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buckyownsmylife · 3 years

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plagiarism and bullying

I am not sure how much readers of this community know about what’s been happening, but I know pretty much anyone who writes has been going through hell the last couple of months because of authors who have grown too big for their own heads - and have effectively managed to poison the entire community with their behavior, which is precisely what I feared.

And I am sick of it.

I am sick of what can only be described as psychological and emotional harrassment, done privately so people feel isolated and scared to post anything.

I am sick of people thinking they own tropes, alternate universes, clichés, pairings, characters, even GENERAL PLOT POINTS that no one can possibly possess and take ownership of.

I am sick of these same people being the ones who can’t see an idea being thrown in front of them before attaching themselves to it until the original author is forced to pull back on something they’ve been working on because this other person who they considered a friend posted it before (oh yeah. I know all about those of you who are calling out people as plagiarists while stealing WIPs from your friends).

So let me give it to you straight - and this is coming from someone who is actually a victim of plagiarism myself.

Every time one of you points a finger at someone else and shames them privately or even attacks them publicly for writing a story that has the same generic set-up (Steve finds your fanfiction, Bucky loses himself to the Winter Soldier, reader needs to be rescued by one of the supersoldiers) you’re doing all of the people in this community a disfavor, by 1. making everyone scared of publishing anything, because the entitlement for the littlelest things seems vindicated now and 2. you’re taking away from actual instances of plagiarism and authors who are having their entire works stolen.

Think of it this way: can I feel entitled to the concept of sex pollen? only one bed? in vino veritas? why can I feel entitled to this concept that I apparently came up with but that can be rewritten in a thousand different ways?

If someone else can take that generic summary and run with it in a way that’s their own, YOU WOULD NOT BE ABLE TO TRADEMARK IT. It ISN’T an instance of intellectual property and it most definitely isn’t plagiarism.

You all have common sense. Use it. It’s one thing to copy an entire premise of a series, keep the same AU and character and change the lines of dialogue. It’s an entire different thing to create your own stepfather Bucky series, or mobster Steve series, or Alpha all of Chris’ characters (here, have one of “my own” ideas), with your own premise, your own ideas for each chapter and the other details of their relationship with the reader.

Or are you telling me from now on, there can be no more alpha!Bucky’s heat taking over him suddenly, Steve and Reader have to share a bed on a mission, stories with reader, charles and lee as a pairing or any other unusual one? Is that what we really want? To be the only suppliers of a certain trope, pairing or au? Can you see how your ego is affecting the entire fanfiction community hee on tumblr? Why authors are giving up on providing their fictional universes to welcome us into after a lousy day?

If your work inspired someone else’s, there’s a simple way to resolve it: reach out to the writer, confirm it was actually inspired by yours and ask them to give you credit. Credit is the actual solution for works that have been inspired by other works, but not bullying, not threats, not forcing someone to delete their own versions of a story we’re all actually sharing because bottom-line? We are all stealing Marvel’s characters and placing them on Shakespeare’s plot lines and the only thing we can do about it is add our porn and our own personal interpretations, imagination and developments.

And that means, of course: writers, if your story was inspired by someone else’s, please give them the proper credit. As I’m sure you’re aware, we are very quick to identify when something is similar to our creations, and it’s a fucking awful feeling. It’s what created this whole witch hunt over plagiarism in the first place, but while in 8/10 cases it isn’t actually plagiarism, it fucking sucks and it could have been easily prevented when it was just a matter of recognizing you aren’t the seventh wonder of the universe and actually got the inspiration to write that story from someone else.

In the same way, DON’T STEAL PEOPLE’S IDEAS WHEN THEY TALK ABOUT THEM. And no, THAT’S NOT PLAGIARISM either, it’s just common decency. They might even be okay with you writing the same idea, but it’s always nice to let them know and give them credit. Especially if it’s someone you consider a friend, but even more so if it’s something you saw as a snippet of a WIP on your timeline (as a general rule, I wouldn’t work on anything I thought intriguing only after I saw someone else was writing it).

And finally, still keeping that other point in mind: you don’t have the right to stop someone from working on something similar to what you’re writing. Can you imagine how many people are writing, at this exact moment, stories with the same premise? Of course, once it’s out, there’s a high chance the projects will be completely different, since each writer made it their own. I am willing to bet most of them didn’t copy from one another, they just happened to be interested in the same things - which is often the case here, prevented you aren’t an asshole that does what I described in the last paragraph.

I don’t know about you guys, but I am excited to read more stories about magical boading schools and I definitely hope J.K. Rowling won’t stop me from getting that.

Similarly, I beg you. You want to write your mafia!andy series? Please, do. The world needs your story. Just make sure it truly is your story that you’re telling.

tl;dr: plagiarism is a real issue, but never an excuse to bully people and traumatize them from writing. Writers, learn the difference between plagiarism and inspiration. If you do think it’s actual plagiarism you’re working with, please follow the following steps:

Before accusing anyone from plagiarism:

1. Actually talk to them without threatening or manipulating them so you can understand what happened and let them know how you feel. 80% of the times they’ll apologize and give you credit for it.

2. Unless you’re the reincarnation of William Shakespeare (and so being, you have the rights to all of the tropes and plot twists created in modern literature. go you!) - and prevented the “plagiarism” isn’t so obviously truly plagiarism, that it can be proven with two screenshots placed side by side - talk to someone unbiased who will tell you if what you think was stolen was actually stolen. There’s a good chance you’re being delusional and thinking the entire world is aware of your stories and looking forward to take advantage of your hard work on them.

A good rule of thumb? Don’t do to others what you don’t wish would be done to you, and make sure to apply that rule to the way you approach the situation and treat the person you were so quick to consider a villain. I’ve yet to see (in this community, since I got here) a situation where the writer accused of plagiarism when confronted has been anything other than kind and remorseful, ready to remedy the situation once it’s been brought to their attention.

If you’re so certain of being right, there’s literally no reason to be aggressive to someone who’s not treating you rudely.

#eyre rants #i am signing off for the foreseeable future

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wenellyb · 3 years

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Is Sambucky Canon or Not?

TL;DR: Yes, it is

I've seen some people saying that they only see friendship between Sam and Bucky, and I can understand that. Because depending on your education, the environment you grew up and the kind of media you’re usually exposed to, you will have a different interpretation of different situations, in real life or in TV. Just let me insert a short story before I dive into the Sambucky topic:

My best friend's uncle is in his fifties and has been living with his roommate (a man) for more than 10 years. They lived together, went on holidays together but officially were just roommates. My best friend wondered if they were a couple, but never talked about it to her parents because it wasn't her business. Two years ago, they decided to come out and get married. My best friend's parents and his parents were genuinely surprised, they were not expecting that, at all, not even a little bit. Let me tell you that it didn’t even cross their mind that it was a possibility, at all. For them, it had always just been two men who had decided to live together because they were single. And preferred to have a roommate rather than living alone.

What I want to say with this story is that people will see what they want to see, or what they're used to see, or what they were raised to see. It’s human.

What I mean is that you will have different perception of a same event, depending on your own circumstances. And I think the writers of TFATWS were counting on that a little bit when it came to Sam and Bucky’s relationship. They obviously didn't want to make some big announcement or big love declaration.

And yes, of course, I have my own circumstances as well, influencing the way I see things. I have shipped SamBucky since Civil War, when they were supposedly enemies. I never expected anything to happen between them on screen. But then they got a show together and I was so so happy about it but I didn't expect anything other than friendship between them.

I was perfectly fine with that because a show was already more than enough: my man Sam Wilson was becoming Captain America, the show was great, the characters were great, their interactions were great, and this wasn't a love story anyway but a superhero show. I thought that here was no way the showrunners would ever go there. I changed my mind after episode 5. I tried to stay objective, but it was clear to me that the writers were hinting at a relationship that went beyond friendship between Sam and Bucky. In some of my previous posts, I explained that there are some scenes and writing choices that make absolutely no sense if you read them as a scene between two friends. I can link them if anyone’s interested.

Side note: I would like to know if one person on this website can tell me what was up with Bucky's behavior with Torres (in episode 5)? What other explanation is there, if not jealousy? It's a scene they chose to keep, so it was probably written this way, there must be a reason. Please I’m begging someone explain it to me. I'm genuinely asking, because otherwise that scene alone is canon Sambucky.

After episode 5, I was convinced they would make Sambucky canon, one way or the other and I started speculating about the ways they could do it. What I said was that if they did make Sambucky canon, they would do it in a very subtle way, in order not to make it too obvious because that’s generally how Marvel movies deal with love stories. And also because they wouldn’t want to scare away their homophobic audience ( I guess Disney needs their money...who knows)

So here are the scenes of how I imagined SamBucky becoming canon and the comparison with reality:

- What I thought we could get : AJ and Cass calling Bucky "Uncle Bucky" - What we got: AJ and Cass running up to Bucky and playing with him. This point is interesting because it’s also related to the point I made about how the environment you grew up in influences your perception of things. I grew up in a big family and I know that, at least in my family, kids don't run up to an adult like that just because it's their uncle’s friend or just because he's nice... There's a real bond there. They haven't seen Bucky just that one time when he slept on the couch. They're obviously close. But some people might just see this as kids being kids. Also, if you watch at how the kids were fake punching him, they were really coordinated with Bucky. They have done this plenty of times. 2.

What I thought we could see: A non-explicit scene where we were supposed to draw our own conclusions. I thought they could show us Bucky staying over for the night, and the last scene would be an empty couch, meaning we would have to understand that Bucky slept in Sam's room this time.

-What we got: Bucky arriving in Sam's car ( A few people on Tumblr pointed out that it was the car Sam was driving in episode 1) So here again we have a scene that a lot of people will not notice. But they still chose to put it there. 3.

What I thought could happen: Sam asking Bucky to stay in Delacroix

What we got: Bucky wrapping things up in New York, as if he was leaving the city for good and coming to Sam's party as if he already knew everyone there. You can read my take on this here. 4. What I thought could happen: The scene in the trailer where we see them looking in the same direction and then we get a shot from very far away where they're holding hands but it’s not so obvious because they are being filmed from a disctance. -What we got: The scene in trailer and then a blurry shot of Sam holding Bucky and then fondling with his neck to find the best spot to rest his hand on. So none of the scenes I was imagining happened exactly like I had imagined, but it felt like all of them happened but in a different versions, which is still crazy to me. If it had been only one scene. I could probably understand the people who see them as just friends. Actually, I still do understand the people who see them as just friends, because everyone has their own interpretation. What I am saying is that they are NOT being portrayed as just friends. There are TOO many scenes in the 6 episodes for it to be a coincidence. One or 2 would be ok but friendship doesn’t explain everything:

The therapy scene (not the therapy scene itself since it was improvised) but the therapist saying she had heard a lot about Sam and wanting them to do a couples’ therapy

Bucky following Sam no matter what

Sam saying ok as soon as Bucky says "do it for me"

Sam asking "what about Bucky?"

Bucky starting to touch Sam whenever he has the chance

Bucky being the one to bringing the suit for Sam

The boat repairing montage

Bucky wanting to stay at Sam's place, when a hotel room would have been more comfortable than a couch

The second day of boat repair in closed quarters with an intense staring scene.

And there are so many other scenes, soft touches, looks,...

These writing choices are not a coincidence, it’s not involuntary, and it’s not fan service ( Fan service is the roll in the flower field scene, or the therapy session). This is them telling a story.

Let’s not even talk about the scenes in Endgame:

Sam comforting bucky at Tony’s funeral

Sam looking up to Bucky for approval before accepting the shield from Steve.

So yes, Sam and Bucky are canon in the sense that Peter and Gamora were canon in the first movie, or Wanda and Vision were canon in Captain Civil War. Meaning that there was no big moment, kiss or anything, but the show is consistently throwing elements clearly showing Sam and Bucky as a romantic item and hinting at a lot more than friendship between them.

It is normal that some people have a different opinion. Because it is extremely rare, in big productions like this to have two male leads with romantic feelings towards each other, so not a lot people who see it will interpret it as such (I don't think it ever happened). You’ll see what you’re used to seeing.

I guess it also depends on what you expect from a love story. For me, the storyline between the characters, their scenes, their chemistry, the way their feelings towards each other are described, are the most important. The kiss scene is just there as a bonus, but I don't need it when the love story is told perfectly. If you’re used to seeing love stories with many kissing scenes, that’s what you will be expecting to see in most love stories.

If you're only used to seeing male friendships in superhero or action movies. The 1000th time you see men interacting in that type of movie or show, you are more likely to assume it is a friendship and nothing more, no matter how many codes and tropes usually associated with romantic movies, the writers and show makers are using.

Add to that the conviction that Disney would never approve Sambucky in a million years, and there you go, I can understand the people who see only friendship.

But, just think about it, if we had the same show, same scenes, same dialogues, but minus the action scenes and the project was being marketed as an Indie movie, would you think they were just friends or a blossoming couple?

If you read Sambucky’s relationship like a friendship: some scenes don't make sense. If you read it like a developing romantic relationship: it all makes sense. "When you hear hoofs, think horse, not zebra" If a writer or a film director chooses a last scene with a romantic setting and the two leads are staring at a sunset, smiling repeatedly at each other and then walking away together with one of them touching the other's neck, with a love song in the background, maybe friendship isn't the first thought they had in mind.

Some people may say “I see them as just friends” and other people may say “ I see them as lovers” and both are fine, because people have different perceptions, and that’s ok.

What I am saying is this post is that the show and the writers are portraying them as more than just friends, they’re portraying them as two characters who are romantically involved.

Perceive what you want but that’s how they are being presented in the show.

Bucky’s therapist said that the exercise she gave them was for couples who want to figure out what kind of life they want to build together. Then, the show ends with Sam and Bucky, staring at a sunset together, looking in the same direction.

“Love does not consist in gazing at each other, but in looking outward together in the same direction. “ - Antoine de Saint-Exupery

What else do you need???

This show had more romance than half of the Marvel projects out there. Not every love story needs a kiss (for now...)

We'll see in their next projects which direction the writers want to go with this. But since it was said that the writer on the movie is the same as the writer from episode 5, there's no doubt in my mind that we'll keep seeing this dynamic. I don't think they would have made the same choices if this had been a movie. But I won't complain that we got this. I hope they keep this going even if it stays subtle like in the show. Just hope they will add one explicit scene where one of the characters acknowledges their relationship. But even if we only ever get this show, it’s already a great love story. Let me know what you guys think and sorry for the typos and grammar mistakes, I was tired when I wrote the last part. I hope it still makes sense!

If you think they're only being portrayed as friends let me know why! I would also like to know about the way you see this!

#sambucky #sam wilson #bucky barnes #tfatws #the falcon and the winter soldier #tfatws spoilers #Please feel free to comment on this and tell me what you think #I'm genuinely interested in having other POVs

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phantomchick · 3 years

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Naruto Fic Rec Masterpost!

The Last To Know by KuriQuinn Oneshot, Gen, Teen and Up, Team Seven, Sakura and Sasuke, Sakura and Team 7, Canon Compliant, Angst with a Happy Ending, trust, broken trust, forgiveness, hurt/comfort, this fic is fantastic and made me have so many feels for the characters as well as the bonds between them, Character Dynamics,

Summary: As usual, telling her the truth happens as though by afterthought. And this time, she's not taking it.

i'll always be there for you by RecklessWriter Oneshot, Gen, Itachi and Sasuke feels, sibling feels, Light Angst, Hurt/Comfort, Hypothermia, Uchiha Sasuke Needs a Hug, Big Brother Uchiha Itachi, a part of me niggles over team 7 failing a mission but I pretend that they ran into the hunter nin afterwards and Kakashi got the scroll back, it do be like that sometimes, Good big brother Itachi, Bad big brother Itachi, it’s complicated, Feels,

Summary:

He’s pressed against something warm. There are fingers carding gently through his hair, scratching lightly at his scalp.

“Nii-san,” Sasuke whispers.

The hand in his hair freezes.

Sasuke gets thrown into a frozen lake. Itachi doesn't know how to stop being a big brother, even when he's supposed to be pretending he doesn't care.

The Beautiful Orange Thing by zafiro Oneshot, Gen, Naruto and Kurama, Naruto is a very lonely kid and the kyubi is a very lonely bijuu, Pre-Naruto Canon Era, chibi-Naruto, Naruto loves Orange, Kurama tolerates Naruto because he is Cute, sweetness and light, angst and fluff, so cute I wanna physically hug this fic to my chest

Summary: Naruto arrives at a weird place and finds something wonderful there.

Maslow by FriendshipCastle Oneshot, Gen, T for cursing, canonical child neglect, Iruka feels, Naruto feels, implied/referenced child abuse, but nothing worse than what’s in canon, angst, hurt/comfort,

Summary: The first four tiers of Maslow’s Hierarchy of Human Needs applied to Naruto’s depressing childhood. Alternatively: Iruka slowly becomes the best replacement mother a ninja could have.

take the fight from the kid by theformerone Oneshot, Gen, Team Bonding, Team as Family, Team 7, Canon Compliant, but can be read as divergent, Post Wave arc, Pre-Chuunin Exams,

Summary: Training with his team is different than it was before the mission to Wave. Sasuke notices how things have changed.

A Clean Break by GwendolynStacy Oneshot, Gen, Teen and Up, Hatake Kakashi and Team 7, Team as Family, Angst, Fluff, Hurt/Comfort, Team Fluff, Kakashi feels, Self-Harm via compulsive hand washing, Post-Traumatic Stress Disorder - PTSD, Happy Ending,

Summary: Every member of Team 7 has their personal set of demons to haunt them. While Kakashi is always prepared to lend his students a listening ear, he still hasn’t quite figured out how to ask for help when he’s the one crumbling.

The Beginning and the End by QuinsValoria Oneshot, short oneshot, gen, THIS HAD ME SOBBING OVER KUSHINA AGAIN EVEN THOUGH IT’S SO SHORT, pre-canon era, angst, Dont worry kushina, Your baby makes it out just fine, cries into laptop screen, Hurt/Comfort,

Summary:

“Motherhood: All love begins and ends there.” —Robert Browning

Uzumaki Kushina is an amazing mother, even in the very short time she has left.

Kushina comforts her baby.

The Prince Of Leaves And Deep Water by RayShippouUchiha Ongoing, 3 chapter fic, do you ever read a fic with language that is so pretty and evocative that you just want to lean into it, like a kid listening to a piece of folklore that’s been passed down, it’s just beautiful to read? And the words slice and cut into your feelings in the best of ways, angst, hurt/comfort, drama, Kushina feels, Angst with a Happy Ending, Uzumaki Lore, well worth the read even as a stand alone should it never update again, Implied/Referenced Child Abuse, Canonical Child Neglect, Uzushio feels,

Summary: ‘Protect him,’ Kushina prays in the quiet of her own mind as she leaves; pleading silently to the old spirits from her childhood, to the things that the Uzumaki Elders used to whisper about in hushed tones.

‘Love him,’ Kushina begs of the things she only knows from instinct and half remembered stories, those things filled with the power of salt and sun and deep deep waters. Those things that live and thrive in the heart and soul of every Uzumaki who has ever breathed and battled and bled. 'Guide him, keep him safe for always. But love him most of all. My little prince of eddies and leaves.’

Left behind, left alone and cold where before there was only a soft sort of warmth and a steady kind of safety, Naruto wails.

Final Evaluation by Do_the_Cool_Whip Completed, 5 Chapter Fic, Gen, Umino Iruka & The Rookie Nine, Iruka-Sensei, Feels, fluffy, I have so many emotions about Iruka being the best teacher in the elemental nations and this fic brought them all out to play, Excellence, Kakashi is a troll, a huge troll, like, he’s such a troll he’s a mountain troll, Asuma is a lesser troll, like he’s mostly decent but still infuriating so he’s a bridge troll, Kurenai is so cool that even when she’s trolling as is her right and duty as the jounin elite she is, the person she’s trolling still respects her for it, a river troll, the kids are so cute and young here, you can really feel Iruka’s affection for them, please revel in the wonderful that is this entire fic, revel I say

Summary: Progress evaluations are one-on-one consultation meetings between academy students and their teacher. Their purpose is to inform academy students of their strengths and weaknesses and guide them down their ideal path to becoming a strong shinobi. Upon graduating the academy and passing their jounin-sensei test, new genin return to the academy for one final consultation. (Or: The story of what happens when Umino Iruka uses his final meetings with his students as way to send them off to become the best shinobi they can possibly be.)

it takes a village by quillofferings Oneshot, Gen, snapshot series, angst, character insight, konoha 12, rookie 9, team Gai, team 10, team 8, team 7, repeating patterns and revelations, kinda gives a sense of the culture of a childhood in Konoha in a way that’s very quietly tragic, this story was written well before shippuden came out but it still reads mostly true to me, A Classic of the Fandom,

Summary: A Naruto snapshot series in the form of a oneshot.

spirals by nescione Gen, Oneshot, Team Seven, Generations, Team 7, Dai Nana Han, Spirals, Repeating Patterns, things happening the same across generations in repeating patterns is a big theme in the canon and lots of fic delve into it and play with the whole idea as a result, but this fic does it especially well, Team as Family, Angst, Fluff, Angst with a Hopeful Ending, A Classic of the Fandom, Summary: From the sannin to the present- a look at how history repeats itself, and how it doesn't.

this, and love too, will ruin us by RecklessWriter Oneshot, Gen, Itachi and Sasuke feels, Naruto Feels, Short and Sweet, Angst, Whump, Brother Feels, Sibling feels, Uchiha Sasuke Needs a Hug, Naruto Uzumaki Needs a Hug,

Summary: Naruto remembers the first time he saw Sasuke and Itachi.

He remembers looking at them and thinking, I wish I had someone who loved me like that.

Ten Facts About Team Yamato by Lisse Oneshot, Gen, short and sweet, Team 7 feels, Team as Family, Dai Nana Han, Team Seven, Team Yamato, characterisation, short but solid, Ficlet,

Summary: On paper, their team doesn't exist.

Troubling New Developments by SicTransitGloria Oneshot, Teen and Up, hilarious, pre-shippuden, Team as Family, Kakashi pov, Team 7, AHAHAHAHA, Puberty hits the genin,

Summary: Kakashi takes a moment to wrap his mind around equating Ino’s chest with enemy shinobi while Asuma begins beating his head against the table and groaning about how he didn’t sign up for this. Rated for language and the general horror that is puberty

Of Harrowed Hearts by Sable_Scribe Ongoing and possibly (probably) Abandoned, Gen, Long Fic, we’re at 36 chapters in as of the time I’m posting this, Alternate Universe - Canon Divergence, Fix It, Families of Choice, Team Seven, Team as Family, Bamf Kakashi, Good Teacher! Kakashi, Angst, Uzushio Lore, Fluff, Uzushio Feels, Uzumaki heritage, Bamf Team 7, BAMF Rookie Nine, Naruto's ability to make friends with giant chakra demons surfaces early, Rookie Nine, Rookie 9, Konoha 12, Naruto and Kurama,

Summary Naruto has been hearing the rumbling growl in the back of his head for as long as he can remember. He’s seven when he tries to talk to it for the first time. He’s the dead last, the failure at everything, so he doesn’t actually expect to succeed. And when he’s suddenly standing, knee deep in murky water and face to face with a demon, he has no idea what to expect. As it turns out, the world could use something unexpected.

Automatic by Dayadhvam Oneshot, Gen, Sand Siblings, Fluff, Team as Family, but also, Family as Family, Short and Sweet, A Classic of The Fandom

Summary: Gaara's shield defense is automatic: he has never had to consciously think about ordering the sand where it is needed. Kankurou and Temari have always known this.

As Is the Sea Marvelous by blackkat Mature, Gen, Eleven Chapter Fic, Warring States Era, Uchiha Madara/Senju Tobirama, Izuna Lives AU, everybody lives nobody dies, Hurt/Comfort, brotherly feels, sibling relationships, Angst With A Happy Ending, Insecurity, Self-Sacrifice, Imprisonment, Fix-It

Summary: Tobirama is willing to give absolutely anything for Hashirama and his dream. Including his life.

A Lesson In Trust by Live Gen, Oneshot, Shikamaru & Naruto friendship, academy days, trust exercise, fluff

Summary: All Iruka wants is for his class to start trusting each other, too bad Shikamaru would rather watch the clouds...

Snow Is Serious Business When Your Business Is Being A Kid by vulcanhighblood Gen, Oneshot, Iruka and Naruto, Umino Iruka is a Good Teacher, Uzumaki Naruto Needs a Hug, Fluff, Snow

Summary: Iruka's trying to teach his class, but the first snowfall of the year makes keeping their attention more difficult than he would have liked.

The Consequences of Winning by tabjoy13 Oneshot, Gen, Team 7, Protective Hatake Kakashi, Hatake Kakashi is a Good Teacher, Team Bonding, Team Dynamics, Team Feels, Alternate Universe - Canon Divergence, Hurt/Comfort, Hurt Hatake Kakashi, Hatake Kakashi Is Trying, Wave Mission

Summary: Three days. It had been three days since Zabuza’s attack, since Kakashi passed out, and since Team Seven took refuge in the bridge builder’s home. Three days and Kakashi hadn’t shown a sign of stirring. Three young genin are left with the question: now what? Cross posted on FF.net.

discendo docemus by llamallamaduck Mature, Ongoing, Angst and Hurt/Comfort, Trauma/Ptsd, Uchiha Sasuke-centric, Good Orochimaru, A lot of talk about depression and mental instability, Also Sharingan fuckery and assorted eye-trauma, rarepair, Itachi & Sasuke, eventual Sasuke/Ukitake, Itachi & Tsunade,

Summary: There are some things a seven-year-old psyche is not ready to endure. An S-ranked torture technique preformed by a traumatized thirteen-year-old is one of those things. Sasuke doesn’t enjoy hallucinating memories of his murdered family day in and day out, but he’s learned to be philosophical about such things. It’s everything else that’s the problem, really.

Nidaime Otokage by DuskBeforeDawn Ongoing, inspired by nukenin, Time Travel, Dimension Travel, Alternate Universe - Canon Divergence, Protective Hatake Kakashi, BAMF Hatake Kakashi, BAMF Dai-nana-han,Team 7, Team as Family, Non-Konoha Shinobi Kakashi, Hatake Kakashi is a Troll, Kage level Kakashi, Hatake Kakashi-centric, fluff, adventure, crack, mature, fun read

Summary: No one knew him.His father was still alive.His Sharingan acted like it had always been his.Kakashi was twenty-two years in the past of a different world.

French Kissing, the End of the World, and Other Impossible Ordeals by Tsume_Yuki Uchiha Sasuke/Uzumaki Naruto, Female Uzumaki Naruto, Time Travel, Uchiha Sasuke Being an Asshole, Protective Uchiha Sasuke, BAMF Uzumaki Naruto, Time Travel Fix-It, Smitten Uchiha Sasuke, grumpy asshole/cheerful optimist, this fic is literally just Sasuke being soft for Naruto, Mature but like it’s fiiine the author could’ve left it at teen and up and it would’ve gotten a pass at least from me

Summary: This is it, centuries of excellent genetics, of carefully selected marriages to maximise the potential of future generations and it’s going to be Sasuke who introduces idiocy to the Uchiha bloodline. The ancestors must be rolling in their graves. In which Sasuke is smitten, Naruto is a badass, and time travel happens.

No Tomorrow by Authorship Uchiha Shisui, Uchiha Clan, Shisui Lives, Alternate Universe - Canon Divergence, Longfic, Completed, Found Family, Fix It, Mature, Time Travel, Fuck Danzo

Summary: The water was crushing, pummelling Shisui's broken form, even as it swept him further and further from Konoha.

And then Shisui woke up.

It's two months until the day he died. Two months to change the current of his life, of his Clan, of his village. And Shisui has no intention of letting history run its course.

¦ part 1 ¦ part 2 ¦ part 3 ¦

#Naruto #fic recs #fic rec list #fic rec masterpost

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rainbowravioli · 5 years

Note

Please share your thoughts on Avengers Endgame, especially regarding Captain America, Iron Man and Black Widow (being very vague to avoid spoilers)

(Sorry for the wait, this wasn’t easy to write)

Oh boy…

So my thoughts on the overall movie are that it was an enjoyable movie for about 80% of its run time, though the other 20% were mostly awful. It’s not anywhere near perfect or a masterpiece as I’ve seen some people call it. The character arcs aside, the movie itself has problems. The pacing, for example, is all over the place. Also, somehow, I left the movie feeling they both did too much and too little, though I would have to delve into specific scenes and characters to explain what I mean. It’s kind of a amazing that they managed to build so many great callbacks to the past MCU movies and still have the movie that’s supposed to close of this chapter end without a sense of finality when it comes to a bunch of plot threads and characters. But you asked specifically for Steve, Tony, and Natasha thoughts.

Before I get into them I would just like to say one thing that may be an unpopular media opinion in general: I don’t believe that tragedy is meaningful by default, and I don’t believe happy endings take away from sacrifice or emotional impact or that a battle without stakes (AKA deaths) is unsatisfying. Especially when we already saw our heroes in this particular case lose everything once. Infinity War was about loss and tragedy. Endgame should have been about rising up from it and taking it back. Why is it more meaningful to end this chapter with tragedy than with joy and togetherness?

Anyway.

I’ll start with Natasha.

BEWARE SPOILERS

Honestly my biggest problem with Natasha is that they didn’t bring her back. I had this problem with not bringing back everyone who wasn’t dusted, honestly. I thought that the scene between Natasha and Clint in pursue of the Soul Stone was one of the best scenes in the movie and it made perfect sense that both of them would try to sacrifice themselves. Natasha repaying what she saw as her life debt to Clint was very poignant. My problem is with the idea and framing of Natasha’s death as some sort of redemption for her character. I saw a reviewer say something of the effect that Natasha’s death was beautiful because finally the “red was wiped out of her ledger”.

Natasha was taken as a child, groomed to be an assassin, endured a lifetime of trauma, but she still wanted to make herself a better person and, with Clint’s help, she did! She changed her circumstances, she rose up against those who wronged her, she found friends she could trust who were like a family to her, and she spent FIVE YEARS at the Avengers base keeping the Avengers going, throwing herself into work to keep what was left of Earth as safe as possible. She had already done more than enough to wipe the red of her ledger. She was a hero. And it’s vile that she had to die for the greater good as redemption.

It’s even worst though, that she was not mourned properly. Her death was brushed aside so quickly and there was barely any reaction from the team. Clint and Bruce were clearly affected, but I was not impressed by Steve’s Single Tear™ over one of his closest friends or how everyone else just pretty much shrugged it off because you know, gotta move on with the plan.

Someone had to die for the Soul Stone. I expected it. My friends and I all agreed pre-movie it would fall to Clint or Natasha. But having Natasha be brought back after the final snap would not erase the depth of emotion of the scene where she fights Clint for it, where she begs him to let her go, where she tries to comfort him before making the ultimate sacrifice for the world. Let her come back, let her be welcomed back as the hero she is, let her live out a happy life with her new family who loves her.

Natasha deserved better but then again, she deserved better throughout most of the MCU.

Tony is actually one of the parts of the movie where I felt they did too little in a way. And no I am not asking for more Tony screentime, but that I feel that the 5 year gap screwed over some characters and Tony was one of them. It was beautiful to see him having the family he always wanted, but it felt strange and distant that we didn’t get to see that happiness before it was fully realized. We missed out on the wedding, we missed out on Tony learning he would be a father. It was honestly a bit jarring to be pulled right into the middle of Tony being a husband and parent and living a quiet life without seeing how he got there, even though we can of course guess from his reaction after being rescued from space. It’s just that this was Tony’s endgame. We’ve known since IW. His literal dream was to have a child with Pepper. Personally, it would have been more satisfying to me to see him achieve it. But that’s a minor detail.

And the thing is, the fact that Tony was fully immersed in that life, that he was fully retired, already showed that you didn’t have to kill Tony to get him out of the game: he walked out of it willingly, and he fully intended to get back to his family life once they brought everyone back.

Him getting the stones and doing a call back to the very first Iron Man was spectacular. Honestly an amazing moment. His slow, painful death scene? Not so much. I don’t think he had to die. It felt more like they were killing a symbol than a character, to put a definite period on this chapter of the MCU. So by basically objectifying Tony as mattering more as a symbol, I believe his character integrity suffered. Tony was the one character always focused on preventing IW from happening. His methods have not always been the best, but he was driven by panic and PTSD and ultimately good intentions (even if, once again, his actions haven’t always been The Best™). He wanted to protect the people that mattered to him, he wanted to go back to Pepper and to watch Morgan grow and be a better parent than what he got.

Killing Tony was unnecessary. Make Tony lose the arm. That’s how I would have handled it. The suit technology protects him long enough to be saved from dying, but he permanently loses his entire arm. He built it in a way that he would be able to make a gauntlet of it and use the stones, he could have also built it in a way that protected him from the after effects. It’s still a sacrifice, but it’s not his life. He can go back and live the rest of it. He can keep contributing to saving the world through his inventions without having to be in the center of the battle itself. It wouldn’t have taken away from the fact that he was willing to put down his life for the world (it’s not even the first time he did so), and it wouldn’t have taken away from how awesome his “I am Iron Man! *snap*” moment was!

Tony didn’t deserve this.

I’m not even sure what to say when it comes to Steve, I’m so angry and heartbroken.

I’ll say that, and maybe I’m extremely biased because he is my favourite MCU character, but I could live with all the other faults of the movie until they had Steve make the most possible out of character decision he could have and trash 8 years worth of movies and character development. That final decision made no sense, broke the movie’s own previously established rules, and was as far from a happy ending as possible.

You’re telling me Steve Rogers, whose character arc has been about moving forward, who has never been one to abandon his friends, who had built a life for himself in the future with a new family with the Avengers, who had just gotten his best friend and main motivator throughout 3 movies and arguably his most important relationship back, who knew Peggy had lived a full happy life, decided to be a gigantically selfish, cruel man and give up on everything he built to go back to the past and rob Peggy of her own life?! Over a relationship that we were shown him making peace with? When Peggy herself tells him the best thing he can do is move on and live his own life?

Steve’s arc has always been about moving forward and protecting what he had with all his might. Steve going back, abandoning everyone he knows and everything he achieved, isn’t him living his own life, it’s him robbing someone else’s, it’s him giving up and regressing completely. Not my Steve Rogers.

Not to mention, the fact that Steve shows up as an old man breaks so many canon established rules it’s not even worth getting into, it simply makes absolutely no sense. And no, don’t give me any of that “he closed his loop and was Peggy’s husband all along” because lol no, all past movies contradict that, and also that means Marvel supports Sharon getting with who she knows damn well is her uncle because it’s ok if he’s young and hot I guess.

There’s too much to say about Steve, it would be a whole essay on its own. I’ll just conclude with something that breaks my heart to say, but it’s where the movie brought me to:

Marvel might as well have killed Steve because what they did was character assassination.

#avengers endgame #endgame spoilers #endgame critical #natasha romanoff #tony stark #steve rogers #replies #Anonymous

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miss-m-calling · 5 years

Text

Fandom 5k letter

Requests:

Adult Wednesday Addams -- Wednesday Addams

American Gods (TV) -- Laura Moon/Mad Sweeney

Cabin Pressure -- Carolyn & Arthur & Martin & Douglas

Moonlighting (TV) -- David Addison/Maddie Hayes

Dear writer,

Hello and thank you for writing for me. I’m very excited to read whatever you come up with.

I do give more or more detailed prompts for some of these canons than for others – that’s not because I want some more than others, but only because for some I get lots of ideas, for others I’m more “waves arms all over the place give me more of XYZ I love in canon!!” I hope whatever I put down sparks your creativity, and feel free to reach out through the mods if you have any questions! My likes and DNWs are all the way on the bottom of the letter.

Without further ado…

Requests:

Adult Wednesday Addams

Wednesday Addams

Genres: Action/adventure, Canon-style plot, Humor, Slice of life, Worldbuilding

I belatedly discovered this webseries, and it resurrected (see what I did there?) my love for Wednesday and how the Addams Family canon runs on the endless possibilities of this loving, happily eccentric family being 100% true to themselves and the world just having to deal with it. The show was everything I never knew I wanted till I watched it, the perfect blend of Addams-macabre and cozy slice of life with bonus Wednesday navigating the world alone, without always knowing her family will back her up, and it made me crave more of adult Wednesday’s mini adventures in LA. For this canon, I’m good with gen or, if you want to write that, more of Wednesday’s adventures in dating guys who really aren’t up to the challenge, and you can absolutely have Wednesday interact with OCs I haven’t listed as part of a pairing. I’m keeping the prompts pretty short, just to (hopefully) pique your creativity, as I expect I will love any way you make these or any similar scenarios play out:

-Wednesday goes to IKEA

-More of Wednesday’s interactions with the nice interns at her receptionist job. Maybe they invite her out to happy hour, or to the beach or a club. Or maybe we get to eavesdrop while they shoot the breeze on their lunch break, possibly over barbecue-chicken pizza from CPK.

-More of Wednesday’s gigs. She already babysits and walks other people’s dogs, what else might she do for extra cash that would be both really common and seemingly ill-suited to Wednesday, except she totally makes it work for her? Cat sitting (especially if the cat belongs to someone incredibly rich whose house is full of secrets – and expensive things for the cat to knock over), driving an Uber/Lyft, becoming an AirBnB host, catering/server, working the late shift in a New Age/occult supply store where none of the woo is real…?

-Or, alternately, Wednesday finds a career that is perfect for her, in which she can have success and respect. What ever could that be and still fit into the non-Addams world?

-Wednesday tries speed dating

-Or, she runs into Brian a.k.a. chains guy (I cackle with glee every time I rewatch the bit when he tries to kiss her at the pet store) a third time – how does it not go quite as he wanted or expected this time?

-Wednesday’s family comes out to sunny, plastic, image-conscious LA to visit her and make sure she’s doing alright. She gives them a tour of the city, and LA will never be the same again.

-Wednesday takes an evening class, or goes back to school part time, or enrolls in an online degree program

-Wednesday takes a road trip, alone or with her apartment mates/colleagues/Brian/strangers she met for carpooling purposes. Bonus points if you work in real roadside attractions, or tourist traps, or famous sites/landscapes.

-It’s Dia de Muertos, and Wednesday goes out to celebrate and soak up the atmosphere. It may or may not live up to her expectations.

-If you wanted to get a bit meta and/or enjoy playing around with different formatting, what does Wednesday’s Tumblr/Twitter/Facebook/Tindr look like? Or, Wednesday gets tasked with updating company social media at her receptionist job, and she does it with her own special flair.

American Gods (TV)

Laura Moon/Mad Sweeney

Genres: Action/adventure, AU - canon divergence, Canon-style plot, Character development, Getting together, Smut, Worldbuilding

Let me preface this by saying how much I appreciate that you are willing to write for an ongoing canon! I love this pairing, and while most of my prompts are basically the same ones I’ve used in exchanges before S2 (which I am watching) started airing, let me assure you that I am 1000% fine with your fic getting jossed, or including a divergence from what we already know or how things happen in canon. You can work with the canon -- or as much of it as we have by the time you’re done writing -- or diverge in a way that works for your story. Really truly honestly it’s all fine since you are writing for an active canon, and I really truly honestly appreciate you wanting to tackle this! Canon divergences and canon-flavored-if-not-entirely-compliant stories are my jam, so please don’t feel anxious as the canon keeps unfolding, nor pressed to keep up with S2 if you can’t or don’t want to watch it right now. (I tried to keep S2 spoilers to a minimum in my prompts, but there are some spoilers.)

So *clears throat*

I ship it. Yes I do. They had me at “gimme-my-coin-dead-wife”-flicks-him-into-wall. The snarky road trip was the best thing I never knew I wanted until it happened, and I adored every second of it. They’re both such assholes and so fascinating, even if they start to mellow toward each other a bit toward the end of S1, and all the gods/magic/resurrection stuff swirling around them begs to be explored further. Also I love love love how their dynamic is about equal parts spikiness, pathos, and humor (they’re funny! and the canon doesn’t shy away from putting them in ludicrous situations), and it weaves seamlessly between those three. Plus she’s half his size yet can and does beat him up with literally one finger, and then there’s the angst of he having killed her, feeling really guilty about it, and then bringing her back.

Please give me either missing scenes from the road trip (if you can work in a divergence, that’s great - for example, I like Salim, but if you want to have him boot Sweeney and Laura to the curb and go off on his own, or Sweeney to boost his taxi before Salim catches them, or whatever else to have those two alone, go for it!), or a S1 divergence (instead of going to Ostara, they go where? to see whom? about getting Laura resurrected) or something about these two post-S1/during-S2:

-Laura discovers (how? you decide!) that Sweeney gave her back the coin after their accident – whatever happens next, some punching may be involved.

-Wednesday’s big war finally comes, and “don’t you dare die on me, you asshole” is a line either Sweeney or Laura (or both) might say to each other.

-Laura asked “What does Wednesday have to lose?” and the answer is…? (Yes, give me that sweet poetic justice. One possibility, though not remotely the only one, but as of S2E3 Laura is technically a god-killer...)

-On a similar note, Wednesday told that luckless cop that Sweeney had been against the big gods’ war from the start, and while Wednesday lies, Sweeney definitely seems to be participating out of a sense of obligation and lingering guilt over the war he ran from long ago, rather than lust for a good fight or even a dominant death wish. What if he decided to hell with Grimnir and his war and his having Sweeney kill random people? I’m guessing Sweeney too drank three glasses of mead so he can’t back out without dire consequence - but he does have a fierce, dead woman in his corner.

-They go to some as-yet-unnamed old god (feel free to bring in whatever mythology you want) in order to bring Laura back to life. Between Sweeney’s mouth and temper, and Laura’s mouth and temper, it doesn’t go well. Now one or both of them are in big magical trouble with a pissed-off deity and have to get themselves/each other out of it.

-Things happen and Laura finds herself in the position to throw Sweeney under the bus but also help/save him, and while he knows it’s only karma, he can still be pissed about it - how do they navigate this?

-Laura gets fully alive again, but traces of her (un)dead state remain – what are they, how does she cope, what price did she/he/they have to pay for her resurrection, and how does their relationship change? I’d especially be curious how it would work if they’re already a sorta-maybe-item and *then* she’s alive again and it’s weird in a new way.

-For reasons I’ll leave up to you, Sweeney and Laura have to stay put in a single place for a while and end up essentially cohabiting, regardless of what their relationship is at that point. Take “cohabiting” as literally or as creatively as you want -- in any case, I’m sure it will be marvelously disastrous and amazing.

-Slight or major AU from the opening of “The Ways of the Dead”: Laura has hitchhiked with Sweeney instead of going off in a huff with Wednesday, or she otherwise gets to New Orleans sooner, and she and Sweeney tear up the town together. Gimme bar fights, carnival shenanigans, backstage craziness with the Christian rock band (Sweeney seems to have a backstage pass on a lanyard around his neck when Laura finds him)… Maybe they even cross the paths of some loa and it doesn’t get all angsty (for what it’s worth, I think the reason the sex magic didn’t bring Laura back to life was because she couldn’t accept the truth(s) revealed during the astral-plain sex – see how she defaults straight to “this is all Wednesday’s evil plan” the morning after – not because the loa fucked them over as Sweeney said). They were actually getting along nicely in those first couple of scenes, only ribbing each other a little while still being their grouchy selves, before they got to Le Coq Noir. I wouldn’t have minded seeing some more of that.

-All the old gods hide their true appearance to an extent. A situation arises in which Laura sees Sweeney’s true, or at least old, self (I’m thinking of his surprise!poignant monologue about when he used to be a king, and the glimpse of him in full Celtic warrior mode in the S2 teaser). Or Wednesday’s war ends in victory, meaning the old gods again get belief, worship, and sacrifices. How does Laura, the ultimate skeptic even when she’s on the other side of the mirror, react? How does this new knowledge and new reality change her opinion of/attitude to Sweeney? Or to flip that around, if Sweeney were again relevant and believed-in, would that actually change his bad attitude and fix his issues (my guess is it would be complicated)?

-The power of names: for all his “dead wifeing,” there comes a time when Sweeney (has to) call her by her actual name, and that’s a tricky moment for them to navigate. Or, Mad Sweeney is almost certainly not his actual name, since true names have great magical power and so must be kept secret; Laura discovers or learns his name, from someone else or from himself; what does she do with that knowledge? Or, Sweeney gets to say “cunt” in a situation (sexual or otherwise) where, not only does Laura not peel his lips from his gums, but she finds that she can’t object, even though she knows that he knows that he’s getting away with it.

-So far in canon, it’s pretty clear that Sweeney has a lot of complicated but sincere feelings for Laura. But Laura is still pretty focused on Shadow (or rather her idealized vision of Shadow and what their relationship might yet be), whom she seems to equate with her own lost-maybe-to-be-regained life, although she’s starting to soften toward Sweeney as she realizes he’s doing things for her that are not all about getting his coin back (and her sparring match with Wednesday in “Muninn” may finally force her to accept that her relationship with Shadow died alongside her and Robbie on that road in Indiana). Tell me the story of how Laura stumbles her way to starting to feel more complex, maybe kinder or softer, really annoying for her blunt-force-trauma-personality things about Sweeney and about the notion that her dynamic with him is different from the way she tended to use men for her convenience without really letting them in in the past. Also I’m pretty sure that even if they felt the same – or sorta in the same ballpark – about each other, their relationship would still run on a lot of conflict, and I would so be here for it.

-On that note: in “Munnin” it also becomes clear that Laura has, without realizing it herself, started to rely on Sweeney. The “I trusted you” line made me think, whoa she’s too mad to catch herself doing it but this is huge for Laura, and the fact that she goes off with Wednesday (!) basically because she’s mad at Sweeney because she thinks he’s prioritizing his debt to Wednesday over her… Yeah, I would like to see that explored some more and/or to see Laura and Sweeney get to a point where they trust each other and rely on each other, and know it and accept it, however difficult the getting there and being there may be for them.

-And since I’m on the subject of Laura, you know how she’s not actually an abrasive bitch all the time to everyone? And when she is, the people on the receiving end of it sometimes richly deserve it, and anyway it’s refreshing to see a female character who doesn’t bother flirting and accommodating others for the sake of social harmony? As much as I enjoy watching her rip into people (ahem, Sweeney), I also love it when she acts differently, like her genuine interest in getting to know Salim and her joy in seeing him again in S2, or her running passive-aggressive battle of wills with Wednesday, or even her general disaffection and numbness in “Git Gone.” Her beginning to feel sympathy for Sweeney and her anger and disappointment when she feels let down by him are a part of that, and I’d love to see all that explored more. Nuance! Give me all the nuance and seeming contradictions in both Laura and Sweeney’s characters!

-My perfect AG spinoff would basically be Sweeney and Laura tooling around America, looking to get her resurrected (whether they succeed or not is up to you), stealing ever more ridiculous vehicles, arguing/fighting and having those pesky moments where vulnerability and genuineness creep in – and fucking. So yessiree I’d be down for porn, including “it’s technically necrophilia/zombiesex” porn.

-All the petty, ridiculous ways in which Sweeney’s bad luck manifests itself make me laugh (can’t help it, won’t even try), and I’m down for more variations on that theme.

-If you wanted to throw in some worldbuilding, maybe something exploring living death. Magical bargains. What kind of favor did Sweeney do for Ostara that would be worth her bringing someone back to life as repayment? What other powers might Sweeney have (he doesn’t seem on a par with someone like Wednesday and Ostara, nor is he really a god, more a mythological being/kinda-deified former-mortal)? How long can a dead wife keep going before she’s “soup”? What other superhuman abilities might dead!Laura have? Can the dead do magic? What even are the rules governing and the limits of different beings’ magical abilities?

If it helps your inspiration, you can find some of my meta and lots of tag-burbling about these two here. I have read the book though I remember it only in bits and pieces, and while I prefer the show characters and the fact that they get thrown together, you can use or riff on book material if you want. With reference to one of my DNWs, for this canon, describing Laura’s physical decay is totally fine. Also, Shadow/Laura don’t interest me except as a part of Laura’s backstory (so if your story wants to include Laura figuring out or having already figured out that pinning all her hopes on Shadow to make everything right is unrealistic, unfair, and not how it works – by all means, go for it!), and Shadow/Sweeney interest me not at all.

My one canon-specific, really strong DNW for this pairing is this: I’m not into Laura being Essie’s reincarnation/descendant or – as fanon suggests and canon hints she may be – some sort of reincarnation of Sweeney’s wife from back when he was a king in old Ireland. Reincarnation/“new love looks like old love”/“lost love found again” plots bore me, and I don’t enjoy ships that hinge on characters being somehow destined to be together. Characters having agency is my jam as much as canon divergences are. Or if your fic really needs to go there, please please please don’t dwell on the Laura-Essie-Sweeney’s-wife-of-old thing, a brief mention would be more than enough. I’m certain Laura would have neither time nor patience for the notion that Destiny Fate and All That Jazz threw her together with ginger minge, and even if it were technically true, she’d still want this relationship to work on her terms – and Sweeney obviously has a problem with Laura’s cheating, her relationship with Shadow, her personality (though he also recognizes they’re alike in many ways), and all that maps onto his anger and sadness over becoming irrelevant over time, so it’s not just about Laura. So yeah, let them be their own (grumpy, spiky, dysfunctional) people, and let Laura’s dynamic with Sweeney not be shaped solely by his past and his issues.

Cabin Pressure

Carolyn Knapp-Shappey & Arthur Shappey & Martin Crieff & Douglas Richardson

Genres: Action/adventure, Canon-style plot, Humor, Slice of life

I just want more canon-y stories with their loopy humor and their weird yet loving family dynamics among the crew. Shenanigans in mid-flight or in the tedium which precedes and the tiredness which follows them. Someone smuggles (knowingly or not) an exotic animal on-board, legal, security, medical and/or slapstick chaos ensues. A mechanical, passenger- or smuggled-goods-caused problem arises and is solved during a journey. More games played on board GERTI. Playing around with a specific destination, like in many episodes, would be a plus. If it helps inspire you, my favorite episodes in terms of tone and content are: Douz, Gdansk, Johannesburg, Limerick, Ottery St. Mary, Uskerty, and Xinzhou.

For this canon, I prefer gen with maybe, if you want to go there, some Douglas/Carolyn on the side. That’s a ship I always thought had potential – they understand each other very well and trust each other... some of the time, but they’re both also snark-masters, tend to look down on anyone not as smart or quick-witted as they (Arthur being the sole – occasional – exception), and are really good about keeping their defenses up against other people. But I requested the gen group, and I definitely want the gen group – please don’t feel pressed to write the ship, that’s just a wild suggestion I threw out there.

Moonlighting (TV)

David Addison/Maddie Hayes

Genres: Action/adventure, AU - canon divergence, Canon-style plot, Established relationship, Getting together, Humor, Mystery/procedural, Slice of life

I osmosed tons about this show over the years but didn’t get around to watching it myself till recently. And then I loved it much more than I thought I would! Yeah, sure, some of it’s dated, and some of it’s ropey in terms of how the characters interact ( all the casual sexism and battle of the sexes stuff are very 80s indeed), but the chemistry! the banter! the funny! the shiptease! Gimme!

I tried to come up with lots of prompts, but ended up with a list of stuff I love about the show – and would love to see in fic – with some prompts mixed in. Hope it helps! Basically, give me as much of the show’s “flavor” as you can, and I’ll be happy.

My two DNW requests for this canon would be: please ignore everything that happens post-S3 (so if you want to write Maddie/David in the aftermath of their resolving their UST, please go ahead with the canon divergence of your dreams, I bet it’ll be a million times better than canon), and please don’t have secondary characters (Agnes and Herbert, or Maddie and David’s relatives and exes) hijack the story. They can be in it, but I really do want a David/Maddie story, despite the canon sometimes sidelining them due to behind-the-scenes shenanigans.

Prompts/likes:

-all the banter, wordplay, innuendo, puns, comic repetition

-arguments – those long, explosive, funny, overlapping, always hilarious fights they have

-breaking the fourth wall – yes, please. In canon, they often seem to know they’re fictional characters but ones that exist in the real world, with studio lots and such. Do they now know they’re characters in a fanfic of fictional characters that also exist in the real world, or something even more mind-screwy?

-David calling Maddie “blondie blond” – it just makes me laugh – and Maddie calling him “Addison” when angry but “David” when worried or when shit hits the fan

-random cultural nods – off the top of my head, canon referenced Spanish poetry, objectivism, American realist drama, Dr. Seuss, Shakespeare, of course all the Hollywood tropes and genres; go high or low culture, go famous or obscure, even if I don’t know the reference, I want it! Ditto if you decide on a plot that parodies and pays homage to a cultural landmark story (The Silence of the Lambs? Much Ado about Nothing? A Hitchcock movie? Something else?), I’d love it!

-speaking of: I love the pun-tastic episode titles referencing everything under the sun

-all the canon-era detail which both takes me back and jars me with how much things have changed: people smoking in public buildings, seeing someone off at the boarding gate, dial and push-button telephones, VHS rentals, no cellphones/internet, all the 80s fashion and permed hair… Throw it in just for kicks or weave it into the plot (e.g., they’re following someone and only have a paper map and their own faulty sense of direction to help them)

-casefic – I love the silly plots (and chases! All the chases!), which often combine really gruesome outcomes or real violence with slapstick. I’d be especially tickled if you wrote a plot that starts out silly and seemingly innocent (e.g., they get “hired” by a kid who lost their homework) but ends up deadly serious, or vice versa

-I also love the flashes of really dark humor, usually provided by David snarking about plot developments, though my favorite example remains the intro to S3E1, with David assuring his sick mother that they’ll sweep the Emmys, and then they lost big time and we see a title card saying that the mom died on Emmy night. What can I say but: ROFL

-Maddie and David are really pretty terrible detectives, but they always manage to solve the mystery – or a solution falls into their laps – and I’m here for it

-Blue Moon almost never seems to take on actual paying clients – what else might David and Maddie do for much-needed cash? Bodyguards, extras on a movie, professional consultants on a movie (probably a really shlocky, C-grade production being filmed in the middle of nowhere), dance marathon, talent contest…

-all the shippiness before the UST becomes RST – in canon they slow-danced in a bar, they slept side by side on a plane, he’s snuck into her house multiple times when he was in trouble, etc. etc. etc. The sky’s the limit!

-maybe they get together in a different way than in canon and/or they have a relationship that departs from canon? Or how about if they resolve the UST as they do in canon, but then find a way to be both partners and lovers, without getting so wrapped up in what they each think the other one should be that they spoil everything? Basically, could they be mature enough to have a relationship that works for them both, or be friends with benefits, or hell even break up but remain each other’s most important person (and maybe still have sex occasionally)?

-tropes – the canon plays with so many tropes, you could too! Some suggestions: there’s only one bed, undercover as lovers/married/client and bodyguard, waking up married, any variation on Lady and the Tramp you can think of (including David having to pretend he’s a class act while Maddie has to play the slob, for a case or because of a situation with their families or…), they get zapped by a mad scientist they’re surveilling and swap bodies, etc.

-road trip! Oh the possibilities...

-playing Twenty Questions or another game during a boring stakeout, and personal revelations come spilling out

-Maddie’s experience as a model proves key to cracking a case, whether you want to make the whole story a riff on the world of fashion (The Devil Wears Prada parody, anyone?) or use that as a surprise plot point

-they get tangled up (again) in international espionage and go on a globe-trotting adventure, either chasing a MacGuffin or being chased – basically, get them out of Los Angeles and their relative comfort zone, and send them Indiana Jones-ing all over the world

-the show often makes 80s-typical mean jokes about Russia and the Cold War – what if a case took Maddie and David to the Soviet Union in its last years? Give me all the culture clashes, David being obnoxious and Maddie trying to be diplomatic, all the vodka, chases down frozen streets and over the frozen Neva River, dodging the KGB, sneaking around behind the scenes at the Bolshoi or Kirov Ballet and winding up on stage…

-when they visit a “rough” dive bar in S1, there’s a whole scene of David teasing Maddie to show tough-girl attitude, and she quips that she can’t wait till he has to accompany her to a high-society event. Um, yes please!

-they attempt to date like a regular couple, and stuff keeps getting in the way – whether they go to the opera/ballet and a fancy restaurant, or a basketball game and out for beers, or they try a quiet dinner and a movie at home (or all of the above!), canon-like complications keep interrupting. But then again, the ridiculous way they work is what brought them together in the first place. Bonus points if the fish-out-of-water partner ends up getting into the other one’s date-activity of choice, while snarking all the way.

-David has been to Maddie’s house multiple times – including to sleep over, both platonically and not – and they’ve both crashed at the office, but what little we see of David’s place, it seems to be a bachelor pad/hovel with a large yet mysteriously unfurnished living room. Maddie visits David/comes to spend the night/hides out with him from villains, and shenanigans ensue.

-canon often resolves the clash between David’s opportunism, happy-go-luckiness, and cockiness, and Maddie’s gentle idealism, worrywartness, and romanticism, by having David “win.” That can be funny, but what if the plot gave Maddie the right a bit more?

-I’m honestly not that into smut for this pairing - a fade to black, something implied, something referenced, innuendo, maybe brief flashes (heh) of what the characters think about/imagine/remember work much better with the canon’s overall tone, I think.

Likes:

I love pre-canon, canon, post-canon, canon-divergent, and missing-scene stories. I love character-driven and plot-driven stories equally, and I love fics which mix humor and angst/serious business when appropriate for the canon.

I love stories about characters at work and play, group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too, etc.

I love irony, snark, humor as well as angst arising from the characters rather than the plot crowbaring it in, linear, non-linear, and 5+1 stories, hopeful endings, happy endings, bittersweet endings, worldbuilding, spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, characters who are their own worst enemies as well as those who can get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other.

I especially love workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters are competent and dedicated to the job, and while they may not be exactly friends and they may well irritate one another, they still manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise and sometimes reluctance/discomfort). Or, if they can’t get along, show me why not and what’s preventing them from finding common ground.

In terms of ship dynamics, I love (where it fits the characters) banter, competitiveness or antagonism shading into attraction (this tension need not be resolved), oh-god-why-did-it-have-to-be-you-what-did-I-do-to-deserve-this, bickering yet loving couples, faithfulness, characters who are serious about their romantic interests, characters who think they are much better at flirtation than they actually are, characters forced to work together only to prove much more compatible than they initially assumed, fics which mix an exploration of characters’ professional and everyday lives with shipping. A dynamic I cannot resist is shipping a couple who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, one betrayed the other or they betrayed each other), and while they love and want each other they’re also not willing to change sides or surrender/compromise their identity for the other’s benefit, and how they might (or not) make their relationship work anyway.

I don’t have any very specific likes for smut, other than smut fitting the characters – show me how their canon dynamics spill over into the bedroom (or other place of congress). I also like sexual scenarios that subvert expectations a little and surprise the characters themselves (e.g., the person who’s usually quiet or more passive taking charge, the more aggressive person goes with it possibly snarking or commenting on it as long as they can). And I like sexual scenarios that contain an element of competition, antagonism, oh-god-this-is-a-bad-idea-but-we’re-going-for-it-hammer-and-tongs, not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not, or just people getting way more into it or being more affected by it than they thought they would. When it fits the characters and their canon dynamic, you also can’t go wrong with we-both-wanted-this-for-forever-and-now-we-both-know-it-so-here-we-go-diving-in-headfirst. For het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) – it’s all good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

DNWs:

MPREG, A/B/O, knotting, D/s, kinks, incest, underage, genderswap/genderbent characters, xeno, non-/dub-con, torture and abuse (this and non-/dub-con can be mentioned if the story needs it, but please don’t dwell on it in loving detail or subject any of my requested characters to it), dwelling on bodily fluids (mentions of gore/blood and come are fine), toilet humor, character bashing, issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons, unrequested ships, soulmates and soul marks, major character death (unless it’s canon), serious illness or injury, pregnancy and children, holiday or wedding setting/theme, secondary characters shipping the main pair like it’s their job, reference to RL current events, 1st/2nd person POV, AUs which have nothing to do with canonf

#dear author letter #fandom 5k fic exchange

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