@theminecraftbee ‘s ficlets about Decked Out eating Tango have been living in my head rent free so here’s a little post-do thing of my own.
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“The server resets tonight.”
It’s been just over two months since Decked Out finished. Just over two months since anyone has seen or heard from Tango.
Zed knows what happened. Not the details. And he certainly couldn’t explain it to anyone else. But he knows.
And the gnawing feeling of guilt has kept him coming back to the dungeon. Every day.
Decked Out is asleep. Zed can walk through the citadel without a desperate need to throw himself to the ravengers. He can even wander below, into the redstone, without being electrocuted to death. Maybe it’s dead, but Zed doubts it. He knows it’s just sleeping. Eventually, it will wake up. It will be hungry and will lure whoever enters this world into its depths.
Maybe that’s when Tango will wake up too.
Zed won’t be here to see it.
“Who knows when you’ll be able to eat again?”
His voice is quiet but he knows the whole dungeon can hear him. He plays with the clasp on his gas mask. Tango’s storage room, where he lays on the dusty floor, has enough oxygen flowing through it still to allow him to breathe without the mask, though he’s already getting a bit of a headache. He’ll put the mask back on soon. Eventually.
“One last snack?”
He’s offered the dungeon himself hundreds of times these past few months. As a player, when it was live, hoping to spark a bit of his friend’s life back into him. Then after. Hoping for something. For a glimpse of flickering blue flame and wide eyes that had long since given up pretending to see.
There’s quiet.
There’s so much guilt in the quiet.
Don’t worry, Zed. Just a few months. Not too big of a project.
All good here. With level one done, the rest will go a lot quicker.
Yeah, level three got away from me a bit. Level four will be smaller, don’t worry.
Audio needed to be reworked, you know how it is. Soon.
Just tired, lost track of time last night.
Not too much longer now.
Don’t worry, I’ll be back to normal when the game’s done. Promise.
Did Tango know he was lying?
Zed is well aware that what he’s doing isn’t good for him. It’s ironic, how Tango pulled away from everyone, to eventually disappear in this cave. And now Zed’s doing the same thing.
It was always Tango pulling Zed out. Into the sun for a stupid game or a ridiculous project. So it makes sense that without him, Zed can’t bring himself to leave the hole.
“I could break more redstone.” Zed offers the dungeon. “Really get you mad.”
He’d done that. About two weeks after Decked Out went dormant. He hadn’t gotten a reaction at the time. But the next day, everything was repaired.
That had spurred Zed into doing a stakeout. Break some stuff, sit and wait until the dungeon brought Tango out to fix it.
Zed had died down in the redstone, waiting. It hadn’t been a pleasant death.
That’s when Impulse had stepped in, staging his own intervention. But all it had done is make Zed feel more guilty.
An intervention for the guy who failed to do an intervention when Tango needed it most.
See? Ironic.
His head is starting to pound. He puts his mask back on.
“I want my friend back, you stupid castle,” He says through the mask. The dungeon understands him anyways.
He won’t be getting Tango back. He’s known that for much longer than he can admit.
Time passes. His phone dings a few times. It’s just the others. Making preparations. The server resets in just a few hours.
“Was it worth it?” Zed asks. “Not you, dumb dungeon. I’m asking Tango. Was it worth it? Did you make this choice? Did you know the consequences?”
Silence.
“Did you ever consider saying goodbye?”
The thing is? Tango was saying goodbye. In the only way he could. It was in the heartfelt artifacts crafted for each hermit. It was in his own voice, echoing words throughout the dungeon long after his own voice left him. It was in every ounce of the game.
None of them saw it until it was too late.
Zed stands. He has to be at spawn soon. He has stuff to pack. He has his own hole in the ground to say goodbye to.
He takes the long way out. Up into the main room of the citadel.
There’s a small part of him that hopes to see a glint of Tango. That’s what’s supposed to happen, right? A little wisp of blue fire. A soft voice. A gust of wind blowing a loose piece of paper across the floor. Something he can look at and be comforted by.
Nothing happens.
Zed knows that Tango’s gone.
He stands at the door. It’s open just a crack, just like he left it.
The night is clear.
“Goodbye, Tango.”
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◁ || ▷ now playing
Kai: Why does it matter who I find attractive? It’s all incredibly surface-level anyway. Look, what I’m trying to say is… I have a bit of a secret.
[ leaves rustling ]
Kai: I didn’t always like my best friend.
Frances: I’m not playing.
Dan: Kai? Atlas?
Atlas: Oh god, I guess.
Kai: Count me in.
Dan: Arlight. Kai, you start. Spin.
Kai: Fine, fine.
Atlas: [ snorts ] Why do you look so scared, Castillo? I promise, I’ll be gentle.
Kai: [ rolls eyes ] Come here.
Dan: Yooo!
Atlas: Hehe.
Frances: They actually…
Kai: It’s such a far-fetched idea, at least I’m self-aware. Why Atlas insisted on meeting me with such tenderness, I don’t know. I do know that it changed everything. [ bell dings ]
Alex: Kai?
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A thing on Uran and Helena in Pluto
Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.
Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.
I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.
But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.
In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.
Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.
So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.
Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.
im sorry for this one:
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