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#Literary Depth
ancientroyalblood · 6 months
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Writing for Different Age Groups: Crafting Stories for Children, Teens, and Adults
In the intricate realm of storytelling, one size does not fit all. Writing is a dance with words, and every reader takes a different step. To truly captivate an audience, a writer must be attuned to the age group they aim to enchant. Children, teens, and adults have unique needs, desires, and sensibilities when it comes to literature. In this exploration, we delve into the art of tailoring…
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tamelee · 1 year
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Panel redraw (sorta). Based on this ask, hope you and the one who suggested this panel- 🫣💕 like it. I'm not sure if it turned out well..
Bridge scene ⃩/Naruto's resolve
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anqelbean · 11 months
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Every now and again, YouTube recommends me a booktube book review for a “controversial” book and every time I decide to watch it I realize these people’s minds would be blown by SVSSS and 2HA. Their heads would just explode. They’d die after the first 5 chapters. Their little brains wouldn’t be able to comprehend them, they’d just shut down and self destruct.      
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beljar · 2 years
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Good can be radical; evil can never be radical, it can only be extreme, for it possesses neither depth nor any demonic dimension yet--and this is its horror--it can spread like a fungus over the surface of the earth and lay waste the entire world. Evil comes from a failure to think. It defies thought for as soon as thought tries to engage itself with evil and examine the premises and principles from which it originates, it is frustrated because it finds nothing there. That is the banality of evil.
Hannah Arendt, Eichmann in Jerusalem: A Report on the Banality of Evil, January 1, 1963
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mayasaura · 9 months
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There's a weird kind of tension I feel being in the Locked Tomb fandom without being Christian. Especially having grown up in a heavily Christian part of the world, constantly surrounded by pressure to convert.
I don't only mean the constant low grade cultural pressure underpinning daily life, though I mean that too. I mean I get accosted in the street by missionaries. I mean I was first told I was going to hell when I was four years old, by a babysitter who would only let me watch Veggie Tales. I've had a man handing out leaflets follow me around attempting to lay his hands on my head or shoulders while reciting what I think a Catholic friend later told me was called the Sinner's Prayer, cajoling me to repeat after him. My grandfather died after being unable to find a support group that wasn't rooted in the christian faith, and didn't therefore require him to violate his religious beliefs.
Which is all taking the long way around to saying I don't really vibe heavy with the series' christian subtext. I like to enjoy the story primarily through other lenses.
But at the same time the symbolism is there, and intentional, and doing a lot of very interesting things. So I am paying attention to it. I try to consider it an interesting mythological theme, like the classical Greek references. It usually works, but maintaining that distance can be a struggle.
I don't really have a conclusion here. It's just a weird place to be. The draw of wanting to connect the dots, to appreciate the intricate symbolic art, at war with... all that, and with the creeping anxiety that whispers: how much of a philosophy can you know before you get filled up with it? Is there ever a point where you are what you know, whether you want to be or not?
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ourladyofthepronouns · 4 months
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imo one of the things that makes ntn, and Nona herself, read so strongly as a child is the gap between htn and the start of ntn. We never get any real details on how we go from Gideon-in-Harrow's-body and Pyrhha at the bottom of the river to them being a part of BoE with CamPal/Crown on New Rho. We can piece together some basic information (BoE was around the general area of the Mithraeum since they could meet up with Harrow), but it's shrouded in a lot of mystery.
For Nona, it's a vague and not even half remembered time of her life, which reads so much like early childhood. Nona's parental figures have their own complex lives that still have a lot of effect on her, but her "birth" and the subsequent "infancy" of her first months has significantly altered the trajectory of their lives too. Its super surface level to call Pyrhha and Cam and Pal her parents, but the whole thing is Sold by the vageries of Nona's foggy early memories. Just as the reader is trying to piece together Whats Happened, Nona is trying to learn about her own place in life and what things influence her.
🤷‍♀️ Its just really good construction.
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lemongrad · 27 days
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When you finally learn that human nature is not fixed and can in fact change for the better, do you accept this fact and strive to become a positive impact on the world around you, or do you jump off a bridge about it?
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SPEAKING OF WHICH are there like any chill wizard101 discord servers or group chats that I could join. Or if anyone just wanna add me on discord shoot me a tumblr DM because I'm lonely and I like you guys :)
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whatsupspaceman · 5 months
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breaking bad quiz unintentionally the funniest collection of words and images i’ve ever seen
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genderfcker · 2 months
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something something the top noah czerny posts not even being about noah czerny alone something something SYMBOLISM
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The more powerful and original a mind, the more it will incline towards the religion of solitude.
Aldous Huxley, Source Unlisted.
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gobackimhaunted · 1 year
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I know it’s not the point but I’m wondering why on earth she used bear attacks as a comparison
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scribz-ag24 · 10 months
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Stupid question but which one re-evolved first, Duskull/Dusknoir or Treecko/Grovyle?
First, don't say it's a stupid question, I would love to share ideas for the au and talk more about it, especially 'cause I personally am not very creative on my own, so interaction helps immensely.
Second, gonna be honest here, I actually have no idea. I haven't really put much thought into actual plot lmao. The AU doesn't even belong to me really, I just took jsab's one and came up with little interactions that I found funny and/or cute (in my defense, i was starving for actaeonshipping content xd). I didn't plan an actual timeline/story, and I feel that way anyone can come up with their own interpretation of it, which is fun. (and also less complicated cause the logistics of a swap au would be,,,,,,,,,,,,complicated i think).
However, since you asked, I am going to list some random ideas I had about how it could happen, which sort of mixes with possible story beats ig. Sorry beforehand for the length and change of subject lol.
tldr: imo it depends on what story you wanna come up with and whatever serves it better (i.e. you want it to happen post game, so you follow the game's plot; you want it to happen during the story, so sth weird happens, etc.)
So in PMD:EOS world, pokémon evolve through the Luminous Spring. The player can't evolve until the spring regains its light once the flow of time is fixed. So either we have Grovyle and Dusknoir re-evolving after Dialga is defeated, respecting canon, or we tweak it a bit to make it more interesting.
A way to alter the spring method would be by stealing a headcanon I saw someplace I can't remember (oops): that pokémon, while they usually rely on the Luminous Spring, on very rare occasions can evolve through high levels of stress to protect themselves. I personally like this theory because it explains why there are evolved pokémon in the future, like Grovyle and Dusknoir themselves. They were born in a paralysed world, with no magic skinnydipping, so what's up with that.
When I say this ties in with story beats is because I feel the choice here can make two different versions of the swap, 1. treecko and duskull literally take the hero and partner role to the very end (plus a face off against darkrai ig??), or 2. respect the game's kind-of-chosen one narrative by having partner keep their relic fragment, and making grovyle and dusknoir's main mission to help hero and partner work together again. The problem with this AU is that, if taken seriously, it would need a DEEP reconsideration of the game's events and characters. When does the swap occur? Why does it happen, is Darkrai involved again? If Hero and Partner are still there, does that mean the story of eos happened beforehand but had a bad ending? How do two characters whose actions are immensely influenced by their knowledge of the future act when stripped of their canon motivations? Do they keep behaviours and reflexes (perhaps theyre a bit more ambivalent with violence/more morally gray than hero and partner) or are they a blank slate? Do they feel compelled to evolve because they have a weird feeling that they're in a body strange to them? This is why I only draw the fun two panel interactions!
Leaving all that aside, here are some scenarios that could happen (...because we are just making shit up so anything can happen):
They evolve through struggle, like I presume they had to do in the future. Maybe Treecko evolves sooner, on account of being more reckless and referencing his status as a starter pokémon that evolves at level 16. Once Duskull evolves he prolly carries the team for a while, tho, since Dusclops was supposed to be a fully evolved pokémon in gen 3, and is iconically stronger than Dusknoir when it carries an eviolite. Then again, Grovyle and Dusknoir in game are way stronger than they would be in a mainline game, so perhaps they maintain some muscle memory that helps them in combat (funny how two amnesiac pokémons, who barely remember their own names, are somehow so accostumed to battle, huh, weird). I'd say the best place for an evolution would be the dark future, maybe they escape from prison without facing the sableye -cause a prison cell isnt that big of a deal for someone who knows dig and someone whose actual pokédex entry is "It can go through walls!"- and evolve in a fight against partner?
The evolution doesn't follow game rules at all, instead it's a physical manifestation of their old memories. Hero never remembers their past (sorry grovyle), but this is pure self indulgence so maybe the other two do, or at least are more encouraged to do so or get more information (celebi for grovyle, and dialga for dusknoir).
Following that last point, Celebi and Dialga, two time travelling pokémon, actively interfere to help them get their memories back/get them up to speed with the situation, each to their own interest. Perhaps this involve a separation arc between Treecko and Duskull, à la Gates to Infinity. This would serve to make them less dependent of each other, and mature on their own for a while, differenciating them from hero and partner.
They don't re-evolve, they save the world/help save the world like hero and partner would do.
My favourite option is Dialga helps them somehow with time magic after the battle is over and time is fixed. The sole point of it is getting Dusknoir and Grovyle -with their memories back- to awkardly leave together on a slow stoneship that shoots rainbow, for the sole reason that it would be hilarious.
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dictee · 1 year
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^lots going on w this reference too. well first of all the obvious death coming w the birth of the daughter . but also you could pursue a thread about this idea lestat seems to have w america/new orleans as a primitive wild place (forest) and louis as an undiscovered treasure. the balcony speech: there’s not an inch of this city that wasn't built from the fierce wilderness that surrounds it. high windows through which enameled bits of civilization glitter.
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luxpenumbra · 4 months
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ugh ohmygod so I saw this post and it made me so mad that I simultaneously wanted to reblog it just to rant in the tags and to not reblog it so that I could avoid sharing it with /more/ people
listen. music is universal. when a singer, songwriter, producer, lyricist, musician, team puts something out into the world, there may be emotions that they are trying to put into it. They will draw on these emotions as they perform and edit and refine this thing they are making. There may be a story they are trying to tell, an experience they are trying to communicate, and this may not be straightforward; there is a level of abstraction between conceptualization and realization that I am convinced exists to some level in all pieces of art like this. This is not a flaw; this is marvellous. When I the listener interact with a song, or an album, or an artist's entire body of work - the emotions that I feel and the story that is conveyed to me may be just. absolutely different from the artist's intentions and their own experience. It may resonate with me in an entirely different way than intended; it may resonate with someone else in a separate, distinct, discrete way. My and others' awareness of the artist and any context they have made clear may play a part in this or it may not; it depends on how I interact with music and how readily available this information is.
All this is to say: the only fucked up thing with this whole gaylor shit is the part where people are convinced that their interpretation of her music and the way it resonates with them indicates some fundamental truth about her identity. The only person who knows that is her and frankly it's none of anyone else's business and it's probably not that interesting anyway. But!!! this does not mean that her music cannot resonate with someone's experience of queerness!!!! It is story and song and a vehicle for emotion, and the details that make something sing true to someone's life and values are not pinned to the artist's "true identity" like a fuckin. butterfly to a corkboard. there is VALUE and DELIGHT in being aware of some additional dimension of queerness by virtue of the singers intentions or identity or whatever but that's a fucking BONUS you NIMRODS the only thing you need is a heart to feel things and a song to feel them about it's about YOU and how you interpret things. you change things just by existing!!! the only person to experience a song the way you do is YOU!!! "if I wanna listen to gay music I'll listen to gay ppl singing about gay sex" good for you!! but what a sad and limited life you must lead to need the significance and meaning of art spoonfed to you by author bios.
AND THEN. fucking condescending ass AAAAAAAH listen. christian rock can slap. i say this as someone who is markedly not christian. and even if you don't think it slaps that's fine. but the fact that someone's out here going "oh poor limited babies who've never listened to real proper good music before projecting sasanaru onto christian rock because they've never known anything else" grow uppppp!!! first of all!!! nobody. NOBODY. is out here saying 10,000 reasons by matt whatever is about sasuke and naruto kissing. you know this in your heart of hearts, just like you know deep down that there is VALUE in eking out meaning in places where you don't expect to find it, and in places that have some connection to the earliest parts of you. (and even if you aren't doing this, aren't interacting with the context of the music and its genre, see above re:universal fucking language). you've probably done it before. it's tumblr, land of transformative works and webweaving of course you have. how limited in scope must you be to think that people who listen to a genre you don't value but who are also queer or something must be just poor deprived children, limited in resource, waiting for that next evolution i'm gonna weep. anyway listen to relient k cowards
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hearts-hunger · 11 months
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giggling and blushing over a western romance published in 1916
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