommend. Not for everyone though.

I don’t know. I’m sure I had a point with all this but… seeing it happen again and again and now with streaming services taking stuff down it’s just… I can’t help but seeing not just more and more games, but more and more of EVERY artistic medium ending up in this area. How many digital artists entire portfolios have vanished off the face of the earth because their tumblr got deactivated? How many movies are going to be gone forever when Netflix eventually goes out of business? We can’t even rely on piracy! Many old pieces of media is just lost forever. Just ask the Doctor Who fandom. They probably know more about that than anyone else at this point.

But mostly I just really wish more developers would consider what parts of their games are important, and what kind of legacy they want to leave, instead of just what will generate a short burst of profit, with no care for what happens after.

… I should start doing video essays with how long this got. It’s like some kind of text based video essay. A text essay. Those are a new thing I just invented.

#Darkspore #Spore #Those are the only two tags on this post because those are the only games I talk about don’t worry about it. it’s fine. don’t read further.#HexTCG #Hex: Shards of Fate #Kingdom Hearts: Union X #Always Online DRM #The Man From Earth #I swear to god if anyone tells me I should just play Temo on LoR I will scream #YES I KNOW AND I DO #but also LoR sucks #and also that is missing THE ENTIRE POINT OF THIS RANT #the SAME THING IS GOING TO HAPPEN TO LEGENDS OF RUNETERRA #maybe not soon #but it WILL die someday #and be gone forever #because it isn’t being preserved #Text Essay

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hayatheauthor · 11 months

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Ink And Venom: A Writer’s Guide To Poisonous Prose

Within the realm of storytelling, poison holds a certain allure—a dark, mysterious substance that can both captivate and terrify readers. In this guide, I will delve into the world of writing with poison, exploring its various facets, techniques, and implications. Whether you seek to add a touch of danger, heighten suspense, or create memorable villains, this guide will equip you with the knowledge you need to master the art of poisonous prose.

When to Use Poison in Your Story

When should you use poison in your story? Poison can be a powerful tool for creating suspense and intrigue. By introducing poison into your narrative, you can build tension and keep readers on the edge of their seats. Consider incorporating poison in the following situations:

A Murder Mystery: Poison adds an element of mystery, as the true cause of death may not be immediately apparent. It allows you to create a web of suspects, each with their own motives and opportunities.

Political Intrigue: Poison has a rich history in political assassinations and power struggles. It can heighten the stakes and create an atmosphere of paranoia and treachery.

Betrayal and Revenge: Poison can be a weapon of choice for characters seeking revenge or harboring deep-seated grudges. It symbolizes a hidden threat, striking when least expected.

Psychological Thrillers: Poison can serve as a metaphorical representation of internal conflicts or toxic relationships, adding psychological depth to your characters and their journeys.

By strategically incorporating poison into your story, you can create unforgettable moments that will keep your readers engaged and guessing.

Types of Poisons for Writers to Consider

As a writer, it's important to familiarize yourself with the various types of poisons available to your storytelling arsenal. Here are some common types of poisons to consider when crafting your narrative:

Plant-Based Poisons: Derived from various plants, these poisons can range from deadly nightshade (belladonna) to oleander. Research the properties and effects of different botanical poisons to create realistic and intriguing scenarios. In Agatha Christie's "Five Little Pigs," the deadly poison coniine from hemlock plays a crucial role in the murder mystery.

Toxic Metals: Poisons such as arsenic, mercury, and lead fall under this category. Their presence in the story can be subtle or overt, depending on the desired effect. These poisons often have accumulative effects, making them useful for long-term poisoning plots. In Alexandre Dumas' "The Count of Monte Cristo," the antagonist, Fernand Mondego, uses a slow-acting poison containing arsenic to bring about the demise of his enemies.

Chemical Compounds: This broad category encompasses a wide range of synthetic poisons, including cyanide, ricin, and strychnine. These substances can be potent, swift-acting, and offer opportunities for creative storytelling twists. In Arthur Conan Doyle's "The Adventure of the Devil's Foot," a poisoned powder containing the deadly plant toxin ricin plays a central role in Sherlock Holmes' investigation.

Venomous Creatures: Poisons derived from venomous creatures such as snakes, spiders, or exotic marine life introduce an element of danger and natural lethality into your narrative. Understanding the effects and characteristics of different venoms adds authenticity to your writing. In J.K. Rowling's "Harry Potter and the Half-Blood Prince," the venom of a basilisk becomes a crucial ingredient in creating antidotes and battling the Dark Arts.

Remember to research each poison thoroughly, ensuring accuracy in both their effects and potential antidotes, as this will lend credibility to your storytelling.

Common Side Effects and Symptoms of Poison

When writing about poison, it's important to understand the common side effects and symptoms associated with different toxins. This knowledge will help you craft realistic and believable scenarios. Here are some common side effects and symptoms of poisoning to consider:

Gastrointestinal Distress: Many poisons, especially those ingested orally, initially affect the digestive system. Symptoms may include nausea, vomiting, diarrhoea, abdominal pain, and cramping.

Neurological Effects: Certain poisons can target the central nervous system, leading to a range of neurological symptoms. These may include dizziness, confusion, seizures, tremors, paralysis, or even loss of consciousness.

Cardiovascular Effects: Some poisons interfere with the heart and circulatory system, causing abnormal heart rhythms (arrhythmias), increased or decreased heart rate, high blood pressure, or a sudden drop in blood pressure.

Respiratory Distress: Certain poisons can affect breathing and lung function. Symptoms may include difficulty breathing, shortness of breath, coughing, or wheezing.

Organ Damage: Prolonged exposure to certain toxins can cause damage to specific organs such as the liver, kidneys, or lungs. This damage may manifest as organ failure, jaundice, or difficulty with normal bodily functions.

Skin and Eye Effects: Some poisons can have immediate effects on the skin or eyes upon contact. This may include irritation, redness, blistering, or even vision impairment.

Remember that the severity and timeline of symptoms can vary depending on the poison, dose, and individual characteristics. Conduct thorough research to ensure accuracy and realism in portraying the effects of poisoning in your writing.

Famous Poisons Through the Ages and How They Work

Throughout history, numerous poisons have gained infamy for their use in real-life incidents and their portrayal in literature. Understanding the famous poisons of the past can provide inspiration and context for your writing. Here are some notable examples:

Socrates' Hemlock: Hemlock, derived from the plant Conium maculatum, was famously used to execute the Greek philosopher Socrates. It acts as a neurotoxin, paralyzing the central nervous system and causing respiratory failure.

Arsenic: Arsenic, a toxic metalloid, has a dark history and was commonly used in poisoning cases. It was virtually tasteless and odourless, making it a popular choice for covert murders. Arsenic interferes with cellular respiration, leading to organ failure.

Curare: Curare is a plant-based poison used by indigenous peoples of South America for hunting. It works by blocking neuromuscular transmission, leading to muscle paralysis and respiratory arrest.

Cyanide: Cyanide compounds, such as potassium cyanide, are highly lethal and act rapidly. They disrupt cellular respiration by binding to enzymes crucial for energy production, causing cells to suffocate.

Ricin: Ricin is a potent toxin derived from castor beans. It inhibits protein synthesis within cells, leading to organ failure. It gained notoriety due to its use in real-life assassination attempts and its portrayal in literature.

Tetrodotoxin: Tetrodotoxin is a deadly poison found in certain marine creatures, such as pufferfish. It blocks sodium channels in nerve cells, leading to paralysis, respiratory failure, and potentially death.

By researching and understanding the mechanisms of these famous poisons, you can add authenticity and depth to your storytelling. Remember to weave their effects and characteristics into your narrative in a plausible and engaging manner.

How to Kill a Character with Poison

When it comes to killing a character with poison, careful planning and attention to detail are crucial. Here are some key considerations for crafting the perfect crime:

Motivation and Intent: Establish a compelling motive for the character administering the poison. This could be driven by revenge, jealousy, power, or other deep-seated emotions. The intent behind the act will shape the overall narrative and character development.

Research and Accuracy: Thoroughly research the chosen poison to understand its properties, effects, and dosages. Accuracy is essential for maintaining reader engagement and suspension of disbelief. Ensure that the chosen poison aligns with the character's access and knowledge.

Method of Administration: Determine how the poison will be administered. Common methods include lacing food or drink, injecting a solution, applying a poisonous substance to an object, or even using a poisoned weapon. Consider the character's opportunities, resources, and the desired level of subtlety or overt confrontation.

Timing and Dose: Consider the timing and dose of the poison. A well-timed dose can create suspense and unexpected twists. The dose should be lethal but plausible, taking into account factors such as body weight, individual tolerance, and potential mitigating factors (e.g., antidotes).

Covering Tracks: Craft a plan to cover the tracks of the poisoner. This may involve creating alibis, tampering with evidence, or diverting suspicion toward other characters. A well-executed cover-up adds layers of complexity and intrigue to the narrative.

Consequences and Repercussions: Explore the aftermath of the poisoning. How does the death impact other characters and the overall plot? Consider the emotional and psychological toll on those involved, as well as potential investigations or consequences faced by the poisoner.

Remember that portraying a realistic poisoning scenario requires a delicate balance between creativity and accuracy. Strive to captivate readers while maintaining plausibility within the world you have crafted.

Considering the Implications of Writing with Poison

While writing with poison can add intrigue and suspense to your story, it's essential to consider the ethical implications involved. Here are some key points to ponder:

Responsible Storytelling: As a writer, you have a responsibility to handle sensitive topics with care. Poisoning, especially when depicted in a realistic and detailed manner, can be distressing for some readers. Consider the potential impact on your audience and approach the subject matter responsibly.

Glorification vs. Realism: Strike a balance between creating an engaging narrative and avoiding the glorification of harmful acts. Portray the consequences and repercussions of poisonings to illustrate the gravity of such actions. Show the emotional toll on characters and explore the moral dilemmas they face.

Reader Sensibilities: Readers have varying thresholds for violence, graphic content, and triggering material. Be mindful of potential triggers related to poisoning, such as discussions of self-harm, suicide, or traumatic experiences. Offer appropriate content warnings or handle such themes with sensitivity.

Research and Accuracy: Thorough research is essential for accurate portrayal. Misinformation or sensationalized descriptions can perpetuate myths or misconceptions about poisons. Ensure that your writing is grounded in scientific understanding and consult reputable sources.

Character Empathy: Develop well-rounded characters with motivations that extend beyond their use of poison. By humanizing them and exploring their complexities, readers can empathize with their struggles, even if they engage in morally objectionable acts.

Raising Awareness and Education: Take the opportunity to raise awareness about the dangers of real-life poisonings. Provide information on prevention, identification, and response to actual poisoning incidents. Offer resources or references for readers seeking more information.

By navigating the ethical dimensions of writing with poison, you can create a compelling narrative while remaining sensitive to your readership and the broader impact of your work.

End Note

From understanding when to use poison in your story to explore the various types of poisons and their effects, you now possess the knowledge to craft gripping tales of intrigue and suspense.

(Note: This blog post is intended for informational purposes only and does not promote or condone harmful actions. Always prioritize the well-being and safety of others in your writing and real-life endeavours.)

I hope this blog on a writer’s guide to poisonous prose will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.

Looking For More Writing Tips And Tricks?

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!

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