Nude (Release), Issei Suda, 2008
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Hirai Teruschichi
Fantasies of the Moon
1938
© Tokyo Metropolitan Foundation for History and Culture, image: Tokyo Digital Museum
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“I’m inviting the spirits into my photography. It’s an act of God.”
– Hiroshi Sugimoto
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Yamamoto Masao - from Son Album
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Weather not good? Stay inside and have a book break!
200 views of Mount Fuji, by Hiroshi Masuko is a quality component for a break.
Book available here:
https://bromidestore.fws.store/product/200-views-of-mount-fuji
#Japanese photography #japanesephotographer #bromidebooks #photobook
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hiromix ; female japanese photographer & artist
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Rinko Kawauchi
Untitled, from the series 'Illuminance', 2011
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After Araki. Heaven & Hell
FOAM Magazine #40
Contributing Writers:
Zippora Elders, Marcel Feil, Marc Feustel, Shigeo Goto, Russet Lederman, Ivan Vartanian
Contributing Photographers and Artists:
Emi Anrakuji, Nobuyoshi Araki, HIROMIX, Mayumi Hosokura, Azuma Makoto, Daifu Motoyuki, Momo Okabe, Nomura Sakiko, Lieko Shiga
Foam Magazine, Amsterdam 2014, 280 pages, 23 x 30 cm, ISBN 8710966455234, sold out at the publisher
euro 80,00
This 40th issue is dedicated to the life and legacy of Nobuyoshi Araki. Opening with his never before published portfolio qARADISE, this issue also presents a selection of contemporary Japanese photographers influenced or mentored by this celebrated master. Featuring guest authored essays by a range of experts in Japanese photography, After Araki Heaven & Hell is for the true Japanese photography enthusiast.
Specifically designed to reflect its Japanese content, this issue wraps the featured portfolios with both English and Japanese texts, including a Japanese front cover (an English back cover). This is a comprehensive guide of the emblematic artist: Araki as well as those who have followed in his footsteps.
13/11/22
twitter: @fashionbooksmi
instagram: fashionbooksmilano, designbooksmilano tumblr: fashionbooksmilano, designbooksmilano
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Takehiko Nakafuji /Japanese, b. 1970
Tokyo
© 2018. All pictures are property of their authors
https://fotogenik.eu/takehiko-nakafuji/
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‘Appropriate Proportion’ Go’o Shrine by Hiroshi Sugimoto
Artist Statement: Go’o Shrine traces its origins back to the Muromachi (Ashikaga) period (1338-1573). In recent years, however, the structure had deteriorated considerably and was slated for reconstruction under the Naoshima House Project. Called in as artist-designer, I avoided existing shrine typologies and tried to recreate an imaginary architecture more in keeping with ancient Japanese Shinto worship.
Prior to shinmyo-zukuri, the first Shinto architectural style formalized in the seventh century, animist worship is thought to have focused on sites in nature where some special quality or force was felt - ineffable “power places” - whether in giant trees or waterfalls or boulders. The ancient Japanese conceived of their kami or deities, as manifesting themselves only when humans purified their “power places” for them. Thus, my vision of Go’o Shrine started from the giant rock slob visited by the local kami. The inland sea around Naoshima island abounds in quarries active since medieval times. At Mount Mannari, I found a large boulder that had slipped off the rock face, with little sign of human intervention. It weighed some twenty-four tons, however, so moving it to a shrine atop another island was fraught with difficulty.
he shrine comprises three main parts: the Worship Hall, the Main Sanctuary, and the Rock Chamber. We first dug out the underground chamber, reminiscent of a tumulus, then laid in rought-hewn optical-glass steps from the chamber up to the shrine hall. The massive rock slab completely cuts off the Worship Hall and the Main Sanctuary from the Rock Chamber; only the “stairway of light” joins the celestial and earthbound realms.
From the underground chamber, a concrete-walled passage leads to the mountainside. Visitors to the shrine first worship at the divine iwakura (stone seat) and shrine hall, then descend to the “ancient” underground chamber via the concrete passage, lastly taking in a view of the sea through the portal to the present on the way out.
Source
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Personal Letters, RongRong & inri, 2000
Love Songs at the Maison Européenne de la Photographie
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Kyoko Koizumi (小泉 今日子) and Hiroshi Abe (阿部 寛)
by Kazumi Kurigami (操上 和美) for Brutus 2004
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The Tri-Weekly Most Successful YWAMag Selection #110
Untitled © Masami Hoshino aka Yarev :
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Rinko Kawauchi from her photobook, Illuminance
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Hidekazu Shitagami
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By the Japanese master Takaaki Ishikura, infinitely delicate author.
Yes We Are Magazine still on pause but you can still see art occurrences here, often with texts of mine, mainly in French and English. Link to the 2 versions of the mag in comments (the 3rd link are some of the interviews of the mag).
Basile Pesso, Yes We Are Magazine director since 2014 (Fb - 1st of March 2 023)
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