Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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prompt 02: tim’s birthday present
Tim sat in his empty house at the empty dining table. The table was actually quite large; it had enough seats to sit at least 15 people. But there was just Tim there.
His parents had promised and sworn up and down that they would come back in time for his birthday. He had everything planned out. He picked out the birthday cake, put on the candles, decorated, ordered his parents' favorite foods, his parents' favorite movie for movie night, popcorn the likes. But that morning, just when Tim was double checking to make sure everything was ready for the most perfect birthday ever, his parents had called to tell him that something really important had come up, and they wouldn’t be able to make it. Tim figured it was better than last year, at least they called this time.
Tim stared down at the cake, the candles lit. He had heard online that people would make wishes on their birthday cake and blow it out. Tim thought that was a weird thing to do, but it wouldn’t hurt to try.
What should he wish for? It would have to be something special that he doesn’t already have. Tim thought for a long moment, the candles bleeding into the frosting of the cake.
A brother.
Tim closed his eyes and put his hands together like he’s seen the other children to do in the cartoons. And Tim wished for a big brother. When he finally wished hard enough (whatever that meant) he opened his eyes and blew out what was left of the candles.
Tim waited. What exactly was he supposed to do now? In the cartoons, everyone would celebrate and cheer and the birthday boy would open his presents. There wasn’t anyone to cheer for Tim, or any presents for him to open.
Suddenly the house shook, and the loud sound of a crash sound came from the backyard. Quickly, Tim did the sensible thing and go check out what the noise was. That's what the characters always did in horror movies.
In Tim’s backyard, there was what looked like a weird space ship that had crashed into his backyard. There wasn’t any fire or anything, but the spaceship looked pretty wrecked. Getting closer, Tim could vaguely make out that someone was inside the spaceship. Looking around, he saw what looked like maybe the handle. Tim couldn’t really tell.
When Tim put his hand on it and tried to open it, something poked out mechanically and pricked his finger. He flinched back instinctively, caressing his finger tip.
“Recognized: Danny Fenton. System Override.” A robotic lady spoke. Who is Danny Fenton? As if to answer him, the space ship opened its hatch, and inside was an unconscious black haired teenager. “System Malfunctioning. Please Assis-” The robotic voice spoke again, before getting cut off as if the power had died.
Suddenly, Tim remembered his wish. A big brother.
This was Danny Fenton, and he was supposed to be Tim’s big brother
----
When Danny woke up, he found himself in a very soft plush something. Something that definitely wasn’t the Spector Speeder. Alarmed, he sat up quickly to find that he didn’t recognize where he was at all. He also didn’t recognize the weird kid that was staging at him from two feet away.
“Hi, I’m Tim. Timothy Drake.” The boy introduced himself almost business like.
“Uh, hi Tim.” Danny responded awkwardly. “You got any idea where I am?” Danny sat up properly, moving the blanket (?) off of him and turned to face the weird and kinda creepy kid.
“You’re in Drake Manor. Which is where I live.” He answered again.
“Ok…ay” Danny nodded thoughtfully. “Any idea how I got here?” Truthfully, Danny hadn’t really been expecting an answer, but he still got one.
“Because I made a birthday wish to have a big brother.” He answered in the same way he had answered the other question, very matter-of-factly.
“Ok- Wait. What?” Danny asked, doing a double take at Tim.
“You’re supposed to be my big brother, right?” Tim was starting to look a little hesitant, and as weirded out as Danny felt he couldn’t help but feel bad about the whole situation.
“Where are your parents, Tim?”
“There not home, because they had really important things to do for work.”
Danny nodded. “Do you know when they’ll be back?”
Tim shook his head. “They were supposed to come back today, because it’s my birthday. But they said they couldn’t make it.”
Well, shit. Didn’t that sound awfully like Danny’s birthdays before he had given up on his parents showing up. At least he had Jazz. This kid looked like he was alone.
Not liking the silence, Tim started fidgeting again. “So, are you gonna be my brother, then?”
And what was Danny supposed to say, No? Besides, if he was really causing problems being in this random universe, then Clockwork would figure it out.
Bonus:
Danny sat at Tim’s dinner table, the kid looking at him radiating in excitement, each with a plate of stupid expensive pasta in front of them. “You said your name was Tim, right?” Danny started thoughtfully. Tim nodded, drinking up everything Danny said. “Well, first course of action as you, big brother. I need to give you a nickname.”
Tim’s eyes sparkled at the prospect. “Like what?”
Danny tapped his chin exaggeratedly, “Hm… Tim, Tim.” Turing the name around while he absentmindedly twirled his fork between his fingers, Danny wondered what he should come up with. Suddenly, in a misplaced strength, Danny’s fork flew out of his hand.
Before Danny could even say anything, “I’ll get you a new one!” Tim offered quickly. Getting up from his chair, his foot got tangled behind the leg of the chair and Tim fell quietly on the floor with an oof.
Danny laughed at him. “You okay, Timbers?” He asked, getting up to check on the boy.
“Yeah, I like Timbers.” Tim said, a bright smile on his face despite the blossoming bruise on his arm.
------------
table of contents
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thinkin bout how orv starts with kim dokja actively working to ensure that kim namwoon dies during the first scenario
thinkin bout how kim namwoon was a teenager at the start of the scenarios, dealing with the apocalypse using the mental paths that came easiest, jumping into the new world with both feet
thinkin bout kim dokja as a teenager. tired. hurt. alone. his internal and external struggles ignored by the adults around him. choosing to throw himself off a rooftop because there wasn’t anything in his life worth living for
thinkin bout how kim dokja woke up again, even though he had planned not to
thinkin bout a teenage boy. lost, alone, broken, scared, angry, in need of someone to come and show him how to keep moving forward
thinkin bout a protagonist in a webnovel who is an example to you of how to survive against all odds. a mantra to repeat when living life as yourself is too hard
thinkin bout a hardened and powerful hero who knows exactly how this world works, who holds out a hand offers you a place with him
thinkin bout teenage kim namwoon, looking to yoo joonghyuk as captain, teacher, and protector
thinkin bout teenage kim dokja, looking to yoo joonghyuk as role-model, hero, and refuge
thinkin bout teenage kim dokja, who saw himself more as kim namwoon than any of yoo joonghyuk’s other companions
thinkin bout adult kim dokja, reclusive and unsocial, hiding his phone from his coworker so she doesn’t see what he’s reading. convinced that yoo joonghyuk would look down on him if he learns who he “really” is. ashamed of any details kimcom learns about his past
thinkin bout what happens to a life when the person living it has never seen in it any redeeming qualities or objects of value. how someone feels about life when they tried and failed to give up that life a decade ago, and every day since has felt almost accidental
thinkin bout the lesser fire dragon. the disaster of floods. the strongest in seoul dome. the devourer of dreams. the 73rd demon king. the industrial complex. the war between good and evil. the wager with secretive plotter.
thinkin bout the most ancient dream. an empty station. a cold and hard bench. bandages and a notebook and a too-loose uniform. smaller than he should be for his age and more broken than any child should ever become. alone.
thinkin bout an unbreakable faith, shattered. a family frantically throwing themselves at their heart to save him from himself. desperate hands prying a blade out of shaking ones, moments before the jagged edge pierced deep into vulnerable flesh
thinkin bout how the younger kim dokja, recently released from the hospital, does not watch. instead, he instinctively curls up to protect the parts of himself already hurting the most. he begins to repeat his mantra
thinkin bout how kim namwoon kicked and fought and screamed and stabbed. and then, when he realized there wasn’t anything he could do, he got down on his knees and begged kim dokja for his life
thinkin bout how kim dokja just stood over him, held him in place, and looked at him in silence as the clock ran out
thinkin bout kim dokja at the beginning of his story and at the end of his story. in a subway. looking down at a teenage boy.
making a choice. the same choice, both times.
the first time: an explosion, a blood splatter on his reflection, and a confused and wary protagonist who has lost one asset and gained another
the last time: arms holding him back, a family hugging him tight, and another protagonist who steps in front of him. holds the child close. forgives him everything. offers up anything more he could need. and kim dokja watches as the person with the strongest claim to vengeance upon this younger facsimile of himself instead gently gathers up the most ancient dream, tucks him close against his chest, and walks away with him safe and sound in his arms.
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart
—-------
There are two things Daniel Fenton knows that his family knows as well:
He’s adopted.
He can’t remember anything else before that.
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.
It is a fast dream.
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods.
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)
—---
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom.
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
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