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#Impressive Flashback
poorly-drawn-mdzs · 27 days
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Dog Meshi.
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egophiliac · 1 year
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(it probably wasn't actually Idia's fault)
(or was it)
some quick initial reactions to celebrate Diasomnia Day One! it felt like a bit of a short intro, but oh, what a tasting menu of things to come.
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gunsatthaphan · 19 days
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🤓🚩🫶🏻
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skitskatdacat63 · 5 months
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2010 Australian Grand Prix - Jenson Button(ft. Robert Kubica & Felipe Massa)
#this was genuinely a race of attrition in the back. 10/24 cars dnfed and i think all but 2 were technical problems#this was a really exciting race tbh i really had no clue what the podium would be#its weird cause i knew seb mark and nando didnt win it but i was so confused how they were gonna lose it? and then it was like OH JENSE OFC#jense was incredible in this race ah what a comeback#everyone thought he made a huge mistake switching to slicks so early on and then it turned out he was the strat goat#and it makes it better cause it wasnt even a call from the team! it was literally his call!!#as we all know hes a god in the wet and it was so admirable and brave of him to make such a bold call for himself and have it work out#the way he has such dominance and performance in wet races(ex canada 2011) is forever so impressive and cool to me#also!!! this race really proves to me why rly i like 2010. really close racing BUT ALSO:#its so sick that both nando and jense won their first/second race with their new team against their teammates who have been there longer#like to have both of them win with the same prestige is so satisying and emotional for me#and god i got flashbacks to aus 2009 seeing him standing on the car. its cool he won melbourne back to back#but also. this post race honestly sucked. bad tv direction bad lighting(not in their control tbf) i felt like they showed nothing well ah :#tho my fav gif is where felipe is standing on his tippy toes and jense bends down sjakjf#jenson button#robert kubica#felipe massa#f1#formula 1#2010 australian gp#we do a little bit of f1
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dapperrokyuu · 2 months
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Luka vs. Hyuna round where itll be the only song without singing because Luka immediately starts having a breakdown and Hyuna is standing there, just...at a loss.
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embras-grace · 6 months
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It's time to rant about my human in Palia: Ori Tian
He is awful and I love him. You can learn more about my human under the cut! This information is not spoiler free as his character changes over time as we learn more about the world.
Ori Tian || He/Him They/Them || 29-30 || The Watcher
Ori's history makes more sense with a few key points (some of which are spoilers you learn when talking to folks/exploring the world):
Kilima was built on the ruins of an ancient human school (I think of it as a university)
The ruins were where humans were forced to go by the human king (the Fire Temple lore) where it seems they were getting more and more ridiculous orders. I consider this to be when humanity's downfall was fast approaching.
The disaster that killed the humans was not just Flow (which I see as a global warming metaphor) but also an attack from Shadow Creatures (the Library you unlock with Jina).
The human downfall took hundreds if not thousands of years until they finally died out. They didn't go out with a bang, but with a painful whimper.
All humans have innate magical abilities. Some humans spend their whole lives learning how to tap into them, others are born with a close connection.
--
Human Life
Ori was a professor at the university and the dean of the humanities department which happened to be part of the school's administration. Their specialty was ethics and mortality, especially when it came to magic and Flow. They helped students organize various clubs and organizations inside the school, as well as supporting them during walk-outs or demonstrations against the king for trying to force people into "safety areas" to "wait out the danger" instead of facing the problem head on and cleaning up the mess humans had made that was destroying their world.
To students, Ori was known as the laid-back professor who was easy to talk to, but who wasn't afraid to talk back and be firm when needed. His tests were hell on earth but his classes were fun to those interested in a good-natured debate of philosophical principles and theories. He took it easy, but he took it.
To fellow professors and adults, Ori was a belligerent and sometimes down-right rude person. He had no problem calling people out for acting immature or acting ridiculous given certain circumstance (despite being hypocritical at times as a very hyper person themselves). The amount of fist-fights Ori has gotten into in university board meetings was too many too count.
He was outspoken against the king and didn't bother to hide his politics, which put them in a lot of danger. But Ori had one special thing that kept them safe from a great majority of threats: magic.
Ori was born with a natural affinity for fire magic and his anger could become explosive (literally). His flames were hot enough to melt iron and--when incredibly agitated--he could make anything he touched spontaneously combust. Yet this natural affinity came with a strict control he tried to keep tamped down... except when he couldn't in arguments. Fire brimming at the edges of his clothes (they never really caught on fire--clothes are expensive!) and his hair becoming bright flames. It's no wonder he was considered one of Embra's chosen.
On top of being a professor, a dean, and an activist Ori also managed the Phoenix Shrine. He was the primary caretaker, although he was as close to secular as someone could get in Palia. Is Embra real? Yes. Is she a goddess? Sure, why not. Does that mean you can't argue with her and have to accept everything she says or does? No fucking way!!! Ori is whatever the equivalent of a Jew is in Palia and he is very proud of his heritage, traditions, and beliefs.
His best friend was a kitsuu who followed him around the university and joined him on a lot of his routines for the temple. They could never be separated, his friend bringing him gifts from the natural world and Ori returning the favor with food and shiny things. His other close friend was Einar--who remembers Ori and what Ori did when he died.
Ori's death happened when the Shadow Creatures attacked the school. Many had already been moved to the temples, but Ori had stayed outside to protect the students that didn't want to go yet. When the evacuation order came to get everyone to safety, Ori was left at what is now known as the Mirror Pond Ruins.
When the last students were fleeing into the library--unable to get to the Water Ruins, Ori stood as the last guard to buy them time to lock the door. His magic was always explosive and he gave the Shadow Creatures the best show he could: he immolated himself in a massive explosion to protect the students he swore to protect. Taking out any Shadow Creatures in the nearby vicinity.
The only thing left behind was a pendant.
--
Kilima Life
Ori doesn't remember anything after being reincarnated. At first when he woke up Jina had to walk him through a lot of things, but slowly some stuff started coming back to him. His traditions, his knowledge of what he once studied, his love of researching, his hatred of authoritarian governments and anyone that bans or burns books, and intolerance for adults acting like immature brats.
He's slowly remembering some recipes he used to cook (thanks to Reth's help), other human languages he learned, more about life for humans, but a lot of it is very fuzzy and comes back slowly.
Still, though, he doesn't recognize the kitsuu who had great fun trying to get his attention with the help of Tau and can't comprehend why they keep little him little presents every day... and he doesn't remember his old friend Einar. Maybe it'll come back eventually, but there is one thing he is starting to remember...
Magic.
And he won't let the Order take it from him.
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abbysthighs · 7 months
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I'm going to say something controversial... I have a bone to pick with Joel. There are a few moments between him and Ellie that bother me.
1) During her birthday, she's excited about the dinosaur book. Joel completely brushes her off. "Um, a book?" He doesn't mirror her excitement. He seems over it.
2) He pushes her into the water, and then criticizes her swimming ability. I firmly believe you shouldn't play pranks on your children. Later, when Ellie and Tommy are out shooting, Tommy holds a branch out of the way so Ellie can walk past. However, he lets her pass without deception.
3) When Joel and Ellie are trying to find guitar strings after entering the hotel, Ellie asks Joel if he's impressed that she was able to get into the building and let him in. He immediately says no and that she's "just too skinny." Your parent should never comment on your body shape or size.
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yellowocaballero · 11 months
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At this point you've written at least four different roleswap AUs, so I was wondering if you had any thoughts or takes about how a roleswap AU should be? - someone who's planning on making a roleswap AU
Please don't remind me. I'm embarrassed about this. I know I need to write other things. I don't know why the AU concept is so incredibly fun to write. I can't explain it. Roleswaps are very easy to write and a lot of fun and involve being a freak about everything. Who wouldn't write 10 of those bitches.
But yes, as someone whose roleswap AUs are like 9 out of her 51 fics, I feel qualified to talk about this. These are just my own opinions and takes, and other people might do it differently - if you write roleswaps too, feel free to add in your two cents!!
Before sitting down to write literally anything I always figure out the rules of the story. Writing is little more than a nonstop series of decisions, and if you abide by the rules of your story or characters then your decisions will be coherent and cohesive. By rules I don't mean worldbuilding - I mean the internal logic of the story and the characters. "X character will never explicitly say how he's feeling" or "the leads have to both win and lose every encounter".
I find establishing writing rules for roleswaps especially important - it's figuring out exactly how the roleswap works. Here are the ones that I find important, and kind of the process:
Decide what is swapped. Is it more of a universal swap, personality swap, backstory swap, chronology swap, or alignment swap? No matter which one you choose, all of these things are probably going to change anyway, but there has to be one central point for each character that guides your decisions. Are you actually swapping the narrative role in the story, or are you just changing it? You have to be really precise and have a very good idea of what exactly is swapped, and it has to be consistent throughout the story. It can't just (just) work on what you'd like to see, it has to be exactly the same between characters.
Decide the point of divergence. Sometimes that point is pretty abstract (She's a teenager in the 90s instead of the 20s). Sometimes it's much more specific, just one moment (He developed his superpowers at this moment instead of that). The point doesn't have to be immediately obvious, but you should know it - I did a backstory swap ages ago, and it seemed like a complete change, but like 150k in I dropped that a character dropped out of the police academy instead of completing it and that her entire life changed from there. If the swap is more abstract, then maybe it's just a series of smaller decisions - character A has these seminal points in his story, and I'm swapping him with character B, so here's what character B did during these seminal points instead, and how it changed him and his narrative.
Decide who the character is. This might be more personal, but for me, I think of the character as...there is a central tenet of them, of who they are as a person, that does not change no matter what. That's three or four traits of who they are, that you will not change, and that's what makes their swapped life their own instead of the OG dude's. But there's a lot of traits and behaviors around that core personality that's the result of their environment, backstory, and experiences. That's what should change. It's about figuring out how these essential traits + what is swapped + the point of divergence = an entirely different character and story. The roleswap you'll end up with will be a combination of all of these things: how the essential aspects of a character mix with what's swapped to create an entirely new environment and set of behaviors, which cause a chain reaction to create something new. As a writer, you sit down and say, "I'm keeping these parts of the character, I'm swapping out those parts, this new mix changes these points in their backstory, this results in this new person".
This is more of a guideline, but it's the most important to me: your characters have to be recognizable as the character. The reader shouldn't go, "this OC is making some weird choices". The reader should go, "I don't know how, because he's the exact opposite of his canon self in every possible way, but somehow he still feels like my favorite character". This is why you isolate those basic traits before changing the rest - so long as your character is still who they are deep inside, then they still feel like that character. And that's the fun of the story. You're selling something insane, and the reader is buying it.
It's a lot of really heavy character work. You have to really understand the characters you're writing - the less I get the original character, the more issues I'm perpetually having. I tend to fly fast and loose with characterizations, but when writing roleswaps I have to refer back to canon and the source material a lot ("In canon he did X thing, with his newly different backstory how would that decision change?"). The more you're rooted in canon, then the funkier and more divergent you can get.
Personally, I like to play a fun little game I call: how exactly opposite can I make this character until he stops feeling like this character? I Sometimes my goal in writing is "how deeply can I ruin this story". This is not a good game and people should not play it. I find that the lazier I get about getting in touch with the canon character, about keeping track of the canon decisions, and about following these guidelines, then the more difficult a story is to write. If you structure a story well then it's easy to write, and roleswaps are pretty easy. Thanks for the question!
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opbackgrounds · 1 year
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Not Saul having the wherewithal to protect Robin while having a literal cannon shot in his face, and then apologize for scaring her
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bibiblocksberg1234 · 9 months
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Here’s some depressed Dazai drowning his partner (in case you were having a good day)
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everymadara · 11 months
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Chapter 622
#naruto#madara#madara uchiha#uchiha madara#hashirama flashback#+ hashirama#[FBI looking through my laptop voice] why the fuck have you been looking at this and crying for the past 3 hours#Also fun fact: I used to not really like the language of ''revealing your guts'' I felt it was just very ugly and un-poetic phrasing#But I've come to appreciate it in the sense that it conveys a pretty thorough idea of vulnerability that reveals a lot of how Madara#perceives it.#His phrasing of revealing vulnerability is incredibly visual; people quite literally opening themselves up for him to see. Related is how#his greatest discomfort is people standing behind him. You know. where he can't see them.#Also most Uchiha characters having common motif threads related to their eyes.#In Madara's case they're tied specifically to how he'd like to have full awareness and understanding of what's around him; and by extension#he'd like to have a measure of influence over them.#Something standing where he can't see it though he knows it's there is the most vulnerable position he can imagine himself in.#In multiple different ways! In this particular panel it's mostly related to trust and emotional vulnerability.#Which is a very fun character trait to have when you grow up in the conceiling yourself and backstabbing profession#And you are also very fatalistic and under the impression that people just can't change#you WOULD think the only solution would be if everyone could just magically rip themselves open
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carlos-in-glasses · 10 months
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Thank you so much for the tag lovely @reyesstrand @paperstorm @strandnreyes @lemonlyman-dotcom @ladytessa74 @alrightbuckaroo @theghostofashton @heartstringsduet ❤️
Because Tarlos sex in Flashback Fic was the poll winner. Thank you for the votes! (Self-censored a little as usual now, just in case)
Too tired to speak, he hums at the sensation. Carlos' hand is pressed to his chest; he picks it away and leads it down to his er*ct c*ck, and Carlos’ breath changes - TK feels a little rumble of air behind his earlobe as his excitement grows. Against the small of his back, Carlos starts to grind. 
"Carlos," TK whispers.
"Fuck, baby." Carlos' voice in the early morning is a low growl that makes TK tingle at the base of his skull.
He shifts around in Carlos' arms, enough to turn his head and meet him for a kiss, long and warm and moaning – exploring tongues, bitten lips. TK strains at the pumping of Carlos' fist, and Carlos starts panting like it’s strenuous.
"My head is spinning," Carlos says, "You're so hard.” He swallows. “So fucking wet."
"So are you."
"What do you want?"
"Suck me."
Carlos grunts and lets him go, pushes the top covers away so it's just them together, naked and exposed on snow white sheets in the gray winter light. Carlos takes a moment to admire TK. His hard, long, smooth, pink c*ck. What it tastes like. What it can do. He spreads TK's legs with some force and lies down between them, holds the sides of his thighs, throbs his tongue against his balls. By TK's sharp intake of breath, he knows this might be over quickly unless he really takes his time. So he does. Steady as a prayer. In the three and three-quarter years since the night they met – in their seven months of marriage – the noises TK makes when he sinks into whatever Carlos is doing to him, and loses himself to his touch, have never gotten old. Carlos pulls his mouth all the way up TK’s length, firmly licks the tip, and says, “Talk to me.”
TK squeezes Carlos’ shoulders as he slips him back into his mouth. TK’s head rolls. Throat exposed. Chest rising. He lets out three sharp whines, then, “Baby, keep– keep– you feel–” he raises his hips, fucking Carlos’ mouth, and Carlos takes it, tightens the suction. TK thinks, at once, of slowly sliding inside Carlos, and Carlos thrusting into him, and fingers pulling his hair and Carlos’ mouth everywhere, and his own tongue all over Carlos, and the scent and the sounds and the sight of it all, and the sting, and the exquisite desperation of the build. He wants everything. To be consumed, and to devour.
“Carlos!” TK snaps his head up, focusing. “Get the box!”
Tagging: @cold-blooded-jelly-doughnut @goodways @bonheur-cafe @lightningboltreader @chaotictarlos @chicgeekgirl89 @catanisspicy @freneticfloetry @taralaurel @liminalmemories21 @mikibwrites @largepeachicedtea @ambiguouspenny @rosedavid @noxsoulmate if you want to share/ haven't already! No pressure! ❤️🧡 💛 💚 💙💜
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iris-nonsense · 14 days
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Excuse me but when did this conversation take place? Three hours ago??
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rabbittongues · 1 year
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queerfables · 7 months
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Refreshing to see so many reaching bad faith takes about characters played by two white men for a change.
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pileofsith · 1 year
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Nameless Part Seven - Boga Page 5/6
Jen June @ the Pau City garrison:
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🡨 Previous Next 🡪
Part I Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part II Navigation: 1 / 2 / 3 Part III Navigation: 1 / 2 / 3 / 4 / 5 Part IV Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part V Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part VI Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part VII Navigation: 1 / 2 / 3 / 4 / 5 / 6
(Full view for sharper image.)
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