Lucid Dreamer (2/2)
part 1
Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.
It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.
But he does find the letters, in a metal box stashed away under the bed.
There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.
Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.
Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.
Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.
Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.
Gepard goes to bed, curls up under mismatched blankets and closes his eyes.
He doesn't dream.
One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.
And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.
And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.
He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.
But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.
The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.
Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.
The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.
"I'll be home in one week."
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Rick Conroy's Recent Rentals:
Teen Wolf (1/2/3)
As a refresher, this is a shot from 4x02: Vecna's Curse. Robin, Max, Dustin and Steve are using the video store's database to look through the most recent rentals of all the Ricks in town as hints for which one Reefer Rick is, so that they can get his address and track down Eddie.
Unfortunately for them, this selection here from Rick Conroy didn't give off 'reefer' vibes and so they moved on to the next one.
However, luckily for us, this could very well have been hinting at events that are either already happening in s4, or are perhaps still yet to fully come to fruition in s5.
2. Teen Wolf (1985)
This is easy/hard because although it could be fairly simple, it could also be complex, to the point where it may very well go even further than this film. So I guess I'll just humor the implications, both simple and complex, because why not.
The entire plot of Teen Wolf revolves around a protagonist who is tired of being average, only to find out that he's actually the opposite of average: a frickin' werewolf.
There are a lot of possibilities for where elements of this film could align with certain concepts in the show. I even feel like it could be related to a specific arc on the most basic level (ie. Sixteen Candles = Birthdaygate).
Ironically, something I also noticed related to this, is that in the same episode we get the Rick selection with Teen Wolf, we also see the poster for it in the exact same spot as the Sixteen Candles poster was at the end of s3. We even see the letters ARC(ADE) in the right corner of the frame for both (probably just a coincidence, but a cool one at that).
Notice the pole going straight through the Teen Wolf poster here? More on that later...
Initially, I was going to just associate this film with the storyline related to the basketball team, because we do see a prominent arc related to basketball in s4, and so that felt like an easy way to pinpoint that reference?
However, I did feel sort of inclined to dig deeper, and this is because the other two films from this specific Rick selection connects to Will's character more than any of the other characters arguably.
Basically, after being stumped with the Teen Wolf mention, and intending to just stick with the simplicity of how the reference could apply to s4, I moved on to Romancing the Stone, only to find out it screamed Will, and so a part of me began wondering if it could be more complex than it seems when it comes to this reference.
And so, what exactly would Teen Wolf (1985) have to do with Will and his present/future arc, assuming that these three movies are indeed related to his character?...
Well, Twelvegate.
Just take a look at the film's slogan at the top of the movie poster:
He always wanted to be special. But he never expected this!
Upon rewatching this scene I also noticed there are twelve Ricks total...
As many of you probably know, there has been a decent amount of imagery with Will's blocking being obstructed by rods/poles/stakes, etc. (ie. Phineas Gage). So the fact that a pole interferes with the poster for TW could also be intentional in its attempt to give it some association to Will.
Here are the several other shots we get of the TW poster in this same episode:
I remember so much discourse about how this shot above was foreshadowing Max's confrontation with Vecna, which I do still fully believe to be the case. However, now I'm also rethinking about how that claw representing Venca looks just a little too aligned with the TW poster to not at least be a little bit intentional...
Look at Dustin and Max's bikes! They're blue/yellow directly in front of the poster!
And that's that on that!!
Though, if I’m being honest, this all still felt a little too simple to me.
The poster with Michael J. Fox opening up his shirt to reveal the title Teen Wolf also reminded me of the official reveal that Vecna was 001? Where the UD vines sort of scatter to reveal the number on his wrist...?
While it could be relevant as a potential hint for Will only now discovering as a teen that he has powers/is connected to the lab, similar to the protagonist of Teen Wolf only now discovering as a teen that he is a werewolf, I still want to try to take it another step further.
Now, going back to the basketball plot in s4, because I do think there still could be some connections between the show and the basketball theme in the film, is that there's actually a really layered connection to Teen Wolf going on here. And it has very me intrigued.
Although, this connection can be easily overlooked, as it's not related to the 1985 version, but actually the 2011 drama series, loosely based on the 1985 version, which goes by the same name...
As it turns out, Mason Dye’s most notable role before he was cast as Jason Carver in s4 of Stranger Things, was his role as Garrett in s4 of Teen Wolf.
So I guess the casting department decided to typecast tf out of Mason, by giving him the role of a character in a storyline potentially inspired by elements from the movie Teen Wolf? A role which also happens to be almost identical to his role in the series Teen Wolf?
Jason Carver character description in Stranger Things: popular basketball player ends up hunting down Hellfire Club (ALSO peep his #12 jersey... yep.)
Garrett character description in Teen Wolf: popular lacrosse player ends up hunting down Scott's pack
This also reminded me of the Duffer's talking about the casting of Amybeth McNulty. For those who don't know, Amybeth starred in Anne with an E (2017-2019), which is a drama series based on the book Anne of Green Gables (1908). There's also a well known TV mini-series based on said book which came out in 1985. After casting for Vickie was announced, the Duffers revealed that they were fans of the AOGG book and the mini series as kids (which is why the book was referenced in the show a few times), but also made a point to add that they were big fans of AWAE.
This is interesting to me because I feel like TW and AWAE are the kind of shows that have a bad rep (mostly deserved for TW atp), but specifically because of how they present themselves on the surface?
Werewolf teens and a talkative red-haired girl in braids don't exactly scream quality TV to most people? Which like, fair enough. Not to mention, both adaptations were based on stories that were very popular in the 80's, being modernized for future audiences. And so a lot of people hated them for that reason alone, without even giving them a second glance.
However, within the context of the Duffers, who are well known film nerds, who literally watch anything and everything under the sun, I think it's possible (and even likely) they watched Teen Wolf the series.
Arguably, TW's most impressive narrative moments come from season 3b. Which interestingly enough brings us back to the main focus I had for this post, which is how exactly this could all relate to Will.
Answer?
Will being possessed by the Mind Flayer is EXTREMELY void-Stiles coded:
Void-Stiles is easily recognized as one of the strongest arcs in the entire series, and for good reason. S3b season truly tested the limits of Dylan O'Brien's talent, along with a lot of other elements in the show just really hitting the mark that season. The story-building, the vibes, and the acting from the cast overall was pretty good, making it well regarded as a fan favorite (sound familiar?).
At first it starts with Stiles sacrificing himself, essentially dying for a short period of time, only to come back to life, but to have also left a door open in his mind. This door (ajar) makes Stiles vulnerable to the Nogitsune (an evil spirit that feeds off of chaos, strife and pain), who of course takes advantage and attaches to Stiles.
Slowly, Stiles starts experiencing an inability to focus, sleepwalking, vivid dreams during the day, while also not being able to tell the difference between dreams and reality. Eventually this leads to the Nogitsune gaining control, who then starts to have more influence on Stiles' behavior, leading him to trick his loved ones around him into believing that it's him by acting like Stiles at times, when really it's the Nogitsune. He uses Stiles' body as a vessel to wreak havoc on the town of Beacon Hills, but also specifically Stiles friends/family.
He even goes as far as to make Stiles do things like twist a sword into his best friends chest, then finally detaches himself from Stiles' body only to in that very same moment kidnap Lydia (his love interest), and ending in a battle with him orchestrating the attempted murder of an entire floor of a hospital, along with successfully killing a beloved main character.
While I do think it's possible we could see some similarities between these storylines here (we arguably already have), something I realized a while back when researching for birthdaygate, was that it did remind me a great deal of Stiles' arc in s6a of TW.
What makes this arc kind of ironic in the context of this post, is that there are some parallels to Back to the Future...
Basically everyone forgets Stiles existed, to the point where he's completely erased from reality, including photographs (Back to the Future reference). Other details about him, like his name and his connection to the people around him, is what plays a big part in his return (including radios being used between realms to communicate with him... yep).
As it's happening, Stiles starts going up to everyone he knows, first casual friends, and slowly down the line to people that mean the most to him. Suddenly his best friend doesn't know him, then his dad, finally the only person left who remembers him is Lydia, only for him to be taken and for everyone to forget (including Lydia). And this was basically the big cliffhanger that closed off the first episode of the season, with it being a guiding force to them getting Stiles back in the following episodes.
Now, I just want to make it clear that I do NOT think that this is how s5 is going to play out, like barely, if at all.
My main purpose for this post was to look at the simple and complex in relation to this reference and how it could relate to what is to come, in any shape/form.
Like, we know they draw a lot of inspiration from Star Wars and Lord of the Rings (along with 100+ films and more). And yet still, that doesn't mean we're expecting the show to play out exactly like it does in those stories.
What we're expecting is some inspiration & parallels.
S5 is said to be drawing a lot of inspiration from s1-2, which are two seasons most tied to Wills disappearance and possession.
Clearly in the case of this reference, there are A LOT of possibilities for what this could be hinting at related to Will's arc in particular.
I'm excited, but also terrified to find out what...!
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