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harrysfolklore · 4 months

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tom blyth being obsessed with his girlfriend: a compilation

this was inspired by @astranva’s famous blurbs, love you and miss you novs <3

MASTERLIST | MY PATREON

It seemed like the entire world was crushing on the same man: Tom Blyth

Unfortunately for those who watched The Ballad of Songbirds and Snakes and came out of the theater in love with the man who played Coriolanus Snow, he was happily taken and loved to talk about his girlfriend any chance he got, which lead to fans making several compilations about the times he was a simp over his girl.

The most popular video was a 10 minute and 33 seconds compilation, which had around 445k views.

It started with Tom's interview with Good Morning America to talk about Billy the Kid, the interviewer asking about how he prepared for the role.

"It was during the pandemic, like any actor during that time I was just hoping that the world came back to normal so I could start making a cent," everyone in the set laughed at this, "I was living with my girlfriend YN in a barn house and we were like chopping wood every morning and visiting my friend's ranch. So when I got the part I kinda felt like I was ready for it."

"Your girlfriend, you say," one of the interviewers said making Tom smile right away, "Did she help you prepare for the role too?

"Of course she did, she's my biggest supporter ever."

The video moved to show some behind the scenes of Songbirds and Snakes footage, Tom dressed in his peacekeeper costume and dancing around while Rachel recorded him.

"See this moves?" he got closer to the camera, "I used them to charm my girlfriend."

"And I doubt they worked." Rachel laughed behind the camera.

"She loves me so I'm pretty sure they did."

The next thing shown was Tom sitting next to Hunter as they did an interview for Rolling Stone, the crew just asked about their thoughts on Olivia Rodrigo's single for the movie.

"I love Olivia Rodrigo," Hunter cheerfully said, throwing her arms up to the air, "The new album is so good."

"I'm a big fan as well," Tom joined in, "My girlfriend YN, she's obsessed with her, plays her songs all the time."

"Just so everyone knows, YN is like the coolest person ever," Hunter said, making Tom smile, "She brought us snacks on set so many times, such an angel."

"She's the best."

The following footage was Tom and Rachel's rapid-fire questions with Vogue.

"Can you guess where this is from?" Rachel asked holding up a card that showed a zoomed in picture of a suit.

"That's my Prada suit from the London premiere," Tom asked confidently, Rachel confirming that he was correct, "My girlfriend YN loved that suit, that's why It's one of my favorites."

"Oh I miss YN."

"So do I, so do I."

Next clip was Tom's interview Stephen Colbert, who just asked him if he was a fan of the books growing up.

"I was such a huge fan, I grew up watching the films. My mom and sister used to go to opening weekends to see the movies," the audience cheered at that, "Actually, for my third date with my girlfriend I took her to see the last movie, so getting to play a young president Snow is a real honor."

The video quickly moved to show the lat clip, one of Tom's interviews at the London premiere of the movie.

"Are you here on your own? No date?" The interviewer said once Tom finished answering the previous question.

"I'm here with my girlfriend, actually," his face beamed as he spoke, "She's probably somewhere taking selfies with Hunter, those two are like best friends."

"Is she close to your cast mates?" the interviewer asked again.

"Definitely, they try to steal her from me and I can't blame them, she's the best."

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ghostabocky · 2 years

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my want to gif kh vs the sheer amount of cutscene footage that exists, fight

#angel.txt #finding clips to gif is 9.5 times out of 10 the reason that i just decide not to gif at all #bc it is just soooo tedious a process #at least now i no longer use videos and instead do screencapping so i don't need to make 100 little videos #but hhhh kh is a fucking beast of content #this is why i've only giffed the kh3 cg scenes + select gameplay moments i've captured sdfdfsdfs #cause like. i know all the footage Exists online #but i would much prefer to capture the clips myself off my pf4 bc that cuts down the amount of clipping i would need to do #not to mention not spending hours dowloading videos that i will discard 90% of #but then! the problem for me! is that i haven't actually *played* most of the kh games!#so i don't have access to the theaters or cutscenes at all!!!#and we're back to square one with how much Time it'll take and then downloading videos sounds so much easier #hhh it just sucks bc i want to try applying all these cool blending/coloring/typography teqniques to kh footage #cause i think it'll work similarly but still have a lot of different visual results than working with live action footage #but i have! very limited footage atm! and also don't even have my ps4 set up at the moment so i couldn't cap new things if i tried hhh #man. 🐴

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incorrectbatfam · 7 months

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On the subject of Damian and the axolotl, I feel like people do send him pictures of animals and stuff and he gives a rating, idk tho

Stranger: I thought you'd like to know that Lacey had her puppies. *sends a pic*

Damian: For once, a mother who should be proud. 10/10.

———————

Stranger: *sends a derpy cat pic* This is my cat Momo, short for Movie-Theater Mozzarella-Sticks. He just turned 3 and likes to eat pillow feathers.

Damian: Truly the cat of all time. 10/10.

———————

Stranger: I think I saw Krypto the Superdog on my way to work. *sends blurry video of Krypto flying*

Damian: There goes Metropolis's hero. 10/10.

———————

Stranger: *sends a pic of a lizard in a pointy hat* This is King Gizzard, my lizard, as a wizard for Halloween.

Damian: I would give him all my candy. 10/10.

———————

Stranger: *sends a video of their parrot*

The parrot: Polly loves crackers and Damian.

Damian: Tell Polly I love her too. 10/10.

———————

Stranger: Bruh there are so many gophers at Gotham U. *sends pic of gophers chilling in the quad*

Damian: 10/10. Good for them, living their best life.

———————

Stranger: Do fish count? If so here's Bubbles. *sends video of a goldfish*

Damian: They absolutely do. 10/10.

———————

Stranger: I went to my aunt's farm and got to ride the horses. Meet Dash. *sends Instagram story with a horse*

Damian: A fine specimen. 10/10.

———————

Stranger: Opinions on this stingray? *sends scuba diving footage*

Damian: Superb. 10/10.

———————

Stranger: I found a worm. What should I name him? *sends pic*

Damian: He looks like a Kevin. 10/10.

———————

Stranger: This is me and my stepdad with the hens we've been raising. *sends pic*

Damian: What lovely ladies. 10/10.

———————

Stranger: I went to a butterfly garden today. *sends video of a butterfly landing on their hand*

Damian: Stunning. 10/10.

———————

Stranger: I just got back from a safari. *sends album of savannah herds*

Damian: Next time take me with you. 10/10.

———————

Stranger: *sends a Ratatouille GIF*

Damian: Don't tell my family but I'm training my rats to do the same. 10/10 by the way.

———————

Stranger: This is Herbie, our class bunny. *sends a pic with the teacher fumbling in the background*

Damian: He looks more intelligent than your teacher. 10/10.

———————

Stranger: *sends pic* Got bored and bought a frog. I'm naming him Toad.

Damian: I hope your life is as dull as ever. 10/10.

———————

Stranger: Tzu Tzu keeps leaving her laundry everywhere. *sends video of a snake shedding its skin*

Damian: You're her assistant. Do your job. 10/10.

———————

Stranger: I finally got a hamster!! *sends video*

Damian: Now treat them like royalty and get yourself some tubing. 10/10.

———————

Stranger: Ideas for decorating my hermit crab's shell? For context his name is Juan and he likes the color yellow. *sends pic*

Damian: I suggest black and gold. 10/10.

———————

Stranger: I saw a turtle on my morning walk. *sends a pic*

Damian: Ethereal. 10/10.

———————

Bruce: *sends a family photo*

Damian: *blocks and reports*

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burntcinnamonz · 6 months

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Live footage of me in the theater watching the fnaf movie

#im sorry but evil men who also kinda cringe are my biggest weakness #fnaf #fnaf movie #five nights at freddy's movie #william afton #fnaf memes

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violetthekiller · 1 month

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i know you're knowledgable about theater so let me ask you, why are there camera operators?

could be a few reasons

- to record footage for promotional vids/trailers

- it could be staged with screens and live footage of scenes in other places (outside/backstage etc.) filmed and live fed to the auditorium. this happened in Jamie Lloyd’s Sunset Blvd so is quite likely imo

- there’s already plans for a pro-shot (unlikely, but always a possibility)

#ask

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matan4il · 4 months

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hay just wanted to say I know things are stressful trust me I know ( I have a friend who lives with her family in Ukraine) I know life seams impossibly hard right now but keep going you will survive one day the world will see that Israel was In the right and hamas was in the wrong just keep on going until then

Awwww, Nonnie! Thank you so much for the kind words! They mean a lot!

Amen to this, hopefully one day the world will indeed be able to look back on this with more moral clarity than some are capable of right now. A bit like how I would like to believe there's less Holocaust denial today in Germany, than in 1945, when Germans were required by the allies to go through "de-Nazification" (meaning, register that they came to a cinema theater and watched footage of the horrors from the Nazi concentration camps), but many would register, walk into the cinema theater, and then sit with their backs to the screen the entire time the footage was shown. Today, I believe most Germans would not deny the Holocaust, and I personally know several who take a really strong stance against antisemitism.

That said, I also came across at least one anti-Israel German woman, who kept talking about the "mystification of the Holocaust," and how the Holocaust doesn't deserve the special recognition it has gotten, at the same time as trying to claim that what Israel is doing is a second Holocaust. I got the sense that she has an issue with facing Germany's past, and (to paraphrase the words of Israeli psychiatrist Zvi Recks), she will never forgive the Jews for the Holocaust. So, if she has to vilify the Jewish state to falsely minimize the crime of the Holocaust, and turn the Jews from victims to villains, she'll just have to do that...

I do believe that she's a minority in her country, and that in the same way, eventually people will look back at the most successful normalization of antisemitism since the Holocaust, with the same kind of denouncement, as we today look at the Nazis' antisemitic de-humanization of Jews, which preceded and enabled the Holocaust.

Thank you again for the kindness, and I hope that you, your friend, and her family, are all well, and will continue to be so! Sending much love and support! xoxox

(for all of my updates and ask replies regarding Israel, click here)

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reflections-in-a-critical-eye · 4 months

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top ten first watches of 2023?

I assume you mean films, right? Anyway, top 10 in no particular order.

Crash was a long time coming, but it took a podcast I used to listen to weekly to finally get to this Cronenberg classic. Bodily modifications? Violent eroticism? Body as a machine? Death & eroticism? It has it all and much more.

For those of you in your 20s and 30s (or even older) who feel alienated in the urban landscape, surrounded by crowds whilst feeling lonely and yearning for any type of human connection, this film is for you.

It's no secret that Brian de Palma wanted to be Hitchcock since he was a baby (I assume, but it sure does look so). You can see it in so many movies of his and Body Double is a perfect example. It even has the misogyny down to a T. But it's also really good and I'm a fan of voyeurism in cinema (from a critical position mostly). This is like Rear Window and Vertigo mashed together, but with 80s hair.

Now this was probably the highlight for me this year. Editor by day, sex worker by night, Kathleen Turner is a force in this film, alongside Anthony Perkins, the perverted priest. But if that is not enough to do the trick, the cinematography and that anal sex scene might do the trick 😉

Who knew Joan Crawford had such a big issue with wire hangers? Not me, but I sure found out in that crazy scene that has one of the most memorable meltdowns in cinema. Every shot of Faye Dunaway screams "I want that Oscar, god damn it!"

Fedora is the late 70s version of Sunset Boulevard and it has the same director. Not as good as that classic, but my god, the clothes! I'd watch it again just for the clothes, particularly that white suit Fedora is wearing in the garden of her villa when she receives that honorary Oscar.

I don't think there's any Paul Schrader film that I didn't like. It wouldn't make sense to call him underrated, but he's better than others from that 1970s gang (cough *de Palma* cough). In Hardcore, a father finds out his daughter went to Los Angeles and started acting in porn. He gets the confirmation when he actually sees her in one film in some shady movie theater. It's a weird and very uncomfortable scene and by comparison, not much, knowing how it will unfold later.

Of course Madonna is always in control of her image and what she allows to be seen or how she comes across. But that doesn't mean there's nothing genuine there, on the contrary. And the camera captures that. The backstage, the everyday conversations, the relationship with the dancers. Real people with real emotions and the more darker parts are allowed to slip in through the cracks. On top of that, it has footage from her tour in 90-91, a reminder of how Madonna is one of the best performers out there, making me wish there'd be a time machine so I can see her live during that time.

For anyone who is a fan of Sex and The City, how about a late 1930s version? Fast pace dialogue, outfits to die for and a cast made almost entirely of women.

The second Cronenberg on the 2023 list. I watched M. Butterfly after seeing Madame Butterfly at the opera. The film is slightly different and it deals with some of my favorite themes in fiction and media lately: gender identities, criticism of colonialism, orientalist fantasies that obscure realities and so much more.

#m thoughts #top 10 films in 2023 #crash david cronenberg #m butterfly #body double #hardcore 1978 #fedora billy wilder #mommy dearest #women 1939 #in bed with Madonna #crimes of passion #vive l'amour

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astoundingbeyondbelief · 6 months

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Kaiju Week in Review (October 29-November 4, 2023)

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Like me, you probably haven't seen Godzilla Minus One yet, making Fest Godzilla 4: Operation Jet Jaguar last week's most spectacular new watch. Kazuhiro Nakagawa's ambitions grow with each entry in this series; this time, he was helped by veteran Rider/Sentai suit actor Kenya Saito inside the great new Jet Jaguar suit. The ending wasn't quite what I predicted, but still set up what should be a spectacular showdown last year.

I wish these shorts weren't effectively the last vestiges of tokusatsu in the Godzilla series; I wish even more that Toho would allow them to stay on YouTube. This one, along with its associated behind-the-scenes videos, will stay around until the end of the year, as an apology for the Godzilla Day VOD having such awful audio as to be unsalvageable. But that still means its discoverability will take a serious hit, and it's unclear what Toho actually gets out of this artificial scarcity. Maybe they're plotting to release all the shorts on Blu-ray in a few years. In any case, download this one post-haste.

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While he didn't get a new suit, Megalon still made a triumphant return in the other short film released on Godzilla Day, Godzilla vs. Megalon. A sequel to Godzilla vs. Gigan Rex, it's also directed by Takuya Uenishi. The live-action footage in this one helps ground the over-the-top monster mayhem, and a weakened Godzilla displays some cool new tricks, although I found his finisher unsatisfying. As for Megalon, well, he finally shows the world just how terrifying he can be when he takes himself more seriously.

After a mercifully brief marketing campaign, the 37th Godzilla movie, Godzilla Minus One, is in Japanese theaters (and it's making bank). I'm trying to go in relatively unspoiled (always difficult as a Wikizilla admin), but what little I have read has been promising. The basic premise, which the early promos have largely masked, sounds like a kaiju story I wrote in college, which I couldn't be more thrilled by. If you're feeling daring, there's a second trailer out.

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We'll get the first episodes of Monarch: Legacy of Monsters even sooner than Godzilla Minus One. Accordingly, Apple has ramped up promotion, releasing a behind-the-scenes video (above), the opening title sequence, and the first scene of the series. We also have names for a couple of the new monsters (the new Skull Island beastie is a Mantleclaw and the critters hatching from eggs are Endoswarmers) and better looks at a couple others.

I joked after the Godzilla Day livestream that it was such a technical fiasco because Toho had put all its skill points into releasing Godzilla Minus One. Similar could be said for the Fathom Events release of Godzilla 2000: Millennium. The showing I caught was fine technically (one brief frame rate hiccup aside), just... uninspired. The preshow was the same brief behind-the-scenes footage of G2K included on the American DVD and Blu-ray; the film used the same translation as the Blu-ray. And now that the novelty of actually being able to watch it has worn off, I've soured considerably on the Japanese version of this movie. The languid score and sound design are especially glaring in a theater.

Godzilla Voxel Wars, available on Steam and Epic Games, probably should have been released in a week less packed with more attention-grabbing Godzilla news. Still zero reviews on Metacritic! Haven't played it myself, but fellow Wikizilla admin Les is enjoying it.

Godzilla: Here There Be Dragons #5 also added to the Godzilla onslaught. Still impressed at how big a role the Giant Octopus had in this (and what a brutal ending for it and Ebirah), but the miniseries wrapped up a little too neatly.

Despite backing it on Kickstarter, I had nearly forgotten about Godzilla & Kong: The Cinematic Storyboard Art of Richard Bennett. Turns out the reason the book has taken so long to be published (the campaign ended last May) is the page count jumping from "around 200" to 424! It's off to the printer now, so the wait is nearly over.

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Worth posting again: the third BOSS Coffee ad featuring the new ShodaiGoji suit. Very little original footage in this one, but some first-class editing.

And a few other happenings I'll keep to bullet points so you can finally stop scrolling:

I forgot to post about Viz publishing volume 7 of Asadora! Huge props for introducing a kyodai hero without derailing the story (I won't say how, but it's quite clever).

After its brief Japanese theatrical run, the black-and-white version of Shin Godzilla is "under consideration for further development." Home video next?

The newest Godzilla Battle Line units are Super Mechagodzilla and a second version of Godzilla '54 who strafes his atomic breath and ignores most status effects. I've had virtually no time to play since the new season started (this post was typed entirely in a Georgia hotel room, put it that way), but I hear they're both stellar.

Godzilla trading card update: disappointment and confusion! The Godzilla Minus One promo cards were only available for a very limited time as add-ons to a $75+ TCGPlayer order. Meanwhile, nobody can find the packs of Surreal Entertainment cards that were supposed to arrive at Five Below on Godzilla Day.

Naturally, lots of toys revealed on and around Godzilla Day. Highlights include a Super7 Godzilla figure with an Imperial-inspired paint job, a Super7 SpaceGodzilla repaint blatantly based on Super Godzilla which sold out instantly, an S.H. MonsterArts Jet Jaguar '73, and Movie Monster Series figures for *inhales* Godzilla '55, Anguirus '55, Flying Stage Hedorah, Godzilla '64, and Minilla '67. The Godzilla Raids Again figures are both getting variants inspired by a Toy Dreams set from 2006. Bandai also started up another Movie Monster Series fans-pick-the-figure poll, but what's the point? They'll have every single Godzilla kaiju represented before the decade's half over. (And maybe by the end of the decade I'll be able to afford all the ones I want!)

#godzilla #the 69th #godzilla minus one #godzilla vs. megalon #fest godzilla 4 operation jet jaguar #monarch legacy of monsters #kaiju week in review #kaiju

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chloecherrysip · 1 year

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Now that I've had a few hours of sleep and am marginally a human being again, let's talk about the mario movie some more! SPOILERS ALL THROUGHOUT THIS POST UNDER THE CUT (if you want to see my non-spoilery thoughts and the first part of my spoiler talk as well, here's that post from last night! Be warned that it's pretty all over the place because it was 4:30 in the morning and I was really tired lolol)

After thinking about it more, I truly do have some PROBLEMS with this movie (will talk more about some of that below and I covered a lot of the issues in my first post too) and I do wish it was better overall and not so painfully surface-level with all the character interactions - I can understand why some people REALLY don't like it while others love it! It's joyful and energetic and BEAUTIFUL but if you spent months and months theorizing and speculating about deep character interactions and a very emotional story, it does really sting to finally see how there is virtually NONE of that and the plot feels kinda empty as a result. :(

But! I'm definitely not upset or anything like that, and I'm still gonna see it two more times in theaters with a smile on my face! TRUTHFULLY (and if you've seen my blog before, you know this about me) what I cared about most in this movie was getting to see Mario and Luigi be adorable onscreen and have a good, healthy, loving relationship, and you do get that to some degree, even if it's nowhere near enough. I can make my peace (and write a lot of fanfic, LOL) regarding the rest. :)

Here is a list of moments between Mario & Luigi that made me happy:

FIRST OF ALL, SOMETHING THAT I'M NOT ACTUALLY SURE I LIKED BUT WAS CERTAINLY A CHOICE: Mario's nickname for Luigi is Lu????? He calls him that 3-4 times and at big moments, too. It started to be cute to me, even if I wish they'd gone with "Weegie" or something similar, but it's a little jarring at the beginning for sure.

In general, they are just very physically affectionate with each other! There are one or two quick hugs in the beginning scenes before we even get to the reunion. Also, I can't remember the specifics but the very last scene is them basically teasing/poking each other before running off into the day together and it's cute. :)

Mario is SO protective of Luigi in the Brooklyn scenes and let me tell you, as someone who cares DEEPLY about that, i was LIVING. He gets mad at Spike and tries to pick a fight only when he insults Luigi, and there is also a silly scene with an angry dog and Mario just instinctively puts his arm up in front of Luigi when things get a little scary/focuses on making sure he doesn't get hurt, and I was just having the BEST time. Honestly, I loved the Brooklyn stuff so much that I sincerely wanted the whole movie to just be about that, and things took a downhill turn for sure when the separation happened. :(

Someone definitely predicted this before the movie but Mario hates mushrooms as a food and Luigi likes them. During a dinner scene, Mario is slyly separating mushrooms from his food and putting them onto Luigi's plate in a way that suggests he's done that a LOT. Such a quick shot but I just liked the detail!

THE RUNNING THROUGH THE CONSTRUCTION SITE AND MARIO DOING RIDICULOUS PARKOUR BUT ALSO STOPPING TWICE TO MAKE SURE TO TURN BACK AND OPEN THE GATES SO LUIGI COULD COME THROUGH NORMALLY. There was just something SO funny and sweet about [crazy jumping and leaping] [quiet, thoughtful pause to open the gate] [MORE CRAZY JUMPING AND LEAPING, WHAT ARE YOU EVEN DOING, SIR] [another quiet, thoughtful pause to open the 2nd gate], I loveeeeee

Once again, just gotta be obnoxious about being right that the dialogue in the warp zone was "nothing can hurt us as long as we're together!" I HEARD THE LINE AS THIS IN THAT PREVIEW FOOTAGE AND EVERYONE CONVINCED ME IT WAS DIFFERENT BUT LOOK WHO'S LAUGHING NOW (i'm sorry, just let me have this win haha)

There is a sad moment where Mario and Luigi's dad clearly doesn't believe in their business and he even says to Mario something like "the worst part is that you're dragging your brother down with you" which is clearly upsetting to Mario so he leaves the dinner table - but then Luigi leaves the table too to come and sit with him and reassures him that he's not dragging him down and it's just a sweet, comfortable moment between them that I very much wish went on a little longer (the theme of the whole movie lol)

(Also, Mario and Luigi still live with their parents and share a room, they're clearly pretty young and are treated like the "babies" of the family. I wish we had seen more of their room other than a very extremely brief shots!!)

Luigi DOES immediately sell out Mario when Bowser goes for the serious mustache damage, LOL, but the way it's done is honestly so cute and once again, just reemphasizes how much Luigi loves Mario XD He's basically like "YES, I know him, he's my brother Mario and he's the best guy ever!" (And then Bowser, who is preoccupied with Mario = romantic rival for Peach's affections, is like "would a princess find him attractive???" and Luigi is like "if she has any common sense, she should!" (lol, that line could be TOTALLY wrong, I don't remember, but that's the gist of it, I promise) or something like that - just hyping Mario up when he's not even there, LOL

in Mario and DK's "darkest moment" scene where things seem hopeless and they're arguing, Mario says something like "well, at least your brother's not going to die because of you!" and noooo, bb, it's not your fault ;; (this scene could have been done SO MUCH BETTER with a few tweaks, btw, but I will get into that)

Luigi bringing coffee for Mario at the end of the movie in their respective cups :) :) :) So simple but I am a very simple person who just wanted to see little moments like this :) :) :)

I have GRIPES with the final battle scene but seeing Mario and Luigi work together and take care of Bowser as a duo was still good!!! Nothing can hurt them when they're together!!!

Also, already talked about this at length in my first post, but one more time: Mario saving Luigi from falling into the lava and their reunion hug is just my favorite moment of the movie, no contest, it goes by so fast and I wish it was longer but I can be happy with that alone and I can't wait for the screenshots/gifsets where I can see all the details of it more clearly and don't have to rely on my awful memory. Literally just going to think about that split-second of Mario holding Luigi's face with both hands in an unbearably sweet, gentle way forever. These brothers love each other very much, your honor ❤️❤️❤️❤️❤️❤️❤️❤️

ALSO ALMOST FORGOT: FLASHBACK TO THEM BEING BABIES (AND THEY LOOK SO FAITHFUL TO THE ORIGINAL DESIGNS TOO!) AND MARIO PROTECTING LUIGI FROM A BULLY (lol I very much wish it was a longer and/or more creative flashback, but STILL sweet)

AND NOW THAT I AM DONE WITH BEING POSITIVE ABOUT MY FAVORITE BOYS, LET'S ~*~COMPLAIN~*~

First of all, still CANNOT BELIEVE that "I'm not afraid! I'll do anything for my brother" didn't make it into the movie, are you SERIOUS, it would have been perfect in SO MANY PARTS, they recorded it and everything, why???? IS THERE A DELETED SCENE??? ARE THERE SEVERAL DELETED SCENES??? I DEMAND JUSTICE FOR THAT PERFECT LINE, I WILL MOURN IT FOREVER

The editing in general is a little odd sometimes and it really DOES feel like a lot of scenes should be there that are missing. Another VERY weird cut is in the scene where Peach, Toad, and Mario are crossing the bridge with the Cheep-Cheeps and they just immediately cut the scene when one latches onto Mario's face and don't even include the cute stuff from the trailer with Peach trying to help him??? Like, WHY???? WHY DID THOSE FEW SECONDS NEED TO BE CUT??? I DON'T UNDERSTAND

I think one of the most painful things about this movie is that, as a writer/creative person, I can see SO many small opportunities throughout the movie where a couple of extra minutes and some tweaks in the writing would have made SO much difference. An unbelievable amount of difference! The overall structure of the story and the plot is good! The story of Mario wanting to reunite with his brother and Peach wanting to protect her kingdom (that took her in and cared for her when she was all alone in the world) is solid! But they never give the EMOTIONS surrounding these things ANY space to breathe beyond one line here or there, and that is SUCH a mistake and I can't believe no one thought to do something differently here.

FOR INSTANCE: The "darkest moment" scene with DK and Mario! It goes by so fast, but there is some good stuff there that, if the movie took a MOMENT and really let their pain/fear for their loved ones and their shared complex of unsupportive fathers BREATHE, would work SO MUCH BETTER. Like, I can easily imagine a rewritten version of that scene with very similar dialogue but just MORE of it (more pauses, more emotion, more reactions to one another's problems, more recognition of their similarities, etc) would have made it like a DAGGER in the heart. SUCH a missed opportunity. I am itching to rewrite it, LOL. (I am itching to rewrite a LOT of scenes!)

ALSO: Luigi is my LOVE and he is adorable throughout this, but I'm gonna be the first to admit that his scrap of an arc in this movie (if you can even call it that) is so lackluster and his heroic moment at the end genuinely doesn't feel that earned! AND ONCE AGAIN, WITH A LITTLE EXTRA WRITING/ROOM IN THE RUNTIME, IT'S A VERY SOLVABLE PROBLEM

And the solution is: build out the prison scenes and have Luigi actually talking to someone else who is locked up!!!!! Other than a couple of lines and jokes, the prisoners don't TALK TO EACH OTHER and Luigi just spends a lot of time looking sad. We don't get ANYTHING about his thought processes while he's captured other than he is thinking of Mario and hoping his brother comes to save him like he's always done.

WHEN CRANKY KONG AND THE OTHER KONGS SHOW UP, HAVE THEM SHARE INFO ABOUT MARIO'S APPARENT DEMISE WITH LUIGI!!! HAVE LUIGI TALK TO HIM (OR THE PENGUIN KING, OR SOMEONE) ABOUT HOW HIS BROTHER'S ALWAYS LOOKED OUT FOR HIM BUT MAYBE SOMETIMES, HIS BROTHER MIGHT NEED SOME SUPPORT TOO AND HE'S GOTTA BE STRONG FOR HIM TOO

It doesn't have to be a long or especially deep conversation, but some lines of dialogue like this would make that moment where Luigi realizes that Mario is right, nothing CAN hurt them if they're together and he's gotta be strong for his older brother too and he jumps in to protect him from Bowser hit SO much harder. That's all it would take!!!

I HAVE ACTUAL WORK TO DO TODAY AND CANNOT GO ON AND ON ABOUT THE MARIO MOVIE FOREVER BUT LAST THOUGHT FOR NOW: the more I think about the final battle, the more I'm conflicted, haha. The twist of everyone from the Mushroom Kingdom ending up in Brooklyn is definitely SHOCKING in the moment and pretty creative but I don't know, I had my heart set on a more classic version of Mario VS Bowser. It just doesn't hit as hard as it could in the end because of how silly the setting is. :( (But the Mario and Luigi teamup with the power star is great, and the music IS fire) (Also LOL at myself for thinking "Luigi won't fight at the end, that wouldn't make sense since Mario had to train" - he just knows how to fight, the movie goes with what's cool over what's logical and that's fair XD)

Also, the end of the movie is a tad confusing and has some pretty huge repercussions for this version of canon? ARE THE MUSHROOM KINGDOM AND THE REAL WORLD PERMANENTLY MERGED TOGETHER BECAUSE OF WHAT HAPPENED??? That's definitely what it seems to imply with Mario and Luigi waking up in their Brooklyn room and then walking out straight into the Mushroom Kingdom! It's pretty bizarre! (Honestly, what I was expecting was that the Bill would destroy the warp pipes and Mario and Luigi wouldn't be able to go home, which I might have preferred, as sad as that would be.)

That's all I got for now! I'm sure I will have more thoughts in the future, haha.

#mario movie #mario movie spoilers #super mario bros movie #super mario bros movie spoilers #would love to hear your thoughts if you agree/disagree with anything i said!#it really is wild to see such STRONG reactions on either side of the spectrum #seeing a LOT of positive feedback and then a LOT of people who are MAD and yeah. i honestly get both sides. i am both of you lol #cherrysip hc's & rambling

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eretzyisrael · 2 months

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by Collin Anderson

Elom Tettey-Tamaklo, the Harvard University graduate student who was filmed accosting an Israeli classmate at a campus protest, penned an essay last year glorifying a Palestinian terrorist who was imprisoned for her role in attempting to bomb a movie theater in Jerusalem in 1967.

"When I started learning about Palestine, I was always struck by the women who featured prominently in the movement's work," Tettey-Tamaklo wrote in a March 2023 article published in the Institute for Palestine Studies. "However, one woman's story struck me and has stayed with me ever since: Fatima Bernawi."

Regarded as the first female Palestinian terrorist, Bernawi attempted to bomb the Zion Cinema in downtown Jerusalem in 1967 by leaving an explosive in her handbag. An American tourist spotted the bag and alerted an usher, foiling the plot. Bernawi was nonetheless sentenced to life in prison and said subsequently that her attempted terrorist attack was not a "failure" given that it "generated fear throughout the world."

"Every woman who carries a bag needs to be checked before she enters the supermarket, any place, cinemas and pharmacies," Bernawi said in a 2015 interview. "All my life I had dreamed about it," she said.

Tettey-Tamaklo's essay refers to the attack approvingly. He writes that Bernawi "nearly carried out an attack on an Israeli establishment frequented by Occupation Forces (IOF)" and subsequently made "history as the first woman to be arrested by the IOF."

He concludes that "a true appreciation and celebration of underrepresented histories of Palestinian women like Bernawi—among others—cannot be relegated to the dusty corridors of history."

At the time the essay was published, Tettey-Tamaklo, a second-year student at the Harvard Divinity School, served as a proctor, a supervisory role in which graduate students live among freshmen and support their "adjustment to Harvard."

Tettey-Tamaklo was removed from that role, however, after he was captured on video accosting a Jewish student at an October "die-in" protest held on Harvard's campus to assail Israel's retaliatory attacks on Hamas.

Tettey-Tamaklo and other protesters pushed, shoved, and surrounded the Jewish student, using keffiyehs to block their own faces and the Jewish student's view, according to footage first reported by the Washington Free Beacon. The protesters repeatedly shouted "SHAME!" as the Jewish student said "don't grab me" and "don't touch my neck."

Prominent Harvard Business School alumni cited the ordeal as proof that the Ivy League institution failed to protect its Jewish attendees. Weeks after the letter's publication, in November, Harvard "indefinitely relieved" Tettey-Tamaklo of his proctor duties.

Tettey-Tamaklo's allies on Harvard's campus responded by circulating a petition that demanded Harvard reinstate the Divinity School student. The Harvard Law Record published a December article arguing that Tettey-Tamaklo was a "peaceful protester" attempting to "de-escalate" a "minor confrontation" between the Jewish student and protest attendees.

It's unclear if Harvard was aware of Tettey-Tamaklo's essay when it tapped the divinity school student to serve as a freshman proctor. The school did not respond to a request for comment.

Notwithstanding Harvard's decision to strip Tettey-Tamaklo of his proctor rule, he remains in good standing with the school, according to a January lawsuit that accuses Harvard of failing to combat "outrageous antisemitic conduct."

#elom tettey-tamaklo #terrorism #fatima bernawi #harvard university

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mygreatadventurehasbegun · 1 month

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Late Night With the Devil

I was lucky enough to go see Late Night with the Devil in the theater last night...I didn't realize until the day I bought the ticket that this is a very limited release. I also didn't realize that it was made by Shudder...it will be streaming there next month, for anyone who missed the screenings.

Here are some scattered thoughts:

I would definitely recommend it to horror fans.

Do I think it's the greatest horror movie ever made?

No.

But I think my hype for this was so strong that it was impossible for the movie to live up to it. This movie is a much slower burn than I expected. Given the trailer, I thought this was going to be a white-knuckle thriller, where shit starts happening within the first couple minutes, and doesn't let go until the end. And while there are some intense moments (we'll get to that), it just takes a while to get to them. But the film does fill you with dread from the first few moments...you know something awful is going to happen, but you need to wait an hour until it does.

Basic Premise:

We open with a documentary-style montage telling us about the background of Jack Delroy (played by a fantastic David Dasmalchian), and his rise to fame as a late-night TV host. And then we are told that we are about to see the footage (both in front of and behind the camera) of his final, shocking episode.

I don't think I realized that this was actually going to be a found footage movie. But I really like the way it was used to tell the story. We watch the entire episode and see all the things that happen when the studio cameras are off in real-time, which makes for very effective story telling.

I also didn't realize that this was a low-budget film...not that that's a bad thing...some of the best horror movies were made on shoestring budgets. But because I didn't realize that (again, because the marketing made it look incredible, kudos), there were a couple moments that...surprised me, let's say...tough to go into it without spoiling....Let me put it this way...some of the makeup is fantastic...and some looks like they could have used a liiiitle bit more money. Don't get me wrong, this isn't a ding on the movie...some of the cheaper makeup effects still look good, but there's a part of me that wonders what it would have looked like with a higher budget. But at least they were real practical effects! I'll take a cheaper makeup effect than an overdone CG effect any day of the week. Speaking of CG, there were a couple of moments that used CGI that kind of took me out of the movie...especially given all the other makeup effects...I remember thinking that they could have done that practically.

*and everything else about this movie looks great, I just happened to notice the makeup more last night, I don't know why...but I really liked the overall aesthetic of the movie...they really nailed that late-70's feel*

Now, I know that this is all sounding like a negative review, and I promise it's not! These are just the little things that I noticed during the movie.

One makeup effect I loved?

Lily's makeup during the "contact" scene (the one shown in the trailer so it's not spoilers!). When she looked up at the doctor as the demon, hair covering half her face, I genuinely thought they had switched actors and that she was now being played by a man. The subtle change in eye color, a cheek prosthetic and the actress's wonderful physical acting really had me fooled. It wasn't until her hair was off her face that I realized it was all one person.

And going off of that...the scene where the doctor asks to speak to the demon (again, it's not a spoiler, this was heavily featured in the trailer) is hands-down the best scene in the movie. That was the moment I got tense, with my hands balled into fists. And the scene does something really smart, with the doctor telling the audience to stay quiet...it almost forces us to bottle in our reaction, which only increases our tension and dread.

I would really like to see this one again. I just read the NY Times review (glowing, BTW) that said it may actually be scarier at home than a theater....I mean, it is about a TV show...so to see the "Night Owls" episode on your TV with all the insanity unfolding may make it more terrifying.

All in all, I thought this was a damn good movie. Again, I think my expectations were a bit too high and so it took me a while to adjust and process.

All of the acting was fantastic. I'm so glad that David Dasmalchian is leading a movie...he's such a great actor. I thought the young actress who plays Lily (Ingrid Torelli) did a fantastic job...she made Lily so off-putting and strange, and it was clear that she was struggling with what (or who) ever is inside her.

In the trailer, Kevin Smith was quoted as calling this Rosemary's Baby meets Network...and I half agree with that statement. I'd consider it more Network meets Don't Look Now. You have the examination of the price of fame and the hunger for ratings, while all the while there is this creeping sense of dread and something happening just off camera that leads you to a shocking ending you don't expect. There's also a bit of Scanners thrown in there too (I've seen a lot of people comparing the poster to Scanners)...so if you're squeamish about really over-the-top gore, this is your warning, there are a couple of moments that took me by total surprise.

If I had to give it a letter grade, I'd probably give it an A-. Brought down only because I'm not the biggest fan of over-the-top gore, so that hypnosis scene wasn't too pleasant for me (If you've seen it, you know what I mean) and I wish that they hadn't needed to use CG for a couple effects. But all-in-all, a really solid horror film that I deserves to be seen!

Also, just as the studio logos started, our theater lights just...turned on...fortunately they were off by the time the movie started, but it was a weird little hiccup. I think a staff member was actually in the audience and was able to get it fixed asap.

#late night with the devil #horror #highly recommended!

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fuckmywholeactuallife · 6 months

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just saw Here Lies Love on Broadway and I have…complicated feelings about it?

One one hand. There was an insane euphoria of seeing a 100% Filipino cast. Playing Filipino people, too! Not just…oh we have a Vietnamese/Japanese/Chinese character, let’s cast a Filipino bc they’re the only Asians whose parents let them go into theater. And as a fil-am actor, that was very cool!

On the other hand of course is uh. Um. Imelda Marcos is still…very much alive. And the Marcos family is still very much influencing the government of the Philippines. And making her into an Evita story isn’t even accurate? Plus, the music/lyrics were written by two white (British!) guys and it shows.

HOWEVER I will say the production design is a huge part of the messaging of the show. HUGE. while the marcos are saying one thing, the projections and video screens are very much showing another. Death tolls, statistics about their wealth, their cronyism, archival footage comparing the Marcos’ wealth to the average Filipino standard of living, images of the people power revolution, etc etc.

Plus the acoustic song at the end which was composed of real text from revolutionaries contrasted so well with the huge bombastic disco style of the rest of the musical. Idk how to explain it exactly but it really felt like for the past 90 minutes of the show we DID get swept up in the Marcos propaganda machine. The dancing and the lights and the moving set pieces— the whole thing was designed to (imo) really get you caught up in the glamour of it all in the same way fascism promises you big things! things they way YOU want them! And before you’re really aware of it, you are dancing next to war criminals. The end song and the mural reveal felt very tonally different than the rest of the show.

However, I just…think there wasn’t enough THERE there, iykwim. The actual summary of the politics and events is minimal at best, if not outright fabricating some things (she did NOT grow up poor??? Her literal WIKIPEDIA says so. you wrote a whole musical and didn’t do your research??), they really toned down Imelda’s actual role as a dictator, shoving most of that responsibility off on her husband, like she didn’t run the country into the ground all on her own while he was ill, and seriously minimizes how corrupt and evil she was all on her own.

To me, Here Lies Love felt a lot like another Miss Saigon in that it took a huge historical event that devastated thousands of people and still has repercussions to this DAY, and made it sweet and palatable to a western audience. Then slapped a little “fascism bad, defend democracy uwu” moral on at the end. ¯\_(ツ)_/¯

#personal #here lies love #idk! I really enjoyed it in the moment and then I sat with it more #and sat with their portrayals of these REAL DICTATORS who KILLED THOUSANDS #and the ick started growing #plus i saw some weirdo in the here lies love tag posting uwu cute picrews of imelda marcos and that. THAT made me very upset.

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