#I still don't enjoy it but I get why | Explore Tumblr Posts and Blogs

fishofthewoods · 17 days

Text

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

#lich says shit #stardew valley #stardew farmer #sdv #my writing #Hope y'all enjoyed!#I'm thinking about developing this into. Like. An actual Fan Fiction. Still sort of short-form but like with more detail?#LMK if you'd be interested to see that! Also if you want to be tagged in future installations of this please just let me know :)#I'm super into this version of the farmer as like. Blessed and cryptic child of the valley with all the strange behavior that entails #If i DO write a more in-depth version of this it'll be from the perspective of someone in town #maybe Leah? She seems like she'd be the one to notice the farmer being Odd. Either that or I'll do it from the perspective of multiple--#--different people to get their unique insights and stuff #I'd also want to dig into like #The family history of the farmer. And what that's like.#Because like why did grandpa leave?#He clearly loved the valley #So why didn't he stay?#Why did he give the deed to his grandchild and not his literal child?#And is it a coincidence that everything in the valley went downhill when he left?#I don't think so.

140 notes · View notes

doodleodds · 1 year

Text

Happy Valentines, Akira. Happy Valentines, Asshole.

If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.

I don’t want your shitty gift. Oh- haha! You’re so sweet.

I hope I choke. They’re lovely, thank you.

Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.

#p5 #akeshu #akechi goro #kurusu akira #wow- me?? posting a valentines comic... actually on?? valentines????? wack. absolutely wack #it's a short one! I purposefully tried to keep it short. it was a challenge and it still ended up being 3 pages. but i blame my canvas size #also in case u can't see what akira is holding out to akechi: theyre chocolate covered strawberries on sticks!#i saw them irl and was like oh god i want those. i am going to project that feeling on my favorite characters so help me god #and now! here we are! but my shitty-ass coloring & line quality make it hard to discern them so. sorry about that lmaooooo #ANYWAY i don't do enough post-maruki stuff so. i made this one a little bittersweet. :)#why did i put akechi's scarf in a bow? honestly i dont know! i think i saw some art a while ago that did that too and i thought it was cute #well. plus i guess there's the symbolism of 'akechi being alive and reciprocating your feelings (however involuntarily) IS a gift' part #hence that hes wrapped up in a bow. like a present. :)#also god. the first panel is supposed to be akechi's reflection in a vending machine window. I could NOT get it to look right #so for reference!!! just so you guys understand!!!!!! thats what that panel is supposed to be!!! he is NOT in fact a ghost. (sigh)#hope you enjoyed and had a lovely valentines!! for my part i have eaten nothing but sweets today and hoo boy will that have been a mistake #ALSO in terms of the audience-participation comic...hopefully coming soon. if i can ever gain the will to draw it.#but at least tumblr has polls now so i can do the audience-choose-y bit without needing to use a separate website! so thats good i guess #anyway anyway anway thanks for listening to me ramble if you made it this far! have a lovely rest of your day and hopefully see u again soon

708 notes · View notes

crown-ov-horns · 2 months

Text

Captured Angel

Michael Langdon x F!Angel!Reader

Contains: vaginal sex, vaginal fingering, elements of coercion, implied loss of virginity, blasphemy, hierophilia

“Good, you’re awake.”

A chill ran down your spine. You had awakened in an unfamiliar room. Your head ached, your wings hung limp, and your limbs were heavy. The air was soaked to the last thread in malice. It made you nauseous. Gritting your teeth, you dragged yourself up, your mind aflame with a single thought – you had to get out. You looked around, but before you could spot a way of escape, you felt a presence. Dark... Darker than the blackest night. Your heart froze in your chest, a taste of iron suddenly coating your tongue. Though you had not seen his face, you could recognize him anywhere. Seven heads. Ten horns. His honeyed voice left a cold, oily trace on your very soul as he spoke. You drew a deep breath, and spun around, to meet a pair of piercing blue eyes.

His lips crooked into a smirk. Holding your gaze, he moved towards you. You drew back.

“Get away from me, filthy Beast...” you snarled.

Deep down, you loathed yourself for the instinctive reaction. You were a soldier. You had a duty to stand your ground, and instead, you cowered. He promptly crossed the gap between you two.

“Ah-ah!” he scolded, clasping your chin “That’s not very nice, now, is it?..”

You grimaced. Michael Langdon. How ironic, for Satan’s son to bear your General’s name. The one who cast him out... You hoped it hurt the Evil One greatly. Michael caressed your cheek. You winced, and pushed his hand away. Sneering, he grabbed you by the throat.

“Why am I here?” you hissed through gritted teeth.

He glanced down at your heaving chest.

“You’re my captive” he purred “Isn’t it obvious?”

You swallowed. Struggling would only worsen your chances, you knew as much. His gaze darkened with hunger as he watched you – like a wolf, salivating at a wounded deer. Your guts had coiled into a tight knot, a sickly sweet taste coating your mouth.

“Why didn’t your bootlickers kill me?” you asked, not quite certain if you wished to know the answer.

A chuckle escaped his lips. The Antichrist’s lecherous expression made your blood boil. How dare the abomination touch an angel of the Lord, you thought. A strange sensation was budding between your legs, but you pointedly ignored it, just as you ignored the feeling of unease clawing at the back of your skull.

“That would’ve been a waste...” Michael tilted his head “They thought a gift would please me. They weren’t wrong...”

You snarled, attempting to pull away.

“Get your putrid hands off me!”

He tightened his grip on your neck.

“Hush” he coaxed in a mockingly gentle voice “I’m not going to hurt you, angel.”

“Vile creature...” you spat.

He pulled you closer. You bared your teeth, as your face almost crashed into his. Though you did not need air, the pressure on your throat was beginning to make you dizzy. Every nerve in your body screamed to fight - your muscles had tensed, prepared for combat. You might have broken away. Escaped this unholy place. You should have at least tried... But, perhaps because of the mist gathering over your mind, your legs trembled underneath you. You found yourself staring at his mouth. His breath brushed against your skin, warm and silken. Your pulse leapt into a frenzy.

Michael snuck his other hand under your clothes. The captors had stripped you of your armour, and taken away your sword, leaving only your linen tunic to cover you. His fingertips caressed your thigh, slowly creeping upwards. You held your breath as you felt him part the soft folds of your skin.

You had never been fondled like this before. Carnal pleasure was forbidden for your kind. You should be disgusted, you understood as much. Still, the electric-like impulse roused by his touch paralyzed you, preventing you from breaking his arm.

He stroked your entrance. You stifled a gasp, your intimate muscles tightened in anticipation. Your hole was beginning to well with slick. Taking your lack of resistance for a welcome, he slipped two fingers inside you. The feeling of his skin against your sensitive membrane made your head spin, and you barely held back from bucking your hips into his hand.

He let go of your neck, only to wrap his arm around your waist. Keeping you steady, he spread his fingers wider, straining you until it hurt. You shuddered. He massaged the velvety walls of your flesh, driving you to the edge of madness. Aware of how much satisfaction hearing your cries would give him, you clenched your jaw. His skin grazed against a certain knot of nerves, and you nearly sunk to the ground as your legs buckled from the bolt of stimulation. Still, somehow, you did not make a sound.

It only made Michael more determined. He fixated on your sweet spot, leaving you to desperately clutch the lapels of his jacket. His mouth lingered but a thread away from yours - you felt his heartbeat echo against your rib cage. He narrowed his eyes, and pressed his thumb to your clit. Overwhelmed, you drew a sharp breath.

“Enjoying yourself, aren’t you?..” he teased “What is it, my dear? What do you want, hm?”

He pushed a third finger into your dripping slit. You whined in pleasure muddled with despair.

“Speak up, angel” he demanded.

Virtue be damned. Something tameless had infected you. Caught in the furor of sin, you eagerly cast your innocence aflame.

“I...” you stammered “I want... I need you to ravish me...”

Michael threw you onto the bed, and climbed on top of you. Laying flat on your back, your wings sprawled open, you looked up at him, your eyes sweetly half-lidded. His knee shoved between your thighs, he ripped the front of your tunic open. You sighed as cold air brushed against your nipples. He placed his hands on your breasts, savouring the softness of your bare skin. His eyes aflame with lust, he took a moment to admire your flushed, helpless body. Biting your bottom lip, you pushed your chest into his touch. He grabbed you by the throat again.

“You’re mine” he snarled “Mine alone...”

Against your better judgement, you nodded. Your gaze wandered down to his crotch, causing your mouth to immediately water. Michael’s lips crooked into a sleazy smirk. He unbuckled his pants, and slipped his underwear down. Your eyes widened as his hard cock sprung free. Large, but not obscenely so. You pulled the skirt of your tunic up, leaving your aching cunt at his mercy.

He pinned you down under his full weight. You wrapped your arms around him, savouring the feel of luxurious fabric under your fingers. Like an animal in heat, you craved to feel him inside. His eyes locked with yours, Michael clasped your leg, and positioned himself more comfortably. You blindly caught hold of his member, helping guide it into your hole.

Your heart skipped a beat – you let out a moan as your membranes clamped around him. Hardly giving you a moment to adjust, he began to move. The sudden strain roused a twinge, but it soon was obscured by shattering pleasure. No longer holding back your mewls and whimpers, you sank your nails into his back. Should the expensive suit get ruined, it will be his fault.

Michael groaned, his teeth bared in primal satisfaction. Your response only encouraged him, and he quickly picked up the pace. Each thrust sent a shattering wave of pleasure through your fevered nerves. You wrapped your legs around his waist, welcoming them. He traced the tip of his tongue over your neck. You hissed as his long hair tickled you, overwhelming your senses even more. He purred, and nipped at your jaw.

“Kiss me” you demanded.

He obeyed, leaning down to press his mouth against yours. You parted your lips for him, and allowed your tongues to battle for dominance.

“Say my name” he ordered, upon pulling away.

“I can’t...” you gasped in horror.

“Your general isn’t here...” he growled “It’s just you and me...” he pressed his face to your temple “Say my name, sweetheart. Show the Beast how much you’re enjoying your downfall.”

He pulled his cock almost all the was out, then slammed it back in, roughly grazing your sweet spot. Your cried out, and sank your fingers into his hair. You didn’t want to think about her. You loathed to imagine her disappointment in you. But his presence eclipsed her face. Drowned it in the storm of ecstasy ravaging you.

“Michael!”

“Good girl” he praised with a grin.

Shock after shock of ecstasy tore through your body, setting every cell of it aflame. Your forehead was laced in sweat. Your muscles quivered from the tension. You were close. Very close. Turned feral by the pleasure, he grabbed you by the wrists, thrusting into you with merciless force.

“Michael...” you moaned.

You couldn’t stand it anymore. You arched your back, trembling and convulsing as a scream escaped your throat. Michael threw his head back with a snarl. You had grown painfully tight around him, prompting him to reach his own release. You felt him spill inside you – it was the strangest, most pleasant sensation you had ever experienced.

You collapsed into the pillows, limp and gasping for breath. He slumped down on top of you. For a moment, you allowed yourself to soak in the glowing haze of bliss. But, just when he had crept off of you, and was about to pull you into his arms, you leapt up. Using his surprise for your advantage, you climbed onto him – this time, you were the one to pin him down. You caught his gaze, and drew a dagger from underneath your ruined tunic. Afraid to molest their master’s gift, the devil worshippers had missed it.

“You will find the men who captured me, crucify them, and bleed them like pigs” you growled, pressing the blade against his throat “Do you understand me, Antichrist?”

A drop of blood sept from under the metal, glowing against his milky skin in a warning.

“Yes” he murmured, as his eyes blazed with adoration.

99 notes · View notes

blujayonthewing · 1 year

Text

#I've played with irl atheists and catholics and everything in between #but it rarely feels like faith is a real factor for anyone-- DM or player #outside of‚ again‚ divine spellcasters and Big Epic Plot Things #I mean there are a couple of 'RAAAHGH FUCK THE GODS >:C' edgy backstory types but #no one is just Normally Culturally Religious and it's WEIRD #like it's not even a matter of faith in dnd! the gods are LITERALLY OBJECTIVELY PROVABLY REAL #so what does that MEAN for the average person! how does it shape language? business? culture?#where are the people wearing holy symbols like amulets-- or the way modern christians very casually wear crosses?#blessings over meals? prayers before bed? burnt offerings?#and like I enjoy thinking about world and culture building but I know that's A Whole Thing but even just like...#it doesn't feel like anyone believes in gods at all except clerics and paladins #like they DO because they factually exist but in the same way I 'believe in' like. the president of france.#like yeah he exists and is important to some people but has no bearing on my life whatsoever #that's such a fucking weird approach to the DIVINE in a polytheist world where those gods are YOUR CULTURE'S GODS??#I am bad at this myself but I'm not religious so it's harder for me to remember what Being Religious All The Time Casually is like lol #funny enough my character with the most intentionally religious background in this sense #is one of my ones who's ended up wrapped up in Big Plot God Things lmao #'aubree starts the campaign with a holy symbol of yondalla because of course she does why wouldn't she'#'oh okay well she's gonna get deeply and personally entangled with a bunch of death gods immediately' fdkjghkdf oh!! welp #you don't really pray to urogalan unless you're breaking ground for a new building or someone just died so it's STILL weird for her lol #but at least I had the framework there of 'oh yeah the gods exist and matter to me and my everyday life and culture' in general #about me #posts from twitter

743 notes · View notes

blanchebees · 5 months

Text

Not sure this is for me, i just can't bring myself to like this new look, good for them if they like it but yeah.

It's so out of nowhere that i am so confused.

#Also why keep vess and the choir looking the same but the others are like that???#Sleep token #Surprised that so many like it #I'm not hating the boys I'm just ranting about this #If they keep these looks i don't know how long I'll keep enjoying them #That's my fear and I'm a bit worried #It wasn't like with the Impera masks #I don't think I'll find myself drawing those or liking them anytime soon #Don't get me wrong i still love their music and stuff

88 notes · View notes

lightningidle · 2 months

Text

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

#Dimension 20 #fig faeth #fhjy #Idle Chatter #my last two years of college were when I started to get more and more nauseous about my own art #because I wasn't being taught how to make the art I wanted to make #the whole curriculum's focus was on gallery art #which infuriated me! I wanted to make art that didn't have to involve twelve layers of meaning and metaphor to be considered good!!#so I drove myself into the ground time and again trying to make (miserable) work that I thought would fit the criteria of a Real Artist #anyway it's been 4 years and I'm just now picking at why I don't enjoy creating anymore so Fig's whole arc has hit home in a major way #ALSO. AAAAALSO. THE ADHD STRUGGLE WE SEE WITH BOTH FIG AND KRISTEN. LOVING SOMETHING BUT STILL STRUGGLING WITH FOLLOW THROUGH #BEING TOLD YOU'RE NOT DOING ENOUGH WHEN IT'S SO FUCKING HARD JUST TO GET WHERE EVERYONE ELSE IS AND NOT UNDERSTANDING WHY IT'S HARD FOR YOU #it was easy and now that the rubber's hit the road it's hard for you but not for others so it must be YOU that's the problem #you must be lazy or stupid or just not suited to this after all even though it's part of a pattern that has been happening all your life #if you were good enough or cared enough then surely the discipline would come easily to you! the way it comes easily to all your classmates #SCREAMS I gotta stop before I write a second essay in the tags. I'm so normal you can trust me to be normal about D&D characters

66 notes · View notes

spielzeugkaiser · 1 year

Note

Perhaps some Cherik if you're fond of Xmen?

Or Hua Cheng and Xie Lian from TGCF for that juicy love story?

I feel like a sommelier, but ships instead of wine.

9/12 - Don't come into my house an make me care about Cherik in 2023 😭😭 Seriously this was my first ship ever, this is where I learned to sail!! And at the time I didn't really draw yet, I'm. Excuse me I feel a need and emotions 🥺🥺

#x men #charles xavier #erik lehnsherr #x men days of future past #it was this and not first class or their old versions because i enjoyed charles depression look in this movie + his relationship with logan #also don't get me started on that movie I WILL cry it is brilliant #god this whole prequel trilogy came out TWELVE YEARS AGO #and I'm still softee #also look at them and then look at my favourite tropes and then stare into the distance because OH #I didn't think of cherik and years and I was instantly gobsmacked by love #also why does it feel that x men in general never stops to be relevant like seriously

364 notes · View notes

a2zillustration · 3 months

Note

What am I gonna do when croissant finishes the game their journey... TT_TT I don't wanna say goodbye to them!!

I don't know buddy I've been wondering the same thing :') Let's not think about it-

#Real talk despite knowing very little about the ending I DO have a small handful of comics I'd like to make about post-game depending on-#-how things go #I also have a slew of breadweave comics that weren't in-game events I'd like to make too #Regardless I don't think I'll just drop Croissant like a hot potato once we're finished with the game!#I love them and still really enjoy the BG3 community #but I think I will take a little break from comics for a short period #It's been....a lot of work. And a lot of the /same/ work - for months. haha #.......I am however considering making a short (non-bg3) graphic novel with a writer friend bc as it turns out making comics IS fun #We'll see!#Ok I'm done sorry for rambling ngjfkdlnsjkh #asks #Wait I'm not done one more thing: not wanting to say goodbye to Croissant is also why I STILL haven't finished the game T____T #I'm getting really close and I am SCARED

57 notes · View notes

thethiefandtheairbender · 1 month

Text

the way NATLA didn't know how to make Aang silly without making him irresponsible ("You skipped training again") or sometimes disrespectful ("The monks used to say I never listened" / falling asleep while mediating and snoring) is like. just say you don't understand our boy and go

#why does natla have such a hard time at 'these characters succeed in and genuinely love/respect their cultures'#I DON'T GET IT MAN #natla critical #aang trained hard always as an airbender!! he's happy when gyatso steps in to have him relax #but he still obeys the monks!! he's good at meditating!! he enjoys it #GOOD GOD #natla

43 notes · View notes

thecruellestmonth · 1 year

Text

Do you guys really believe that killing is the singular bad thing that cops do?

Or even that killing is the most frequent bad thing that cops do?

Are you saying that if cops didn't kill, then they'd be the same as Batman? Because then you're suggesting that effectively Batman already is a cop, with the exception that he hasn't killed (just like the majority of U.S. cops, who have never once shot or killed anybody).

I'm a bit worried to see opinions suggesting that only killing is wrong—and that violence, stalking, and humiliation are okay. In real-life, police commit countless acts of those "little" abuses, terrorizing entire communities, before they murder anybody.

Invading people's privacy is wrong. Hurting people to the point of hospitalization is wrong. Forcibly drugging people is wrong. Putting people in cages is wrong. Torture and "enhanced interrogation" are wrong. Ambushing people in their homes and safe places is wrong. Keeping inexhaustible wealth is wrong.

Superhero comics are power fantasies. Not all fantasies need to reflect our ideology in reality. But once you apply your real-life values to fiction, once you decide that fiction showcases exemplary real-life ideology—then your praise for Batman's ideology does become a worrying reflection of your real-life understanding of social issues.

#copaganda #Bruce Wayne critical #GCPD #fandom discourse #Batman copaganda #police brutality cw #Almost sorry to drag serious discussion of copaganda into ridiculous superhero comics but I swear the other guys started it first...#To be clear I'm completely disinterested in condemning or interrogating Bruce over his personal choice not to kill.#But I am so fascinated in how he justifies his own use of violence and privilege!!! So very very fascinated!!#Once again: LESLIE THOMPKINS IS RIGHT.#Actually I'm not gonna tag this post as @nti Bruce W@yne--because really I enjoy canon Bruce a hell of a lot more than his stans do lol.#Sorry but Batman isn't a darling anti-cop revolutionary. If he were then he'd get in line behind Green Arrow and like the Invisibles.#I mean maybe The Audio Adventures version is anti cop but still in a free-market libertarian power fantasy kind of way if you can dig that.#violence mention cw #murder mention cw #fandom drama #This is why Cheer doesn't work because Red Hood realizes 'Oh I don't want kids to lose their parents like I lost mine--#--therefore I won't murder anymore. It's time to put my faith in the system. 👼👼👼'#Jason sweetie... you lost your father firstly to criminalization and incarceration for property crime.#You lost your mother to poverty and addiction. You are actually not like Batdaddy and your trauma is not a mere echo of his trauma.#Batman discourse

216 notes · View notes

arkiwii · 2 months

Text

very sad still see the saria/silence divorce headcanon still going around

have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along

#i'll elaborate #firstly it's ok if you headcanon this i don't want to invalidate what people think #it's just that I think it's a fanon joke that have been going around for way too long #and I can't help but shed a small tear when I see people really headcanoning it #I personally think it's way more interesting if we consider that they never had something going on before Lone Trail #mostly because it's weird that they started dating in like some months when they barely knew or saw each other #but also because it adds nothing but just makes things even more harder for them #my personal headcanon is that Silence was maybe having feelings for Saria but like #you know these very premature feelings #like just “oh wow she's pretty and nice”#but nothing like really deep #but they never had anything going on before the diabolic crisis #and after lone trail after they made up and saw each other's true person #they start to actually get real feelings #I'm just complaining but I've been still seeing it around somehow and it's sad to me that this joke became a fact for many people #there's still a lot of fanfics about how they had been dating and now they're on bad terms #I think that going on the “they're exes” route is way too easy and actually hides the potential and interesting reason #of why Silence was mad at Saria #it's not because she hates Saria or blame her #it's because she's mad at herself for being so weak #really making them appear as exes just hides this really interesting truth and makes it all seem to be a sad love story #consider that they never had any of this and that this tension between them is because they blame themselves!!#their story is not a love story but above all a story about self love and acceptance #just my two cents enjoy my rambling i go back to bed now #(not putting this in the main tag I don't want to start a war I'm just rambling)

44 notes · View notes

hrokkall · 1 year

Photo

TEAR ME APART!!! TEAR ME APART SO I FEEL WHOLE!!!!!

#Inscryption #Inscryption Spoilers #James Cobb #Cw:#Blood #Gore #Is this the first James fanart? Not really an accomplishment but still #Anyway I don't know where I was going with this one #I just wanted to draw a dude who looks like he'd enjoy whatever the hell is happening in the console ARG #And then ended up with Toxic Slutch #(He's toxic slutch color because I like how most Mullinsverse NPCs have non-human skin tones despite being human. It's so fun to me)#I'll change the design if I ever draw this guy again (read: probably not) but I had to get the worm out of my brain. You know how it is.#Longelk raised a really good point though. Why WAS James reassigned to P03 #I personally think it's funniest if they just drew straws and P03 won. Then realized ''what the fuck am I going to do with this''#Like a drunken bet gone wrong but instead of losing five dollars it's full-on human experimentation. Fun stuff #Anyway imagine being such a freak that you make the in-universe god of wizards kick you out. Good job man #Hrokkall Art

302 notes · View notes

hgduo · 6 months

Text

... Will you guys please let me talk about hgduo/gossipduo/mockingjays/ whatever they are called a little more pleaseeeeeeeeee, they make me unwell and I want to get my thoughts about them out of my head- or more specifically about them from Bad's point of view!

There's a familial air to it, but it's just not true to define it like that- and that doesn't make what they DO have any less powerful or significant- They have a unique bond and that continues to be true, even during painful times like this.

Cellbit WAS Bad's responsibility at one point, and that time came and went- he got him through the war and into adulthood ( aka 18 years old or close to it.) They meet again as old friends and generally respect each other as such... but even so Bad can't deny he still feels some duty to watch over the man once he starts crumbling- much like how Cellbit as well can't help but reach out to Bad during this time.

but there's limits.

like- Bad for years had and still wants to protect Cellbit, he's had an influence on him, he taught him how to survive, he himself acknowledges he has some responsibility over Cellbit, looking at Cellbit right now feels like looking in a mirror, he doesn't like having to give up on him, but if it's between him and the kids he's choosing the kids every time... and he knows there is no simple way to save someone who refuses to let themself be saved.

And it hurts! It hurts seeing Cellbit like this! It hurts having to let him burn! It hurts watching someone he cares for falling down the same path he is! It hurts knowing he's hurting others the way it did for him seeing Cellbit like this! It hurts having to choose his kids over his protege/ student/ former responsibility/ the kid he watched over years ago/ old friend/ his 'something'!

Like, cc!Bad brought up this internal mental tier list that q!Bad has- I still deeply believe that q!Cellbit is quite high up there even if he'll never be at the level his kids are at- like he loves Cellbit enough that he ACTUALLY CONSIDERED putting parts of his months long plan at risk to save him- even if it was just during the stress of that moment that still means a LOT from Bad- but he was always going to choose his kids in the end!

Based on what I know of q!Bad (which is admitably not a lot lol) there is next to nothing that'd convince him to give up on his kids- with Cellbit he's able to see that he can't help him because Cellbit sadly does not want to be saved- and for Bad that means he simply has to accept it even if he really doesn't like it- the emotions from that night have processed and he's looking at the situation from a more logical and resolute perspective. If it means him and Cellbit may one day clash, then with a heavy sigh so be it....

but if it was Dapper or Pomme... I just don't feel certain in saying he'd be able to come to that conclusion, especially not after one night. Even if it would be the 'smart' thing to do. It's one of the key differences between the dynamic he has with them vs Cellbit...

But, in a perfect situation, he would've done everything to save them both.

Anyway thanks for reading, posting this at hell hours so my beloved mutuals won't see my hgduo ramblings but tagging this anyway for other people to see LMAO-

#mockingjays #hgduo #gossipduo #qsmp #badboyhalo #cellbit #God it's honestly a major problem how in love with this dynamic I am because I rly don't feel like I know shit about Bad or Cellbit LOL #like I enjoy both of their characters a lot but I feel so uncertain about actually ever talking about them- I enjoy them a LOT #but I don't think I have the best grasp on them as characters compared to others- wish I did though!#esp. Cellbit despite having been in love with his character since he joined- hence why I talk more about Bad's point of view LOL #wish I knew more Portuguese so I could 'get' q!Cellbit more I love him </3 #I always feel scared talking about them because their other fans just get them way better then I do- I'm just hyperfixing over one aspect!#one last comment I do generally feel like they have a similar view of one another of like-but recently I feel like Cellbit wants to view Ba #as something closer to a parental figure- consciously or not- but he still doesn't see him as family- at least not in his past #They were two dudes doing whatever it took to survive- but still he was a child and Bad was the adult he looked up to!#longpost

74 notes · View notes

hephaestuscrew · 30 days

Text

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate).

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other.

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187).

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon.

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself...

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172)

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”.

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down." "You're not settled?" asked Fleet. "I am." (High Vaultage, p259)

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5:

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says:

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.)

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

#victoriocity #clara entwhistle #inspector fleet #archibald fleet #high vaultage #I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept #I just enjoy digging into that interpretation #I don't have any lived experience of QPRs myself #I'm just an aro who occasionally yearns #which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs #I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’#when writing this #because I deeply dislike that outlook #That's not what I'm getting at here #Friends can be that important to each other without being in a QPR #I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent #Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments #in S3 or High Vaultage #I’m sure I would still love their dynamic if they did explicitly take it down that route #I’m sure it would be done well #But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally #A related thought to that bit on romantic assumptions is that under amatonormativity #even the denial of romance/attraction is so often treated as evidence for it #which can mean that there's no way to escape that implication #so that's another reason why I enjoy taking characters at their word #when they express discomfort over a dynamic being interpreted as romantic #I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol

48 notes · View notes