#I literally do not understand how he is the same person in all his roles | Explore Tumblr Posts and Blogs

saerotonins · 7 months

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actor!toji headcanons

ft. fushiguro toji x reader

content warnings: fluff, parent!reader, megumi is yalls son, just overall cuteness

wc: 918

note: this is my apology for that nanami angst i posted days ago heh

jjk actor au masterlist

as an actor:

very intimidating man, from his aura to his build, oh boy, who wouldn't be scared

but to everyone's surprise, he's actually just a really goofy and adorable man with a really good resting bitch face lmfao

is actually a household name in the acting industry! definitely those types of actors that once casted into a show, it's guaranteed to get hella VIEWS AND RATINGS

has been in the acting industry for YEARS and has a ton of experience but is still very humble

is actually very shy when his co stars tease him whenever his fans thirst for him whenever he's on screen and he's just a blushing mess LOL

i mean he's a literal dilf so

believe it or not, this man has been in more romance shows and movies than action, especially as a VILLAIN

his fans couldn't believe it either

so when he was first casted in jjk as a villain who kills CHILDREN they were so ecstatic!

and boy were they so happy when toji SURPASSED their expectations because he was so good!

also so happy that he was casted together with his son, megumi, in the same show!

they usually go to the shoot together and even when he doesn't have a scene to shoot and only megumi does, he drives him off to the shooting site whenever his time permits

it's actually so adorable

in contrast to jjk!toji, he's really a hands on father to him and is actually very supportive of megumi going to the same career path as him

megumi is also the definition of nepo babies who deserved what they got but that's another discussion

at first though, he is kind of hesitant especially knowing how toxic can it get with the industry but when he saw his son's determination, he eventually gave him a green light and supported him along the way

this man is so fucking strong OML the producers are so grateful the most of the time he helps cleaning up with the equipment once filming is done

literally lifts them up like it's nothing BYE

listen, this old man is RIPPED and really likes to work out

he's like pedro pascal who is like really chill but really cheeky when it comes to fanservice LOL he is so adorable

megumi is kinda cringing though 😭 it's understandable though because that's literally your father trying to act cute and he's a teenager so i don't really blame him

also a big gentleman, again, contrary to his role, he is actually very good with the ladies and often checks with his co stars especially when a fight scene is being filmed

profusely apologized to satoru when their fight was filmed because he literally has to do the stunts himself and make everything believable as much as possible

has ig and twitter but barely posts unless it's a promotion or a thank you post for the team

he's very active in stories though 😭

and i mean VERY VERY active

you know that point where a person posts too much stories and the lines above almost look like dots???

yeah that's him 😭

mostly posts the behind the scenes and his family there!

has a pet chicken that he posts there too

no he's not vegan... he just doesn't eat chicken 😭

as a husband:

oh yeah another married man on set sorry ladies he’s off the market

a very romantic and private lover

especially when you're the only one in the family who is not involved in show business

looks forward to coming home to you all the time

the type of husband who says, "i miss my spouse," on set out of nowhere and his co stars just sigh in faux annoyance

this man is WHIPPED

his lines is always and SHOULD always be practiced with you, because aside from his fans (not really though since he's already an established actor), the only approval he looks for is from his lover

is really happy and giddy (almost like a teenage boy like SIR you guys are already married for YEARS) when you praise him and has this really boyish smile which happens very often btw

he's such a fucking sap please

as mentioned, he is kinda shy about the thirst but is not uncomfortable and actually goes along with it

you on the other hand GO HAM with it LOL

you're one of the fans lmfaoooo

a very BIG ONE

unlike him who is not active on twitter, you actually reply to fans and agree what they were saying and fangirl/boy with them which is actually so adorable LOL

his fandom is having a field day of you gushing about your husband like you're not married to him and have a literal CHILD with him bye

both megumi and toji, especially toji, are very protective of you so any slanderous rumors from the tabloids and any defamation will immediately face a lawsuit

and fans love it when y'all fight back!!

if they stan either toji or megumi, it's immediately a given that they also stan you LOL

your boys both find it cute that even you have a very supportive fanbase like theirs

#toji fluff #jjk actor au #toji fushiguro x reader #toji x reader #toji fushiguro fluff #toji fushiguro x you #toji fushiguro x yn #toji fushiguro #jujutsu kaisen #jujutsu kaisen fluff #jujutsu kaisen x reader #jujutsu kaisen x you #jjk fluff #jjk x reader

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catgirl-kaiju · 3 months

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something worth pointing out in the case of Tumblr CEO @photomatt 's statement regarding predstrogen is the very clear side stepping of the conversation being had. the ask he chose to respond to as part of his statement was asking about tumblr's transmisogyny problem, and what he is commenting on is tumblr's transphobia problem.

transmisogyny is certainly related to transphobia, but the two are not the same. i've seen plenty of trans folks who are guilty of transmisogyny and have even been harassed by such individuals on this very website. he repeatedly refers to transphobia and accusations of tumblr staff being transphobes throughout the statement, but never once brings up transmisogyny. perhaps he is unfamiliar with the term, but he could look it up and read up on it before responding to a question directly asking about it. he is very clearly not doing his due diligence in addressing these concerns.

he mentions tumblr having "LGBT+ including trans people on staff," but this is not especially helpful in assessing tumblr's transmisogyny problem. based on this we don't know how many trans people, whether or not there any transfem or TMA folks (who might understand the nature of transmisogyny better than TME people) on staff, what positions these queer people hold in the company, or whether or not any of tumblr's queer employees are on the moderation team. and it's understandable why some of these specifics are left out; you don't want to put any staff members in danger of being doxxed or harassed, especially if they're vulnerable marginalized people. however, it seems to me a gross oversight to not mention if there are any trans folks working on the moderation team.

i think it's also a huge misstep to focus on predstrogen so singularly when the conversation about her account being nuked is part of a larger conversation about transmisogyny. what this reveals, too, is transmisogyny playing an active role in the decision to ban her for life. one of the aspects of transmisogyny is viewing transfem folks as especially and uniquely dangerous. i'd like @photomatt to ask himself if he would have taken "threats" like the one cited as seriously if they came from a cis person or a TME trans person. really reflect on that, Matt. i also put "threat" in scare quotes here because, frankly, it's pretty clear that said comment is a cartoonish and outlandish example of violence used to demonstrate that the intent to harm is not literal. i do this all the time both on here and in real life. telling a friend i'm going to "maul them to death" over a minor annoyance is a comedic way of expressing frustration in a way that communicates it's not actually a big deal. saying something like "i want them to explode after falling down the stairs when trying to evade a falling piano full of knives" about a public figure or someone who is negatively affecting your life works as a way of demonstrating the intensity of your feelings while not veering into territory where it sounds like you're literally planning an assassination attempt. if you're reading this, Matt, i hope you can begin to understand the difference between something like:

and a real actual harassment, like:

y'know, all actual comments and posts i've received on this website, and reported with detailed explanations for why i'm reporting them but never heard back from the moderation team about the situation. i have no idea if anything was ever done about any of these people sending me bigoted violent messages because no one ever does follow-up. the only time i've ever received follow-up on a report was when i reported an account for promoting self-harm in the form of anorexia. that's it. one time in the over a decade i've been on this website.

how does all of this sit with you, Matt?

#tumblr #transmisogyny #transphobia #predstrogen #tumblr staff #tumblr ceo #death threats #anon hate #transphobia cw #transmisogyny cw #violence cw

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santacoppelia · 9 months

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Putting the Meta in "Metatron"

(couldn't resist the pun, sorry)

Ok, this has been tickling my brain for a while. I've been thinking about how The Metatron designed his role and discourse specifically to manipulate Aziraphale into the end result we saw in the last minutes of S2. I become obsessed with it because… well, I'm a bit obsessive, but also because there were many really smart writing decisions that I loved (even when I despise The Metatron exactly for the same reasons. Hate the character, love the writer). If you haven't watched Good Omens Season 2, this is the moment to stop reading. Come back later!

We already know that in Book Omens, the role of Gabriel in the ending was occupied by The Metatron. Of course, the series introduced us to Gabriel and we won a lot by that, but I feel that the origins of The Metatron should be considered for any of this. He is not a "sweet old man": he was the one in charge of seeing over the operation of Armageddon; not just a stickler of rules, but the main promoter for it.

However, when he appears in the series finale, we first are primed to almost pass him by. He is in the line for buying coffee, using clothes that are:

obviously not tailored (almost ill fitted)

in dark tones

looking worn and wrinkled

This seems so important to me! All the angels we have seen are so proud of their aspect, wear clear (white or off white) clothes, pressed, impeccable (even Muriel), even when they visit the Earth (which we have already seen on S1 with all the visits to the bookshop). The Metatron chose a worn, comfortable attire, instead. This is a humanized look, something that fools all the angels but which would warm up someone very specific, can you guess?

After making quite a complicated coffee order (with sort of an affable and nervous energy), he makes a question that Crowley had already primed for us when asking Nina about the name of the coffee: having a "predictable" alternative and an unpredictable one.

This creates an interesting parallel with the next scene: Michael is discussing the possibility of erasing Aziraphale from The Book of Life (a punishment even worse than Holy Water on demons, because not having existed at all, EVER is definitely worse than having existed and ceased to exist at some point) when The Metatron arrives, interrupts the moment and signals having brought coffee. Yup, an amicable gesture, but also a "not death" offering that he shows clearly to everyone (even when Michael or Uriel do not understand or care for it. It wasn't meant for them). He even dismisses what Michael was saying as "utter balderdash" and a "complete piffle", which are the kind of outdated terms we have heard Aziraphale use commonly. So, The Metatron has put up this show for a specific audience of one.

The next moment on the script has Metatron asking Crowley for the clarification of his identity. Up to this moment, every angel has been ignoring the sprawled demon in the corner while discussing how to punish Aziraphale… But The Metatron defers to the most unlikely person in the room, and the only one who will push any buttons on Aziraphale: Crowley. After that, Aziraphale can recognize him, and Metatron dismisses the "bad angels" (using Aziraphale's S1 epithet) with another "catchy old phrase", "spit spot", while keeping Muriel at the back and implying that there is a possibility to "check after" if those "bad angels" have done anything wrong.

Up to this moment, he has played it perfectly. The only moment when he loses it is when he calls Muriel "the dim one", which she ignores… probably because that's the usual way they get talked to in Heaven. I'm not sure if Aziraphale or Crowley cared for that small interaction, but it is there for us (the audience) to notice it: the sympathy the character might elicit is built and sought, but he is not that nice.

After that, comes "the chinwag" and the offer of the coffee: the unnecessarily complicated order. It is not Aziraphale's cup of tea (literally), but it is so specific that it creates some semblance of being thought with care, and has a "hefty jigger" of syrup (again with the funny old words). And, as Aziraphale recognizes, it is "very nice!" (as The Metatron "jolly hoped so"), and The Metatron approves of him drinking it by admitting he has "ingested things in my time, you know?". This interaction is absolutely designed to build a bridge of understanding. The Metatron probably knew that the first response he would get was a "no", so he tailored his connection specifically to "mirror" Aziraphale: love of tasty human treats he has also consumed, funny old words like the ones he loves, a very human, worn, well-loved look. That was the bait for "the stroll": the moment when Aziraphale and Crowley get separated, because The Metatron knew that being close to Crowley, Aziraphale would have an hypervigilant soundboard to check the sense of what he was going to get offered. That's what the nasty look The Metatron gives to Crowley while leaving the bookshop builds (and it gets pinpointed by the music, if you were about to miss it).

The next thing we listen from The Metatron is "You don't have to answer immediately, take all the time you need" in such a friendly manner… we can see Aziraphale doubting a little, and then comes the suggestion: "go and tell your friend the good news!". This sounds like encouragement, but is "the reel". He already knows how Crowley would react, and is expecting it (we can infer it by his final reaction after going back for Aziraphale after the break up, but let's not get ahead of ourselves shall we?). He even can work up Muriel to take care of the bookshop while waiting for the catch.

What did he planted in Aziraphale's mind? Well, let's listen to the story he has to tell:

"I don't think he's as bad a fellow… I might have misjudged him!" — not strange in Aziraphale to have such a generous spirit while judging people. He's in a… partnership? relationship? somethingship? with a demon! So maybe first impressions aren't that reliable anyway. The Metatron made an excellent job with this, too.

"Michael was not the obvious candidate, it was me!" — This idea is interesting. Michael has been the stickler, the rule follower, even the snitch. They have been rewarded and recognized by that. Putting Aziraphale before Michael in the line of succession is a way of recognizing not only him, but his system of values, which has always been at odds with the main archangels (even when it was never an open fight).

"Leader, honest, don't tell people what they want to hear" — All these are generic compliments. The Metatron hasn't been that aware of Aziraphale, but are in line with what would have been said of any "rebel leader". They come into context with the next phrase.

"That's why Gabriel came to you, I imagine…" — I'm pretty sure The Metatron didn't imagine this, ha. He is probably imagining that the "institutional problem" is coalescing behind his back, and trying to keep friends close, but enemies closer… while dividing and conquering. If Gabriel rebelled, and then went searching for Aziraphale (and Crowley, they are and item and he knows it), that might mean a true risk for his status quo and future plans.

Heaven has great plans and important projects for you — this is to sweeten the pot: the hefty jigger of almond syrup. You will be able to make changes! You can make a difference from the inside! Working for an old man who feels strangely familiar! And who recognizes your point of view! That sounds like the best job offer of the world, really.

Those, however, are not the main messages (they are still building good will with Aziraphale); they are thought out to build the last, and more important one:

Heaven is well aware of your "de facto partnership" with Crowley…

It would be considered irregular if you wanted to work with him again…

You, and you alone, can bring him to Heaven and restore his full angelic status, so you could keep working together (in very important projects).

Here is the catch. He brought the coffee so he could "offer him coffee", but the implications are quite clear: if you want to continue having a partnership with Crowley, you two must come to Heaven. Anything else would be considered irregular, put them in a worst risk, and maybe, just maybe, make them "institutional enemies". Heaven is more efficient chasing enemies, and they have The Book of Life as a menace.

We already know how scared Aziraphale has always been about upsetting Heaven, but he has learned to "disconnect" from it through the usual "they don't notice". The Metatron came to tell him "I did notice, and it has come back to bite you". The implied counterpart to the offer is "you can always get death". Or even worse, nonexistence (we have already imagined the angst of having one of them condemned to that fate, haven't we?)

When The Metatron arrives, just after seeing Crowley leave the bookshop, distraught, he casually asks "How did he take it?", but he already knows. That was his plan all along: making them break up with an offer Aziraphale could not refuse, but Crowley could not accept. That's why he even takes the license to slightly badmouth Crowley: "Always did want to go his own way, always asking damn fool questions, too". He also arrive with the solution to the only objection Aziraphale would have: Muriel, the happy innocent angel that he received with so much warmth and kindness, is given the opportunity to stay on Earth, taking care of the bookshop. The only thing he would have liked to take with him is not a thing, and has become impossible.

If God is playing poker in a dark room and always smiling, The Metatron is playing chess, and he is quite good at it (that's why he loves everything to be predictable). He is menacing our pieces, and broke our hearts in the process… But I'm pretty sure he is underestimating his opponents. His awful remark of Muriel being "dim"; saying that Crowley "asks damn fool questions", and even believing that Aziraphale is just a softie that can be played like a pipe… That's why telling him the project is "The Second Coming" was an absolute gift for us as an audience, and it prefigures the downfall that is coming — the one Aziraphale, now with nothing to lose, started cooking in his head during that elevator ride (those couple of minutes that Michael Sheen gifted to all of us: the shock, the pain, the fury, and that grin in the end, with the eyes in a completely different emotion). Remember that Aziraphale is intelligent, but also fierce. Guildernstern commited a similar mistake in Hamlet, and it didn't go well:

"Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me."

I'm so excited to learn how this is going to unfold!! Because our heroes have always been very enthusiastic at creating plans together, failed miserably at executing them, and even then succeeding… But now they are apart, more frustrated and the stakes are even higher. Excellent scenario for a third act!

*exits, pursued by a bear*

#good omens #good omens 2 #good omens meta #good omens spoilers #aziraphale #ineffable spouses #ineffable divorce #narrative analysis #character analysis #the metatron #and a casual Hamlet quote #just because I love Hamlet

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barblaz-arts · 2 months

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Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.

Oh yeah sure I'd love to!

I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)

Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.

Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.

It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.

But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.

Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.

But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.

This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--

(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)

--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.

Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.

I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.

#asks #hazbin hotel #chaggie #truly love charlie as a character #i dont agree with people who say that charlie didn't feel like the main character of the show #she is still very much the heart and star of the story #if they felt more drawn to the male characters that isn't fully the show's fault #Alastor didn't even have as much screentime as i thought he would have #which is good!#he's entertaining but better in certain doses

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the-cat-and-the-birdie · 10 months

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We talk about how mischaracterized Hobie is - which he is - but I honestly think someone else is characterized REALLY weirdly by fandom

Miguel O'Hara and Misrepresentation of His Rage: a.k.a Miguel has Ken Energy you fools

[this is a breakdown where I examine Miguel's trauma, his relationship with Miles, his role in The Society, and his personality]

I talk a lot of shit about the Hobie tag, but the over-saturation of smut in the Miguel tag is at critical mass.

And like Latino-fetishization aside, I feel like he's not written as a human.

He's written so flat.

I swear ya'll be writing him as the angriest, coldest, most anti-social man on earth. Ya'll be having him rude and avoidant with no friends whatsoever or a romantic soft latin lover and NO IN BETWEEN

which is so funny cause like... I feel like Miguel is Just A Guy

I know they're easy to overlook but I think about moments like these all the time

But I ALWAYS see him written him as friendless, and cold, or constantly irritated and angry but like - I feel like most of the time Miguel is just some dude. Like in a Good Way.

And he's fine with that.

Miguel runs a Society Full of Spider-people, and they're working for him voluntarily. Peter Parkers wouldn't work for someone they didn't think was genuinely, good-likeable, and level-headed.

He compliments Lego-Spider-Man. When Hobie was there he wasn't pissed he was just like 'not in the mood rn ngl'

and Hobie didn't take the piss outta him - because I feel like him and Hobie have a mutal understanding/relaxed relationship. All throughout the movie Hobie isn't talking bad about Miguel in specific - he never says anything about Miguel being annoying or evil - he's always taking about The Society Miguel has made.

Even Hobie - who will openly talk bad about the PM, doesn't really feel the need to diss Miguel's character in specific. Which I find very interesting.

I think this, along with a couple other things shows that the way we view Miguel in fandom is not really how he is, like..when he's not going buckwild insane.

Miguel and His Role as Canon

I could see Miguel taking his role as boss very seriously - the same way he took being a father.

Miguel has assumed the role of 'leader' over these Spider-people. In his eyes, it's his job to lead these people through their canon events to the other side, for the safety of the universe, and for them to become the people fate says they're supposed to be.

Because he made the mistake of 'going against fate'. A lot of the time we say that Miguel's justification is 'because I suffered, you must too'. But in his eyes, it's more like 'I tried to run from who I was supposed to be and it blew up in my face. Please don't make the same mistake - it's not worth it.'

Quiet literally 'Do what you're supposed to do, and things won't fall apart around you.'

And I think that really says a lot about how he feels about his own choices, and his own daughter.

Miguel broke canon to be with his daughter, and because of that, she - and billions of others, died. And Miguel feels directly responsible for that. In his eyes, he killed his daughter and murdered billions of people.

And although he loves his daughter - he sees it as not worth it. He sees taking her father's place as a mistake.

To Miguel, canon events and the pain they cause are much more 'worth it' and 'tolerable', than the pain and guilt of killing an entire universe.

Because with canon events, there is no fault. It's not your fault you couldn't catch Gwen Stacy. It's not that you're not fast enough, it's that it's suppose to happen. It's not your fault.

But in Miguel's case - it was his fault. It wasn't suppose to happen.

That's why Miles sets him off in a way others don't and can't. Because he wasn't supposed to happen.

When things are under control, Miguel is fine. When things aren't, Miguel isn't.

Miguel needs order. He needs canon. Not because he likes it, but because he feels beaten into submission by it. He feels safe in the idea that canon events happen even if you do everything right, because he still feels the guilt of having done something 'wrong'.

That's why he sees letting people die in canon events as 'the right thing'.

It's the trolley problem.

A trolley is hurtling at someone you love, on the other track there are 5 people. Do you let the one you love die, or do you hit the switch and save them - and take the blame for killing five people?

What's the right thing to do? Save your captain father and letting a universe die? Or letting your father die, but the universe will for sure live.

Miguel has already made his choice, even if he didn't know it at the time. By becoming a father, Miguel hit the switch. And he chose his daughter at the expense of a universe. And he regrets that decision. He feels guilt, like he's to blame.

When canon events happen, there's no one to blame. When anomalies happen, there is.

Miles and Miguel

Miles and Miguel have an interesting and unique dynamic with each other, one that I haven't seen anyone mention yet.

When I look at Miles and Miguel, especially in this scene:

I kinda see Miguel and a past version of himself. Miguel trying to stop what he sees - as someone about to make the same mistake he did.

When Miguel met his daughter, he didn't know about it's threat to the multiverse. And although it might be described as the best time in Miguel's life, he regrets it. If he would go back, he would have rather let his daughter live. Fatherless, but at least she would have lived.

Miguel didn't know. But Miles does. And that's what makes Miguel so furious.

Miles is going to go against canon, be with his dad, and threaten the multiverse. And Miguel believes that if Miles does this, billions of people and beings across a universe will die. 100% totality rate, 100% assured.

Miles is in the same position as Miguel once was. Miles has the same choice. To choose the one he loves over canon.

The only difference is Miles knows. He has a chance.

Miguel believes that Miles can spare himself the pain, and the guilt of murdering billions - if he just listened to him.

Miguel is the only Spider-person who has ever killed a Spider-verse. And he doesn't want that for Miles.

Miles being an anomaly was one thing. He was ready to calmly talk about that. But when Miguel sees him going down the same road as he once did, making the same choice even though Miguel is telling him not to - it makes it snap.

Because if Miguel could go back, knowing what he knows - if Miguel could only be in Miles' place - he wouldn't. Like Rio said - Miguel would kill to be in his place.

He sees Miguel like how Rio describes herself, oddly enough. Rio says she'd kill to be in Miles place, and she doesn't understand his 'irresponsible' behavior. But unbeknownst to her - his 'irresponsible' behavior is more heroic than she can understand.

Miguel is just the same. He sees Miles' choice as irresponsible, that he's making all the wrong choices even though people are throwing opportunity at him.

Miles is the only other Spider-person to risk what Miguel risked. And, genuinely believing everyone will die because of this - he's furious at Miles, the same way he's still furious at himself. He loved his daughter, and he knows Miles loves it dad. But having been on the other side of it all, he sees it as not worth it.

Miguel wants to be the only Spider-man who is the way he is. He doesn't want to Miles to do what he did, become what he is. Because he knows theres no coming back from that.

If Miguel could go back and shake himself and scream in his face to leave Gabriella alone, to just leave her dimension alone, he would. But he can't.

So he does it to Miles.

Miguel as a Boss

I don't think Miguel is an outright mean or abrasive person. I feel like outside of Miles, he's fairly calm, albeit a bit stressed. I could see him being really organized and good at time management -

And I can see Miguel being good with people. I don't think he's the kinda boss that'd be like 'Oh, you had a canon event last night? Your girlfriend fell off a building? Yeah, we get that a lot, get over it.'

And if anything - I think he'd want to help the Spider-people when it comes to processing canon events.

Miguel believes that canon events are necessary, not just to the multiverse, but to the development of who Spider-people are 'supposed' to be. So I think he'd set up support systems around HQ to help them process it, and he'd at least be a bit understanding.

I could absolutely see Miguel as the type to ask a teammate "Are you alright?" after something intense, or telling them to sit out. I could see him giving generous leave for Spiders who are going through stuff.

By Jess's response, it seems as if he leaves most of that to her, but I feel like the fact he stops to tell Gwen "Don't worry, kid." shows that he's use to comforting people, or prioritizes putting people at ease.

I mean, what Spider-man doesn't?

Miguel does seem to get along with people (aside from Miles and Gwen when he's scolding her), and it seems like people do like Miguel.

Miguel's Personality

Tbh - I don't think he's nearly as angry as fandom makes him out to be.

He was raising a child. I imagine that for the most part, he's pretty patient.

Like if you call him a name, he's not gonna get pissed. I feel like he's more likely to be like "Haha. Very funny." Or just pinch his nose bridge and be like "You done?"

I mean I know with all the gnashing and clawing and yelling and going apeshit, it can be easy to imagine Miguel as JUST that.

But I also like to imagine that most of the time, he's just like that normal boss as Target.

And a lot of his day is spent doing boring mundane things.

He's not always standing there brooding over videos of him and his dead daughter. He only does that when he's psyching himself up to yell at Miles.

Outside of that, he probably has a lot more things to do, realistically speaking. Organizing missions, checking status reports, looking over intake forms of anomalies, okaying and vetoing different protocols. Approving new technology, taking complaints from members, dealing with Hobie (an extra job in its own right), fixing things MayDay breaks, etc, etc.

And he's completely fine with that. Maybe he even finds calmness in it. When there's order, and routine, and everyone is working together and there's no kinks in the hose per say, he can operate.

Like yeah he's a little irritated and looks like he only slept 4 hours - but he's here and he's going to work with his team and employees, make sure things run smoothly, and make sure everyone gets home safe.

He's gonna try and make the society a nice place to be and make sure people on the team (like Lego) feel appreciated and odd-one-outs like Hobie get to hang and do what they want without much kickback.

The other Spider-people - like Pavi - wouldn't have joined otherwise.

If Pavi had showed up and Miguel was all stern and cold and rude, he probably would've been like 'no thanks my friend'

Miguel knew Peter B. before he lost Gabriella. So he had to become friends with Peter some way. He was putting up with Peter and his humor by choice, and in return Peter must have found Miguel cool enough to hang out with.

I think it's because Miguel is good with people, a lot of different types of people.

He's pretty down to earth, even if he is a work-aholic. He can be fun to chill or hang out with, even if he's a bit of a tight-ass.

Sure his humor may be dry, and his personality tame, but he's just him.

But I can see him as being a guy who you see at the gym routinely and never say hi to but you just nod at each other in silent respect while doing your workouts sometime.

Or the dude at your job you only see at the coffee machine - you know he does other stuff, but you never run into him anywhere else.

Or the dude who'll stop on the street when you ask for the time and lift one earphone before telling you it, then walking away without another word.

DO YOU GET WHAT I MEAN DO YOU GET THAT VIBE Like just Dude He's like a dad but not like a 'Dad vibe' with like sneakers or anything but like 'Dad who comes to PTA meeting but doesn't talk to anybody and quietly leaves when it's over'.

DO YOU UNDERSTAND PLEASE TELL ME IF YOU UNDERSTAND THIS VIBE It's giving Ken.

Anyways stop avoiding Miguel's Kenergy.

#He's just Miguel #no proofread lol #Miguel O'hara #Miles Morales #atsv #Across the Spiderverse #across the spider verse #spiderman #spider man #spiderman 2099 #atsv analysis #marvel

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cheeseceli · 2 months

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Their s/o is a songwriter

Pairing: idol Ot8!skz × songwriter Gn!reader (individually)

Genre: fluff, headcanon, idol!au

Request: so what if skz finding out their partner is a song writer / composer? bonus points if the skz members also found out that they wrote their favourite song :>

Warnings: reader is implied to write for Kpop most of the time, not proofread.

A/n: as a songwriter, I appreciate this request a whole lot lmao. Thank you for requesting, I hope you like it!

Bang Chan

Honestly, I think this is something he would find out before dating you

Man knows everyone in the whole entertainment industry

Ofc he knows who you are

If anything, the way you both got to know each other more was through working together to make a stray kids song

Overall, I think he would love to have a partner in the industry

Even if you never get to be on stage

Simply because you understand him more than other people do

You know how music is essential and demanding at the same time

Your job probably makes him feel more connected to you

He likes to joke that you're the newest member of 3Racha

Always sends you songs he made your you to listen

And wants you to do the same

You can send him an audio at 1AM and bro will listen to it right away, ready to give you his opinion and advice (and praise)

Lee Know

Poor stray kids and stay

They will be listening to the songs you worked on nonstop

He just happens to be your biggest supporter 🤷🏻‍♀️

Has a whole 10 hours playlist with all of your work

Knows every lyric even if they aren't Korean

And he also enjoys dancing to it very much

Even if the song doesn't have a choreo, he likes to make up his own by listening to what you did

Probably invented a few trends with your songs because of it lmao

He also listens to it a lot when he's on tour

Even if it's not your voice that he's listening to, it's still you somewhat

He just wants to feel close to you

Asks you to sing or play the songs you produced

Might or might not have a small compilation of audios of you singing when he's way too homesick

(And if you wrote his favourite song, he would definitely have an audio of you singing it)

Changbin

Sees you as a very big inspiration

The amount of times he listened to one of your songs so he could get out of creative block is crazy

If anything, he probably already saw you as a role model before even getting to personally know you

Imagine the seo changbin fan boying you

If you write for other K-pop groups/soloists, he's probably trying to make references of what you wrote in his own rap

Fans always think he's talking about a certain idol or something but he really is just trying to include you in his work😭

And he would beg to have at least one stray kids song cowrote by you

Like literally begging

He needs to have one small Collab with you at least once

And will get a little pouty every time you can't work with skz because you're with another group at the moment

Hyunjin

Loves to have songwriting dates with you

Usually releases the songs you both write (with your permission ofc) as a skz-recorder

Stays are starting to wonder who is that composer/songwriter who is behind every single song Hyunjin is in lmao

I remember he said that one of his goals for 2024 was to produce more

So he will 100% seek your advice and even ask for some particular lessons at times

And he is always a little bit shy when he's about to show you what he's been working on

Because he feels like you are THE songwriter

And you're also his partner so like

Your opinion is a very big deal

And he's also so excited when you let him listen to a preview of your newest work

Is always awestruck

(Any song of yours would be his favourite lmao, and the best part of it is that he means it)

Han

He would LOVE to have a partner in the industry

Or just connected to art somehow, even if it's just a hobbie

I mean, look at his lyrics

Bro inhales and exhales art

The fact that you understand this side of him and even share this interest is so what he needed

He's also very very helpful when you need to write songs

I see late night dates in the studio

Even when any of you is far away for whatever reason

It can be 2am in Korea, he will be on his phone more than willing to listen to you brainstorm

Brainstorming with Han would be very fun overall lmao

It's either going to be the most sentimental thing to ever exist or it's going to be complete nonsense lmao

Oh and he would also make a lot of references to things you wrote

And would be so so so so happy if you ever made a reference to a work of his

Felix

I remember he said once that if he wasn't an idol, he would like to be a professional songwriter

So the fact that YOU are a songwriter/producer

He kinda loves you a little bit too much

One thing he loves is to understand your thought process

If you ever let him see your notes,he will try his best to understand every little thing

Even if it's only words with no correlation all over the page

He loves to know how your mind works

And he wants to know where the inspiration comes from!

(If it's from him he will never shut up about it)

Loves to know the stories behind each one of your works

He feels like he gets to know you a little more every time he listens to something that is yours

Is always covering one of your songs on lives

Seungmin

Literally everything you could've asked for, both in the dating aspects and in professional aspects

He makes sure you never overwork but will never restrain you from your work

Like, he knows that sometimes the inspiration comes at 2AM. He won't shut off your notebook, he'll be up with you and guarantee you don't stress

And he's your most honest critic

If you need help with rhymes, structure, chords or whatever, he is there

(After dating him you rarely browse anything at Google anymore, seungmin always understands the specific vibes you want)

And if you are a songwriter/ composer who doesn't know how to sing (that's me criticising myself) he always volunteers to make the demo for your songs

As I said, everything you could've ever asked for in a partner and coworker

I.N

Now this one

The moment he discovered he was begging to see some of your work

It's crazy how many of your songs were included in the playlist he has of songs that remind him of you😭

Talk about soulmates

I also believe that he would love to help you with songs

Give him one chance and this man is already with a notebook open trying to come up with the best verse ever

But he really likes to hear you brainstorm as well

Just you in your comfort zone really makes him admire you

And he loves how he can feel closer to you

Just reading the lyrics you wrote ou listening to the beat you produced makes him feel like he is meeting you for the first time again

Always having a new impression of you

Will also sing any demos you want him to!

Masterlist | you'll probably like: if skz wrote a song for you

Reblogs and feedback are always appreciated!

Dividers by @firefly-graphics

Taglist: @yuyubeans

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charlotteharlatan · 11 months

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Do you ever think about what would have happened if Mary Hodges (formerly Mary Loquacious) hadn’t interrupted Crowley and Aziraphale’s “intimate moment”?

Because I do. I think about it a lot.

First off, the way that this shot is set up is perfect. Mary - Mary who had a key role in the whole “Antichrist shuffle” fiasco, and who is a walking reminder of the approaching apocalypse that will separate Aziraphale and Crowley - is literally coming between them. The show is full of these beautifully simple, yet easy-to-miss moments that only last a few frames.

Now, on its surface, this part of the scene mostly plays as humorous because Crowley and Aziraphale are sexless-by-default, non-human entities who just happen to come across to most humans as a very aesthetic queer couple. So naturally, Mary makes the same assumption as every other human that so much as glances in their direction, and isn’t that a laugh?

Except that…she’s not actually wrong about it being an intimate moment. Not just in the physical sense, although I think this is the closest we see them physically get in the whole first season (not counting being literally inside each other’s corporations, I suppose).

But it’s intimate in the emotional sense too, because Crowley is worried and stressed about having lost the Antichrist, and now on top of everything else he’s got Aziraphale calling him “nice” and poking at some very old wounds (if he’s so “nice” then why did he Fall?). And Crowley is also probably *frightened* - they’re inside a former Satanic convent that kept regular contact with not just Crowley himself, but also Hastur, and probably other demons too. For all Crowley knows, someone from his side could still be lurking about; they could overhear and get them both in big trouble.

And as if all that weren’t enough, I don’t think I’m imagining a healthy dose of frustration with Aziraphale in the mix either. Just a few minutes prior, the angel essentially tempted Crowley into miracling the paint stain out of his coat, and then broke their rules by saying “thank you” for it. Aziraphale has spent at least the last few centuries sending him some very mixed signals and we can see that Crowley is done with them dancing around each other. That game was more or less fine before, they had time, all the time in the world. But now, in just a few days, all the time in the world will be ENDING. And yet here’s Aziraphale, playing the same game as always, acting like nothing between them has changed, even though they both know better.

So yeah, it all comes to a head in that moment, and Crowley (sort of understandably) loses it a bit. He won’t actually hurt Aziraphale and they both know that, but he has to get across to the angel SOMEHOW that he’s experiencing some Big Feelings. And he doesn’t have a whole lot of options as to how to do that. He’s too worked up to communicate effectively. So he goes with the wall slam. This causes an emotionally charged situation which we’re primed to think will have an emotional payoff - the camera pulls in close, a dramatic transition, drawing us in to the tension of the moment right along with Crowley and Aziraphale.

And then there’s Aziraphale, who…doesn’t defend himself at all. Aziraphale, who is kind but far from defenseless, who used to guard the gate of Eden with a flaming sword, who was supposed to fight in a platoon of angels in the final battle. He’s no pushover, and yet he lets himself get literally pushed over. It doesn’t even seem to occur to him to stop Crowley, not even as he’s wrinkling his precious coat.

And maybe this is just my read of this scene, but Aziraphale’s reaction to Crowley coming into his personal space is interesting in and of itself. He doesn’t act as if this is the first instance of Crowley being that close to him - and it is CLOSE. Their lips are centimeters apart. Their noses are touching.

And one might well say that all of it happens so fast that Aziraphale is caught off guard and freezes up, but as so many have already pointed out about this scene, just after Mary interrupts he looks…blatantly longing, and then more than a bit put out.

And after Crowley lets him go, he casually fixes his clothes and goes straight back to bickering. Which may be partially a defense mechanism, because they don’t have time to talk about what just happened, there clearly won’t be any emotional resolution right now. But really, wouldn’t “you go too fast for me” Aziraphale be more rattled if that were truly the first time they had crossed that physical boundary and shared space like this? He looks affected, certainly, but quickly shakes it off.

And, to take it one step further: Aziraphale knows Crowley. He knows what words are likely to set him off. He has an established pattern of having Crowley do things for him, based on Aziraphale’s own prompting (see also: wordlessly asking Crowley to help Hamlet become a hit). Aziraphale does as much tempting to get Crowley to do “nice” things as Crowley does to get him to do “naughty” things. All of which is to say, Aziraphale may have actually been baiting Crowley here, but the bait is just a little too effective, and Aziraphale isn’t fully prepared for the intensity of the response he gets. But there’s a strong case to be made that by calling the demon “nice,” he’s looking to get a specific reaction out of Crowley. Again, not the healthiest form of communication, but it’s what they have in this context, because honesty would be too dangerous.

Which brings me back to my point: it IS an intimate moment, in more ways than Mary could have possibly realized, and what if she hadn’t walked in on them? How would Crowley have finished his sentence that got cut off, and how would Aziraphale have responded to it, to Crowley’s outburst of emotion, or to their proximity?

Maybe he would have gently and politely pushed Crowley away - but to me, something about his expression and body language says he wouldn’t have. Because Aziraphale is tired of dancing around this too, actually, and in the heat of the moment, he may just have closed the distance. Especially if they’ve had “intimate moments” before this one.

And between you and me, I think they did, and I think it was after Crowley saved Aziraphale and his books during the Blitz. It’s a solid explanation for the increased tension between them in the holy water scene.

Anyway. This meta has been sitting in my drafts since before the first trailer came out, S2 is only nine days away, and I’m clearly very normal about all of this.

#good omens #good omens 2 #ineffable husbands #crowley #aziraphale #go meta #meta #analysis #scene analysis

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haunted-xander · 4 months

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Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.

Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.

And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.

And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.

So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.

I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).

And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.

I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.

#urianger had an integral part in the thancred-ryne situation and i think its very important to remember that #like i think he served as a very important buffer that prevented the dynamic from becoming even more strained than it already was #but also like. ryne NEEDED to have at least someone she can be comfortable around without the stress of her circumstances souring it #urianger is uniquely suited to play that role. even with his guilt regarding minfilia he never showed anything but genuine kindness for her #it helps that she didnt know about his hand in the situation existing to begin with (as shes surprised when he tells her in ahm areang)#THATS ALSO IMPORTANT BTW. like this man had a DIRECT hand in making this happen (even if it isnt fully his fault. minfilia made her choice)#AND LIKE. the parallels between uri-moen and thancred-ryne. they both love these girls so so much but cant bring themselves to say anything #urianger has been through the pain before. he knows. but he hasnt improved much himself. what right does he have to scold thancred?#silent support is all he can give. pushing thancred would make him a hypocrite and risk making it worse. hes not suited for confrontation #y'shtola and uriangers approaches to helping both have their merits but it needs a balance #too much pushing and the dynamic just gets worse but too forgiving and nothing will ever change #and yes i know im just repeating myself but ITS IMPORTANT OK #GOD #urianger augurelt #thancred waters #ryne waters #final fantasy #final fantasy 14 #final fantasy xiv #ff14 #ffxiv #xander rambles #xander being insane about ryne #urianger actually this time but. its related to ryne so. it gets the tag

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ladyloveandjustice · 16 days

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I'm responding to a post regarding Marcille having conservative views about gender role, linked HERE (which I also responded to in the replies, but it's an interesting enough topic I want to make my own post). I think that post's point about not sanding off characters' flaws is good, but I do think the reasoning for Marcille is missing something.

I honestly don't think Marcille wants men to be masculine and in strict masculine roles. Look how femme (and long haired) the guys in the Daltian clan are and she WORSHIPS them. If you interpret the person she sees in the succubus bit as male, they are extremely femme.

She just wants human men to look like male (and female) elves, which means androgynous. Kui said the clothes elf men and women wear don't look super different, they all wear simple, pretty outfits and all look pretty. I do think female elves are expected to be slightly more femme and male ones can be a bit more masc (see Otta being mistaken for a man) but there's still an androgyny to everyone and appearance wise, both men and women have long hair and wear clothing other races would see as feminine.

(Elf men and women also aren't very different physically, as seem here in the canary genderbend where they switch sexes and literally look exactly the same. Boobs are given or removed and that's it)

Remembering elf beauty standards makes a lot of Marcille's opinions make sense.

Remember that she was super shocked Laios didn't look similar enough to Falin and exaggerated his masculine qualities to a unflattering, buffoonish degree in her mind, implying she finds them unattractive? She thinks Falin should wear feminine things and have longer hair because elves do. Laios having long hair is weird to her because he's not androgynous like she thinks he should be... so she just thinks it clashes and does nothing for him. I don't think she would care if Laios wore a skirt or something.

We don't really see her ever exhibiting any regressiveness about gender roles outside of people's appearances, and you'd think she would if it were about that right? She never says anything about gender roles in the story. She never says Falin shouldn't like bugs or be how she is because she's a girl, or that Izutsumi should act more feminine. Significantly, she also tells the guys in her group that the should pay as much attention to their hair and appearance as she does, rather than going "of course men don't understand hygiene and hair!" Or even bringing up gender at all.

Marcille does definitely have some regressive opinions and prejudices though, as seen with the orcs. She's a mess, and not seeing Falin's discomfort with femininity and imposing her own values is a serious flaw.

And she and Falin definitely have very different interests, with Marcille valuing all thing femme and Falin not at all being interested, and Marcille is repeatedly disappointed she can't share stuff with Falin (see her in the makeup comic) ...but Marcille loves her anyway, I agree completely on that.

She's a complex, flawed character, but I think my interpretation is not only valid, but makes a lot of sense with what's been shown in the manga.

#marcille #marcille donato #dungeon meshi #delicious in dungeon #meta #falin touden

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atombombkaytee · 21 days

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I’ve watched the entire series again today in a hungover state and I CAN’T DEAL with all the parallels.

I mean, when Lucy finds out about her Dad’s true actions and origins - her whole world falls apart. She saw the vaults as safety - she looked up to her Dad more than anyone else in the world. She learns that he’s lied about who he is as a man and as her father, but also she must realise that the vault’s are hiding their own dirty secrets (especially after her experience at vault 4) and that her Dad is a part of that too. She even says to Max, after leaving vault 4, that if she destroyed a whole community to save him, he would be heartbroken: when that’s exactly what he did on an even grander and more terrible scale. Lucy’s life wasn’t even in direct danger to warrant that reaction - he’s just an insecure selfish arsehole.

At the very same time we see the flashback scene of Coop hearing Barb suggest that they drop the bombs on America. This woman that he loves and trusts and has made a family with - who he said he fell in love with because she always tries to do the right thing. Their reactions at the point of realisation - shock, inability to speak, almost dissociation - are both extremely similar. Him having gone through that betrayal before (and likely plenty of times since) is EXACTLY why he talks to Lucy how he does. He’s preparing her for the eventual heartbreak - because he has experience which states that nothing could ever be as perfect as she claims her life is. When he’s making ass jerky from Roger, he even tells her: there’s what people say they do and then there’s what they really do.

When you look at all of that, really, in the scheme of things, Coop - the man that she’s seen as this inhuman, cruel, murderous monster - he’s the good guy. He too thought his wife’s business with vault tec was abhorrent. Yes, he’s been warped and twisted by the wasteland and by his own trauma - but he does see this brightness in Lucy. He thought she was just naive and full of bullshit (especially being a vault dweller. Something which I’m sure triggered him considering his past with vault tec and the links to his wife) but when she proved herself by giving him the vials instead of letting him die, he’s probably amazed that there’s someone left in the world who isn’t just a liar and a terrible person. He’s so used to betrayal and violence by this point. She’s a good person - a trait that he literally said he was in love with his wife because of. She softens him.

But she also proves herself in another way - by shooting her feralled mother - showing that she’s also grown and learnt that not everything is black and white. It’s not just “good and bad” in this world. And although Coop has questionable morals, he’s honest, like her. He tells it how it is. Plus, after her Dad’s huge life changing betrayal and her time in the wasteland, she understands a little more why Coop has done all the things that she’s seen him do - I mean he did meet her pretty much day one out of the vault initially - hence why she goes with him. He has hardened her up to protect her in the wasteland.

Wilzig even says “will you still want the same things when you’re a different animal altogether.”

My god. It’s just genius. Absolutely genius.

“You comin’?”

Edit: Can we also talk about how Coop is basically the inspiration for the vault boy - who Lucy basically looks to (physically a few times throughout the series) for inspiration to do the right thing. AND the fact that her Dad was obviously a bit obsessed with Coop and probably still was when Lucy was born, seeing as he’d been in a pod and had only just woken up, retaining recent memories. So Lucy likely watched all of his films and her Dad maybe even saw him as a bit of a role model (or at least his in-film characters). AND the obvious exchange of index fingers. Yup. Honestly if this relationship doesn’t become cannon, I will start dropping bombs too.

ANOTHER EDIT: Sorry one last thing but, I just want to add: nothing that post-war Coop does is personal. It’s either: to get a job done, survival, because he’s been triggered by something (understandable after what’s he been through) or, in Lucy’s case, to teach a (admittedly often harsh) lesson. He doesn’t just mindlessly kill - or particularly enjoy killing - he just has no issue with it, it’s all just means to an end. He even still remembers to pay for his tomatoes in Filly ffs haha… I imagine he’s extremely numb and devoid of all feeling - except for when it comes to his wife and little girl. That’s the only time we see more visceral reactions in either actions or dialogue from him. He’s such an intricate character and Walton did an amazing job of portraying him.

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theatricalmage · 19 days

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The brainrot took over and so here's a vat7k hadestown au!! Don't know if I'll develop it fully but I liked designing it at least!

More info under the cut:

- Varian, the Coronan royal alchemist, tasks himself with deciphering an incantation capable of bringing the world back into tune. Times are tough, and the royal family + Quirin are doing their best to cope with the meagre crop yields and desolate weather (Corona not really being the sunshine kingdom - hasn't been for a while). He wants to help and do good and I think he'd be a good Orpheus.

- Hugo, having moved about from place to place, still has his interest in alchemy and does what he can to get by. He plans on temporarily staying in Corona before looting, but he encounters a certain like-minded scientist at the Snuggly Duckling. I think him being selfish works especially well in Eurydice's role, having a more pessimistic view of the world. It also works with how he gets drawn to Donella's offer of working for her later on, leading him to his death.

- Ulla as Persephone! I was initially stuck on whether to have Rapunzel (and either Eugene/Cass) as her (and Hades) but I was drawn to the connection that Hugo has to Donella and the Donella/Ulla relationship in vat7k just works too well. In this case, Ulla won't be Varian's mother. She's still gonna be somewhat of an inspiration to him though, being the previous Coronan royal alchemist and for her intelligence. For half the year, she'll return to Corona with food, drinks, and alchemical compounds/inventions, bringing Spring and Summer to the world, if only for a bit.

- Donella would be such an interesting Hades, losing sight of her love for Ulla, heart filled with fear and hurt, leading to bitterness and cruelty. Ingvarr being Hadestown and how by being the esteemed Ingvarrian engineer, she'd be in charge of major technological advances across the kingdoms and so would wield a significant amount of power (like how Hades is literally the ruler of the underworld). Ingvarr essentially being a near death sentence for its workers while also displaying its technological prowess, all still shrouded in mystery and corruption - a place so otherworldly compared to the rest of the kingdoms.

I didn't want to modify the outfits too much nor the personalities,, if anything I imagine the general plot beats being the same as the original musical/story but with slight differences that'd you get inherently as a result of these characters. I wouldn't want it to be the case where it's just the show but the names are changed. I'd want this to still make reasonable sense in this AU, with the actions being understandable for this particular cast of characters.

For Hermes, I ended up picking Xavier, as he's most knowledgeable of old legends and stories, which would work in reference to the Hades and Persephone myth (and so Donella and Ulla)! He'd act as a mentor figure for V, someone who can guide him in uncovering the forgotten incantation. Quirin would still be the good supportive dad he is (even if he doesn't fully understand his son's project).

Last but not least, the fates!! often lurking in the background, I'm still a bit stuck on who it could be? I'm tempted to have it be Raps, Cass, and Nuru as they've had celestial connections at some point (and ya know how stars can represent fate), but I also love the freckled siblings dynamic so much. Also Team Radical... Maybe Raps and Cass can be their normal selves but their Sundrop/Moonstone counterparts are the manifested physical forms of the fates? They wouldn't be visible to the characters though, just voices in the wind.

Anyways yeah!! Those are my thoughts. Do let me know if you've got any cool ideas or questions. I'm really combining my interests at full force and there's nothing anyone, not even myself, can do about it quite frankly. 😮‍💨

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just-j-really · 4 months

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Snow White-adjacent Dreamling AU?

Dream is the prince of Time and Night's kingdom (with skin as pale as snow, and hair as black as ebony). Hob has some sort of huntsman-ish role in the palace. Dream goes out hunting fairly often, not for the sake of hunting itself but to have some space from the weight of his responsibilities (and from other people) and the ability to be alone with his thoughts. Maybe to mope a little.

Hob has liked Dream from the moment he set eyes on him, half-despite-half-because he was acting like an arrogant little snot at the time. And although Hob's initial infatuation was mostly just that, infatuation, he really did want to get to know Dream better. So when Death told Dream that he should get out among the people more, which led to Dream, grudgingly, attempting to make conversation with Hob the next time they were alone together, Hob genuinely made an effort to keep the conversation going and get to know him. They meet up every month or so, Hob talks about what he's been up to, a beautiful friendship blossoms, etc.

But they're in a weird space, with each other. Hob thinks of Dream as a friend, and Dream... wants to do the same, but he's too aware of the difference in their stations and the politics of the court, the way it would be so easy for Hob to just be- pretending to like Dream, in order to get something from him. He wouldn't even have to try very hard. Dream's lonely.

And maybe, given enough time, they could have reached an understanding. But the problem is, everyone is aware of Dream's tendency to be alone, in the dangerous forest, with only his huntsman for company, and someone (Night? Time? Desire?) gets Hob alone and asks/bribes/orders him to kill Dream next time they go out hunting.

Hob does not want to do this. Obviously. But the person who ordered him to do it is literally royalty and could have him painfully executed if he doesn't. Not to mention that he has no idea how deep the conspiracy against Dream goes, if there's anyone else in the palace he can trust to help, who'd go running straight to Dream's enemies if they caught him making plans. But he can at least warn Dream, right? Maybe come up with some sort of plan to fake Dream's death and get him to safety.

So the next time Dream goes hunting, as soon as they're far enough from the palace, Hob tells Dream that his father ordered him to ensure that Dream didn't come home from this little excursion.

Dream, obviously, assumes that this is the prelude to Hob stabbing him, punches him in the face, and runs. Hob is left going "Wait! Come back! I said that really badly! I meant it as a warning, I want to help you!"

He chases after Dream, but between the punch and the fact that Dream has some level of magic powers over his namesake- either he made Hob hallucinate or put him to sleep for a bit- Hob isn't able to catch him. He panics for a bit, but he figures at this point the only thing he can do is feed Dream's enemies as much misinformation as possible. So he goes back to the palace and tells Time-or-whoever that he killed Dream and left the body in the woods, giving the completely wrong direction so that when/if someone goes searching for Dream's body they don't find him.

Now, obviously Time doesn't fully believe that Hob went through with it and killed Dream, especially since there's no body. But the fact that Hob's nose is fully broken helps sell the story, at least for a couple of days. Hob spends those days trying to figure out a way to sneak out of the palace- he doesn't want to be executed, but also, if it's at all possible, he wants to make sure Dream got away. (And as long as he's daydreaming, he'd like a chance to apologize.)

He gets his chance when Death tries to kill him for killing her little brother. Unlike Dream, she actually gives Hob the chance to explain, and when he does, she helps him sneak out (under strict orders that he find Dream).

Hob is much happier to obey those.

Meanwhile, Dream has found shelter with a group of raven shapeshifters living in the woods (definitely Matthew, Jessamy, and Lucienne, maybe include other Dreaming residents to make seven). He is much happier being Dream, who lives in the woods and writes stories, than he was being Dream, prince who is hated to the point of assassination attempts. He's maybe making a little money granting people restful sleep and good dreams using his powers. He misses Hob, though. With some distance from the utter betrayal and terror of the moment Hob said he'd been sent to kill him, he's beginning to wonder if he hadn't overreacted, maybe just a smidge. But that's all tied up in and complicated by the fact that he's also beginning to realize he was probably in love with Hob, and he's not sure he can trust any of what he feels about him.

Unfortunately, the king of the neighboring kingdom, Roderick Burgess, hears about a powerful magic user living in the woods and decides to take that power for himself.

Double-unfortunately, Time realizes Dream is alive and sends one of Dream's former bodyguards, the Corinthian, to kill him. Dream's able to fight him off, but he's exhausted to the point of his powers turning on him and putting him into a coma, and that's when Burgess swoops in and captures him.

Dream is caught in a strange, deathlike sleep, making him mostly useless to Burgess. But having him nearby means that everyone around him sleeps peacefully, and occasionally has prophetic dreams, and Burgess is doing the same 'I'll force him to work for me' thing he does in canon except the logic is 'one day I'll figure out how to wake him up (and force him to work for me), and/or how to actively use his powers while he's still asleep.'

So Burgess has a glass coffin built for Dream, and seals him inside.

Back with Hob, he's spent most of this time on the run from Dream's enemies, unable to actively look for Dream, and slowly going mad with worry over what might have happened to him. He's also slowly, painfully come to realize that the feelings he'd felt for Dream were a little closer to 'love' than 'friendship'. It is a bad time. But eventually he hears rumors about Roderick Burgess, who 'rescued' a comatose prince from the woods and is offering a reward to anyone who can wake him up.

Hob goes chasing after these rumors- Dream showing up alive took a lot of the heat off him- eventually ends up in Burgess' kingdom, and decides to try his hand at waking up Coma Prince. Worst case scenario, it's not Dream. Best case scenario, it's Dream, he's able to rescue him and explain, and- well. Dream will go off and do whatever it is he wants to do, and maybe he and Hob can be friends.

(Hob doesn't let himself hope for anything more, any sort of soft little happily-ever-after.)

But for all that Roderick is pretending to have rescued Dream out of the goodness of his heart, Hob steps one foot into the room with the glass coffin and is immediately aware that isn't the case. He doesn't know much about magic, aside from the couple of times Dream showed off his powers for him. But it's not exactly difficult to spot that the glass coffin, and all the magic circles surrounding it, are somehow vampirically feeding off of Dream, and even though he only understands every third word of the larger explanation he's given, it's more than enough to confirm his suspicions. Burgess' fellow mages give Hob the tour of the apparatus, snickering among themselves because clearly this idiot won't be able to do anything magical that they couldn't. Hob nods along and plays up the 'idiot peasant with delusions of grandeur' vibe right up until everyone has stepped back to see what he'll do.

And then he drags his heel straight down the middle of the largest circle of runes, sending the spell completely haywire.

The backlash of the spell collapsing causes Roderick and his mages to pass out, and gives Hob time to smash open the glass coffin and get Dream away from all the spell circles.

But Dream doesn't wake up, even as the spell collapses. Just remains in Hob's arms, cool and lifeless.

Hob is not about to let it end like that. Sure, none of the most talented mages in the land had been able to wake Dream, but none of them tried getting him out of the stupid coffin, first, so Hob's clearly a step ahead of them already.

He sneaks out of Roderick's palace, carrying Dream, while Roderick and his servants are asleep. Gets him to relative safety (with the help of Jessamy, who'd been waiting for a chance to break Dream out and jumped in to help the moment Hob started breaking things).

And Dream's still in the weird death-trance but he isn't dead. Hob's sure of it. It might be wishful thinking but he swears Dream looks a little better now that they're away from Roderick's palace- a little more color in his cheeks, the faintest, threadiest suggestion of a pulse when Hob feels for one.

So Hob keeps a vigil at Dream's bedside that night, but eventually exhaustion causes him to drift off to sleep.

When he does, Dream is waiting for him.

"You need not have come to my defense," he says, staring at Hob suspiciously.

"Yes, I did," Hob tells him. "You're my friend. Of course I did."

Dream sizes him up for a long while. He's powerful enough, in this dreamscape, to tell that Hob genuinely means what he's saying. It takes a long time for him to decide it might be worth it to tell Hob how to shock him out of the dream he's trapped in (by fulfilling one of his most treasured dreams), but finally, he says, "You might be able to wake me up."

Hob's immediately like "Yes of course how whatever you need."

"Kiss me," Dream says, and then, while Hob is still trying to process that, "This dream is over."

And Hob wakes up.

And yeah, a good part of him dismisses the dream as some extremely strange wish-fulfillment fantasy. But it had seemed so real.

So, with the extremely romantic thought, alright it's worth a shot, Hob leans forward and kisses Dream.

Almost immediately, there's a little shiver of breath against his lips, and when he pulls away, Dream is blinking sleepily up at him.

Hob immediately pulls Dream into a hug, and by the time Dream is actually, fully conscious, Hob is sitting in the bed with him, supporting him with an arm around his shoulders, fussing over him just the tiniest bit frantically.

And Dream, eventually, manages to explain why Hob kissing him awake worked, which means that OBVIOUSLY Hob needs to kiss him some more.

(And they both get a soft little happily-ever-after)

#dreamling #my fic #yes i thought of this after seeing that one art that the artist said had snow white vibes #but i can no longer find it to link

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metanarrates · 13 days

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the demon world arc centers itself primarily around four relationships that kim dokja has: his relationship with biyoo, his relationship with han myungoh, his relationship with jang hayoung, and his relationship with yoo joonghyuk. what I find very interesting about this is that the throughlines of all the first three relationships, as either introduced or recontexualized in this arc, have to do with parenthood/the responsibility of creation.

the last arc, dark castle, heavily examined kim dokja's relationship with his own mother. now, in this arc, he is taking on the role of a parent and the associated guilt and responsibility with it. let's take a look at the first three relationships mentioned.

biyoo - biyoo hatches this arc! though kim dokja needs her abilities as a dokkaebi to survive here, he feels some measure of guilt about bringing her into this world where she has no choice but to love the story. she's not a human infant, so their relationship isn't the same as a traditional parent and child bond, but he still views himself as her parent and feels responsible for her. her utility as a helping hand in his survival and his guilt towards both her and her past life as 41st shin yoosung are both major components of their interactions this arc.

jang hayoung- while kim dokja is emphatically not her parent, it was his comments on twsa that created her character. again, like biyoo, he feels some guilt and discomfort with his role in bringing her into the world. while it is plot-important that he helps her develop past her emotional problems this arc, I can't help but read his interest in helping her develop as being related to his personal sense of responsibility to her. he takes on the role of an older mentor to her in this arc. (you also super get the sense that kim dokja does not understand Kids These Days lmao)

these two relationships inform each other quite a bit. biyoo highlights kim dokja's responsibility as a parent, on a very mundane level. meanwhile, jang hayoung highlights kim dokja's responsibility as a story creator. both of these roles have things in common, and since biyoo is a story creator and jang hayoung is a real person rather than a fictional character, there's aspects of both roles present in both relationships.

kim dokja struggles quite a bit with viewing himself as an active party in the world. dark castle, as part of its setup in informing kdj's ongoing character, dealt quite heavily with how his mother's choices and his reliance on the fourth wall created this problem. now, he is forced to acknowledge his direct involvement in the creation of two separate people, and the veil of fiction cannot protect him. he is a parent. and his comments on twsa created a living person. he cannot easily deny, now, that his involvement with twsa is something that had no consequences. he hasn't quite processed all of that yet, but the feelings of guilt and responsibility are difficult to ignore. both of these relationships are priming him to deal with more difficult stuff down the line. we'll get to that in a minute.

meanwhile, han myungoh serves as an interesting parallel to kim dokja now! after learning that han myungoh has a daughter and was changed by his responsibilities as a parent, kim dokja is forced to reevaluate his relationship with someone who was formerly only his cruel boss. his presence in the story brings forward a lot of observations on parenthood that kim dokja would not have otherwise noticed. and... it also provides setup for kim dokja further coming to understand that people can grow past his impressions of them.

which brings us to yoo joonghyuk. THE focal point through the novel regarding kim dokja's involvement in the world of the scenarios. while his role in this arc is primarily dealing with his and kim dokja's relationship on a mundane level - and them literally impersonating each other - his presence is a reminder, something highlights those meditations on creation, responsibility, and involvement in one's story. if jang hayoung was created as a foil for yoo joonghyuk, and kim dokja is helping yoo joonghyuk develop in this timeline, can kim dokja really say that his reading of twsa did not have any consequences...? the thematic and emotional groundwork laid by this arc lays down a strong foundation for that question to be brought forward and explored more in future arcs.

#nic's great orv reread #orv #idk i just think this stuff is interesting... i think it took a while for me to figure out what is happening in demon world arc #and it finally clicked for me. this is why both jang hayoung and biyoo are introduced here. theres a thematic connection!

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heartbreakprincewille · 3 months

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Erik is a metaphor for the Monarchy

This season has given me so much to think about Erik and Wilhelm's idolization of Erik, and how it plays a dual role in Wilhelm's arc as a character.

I think Erik represents Wilhelm's motivation to carry forward the legacy of an institution which is slowly crumbling in its relevance (in the fictional Sweden atleast, I have no idea about the geopolitical scenario of the real-life monarchy in Sweden). Yes, Wilhelm does come from a lineage of a family relevant in history, but not only he is too young to understand that burden but he is also someone who does not feel a personal connection with that burden, unlike August(which ironically also stems from his love for his father). But he does feel that personal connection to Erik, not only because they are brothers but also Erik seems to be the only one Wilhelm can fully be vocal about his thoughts until he meets Simon. Erik is what separates Wilhelm from that burden of legacy and responsibilities.

But then Erik dies. Erik's death not necessarily represents the death of the monarchy, but it's still the death of the stability that the system thrives on. Royals want everything in control, and we can see that a lack of control runs everything berserk in that system. Erik's death is the beginning of the legacy weighing down on Wilhelm in full force, how the monarchy is just a system that thrives in perpetual succession and does not care if a spare fills the shoes of an heir unwillingly. He is expected to mould himself in the image of Erik, and the personal connection Wilhelm lacked with the Monarchy takes the shape of Erik in his mind- he believes that he is doing good to Erik's memories if he steps up as a suitable Crown Prince, but in the end, he's just catering to the system, not Erik. Even if the system is full of lies and secrets and he is forced to part ways from his authentic self.

But then he realizes that he does not want to part ways with himself, and how he stands apart as an individual when he is with Simon. Trying to get Simon back was also an attempt to reclaim his individuality, and the more he tried to gain everything back by the easiest way possible, the more he lost Simon and got pushed to the deep end. The Monarchy still loomed on the horizon, he still wanted to uphold Erik's memory by complying with the mould his mother and the Royal Court has been preparing for him. But when he gets Simon's love back, he also gets back his individuality, and how it leads to an epiphany only his free self could have made in his speech.

The illusion reigns supreme even in his relationship with Simon, because Wilhelm thought that he can be a Crown Prince and Simon's boyfriend at the same time, but the more they progressed with the burden together, it became clear that what Wilhelm wants to be is at clear odds with the system he is being prepared for.

Then the illusion shatters with August's confession. It's utterly heartbreaking that Erik and his homophobic actions put deep cracks in Wilhelm's illusion because in the end, he was still his brother. But he will forever remain scarred by the possibility that maybe Erik could have not accepted his individuality and his love for Simon. His first safe haven he found as a child, and which continued to be one when Wilhelm's grief became too painful, all shattered by a revelation he had no answers to. And suddenly all the comparisons with his older brother became a suffocating chain around his head, and he explodes in a rage of fury to his parents.

Erik was not only a literal figurehead of the institution, but he was also a phantom manifestation of the Monarchy for Wilhelm's character. The ever-present apparition of a system he does not thrive in.

#i think this is an obvious observation but i still had thoughts so yeah #god this show and the writing #young royals #prince wilhelm #yr s3 spoilers #we stil have the final episode so let's see how it goes

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jozor-johai · 2 months

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Ned has this small speech in AGOT Bran I about why he must behead Gared, and I think there's some really interesting takeaways. Not about why he must do it, the part he focuses on; the part Ned doesn't focus on: why it's legal, and what that means for Gared.

"Do you understand why I did it?" "He was a wildling," Bran said. "They carry off women and sell them to the Others." His lord father smiled. "Old Nan has been telling you stories again. In truth, the man was an oathbreaker, a deserter from the Night's Watch. No man is more dangerous. The deserter knows his life is forfeit if he is taken, so he will not flinch from any crime, no matter how vile.

Ned moves our attention along to why Ned had to be his own headsman, but in just a few sentences here, we've been introduced to the paradox of law that makes this system so fundamentally unjust and broken.

We're told that "no man is more dangerous" than this deserter, so we might think, for a split second, that Ned feels he must kill the man because he is dangerous. But as Ned points out, the logic is actually the reverse: "he knows his life is forfeit if he is taken, so he will not flinch from any crime" (emphasis mine). It is not the prevalence of crime that is creating the demand for law, here, it's the existence of this extreme law that is generating the crime. Not wanting to be killed, the deserter would do anything to survive.

For Ned, the epitome of law in the North, who literally acts as judge, jury, and executioner, the tautology of the reasoning is irrelevant. The man is dangerous, now, whatever the situation. Of course, for Ned it's also really about an adherence to the laws of the Night's Watch, which is an institution as old as his house. It's their death sentence to declare, his to pass.

This time reading it, though, I was struck by how Ned's words here are an inversion to Septon Meribald's broken man speech, which is too long to relay here but ends with this:

"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well."

Septon Meribald is describing Gared here, just as much as he's describing the men at war. There isn't a mention here directly of the threat of punishment for desertion, which is more extreme with the Night's Watch than elsewhere, but the reality is the same. Here, though, Meribald's approach is entirely different than Ned's—Meribald, who walks among the smallfolk and gives away what good he can offer, has a much more understanding and empathetic view of these men.

Ned has the capacity for this understanding, but his role is simply not to have kindness here. All of the goodness and kindness Ned has otherwise just doesn't matter here, because here Ned is the law, and Ned is a lord still.

With the fact that even Ned is given this treatment, we see how rigid and unjust the laws and class structures are here. Even a "good person" is not good in Ned's position.

I think this highlights the cause behind the growing smallfolk unrest throughout the books and especially in Feast/Dance. Even the good lords, the ones who can see the problems at work here, are still lords, and still hold themselves to the status quo that keeps them in power above all else. And it takes a very different perspective—like the kind Arya has gotten, for example—to see it the way Meribald does. (Though Arya has gone the opposite route away from forgiveness... that's interesting too.)

#jozor thoughts #asoiaf meta #valyrianscrolls #jozor reread #asoiaf

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