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basilepesso · 29 minutes
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Criminels de flicards du commissariat de la rue de Clignancourt, Paris 18e : vous détenez DE LA FAÇON LA PLUS ILLÉGALE notre ami Julien Jeanne, honnête citoyen, programmeur informatique, co-directeur de Ledjam Radio, aucun casier judiciaire, car il est venu vous alerter, pensant que vous étiez là pour faire RESPECTER L'ORDRE ET LA JUSTICE, de points et de noms de célébrités dont Macron, coupables de crimes dont particulièrement atroces, dont sur des enfants et ma femme et collaboratrice Anne Pangolin Guéno. Vous êtes censés savoir que j'ai produit une liste de célébrités impliquées, et l'ai publiée plusieurs fois ici et sur Fb. J'apprends qu'après 13 heures de garde à vue Julien va être transféré en prison préventive... Il est dans votre intérêt de relâcher Julien dès ce soir. J'espère que vous avez bien lu... BP.
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basilepesso · 15 hours
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Criminels de flicards du commissariat de la rue de Clignancourt, Paris 18e : vous détenez DE LA FAÇON LA PLUS ILLÉGALE notre ami Julien Jeanne, honnête citoyen, programmeur informatique, co-directeur de Ledjam Radio, aucun casier judiciaire, car il est venu vous alerter, pensant que vous étiez là pour faire RESPECTER L'ORDRE ET LA JUSTICE, de points et de noms de célébrités dont Macron, coupables de crimes dont particulièrement atroces, dont sur des enfants et ma femme et collaboratrice Anne Pangolin Guéno. Vous êtes censés savoir que j'ai produit une liste de célébrités impliquées, et l'ai publiée plusieurs fois ici et sur Fb. J'apprends qu'après 13 heures de garde à vue Julien va être transféré en prison préventive... Il est dans votre intérêt de relâcher Julien dès ce soir. J'espère que vous avez bien lu... BP.
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basilepesso · 1 day
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First broadcast November 2 021 My Flickr
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To All Tomorrow’s Parties #515
Heather Nova, Sugar Basile Pesso-Cataluña, España © August 2 019 My web magazine : Yes We Are (link - Fb version here) with a very intense expressionist abstract by the English Di Emerson as The Side Look of a Barcelonese #1 901   My Instagram      
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basilepesso · 1 day
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The New Untitled #437
Dag, Sweet Little Lass Basile Pesso-Dublin © 12 January 2 020 (Same day 'n place as The White Lines #47) My web magazine : Yes We Are (link - Fb version here) My Instagram / My Flickr
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basilepesso · 1 day
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On the Other Side of the Wall #162
(Come, Clouds, Caress My Sky #181) Lush, Papasan (Gorgeous song from a fantastic record) Basile Pesso-Barcelona © September 2 017 My web magazine : Yes We Are (link - Fb version here) My Instagram      
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basilepesso · 2 days
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Come, Clouds, Caress My Sky #233
(Above #146) Pavement, Frontwards (Fantastic song…) Basile Pesso-Barcelona © July 2 016 My web magazine : Yes We Are (link - Fb version here)             My Instagram     
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basilepesso · 2 days
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Proudly Standing among the Greenery #2 (James Clarence and His Black Rose #2) Hothouse Flowers and The Dubliners covering Amanda McBroom, The Rose Basile Pesso-Dublin © 11 January 2 020 (Proudly Standing among the Greenery here) This is a bust of James Clarence Mangan, and the unknown woman under him is called "Black Rose"          
My web magazine : Yes We Are (link - Fb version here) My Instagram / My Flickr
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basilepesso · 3 days
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The Blue Car #9
(The New Reflections go on #216 / XX #5 / The Yellow Lines #113) Orange Blossom, Habibi (My Darling) Basile Pesso-Plymouth, England © January 2 020 My web magazine : Yes We Are (link - Fb version here) with one more remarkable landscape by the brilliant New Zealander Dragan Keca as The Side Look of a Barcelonese #1 097/Fb Era3 My Instagram       
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basilepesso · 3 days
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Towards #60 (Come, Clouds, Caress My Sky #271) Sigur Ros, Olsen Olsen Basile Pesso-Dublin © January 2 020    (A variation on 2 previous ones as Towards #43)              My web magazine : Yes We Are (link - Fb version here) My Instagram / My Flickr
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basilepesso · 3 days
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Echo and the Bunnymen, The Killing Moon, Live (no date)
Malgré le talent de Thom Yorke (le génie du groupe est pour moi Johnny Greenwood), il faut dire que Creep est pompé sur Sittin' on the Dock of the Bay d'Ottis Redding et Sea of Love de Phil Phillips, et que My Iron Lung est pompé sur The Killing Moon.
Cherchez les partitions et vous verrez...
Basile Pesso, 15 avril 2 024 (Fb avec le live)
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basilepesso · 3 days
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basilepesso · 4 days
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On the Other Side of the Wall #297 (Come, Clouds, Caress My Sky #270)
Goldfrapp, Human Basile Pesso-Dublin © 12 January 2 020
My web magazine : Yes We Are (link - Fb version here) My Instagram / My Flickr
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basilepesso · 4 days
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Sleepy Y Oro. (On the Other Side of the Wall #296 / 5 Amigos #4) Goldfrapp, Lovely Head Basile Pesso-Barcelona © December 2 018
My web magazine : Yes We Are (link - Fb version here) My Instagram / My Flickr
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basilepesso · 4 days
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Towards #59 (Descent #9) Bill Callahan, Drover Basile Pesso-Barcelona © August 2 016 (A variation on Towards #55)
My web magazine : Yes We Are (link - Fb version here) My Instagram / My Flickr
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basilepesso · 5 days
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basilepesso · 5 days
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REM, Murmur and Carnival of Sorts, Live 1 983 (USA)
Absolument (le son du live 1 est moins bon que celui du 2).
Ca fait toujours bizarre de voir Stipe avec ses superbes cheveux...
Murmur est très particulier dans la discographie du groupe, production extrêmement nette et sans fioritures, avec une basse qui sonne magnifiquement et est très audible, quasiment comme dans Violent Femmes.
Mike Mills est probablement un des meilleurs bassistes des 80's, sinon plus. Son jeu au médiator est ce qui donne ce son, en plus de la marque de sa basse.
Comme le dit ce remarquable texte anglais de Decade 7787, l'histoire de la production du disque est intéressante puisque le groupe a cessé la collaboration avec le 1er producteur, jugé trop perfectionniste.
Basile Pesso, 13 avril 2 024 avec le double live (Fb)
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"On this date in 1983, R.E.M. released their debut studio album MURMUR, (April 12, 1983).
NOTE: The video here features RADIO FREE EUROPE from MURMUR and CARNIVAL OF SORTS (the third song on the band's 1982 debut EP Chronic Town)
40 years after its original release, MURMUR is still fascinating in its eerie sense of musical space.
Back in 1983, REM were most often compared to the Byrds, and thanks to Peter Buck's ringing guitar on songs like ‘Talk About The Passion’, ‘Catapult’, or ‘Sitting Still’, along with Michael Stipes' lead vocals over soaring harmonies, it was easy to see why.
But that was merely one influence, and a misleading one at that, because with no one source dominating, R.E.M. faintly recalled a host of mid-'60s L.A. bands from The Leaves to "underground” faves like Kaleidoscope, David Lindley's first band. R.E.M. might have thoroughly transformed their influences but the result sounded both familiar and wholly original.
Murmur's oddness was affecting because it wove itself around structures and riffs that sounded familiar – a strange system hum, for instance, winds itself up into the catchiest opener, RADIO FREE EUROPE.
In these efforts, Buck's guitar solos were capable of breaking through the mix and soaring, and any band that could come up with melodies this rich knew a thing or two about pop music.
The lyrics, however, were a flight of ideas from the mind of a meditative 23-year-old. Trying to unravel them, it still feels as though you're divining the deepest of riddles for meaning.
“Early sessions for the album with Stephen Hague, the synth-pop producer who later worked on New Order's True Faith, were quickly rejected, and American producers Mitch Easter and Don Dixon were brought in instead,” wrote Jude Rogers for Word in 2009.
“They seemed to understand that although REM had the rhythms of rock, the jangle of the Byrds and the raw grit of Gang Of Four in their belly, they also needed to create a sound-world of their own. Easter and Dixon brought in strange noises – bangs and bells — and recorded instruments at varying distances from the microphone, so you couldn't place where the ghostly figures were coming from.”
“At the album's centre point, like a pearl in an oyster, is a song that tells us as much about REM today as the REM that existed a quarter of a century ago. This is 'Perfect Circle', a masterpiece of simple melody and melancholy, and one of the few REM songs to be attributed mainly to the band's former drummer, Bill Berry, who also wrote most of 'Everybody Hurts'.”
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basilepesso · 5 days
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The New Shadowy #51 Bill Callahan, Sycamore Basile Pesso-Barcelona © 19 August 2 019 (A variation on The New Shadowy #33) With Anne Pangolin Guéno My web magazine : Yes We Are (link - Fb version here) My Instagram / My Flickr
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