i think it's so so so funny that my main transmasc hc character literally Is The Way He Is bc he's amab. like hiei's one of approx 3 characters ever whose asab is actually relevant and having it otherwise is impossible in the text. ridiculous.
is what i thought, but it's actually wayy way more complicated than i previously gave it credit for!! plus there's a LOT more queercoding than i first thought. lemme explain:
[tw: eugenics, fascism, queerphobia, self harm, suicide mentions]
[yu yu hakusho spoilers/meant for ppl who've seen yyh but probably understandable to ppl who haven't]
[ft too many uses of the word queercoded and my mushy feelings about hiei's arc and the queer experience]
hiei is literally thrown out of his home as a baby for being born male and that's just INCREDIBLY queercoded on its own, but specifically a lot of this is presented with the fact that he's a fire demon. this could just be a trait he got from his father, or it could be tied to the ice maiden species. i think it's a stretch to say gender/sex present the same across all demonkind, much less that it resembles our own. frankly, binary sexual classification doesn't really work for a lot of species (and it really doesn't work for humans anyway, because intersex people exist). his maleness is associated with it, and this creates a potential sexual dichotomy that, in this species, females present with ice powers and males present with fire powers. (i understand this has a very goofy "girls are cats boy are dogs" energy to it but let's roll with it for now). so hiei could have been born with what humans would consider female sex characteristics, but the ice maidens would look at him and go "oh he's on fire get this little man outta here". (this could also be where the idea that he'll destroy them comes from, if all males are, y'know, melty).
some of my initial thought process on this came about because i figured "oh if they reproduce asexually they've probably got all xx chromosomes, and that's how they only have xy kids when the parent has sex with someone outside the village", but even if that's the case (assuming chromosomes work the same for demons), there's still a ~50/50 chance hiei ended up with xx chromosomes anyway. perhaps fire is considered the primary sex characteristic that determines one's asab in the same way genitalia is for humans. so, to a human audience, we'd see his traits and go "oh he's trans", which i think counts for biological coding.
the ice maiden society is also incredibly restrictive in terms of gender and sexuality. they consist entirely of (ambiguously determined, as discussed above) women who reproduce asexually. one is not allowed to leave the bounds of this society, nor perform sexual taboos, such as sleeping with outsiders. hiei was only born because hina acted outside of the strict sexual norms of this society. people's queerness is sometimes chocked up to "poor parenting" (often based in sexual/gender/religious/otherwise traditional nonconformity) of parents. and even though hina loved her son and didn't want to see him, y'know, thrown off a floating island, the society as a whole still deemed him an outsider and a problem to be eliminated and left him for dead for the greater purity/"protection" of the culture. it's serving fascist eugenics tbh. (and hiei doesn't destroy their culture like they and he had expected, subverting their expectations of him and his "kind", though the idea that that subversion matters more than preventing further harm is one I'd disagree with. the choice to cut them out of his life entirely to me is somewhat more justifiable to me given a familial view over a community/cultural one, but i digress). regardless, this is reminiscent of societal marginalization in general, but especially categories that can show up in isolation in families (i.e. queerness, neurodivergency, disability, etc) in a way that other things (i.e. race, religious affiliation, etc) generally don't, and can thus be painted as rooting out abnormalities or defects in individual, bloodless, mundane cases (as opposed to the broader elimination that we associate with genocide)
there's also yukina, who left to find hiei, and who hates the ice maidens (presumably at least partially because she knows what happened to him). think of this as them trying to find each other after familial fallout.
this is all to say that if we view maleness/fire demonness as an equivalent to genderqueerness in the ice maiden society, hiei's story maps onto queer experiences incredibly well. so he's got that cultural/queer experience coding too.
we also see hiei topless all the time (he's actually incapable of keeping his chest covered. when he doesn't take it off it burns off or whatever like he can't fight covered up. can't even make it through the intro with it covered. whore behavior <3). "but he's got male presenting pecs, so he's amab," you might say. but he is (key to his character and returning home) well acquainted with a plastic surgeon. he literally has a body modification done as part of his backstory (specifically one he had to tell this story to to receive treatment!!!). transcoded asf. and frankly him being topless all the time is very reminiscent of lots of transmasc ppl who've just gotten top surgery. like they paid too much not to show it off. (this was actually the first thing that made me go "omg,, he's trans lmao. that surgeon guy totally gave him a 2 for 1 deal" and then it just. kept piling up. he's also quite short (4'10") and has a relatively high voice (definitely masc, but in a very in-the-throat way that a lot of afab ppl use), but neither of those are that compelling).
he also has a somewhat more flexible view of his body than the others, getting drastic invasive surgery, beating his arm when it disobeyed him(????? ok babe), and willingly sacrificing parts of it to learn fighting techniques (specifically a fire technique, so more gender stuff). this could be tied to genderqueer people's greater willingness/need to change their bodies, or potentially harmful practices (such as improper binding) to alleviate dysphoria.
queerness is featured a few times in the series and implied in others. we encounter a canon transfem demon named miyuki during the yukina rescue arc. karasu and itsuki are both distinctly mlm demons. hiei even acknowledges this in the eng dub, calling itsuki "lover boy" when he's doing his whole "omg sensui,, i want him to be evil so bad he's so hot" speech. the derision in this case seems to come more from hiei's dislike of him/the situation than disgust at itsuki's queerness (or else he could have just called him disgusting or perverse or whatever). kurama also makes a joke near the end of the series implying hiei is interested in him, which hiei refutes by clarifying his intentions, rather than saying smth like "ew nasty I don't swing that way", which is more standard in anime. I'm gonna gesture wildly to mukuro but we'll skip her for now. all this is to say that the only characters we see exhibiting signs of queerness are demons (other than the people we see atsuko hang with for a single shot). this is almost certainly a case of villainous queercoding (a detriment to the series that does rustle my feathers a good bit. the treatment of miyuki in particular makes my blood boil), but we could also read this as demonkind having different understandings of gender and sexuality in general. perhaps the reason we see this queerness in demons is more because the way their bodies work, the ways they present, and the ways they're attracted to others, to us, look queer.
hiei, throughout his backstory, is consistently demonized by the people around him (some of which is deserved bc he keeps killing people, but some isn't, like the thrown-as-an-infant-off-a-cliff thing). and while his arc throughout the show is about him becoming more able to let people into his life, there's always a distance there. he almost always pushes them away. he's always been treated like a monster, so that's all he tries to be, and it's part of his justification for further distance (i.e. using his criminal status as a reason not to "burden" yukina with the knowledge that they're related). for a lot of queer people (especially before the internet and in places without queer spaces like gay bars), you have no way of meeting people you can trust won't hate you for being queer (even queer spaces have transphobes or nb-exclusionists, etc), so you harden yourself and let very few people in. his trauma reads like a lot of queer ones, especially older american ones. this arc culminates with his relationship with mukuro, and his decision to stay with her indefinitely.
firstly, mukuro's referred to as a king and with he/him pronouns by the cast for a while, before it's revealed that she was hiding her true identity as a woman, and the characters' references to her switch to feminine ones. already tripping wires there. and the first time we learn this about her is when mukuro sees hiei's (queercoded) past and goes "you're just like me" and sheds her clothes (mukuro's backstory doesn't feel that queer to me, but she did have to run away from abuse and dehumanization, potentially for her body/the way she was born as well, so it's not insignificant). hiei's unconscious in one of those green anime healing tubes, but their shared nudity (and thus vulnerability) has a very intimate vibe to it. these fundamentally tightly guarded characters are letting each other in a bit in this way, and that backstory/vulnerability being connected with their bodies/genders, especially when you consider all the other queercoding surrounding them, feels very much like queer solidarity. meeting strangers who have been disowned for birth circumstances and immediately sharing your deepest secrets with each other because you feel some deep similarity to them and bonding over that experience (especially when it relates to asab/agab roles) in a way outsiders can't breach is very queer. (note that hiei didn't want mukuro to know his backstory, but was effectively outed, and she came out in kind). and eventually hiei helps her work through that trauma, and she gives him purpose and a home. a found family with a better fit, something more suited to him, than the main cast (as much as I want them to mesh perfectly).
i think part of why hiei is suicidal in the beginning of three kings is because of that distance and isolation. he'd fulfilled his mission of meeting yukina, but resolved not to tell her of their relation. he feels he can't tell her this big secret of his that might change how she views him, or views her home. it's just before the fight where he tries to die that his surgeon's condition that he could never tell her is revealed. the only thing allowing them to meet is keeping that secret, and the bodily change is what causes it. and he says he wouldn't want to tell her anyway. so he has nowhere to go. he doesn't want to destroy humanity anymore (as evidenced by his assistance in the previous arc and destruction of the chapter black tape), he can't get closer to his home or his sister, and there's still that distance between him and everyone else. (in case it needs to be said, all of this is crazy bonkers queercoded). but in the end, after he and mukuro grow together and bond, he tells kurama to tell yukina her brother's dead, to give up hope, to cut himself off permanently. kurama says he won't, because he believes that hiei will return and tell her they're related someday. and hiei begrudgingly agrees. someday he will tell her. when he's ready, and when he feels safe enough to. and from that change in the beginning and end of the arc, we know he's found that safety in mukuro, and may finally begin to really pursue his own happiness and authenticity. because he met someone like him, he now has hope. he can be loved and he can be enough, and he can look forward to it.
so, to sum up, hiei:
1. was disowned as a child for being the wrong/unexpected gender/sex in an incredibly homogenous society (in which it is ambiguous how they classify sex/gender)
2. has a medical and unusually personal history with a magical plastic surgeon and is topless all the time
3. reacts neutrally/without notice to other characters' queerness (when he is rude, it's for other reasons)
4. is a demon, the only group shown to exhibit canon queerness
5. forms a very deep bond with someone over their shared isolating (queercoded) experiences (with persistent body imagery and a social transition on mukuro's part)
basically, he's transcoded <3
12 notes
·
View notes
I want. Four to get appreciation. Because
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
Also- because of his placement in this scene
I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
.
Art and comic from Jojo @linkeduniverse au :)))
425 notes
·
View notes
Hey, you!
Yeah, you!
Do you crave more ✨canon queer stories✨ in your fandom experience? Are you begging for more major character representation that you don’t have to headcanon for yourself?
Then have I got the kickstarter for you!
The Tin Can Bros (a comedy trio and makers of live theatre, digital sketches, webseries, you name it! You might know them from all the work they’ve done with Starkid—founding Tin Can Brothers Joey and Brian played Ron and Quirrell in A Very Potter Musical) are launching a brand new season of projects, most of which contain QUEER MAJOR CHARACTERS AND THEMES. These guys have got gays, they’ve got lesbians, they’ve got trans and gnc characters, they’ve got wholesome first love and Hannigram levels of fucked-up toxicity. It’s a whole cornucopia!! They’re planning to produce work in Los Angeles, NYC, London, Edinburgh, and Adelaide, but there will be digital tickets so you can watch where ever you are!
We’ve got:
-Two Rocky Horror-style concerts of the cult-hit, spy-movie parody musical Spies Are Forever. Gay protagonist who will sear himself into your heart! Seriously, his relationship with fellow spy Owen will emotionally destroy you for at least seven years.
-A concert of the developing musical This Could Be on Broadway, which follows a group of high school kids putting on a production of The Matrix: The Musical (not a show in real life) in their theatre department. A bunch of the central kids are canonically some flavor of queer, and there’s a central, very sweet lesbian romance that includes a trans character. She’s played trans actress Esther Fallick, who also worked with TCB as a consultant to make the character and show as authentic as possible. Seriously, if you want to see a trans teen thriving in their own skin, this is the show for you.
-An Edinburgh Fringe Fest production of The Solve It Squad Returns, a Scooby-Doo parody that follows the parodic versions of the Scooby Gang when they reunite as fucked-up adults to finally confront the almost-twenty-years-past traumatic murder of their dog Cluebert. I promise it’s funnier than it sounds. Esther, the Velma-esque super genius, is gender non-conforming and identifies with they/them pronouns. They also have a girlfriend WITH a boyfriend!
-A workshop reading of the QUEER SCI-FI TELEVISION COMEDY PILOT Intelligent Life. Unlike the other projects I’ve mentioned, this one is new to the TCB fans, but will follow a pair of ex-boyfriends forced to survive together in an extra-terrestrial colony. From the sound of it, there will be plenty of queer supporting characters as well. This frankly sounds like it could be tumblr’s dream show, and it’d be great to support its development.
-The Great Debate—a live comedy game show where comedians debate silly things. While this obviously won’t have narrative gay rep like the other projects, it will showcase gay talent (at the very least, Tin Can Brother Corey will participate in every show) and may include debates involving queer topics.
-Gross Prophets, in which three wannabe gurus/cult leaders lead a seminar on the path to enlightenment. This is a completely new stage musical so I honestly don’t know if it will contain any queer characters or themes. But the TCB queer track record is pretty good!
Guys, I’m so genuinely so excited by this season. But all this awesome queer art won’t happen unless we get their kickstarter funded. And they need our help! So let’s get fundraising!!
TLDR; Comedy group Tin Can Bros are attempting to fund a season positively filled with queer stories and characters, and they need help! If you want to support the creation of queer theatre and the development of queer TV, consider checking them out and giving to the kickstarter!
207 notes
·
View notes
even if i didnt love botw as much as i do, totk drives me nuts bc, similarly to pokemon, this series is so SO SO full of potential, they have so many games they can pull from, theres so many themes, characters and worldbuilding thats just left to rot, you dont need to connect anything with a chain to old titles, you dont need to bring back any things that already had their ending, but PLEASE harness at least a fraction of all this!!!! and they just refuse to do it beyond shallow references
totk jsut drives it all home to me, bc this isnt just the next game in the franchise, but a DIRECT SEQUEL no 10 years apart from botw, yet they cant even, they REFUSE to even keep the continuity with its OWN lore it established in botw together, and that, i think, is what truly makes me so insane (derogatory) about totk
it PROVES they do not care, they dont care to build on anything of the lore of old titles beyond references in form of amiibos or whatever, they dont even care to make a sequel to their most successful game in the franchise coherent with its own lore
botw established a captivating detailed world full of potential, while lacking in active storytelling, it had environmental storytelling, characters and ideas that were the perfect ground to build on-
and then they do away with it bc idk .. they want you to build mechs and make videos of it that go viral and thats all they care about or something
shiekah tech? forget that existed
character being the character you know? act as if you are seeing them for the first time just like they are
lame story? dont think about that just be distracted by the epic presentation of it
lore the previous title established? forget that, all that matters is what is here and now
beloved character from old games beign brought back? hes a new guy and has no background and no lore and just sits waiting for you at the end to have a flashy fight with
references from old titles and their lore? just here for nostalgie bait, dont you remember? you LOVE this series, now give me 70 bucks for a glorified DLC that ruins what you loved about the series and makes you realize that nothign matters and nothing is interesting anymore
you are supposed to take it all at face value, to not think about anything, to see a character say something and just go with it, and forget it the second its over, be distracted by good music and pretty visuals, but dont think about, dont think about anything but what is directly said to you like you have no critical thinking skills, forget there was a game before this one, only the one you play matters, empty your skull and dont let yourself feel anything but what the game tells you to feel
if they dont even care to make the sequel to their most successful game actually build on the previous title, dont even care to keep their continuity of two games supposedly directly happening one after the other in tact- maybe they never cared, and all the meaning we thought we saw them build into their games was all accidental and meaningless
and that is absolutely soul crushing for fans like me to discover
its a game.
its not a story, its not a world, its not themes, its not characters, its not lore.
its a product made to make you pay money, not to make you think about anything.
186 notes
·
View notes