#I like ONE post about it and then suddenly its all I see | Explore Tumblr Posts and Blogs

blueskittlesart · 1 day

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i kinda really wanna see a big ol vent/rant from you about genshin now lol. I would read an essay

I'm not sure you understand the insanity you just unlocked in me but ok

genshin impact is probably the clearest modern example i can think of of capitalism absolutely eviscerating a creative project. For context, I started playing genshin in 2021, just after the 1.4 update. it was venti's first rerun/the first windblume festival if that means something to you. and I really genuinely thought that it might have had something special. It was a gacha that didn't FEEL like a gacha, which was a huge feat to me.

it began with a very simple story pitch--you, the protagonist, are one of a set of twin siblings traveling through space. you come upon a seemingly unassuming world and your attempts to continue your journey are suddenly stopped by a mysterious, all-powerful figure. you are separated from your sibling and wake up alone on the shores of this planet you were attempting to leave together. throughout that opening cutscene and scattered through the world and your character's dialog there are implications that all is not as it seems, that your character is something unique to this world and that they possess powers and abilities that you've yet to unlock. You are told that you must travel the seven nations of this world in order to find your sibling, which is great--a simple, zelda-like objective which drives the player to explore the secondary narratives of the world. none of this is bad on the surface. in fact i'd argue it's pretty good. there's a ton that can be done with these story bones. even at launch the map and combat system were full of potential as well.

Note: for ease of reading, i'm going to label the different storylines of the game now. A-plot refers to the central objective of the entire game; the find-your-sibling plot and everything that encompasses, including the abyss order/dain, the heavenly principles, the fake sky, etc. B-plot refers to the secondary objective present in each new nation, usually meeting the archon and/or solving a problem for the archon. (A and B-plots will occasionally intersect.) C-plot refers to any story, location, or background information which remains in permanent gameplay but which isn't directly related to the A or B-plots, such as dragonspine, the chasm, enkanomiya, etc. D-plot refers to any story, location, or background information which is confined to limited-time events and does NOT remain in permanent gameplay, regardless of its connection or lack thereof to the A and B-plots, such as the golden apple archipelago, the infamous albedo/dragonspine event, the infamous kaeya/diluc event, etc. Lore as i will refer to it in this post refers to any information which is present in permanent gameplay but which is not directly told to the player within the A or B-plot story quests and objectives, including books, weapon, artifact, and item descriptions, world quest dialog and puzzles, etc.

So now we're in mid-2021, there are two nations' worth of B-plot story quests released in full, and we've run into our first problem, which is that the game isn't finished yet. I don't have any actual information about how the game was/is written, but based on what i've observed over the past few years, my best guess is that the A-plot has been fully written since the beginning, at least in some form. there were very early-game events and information pertaining to the A-plot that would take years to see any actual payoff in the main story quests (kaeya's origin story, the 1.3 scaramouche fake-sky drop, the flowers in lumine's hair, etc.) but those kinds of A-plot story easter eggs very quickly dropped off when the game absolutely EXPLODED during the pandemic.

this sudden burst in popularity was the true beginning of the end for genshin, i think, because suddenly they had a HUGE fanbase that desperately wanted more content faster than they could pump out new A-plot or even B-plot story quests. one of the most pervasive complaints about the game when I began playing in 2021 was that there was nothing to do between story quests. update 1.4 (which was the update I started playing at) was important in that it was the first time since genshin's release over a year before that players recieved any new A-plot, in the form of the archon quest We Will Be Reunited, also known as the quest with the most fucking misleading name of all time. you'll never guess what doesn't fucking happen during this quest. anyways. we were a year into gameplay, two nations out of seven released and a third on the not-so-distant horizon, and it seemed obvious that players were owed some sort of A-plot payoff. and that's very much what WWBR was advertised as, from the quest's name to the banners full of art of the twins staring wistfully at each other. The thing is, what i'm describing as A-plot payoff was actually. not really A-plot payoff at all. WWBR was the reveal that the protagonist's sibling was working with the abyss order, and that the abyss order was connected somehow to Khaenri'ah, which at this point casual players would only have known about from THAT QUEST and MAYBE kaeya's character descriptions if they were diligent enough to get him to friendship level 10 (which, btw there is no indication that you should do to get important context about the story of the game, because kaeya is a 4-star starter character and the only character in the entire game that actually has genuinely important story hidden in his character descriptions.) So what I'm calling A-plot payoff felt at the time a lot less like A-plot payoff than it did like an abyss sibling cameo in an attempt to satiate everyone who was begging for more story. We actually gained almost net 0 information. this is very quickly going to become a pattern.

As I've already alluded to, the motives behind this writing decision are transparently obvious. Genshin is a free gacha game which relies on a consistently active and engaged userbase to make its money. With fans getting restless about the lack of engaging story at the time and a new, very ambitious B-plot quest gearing up for release that would require major support from that fan base in order to remain profitable, the writers were backed into a corner. they HAD to throw the fans some sort of bone in order to keep them engaged with the A-plot, since it was originally pitched as the driving force for the story as a whole, but they were also clearly not at a stage of the writing process where it was prudent to give the player any REAL information about the A-plot. This is how we ended up with a 10-second abyss sibling cameo and an offhanded mention of Khaenri'ah, a nation whose plot-relevance was at that point still basically unknown.

The real problem is, WWBR worked. at least, it worked as intended at the time. It satiated story-focused fans in the interlude between B-plot nations, as hyv was gearing up to release inazuma, which required a lot of time in preparation. WWBR was followed almost immediately by the C-plot golden apple archipelago in 1.6, widely regarded as one of the better events of version 1. GAA was memorable especially because it was the first event that involved an entirely new, limited-time-only map, meaning the event had much more longevity than the standard events players were used to. This is, imo, most likely the update combination that led to the standard formula which hyv uses for its quests and events nowadays. the back-to-back release of WWBR and GAA satisfied both fans who wanted A-plot story AND silenced criticisms about the game lacking endgame playability, which at the time must have seemed like a goldmine to writers desperate for a solution to their content-to-fanbase ratio problem.

From here, genshin started following a standard method of release for their next three nations--inazuma, sumeru, and fontaine. the formula generally went as follows: one major version update (usually version x.0) containing a major map update which included all B-plot relevant locations in the new nation, and the first chapter of the B-plot story quest relevant to that nation. this would then be followed by 2-3 version updates which would each contain the next chapter in the nation's B-plot story quest, sequentially. After the nation's B-plot quest ended, during the downtime in which the next nation's story and map would be finalized, subsequent updates would be largely C-plot, and would contain minor expansions of the map to increase endgame playability via exploration and world quests. This is how we ended up with updates like the chasm, the several extra islands in inazuma, and the quite frankly ridiculously large sumeru map, as well as the offloaded maps like enkanomiya and the sea of bygone eras. with the possible exception of the chasm, none of these areas are A OR B-plot relevant. hyv has realized that artificially inflating the map makes their game technically more engaging during the downtime between nations. However, this comes at a price. While the scenery and set design of the game remains consistently beautiful, the actual, mechanical gameplay that populates that scenery very quickly became mind-numbingly boring if not borderline unplayable. While the 1.0 questlines were not perfect, there was at least an emphasis on the player actually DOING things. 1.0 B-plot quests would have you going to mini-dungeon temples and completing challenges which would acclimate you to the combat system while also serving narrative purpose. There were quests that required you to navigate open-world dungeons. Because your characters were lower-level, combat challenges that arose during these quests were CHALLENGES, rather than two-second buttonmashing segments. By the time we get to sumeru, though, both B-plot AND C-plot quests have become little more than moving your character from location to location and tapping through (usually unvoiced) dialog. there's no GAMEPLAY in the quests anymore, because gameplay isn't what makes money. What DOES make money is giving players 300 hidden chests to find in an open-world map segment, each of which gives them 1/80th of a gacha pull. And so the story suffers and the map gets bigger.

Along with the map expansions, downtime between nations usually also nets us one A-plot quest, usually involving the character dainslief, who was the driver of the initial WWBR quest. This is the second half of hyv's magical formula for keeping fans happy between major releases. the A-plot quests will, as a general rule, give players either very little new information or no new information at all, but will dress up the delivery in such a way that it ALMOST feels as though the protagonist has moved forward somehow. the most recent example of this writing style, the 4.7 quest bedtime story, amounts to about an hour and a half of gameplay and, while it DOES contain a segment in which the protagonist finally actually has a conversation with their sibling, that conversation literally begins with the line "I have so many questions, but for some reason I don't want to ask them right now," ensuring that the sibling will not actually be required to give away any plot-relevant information whatsoever, and the quest ends with the protagonist FORGETTING THAT THE CONVERSATION EVER HAPPENED IN THE FIRST PLACE.

As I think I mentioned before, the cardinal problem of genshin impact's writing is that fans want answers faster than the writers are prepared to give them. I don't doubt that there's a game bible or relevant equivalent somewhere within hyv which contains the explanations we are currently lacking in regards to the A-plot. the game is consistent enough in its storytelling for me to believe that this isn't all just being made up as we go along. But I'm also certain that a lot of the late-game A and B-plot that is planned (especially if the Khaenri'ah is truly planned to be the 8th nation of the game) hinges on the player knowing very little about the A-plot. this would be fine if genshin was a standard single-release video game that players could work through at their own pace, but it isn't. it's unfinished, and each nation in the game releases months to years after the last, leaving the writers to scramble to fill in the gameplay gaps and players struggling to remember plot-relevant information when it's brought up literal years after they last heard it mentioned. Not only does the time between updates leave players frustrated about the lack of A-plot, it makes the A-plot harder to understand when it is brought up, because the writers are required to throw in so much dense C and D-plot just to keep engagement high enough to make the game profitable in its downtime. we joke about the insane convolution of genshin's lore, but that is first and foremost a byproduct of its financial model. the game requires engaement to be profitable, and adding lore for players to look into drives up engagement. The fact that having so much story with so little plot relevance muddies the waters and makes the A and B-plot stories considerably harder to understand doesn't matter as long as money is being made.

I want to take a quick detour here to talk about the release of sumeru specifically, because this is when I really began to clock the fact that genshin was declining. on paper, racial sensitivity issues aside (Not that they're not important, but i'm doing this deep dive from a storytelling and game design point of view, nothing else. that's a whole can of worms i don't have time to get into here) sumeru was a really promising addition to the game. The new B-plot quest which was set to drop in 3.0 was highly anticipated for several reasons. Two fan-favorite characters (kaeya and scaramouche) were expected to play major roles, because of earlier C and B-plot quests, and much of the nation's scenery that was teased in trailers and promotional content appeared to tie into the A-plot. the most exciting draw about sumeru and version 3.0, though, was the major update to the combat system.

Arguably genshin impact's most interesting feature upon release was its combat system. The map was basically a botw clone at that point, and the story quests, while decently engaging, were rough around the edges to say the least. What genshin DID have going for it was a unique real-time combat system that rewarded strategy and quick thinking.

Genshin's combat system is elemental, and on release there were 6 elemental affiliations: anemo (wind), cryo (ice), pyro (fire), hydro (water), geo (rock), and electro (electricity.) in a sort of pokemon-like system, certain elements were weak to other ones, but more importantly, certain combinations of elements could drastically boost combat stats. Players got to construct four-slot teams of characters, each with an elemental affiliation and certain "skills" which would match their element, and you were encouraged to use the interactions of these elements to build teams. very quickly, a huge community formed dedicated to optimizing teams and tiering characters. People would even make a game out of building teams specifically to do high-level damage with "bad" characters or characters who weren't designed to be damage drivers (my 100k jean burst was an incredible moment fr.) this was, of course, also a picture-perfect driver for the gacha aspect of the game, which was how players obtained new characters.

Pre-3.0, combat was... well i won't say it was balanced, but there was no elemental reaction that had any MAJOR advantage over the others. when you actually ran the numbers, i believe vaporize was the best reaction in terms of damage output, with the best team being raiden national with kazuha for EM buffs. but a well-built freeze or melt team could do similar numbers, or even better numbers depending on your artifact rolls. (ayaka permafreeze you will always be my #1.) Despite a steady stream of new characters with each update, characters from the earliest version of the game like xingqiu and xiangling were still topping the charts in terms of usefulness and versatility in teambuilding. However, as early as 1.0, players had been teased that a major update to the combat system was planned. There was a seventh element, dendro (plants) which pre-3.0 only existed as an elemental affiliation for menial enemies. there were no playable dendro characters, and the only elemental reaction that existed relating to it was very low-level and not particularly useful in combat.

Originally, dendro was projected to be added to the combat system somewhere in version 2, but its release was delayed substantially, meaning it came out along with its affiliated nation, sumeru. And as soon as it came out, it basically broke the combat system. I assume that the scaling they ended up going with may have been out of fear that players would be hesitant to integrate a new element into their pre-established team builds, and thus they may have been worried about sales on their dendro character banners, and i assume that the fact that 3 elements are required to get the highest-level reaction was an attempt to make the meta more balanced in the face of that scaling, but, well... it didn't work. At this point, the genshin impact combat meta is basically "if you're not using hyperbloom what the fuck are you doing." there's basically no reaction in the game that comes close to it in terms of both damage and ease of use. you are not going to beat a hyperbloom team with anything other than a better-built hyperbloom team. combat is now very heavily skewed in the direction of dendro, meaning that if you DON'T want to use a dendro team, you're going to be doing significantly lower numbers. And since enemies are added with each update, post-3.0 combat becomes difficult and annoying if you don't have a hyperbloom team on-hand.

The major gripe i have with dendro isn't even the scaling, though. I mentioned offhand earlier that the 1.0 B-plot questline had a section which taught you the basics of the combat system via mini-dungeons. These mini-dungeons, of course, taught you the version of the system that existed pre-3.0, so there's no tutorial for dendro reactions. Rather than integrating the tutorial into the story and world like they did in their early quests, upon playing 3.0 for the first time players were given a popup that explained, very wordily, how dendro reactions worked. there was no opportunity to test these reactions in an environment without consequences--if you wanted to try them you'd have to remember the relevant information, build yourself a team, find an enemy to try them on, and just hope you got it right. This lack of integration is something i began to notice more and more with genshin as it progressed, especially in sumeru. where in mondstadt and liyue open-world puzzles would be explained to you by an npc or via environmental context clues, in sumeru you'd be stopped while exploring every two seconds by a popup explaining some puzzle or another which, of course, you wouldn't read, because you didn't want to do the puzzle right that minute anyway, and then by the time you DID want to do that puzzle you'd have no in-game way of figuring out how to do it. The puzzle popups may seem like a small thing, but it's one of the clearest examples in the game to me of the fact that the player experience is so clearly not being prioritized here. the game doesn't even TRY to be immersive anymore. they have no qualms about pulling you out of the story to read a paragraph about how the puzzle works. they don't care how your character, in-universe, is supposed to have acquired that information. they don't care why your character, in-universe, is doing the puzzle in the first place. because they know the reason YOU are doing the puzzle, which is to unlock a hidden chest that gives you 1/80th of a gacha pull.

That was not "a quick detour" was it lmfao. ok anyways. back to the story. Now i want to talk about D-plot, meaning limited event stories, and lore as i defined it earlier, meaning contextual details not present in quests or playable story. This is where i think genshin's story becomes completely inaccessible.

Already, we've covered the fact that in order to consume the very basic story, players have to be willing to wait years between A and B-plot quest releases, punctuated by irrelevant map expansions and interlude quests. I mentioned before that genshin's incompleteness is one of the major problems of its story. the fact that players have to wait years, remembering plot-relevant information that they have no way of knowing will even BE plot-relevant, for the payoff of these narratives is frustrating at best and actively malicious at worst. But in theory, there should be an obvious way to circumvent this. One could just wait until the game IS completely finished to play the whole thing. Sort of like buying a game in early access but waiting until it's actually finished to play it all the way through. that's theoretically possible. but, as i have been hammering home this whole time, genshin is a free game, and therefore genshin relies entirely on a consistently engaging fanbase in order to remain profitable. if genshin does not have a base of players who are willing to log in every day, or at the very least once every update, the game's financial model collapses on itself. therefore, genshin puts on limited-time events. this is a standard in gacha games, as a way to keep the fans consistently engaging. What is not standard, however, is the way that genshin uses these events as vessels for its story. about 19 out of 20 limited events in genshin impact will be useless menial bullshit with no effect on the story or really even the player aside from maybe making you fucking angry. 1 out of those 20, though, will be innocuously named, with nothing in the banner or event description to indicate that it's special in any way, but it will contain serious A or B-plot relevant information that exists nowhere else in the game. My personal favorite example is the infamous 1.3 scaramouche appearance, in which he showed up, told the protagonist that the sky was fake, and then immediately fucked off again. Scaramouche did not show up again until at least 2.0, and the fake sky wasn't so much as MENTIONED again until 3.2, almost TWO YEARS LATER. but there are others, such as the (almost equally infamous) albedo doppelganger event in which a major character's loyalties are called into question, or the event where major biographical information is revealed about kaeya, the only playable character with major known connections to the A-plot and Khaenri'ah. With all of these events, once the event period ends, the information contained within them vanishes from the game completely. there's no way to replay old events that you've missed, even sans rewards, so if you miss a plot-relevant event the ONLY way to catch up on that story is through word of mouth. again, this is a transparent way to keep genshin's userbase engaged during downtime between B-plot quests; if you don't log in and play every event, how will you know if you've missed something important? You might not be able to fully understand the future story if you miss out on the D-plot now!

The D-plot problem is something that I think could, in theory, be circumvented by dedicated record-keeping. if the wiki had anything resembling an easily accessible event database that marked story-relevant events and contained summaries or gameplay videos, at the very least you wouldn't have to fear being completely lost on the off chance that a random throwaway line in an event from fucking 1.3 becomes plot-relevant. but hyv obviously doesn't want that, because it undermines their financial model, and the sheer number of events and the amount of rerunning of irrelevant events they do makes the task of recording and categorizing them all daunting if not impossible.

Then, of course, there's lore. this is arguably what genshin is infamous for in certain circles of the internet. You know that unraveled video where bdg reads every book in skyrim? if you tried to do that with genshin the video would probably be about 10 hours long. and it's not just books; genshin hides (potentially) plot-relevant information in weapon and artifact descriptions, in random hidden world quests, in character bios... the list goes on. and 9 times out of 10, the information is essentially written in code. Plot-relevant characters will have multiple names, or the relevant information will refer to them as vaguely as possible, presumably to further the "mystery" and encourage theorizing among fans. but the sheer amount of information like this that exists within the game makes it all but impossible to determine what is plot-relevant and what isn't. For a topical example, the most recent A-plot quest bedtime story mentions the name Rhinedottir in connection with events in Khaenri'ah, suddenly making that name A-plot relevant. Rhinedottir is an alternate name for the character Gold, whose existence you would only have known of before this point if you'd unlocked and read the character Albedo's character bios. (Albedo is a limited-run character who hasn't been available since november 2022, btw.) the only other information about Rhinedottir permanently available in the game comes from the description of the weapon Festering Desire, which was only obtainable from a limited event back in 2020, anyway. So basically, if you wanted ANY context for that remark, you'd have to have been playing the game since AT LEAST 2022, AND you'd have to have taken the time to go over your weapon and character descriptions with a fine-toothed comb. keep in mind that as of right now (june 2024) there are 85 playable characters in this game, each with 10 unique unlockable character bio sections, and over 150 weapons, each with their own unique descriptions, not to mention over 50 artifact sets, each with 5 unique artifacts, which all have their own unique descriptions as well. there are also 51 different collections of books which contain written lore as well. the idea that any player could keep up with all this, or that anyone could even sift through it all to pick out the important things that they NEED to keep up with, is insane, especially when the game makes a point of withholding crucial plot information from its players within the A and B-plot quests. this amount of written lore only exists, again, to drive up engagement in the hopes of subsequently driving up profit. Even if the average player isn't reading and absorbing all this information, the fact that it's there coupled with the fact that the writers consistently refuse to reveal anything beyond surface-level A-plot information means that there's basically ENDLESS theory fodder. and THAT means that people will be posting their theories and talking with each other and getting into arguments. it means "genshin impact" trends on twitter. it means engagement, and engagement means money.

basically what it comes back to is that everything is so transparently money over player experience with this game. I think what we're witnessing with genshin is what i would call an end-stage gacha game--a gacha game that's gone on a little too long and gotten a little too popular, and so the veil has started to slip a little more than usual. Gachas work primarily because they operate by toeing the line between what is fun to play and what is a predatory mechanic. As long as the actual gameplay remains engaging and rewarding, players can ignore the unsavory business practices underneath. At this point, genshin has swerved too hard into the money-hungriness and is still hoping that they can use their old tried-and-true engagement farming methods to remain popular regardless. currently, it seems like those methods are still working, unfortunately. Like I said in the post that prompted this, i really can't wait for the hyv writer NDAs to expire 10 or so years down the line, because I can only imagine what an insane shitshow writing for this game must be. I want to see the tell-all articles. I want carnage.

That being said, I played genshin impact religiously from 2020 to 2023. I loved the game. Despite myself, I am still really, REALLY interested in the A-plot. I want to know what's going on with the protagonist and their sibling; where they came from, what happened to them, what the heavenly principles are, what role celestia plays in all of this. I want to know Kaeya's full backstory, what role Khaenri'ah plays in the overarching story, and what happened to it in the past. but I don't really have any faith that I ever will, because I know that as long as keeping their fans in the dark and stringing them along remains profitable, that's what hyv will continue to do.

Do I think genshin impact is unsalvagable? in its current state, yes. If I was given the ability to turn back time and convince a bunch of executives of the profitability of this venture, I would change almost nothing about the story of genshin and completely rework the mechanics of its release. I would make it a series of single-release self-contained games rather than a constantly-updating gacha. Each game would be one B-plot quest, or one nation, eight games in all, preferably released once every year. Removing the gacha mechanic, players would be given access to a certain pool of characters to build teams at the start of each game, and then periodically unlock new characters as the story progressed. for example, if you were playing the inazuma game, you'd start out with only your protag, and after progressing to a certain point in the story you'd get a pool of inazuma 4-stars to teambuild with freely. Then, as the story progressed and you met plot-relevant inazuman 5-stars you'd add them to your pool. I'd change basically nothing about the combat system except for a properly integrated introduction of dendro when it makes its appearance in sumeru. Once you completed the story in that nation, you could move onto the next game in the series if it was out, or if it wasn't, you could continue to explore the open world while waiting for the next release. Would this be as profitable as the gacha model? probably not, but what it WOULD do is allow for much more consistent pacing and writing, with the added bonus of not making your userbase feel like you'd shoot them in the head for their pocket change.

#jesus christ. hi everyone #asks

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noveauskull · 20 hours

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Tysm for feeding us with ur wuwa smut fics bro <33 and btw since requests r open as u said, can u pls write the NSFW reaction of wuwa men when their fem s/o is always half-naked when their both home alone?? Lol, and if they ask why their s/o is so relaxed to just roam and walk around their private home nearly naked, s/o just shrugs her shoulders and says something like: “We’re a couple, now�� are we not? I don’t see the problem here.” EHHEEHEEHHEHHEHEH >:333 (Again tysmsmmss amd have a good day/noon! 🫶)

How WUWA Men React When You Walk Around The House Half-Naked (NSFW)

characters: jiyan, mortefi, geshu lin, yuanwu, scar, aalto, calcharo x reader

warnings: suggestive behavior, teasing, not really all the way, just a short post, nsfw

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Scar:

He doesn't mind when you walk around half naked, matter of fact he'd go walking around half naked with you

You just know that he's purposely trying to hug you just to feel your skin on his

Somehow the two of you would end up fucking

"Why bother wearing clothes at this point?"

Sometimes he even rubs himself on you while you're half naked, sick pervert

He encourages it a lot

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Yuanwu:

He's flustered by your confidence, but glad enough you trust him to see your body

Despite being a gentleman, he is still a man, so he'd often times stare at you while having a nice sip of tea

"Aren't you cold?" You were in fact, not cold at all. The only shivers you get is when you feel a pair of eyes on you

Suddenly he's smiling at you and offering you to help him get his glasses in the bedroom

And now he's pinning your hands to your head and kissing you

You didn't mean to be provocative, but it happened anyways

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Mortefi:

"WHERE ARE YOUR CLOTHES?"

He's panicked at first but he gets used to it later, a bit of a drama king but when you pointed out on him revealing his chest he just blushes and sighs in defeat

Definitely ogling at you, he especially loves the way he could see your boobs when you're only in your bra

At one point when he stands too close to you he's already pinning you to the wall and kissing you

"If this is your way of teasing me then it's working" He's say while blushing profusely

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Jiyan:

He's shocked but he doesn't say anything, instead he just tries to avoid staring at you and hopes you'd out some clothes on

But you don't, you're still in your underwear and it's getting really bad for his heart to see you walking around so freely

When he feels like he wants to talk to you about it, he'll wrap his arms around your waist and make you stare into his eyes and ask you if you were interested in going to bed together to fuck

And of course you say yes, cause he's already slipping his hand down to grope your ass, leaving you no choice

Jiyan likes it when you wear less in front of him

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Aalto:

He starts acting like he saw you for the first time and starts flirting with you

You didn't expect him to wrap his arm around you and slip his hand into your bra though

Now he's trying to have a conversation with you while he's teasing your nipple, just so you would get wet

"Oops, almost forgot about my food in the microwave" He stands up and leaves you alone on the couch, wet and confused

But you're definitely gonna keep walking around half naked, that's for sure

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Geshu Lin:

"What do you think you are doing?"

He acts like he has a problem with it but when you remind him that its only the two of you and that he's already seen your body suddenly hes fine with it

But he will still complain about it

Eventually he gets tired of complaining and just carries you to bed, telling you that now that he's hard you have to take responsibility for it

Tsundere Geshu Lin?

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Calcharo:

He's like a big dog, staring at his owner and wondering what to do or say

For some reason, he'd start putting blankets or towels on you

"Is this a new way to make me turned on?"

Before you know it he's fucking you with the same clothes you had on half naked

He ends up wanting you to walk around the house half naked anyways

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A/N: SORRY FOR MAKING IT SHORT ANON I HAVE A LOT OF THINGS TO DO AND IM PUSHING OUT REQUESTS SO THIS IS PROBABLY NOT SATISFACTORY BUT I HOPE MY OTHER POSTS MAKES IT UP TO YOU 😭😭

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lena-in-a-red-dress · 2 days

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Prompt (it's okay if you ignore this one cos it's a bit dark/triggering): Lena, post S4 having just killed her brother & finding out about the SG secret, is suicidal, like seriously considering ending it once and for all. BUT she finds something that brings her back to wanting to live and be happy (a new goal or motivation?) Side reigncorp would be nice, having Sam there to support her etc and she's the only one she trusts right now plus she's the only one who never lied to/betrayed her. Thanks!

WARNING FOR SUICIDAL THOUGHTS/INTENTIONS

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Lena stares at the pill bottle in her hand. It would be so easy, she thinks. Just tip the bottle to her lips and swallow the lot with a chaser of bourbon. Let herself drift away into sleep. Maybe she'd get lucky and remain blissfully unaware of the vomit and foam that would likely follow. Perhaps her mind would block it out, allow her to sink peacefully into death while her body convulsed to reject the poison.

She considers who might find her. The cleaners perhaps, due to return in two days time. Or more likely Jess, when she fails to come to work or answer her phone. Certainly not Kara, who believes everything between them is fine-- that their friendship hasn't shattered into irrecoverable shards.

Kara. No, Supergirl. Fucking Supergirl.

Lena clenches her eyes shut, but the image of the hero simply projects against the backs of her eyelids. With her stupid hair and her stupid cape and her stupid, lying smile. But no. The truth is, Lena is the idiot. An idiot to think she'd made true friends, to think she could share the innermost parts of herself with someone who wouldn't turn around and use it against her.

They played you for a fool, Lex's voice echoes from beyond the grave.

Stupid, stupid, stupid!

Suddenly, an explosion of glass issues from her living room. Lena surges for her handgun, and carefully creeps from her bedroom. Her fingers clenches unnecessarily-- angrily-- against the trigger when she recognizes the caped figure that rises shakily from the floor. But she doesn't fire.

"Lena?" Kara croaks, cradling her middle as though her ribs are broken. Lena watches her scan the living room and kitchen before locating her outside the bedroom. "Lena..."

"What do you want?"

She means it to sound angry, or at the very least irritated. Instead, she just sounds tired, even to her own ears.

"Something's happened to Alex-- to everyone. The DEO is compromised. They--" The hero grimaces in pain. "They tried to kill me."

"So you came to me."

"I hoped you wouldn't be affected. Whatever it is... it's bad. It's really bad."

Lena tries to feel something. Concern, outrage, curiosity-- anything. But she can't. She feels flat, like the air has deflated from her, leaving her a sagging balloon, pressed down by the weight of the air around her.

"Kara..."

Lena sees the exact moment the name hits home, and its implication hits home. Her eyes close in resignation-- not apology, Lena notes distantly.

"You figured it out--?"

"No."

Kara nearly sighs. "Your mother?"

"Brother," Lena allows, "but interesting that you know Lillian knew."

Lex was right. Everyone in the world but her knew the truth. Even her mother. And Kara knows that Lillian knows. That she allowed Lena's family to know the truth, but not she herself.

Fuck her.

"And now you've come to the Luthor you've managed to keep in your pocket."

Like always, Lena notes. Every time she's been involved with Supergirl and her allies, it's been as a last resort. Not because they truly wanted her or her help. Because they had nowhere else to turn.

Her stomach turns, and again Lena's thoughts flicker back to the prescription bottle in her bedroom. She feels sick, and she doesn't want to. She'd rather feel nothing at all than feel this.

"Lena..." Kara straightens as best she can. "I'm not here because I have to be. I'm here because you're the only one I trust."

Their eyes lock for a long moment, and Lena hopes her gaze conveys her disbelief. The words mean nothing, and the fact Kara expects her to believe them is actually insulting.

"What do you expect me to do?"

"We need to know what's affected them and find a way to neutralize it."

"I'll need a current blood sample, and a sample from before the changes in behavior occurred for comparison."

Lena turns back towards her bedroom.

"Then I'll see what I can do."

---

What she can do, it would seem, is quite a lot. Per usual. She isolates a chemical signature in Agent Schott's blood that stands out as abnormal, and traces it back to readings taken from clothes that have arrived on several alien refugee ships. The chemical is alien in nature, but it's not long before Lena synthesizes a counteragent to render the chemical inert until it could be processed from the bloodstream on its own.

She does all this before it can spread further than the DEO. Kara looks at her with gratitude and relief and a little bit of patent awe, but Lena isn't impressed with herself or her results. Isn't this what she always does? Pulls a rabbit out of her ass and saves the day-- but never enough to breach that final circle of trust she never even knew existed.

Once she confirms all DEO employees are returned to their normal selves, Lena withdraws. She relinquishes her role at L-Corp to Sam with some easy bullshit about taking a sabbatical. She hoards her prescriptions, waiting for the moment to be right.

The night she chooses is dark and rainy. But she manages to prod herself to going to the boutique liquor store beforehand-- might as well go out sipping something luxurious and expensive.

On her way back, she pauses on the sidewalk when she hears something moving beneath the car parked next to her along the curb. When it doesn't come again, she moves to resume her march home, but is stopped again by a new sound.

A whine.

Lena hesitates. She can keep walking, pretend she never heard it. But her feet remain rooted against her intentions to leave, until she finally relents and climbs down to her hands and knees. Pressing her cheek almost to the cement, she peers under the sedan and sees the soggy silhouette of a small quadruped.

A puppy. Or some sort of small breed. When it shifts, she sees disproportionately gangly limbs and a long tail curled around its trunk. Puppy.

Lena sighs. "C'mere," she mutters, reaching her arm under the car. The dog is far enough under that her shoulder feels like it nearly dislocates before she finally catches the sorry creature by the scruff of the neck.

It yelps when she drags it out into the rain, but makes no move to escape when she stares down at it appraisingly. Short brown fur darkened by rain, small half-flopped ears, and big brown eyes. It's certainly the picture of a creature any decent human being would cleave to.

"All right," she says heavily. "Let's get you somewhere dry."

She picks the pup up and tucks it into her coat. It curls into the warmth of her chest, shivering all the way back to her apartment. She snags a towel from the linen closet before removing her coat, and transfers the animal directly into it.

Once it's mostly dry, Lena sits back and stares at the beast as it stares at her. She glances at the bottle of liquor she'd set on the coffee table next to the pup.

Lena sighs.

"You chose a hell of a night to turn up," she says drily. Lena gives the dog's head a rub before picking it up to set it gently on the floor.

"Let's get you some food."

----

(Prompts are closed)

#prompt filled #cw: suicidal ideation #cw: suicide #prompts are closed #this has been sitting in my inbox for over a year #so that should tell you how ready i am to take new prompts #which is-- not any time soon #this one was heavy enough i wasnt sure where to take it #but im satisfied with this #let me know what you think!

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fictionfixations · 2 days

Text

wasnt planning on making a post but im doing it now so uh

helluva boss the full moon episode (i dont remember which one it was. s2 ep8?? i think? idk)

(i just realized i said 'hazbin hotel' my bad. if i make a mistake like that uhh oops)

and yall are stolas defenders so im gonna talk about blitz (dont get me wrong i love both of them)

let me talk about it

(i dont know if i make any sense so oops)

notice how during stolas' proposal basically (cant help but see the gem as like a wedding ring ngl) blitz's eyes are shining because he cant help but hope

and then when he goes 'ohh youre just fucking with me right? this is some roleplay shit right?'

because its so incomprehensible in his mind that this is what he truly thinks it is.

anyway people have explained before about how stolas then proceeds to shut him out like being faced with blitz being in denial about it and taking it as a rejection

meanwhile blitz is like 'wait a second you were SERIOUS?'

and then hes like 'wAIT' because hes trying to understand. to comprehend that stolas was being real about it. that someone wants him. but then he doesnt have the time to think about it because stolas is leaving and he doesnt want stolas to leave

and yknow how blitz is hes kind of an asshole so then he defaults to being angry and frustrated. (i wonder if he feels like he'll only be heard by being angry and yelling. or if by being angry, by shutting people out and being the one to break it off makes blitz feel more in control. anyway-)

no but listen before this hes like 'what the fuck?' stolas leaves, blitz follows him in silence still in that confused and hella surprised state because it was so unexpected while stolas' talking about stuff

hes silent for awhile (probably trying to make sense of it while half-listening)

and then stolas is like 'thats enough to know what this is' and THEN blitz gets all angry and yelling

and inside hes just like. ..thats it? but its like. stolas is going to leave. and he doesnt want him to go. but he also doesnt know how to express that (especially with stolas having completely shut him out at this point in his own feeling, so set in the rejection without realizing that blitz hadnt actually rejected it. had been in disbelief instead of an actual no. and i get why he didnt stay to continue the conversation it just. sucks. so bad.)

("Can I get a fucking minute to think" got stuck in my head) and then blitz gets angry and blames stolas because thats whose infront of him. someone he can yell at and get angry which is so much easier then trying to decipher his feelings, or stolas' feelings. to try to understand. to be vulnerable especially in front of someone who he may like but its also complicated considering the power imbalance, or how all royals are asses so surely stolas cant be different, how its just a transactional relationship and nothing serious.

hes also saying things he doesnt necessarily mean meanwhile stolas is taking it to heart like 'this is how he really feels about me' when that isnt true (blitz is kind of just making excuses. and instead of being 'set free' as it might seem to stolas, it seems to him like stolas is just. throwing him away. getting bored of him. hes ignoring the love confession stolas just says 'i want you' PLEASE be more blunt about it oh my god theres so many wordings that i have an issue with from stolas im going to be honest.

like LISTEn he goes 'i want you'. blitz is in denial. stolas then starts to acceptance/resignment and blitz is like 'wait a fucking second'

so blitz who thought they were going to have a sexy time. suddenly gets hit with feelings out of the blue. and he doesnt do good with those. and its so incomprehensible that he doesnt believe it. and then basically stolas rejects him right after with blitz realizing 'wait you were serious?' and then gets angry like 'what? no, it can't be over. ..well fuck YOU then!' like. he kind of feels betrayed? like 'how dare you spring this feelings bullshit on me (and then LEAVE)'

also is he projecting? has he experienced something??? and i really dont think hes had the chance to properly process so he's just shoving it aside and focusing on the then and now. which is stolas leaving and dismissing him which blitz takes offence to and accuses him of being like all the other royal assholes. because he doesnt know how else to communicate. this is not to say that he isnt an asshole because he is, but id like to say that theres reasons to all of it.

ALSO ALSO. i think its less that blitz believes stolas to be like that but (besides reasoning to himself that stolas is just like all the others so he can distance himself and cut ties even if it hurts) that its because thats the position stolas has and so its what he turns to for insults. i had more to say about this part but i already forgot, oops.

and ive seen people talk about this too but stolas conversing through words while blitz converses through feelings. so its like for blitz youre not meant to listen to what hes saying but to listen to the feeling? meanwhile stolas being through words (thus probably feeling like 'i want you' is explanation enough while blitz needs more clarification then that)

and potentially with stolas being all horny around him cause haha my crush is here and hes hot and i love him and aaah making blitz think stolas just wants him because of what he can offer? (and maybe if hes never faced love that its unrecognizable? especially towards him?) a thought to go onto another time

also another thought to go down. you think after blitz realizes hes serious that hes trying to coomunicate. with the 'can i get a FUCKING moment to think'

and then his mouth goes on autopilot and starts insulting him trying to stall trying to get him to stay even if its with hurtful words because thats what hes used to thats what he does (also defaulting to anger)

just like yelling at him trying to get stolas to just stop walking. to stop turning his back on him.

and hes just running on anger at that point because he didnt get too long to process that stolas was serious so a part of him still thinks that its just. not real? and hes running off of that because again its so much easier than being vulnerable with someone

blitz has. probably been very trustful of someone, only for them to betray him and hurt him and use him so ahdishfu

also probably blitz's attempt at trying to get them to actually communicate

to get him to stop. stand still. stop leaving. stop moving. just turn around, face him, and talk. to get all their feelings out and explain. to clarify.

maybe he even wants stolas to get angry because that's what he's used to. wants him to get angry so they can get it all out there. maybe wants a part of him to feel vindicated of 'he was right, stolas was an asshole', the part of him that doesnt want to be close to anyone in fear of being hurt

..and then stolas doesn't react how blitz expects him to. (because they DONT understand each other at all! they don't interact all that much outside of sex, and stolas offering it to blitz is rejected)

blitz realizing 'wait... shit...' to wheres hes immediately brought out of his anger by stolas' words

'goodbye'

also it almost sounds like blitz is saying 'Stolas, wait I'm s-' as in 'im sorry'

realizing it wasnt going as he expected it to. that stolas really was serious. that stolas was hurt. that stolas was going to actually leave and blitz. doesnt. want that to happen. so then he. tries.

and then goes 'what the fuck' when he appears outside

and honestly sometimes a lot of relationships need space from each other to realize who they are without them. and also to realize how much they care about the other, yknow? to understand their feelings without anything else complicated thrown into the mix.

listen: blitz could go back into complete denial like 'no fuck stolas actually-'. realize he misses stolas, actually.

cause i feel like he really did try at the end only to get shut out (its a really complicated situation because ive also seen people talk about how blitz yelling could remind stolas of stella(?) i think the person he divorced)

and it could be seen as rejection of him trying to do feelings talk. which he could double down on his 'no one can love you, itll only bring you hurt' idea, or bringing other people hurt (as in his mother's death or fizz getting hurt)

but i feel like he also needs time to just realize things. to think things through instead of being faced with immediately having to respond because theyre talking face to face. immediately having to respond because stolas is leaving and if he doesnt say anything then that'll be it.

its complicated. honestly, though. i feel like its for the better for them to have this break. to rebuild their life without the transactional relationship. i just wonder how they'll get back together (daughter plotting time? maybe?)

i wonder if hell has therapy. (...but also. what if the therapists were corrupt and didnt hold any form of patient privacy???)

anyway i dont know if i made sense. ive just had these thoughts stuck in my head so ive just been spewing out all the ones related to this so i could stop thinking about it

a;sp a;sp o hjavej oirhfrj

holyfuck ok

also also i have more to add

okay so you know stolas' line of 'you have no obligation to touch me or to bed me'

you know what that sounded like with loona having told blitz 'hes getting tired of you'

it sounded like stolas didnt want blitz to basically touch him anymore. which is probably blitz' interpretation of it and thus his anger of 'you think you can do this shit just because im an imp and youre a royal?' or whatever (hes not even touching the fact of the gem. its 'am i not good enough? i can do better!' because the book was the only reason in his mind why he could interact with stolas. and just. aghhh)

any more thoughts im shoving here in the future before i get more brainrot over this

#helluva boss #thoughts #helluva boss spoilers #helluva boss full moon #full moon episode #helluva boss the full moon #hb spoilers #blitz #blitzø #blitzo #helluva boss blitz #helluva blitz #stolas #helluva boss season 2 #stolas goetia

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