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On Kurapika's Self-Imposed Isolation
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While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.
I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.
Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."
So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.
The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.
Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.
Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:
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[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]
It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...
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[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]
...and this...
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[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]
...and this.
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[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]
This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.
(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)
But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.
Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.
But Kurapika... doesn't come across as a naturally angry person to me at all.
He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness
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[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]
...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.
And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.
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[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]
Look at him! He's so bright! So happy!
...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?
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[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]
Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.
I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.
And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.
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[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]
Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.
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[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]
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utilitycaster · 26 days
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This is probably something that will be obvious to many but: writing about fictional works but not creating fanfiction/fanon to me tends to fall into four categories, and I think it's really important to get how they intersect before getting weird about other people's posts.
Opinion. Eg: I like relationships based in mutual understanding. This is my opinion. It is correct for me. Might not be correct for you! Note that this is pure opinion, with no argument.
Interpretation: Eg: Beau and Yasha's relationship shows a great deal of understanding in each other's shared experiences, including abusive parents; a shared tendency to believe, at least earlier on, that things will go badly and that they don't deserve better; and difficulty expressing their feelings verbally but letting out frustrations through fighting.
Fact/Evidence: Beau says she is unused to things turning out good, and Yasha believes herself to be, as she says, very unlucky or cursed. Her letter covers that she expresses herself through fighting.
Conclusion: I like Beauyasha.
Argument is Opinion + Interpretation; a valid argument is Opinion + Interpretation + Evidence. Meta can include opinion but ultimately is Interpretation and good meta is Interpretation + Evidence. It's fine to post just an opinion, but if you want to change minds, you need an argument, and if you want to be able to hold your own against a counterargument it better be valid.
You can have the same interpretation and facts and different opinions and therefore different conclusions. Someone else could say "I like messy relationships (opinion) and so Beau and Yasha's shared understanding (interpretation, same as mine) is not interesting to me (conclusion)." You can also have a different interpretation from the same facts, either because you are including a different set of facts on a topic or because there is ambiguity and room for different lenses.
If your goal is to change someone's mind - and to be honest mine usually isn't - you are unlikely to change their opinions. Eg, If someone says "I don't like Beauyasha because I prefer messier relationships" I'm not going to convince them on the grounds of "you shouldn't like messier relationships." I need to either put forward an interpretation that supports a messier relationship, or, more realistically, say "understandable, have a nice day" and move on with my life.
That last bit is important - a lot of people also argue on the basis of "well obviously this interpretation is the only one, so you should draw the same opinions from it." and that's likely to fail; either the person disagreeing with you overall does agree on the interpretation but has different opinions (as in the above example), or they have a different interpretation (eg: Beau and Yasha have attacked each other repeatedly) and that is the basis of their opinion (I don't like that). You need to figure out which is going on and address that should you wish to change their mind. And again, I think you should ask why you want to change their mind.
The last point is that all of the above is valid given the text and reflect different perspectives. But if someone were to say "I don't like Beauyasha because Beau turned into a porcupine and moved to France, and I don't like long-distance relationships" the invalid portion is that this literally did not happen (fact leading to interpretation). If someone can correctly dispute the facts of your interpretation (as they stand at the time, obviously; no one is penalized for not being precognitive) then you are fucked, argument-wise. If I point out that Beau did not turn into a porcupine nor move to France, this person's argument falls apart. They can still dislike the relationship, but if they want to justify it with an argument they better find a new interpretation, and fast.
Before I move into the end I will note that you can also just not vibe with something, and that's purely in the realm of opinion + conclusion, a la "this rubs me the wrong way" or "I find this annoying" or "it's cute" and all of those are valid to hold for yourself, and also inaccessible to anyone else
The conclusions I draw from all of the above are first, making posts that are only your opinion/conclusion is always fine - say what you want - but treating it as an argument is a waste of time, and so anything of the order of "how could you not like xyz (unspoken: because I did)" is pointless because my answer is going to be "easily, and with confidence." Secondly, I think it's valuable to look at posts, even those with arguments, as primarily interpretation rather than opinion. Putting forth a separate interpretation is a disagreement, but it's not a disagreement necessarily directed at you; it's disagreeing with you but the parallel play option is available! You do not need to go out trying to convert all to your same mindset. I think a healthy fandom ecosystem has multiple interpretations and opinions and respectful disagreement; the positive version of "let people like/dislike things" (ie, they can like it or dislike it and if you're normal, your enjoyment is not contingent on theirs). Thirdly, get your facts straight or suffer the consequences. And finally, if you are trying to make an argument for an ongoing work and do so over time, your opinion must be fairly consistent even as the interpretation naturally evolves otherwise it becomes clear that you are arguing in favor of a foregone conclusion (often via moving the goalposts). If you say "I like characters who are willing to make painful and difficult choices, and Blorbo always takes the easy way out, so I don't like them" and Blorbo develops into a character who is able to make painful and difficult choices, if you start critiquing Blorbo now on the basis those choices that's still fair but you better come very correct, and it might be wiser to just say "I don't fuck with Blorbo, if you do that's great but I don't."
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Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb
#which I know this could be context dependent like.. maybe you'd normally dress up but on a week that#you feel sick you wouldn't or etc. etc. - but I mean.. GENERALLY. in the most general average scenario#where you have the average amount of health and free time that you always do. etc. just based on your personality#and level of investment in these things - what on AVERAGE are you most inclined to do#also of course assume they communicate with you ahead of time and are not like planning a part last minute#like 'throw together costume in 5 hours and show up tonight randomly' or etc. I would hope that if we're going with the#AVERAGE of things - most people's friends have better communication skills than springing entire parties#on people last minute lol#assume you have like.. a few days-a week or so to prepare. however ealrly people usually start talking about#birthdays. In my experience it's usually one or two weeks ahead of time. Like 'oh next weekend' or 'oh two weeks from now' etc.#ANYWAY.. feeling a little Sick again of course but still trying to get some photos or something posted#AGAIN i promise I am not going to exlcusively post polls and ntohing else forever hgkjgnekj#I just really really love the ability to post polls and have always my whole life been obsessed with surveying people#I used to think I wanted to do that as a career somehow like.. be one of the people that does psychological interviews#or produce interview asessments for a company or etc. etc. I am always the one friend in the group thats giving out custom made#surveys or asking for other simialr stuff (did you ever take an mbti quiz? how about enneagra#m?? oh yeah I know they're not really scientifically valid or antyhing but like... DID you take them?? huh?? did you??please?? ghjj)#I simply cannot resist.. posting a little poll every once in a while.. as a treat#whilst I still fall behind on like actual content and costumes and stuff gbjhbjh#New poll adventure should be not as much of a wait as the last one was though since I already have the writing#for it really. I just have to do the ms paint sketch. hopefully no unexpected other health issues will get in the way#*** *** ***#< (anytime I do these three star patterns it is an ocd compulsion not me bleeping out words or something just ignore it lol)#(it means something secret in my evil brain just pretend you do not see it. significant only to me)#BUT YEAH.. ... poll... what type of costume party atendee are you?#:0c
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nostalgia-tblr · 3 months
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"are people not into that?" i ask, after posting my weird niche shit to the internet, despite knowing it to be weird niche shit.
#jsyk sylkius or anything adjacent to it does not “Do Numbers” in any way and i observed this some time ago#i assume that's the “rival ships” element at work but who knows really#that sort of thing is like femslash in that everyone approves of it but nobody actually reads or writes it#but who would have thought sylvie beating loki with a stick would not bring in droves of readers???! shocking twist there!#& i don't consider sifki a rarepair but my rarepair standards are VERY strict like if there's >5 fics a pairing is basically mainstream#chasing popularity would annoy me though & i just don't have the mental spoons to try writing stuff i wouldn't personally read#yeah i *could* put my blorbos to work in a coffee shop but what cost to my own enjoyment levels? AT WHAT COST FANGELA???#you can't please everyone so you may as well just please yourself and if anyone else likes it you've found some fellow freaks so yay#i don't mean please yourself in a wanking sense. though feel free to do that too it probably counts as a cardio workout idk.#BUT ANYWAY#fic related#ps i am v glad there's the “warning: loki” tag because i think/hope it acts as a filter for 'he did nothing wrong in his life ever' types#who are Valid & etc obviously but i write my morally grey characters to be morally grey and the tag might help avoid conflict#though tbh i write almost every character to be morally grey in some way so i can't claim to have left my comfort zone here#(i'm not joking when i say the 1987-89 run of Dr Who shaped my entire future fannish life from a young and apparently v impressionable age)
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hephaestuscrew · 7 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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fishyupmywishy · 26 days
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Not seeing comments on your fic when you want them might be the most heartbreaking feeling in the world
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thenightcallsme · 8 months
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Dove | Simon "Ghost" Riley
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A/N: Hello lovely people, I have a backlog of short stories written for things like Avatar: The Way of Water, MWII, Stranger Things, The Arcana, Outer Banks, and many more that I have never posted and keep to myself. I'm talking hundreds of pages worth of fluff, angst and eventual smut - you've got to get through some plot first, though. HOWEVER, if anyone likes my writing and wants to task me with stuff to write, like straight smut, I'm all ears. Anyway, if anyone is interested in reading stuff I could potentially post, here is a snippet for a little Call of Duty fic.
Synopsis: You're to play the materialistic wife of a rich, well-connected husband during an undercover mission. You're to-be husband is a temporary recruit of the 141, who is to supervise your every move. While getting ready, you have a surprising interaction with your Lieutenant, Ghost, who you swear has made it his mission to treat you like a stranger day after day. Until now.
Pairing: Simon "Ghost" Riley x f!reader
Contains: pretty much nothing of importance, just Ghost being as unreadable as ever, causing reader to have their mind blown by the smallest of crumbs
• • • • •
I look in the mirror at the woman who is supposed to be Lyanna Winstead. She’s the partner of Dario Winstead, son of a wealthy businessman. Everything about Lyanna is a carbon copy of myself. Her smile, her hair, her figure, her voice. Only, she presents herself in a way I haven’t in a long time.
Gone is the tactical gear and camouflage colours. Instead, she wears the most beautiful dress I’ve ever seen. The outline of the dress is simple yet captivating to suits the old Hollywood theme. Silver cascades down her body, creating the illusion of a mercury waterfall. The sweetheart neckline and thin straps compliment her full breasts and soft arms. Adorning the bodice are glistening silver designs that remind me of old, swirling boarders on French mirrors. The designs fall away, melting into plain silver threads that fall to the floor and pool at her feet. The dress hugs her body like a second skin, only melting away at her knees. The silhouette fit her hourglass figure well.
The silver jewellery she wears is modest so as not to take away from the dress’s magnificence. On her neck is a dainty Vivienne Westwood necklace, the inner planet of the pendant a pearl. Matching dangling earrings hang from her lower lobe piercing. The rest of her ear piercings are small diamond studs and silver hoops. One wrist displays a thin diamond tennis bracelet and a Van Cleef one with emerald clovers. On the other is the only ode to myself: the evil eye bracelet I never take off. The thin silver chain and bejewelled eye thankfully blend into the rest of the accessories. Small rings cover her fingers, few in number and easily ignorable. The bands are thin and any jewels are small and clear. However, one stands out; a breathtaking sight on her left index finger.
Glittery diamonds cover the band, giving way to a large, circular moonstone. Rainbow shimmer comes to life in the milky stone when the light hits it just right. Separating the band and the centrepiece are two small flowers with diamond centres. Two separate rings sit beneath and below the main one, shaped in V’s to follow the curve. At each point are flowers similar the the others, with curved leaves flowing from the petals. All three are gold, contrasting against the silver to make a statement.
I’m not just looking back at Dario’s partner. I’m looking at his wife.
I’m Will’s wife. 
Fake wife, really. I nearly shake my head in wonder. I still look like myself, but everything about this makes me feel like I’m wearing a second skin. Lyanna’s skin. Every so often I stare at the ring in amazement. If anyone ever proposes to me, I would hope for nothing less than the magnificent that is this ring. All that adorns my body is courtesy of Will. Unbeknownst to me before this mission, he’s filthy rich, and a filthy rich man needs a filthy rich wife. All the designer jewellery, the dress, the shoes, and the engagement ring are authentic and top dollar.
After the last touch-ups of make-up, fragrances, and hair, I’m making my way to the courtyard. I’m to have one last briefing and run over of the plan before getting in Will’s blacked-out Corvette. I have to give it to him: he really knows how to pull off a lavish life with style.
Already am I wishing to rip off the damn stilettos on my feet. While I could live in the dress and jewellery, this is the one day a year I’m willing to wear heels.
The air is cool, the last golden light of day painting the courtyard and walls of Alejandro’s HQ in a luminescent glow. A low rumble fills the air from my 'husband’s car. Will leans against it, speaking with the 141. Ghost lingers back by the front door, arms folded and back leaning against a pillar. Weaving between his fingers with precision is a small dagger. His head turns at the sound of approaching heels.
“Was starting to think you were a no show,” he says gruffly.
I stop beside him to adjust my dress. It doesn’t really need adjust, but suddenly being subjected to his gaze makes me anxious. “Told you it would take a while. Gotta look the part.”
The way his eyes travel over my body almost makes me shrink away. Every curve is on full display. The tight bodice holds up my already full breasts, and somehow my waist-to-hip ratio is even more accentuated. Wearing my uniform doesn’t exactly hide my figure thanks to the tight shirts and cargo pants that aren’t exactly loose from my mid-thigh up. However, a lot of me is lost beneath the vests and belts.
“Stop...inspecting me, or whatever you're doing,” I mumble. “Makes me think I need to fix something.”
I begin taking the skirts in my hand as I survey my descent. It’s not too much, but the steps are steep enough to be an issue. The heels on my feet are no help.
Ghost shakes his head. “Don’t. You look…”
“Important?”
“Pretty.”
I stop in my tracks to look back at him, unsure if I heard him correctly. He doesn’t look away or seem embarrassed to have said so. Then again, when does he ever. No-nonsense and prideful in his emotionless character, Ghost is not one to regret his words. Everything he says is a calculated move. Compliments are certainly something to be calculated in a sense, but I don't think of it to be a compliment, even when a small part of me screams for more. I'm playing my part well; there'd be a problem if I wasn't looking pretty. A slow smile quirks at my lips, teasing in nature as I raise my brows. The teasing turns to surprise, however, when he offers me his arm.
“How chivalrous,” I quip as I lightly take his offered arm. Even the slightest contact sends thrills beneath my skin. “Careful, Lieutenant. I might start to think you actually like me.”
Ghost’s eyes train on the ground. At first, I wonder if he doesn’t want to meet my eyes, only then to realise he’s watching my footing. I barely catch a glimpse of his squint.
“I like you in one piece,” he corrects. “This job will be over the second you sprain your ankle on a flight of stairs.”
I hum. “Ahh, there it is.”
He looks up at me then. “There’s what?”
“Thinking about the job, as always.”
As always, I keep my tone light and teasing, but there's an accusing hint. A subtle jab I let slip that I pray goes unnoticed.
There's no room for emotions in this job, and though I've compromised that with the rest of the 141, Ghost is a difficult case. An impossible riddle, a mind-numbing equation with no real answer. Nothing about him should be likeable. He's painfully honest and dismissive when he bothers to speak, he's angry half the time, his attention is never lingering and his mind is an impenetrable fortress. It would make more sense to give in to Alejandro's shameless flirting or Gaz's sleazy grins. Only, it's Ghost that keeps me up at night. It's Ghost, who sends a pang through my chest when he reminds me any care is from pure investment in performance. I'm useful, nothing more.
I can count on one hand the number of times he's thrown me small morsels of care as if I were a stray dog whining and begging for food. Even then, I wouldn't have made it past three fingers. A greedy piece of me spins those memories into something that serves my desire. See, he's returning your interest, that hopeful voice purrs in my ear while feeding me botched versions of what really happened. I know better than to give in to the delusions. The ending of those memories is what sobers me, and it's no different now. I need you in shape for tomorrow. Keep your head in the game. I'm just making sure this isn't interrupting the job. He's always quick to redirect any concern from me to the job.
Maybe, just maybe...what if he was trying to save face? Does he not want to care?
Ghost remains silent for a moment. In consideration or because he doesn’t care to answer, I can’t tell. But when he does answer, his voice has my full attention. It’s low and rough, each syllable laced with something intoxicating. Something I've never heard before and never thought I would hear. Something I want to hear again and again.
“You have no idea what I think about, dove.”
Dove.
The response catches me so off guard I almost forget to take another step. We’ve reached the bottom of the steps, now. The second both my feet are on the flat expanse of the concrete driveway, he breaks away from our linked arms. There is no follow-up, no hint of a miscommunication, not even a look in my direction before he's gone from my side. All I can do is hesitantly trail behind him, lost in my thoughts.
Ghost has never given me a nickname before. Hell, he barely refers to me as anything other than my callsign. When I do hear my real name, it's never for good reasons.
The nickname that pours from his lips comes in a deep voice curled into a sensual tone, sounding like silk-covered marble, low and intended for my ears only. It's strangely intimate—something a lover would purr with lustful eyes and a seeking touch. Somehow it seems to invoke a phantom touch that glides across my skin. Gooseflesh puckers in its chilling wake. In the span of only a few seconds, I seem to experience every emotion humanly possible. Shock, surprise, a sickening, perverse enjoyment...and irritation that I must now join the rest of the team as if a mind-numbing heat was not boiling in the pits of my stomach
• • • • •
I'll get the formatting of posting these to be prettier btw I promise 🙏🙏 But anyway just interact with this or tell me directly if you want more.
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honkshoo-zzz · 16 days
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i didn’t wanna draw more saxwell,,,.,, but the parasites wanted to draw more saxwell.,…,…….
anyways go read my saxwell fic Don’t Go on AO3 :)
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captainpangolin · 5 months
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Anyone else think it's weird that only like half the ghosts in bbc ghosts have spooky powers? Like okay I get it, and I know they don't need to have powers, and this isn't really a criticism, I just think it'd be... neat, y'know?
Honestly tbh it's one of the few things I almost prefer about the cbs version - I like how they expand the lore and give almost all the ghosts powers, it makes things interesting. Trevor and Julian can move things a bit, Thor and Robin can fiddle with the electricity, Mary smells like smoke, Flower gets you high, Fanny can be seen in photos, Isaac smells like dysentery, Alberta can be heard singing, Hetty's husband makes you horny, and Rebecca Wisocky has implied Hetty has a power different to the one the other ghosts thought she had (sending people to hell), so there seems to be an expectation that each ghost in the US version has a power/ability even though not all of em have been revealed yet (i.e. Sasappis, Pete, Crash, and ofc Hetty). And it's the expectation of powers that makes me think it'll be all of them having one as the show goes on. Only 3 of the core cast of 8 ghosts (not including Crash, he's even less relevant than my guy Humphrey) do not have CONFIRMED supernatural abilities. Compared to BBC Ghosts, it's definitely a bit different.
I'm reminded by what Nigel said about Isaac's power - that he still has an effect on the living world from beyond the grave. So it kinda saddens me more than anything that the other 5 ghosts don't have anything like that, yk?
I just-- wouldn't it be cool, and hear me out, if the other British ghosts could do something in that way? Like okay I think it was kingofthefrog's Ghost Swap AU (it's on ao3 and plot bunnies on tumblr) suggested that Kitty can be heard with a spirit box? That's genius. Kinda like Alberta's thing where her singing can be heard and Alexa hears her. I'm not a very creative person, but what if the other ghosts are walked through and it makes the living person feel a certain way or they have an unusual reaction? For example, Kitty walks through someone and they get the giggles and/or dance fever, or it's Thomas and they're suddenly depressed and/or romantic and/or Scottish, or it's Captain and they get butterflies in their stomach/they get all lovesick or their heart starts hammering and/or they're really anxious or get the sudden urge to listen to Kylie Minogue, or it's Humphrey and their neck hurts real bad and the Marseilleise is stuck in their head. Some of those I'm kinda joking but I just think it'd be neat, okay?
Let them have some nifty and/or stupid ghosts powers pls it would be so awesome it would be so cool etc etc
(I mean, BBC Ghosts is ofc over, so... it's not happening. In canon. 😈)
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im--never--happy · 5 months
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i'm having more mako feelings and i'm a slut for external validation so here's another little snippet from the mako fic i'm writing and will hopefully one day actually fucking finish
You want to mourn for the person you could have been, for the child you lost, but you don’t know how. All you know how to do is grit your teeth and get on with it. So that’s what you do. You shove down this throbbing ache like bile in your throat and focus on taking steady measured steps. One foot in front of the other. The impact of first your heel, then the ball of your foot thudding through you. Over and over and over. Step after step after step. You walk away and you keep walking, timing your breaths to the fall of your feet on the pavement. The dull ache in your heels radiating up through your ankles to your knees, into your hips and up through your chest. It masks the other kind of pain. One step. Then another. And another. 
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zelda7999 · 1 year
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Sun n Robin stopped at a lil cafe between market shopping <3! Little bird needed a drink anyways :D 
@lavenoon thank you for constantly inspiring me to create art <3 <3 <3 
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slutforsilverfoxes · 10 months
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🔊 Calling my fellow McGarrett girls, gays, and theys:
A McGarrett x reader undercover op at a casino has been begging itself to be written... do I keep going with this? Excerpt below the cut 👀
When your former mentor had contacted you about an opening at her coral reef research lab, moving from Camden to Oahu had been a no brainer. You’d packed up your life in New Jersey and been on a plane to the Aloha State within a week. Your favorite cousin, who’s truthfully more like the big brother you always wanted, had been elated to hear the news, welcoming you at the airport with open arms and two simple rules.
“Always answer the phone when I call so you don’t worry me to death,” Danny had said, holding up one finger, “and two,” he added a second, “you’re an adult and you can date anyone on this island-”
“Thank… you?”
“-but stay away from this schmuck.”
The schmuck in question had simply rolled his eyes, draped a beautiful lei around your neck, and greeted you with a warm hug. “It’s nice to finally meet the famous Y/N. I’m Steve.”
Your confident promise to your cousin had been broken a whopping two months later- and no, you hadn’t ignored one of his phone calls.
“Did you get me a beer?” you ask with a teasing lilt to your voice, wringing out your wet hair before dropping down onto the bench beside your boyfriend of three months. A quick glance around reveals that Danny’s over by the shrimp truck with Kamekona, and you lean forward to steal a kiss before putting some space between yourself and your favorite brunette.
“I surely did not,” Steve sasses back and takes a swig of his ice cold beverage. “Alcohol and diving do not mix. But I did happen to get a mango smoothie from that one place down the road this pretty girl I know really likes.”
“Oh yeah?”
“Mhm,” he responds, a goofy grin spreading across his handsome face. “But, uh, she didn’t show, so I guess you can have it.”
You laugh and give him a playful shove, then let out a content hum as you pop the straw through the lid and take a grateful sip. “So good,” you moan in delight, and Steve has to bite his lip to refrain from making a comment when he spots Danny approaching the table with your regular orders.
“Hey, you.” Your cousin greets you with a kiss on the cheek before taking up residence on the bench across from you and Steve. “Why’re you sitting all the way over there, huh? You like that clown better or somethin’?”
“This guy?” you snort, taking your lunch off the tray and rifling through the napkins in search of a fork.
“Ouch.” Steve winces as if burned by your comment, and you surreptitiously squeeze his thigh beneath the table.
“So tell me about this case you’ve got,” you coax your cousin to change the subject, spearing some grilled veggies on the plastic tines and scooping up a respectable mound of rice on top.
“So there’s a diamond smuggling ring-” Danny starts, and you immediately cut him off with, “Shut up, that doesn’t happen in real life.” You turn to Steve for confirmation, but nothing about his facial expression suggests this is a joke. “Are you serious right now? BFFR, Danno.”
“I don’t- I don’t know what that means. Why are you making me feel old?”
“Be fucking for real,” you and Steve supply in unison, and you smile proudly at him. “You’re learning!”
“Between you and Gracie, I keep up, okay?”
“Oh, between my cousin and my daughter, you- okay, that’s excellent,” Danny says, his tone indicating it’s anything but. “Anyway, they’re using poker games as a cover to uh, collect their product, shall we say.”
“There’s enough rich people on Oahu with actual diamonds?” you ask, incredulous. “And here I am working like a pleb for paper currency.”
“Word,” Steve seconds your statement, raising his beer in a toast. You clink your smoothie against it before taking another refreshing sip. “So how’re you gonna catch them?”
“Well, there’s a high roller tournament on Friday night that we’re betting they’ll hit. We wanted to go in undercover and flush them out but…” Steve trails off and gazes at you thoughtfully, but Danny’s shaking his head before the next words have even formed on the brunette’s lips.
“No, absolutely not. Don’t even think about it, Steve.”
“What?” You turn to him, excitement coursing through your veins at the way his eyes have lit up. “Think about it! And tell me what you’re thinking about.”
“You could go undercover with me to the tournament, help me gather some intel. Maybe we get you to confirm the diamonds are actually in their possession and-”
“No!” Danny chimes in again. “What’s the matter with you, huh? These guys have killed two people already, Steve. It’s too dangerous for her.”
“First off, fuck that-”
“Language.”
With an eye roll, you amend, “Forget that. More importantly, shouldn’t Danny go undercover? You kind of suck at poker, Steve.” You feel a sharp pinch at your side and you yelp in protest, slapping at the SEAL. “It’s true, you little-”
“You’re not going,” Danny says definitively. “What about Tani?”
Steve shakes his head. “Tani and Junior have already questioned two of the men involved. They’ll be made before they even get to the table.”
You cross your arms and level your cousin with a smirk. “Sounds like you need me, Danno.”
“Then I’m going with you,” he declares.
“Yeah, no, hard pass,” you backpedal. “Even as a former thespian, there’s no way I can convincingly play arm candy for you without it being weird.”
“So, it’s settled then, little Williams,” Steve says with a grin. “You and me. Friday night. The high roller table at the Ilikai Hotel.”
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prxshipping · 26 days
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req for ° ° ° @kenny-pilled !
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req: izuku midoriya stimboard w/ obsessive/romantic undertones
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viviane-lefay · 18 days
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AU for Dagan & Santari
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… because I absolutely can't accept how things turned out for them - therefore, I made my own, preferred scenario for them.  
I’m not much of a writer, I’m afraid, and I don’t have much experience in storytelling, so this text will mostly be of a descriptive nature, like a plot, if you will - with some parts in between where I comment on certain aspects, sharing my opinion on them. It’s a bit chaotic, but please bear with me. ^^;;
Of course this is just my headcanon, based on my take on these characters & their relationship (more about that here & here), as well as my personal preferences. I mainly wrote this for myself, after all – and, hopefully, some like-minded others.
Anyway, please be nice! If you like it, then that is great - even if you only like some parts … just pick whatever resonates with you. And if you don't - please keep that to yourself, ok!?
Here's (roughly, for now) what I had in mind:
~*~
From what is shown in the game, there is no information about what happened to Santari after she left Koboh.
What if she, after she realized that Zee failed her mission, and there was no one left to release Dagan from his stasis (who would likely remain like this for a prolonged period of time), put herself in a stasis too, linked in duration to his (and, hence, didn't die), because ...
she just couldn't let go of him like this, refusing to give up on believing in him
but also felt that he needed to make a decision for himself, which path to choose undistractedly, and therefore didn't go to release him herself (which he, unfortunately, misinterpreted as yet another abandonment upon his release by Cal - but, then again, he was still traumatized by her turning on him during their last encounter).
Since she left Koboh for good with the remaining ships, it struck me as rather odd that, in the game, you can find her lightsaber hidden in a chest there, located in a sealed passageway.
Why is it on this very planet, of all places!? Shouldn't it rather be in her latest location? Or did she even leave it there on purpose?
Knowing of the significance of the saber for the Jedi, as well as the importance to never lose it (“This weapon is your life.” - Obi-Wan, Ep. II), it makes me wonder if she left behind the life of a Jedi, and just remained a scientist. Since being a Jedi was such an important part of her life, this must have been a very profound decision to make, and maybe even a sacrifice for something of even greater importance to her.
Frankly, her complete disregard for the Jedi council's decision, as well as her further plans, make it pretty clear where her true loyalties and priorities lie - and it's not the Jedi order in this case.
You can see that illustrated very well in the game, when she refuses to turn him in, disobeying a direct order by the council by doing so - which, in itself, is already a huge crime, given his actions and how powerful and dangerous he is. Then, she keeps what happened to Dagan a secret, hides him from them, plotting for him to get away with it all and reach his goals nonetheless.
That she also plans to reunite with him after he is released from stasis indeed raises the question of her potentially having left the order – because to them he is a wanted criminal now – and it would make no sense if she lead him into a trap when she had already put in so much effort into his protection. Imho, her leaving because she chose the man she loves over the Jedi order is definitely the most likely explanation.
That she turned on him in the end is not because of his open rebellion against the order, or his plans regarding Tanalorr - after all she rebelled in her own way, albeit in a more subtle, hidden manner. Her and his goals were the same … the means, however, weren't.
And that is exactly where the problem is - the way he went about it - especially with him turning to the dark side.
She was clearly desperate, terrified to lose him because of this, and tried to stop him for that very reason. She wanted to prevent him from going further down that road.
Ironically, he wasn't able to see that, and, of all things, it was her (perceived) betrayal first and foremost, that caused his actual fall, and further descent after being released from stasis.
Her severing his arm was a complete kneejerk reaction, borne out of her despair, and I’m inclined to believe that it weighed quite heavily on her, and would haunt her from then on.
In the flashback scene you can clearly tell how distressed she is, inside, despite her somewhat level-headed demeanor. How she immediately rushes to him and holds him, calling out for help. Only after he's fallen unconscious, she gives vent to her feelings, doubles over and cries (you can't see her face, but it's fairly obvious that she does).
Aside from the arm issue, their confrontation was quite faltering anyway. You could really tell that neither wanted to do this, let alone hurt the other.
Especially with him, this becomes evident, given what he did to the other Jedi who opposed him, and what he is capable of, combat skills - wise. (I'm sure, Santari is proficient with her lightsaber, but she's not a warrior, like him, who is renowned for his outstanding skills as a duelist. She would have lasted some time, I'll grant her that, but not for long.) Instead he just shoves her away via the force, and also just lightly.
~*~
Anyway, here’s a description of one of the key scenarios I had in mind:
After awakening from her stasis and coming to terms with the historic changes that have taken place, galaxy-wide, Santari prepares for her return to Koboh. Once there, she keeps a low profile, as not to catch too much attention, and to just gather information on the recent happenings there. Troubled by what she learned, she decides to act instead of taking a more passive, observant approach, as she planned earlier.
She barely made it to the observatory in time to interrupt the fight between Dagan, Cal, and Bode, that had just started.
Her sudden appearance unfortunately heated up the situation any further, throwing the already upset Dagan into complete turmoil.
She tried to reason with him, but he was too caught up in his feelings of betrayal, and the version of reality he had so carefully constructed to endure and justify everything, that he just wouldn’t hear her out – not before Tanalorr was secured.
But he would not attack her. After all that had happened between them, he still did not hate her. Anger, yes, resentment for her actions, but hate ... he couldn't bring himself to feel that way towards her - and never would.
Instead, he quickly redirected his rage towards Cal again, and the fight resumed, more furious than before.
Bode, who was getting impatient, inserted himself at some point by starting to fire shots from his blaster at Dagan in quick succession, which were all blocked, but one. Normally, this wouldn't have been a challenge for Dagan, but the whole situation with Santari had thrown him off balance, and he lacked his usual poise.
The damage was but minor, but it jolted not only Dagan awake again, but also Santari, who had been watching the scenario unfold in grief-stricken numbness.
Seeing their chance, Cal and Bode started a coordinated attack from different directions.
This time, he would have been able to both parry Cal's blows, as well as deflect Bode's shots, but an alarmed Santari rushed behind him to block the blaster shots, just in the moment as he spun around and set out to do so himself.
It happened too fast even for him, too unexpected, and the moment was already over before the realization about what had occurred crept in. He could only watch in dismay as his blade struck her, see her falter and fall, only to be caught by him, just before she would hit the ground, and hear himself crying out her name, holding her seemingly lifeless body in his arms, as the world zeroed in on her and her mere existence, and a wave of mind-numbing pain and regret washed over him.
As he holds her close, he notices that she is still breathing, albeit weakly, and thus still alive, despite her serious injury. Desperate to save her, he carefully picks her up and sets out in a rush to carry her to the nearest medical facility.
Just as he got up, an incensed and clearly impatient Bode steps in his way and shouts at him, demanding the compass, which at the time is still in Dagan’s possession.
Aware that any further delay would come at the cost of Santari’s life, Dagan, who is beyond caring at this point, snatches the compass from his belt and dismissively tosses it in Bode’s direction, before storming off.
~*~
Frankly, in his case I think a profound shock such as this is necessary to snap him out of his rather set thought- and behavioural patterns and to truly make him question his actions.
It is also important that it was Dagan, of all people, to strike her down, and not her being hit by an attack by Bode or Cal. If it had been the latter, it wouldn’t have had such a transformative effect on him in the way the proposed scenario did, as it would have just provided an opportunity for him to further project onto others, and to redirect his anger towards his opponents any further.
Accidentally hurting the woman he loves, himself, with no one else to lay the blame on, would finally be the catalyst for him to shift his focus inwards and recognize the error of his decisions and actions - that it was his own pride and obstinacy that led to this outcome - and then to take accountability.
Above all I want him to realize (or rather remember) that he loves Santari more than anything in the universe, that he would do anything for this woman, and would gladly sacrifice anything for her - be it Tanalorr, his pride, any other ambition of his, whatever the cost - that all these things are meaningless without her, and that he is willing to forego it all, if only she is alive and well.
Basically, I want them to have this "reverse anidala" theme, where the man's love for the woman, and his strong attachment to her, instead of spelling his doom, ultimately is the key factor that saves him from the dark side, initiating a profound transformation within him, which also leads to his redemption arc.
You know, in Star Wars foreshadowing (especially via dialogue) has always been a huge theme. More often than not, there was a deeper meaning hidden somewhere, which would become evident during the course of the story.
A prime example of this is Obi-Wan's remark to Anakin: "Why do I get the feeling that you're going to be the death of me?", or when Anakin says to Padmé: "The thought of not being with you - I can't breathe." These are all allusions to things that have not yet come to pass, but eventually will.
In Dagan's case, this one line, spoken to Santari in a Force Echo, really stood out to me as such a potentially prophetic statement:
"You're the only one who can guide me back."
In the scene itself they were talking about Dagan's perilous mission to fly into the Koboh Abyss. I found the choice of name for this nebula quite interesting on a symbolic level, as the word "abyss” (which, in myth, was a term used to describe the underworld, and even the hellish realms - a dark and dreadful place) could very well stand as a perfect analogy for the dark side, and getting lost therein.
As we saw, Santari’s betrayal and her loss of course had been a major factor in his fall, there is no deying that (for instance, we see that this particular memory was the crucial one to truly complete the bleeding of his lightsaber’s kyber crystal).
In the game's canon, however, we are merely confronted with a missed opportunity. There was no Santari anymore - she was long since gone - so he had to deal with this ultimate loss on top of his already existing trauma, and all that was left for him was to cling like a madman to the only remaining thing that had a connection to her, which was Tanalorr. And it was pretty clear that his emotional ties to Santari were a pivotal aspect of his obsession with this planet.
So, in my AU I want to explore what would have happened, if Dagan had been given that chance, and Santari would have been there, after all, "guiding him back" - or rather her being the catalyst for him, to give him the hope and strength to walk this path himself, as it actually is his love for her that truly guides him back:
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That this would be possible is pretty much a given, as there were other characters that were way further gone, darkside-wise, than he was, that also turned back to the light - prime example being Anakin Skywalker, of course.
(The original) Star Wars has always been all about hope, faith, and making the seemingly impossible possible – at its core it has always been deeply optimistic, with a firm belief in and emphasis on the good in mankind. If you're looking for nihilist, cynical portrayals and outcomes ... sorry, wrong universe. (If that is the shit you want, then try Game of Thrones, ffs!)
No one believed that Anakin could be saved, except for Luke, and Padmé, who expressed her unwavering faith in Anakin's innate goodness and his ability turn back with her dying breath.
More cynical minds would probably say that both Luke's, and Padmé's judgements were clouded by their feelings for Anakin - except that this wasn't the case - quite the opposite, in fact.
As for Padmé - she might not have been able to acknowledge the warning signs of his imminent fall in the moment, but she certainly felt that something troubling was going on. However, concerning the nature of his being, her perception couldn’t have been any more accurate.
After all it was her, who had this profound and intimate connection to him, who knew him better and deeper than anyone else, and, for that very reason, was able to perceive something in him that the others just couldn't. And she was a woman with a sharp mind and common sense, and her reasoning was absolutely sound.
And, yes, she was vindicated in the end!
I see that very much mirrored in Santari, her unwavering faith in Dagan, and her unwillingness to give up on him.
Here's her expressing her conviction in a force echo scene, that took place after her confrontation with Dagan, and right after he was put in the bacta tank:
"The council may have given up on you, but I know who you truly are, Dagan. Even if you yourself have forgotten..."
Of course she knows! It has been hinted at in the game multiple times that these two have known each other for a long time, are very, very close, and share a deep bond based on mutual trust, amongst other things. So, this conviction of hers is very much built on the fact that she knows him better, deeper, and more intimately than anyone else - that she knows things about him that no one else knows, has seen a side of him that no one else has ever seen. That she is the only one able to see him truly as the way he is, and is, therefore, the only one able to make a sound judgement of him and what he is capable of - or isn't.
This woman is anything but a sentimental fool, not only is she a fucking genius, she also possesses great wisdom, discernment, patience, and self-control, so, of course, there is substance to her claims, regardless of the fact that she is in love with him.
~*~
That said, I’ll now continue to describe the scenario for my AU:
Cal had been watching everything unfold with conflicting emotions, and he could not deny that the tragic turn of events on his opponent’s side affected him.
Ever since he saw them together in the force echoes, Cal has always had his suspicions about the true nature of the feelings the two Jedi harboured for each other, and now he saw the undeniable truth right in front of his eyes.
As much as he resented Dagan’s previous actions - seeing this proud man so broken and forlorn, clasping the lifeless form of his lost love to his bosom, he could not help but empathize with him, being all too familiar with love and loss himself.
It did impress him no less to see Dagan, moments later, relinquish the key to Tanalorr - to his discovery, his home, his ambitions, and his great obsession - without a moment’s hesitation, as not to lose time for saving his beloved.
At the same time, Bode’s behaviour in this situation filled him with indignation. How was this any better than Dagan’s previous conduct towards them!? It was not. If anything, it was just as unscrupulous, and that was not how he wanted to be, or to act.
Maybe it was his sense of justice, maybe it was a surge of sympathy, maybe both, that made him turn and go after Dagan, who had just disappeared through the door.
Even so, his sudden reappearance, was met by a furious glare by Dagan who was in no mood to tolerate any further delays, not believing Cal’s claim of only wanting to help. So Cal just prompted BD-1 to act, who immediately understood and administered the last health stim in his possession to Santari, who indeed seemed to show a response.
Dagan, who was too caught up in his concern for Santari just shot him a glance, before rushing off again. However short it had been, the surprise and relief in his eyes had still been visible - as well as a hint of gratitude, or so Cal believed.
From behind, Bode urged him to leave, but he refused, saying he would follow later. He needed time to reflect.
As he made his way back down, hours later, walking through the corridors, he passed by the medical ward. He stopped and stood there, wondering what had become of Santari - if his help had made any difference, however small, even if it meant that she just barely made it, and if, at this point, she was still alive after all.
With a mixture of curiosity and concern, he entered the hallway that led to the examination room. The door was still left open and he slowly made his way to the front, so he could catch sight of what was going on inside.
On the surgery couch, connected to a device that was monitoring her vital parameters, there was a still unconscious, but alive Santari.
Inclined towards her, Dagan was sitting by her side, lost in thought, holding her hand in his remaining one, his eyes fixated on the delicate features of the woman in front of him. His expression was full of sorrow and longing, yet above it all there was a deep affection gracing his handsome face, displaying a tenderness, Cal wouldn’t have associated with him before.
How long had he been watching over her like this, Cal wondered. Night had almost passed, and the horizon was already lighting up in a faint violet.
Daring not to interrupt the scene, he slowly turned, moving as silently as he could, when a deep voice, lowly but firmly, commanded him to wait. He did not know how and when, but somewhere along the line Dagan must have taken notice of his presence.
He again turned to face the Jedi master, who sat still, immovable, in his spot. Even now, as Dagan spoke on, his gaze remained, dwelling upon his beloved.
“When she was examined, I was informed, that it was your medicine that had made a difference, after all. Without it, I would have lost her.”, he concluded, his voice raw with unexpressed emotion. A moment of silence followed, an indrawn breath.
“Thank you!”
Although greatly humbled by the previous events, it must not have easily passed his lips … and yet, he seemed to feel the need to express this to him. A declaration so simple, as it was powerful, genuine, heartfelt.
Cal could appreciate that, inquiring if there was a chance she might make it now that her condition had stabilized at last.
Dagan nodded, ascertaining that until then, he would remain by her side and keep vigil over her quiescent state, waiting for a sign, however long it would take.
In case she woke again, he expressed his hopes that, should they meet again, may this be on better terms than their past encounters.
In case she did not … he paused with a pained expression, briefly closing his eyes, before continuing … then this should now be his bidding him a final farewell.
Cal, understanding the unspoken message, dared not pursue the question any further, and instead agreed expressly to Dagan’s sentiment regarding better future relations, before taking his leave.
Still deep in thought, he returned to his friends, who were already waiting for him at the Mantis, ready to take off for Jedha.
For Dagan, a long vigil remained, that would last another night and day, hours of uncertainty and doubt wearing on in a gruellingly slow pace.
In the silence that surrounded him, the voices in his mind kept on howling all the louder, seized with remorse, confronting him with every decision he made, every action he took - that ultimately led to this result, that he now realized were wrong - in an unceasing and damning judgement.
“If she dies, it is your fault!”, they would scream, and he knew there was nothing he could say to deny their allegations, that lessened his guilt in this matter even for one bit. That was the hardest thought to bear – that it was him, his pride, his obstinacy, and impatience, who had brought about this misery, him, of all people, who hurt her – the one he loved the most.
At this point, the voices that wondered about the “what if”s and “what could have been”s chimed in, telling him the tantalizing tale of chances lost, and all the roads not taken. If only he had listened to her …
At last, a breathed sigh that signalled her waking pulled him out of his thoughts, after a time that felt like an eternity, spent in his personal purgatory.
Her eyelids slowly fluttered open to reveal the soft brown gaze that he so often had lost himself in, that he was again losing himself in in this very moment. With quivering lips, he uttered her name, his voice shaky and raw.
Her mouth silently forming the syllables of his name in response, and the accompanying expression, the longing he felt mirrored in her eyes, were enough to push him over the edge.
A sudden, hot wave of emotion overtook him and before he knew, their lips were locking, and he was kissing her with a desperate, fervent hunger he had not known before – not like this.
When he finally let go, his eyes were moist, and two rivulets of tears, shed out of relief and regret in equal measure, were trickling down his face. His heart was screaming and pleading her to forgive him, but the words just barely escaped his mouth. Dainty fingers reached up and softly brushed his cheek, concern and understanding in her eyes.
Just as he set on to speak again, she just lightly shook her head and pulled him in once more.
Slender arms wound tightly around his broad shoulders, and her hands delved deep into the silver masses of his hair, silken strands between her fingers.
His own remaining arm gently slid behind her back, supported by his force-conjured limb, to pull her up and close, always careful not to put too much pressure on her still fragile and healing form. Still, his hand was clutching the fabric of her tunic so hard it was almost shaking, clinging to her with the urgency of a drowning man.
As short and intense their previous kiss was, it was merely a prelude to the additional sweetness and depth of the one they shared now. She yielded under his touch like delicate flower petals under the rain, sinking back into the crook of his arm, as his lips were bearing down on hers with the full weight and ardour of the love he could not contain anymore.
After what seemed like ages, and yet too soon, their lips slowly parted, softly grazing, catching and releasing each other in feverish zeal in between, reluctant to let go.
They would remain, tightly entangled in their embrace, for a long while, trying to steady themselves, their breath still shaky from their madly racing heart. Trying to make up for the loss of his hand, that would have come up to rest at her face at this point, he inclined, giving her nose a gentle nudge with his own.
Santari, who knew the mannerisms of her beloved like no other, picked up his unspoken intention. Memories came welling up, unbidden, in a wave of guilt and regret that had never left her since their altercation on the Shattered Moon, overtaking her mind and finding their final release in a strangled sob, with her own heart begging for a forgiveness it would never grant itself, but knew it was already given by the one her plea was directed towards.
Like an answer, his cheek came to rest against hers, and their tears mingled, building bit by bit into a torrent, running in silence, until one of them finally rose to speak.
And there was so much to speak about, so much that they had to tell each other, that finally had to be said.
As they talked, they made their way up again, towards the top level of the observatory, with Santari leaning on Dagan for support, who had wrapped his arm around her in a protective manner, steadying her, attending her along the way, walking slowly, carefully.
When they arrived, the sun was nearing the horizon, painting the sky in a gradient of fire, that, itself, was fading into the darkening blue of the falling night, wherein the most luminous stars were already glimmering, scattered across the celestial landscape.
They sat down in the spot they so often had frequented once, two centuries in the past, gazing at the starlit sky, dreaming together. His arm remained, tightly wound around her and she sank into his embrace again, as he patiently, intently listened to her, before it was his turn again to speak, in an exchange that would yet become hours of unburdening their hearts.
It was already deep into the night when Dagan’s exhaustion eventually made itself known, getting the better of him after his prolonged, untiring vigil without rest. So, they laid down, snuggled up to each other on their makeshift bed under the stars, heads rested on his cloak, turned into a pillow for them both, and under Santari’s loving and watchful gaze, he finally allowed himself to drift off to sleep – this time, with her keeping guard over him instead.
He woke to her humming, the caressing, feathery touch of her fingers running through his hair, and a smile as warm as the rays of the midday sun that now stood at its zenith in the sky. She was still in the same position she occupied last night, concerned not to rouse him all too early, but also not entirely willing to remove herself from his embrace either, savouring the languid hours of a morning slept-in in the arms of her love, something they were but seldomly granted to do in the past, watching the expression of serenity and peace gracing his exquisitely fair face.
She already felt better, invigorated even, and so did Dagan, who had regained his usual strength after his long overdue night’s rest.
Both agreed that it was now time for them to leave and they set out for the landing platform on which Santari’s ship was stationed.
The ship was an old relic from a bygone era, that Dagan immediately recognized as his own, that, despite its age and traces of usage, had served him well during his countless expeditions, bearing him to many faraway places, just as it now had borne her here.
So, instead of choosing a new one, she took his old ship and made it her own, just as he had planned to do with her droid. He could not help but chuckle at the thought.
Granted, it was an elegant vessel, with its streamlined form, and tasteful, spacious interior, that in its day had its use as the private transport of some aristocrat – at least that is what the previous owner had told him. What most stood out about it, though, was its great maneuverability and speed, that even time and use did not diminish – qualities that, aside from his own outstanding capabilities as a pilot, carried him through the Abyss and back again.
Whereto would it carry them now?
That was the one question that still remained. Where did they go now, without a home to return to!?
But the answer was - it did not matter – truly, it never did. All he knew and all that did matter now, was that he could go anywhere, anyplace, as long as she was with him. His true and only home was her - the home he could not live without, the home that he never wanted to be parted from again.
As he expressed these sentiments to her, he gave in to the thought that had been occupying his mind during the lonesome hours of his vigil, a rekindled dream of yore.
He took a step back, all the while keeping his eyes locked on hers and his gaze, strangely intense, took on an almost imploring quality. Like this, he remained for a moment, his breath shaky, then he sank to his knee, finally daring to ask the once forbidden question that had long since been burning in his heart.
With a gasp of disbelief and recognition, her eyes widened …
It had been a secret dream of theirs, something they once had wondered about - she remembered it like yesterday - born in a blissful moment, as they lay in each other’s arms, snuggled together after lovemaking and immersed in the other’s eyes, exchanging drowsy kisses every now and again, they were envisioning what life would have been like for them together if they were no Jedi, dreaming up a possible scenario … just a woman and a man, bound by no other vows but the one that tied them together as one.
And they would go on - imagining the home they would have built and shared together, a small sanctuary just for the two of them - until they drifted off to sleep, only to wake up again in the life they had - the life of a scientist and a knight of the order, and a love lived in secrecy. Because that was all it was – just a fond wish, a lovely fantasy far beyond their grasp. Tanalorr was the closest they got, and yet it had been taken from them.
But now … times had changed - the order was gone, the Jedi but few, their doctrine a mere relic of the past, and they were free – free to do whatever they pleased – a second chance to try and seize, but even now she would not have dared to believe, to hope, he would be so bold and act – to actually ask her – and yet here they were.
Too overwhelmed to speak, she just stood there for a moment, her hand cupped over her quivering lips, gulping back a sob, before she fell down into his arms, finally blurting out the answer he so longed to hear. With a deep sigh of relief, betraying how tense and nervous he must have felt, he pulled her close and kissed her in his characteristic, passionate manner that always made her knees go weak.
~*~
Frankly, I don't think the assumption that they might have these desires is all that unreasonable, considering they had this dream of a shared home, that was at the core of their overarching plans of building a temple, and achieving great things for the order.
This is especially strong with Dagan … first of all – because it is mentioned by him in the game (along with other things being heavily implied).
When he bleeds his kyber crystal, his voice takes on an increasingly agitated tone, finally peaking when he refers to Tanalorr as “my home” - not his project, his contribution to the order, but his home - and then, when he mentions Santari’s betrayal, everything explodes.
Of course, you also, if not especially, need to consider his formative years as a slave on Arkania (at least how I imagine them to be like), and the influence these had on his needs and desires.
So, why should marrying the woman he loves not be one of these desires!? Maybe not of Dagan the knight, with his lofty and noble ambitions, but of Dagan the man, carrying this wish in his most secret heart.
It definitely sounds like something he would want, and actually act upon once he sees a chance – after all, he’s a very emotionally passionate person, prone to follow his heart’s desire, as well as his instincts more than anything else (just like Anakin), and someone who doesn’t give a f*** about conventions (also very much like Anakin, who also happens to be not the only Jedi ever to have tied the knot, btw – it is said there have always been some to have done this despite the “rules”).
Imho, he’d totally dig this idea of the completely committed nature of marriage, this absolute and unbreakable bond, as well as showing Santari his undying love and devotion this way. And the fact, that it’s very much an official thing – even better! The whole galaxy has to know, too!
As for Santari … I think her sentiments are absolutely the same, but she’s, of course, more the sober-minded and patient one, but not any less strong-willed, nor any less stubborn and defiant than him, if she truly wants something, mind you - it’s just that her nature allows her to act in a far more subtle manner.
One thing is certain - their actions have more than proven that their priorities and loyalties lie, first and foremost, with each other, and no one else!
Ultimately, I feel, getting married is such a great choice for them, because of their bond that runs so deep - a love that is not only profound and strong, but also enduring - and the magnitude of their attachment that is already present.
Sealing this bond in marriage - while being of singular personal importance to them, of course - would only be a symbolic act, in the end, to make said bond visible to the outside world. So, regarding their status as force user and Jedi, it would hardly have any relevance, as the attachment is already there anyway, as I said.
[ Btw, I can’t stand the attitude that emotional commitment and attachment has to be this exclusively negative thing, with predominantly negative consequences. It is said to only lead to the dark side, but, Imho, there is so much potential for the positive in these bonds – if only they can be channeled in a favourable direction.
Only a bond as deep and as powerful as this would be able to produce the emotional impulse of a magnitude strong enough to tear someone away from the grasp of the dark side for good, as was seen with Anakin. I’m actually more than a little surprised that this fact gets overlooked so constantly. Shame!
Besides - as if Jedi hooking up, sleeping around and just leaving with unfazed detachment because “muh rules”, even becoming deadbeat dads in the process, is any better … WTF! And no, producing force sensitive children and potential initiates for the order is no excuse. Ugh, I hate this argument! Whoever must have come up with that must have been a massive fuckboy…
Dagan definitely isn’t such a guy – quite the opposite, in fact!
Good that Luke got rid of that stupid mindset and rule! After all, his father fell, to a significant degree, just because of it. And I wonder how many Jedi did as well, who remain unmentioned – let alone the hearts that got broken because of it. ]
Maybe Tanalorr was the attempt to reconcile these two sides (the two Jedi versus the man and the woman), and make this dream, which he shared with Santari, a reality.
And, of course, "what happens in the Temple on Tanalorr stays in the Temple on Tanalorr", as I read somewhere. ;)
~*~
Some hours later, they were off, heading to Coruscant, leaving Koboh behind for a while, to accomplish what they had planned to do.
At Santari’s urging, they made a stopover at the nearest medical center, for Dagan to finally get a cybernetic replacement for his lost arm. Still full of remorse over what happened on the Shattered Moon base, she felt unable to find any peace of mind until at least the visible signs of the damage, that her saber had wrought, were undone. Dagan, who still felt the pain of his own regret as acutely, perceived her sorrow despite her composed demeanor, drew her in his still one-armed embrace, and tried to cheer her up, voicing his support of the idea, as it would enable him to hold her again like he used to. The prospect, as well as the disarming nonchalance in which it was stated, the playful smirk and the twinkle in his eye, still managed to conjure a smile on her face.
When they returned to Koboh two weeks later, now a married couple, they first made a visit to Pyloon’s Saloon, to look for Zee, as Santari had learned of her whereabouts after her initial arrival on the planet, and was looking forward to meet her old assistant, hoping for her to join them again – especially after the restoration of her memory.
Just as they wanted to enter the saloon, the Mantis emerged in the skies and landed on its usual place on the platform – Cal, Merrin, Greez, and Kata disembarked and came their way.
Cal, who was still reeling from Bode’s betrayal and loss, a downcast and sombre expression darkening his face, lightened up a little at their sight, seeming almost glad to see them.
Once inside, they were about to exchange greetings, still a little tense despite their recently changed, now more amicable relations, when Zee, who had recognized their voices from above, rushed down to greet them, only to be brought up short at the sight of Dagan, of whom she took note with no little bewilderment and shock, the memory of their last encounter still present in her mind.
But when the delicate figure, that clung to his side, his arm gently placed around her, turned her head in Zee’s direction and was immediately recognized as her old master, she came heading towards her in exuberant spirits, an overjoyed exclamation of “Master Khri!” ringing out of her vocalizer, and immediately assailed her with a plethora of questions, inquiring to know about the reason of her sudden appearance, which also aroused the attention of the others in their circle.
Santari explained everything Zee, as well as the others, wanted to know, in her usual calm and patient manner. It was the instant, when she was speaking about Dagan, referring to him as her husband, that took everyone by surprise, and for a moment there was silence.
While it was, by now, known to everyone but Zee, that the bond between Santari and Dagan was one of love (thanks to Cal’s account), none of them had expected the two Jedi to take it a step further and actually wed, in complete defiance of the rules the Order had instilled into them from early on.
Rules that were quickly brought up by the nonplussed droid, who just couldn’t believe her master would ever go against this doctrine - and now seemed so unconcerned about it, happy even, exchanging enamoured glances with her now-husband, who put his affections on display with a boldness that would have made Zee blush, had she been able to.
Curious enough, no one else seemed to have any objections, and, she didn’t know if she read it right, but there seemed to be a subtle note of approval, respect even, colouring the voice of young Cal Kestis, as he joined Merrin in expressing his congratulations to his fellow Jedi.
Following this, the conversation quickly evolved into a discussion about the recent events.
Eventually, they came to the conclusion that it was best to unite regarding the settlement on Tanalorr, as well as the redevelopment of the Jedi temple, and the new directions the teachings should be taken to.
The only matter left to sort out now were the Bedlam Raiders, and what was to happen with them, now that Dagan, their leader, and the only person with enough influence to rein them in, was to depart to Tanalorr.
That is what they were now planning to take care of, before starting their journey together with the others.
Before they set out for the Raiders’ Lucrehulk headquarters, Santari pulled a small device out of her pocket, a data carrier of sorts, and quickly restored Zee’s memory.
Out of consideration, the latter was allowed to wait in the Saloon for their return, instead of joining them on their mission to the place that still held nothing but bad memories for her. Greez, however, was grateful to have someone to help him with the preparations for the upcoming relocation.
~*~
So much for the key part of my AU.
Of course, there is more, but the most important aspect, the big turning point, has been dealt with here.
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shibaraki · 6 months
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idkidk it’s hard for me to sufficiently emphasise just how deeply plagiarism has affected me and the way I post. I think for anyone who has dealt with plagiarism or had their ideas lifted, there is a bit of a bruise that never really goes away? it can totally sap the joy out of not only writing but engaging in the community—having similar concepts is not a crime and can be a great way to connect with others. now it just makes me extremely wary and stirs up a lot of unpleasant feelings. I know it’s nice to have two cakes and you’ll all eat it happily but if the other person has used the exact same recipe I’m going to feel a bit shit. hell the other person might feel shit about it too idk 💀 this is poorly articulated ksksks
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starlightbelle · 17 days
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I may share my writing.
I’ve debated it for months now (and drafted variations of this post countless times), but I have so many stories in this brain and several drabbles already written just sitting in my notes app 😅
If I were to post on ao3, would that be something anyone would be interested in?
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