something something guy who is so so unhealthily dependent on these very specific formalized roles & narratives they've been cast into to maintain an ultimately broken relationship & can't handle it when the people around him increasingly start going off script
I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes
I just want to say, everytime the notification that ypu posted pops up, I find myself running to tumblr with such fervour I thought i held for only running to hear my fave song on the radio. Just want ya to know that :3
Hearing that makes me feel both glad and a bit guilty :'> On one hand I'm flattered you care about my rambles enough to have notifications on, but I've developed a habit of responding to a lot of asks and I'm already worrying I might be clogging people's dashboards with them ´v` If you truly look forward to my posts and don't mind getting spammed with notifications then I'm happy they brighten your day!
went back to the first few eps of dff to get a memory refresher and when fluke says por will probably die soon, jin says
and the camera cuts to phee giving jin this look
which may be absolutely nothing at all but i can't stop thinking of it as a "oh? now you're desperate to help? now you're worried about letting a friend die?" face
Okay, somebody can correct me if I'm wrong- but at the end of The Nigerian Job, when the team was convincing Nate that they should keep doing what they did- Eliot's whole argument was Nate. Nate falling apart. Nate needing the chance. Nate not being able to walk away. Nate.
Then, suddenly Eliot became the whole team's body guard. (Something he's grunt and gruffed about.) Yet. Yet. Somewhere (I say it was The Iceman Job and The Inside Job,) Eliot's brain switched from protecting the team to protecting Hardison and Parker. (Again correct me if I'm wrong.) Suddenly his job became more about having Hardison and Parker's back than having Nate's back. Maybe I'm the only one whose noticed- but Eliot become more softer with both Hardison and Parker after those particular jobs. Sure he keeps that gruff, sarcastic wit about him but there's often tones of... protectivness(?) when he interacts with them. Almost like he's telling other people around them- whose in ear shot- that Hardison and Parker are his. Like he's possessive.
Now, I'm not saying Eliot just stops caring about the rest of the team. I mean- he beats up Sterling for Nate and in Redemption Eliot is following Sophie around a handful of times. Their are even times where he has Breanna's back and Harry's. But he seems to treat those situations like a case. He compartmentalizes those situations. With Hardison and Parker- he doesn't. It's like his brain won't let him. He sees Hardison and Parker and it's like- all bets are off.
And on the flip side- has anyone noticed that Parker and Hardison seem to be the only ones that know how to... defuse (is that the right word?) Eliot? Like even Maria couldn't get Eliot to relax in The Hurrican Job. (Of course that's probably because Eliot was hiding who he was to her.) But Eliot always seems to be more relaxed when he's around those two.
In The Iceman Job after when Hardison tries to hug him? Eliot wasn't really fighting it. (I would know- I do that to my brother ALL the time when he tries to hug me.) In The Inside Job- when Eliot went to attack that employee- Parker stopped him. In The Double-Edge Sword Job, when Eliot is furious because an abusive ex comes after a women that they tried to hide- it's Parker that calms him down. It's Hardison who pays off the bartender when Eliot attacks Sterling. It's Parker who is always by his side or close to it. It's Parker who trusts Eliot when their in the back of the van with Vance. (Yes, Parker trusts Hardison too, but Hardison is a hacker- not a protector.) It's Eliot who Hardison listens to when he's not confident. It's Eliot who grabs Hardison from the coffin. It's Eliot who crouchs behind Hardison as Parker flips around him. It's Eliot whose hands are shaking when he they have half a second on a bomb.
Eliot Spencer is Hardison's and Parkers. They own him. In the same way Hardison and Parker are his. He owns them. (Does that make sense?)
For the record- I don't know why I'm pointing all of this out. It's just interesting to me... I guess.
yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
Can everybody please read what the people who designed Rapunzel's tower for the Tangled movie wrote about all the drawings on the wall!!
Here is the text:
[As might be expected, Glen Keane is as interested in what's inside as what's outside."What's most interesting about the art direction is the inside of the tower. To me, that is Rapunzel's world, and the idea that this girl is making her walls go away by painting on them-I love that.
Visual development artist (and Glen Keane's daughter) Claire Keane continues, "We didn't want it to be just decorative. This is all of her subconscious desires and all of her conscious desires. When I started trying to figure out what she would paint and how she would paint, I started looking into medieval drawings, and also the way other artists work with interconnecting their objects-Rapunzel paints on the walls and she paints on her furniture and it's all connected. I was trying to come up with a new language for the way she would paint"
Claire Keane took a very personal approach to identifying Rapunzels art. "I started on the weekends, and in the mornings, and whenever I was at home, documenting my life in a sketchbook, and turning it into Rapunzel.
Cleaning up my house, putting away my clothes, separating the dirty from the clean. I'm singing while I'm doing it. That leads into this life-as-art thing, where everything Rapunzel is doing is another opportunity for art.
Nathan and Byron also wanted her to feel a little analytical, as if she's documenting things that she's discovering. So it's not just about her art, she's also learning things"
Glen Keane concludes, "Well, you start off when she was a little girl, she just started painting very simple childlike images on the wall. It progresses in maturity to where every square inch is painted. When we're starting the story, there is no room left on this wall any longer. Her next step has to be to go out."]
Like this is so lovely!!!! Especially the last part: "When we're starting the story, there is no room left on this wall any longer. Her next step has to be to go out." I love that so much!!!
jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"
The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.
But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.
God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.
All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned
"Places do not exist ab aeterno (‘from the beginning of time’), but are created, made, and produced – by individuals, communities, and at the national and global levels. Places depend upon experience, and are thus inhabited spaces where human activity occurs and time is spent. Places can also be seen as paradoxically static and dynamic, as forming and existing only in the present, but also participating in an iterative genealogy in which place gives way to place as present gives way to present."
Darrell J. Rohl, "Place Theory, Genealogy, and the Cultural Biography of Roman Monuments", Proceedings of the Twenty-Fourth Annual Theoretical Roman Archaeology Conference