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#I personally don't agree
foryoupeko · 8 months
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Genuine question to Mahiru fans
Would you be okay with a comic that explores Mahiru's UNREQUITED crush on Peko?
I have two comic ideas but I wonder if I should put them in the vault along with my Chihiro Pronoun comic. I feel like ppl are gonna either be mad or misinterpret it.
The two ideas under the read more if you want more context:
Mahiru tries to get Peko to smile. They go to all the cast members for advice but it's all futile. At the end of the day Mahiru is walking alone to her room. She didn't get Peko to smile but she's glad she spent the whole day with Peko. She stumbles on a secret meeting with Peko and Fuyuhiko. Peko has a soft smile (a smile that Peko herself doesn't realize she has) and Mahiru takes a picture. Mahiru looks at the picture in the camera; clearly mixed feelings.
This takes place after waking up from the NEO World Program. Peko and Nagito woke up after everyone else and is resting in the MedBay. Mahiru comes to visit. Peko tries to apologize but Mahiru stops her. "It's not your fault. From what I heard, you didn't want to hurt me. You were just a victim brainwashed by the Kuzuryu clan. But it's going to be okay! I wanna help you distance yourself from that life and watch you grow as your own person". Nagito butts in explaining that Mahiru is dehumanizing Peko by taking away her involvement in the decision. "You weren't there at the end of the trial so it's not your fault but we all decided that Peko did that on her own accord outside the Kuzuryu's influence. I know you don't want to be mad at Peko but you can't just erase her decision like that. Don't you think it's cruel to perpetuate this notion that Peko can't do anything for herself?" Mahiru grabs Nagito's shoulders and expresses anger that he'll never understand. Girls are just raised to take care of men. That standard is unfair but how are girls supposed to know that's unfair when society enforces it so much. It's not Peko's fault that she thinks this was okay! She doesn't know how else to live! Peko had only the illusion of choice but in reality there wasn't. But Mahiru can help her heal! They can have a normal peaceful life outside of violence! Hajime comes at the end, scolding Mahiru she wasn't ready to see Peko yet. Mahiru leaves revealing Hiyoko was outside. Hajime asks Hiyoko why she didn't do her job of keeping Mahiru out. Hiyoko just shrugs, clearly dejected that the girl SHE likes is much more interested in her murderer than her best friend.
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descendant-of-truth · 10 months
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Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity
Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.
But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works
In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED
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goryhorroor · 1 month
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horror sub-genres: lovecraftian/cosmic
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jamesbranwen · 1 year
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this is not me trying to defend nintendo's business practices or say that either of these games don't have flaws, but I think a lot of the comparisons people are making between breath of the wild and tears of the kingdom are a little unfair and don't really take into account that they are different games with different purposes.
"breath of the wild feels so empty compared to tears of the kingdom" ... yeah? with breath of the wild, one of the game's main themes was isolation. you wake up in the future far after the apocalypse you were trying to prevent has already settled. you have no memories, very little strength. just like hyrule, just like zelda, all you have is your will to continue. breath of the wild is the quiet moments, the secret spaces, the weight of the world that has continued to turn without you still resting on your shoulders.
tears of the kingdom is not like that. hyrule is no longer the wild. it is no longer quiet and lonely. there's community. every sidequest is intertwined. your friends fight alongside you. this isn't "fixing" breath of the wild, this is it's natural continuation. as time goes on the world continues to heal and rebuild. if breath of the wild was clawing hope, tears of the kingdom is direct action.
like yeah there are things tears is doing better and (imo) things breath of the wild did better. but i don't think either one is a replacement for the other.
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arotechno · 4 months
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these tags have been bothering me for a few days now. i understand wanting some private time at home with your partner, but can you not see that this is EXACTLY the attitude i'm talking about?
does your third housemate ALSO get an allotted time where you and your partner have to leave, or is it only for you? is this something you coordinate on days when your housemate is already independently making other plans, or are you just expecting to be able to kick them out of the house at will like this is a college dorm room?
this isn't a situation where you are three equal parties building a life, this is you and your partner treating someone else like a third wheel you wish would go away and a money bank to help you pay your bills. if that works for all parties involved then it's no skin off my nose, but can't you see that this is literally not at all the situation that i was describing? i'll make a very personal post about how it hurts when people act like my housemates would be justified in trying to get rid of me and alloromantic people will literally be like "this sounds great—as long as i can get rid of you!" like do y'all hear yourselves. do you actually see the words when aros post or is it just static for you.
this is the way people talk about their children, how they want their children out of the house so they can have some alone time. not the way you should be talking about a fellow adult who literally pays for and whose name is on the deed of the house you all live in. aro people aren't housepets.
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suffersinfandom · 6 months
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Controversial opinion (?): the Kraken Era wasn’t all that dark.
There’s a whole lot of meta and fic out there that portray early season two Ed as a bloodthirsty, hyperviolent monster, and when that portrayal is challenged, the rebuttal is usually along the lines of, “I’m just doing what canon did. Did you even watch the show?”
I did watch the show, and honestly? I expected Ed to be so much worse than he was! When I see people say they didn’t think Ed did enough to redeem himself or that he went past the point of no return, I just… don’t understand.
I already went into this in my way-too-long meta about Ed and abuse, but I do think it bears repeating (in a shorter post) because it seems like Ed’s actions -- more than the actions of any other character -- are scrutinized and discussed outside of the context of, y’know… a comedy about pirates. There’s tons of casual violence in Our Flag Means Death. Sometimes the violence is even funny! 
So what does Ed actually do?
As far as I can remember (I’ve only seen season two a few of times, so correct me if I’ve missed something!), we see Ed directly harm someone twice in the first two episodes: first on the wedding boat, and then when he shoots Izzy in the leg. Kind of unimpressive numbers, yeah? Tbh, I'd expect more out of a heartbroken Blackbeard.
The first instance involves Ed shooting a man during a raid. That man has a sword through his chest before Ed fires, leading me to believe that Ed’s still following his season one pattern of keeping himself a step removed from murder (technically, the sword killed that guy). We also don’t see the murder happen; the man tumbles offscreen before Ed shoots. This makes the action less brutal. If the writers wanted us to be appalled by Ed’s violence, we would’ve gotten a graphic kill (or several).
And the second instance is Izzy. Ed shoots Izzy in the leg after he suggests that the shitty atmosphere is because of Ed’s feelings for Stede. Hot take, maybe, but I don’t think that was entirely out of line -- definitely not for a pirate captain whose first mate is acting out! Ed’s feelings for Stede are not the only problem; a significant chunk of the problem is Izzy. Izzy called in the navy and led to their capture and, more importantly, Izzy bullied Ed back into the Blackbeard persona. This is what Izzy said he wanted.
We’re also told that Ed has taken more of Izzy’s toes between seasons. This isn’t cool -- bosses definitely shouldn’t be asking for their employees’ toes -- but there is a precedent for it: in season one, Ed told Stede that he used to feed people their toes for a laugh (yuck). For a laugh. This, to me, implies that it’s not a huge deal. It’s certainly not completely unexpected pirate behavior, and it seems more lenient than, like, a keelhauling or a whipping. I think both of those things would've felt way more gruesome and dark.
As far as violent actions go, that’s not a lot. Like, numerically.
Things get darker in S2E2 when Ed becomes increasingly desperate for someone, anyone, to send him to doggy heaven. He’s unhinged and working his way up to a murder-suicide before he’s stopped, but he doesn’t lay a hand on anyone. He orders Archie and Jim to fight to the death. He ignores anonymous crewmembers as they’re swept overboard in the storm. This is bad! It’s self-destructive and selfish! But violent? Monstrous? I don’t really think so.
In my opinion, the worst thing Ed does is force his crew to do violence for him -- not because it’s violence (again, they’re pirates), but because the violence hurts them. THIS is what traumatizes them! Their trauma flashbacks are scenes of them hurting others, not of Ed hurting them directly. Ed didn’t physically torture his crew (with the exception of Izzy, and that’s complicated). His crime was driving them to do one violent raid after another, killing and plundering without any joy or theatrics. Ed feels trapped in the role of Blackbeard -- the role that he’s been desperate to escape -- and, in his heartbreak, he opts to trap his crew with him. 
Yeah, Ed is messed up in the first two episodes of season two. I don’t blame the crew for almost killing him; it’s what needed to be done. I think that Jim, Archie, Frenchie, and Fang had every right to want Ed gone after Stede’s return. 
But I don’t think that Ed was a super violent monster who tortured his crew and murdered his way through his breakup. He engages in very little onscreen violence, and the person that most of his violence is focused on -- Izzy -- is the same person who told him to be violent. I think that anyone who says that Ed’s actions in the first part of season two are extremely dark is either looking at them out of context, misremembering what actually happened and just recalling the dark tone, or working with some kind of motive.
In conclusion: Ed is a man who, at his very darkest, was still operating pretty firmly within the bounds of "stuff pirates do" (but not stuff Ed has historically done, presumably).
Also look at him. Thank you.
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uncanny-tranny · 8 months
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The bourgeois or "exploiting class" doesn't inherently include the person who gets their nails done biweekly, or the disabled person who has a carer, or the guy who got a $70 video game for full-price, or the person who relies on medication (yes even the ones you don't think they "need"), or anything else like this. None of these people will, on average, have the ability to exploit workers by means of ownership or whatever.
While you are busy fighting with fellow workers, you are still being exploited by your boss, by capitalism, by (potentially) not having healthcare, by being overworked and underpaid, and so are they.
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mewtwo24 · 3 months
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Not to be That Guy but like.
Am I the only one that can't stop thinking about how Tianlang-Jun says about Luo Binghe that he pretends to be cold-hearted like his mother. The hint of fondness there, the heartache in that utterance.
Like it drives me absolutely insane. Imagining her putting on a front of strength, cold and driven and unrelenting. Why does TLJ say that about her. Did she secretly look for solutions that meant reconciling with demons instead of hurting them when her sect wasn't looking? (I wonder this because I feel like his weird fondness for SQQ would lowkey track if it's connected to the woman he once loved.) Did he mean that she was tasked with basically assassinating him and she fell in love with him instead (re: failed step one)? Did he mean that she was fond and doting in her own way (e.g. conceding he was attractive, paying for his exploits and humoring him)? Did he mean that, like LBH, she thought that power would be the thing to protect her--and that it was disguising a person who was deeply and privately wounded? All four????? I don't need sleep I need a n s w e r s
Did she know about the Huanhua Palace Master's skeevy ass intentions before she met TLJ? Or did those only come to significant light after she fell in love with TLJ? Is that why she never anticipated that level of betrayal, because initially she had no intention of being with anyone romantically? And HHPM just assumed she would be under his thumb forever?? Was she furious at her own indiscretion or did she try to use the pregnancy as a bargaining chip, a way to try to stop the immortals of Cang Qiong Mountain from attacking TLJ (plus the bonus of marriage entrapment no takesies backsies this is where LBH gets it from)? Did she try to use that claim on her to dissuade HHPM from his covetous advances, framing herself as tainted so that she could finally escape? Did she dream of a life by TLJ's side, far away from Cang Qiong Mountain?
Like. Literally every single permutation of what this could mean guts me to hell. Do you ever just cry about tianxi because I--[loud bawling noises]
#svsss#tianxi#tianlang jun#su xiyan#like this shit keeps me awake at night#i'm trying to put fic ideas together and every time i go back to that line i just#find myself trying to parse and hone out su xiyan's mannerisms/personality#zzl's descriptions help a great deal but i also love that they're limited in the sense that#1. zzl was clearly scared shitless of/disconcerted with her LMFAO#2. he was suspicious of her (as a cultivator fundamentally) and its fascinating that TLJ did not seem to share this suspicion at all#or one could argue tlj just didn't care beyond his attraction and glee being around her jkahglfdskjhsfkhjg#there is also the hilarious implication that part of what turned tlj on so much about sx is the fact that she could prbly kill him#tlj really said 'i love a woman who can and WILL kick my ass'#'none of that soft power seduction shit manhandle me or nothing'#like he always believed deep down--or at the very least wanted to believe--that she loved both him and lbh dearly#i'm not usually the fix-it fic type but the Way I Need To See Su Xiyan Destroy Huanhua Palace Master's Entire Life.#i just want sx and her boytoy to live happily ever after is that so wrong?#i also think of that person (im so sorry tumblr user i dont rmr who u are at the minute) that said there had to be trust between tlj and sx#because YES. ABSOLUTELY. I AGREE. AND I WANT IT FOR ME#don't mind me just the usual descent into madness anytime i think too hard about svsss#i need to outline damn you airplane and your refusal to expand on LBH's juicy ass backstory#ill never forgive the chinese (joke)
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turquoisemagpie · 18 days
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Appreciate the little things.
Not to ignorantly deny all of the big bad things in the world, but to survive them.
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canisalbus · 5 months
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Of course Machete brings Vasco closer to god. That may have been a sex joke but like, definitely. It’s the best line in the entirety of Les Mis!
To love another person is to see the face of god.
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victorie552 · 4 months
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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).
It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.
Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.
And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!
So, Point 1: Many, Many Parts, basically Maglor's FA WIP
My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.
(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)
Archived.
My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.
Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.
(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)
(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)
(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)
So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.
(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)
Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included
This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.
But the Siege started. And the Noldor kept dying.
It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.
Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.
The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.
(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)
Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.
It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.
After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.
Lament for Maedhros was sung repeatedly. There was no one to hear it.
Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.
#silm#silmarillion#noldolante#maglor#yet another post that went in different direction than I planned#started with meta went into headcannon and ended with fanfic angst#I wanted to end it with crack!!!#I mean. I mean#it all makes kind of some sense if we're talking about elves here#but guys Noldor had Men and Dwarves as allies#Maglor would want them in his Historical Record song#I think with Dwarves they would mainly refuse when he asked them if they wanted a part in Noldolante#so maybe he would only get some allies and personal friends of Maedhros in#but Men#guys Men. they would agree and they would make lists and it would become Clown City so fast#but Sons of Feanor aren't known for their ability of knowing when to quit#so Maglor has a Noldolante 3.0 Standard Version with 254 Parts that has Elves and an Occasional Dwarf Only#and Special Version Noldolante Deluxe Extra Edition with 547398134 Parts that includes Men#everyone is included you don't have to die in battle#all common causes of death have a dedicated jingle to them#to the point you know a man's cause of death after 3 notes#these parts of Noldolante well the music bit actually survived into the Fourth Age#the words are gone but the music is played at funerals in some places#The Noldolante Main survived only in parodies though#actually Finished Noldolante is a very good thing huh#as in no more Fall of The Noldor#they can finally catch some break#I believe that during Maglor's Regency Era all Noldor did was Processing. and breeding horses.#Noldolante? more like Maglor Finally Discovers Shame: A Story#I think some personal revelations on legacy and connections between children and life's works would be made
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caffeinatedopossum · 5 months
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I actually find it really bizarre and counter intuitive that clinically speaking, you cannot legally be diagnosed with a personality disorder until you're at least 18. The reason given for this is because "the personality has not fully developed before this age" like ???
Ah yes, my favorite strategy. Not diagnosing the problem until it's already been virtually cemented into your brain for life! Wouldn't it be easier (and more painless) to address the problem before it's fully developed?
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lu-sn · 9 months
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this is the face of a man who is connecting a lot of dots.
we know vegas had flagged porsche early on as someone to keep tabs on — he sent the assassin girl into that gala to report on porsche's skills as a bodyguard. but then we have this interaction:
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vegas is clearly baffled that his dad cares about this random bodyguard, but gun provides zero context. just a vague, pointlessly harsh order.
so vegas makes his best guess at to why gun might care, and arrives at something close to "he's a point of weakness for kinn — we can use him." and he proceeds to do just that.
then, too-late, he learns he was wrong.
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(shoutout to gun being angry about namphueng's son getting hurt while ACTIVELY hurting his own son. what a dickhead.)
i bet this new information just eats away at vegas, especially while he's trapped at the safehouse. how could he have possibly known he was supposed to keep porsche safe? when has his father EVER wanted to keep anyone safe? why the fuck is porsche so important?
once porsche hands him the photo, it all falls in place.
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the consequences of being left in the dark were severe for vegas. it wrecked all of his plans from the start, and vegas had no clue how much it would matter. but neither did porsche — and as vegas says himself, kinn doesn't know either. this is a secret that goes all the way to the top.
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gun cares about porsche, because gun cares about porsche's mother enough to have a photo of her in his office. and you can tell vegas is burning to know why.
sure, he says. he'll go find arthee. he'll fork up the five million in cash. he'll do whatever it takes to help porsche learn the truth of his past — because in some sense, it's vegas's past, too. and vegas wants answers.
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royalarchivist · 7 months
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Quackity: Oh, it's gonna be so cool to see how this develops. I'm excited, I'm gonna try my best. I'm not the greatest at Minecraft whatsoever, I did nerf Green Team a little bit by accident on the second day. My bad! But, you know, I'm so ready to just grind out and see what we can do, and I just–
I wish everyone saw it with the same amount of, like, kind of enthusiasm. I think all of this and all the development and all the potential arcs, that's going to fcking allow for something absolutely incredible.
And if anyone ends up clipping any of this, something I do want to say is I implore people to view everything with a lot of enthusiasm. No stress, no anxiety, just a lot of enthusiasm. Because, again, this is going to allow for a lot of cool things in the server. Not just now, but in the future, too.
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shipperwolf1 · 20 days
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Seeing a lot of comparisons between vaultghoul and reylo and:
Listen, ship your ships; that's the tumblr way, and I'm not here to judge you
But for me, that's bullshit.
I personally checked out of the star wars films when it was clear finnrey was being shelved in favor of reylo
Because finnrey had the chemistry, and I could feel that reylo was being forced. I could tell from the writing. I could tell from the acting. I could tell from the interviews.
Such is not the case with vaultghoul. Is it a slightly fucked up ship? Yeah, but we're all freaks here.
The chemistry is there. It was there from the jump. It's easily perceived in every scene, and none of it feels forced.
That doesn't mean vaultknight doesn't fit; their smiles are sunshine. Their heart-eyes are sweet as apple pie. I'm not mad about it, but the chemistry just doesn't quite seep through the screen as easily.
Instead, I found myself yelling "DO YOU NOT SEE THE WAY THEY'RE LOOKING AT YOU?" every time Max had a scene with Dane.
This is a ramble, but what I'm saying is: chemistry in media is a thing, and everyone perceives it differently. I didn't get reylo. And I don't see vaultghoul as a second-coming of that ship.
It's its own thing, in its own fucked up little way. And it's fun.
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total-drama-brainrot · 3 months
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('LOSER, BABY' is a great song for Alenoah!)
NOAH: We're both losers, baby We're losers, it's okay to be...
ALEJANDRO: Someone who's a little loco?
NOAH: Baby, that's fine by me!
ALEJANDRO: I'm a loser, honey A trickster and a dummy But at least I know I'm not alone!
NOAH: You're a loser!
NOAH + ALEJANDRO: Just like me! :)
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Sure.
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