#LONG STORY SHORT I GOT IN | Explore Tumblr Posts and Blogs

shady-tavern · 1 year

Text

Winter Star

Some children were born touched by nature, carrying the warmth of the sun, the brightness of spring and the gentle patience of the earth. They were rare, but everyone knew their stories and knew how wonderful they had been.

They knew about the girl touched by summer, who had been taken by a fae woman, the Stag Queen. There was the boy of autumn, who the stars had lured away, never to be seen again and a handful of others, whose fates had been the same.

One day, a girl came into this world with hair as white as snow, lashes like frost and skin as pale as the moon she was born beneath. Everyone who laid eyes on the babe knew immediately she was one of those special ones, beautiful as flowers in the middle of winter and as elegant as drifting snowflakes on cold winds.

Her parents worked hard to keep her safe and raise her to be kind and clever, spending much of their hard earned coin to dress her well and see her educated, knowing a great future would await her. So long as no one took her.

They warned her of the dangers of the world as she grew older, to mistrust strangers and duck out of sight should someone peer at their humble home. However, not even their best attempts to shield her from the world could stop the spreading rumors.

"She is as lovely as snow in the sun," the baker would tell anyone who'd visit his shop, proud of the special girl that grew up down the street of their cozy village.

"Do you know these wonderful early mornings where the light looks gold and pink and everything is so so beautiful it steals your breath away?" the cobbler would sigh dreamily to everyone who'd listen to her. "That's how it feels to look at her."

Soon people came to see the girl touched by winter, the one who was rumored to walk as though she was floating and she was said to possess such graceful manners it would make royalty turn green with envy.

People started to grace the steps of their home in growing numbers with gifts and sweet words carried on silver tongues. Hopeful fathers with curious and often infatuated sons, merchants who donned their finery in hopes of looking more enticing. The parents refused them all, citing that their daughter was still too young to chose.

It became a sort of contest amongst the curious and hopeful, to try and glimpse even a hair of the rumored maiden. Those who did manage to see her for just a moment left smiling dreamily and spreading ever more rumors.

The girl soon grew into a young woman and now her suitors were no longer just merchants and local business owners. Now she received letters and gifts from wealthy traders and even nobles.

One day, a messenger of the prince of their lands stood at their door, offering a chest of jewels and a richly embroidered dress deserving of a future queen. The young woman refused him gently and with kind words, as she had refused all other gifts.

Shortly afterwards, a holy knight asked for a moment of her time, offering his blessed castle to guard her from all evil and unbreakable vows of devotion. She gently and kindly refused him as well.

He vowed to win her heart and return with better offers just as the prince did, who would not give up so easily, soon sending another messenger.

She refused their gifts of riches and protection anew with a kind word, while her parents debated. Her mother, ever worried about her safety and wanting the best possible future, grew fond of the idea that her daughter might become a princess. One day even a queen. This would certainly be a dream come true for any parent.

Her father, pious and ever concerned about the magical dangers of the world, was particularly fond of the holy knight. He was rather taken with the idea that his daughter might one day live in a place no evil could reach while also receiving enough money to be comfortable.

"The prince is said to be a handsome, well mannered young man," her mother said while they baked for the harvest festival, autumn coloring the landscape outside. Winter was approaching and whenever it did their daughter seemed to grow all the more beautiful for it. "He would be good to you."

"The knight is strong and well versed in the dangers of the world," her father countered that evening, as he whittled and she embroidered the hem of a new dress with fine, delicate stitches. "He would keep you safe."

Soon the gifts changed from material goods to whatever strange and magical things her suitors could find. They hadn't given up on her yet, on winning the Winter Bride, as they started to call her.

"This owl loses gems whenever it shakes its wings," the prince's messenger said with a proud flush to his cheeks, as though he was courting the young woman himself, not his prince. The owl was a gorgeous animal, as frost colored as the young woman herself, housed in a small cage made of pure gold.

"His Highness says you may keep it," the messenger held the cage out, nose and forehead bitten red from the cold that had settled over the land. "So you may think of him whenever you look at it and your heart may grow as fond as his has grown of you."

The young woman accepted the cage with soft words and the messenger left grinning from ear to ear. Her parents were delighted, chattering about such a special gift while their daughter took the owl out the kitchen door to the backyard.

While her parents were busy discussing the merits of her becoming a princess, she opened the door of the cage and carefully helped the owl out.

"That's better, isn't it," she said softly as she watched the owl fluff up and shake its body in relief, gems falling from between its feathered wings. It turned its head to watch her for a long moment and she held her arm a little higher, uncaring that the talons of the owl left bleeding scratches along her arm.

"Go, if you wish," she told it with a smile as light as fresh snow. "Be free."

The owl gave her a regal nod and took off, disappearing swiftly. The young woman smiled, her heart glad and she returned inside to find her parents dismayed. They couldn't stay angry for long, however, sighing after scolding her for wasting such a precious gift.

Her father muttered afterwards that maybe the prince didn't know what a woman's heart truly wanted. Her mother, fiddling with the wool she was knitting socks out of, countered that he would find something to win their daughter's heart soon.

The holy knight arrived the next day with a cage woven out of brambles and he presented her with a snow-white fox with eyes of molten gold.

"This one will warn you of dangers and tell you if you are in the presence of evil minds," the knight offered, bowing deep as he held out the cage. "This is a mere gift, no strings attached. May it protect you in my absence and may you find you desire my presence instead one day."

The young woman took hold of the cage and as the knight left, her parents cheerfully discussed weaving a leash for the fox and where to keep it. Her father was nearly dancing with joy as he praised the knight for his thoughtfulness and what this in turn promised for their daughter's future.

The young woman smiled and left them to it, taking the fox out to the backyard. She ignored the way the brambles scratched up her hands as she unmade part of the cage and let the fox jump out, it's snout bloody from trying to bite its way to freedom.

"Go, if you wish," she told it with a smile as lovely as frost flowers. "Be free."

The fox bowed its head in gratitude and ran, swifter than any mere animal and it was soon gone with long strides that looked as though its body weighed no more than a feather. The young woman returned inside and once more her parents were quite upset at having lost such a precious gift.

They couldn't stay angry for long again however, and sighed. Her mother suggested the knight might need to choose his next gift more smartly, while her father grumbled that there must be something out in the world their daughter wanted.

"You must choose who to marry one day," her father told her gently, as though he could soften the order into a plea. "You must stay safe. I'm sure you'll chose well when the time comes."

He cast a significant look to the holy symbol over their hearth, while her mother nodded, tipping her head tellingly towards the small pouch holding the gems the owl had dropped.

The next day, after a night of the season's first snowfall, the young woman woke to find frost covering her windows entirely. It looked as though the snow had piled up all the way to the roof outside.

"I thank you," an ice wind whispered when she opened the windows to peer outside, a thick blanket of snow covering everything. "You returned my dearest friends to me after they were taken when I wasn't there. Two wishes I grant you for saving their lives, use them well."

She felt the magic settle over her as the wind finished blowing past and she couldn't help but peer out into the winter wonderland, as though she could catch a glimpse of whoever had spoken to her. It must have snowed very thickly that night to create that much snow, a quite unusual thing.

Seeing nothing and no one, she rubbed the frost off of the windows and went about her day, two wishes cradled close to her heart. They felt like a refreshing coolness within her, the way a bath in the river was revitalizing during hot summer days.

As winter settled over the land like a content cat in front of the fireplace, she received more gifts. A nightingale who sang so sweetly it made listeners cry, a white hare with fur so fine it was considered the softest in the world. She let each of them go and every time she opened a cage, she felt a change in the winds.

They grew colder each time that presence was back, the one she had felt during the first day of winter.

"Why do you not ask for anything?" the ice wind wondered one day after she unbridled a unicorn the holy knight had captured for her. It paused just long enough to press its velvet-soft nose against her cheek, thanking her silently, then it took off, trailing whispers of magic behind it. "Why not keep the wondrous ones you are offered so freely?"

"Would you like a cage?" she asked in return, watching in quiet awe as the unicorn disappeared. "Would you enjoy a leash or collar, to be bound to the whims and wills of those who hold you in their hands?"

"No," the wind answered in a solemn tone. "You are wise and kind, not many would do as you do."

Maybe, maybe not. She had no way of knowing, having never left the village. All she knew about the world were the things she had read in books she had managed to sneak away and what other people had told her.

She had found, however, that people tended to paint the world dark and evil whenever she listened, to warn her of its many dangers. To ensure she would not set a single foot into the forest, to ensure she would not walk beyond the village border, to ensure she would not chat with strangers the villagers hadn't vetted.

She still vividly remembered how panicked and worried her parents had been. How they had cried bitter tears when she had fallen asleep in their neighbor's hayloft, reading a book of fairy tales, and they hadn't been able to find her for hours.

"Good wind," she spoke up. "Might I bother you to tell me about the world? You must have seen much of it."

"I have," the wind answered. "Is that your first wish?"

She was quiet for a long moment, then she smiled. "A true story, every night for a year. That is my wish."

"I will bring cold with me whenever I visit," the wind warned her. "For I am ice and snow, frost and blizzard. I am winter itself. Are you certain?"

The young woman turned to look back at her humble, warm home and thought of her mother's beloved flowers and her father's meticulously tended herb bed.

"Two true stories every night for as long as this winter lasts," she amended. "Will you accept my wish?"

"I accept," Winter answered solemnly. "Light a candle at your window, when it is the only light that still burns in your home, I will come."

The wind blew away and the young woman returned inside, her parents sighing, rueful and exasperated as they accepted the bridle with gold decorations and spun out of enchanted silver thread.

"Always giving away what would enrich your life," her father grumbled, rubbing his forehead as though getting a headache. "But it's alright, if this is not what you want, surely someone will find a gift soon."

"Our beautiful, strange girl," her mother murmured fond and wry all at once, kissing her on her brow. "Will one of them ever make you happy one day?"

"We'll find the right one," her father said reassuringly, pulling them both into a hug. He turned to look at his daughter, "And we'll make sure you never have to fear being taken."

That night the young woman lit a candle and waited. She had almost fallen asleep when the window slipped open a crack and she felt icy winds brush through the room, trailing a handful of snowflakes in its wake. Immediately the windows frosted over to pure white and any warmth was gone between one breath and the next.

"A wish is a wish," Winter said. "And here are your stories, as promised."

Winter first told her a story of lands beyond the mountains, of tall cliffs and hardy forests. It told her of raging oceans that froze solid whenever autumn passed and the reindeers that thundered across it to different lands.

Winter was kind enough to answer any questions she had and she soon knew why the reindeers did what they did, how the ocean froze.

The second story was rather sad in her opinion, it was of two lovers who had run from an abusive father and a loveless marriage respectively. They had escaped into the night by the skin of their teeth and Winter told her of their journey through snow and ice. They lastly died, two miles from home, holding each other, smiles frozen unto their faces.

"Have many people died this way?" the young woman couldn't help but ask.

"Yes," Winter answered. "And many more will. The cold is no place for those who need warmth to live. Good night now, you who shines like a star, I shall see you again tomorrow."

She fell asleep to the soft whistle of air as Winter left, gently pulling the window closed behind it. Her dreams were filled with wondrous sceneries and people wandering through a snowy forest, away from their warm and yet unsafe homes.

The young woman soon looked forward to Winter's visits the most, eagerly going to sleep each night and secretly she hoped this winter might last just a little longer. The prince and holy knight, as well as many of her other more persistent suitors were quickly forgotten when confronted with stories of the world at large.

And finally she got to know what the world truly was. It was indeed dangerous, but it was also incredibly wonderful. Every story filled her with wonder and longing, chasing away the wariness her parents had painstakingly instilled within her.

The young woman felt as though she had forced herself to be a frozen lake all her life, still and quiet and unmoving, never leaving and never changing. Now, however, it felt as though the thrum of reindeer hooves had made the ice tremble and with each story she wanted more.

With each story she felt her childhood dreams emerge, that deep seated adventurous spark she had smothered upon seeing her parents' tearstained, panicked faces. She had loved them too much to cause them grief and so she had made sure to be obedient and sweet at all times.

She also hadn't wanted to be taken away, to live a horrible life and to never see her parents again. She hadn't wanted to upset them and make them cry or discuss strategies to keep her safe until late at night.

But deep down, beneath the stillness she forced upon her soul, she had never quite stopped looking beyond what she knew. To peer towards the woods and wonder what laid there, to watch travelers and dream of the lands they must have seen.

"Thank you," she murmured as Winter left, sleep rising to claim her. "You're the only one who doesn't tell me everyone wants to hurt me."

Winter was silent, the window cracked still and she wasn't sure if she imagined it or not, but it almost sounded as though they said, "You can count on my aid for as long as I am here, should you need it."

She smiled and felt the furs she had started to take to bed being pulled up to her chin by what seemed to be hands. She was asleep the next moment, unable to open her eyes once more and check.

Winter soon had to move on, however and she mournfully said goodbye to her new friend.

"If you wish it, I can ask my friends to visit," Winter offered on the last day, only snowy slush remaining on the ground and water dripping off of trees. The only spot where there was still true cold was where the wind blew and she swore she could almost make out a shape as it moved. "They could tell you about things I have not seen."

"Then let this be my other wish," the young woman agreed, a glad smile brightening her face. "I would happily welcome the company."

"A wish spoken is a wish granted." She felt cold brush past her cheek, almost like a caress. "I will see you again soon," Winter promised. "If you wish."

"Oh, I very much wish so," she reassured them, reaching out to find invisible strands of wind weaving around her fingers, cold gently brushing her skin. "Will I ever see you in full?"

"Maybe one day." With those words Winter left, trailing the last bit of ice of the year in their wake.

And as promised, the young woman wasn't without company. Spring spoke to her through blooming flowers and invited her to playful dances in moonlight by luring her out the window, promising to look after her.

"There is no joy in never getting to laugh," Spring told her, a grin bright in that sweet, often mischievous voice. "Come, jump and let me catch you!"

Spring was bright and joyful and taught her much about the world. It told her of large meadows that bloomed so brightly one saw only color as far as the eye could see. It told her funny stories of silly animal antics and where it could find acorns and seeds buried in the ground to be raised up into new plants.

The knight and prince were still persistent, hoping to win her heart with more magical creatures and even a few enchanted items, which the young woman refused. She had no need for a necklace that made her sing like a siren nor for bracelets that teleported her to the knight's side in case of danger.

After spring came summer, full of warmth and sweetness. Summer winds encouraged the young woman to walk barefoot outside, to turn her face into the winds and smell all the scents that could be brought over. To dare and set foot into the forests to find the most wonderful berries to pick and to watch deer graze peacefully.

Her parents never knew, she made sure not to worry them, but with each day, with each thing she did, she felt her heart grow. And with it, her yearning for more. To see the places she had been told of, to hear the sound of the ocean and smell a valley of flowers.

The prince and knight started to grow impatient, wondering what it took to make her their bride. They became more insistent, their words losing their sweet tone bit by bit.

"You're not getting any younger my dear," the baker told her when she came to pick up bread, her pale dress making her look like a walking piece of winter in the middle of summer. "They're soon going to change their minds and then where will you be? Filled with regret. So take an old man's advice and be smart."

"Surely one has made you fall in love, either with them or their riches," the cobbler said as she passed by. "You should let them know and arrange a wedding. We're all looking forward to the festivities."

She had no idea how to tell them that she hadn't chosen any of her suitors, that none of them had won her heart. Not with coin and not with living beings caged and collared. How could she have kept a single one of them, or fallen in love for that matter, if she felt trapped herself?

A comfortable, pretty cage made by loving parents, the bars wrought out of worry and kindness, but a cage nonetheless. And they were seeking to put her in another one, bigger and prettier, but just as locked up tight. All in the name of safety. All so they could have the winter girl and not someone else.

The young woman wondered if such a thing must be necessary. If there was a way to live free without fear. Surely there must be one.

She asked Autumn, for Summer had left before she could put her feelings properly into words. Autumn was busy as a bee, zipping from place to place to ensure harvest would be done in time, talking so fast she sometimes couldn't quite follow entirely.

"Of course you can go wherever you want," Autumn said while rustling leaves artfully, only to change its mind a moment later and turn it into cheerful chaos. "There, that's better. Winter Star, you are indeed unusual, that is true, but that is nothing bad. You can always call on us if you find yourself in trouble you can't solve alone."

"Are you certain?" she hadn't expected such an offer. The seasons had come in response to Winter's wish, after all. Autumn laughed, the leaves rustling around them, some more falling off trees.

"We have grown fond of you, worry not. Winter might have been able to ask us to say hello, but nothing beyond that." The winds tucked bright red and orange and yellow leaves into her hair until they looked like a messy crown. "Live, Winter Star. Life is too short to spend it cowering."

The young woman couldn't help but look past the village and to the forest beyond, the riot of colors autumn had brought and how it had even coaxed some trees into making their leaves especially pretty.

"Where do I go?" she couldn't help but ask, suddenly overwhelmed with all the options that seemed to lay themselves at her feet.

"Anywhere," Autumn answered with excited cheer. "Whenever you pack your bag to leave, you'll find that you have more friends than you thought and you will always find more. Go on, try it."

She couldn't simply up and disappear, of course. Not when it would ruin her parents. However, the next time she received gifts from the prince and knight, an idea sparked.

Autumn laughed when she talked about her plan and gladly agreed to help. Soon, gifts of a secret admirer appeared, promising all the things her parents were looking for. A home warded against evil, enough coin to keep their daughter happy and clothed and fed to the end of her days.

It took some finagling to make gifts for herself, but soon the young woman was caught by the idea of what made her happy. She gifted herself books and hardy boots and a bracelet made of colorful river stones. Her parents were befuddled at first, but seeing as she finally seemed to fall in love with someone, they were relieved.

The entire village spoke about it now, wondering who this mysterious stranger was and if they would get to meet them soon. The young woman made a marriage offer to herself and laughed when she accepted it in front of her parents.

"They will pick you up, won't they?" her mother fretted as she helped her pack. "I can't believe my little girl is getting married. We'll meet them soon, won't we? And don't you forget to invite us to the wedding."

"I'll be sure to visit," she promised and later asked Autumn for advice. "I can't just grab my things and leave like any old traveler, after all."

"Leave it to me," Autumn answered, before breezing away, muttering about stubborn berry bushes who really ought to know better by now.

A few days later, a young adult knocked at their door, dressed in fine autumn colored garb. They wore dark green breaches, earth-brown boots, a dark red tunic and a cloak of bright yellow wool, embroidered with dozens of fallen leaves in multiple colors. They bowed, hair windswept and eyes honey brown.

"It is an honor to meet you, I've come to pick up the young lady in the name of my master," the person said in Autumn's voice and when they met her gaze, they offered a quick little wink. The young woman couldn't help but grin, swiftly hiding it behind her hand when her parents glanced over.

"Oh, that is so lovely," her mother gasped when peeking outside and the young woman stepped forward to look as well.

Outside stood a gleaming carriage in gold and red-brown colors and it was pulled by none other than a unicorn. The very unicorn she had once freed. It looked at her, no bridle on its head and she felt as though it was smiling as it dipped its head a little.

The bags were swiftly loaded onto the carriage and a tearstained and heartfelt goodbye later, the young woman left for the first time in her life.

As soon as they were away from the village, she managed to clamber up onto the driver's seat to hug Autumn tight.

Autumn laughed, ruffling her snowy hair. "Now, you best learn how to drive because I do not have the time to take you anywhere, I still have to wrangle some lazy mushrooms."

After a quick couple of lessons, Autumn left, disappearing in a flurry of leaves and rustling clothes to continue on as it always did.

The young woman's heart was racing as she traveled on and on. Autumn visited often and in brief bursts, but soon the air grew colder and colder. The young woman felt excitement rise within her at the thought of Winter's return.

And then, one day, she felt ice winds brush past her. "I see you have found your freedom. I am glad."

"Welcome back," she breathed, her breath fogging in front of her. "I missed you."

Coldness that felt like fingertips brushed her hair back. "And I you. I am glad to see you well."

The young woman happily told Winter all about her plans, while Winter guided her to a place she could stay as it was too cold to travel. A cottage, recently abandoned, but it was easily made ready again. The young woman sold the carriage in a nearby town and the unicorn left after nuzzling her cheek.

She made sure to write home to her parents, while she explored the world around her temporary home with Winter often at her side. Sometimes Winter's other friends showed up, the fox hopping around playfully and the owl watching kindly from its perch in the trees. Winter told her stories all without prompting and showed her the hidden beauty of their season.

"If you wish, travel north," Winter told her as they laid together in the snow, watching bright, bright stars above them at night. "I will be able to show you dancing lights in the sky."

"Yes," she said and slowly, carefully, inched her hand across the space between them, until she felt that special kind of cold breeze. The wind slowly settled and she swore, from the corner of her eyes as long as she did not glance over, she could glimpse Winter's shape once more.

It was the best winter she had ever had and when it became clear her dearest companion would move on soon, she promised to meet the season halfway.

"Go north," Winter reminded her once more. "If you wish, I will wait for you."

She reached out and closed her eyes and this time she felt proper hands close around hers, though they weren't as icy as the blowing winds. Still cool, but she felt soft skin and elegant hands, the brush of a fur lined sleeve. "I will be there, I promise."

"Soon, then," Winter whispered, a smile in their voice, and she felt the brush of cool lips and a cold breath upon her cheek, smiling wide. When she opened her eyes again, she watched ice winds blow away, looking joyful as they trailed snow in their wake.

The young woman set out as Winter left, buying herself a horse and using the rest of the money from the carriage to have her things put in storage until she sent for them.

She left on her very first adventure, Spring urging her on, showing her the meadow of flowers and guiding her way across the land to where ocean waves lapped against fine-sand shores.

She got to meet and speak with many different people and sometimes Spring and later Summer warned her away from certain folks. But mostly, people did her no harm nor wished harm upon her. If anything, many approached her, concerned about her safety and offering to help her get where she wanted to go. She always declined kindly and smiled.

The young woman got to truly experience the world, listening to new music, visiting theatres when she came by cities and towns and eating food she had never dreamed of could exist.

She headed north at last, cutting her time with Summer short and meeting Autumn sooner. And then, the air grew cold and she felt a familiar, very dear presence.

"Hello," she said with a wide, happy smile appearing on her face. "I came, as promised."

"Let me show you everything," Winter breathed and there was excitement in that beloved voice. They traveled onward together and if the young woman tipped her head the right way, she saw Winter beside her, riding on a horse of snow and wind.

Soon she got to see the ocean frozen, as it had been in the very first true story she had ever heard. She watched reindeer trot across in big herds, holding out her hand and smiling when Winter took it, her heart so warm the cold around her might as well have stopped existing.

"Why chose me?" Winter asked as they settled down on a snow covered hill to watch the sun set. It looked truly beautiful. "There were many who tried to win your heart."

"But none understood it," she answered and when she looked up, she saw Winter truly for the first time, not as a season, but as the spirit it was.

Tall and slim, with hair as white as hers and eyes as dark as the frozen ocean. Ice earrings as blue as glaciers dangled from their ears and snowflakes were woven through their hair like the finest veil, ending in a crown of icicles. Clothes in white and light blue draped across their form, lined with fur and half covered in frost.

"Maybe I would have fallen in love with one of the others, had they not offered me another cage," she admitted, giving that cool hand in hers a gentle squeeze. "But instead of expensive gifts and captured magical beings, you gave me stories and shared your friends with me."

One of those slim hands rose to cup her cheek, feeling a little frosty but not stinging her with its coolness. "You shine so brightly, I would never think about forcing you to dim."

"Then you have your answer." She tipped her head into their hand, letting it cradle the side of her face. "I have an idea. Let's make this place our home, so I can be with you for many months."

"Yes," they answered, brushing a cold kiss against her forehead and she could feel them smile against her skin. "And the rest of the year you'll get to be the adventurer you always wanted to be, my star."

That did sound like the best future.

*.*.*

"They'll love you, I promise," the young woman said, giving Winter's hand a gentle squeeze. "They've been asking to meet you and when our wedding will be."

"They will know what I am the moment they see me," Winter sighed but followed her up the path to her parents' house. It was dark and thick snow covered everything.

"They will, but they will also see that you never took me they way they feared and that I am happy." She looked up at the love of her life, the one who loved her for who she was in return. "Trust me."

Winter softened and pulled to a stop in front of the door, cupping her cheek in one elegant hand and leaning down to brush the loveliest of kisses upon her lips. "Always, my star."

The young woman grinned, happy and bright, like ice in the sun and cheerful snowfall. Then she raised her hand and knocked.

*.*.*

If you want to read more stories and support me at the same time, please consider checking out my Patreon! Where I post monthly, exclusive short stories, which helps pay the bills and frees up more time for writing!

#my writing #short story #winter #just me writing stuff again #original writing #I hope someone enjoys this story!#i had a lot of fun writing it #and I wanted to do something winter themed #there might be typos I overlooked #can't think of anything else to tag #I just wanted something soft and sweet with a bit of a fairy tale vibe #fantasy #again this got a wee bit long #what else is new tho when it comes to me #monster lover #in a way

2K notes · View notes

the-owl-tree · 5 months

Note

pwease frostfur she’s my favorite girl ever i love her

im sorry brightheart ended up taking more focus but i couldnt resist drawing these two

+textless version

#warrior cats #brightheart #frostfur #deer scribbles #took some inspurration from myself. could not resist #long story short. kid called me ugly for some severe skin issues i was having (it was pretty bad #to the point i was having mobility issues)#and my mom's response was to tell me to punch him next time he said that if she hadnt sorted it out before then LOL #anyways i wish brightheart got that level of support

385 notes · View notes

1495-gauge · 27 days

Text

there's that fucked up three-eyed thing that lives in the woods. whose turn is it to chase it off again??

#submas #submas art #so long story short i cant fucking draw people. i can draw all sorts of beasties but alas the human Face has always eluded me unless im #drawing direct from reference #which simply means. i guess come up with ideas where i get to draw a lot of pokemon and maybe some dude From A Distance #anyway i really like all the like. one of them has to go a little fucking nuts in the woods. aus #submas microwave au #you see a subway boss from far away and his eyes shine like medallions just like his hat pin #in the naked twilight of a snowy night where everything glows and nothing is truly dark #and maybe he's got a mega concussion and amnesia #get adopted by creatures. idiot #submas ingo #i just feel like in an age and era where 'unusual/strange human' = dog thats going to maul my face #that this would. not go well yk #ft his little clown shoes. theyre so funny to me. little as in honkin big #loud booming calls in a language known only to it. even the zoroark seem to shun it #taking a mockery of its shape and trying to chase it down #though some in turn embrace it #seen especially commonly with ghost pokemon #perhaps its a ghost itself?#whatever it is. its not allowed in camp

161 notes · View notes

sarafroot · 10 months

Text

Ellie and comet I drew on a plane

#my art #the last of us part 2 #the last of us #tlou #ellie williams #comet #I just got back from vacation it was insane #long story short I need a new phone :3

641 notes · View notes

mathes0n · 4 months

Text

How’s it going gamers I replayed Portal 2 the video game of all time and have been reminded of how truly obsessed I am with all the characters

So I present to you: Typical AU where everyone’s a normal human who works at Aperture but Glados and Caroline are sisters who are just barely keeping this company from going bankrupt

#portal 2 #portal #Glados #Caroline portal #chelldos #Wheatley #chell portal #mathes0nart #‘say mathes0n if they’re normal humans then what’s with the Device on Glados’s face’#I have an elaborate backstory to this au I shan’t get into it but long story short she got in an accident #and she was too impatient to get back to work to let them reconstruct Everything #and was like ‘surely you have something laying around that will suffice’#her hands are also prosthetics on top of that

302 notes · View notes

agender-john · 6 months

Text

She finally went to jail for her crimes

#funny story a few days ago me and my bro were calculating how long vriskas prison sentence would be #cause i was telling him about her criems and he got obsessed with figuring out how long she'll go to jail for #long story short she got 75 years and at least 5 life sentences #vrissy did nothing wrong tho her only crime is being within the same general area as vriska U_U #homestuck #homestuck2 #upd8 spoilers #vriska serket #vrissy maryam lalonde #blue's doodles

298 notes · View notes

a-chaotically-small-lunta · 2 months

Text

Okay hear me out. Imagine a story where a scientist is leading a tour of kids through his lab, showing off all the inventions that will hopefully one day help humanity! In this tour is his son, who is very excited to be with his dad at his job, while also technically going to school? Win Win!! His dad has been a bit overprotective of him, but he sort of enjoys the attention. Although he isn’t too keen on his classmates who bully (perhaps one of the bullies is his brother or something) him for it, still poking and teasing him during the tour.

After awhile the dad shows off a portal machine which can open a portal to a whole new world, or at least that’s what they think it leads to anyway. The lab hasn’t fully tested it and is making a robot to send in first. The kids all ask if they can see it and the science team agrees as long as no one goes over the rails towards the portal, cause it seems to have a suction. (You can see where this is going I bet) The science team flips on the machine and the portal lights up, and while everyone is distracted the bully decides to have some fun, whispering into the Scientist kid’s ear something like “Maybe you’ll see your mom over there” or “Perhaps I should just take out trash like you. You’re just wasting dad’s time anyway” before the kid can really process what happens he is pushed over the rail into the portal, disappearing. The machine shuts off with a clunk and the dad is pissed. He is shouting at the bully about how stupid that was and how they have no idea if it’s even life sustainable on the other side! A guard nearby says that the kid is in real serious trouble for so many reasons, only for the dad to chime in that the bully better hope his kid is alive cause if he isn’t, he’ll get a murder charge. The bully explains he didn’t mean to only for most of the class saying that the bully always does this and one student even repeats what he said before he pushed the kid in. They decide to end the tour early and send everyone home, while the bully is escorted out by the guards and won’t be going home soon.

The science team asks what they’re gonna do and the dad says they’re gonna make something. Perhaps a suit or vehicle so that he can go into the portal and find his son. The team nods and quickly gets to work, they know it’ll take more than a few weeks, but maybe if they are lucky the kid will be okay, and maybe they can get it done faster.

Meanwhile, the kid flies through the portal and lands on a soft ground. Panicking he sits up and looks around, only to notice he’s on a huge bed. The portal sent him to a world that was way bigger than his own. Fear strikes him as he realizes where there is a big bed, there’s a big person. He’s right when he looks over across the room and sees a huge person sitting at a desk mumbling to themself. He’s frozen in fear and can’t move, even when the person swings around from their chair and walks over to their bed only to pause and stare at him.

The giant just stared at him, confused as to why there is a tiny child in their bed. They swear they didn’t put them there and are about to say something when the kid just burst out crying and the giant panicked. They quickly kneel by their bed and try to hush the child and tell them that it’s okay. The child keeps sobbing and soft hiccups can be heard, but eventually the kid quiets down a bit. The giant carefully asks how the kid got there, and the boy answers between sobs. The giant listens and the boy eventually bursts into tears again, crying out that they want their dad. The giant gently scoops them up, and holds them close saying “hey, hey, it’s going to be alright. You said your dad was a scientist…sooo he must have seen you get pushed in. I bet he’s trying to get back to you, he just has to figure out how to.” The kid sniffles and asks if the giant really believes that and they nod. They then reassure the kid that they won’t hurt them and that they’ll watch and care for them, until their dad comes to save them. The boy nods and the giant pauses and asks if he likes movies. The boy says yes and that he likes action like movies. The giant then decides that maybe they could watch a movie, to help the boy calm down, they’ll even let the kid choose the movie. He gets a little excited over this and the two of them go and do exactly that. Through this we learn that the worlds are almost identical, but some things are changed like Superman is Aceman, and Ice Cream is Frost Gel. All still the same thing, just named differently, which both the giant and boy find amusing.

The boy stays with the giant for little over a week, getting used to the large surroundings and the movements of the giant. The giant provides a small house to the boy, made of a box and Legos, which the boy had fun playing with and designing that part of the little home. In the other world the dad and his team finally finished the suit. It was built to survive space, acid, lava, and other possibilities. It had a backpack built into the back that held food rations, weapons, tools, and other things for survival. There was also the case, which contained all the parts for a small return portal back home. Which had been tested multiple times….just not cross dimensionally. The suit also had a built in camera that would send live video feed back to the team while the dad, who wanted to be the one who went through, was over there looking for his son. He’d also do some science stuff, like take samples and explore a bit.

The day finally arrives and the dad walks through the portal. He finds himself behind a large plush wall, and he starts to walk around it when he hears booming voices. Meanwhile the giant is laying in bed scrolling through their phone. The kid is sleeping in their little house for a quick nap. Then out of the corner of their eye they see something move out from behind their pillow. The dad looks up and catches the giant’s eye glancing at him. He freezes, and then grabs a weapon from the bag. This causes the giant to freak out and quickly flop out of their bed and onto the floor. The dad runs over and, using the mic in his suit, shouts “WHERE IS HE?!?!?” The giant, confused as hell, asks that the “crazy living action figure dude” please put down the weapon, while also asking what he means. The dad just shouts “IF YOU DID ANYTHING TO HIM I SWEAR I’LL..” the threat falls from his lips as the giant rises above him and cautiously walks over to the little house. They open the top and reach in, carefully waking the boy up and whispering that they have a surprise. The dad, still in a fighting stance, watches as the giant approaches with something in their hands. He’s about to fight, when the giant opens their hands and reveals his son, causing him to freeze. The boy pauses, not recognizing him cause of the suit, but once the dad rips the helmet off, the kid jumps off the giants hand and rushes to embrace his dad.

Both the kid and the dad just tightly hold onto each other as the giant just smiles softly, watching them. They then comment how much of a strong and loving dad the kid has and how the dad has such a brave and smart son. They both look up at the giant, who gives them a sweet smile. The dad explains they can go back home and the son is excited to tell his dad everything he learned about the place. The giant asks if there is anything they can do to help, which the dad asks if there is a safe place to setup a portal device somewhere that isn’t, well, a bed. The giant nods, and offers their hand to the pair. The son quickly hops on and the dad, carefully steps on after a bit of encouragement from his son. The giant takes them to their desk and says they can set it up in the free space near the wall.

After some time the portal is up and running and the dad has some samples, including a hair from the giant, and the small pair is ready to go home. The giant remarks that they’ll probably be seeing more of the tiny people, but says that they are welcome to visit. The boy hugs the giants hand and thanks them for taking care of them. The dad also thanks them for watching over his son, and says that he’s glad that the giant was the one to find his son. They take their leave and the story comes out in their world about what happens. The bully is still charged for some things, mostly messing with official government science stuff, but everything seems fine in the end. Plus the boy made an amazing friend, and the dad found someone he can trust to watch his son.

Anyway, basically what if a portal led to a giant world similar to our own, but it was discovered because some kids decided to mess with a kid. Resulting in the kid getting lost in that world, having to wait to be found or find a way back themself?

#g/t #gt #gianttiny #giant/tiny #giant tiny #g/t idea #g/t ideas #g/t thoughts #g/t thought #g/t story idea #I think it would be interesting to find a whole new world filled with giants #although if I found a tiny crying child in my bed I’d probably freak out #I’d have to calm them down and try and figure out how they got here and whether or not they were always tiny #it would be 100% worse if they happened to be from the same universe and the portal just shrunk them and sent them somewhere random #especially if you see the missing posters and think ‘wait I have them…how am I gonna explain their size?!?!?’#but if they’re from another world it’s more ‘oh okay. just smaller universe..okay okay…let’s figure out dimension travel then…I guess!!!’#either way I’d comfort them and definitely help or try and help them get back home #I’d just make sure that they were okay and watch over them…go all mama bear mode I guess haha #also sorry this got long and is basically a short story written shorter…a shrunken story hehehe

147 notes · View notes

shojoboy · 1 month

Text

the wildest thing about my detective fiction class has been learning that Sherlock Holmes is actually really good. im so sorry to every English person but i truly thought you all were just biased and exaggerating

#i read hotb when i was a kid and hated it so i just thought doyle sucked. well turns out some writers really #just do better w short fiction than long fiction. his short stories are great!!!#i mean im mainly reading early ones idk. according to my teacher these r the best ones #-_-#sherlock holmes #i can see why hes so iconic i really got attached to him after a few stories. i like him :)

132 notes · View notes

not-poignant · 26 days

Text

Tbh one of the reasons I haven't gotten around to Palmarosa yet is because I knew I had to do a fuckton more worldbuilding research and couldn't be bothered because I was like 'this is going to be a lot more work than it needs to be.'

And after 4 straight hours and over 50 tabs which distilled down into 2000 words of worldbuilding that isn't even me getting to the chapter yet, I was right lmao. But in good news, it means I can officially get started! We're going to Luskan, folks :D

#palmarosa #thespectaclesofthor #i've got a bunch of new characters whose names we'll probably never learn #even though they have names #and i've researched more into espruar than i ever cared to #and then had to invent some new terms #anyway i tried to keep the worldbuilding as short as possible #i could write *two chapters* in four hours with the right motivation #so sometimes i get a little annoyed at how long worldbuilding takes #when most of it never ends up in the story lmao #sdalkjfsdlakfjas #i also found a line of scandinavian perfumes i kind of want to try #only to find out they don't ship to australia so

54 notes · View notes

badnewswhatsleft · 2 months

Text

2023 september - rock sound #300 (fall out boy cover) scans

transcript below cut!

WHAT A TIME TO BE ALIVE

With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.

WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham

You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?

PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.

Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?

PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.

You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?

PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.

You seem generally a lot more comfortable celebrating your past success at this point in your career.

PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.

You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?

PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’

On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?

PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.

The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?

PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.

Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.

PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.

Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.

PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.

It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.

PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.

We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?

PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs). PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.

Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.

#the cover is so funny. like theyre cute but that is genuinely bug angle. that is bugs under a rock angle. THEYRE ALREADY SHORT KINGS #fall out boy #pete wentz #patrick stump #andy hurley #joe trohman #time capsule #read the charts #ANYWAY GO HERE. GO READ HERE. BECAUSE I SPENT A LONG TIME TRANSCRIBING EVEN THO TRNASNCRIBING SUCKKSSS #i looped the spell soundtrack like 5 times and got jusmpscared by track9 every time. and then i put on smfs<3 #patrick's comments about the mythologising of fob lore is so interesting #listen baby i know ur fed up and it's not ur fault but u have to understand. the story of ur band is on some genuine fanfic ass other level #the way they talk about neal avron is sooo funny #imagine being producer for this young band. and theyre brilliant but theyre also twentysomethings(derogatory)#also the way pete talks abt swift. lol. also why does he answer the q when patrick was the one in the studio lol???#ALSO also. pete being afraid of british ppl (valid and true)#and patrick pretty much taking to the uk like a duck to water (also valid and tru) is sooo funny #i rlly liked this interview i wiiiiish i got the bundle w the photobook and whatever but i was way too late :(((((((((

105 notes · View notes