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#I LIKE TO TRY PREDICTING WHERE STORIES WILL GO
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The Apothecary Diaries
S1E16 First Watch
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Here's where I watch The Apothecary Diaries for the first time and give my thoughts, analysis, predictions, and occasionally I stumble into a joke.
To start at the beginning:
Episode 1
My character/locations cheat sheet
Suiren - Jinshi's attendant
Lakan - mysterious officer
Basan - an officer who works in the palace
Jinshi is deeply divided on whether he should have allowed Lakan access to Maomao. He's going to feel pretty guilty if things go badly.
Jinshi explains the details of the case of the metalworker's estate to Maomao. She's always interested in a mystery.
Jinshi: What's with all the sudden enthusiasm?
Dude is asking a question he knows the answer to.
Solving mysteries is where Maomao shines. Jinshi knows this better than anyone. It's one of the things that knocked him head-over-heels for this lady. But he's a little ticked at how easily Lakan was able to hook Maomao's interest. Lakan who hasn't even met Maomao yet, knew exactly how to lure her out. Perhaps Jinshi was hoping that Maomao would refuse, and release him from the deal he made with Lakan. Why did he agree to this? Jinshi is supremely uneasy with all of it.
As the conversation progresses Jinshi takes a more comfortable position on the couch, no longer bothering to behave as a proper palace official or even an employer in front of Maomao. Rather his pose is more like the casual sprawling one might do with family or friends. Jinshi is so persistent in how he stays open and inviting to Maomao, even in his body language. In this scene, Maomao is kneeling properly at the low table. Her body language is formal.
Lakan had provided an address to follow up with the mystery if it intrigued Maomao.
Maomao: How well prepared. It's like he anticipated this happening.
I do not like this at all. This Lakan is too good at maneuvering Maomao and Jinshi.
Maomao request a day off to look in to the case, and Jinshi is not happy. Not because she's missing work around the residence, but because she walked so willingly into Lakan's well laid plan for her. He's probably also pissed at himself for allowing this, but apparently Jinshi really wants to know the rest of Lakan's courtesan story. Jinshi can't see what Lakan has planned, and he's very worried about Maomao. Suiren is completely fine with Maomao leaving. Smiling and waving? Is she actually happy that Maomao is leaving, or is she looking forward to drowning her in work when she returns? I can't read her yet. I miss Lady Gyokuyou and the Jade Pavilion ladies who were so sweet.
Basan. Another mystery. Damn those golden eyes! Who else had eyes like that?! Maomao said he looks familiar, and he does, but like who? Gaaaaah!
Basan is suppose to escort Maomao on her investigation, and he's still acting like an ass, and I'm still wondering when I can see Jinshi fight him again. Maomao says she can tolerate his bad attitude, since she views him as harmless. That's good, because sometimes with trauma, especially from sexual trauma, aggression can be a trigger. I don't like that she has to just put up with this guy's pissy attitude.
Fuck me, Basan and Gaoshun?! Well a blood relationship between the two at least explains why Jinshi and Gaoshun feel comfortable letting this guy go all around the palace with Maomao. Is Basan a child of Gaoshun or like a nephew or something? Is this going to be enough for Maomao to at least question if Gaoshun is a eunuch or not? No. The answer is no, but she should!
Of course Maomao solves the mystery that was left by the metalworker for his sons. A majority of this episode is spent unraveling this mystery, but as far as I can tell the details aren't important to the larger story, so I'm not going to bother describing the twists and turn of it. Basically we get to see how a father would rather go to extreme lengths to create a puzzle for his sons to try to solve upon his death, then give them words of encouragement or advice while he was still alive. The youngest son tries to reconcile the family by passing on compliments he heard his father say in private and never directly to his children. Maomao wisely bows out of that bullshit, but suggests they seek medical treatment from Luomen if they develop symptoms like their father had.
On the return trip, Basan gives Maomao a considering look. Perhaps he's starting to see how brilliant and capable she is? Maybe he will try to rein in his bad attitude where it comes to Maomao? Or maybe... he will fall in love with her! I don't know why I'm looking for more drama from this show, it's already angsty enough. Even so, maybe a romantic rival would help push Jinshi and Maomao past the standstill they've come to.
Lakan is back. He thanks Jinshi for Maomao's work, which I understand within the context of this show, but it still pisses me off. It smacks of misogyny as it's a subtle way of affirming Jinshi's ownership of Maomao, and demonstrates Lakan's lack of respect for women and servants.
Lakan then goes on to explain what happened sounding far too pleased, like he's already gotten everything he wanted. Jinshi knows all of this is part of a stratagem from Lakan, but what his goal is, is yet unclear. Jinshi doesn't know what happened on Maomao's outing (in his head he refers to her as "the apothecary," here which I find odd). She never reported back about her findings. And maybe that is what has Lakan looking so smug. He's uncovered that truth that Maomao is Jinshi's courtesan in name only. And even though Jinshi may be trying to hide what he feels for Maomao from Lakan, I'm sure Lakan is aware. Maomao is a soft spot to attack or control Jinshi.
Jinshi notes that Lakan is very good at discovering people with talent. And now his attention has landed on Maomao. He talks about the three sons each finding their proper place, and I can't help but think that Lakan believes "finding one's proper place," also applies to Maomao and Jinshi. It's possible that Lakan is insinuating something to Jinshi about him not being in his proper place; perhaps he knows something about Jinshi's true identity. But more likely Lakan is thinking that Maomao is not in her proper place here in Jinshi's residence. Lakan gave her a test and he was delighted by her ability to pass it. Does he intend to remove Maomao from Jinshi's employ? This guy is definitely not done with Maomao.
Lakan: The late metalworker's creations were absolutely remarkable though. There was this simple looking metal piece, that when combined with a ritual utensil... it looked truly magnificent.
I don't know what that thing is, but Lakan's scuzzy look combined with Jinshi's disgust is enough to tell me it's something terrible. What kind of ritual are they talking about here? Jinshi straight up lets us know that this is beneath him. What kind of ritual would be something that someone in Jinshi's position would never use? Jinshi knows that Lakan knows that this is not relevant or appropriate. Lakan so very clearly said it to see how Jinshi would react. And Jinshi is doing his best to hide his thoughts and reactions, but I get the feeling that Lakan can see everything. I can only guess based on the way my stomach feels nauseous watching this exchange that this item is used for something heinous like slavery or rape. Props to the storytellers here for freaking me out. I hope I'm wrong and the horrid thing is a spoon rest.
Lakan: I simply can't abide good talent being kept buried. ... Those who possess genius should receive the appropriate praise and attention.
He's going to take Maomao! Stop him Jinshi!
And Jinshi is actually VERY interested in Lakan's method of decreasing a courtesan's value. Is it that Maomao still owes money at Verdigris House? Is this time now at Jinshi's residence just boughten time, and not the end of her contract? Is this why Jinshi wants to know how to bring her price down? Does Lakan know that Maomao may still have a debt to Verdigris House?! Does he plan to buy out the rest of her time?! Hell no! I won't accept that! What the hell is happening?!
Lakan doesn't want to admit to the fucked up thing he did to that courtesan, so he tells Jinshi to ask Maomao how to reduce her price. This guy is terrible. He told Jinshi his messed up story then left off the part that Jinshi most wanted to know, with a promise to tell him if he could have a chance to test Maomao. Which Jinshi agreed to. When Maomao fulfilled her part, Lakan goes back on his word and refuses to say. Utter trash. And Jinshi let himself be sucked into Lakan's game. I hate all of this.
Then Lakan leaves a beverage for Jinshi's "serving maids," i.e. Maomao. WTF. I am so creeped out by this guy.
Lakan: Farewell. Until tomorrow that is.
Yeah, we're not getting rid of this guy any time soon.
Jinshi collapses the instant Lakan leaves. Yes, Jinshi is going to have to continue to deal with this nightmare who keeps making Jinshi's life difficult, but what is really bothering Jinshi is that he knows he fucked up. Lakan came to see how interested Jinshi is in his concubine, and baited him with his own story about a courtesan. And Jinshi showed him, that he is actually very interested in Maomao. Jinshi also let Lakan take Maomao's measure, knowing this guy has a knack for determining and using such talents. Jinshi is definitely going to blame himself for putting Maomao in this guys sights.
Gaoshun makes a request of Jinshi, that we don't get to hear about, but in the very next scene Jinshi is changing his clothes and asking Maomao to help him with some makeup so is he planning to go out in disguise somewhere? Is he going to visit the annex (one of these episodes will show me what it is!)? What did Gaoshun say to Jinshi? I guess we will find out next time, since that's where the episode ends!
I'm so creeped out by Lakan, but it feels like we are about to get into some plot stuff now, so I'm excited for that.
To start at the beginning:
Episode 1
Next Episode:
Coming Soon!
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dnalt-d2 · 3 months
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SO QSMP PRISON, RIGHT???
Day 1 Edition lmao
To start off with, I'm really happy to hear my little theory about the Prison essentially being the safeguard for the Islanders against the Eye Workers was correct (Or at least seems to be so far)
But now for my thoughts on TODAY
THE FIRST DAY OF THIS FOUR THREE(?) DAY LONG EVENT (More on that later)
First off, who else thinks it's incredibly weird the Watcher was suddenly British?? He was DEFINITELY not British before, and unless this was just some unavoidable thing they had to do for just today, that probably means something
Specifically that this might not actually BE the Watcher. Or at least not the same Watcher. Even aside from the voice difference, the way he talked seemed to be a little different to me. I'm not sure what this could mean Lore-wise, or if it means anything at all, but I just really wanted to bring attention to it in case it was
Secondly, am I the only one who felt like today was just too…Casual? For lack of a better word. This didn't feel like some big thing the way Purgatory did. For better, in my opinion. But it's still strange that this feels so lackadaisical considering the circumstances. All the Islanders, and the Eggs are locked up, with the Federation keeping them under lock and key and being MORE THAN GENEROUS with the use of deadly force
(RIP BBH and IronMouse. RIP Over and over and over and over-)
Idk, the vibes here feel really weird to me, and I'm not sure what to make of that either. Like maybe someone's trying to downplay how serious this is all gonna be in the long run. It's hard to put into words
Though I will say they were very FUN vibes regardless. This was fucking hilarious and I enjoyed just about every second I saw of it. Short as it was (Poor BBH once again, having his time cut short. What will he even do for the other 20 hours of the day if he only gets this much time in the server? Certainly not sleep, I imagine lol)
There's also the mystery of that ghost (Cellbit) that's haunting the place, but again, Idk if this is a lore thing, or Cellbit wanting to get in on the action even though canonically, his character is off being insane on Purgatory. He might be kinda the same way Abueloier is most of the time, you know?? I feel like he's definitely gonna be related to any lore that happens, but at the same time, I'm not too sure I'd be surprised if that wasn't the case either
(Just to point out, I don't think Abueloier is related to the Lore. Roier just wanting to screw around, and frankly, power to him. Even IF Ratoier would've gone hella hard here. Fuckin rat in the prison robbing people at gunpoint would've been HILARIOUS and I really hope to see it before the event is done)
Though this kinda brings me back to my second point, that I'm actually having a hard time telling if stuff that's happening is Lore, or just players/admins screwing around or changing things for the sake of content or otherwise
Usually, I'm pretty good at discerning what is and isn't incidental, but here, I've said at least a few times now that idk what is and isn't lore. And I think that's kinda what's contributing to this whole thing feeling off to me. (Not in a bad way, I wanna reiterate. I'm having a hell of a lot of fun here)
So yeah, to wrap up my thoughts on this, Prison is fun so far, and I can't wait for the insanity to continue tomorrow
(And note: I do have one additional thing to say about this event as well, but I wanna put that in a separate post so I can make sure I've got all my thoughts together)
Now back to our own Purgatory of waiting for Day 2
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itspileofgoodthings · 7 months
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I mean, you know I love an American aesthetic.
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martilyongabo · 3 months
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earlier this morning, my brain slapped me with the realization that most of my character pairings / preferred ships are some twist on a specific trope. i don’t think it really helps that these were all accumulated throughout the years and i HAVEN’T REALISED…!
thank you apocalypse/barrier maiden + knight, i really owe a lot to you 🫠🤧
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dreampearls · 1 year
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myyyyy goodness. that nahida quest
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angelsdean · 1 year
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this fic i'm reading is stresssssing me out so much ahjfkdsf but in a good way. but also in i want to throw things way. which is a measure of goodness to me jsfjkd like yes make me feel things even if that thing rn is frustration
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ravs6709 · 2 years
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If I knew how to draw and animate I would totally draw a joongdok/platonic kimcom animatic for florence + the machine's third eye
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gar-a-ash · 1 year
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youtube
speaking of how high reese’s drive has gotten recently here’s a recording i took a while back of our drive to our nightly training session and a very good example of why you don’t actually want a high drive dog!
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infizero · 1 year
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im going fucking crazy im going to bite someone’s head off kris and noelle deltarune making my brain fucking melt
#i make a post like this like 5 times a month anyways I NEED DELTARUNE CHAPTER 3 RIGHT FUCKING NOW. IM SO SERIOUS#i cannot think about this shit for more than 5 seconds without being filled with a desperate longing for new content#and the problem is I FUCKING THINK ABOUT THIS SHIT ALL THE TIME!!!!!!!#undertale and deltarune are the one thing that no matter WHAT im currently fixated on that shit is instantly my number 1 priority#like with other stuff i'll be like ooh that thing i like cool :) when its not what im currently fixated on#but it does not fucking matter WHAT the current brainrot is if theres any speck of utdr content im instantly there#even when it comes to shit that is not new at all. even if its just me seeing a piece of fanart or something#it sends me into a spiral every fucking time#i dont even remember what caused it today T_T#nothing will EVER make me as fucking crazy as utdr im so serious like. god. this shit is like crack for ambigiously neurodivergent ppl /hj#i could literally watch 5000 videos restating the same secrets and lore connections and shit over and over and over and i'd be happy#and yet theres somehow STILL things i dont know about like thats what rlly makes this shit so awesome is that there is somehow always more#undertale esp like it still awes me just HOW MUCH SHIT is in this fucking game. not even just content wise but in terms of like story#connections and all that shit#all the different unique neutral endings all of the extra dialogue and shit you get on repeat playthroughs and just#everything#and then w deltarune its awesome bcuz there is SO MUCH SHIT but.... its not finished. so unlike w undertale where theories are all more#after the fact stuff. deltarune its like you get to actually try and predict stuff ITS SO AWESOME#anyways if i dont get to see these characters have new little interactions and go on a silly little adventure full of charm and Themes that#has some O_O shit under the surface I WILL FUCKING EXPLODE!!!!!!!!!!!!! GAHHHHHHHH I CANT FUCKING TAKE THIS!!!!!!!!!!!!#serena.txt
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nexus-nebulae · 2 years
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I feel like there's a certain point where it goes from "theorizing" to "writing fanfiction"
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primofate · 8 months
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Genshin Angst Headcanons - Why the two of you broke up
Note: Had an unexpected free day! I haven't written in a while, please excuse the mistakes, if any.
Disclaimer at the end of the post
Warning: Some are pretty predictable. Each of them have their own issues, lore wise, so some are lore heavy. You might not agree with some of them, but its how I see it, so to each their own. Let me know what you think! Some are quite angsty. Some scenes it's you breaking up with him and some are vice versa. Didn't feel like writing Razor, Venti and Xingqiu.
Characters: Aether, Albedo, Alhaitham, Ayato, Baizhu, Bennett, Chongyun, Cyno, Dainsleif, Diluc, Gorou, Heizou, Itto, Kaeya, Kaveh, Kazuha, Lyney, Neuvillette, Scaramouche, Tartaglia, Thoma, Tighnari, Xiao, Zhongli, gn!reader
Personal Favourites in this work: Lyney, Itto, Kazuha
Aether
Sister issues. Enough said.
He realized he didn't have enough time to spare romancing with someone.
Somewhere along the way he felt guilt that he was enjoying his time with you while his sister went through some sort of villain origin story that seemingly turned her bad.
Top off all the adventuring, searching, solving problems for other people that he did...Where did that leave you, exactly?
"...I'm sorry, Y/N... I just... I don't think this is the right time for me to be together with you,"
Albedo
Contrary to popular belief it wouldn't be his lack of time or extreme focus on his alchemical experiments that would break the two of you up. He knows how to manage his time.
It was the RESULTS of experiments and his research that would put him away from you.
The possibility that HE or his world, was way too dangerous for you.
How many "Albedos" did Rhinedottir really create? Was there more than three? Perhaps four, five? And what happens when you come face to face with another Albedo?
"I'm afraid...There are far too many dangers surrounding myself... There are answers that I can't find...and perhaps that's the reason why my answer is to part ways with you,"
Alhaitham
Too much of a nonchalant attitude.
He expressed some kind of interest in you...but it's like... once in a blue moon. 95% of the time you're not sure if he's really into you. It almost seems like he's more into that book he reads all the time.
Simply just not good at expressing himself. Like, at all. Hides behind a "whatever works" and "I don't care about what other people think of me" attitude, unfortunately that seems to include you.
Is so straightforward that sometimes it hurts, but he's really just telling the truth through logical analysis.
will act like the breakup didn't hurt nor affect him at all. In turn it hurts you instead.
"I see. So you've had enough of me... And you only spoke up now? Pointing it out earlier could've diverted us from this path...If that's how you feel already I suggest that we stop seeing each other,"
"That's it? You're not even going to try and work it out with me?"
"What's there to work out? You've made yourself clear. You're not satisfied with the way I treat you, and I'm afraid I'm not going to change the way I act just for your pleasure... It'd be more meaningful for you to find someone who fits your criterias,"
Ayato
entering a relationship with a noble was not as easy as one thought.
It's not just about being together forever and feeling lucky because Ayato is rich and your whole life is set, it's also the not fitting in, the etiquette, the whispers from townfolk that you were too ordinary for him, the work that you needed to do if you were to become his wife.
All that was not really a big problem for you, but Ayato seemed not to know of your struggles, he was extremely busy, and when he wasn't, he seemed to think that everything was well and fine, since you were getting all your basic needs met and even more.
"...So I'm sorry, Ayato. This is just... All too much for me. I'm sorry,"
"...I understand. Forgive me, it seems that I've overlooked a lot of things...Perhaps it is as you say, that it'd be better for us to grow apart rather than grow together,"
Baizhu
because he is a ticking time bomb, no matter which way he looked it's not going to end well for both of you.
He either dies early or lives forever. In both scenarios he anticipates that the two of you are just going to be in a world of hurt.
Besides, he didn't mean to get so attached to someone in the first place, he knew his quest for immortality was long and arduous. You didn't deserve to walk that difficult road too.
While breaking up, will conceal the fact that he's only thinking of you and will possibly hurt you in the process.
"I'm sorry, but it's for the best. I ask that you continue going forward without me, there's no space for you in my... ideal future,"
Bennett
We all know it...it's his bad luck. However, it wasn't YOU who had a problem with it, it was HIM.
You understood that his bad luck was just some extended part of him, plus it's not like it was always bad, there were a lot of good times too. Plenty!
But the guilt ate him up whenever the two of you were stuck in a seemingly impossible scenario and predicament, brought on by his luck. He just had enough of it one day.
"I...I can't keep doing this to you every day! It's not fair..."
will be on the brink of tears before he even starts.
"Maybe it's better if you find someone else to adventure with, Y/N, sorry...!"
runs away before you can even get a word in.
Chongyun
Thinks he's not good enough in every aspect. It's really, seriously not about you. He thinks he's lacking in everything. Strength, maturity, experience, confidence.
So badly wants to stay with you but feels like he's not good enough and thinks that you're better off with someone else.
"D-Don't misunderstand... It's not because I don't like you anymore... I just...Please find someone else!"
Cyno
his bad jokes and TCG addiction. just kidding, you're not that shallow.
A lot of people are intimidated by him being the General Mahamatra because he gives importance to justice. While you, who had seen a bit more of him than other people had, it seemed more of an obsession to uphold the Akademiya's law and integrity.
This was not a big problem to you, you liked how he was serious at work.
Until one day when you were accused of plagiarising one of your papers and Cyno was the one sent to give you a first offense warning. The Akademiya knew of your relationship, that's probably why they sent him, to make it harder on the two of you.
Cyno didn't listen to your explanations on how it was an honest mistake, he still gave you the warning that you "deserved"
From then on it had just been different between the two of you, so it was really a mutual breakup. Or so you thought.
"...After that, I just realized that maybe this isn't the right time for us... We're both working for the Akademiya, we both take our jobs seriously...Unfortunately that seems to just be getting in the way of us...I think it's best if we stop seeing each other,"
"...I see." he pauses for a minute, as if tossing your words in his mind. "I...agree. Parting ways would certainly make work easier for both of us...it's the professional thing to do,"
Dainsleif
Has not moved on from his past.
Sure, everyone has their own baggage to carry, their own history to live through...but Dainsleif has heavier things than that. He seemed to wake up every day thinking of Khaenri'ah and the days long past. Was it regret? Nostalgia? Loneliness? You didn't know. You just knew that he wasn't really completely THERE with you in the present. Part of him still lived in the past.
When you explained that you felt like the two of you were not moving forward together and that it seemed like he wanted to go back to the past instead, he got offended.
"...My past is something that I carry forever, you'd claimed that you understood that," he starts.
"I do! But carrying it with you and letting it drag you backwards are two different things!"
He falters for a moment, only to leave you with his last words before turning away from you forever: "You will never understand, the weight that I carry,"
Diluc
is too guarded. You'd been friends for a long, long, long, long time before he decided he could let you in enough and be more intimate with you.
Even then everything was going at a snail's pace, though you were extremely patient with him.
The biggest problem with Diluc was that the two of you would progress one day, take a step forward, and then the next day it was like the two of you took two steps back.
Example: The two of you went out for a simple stargazing excursion late one night, it was nice and he had been incredibly affectionate. The next day he had trouble even meeting your gaze, and disappeared to do his work. It was also a little awkward during dinnertime. This scenario had happened more than once.
Hint: the closer he got to you the more afraid he became, thinking that he would one day lose you too.
"I...I can't. I love you but I...I've waited far too long. I'm sorry. I'm tired of this endless chase for you!"
He couldn't even say a thing. He'd wanted to ask you to stay, to wait for him a little longer, but he already knew how incredibly selfish that would have been. Instead, he grimaced, and looked away from your gaze, trying to find something worthwhile to say. There was only silence for a few moments.
"Goodbye Diluc," that's when you turned away.
Gorou
worships Kokomi too much and your insecurities just kept circling around in your head.
You know its his job. You know he isn't like that but the problem was YOU and not him.
Simply said you let your insecurity eat up the relationship between the two of you.
You couldn't bring yourself to say that you were jealous of the way he admired Kokomi so you broke up with him with another reason in tow.
Unfortunately, you're not a very good liar face to face so you did a butthole move and actually broke up with him through a letter. You just couldn't face him and tell him why.
All you mentioned in the letter was that you needed time to think and be away from him, and told him not to worry because it was your problem, not his.
Poor Gorou reread that letter over and over, trying to understand what went wrong.
Heizou
is just a natural flirt. You're not sure if he's doing it on purpose or not and you're not sure if he's even aware he's like that.
Anyway you'd seen him getting overly friendly (just another word for flirting) with a few other people a couple of times. You didn't let it get to you the first, fourth or even eighth time but you realized that he KNOWS that you're watching him do that.
So you confront him about it, but he claims that it's just his way of gathering information from others. People like to hear good things and some people are more susceptible to flirtatious comments so he resorts to that for his investigation sometimes.
You didn't really completely buy it and even if you did, it's not like this was healthy for your relationship. You just couldn't make yourself comfortable with it.
*You just chalked it up to the two of you being incompatible.
"I'm just not comfortable with that...I don't think I have to say sorry for how I feel but...I'm sorry anyway because I know you're just doing your job... It's probably best if we part ways here..."
"Is there any way to change your mind?" he genuinely asks.
You only give a lopsided smile. "You're a detective, I think you already know the answer to that,"
Yet he didn't stop you from walking away.
Itto
Kept breaking promises because he was too airheaded or too occupied doing something "stupid" with the kids or with his gang.
Pretty soon it just felt like you were an afterthought while everyone else in his life took precedent.
Got a ramen date? Oops, sorry! Got caught up looking for a strong onikabuto in the forest!
Needed his help to move some things? Gah, he was vandalising the bulletin boards, so he's running a bit late!
What's more you didn't actually mind that carefree, airheaded side of him...but it really got to you when he couldn't even seem to make you a priority. Not once.
He only realized that when he came running, late again, and stood face to face with a crying you.
"Hey sorry Y/N, I was just--...Why are you crying?!" is completely dumbfounded and clueless, mostly because when he came late, you had always shrugged it off with a smile on your face, or so he thought. This time you had a completely different reaction.
"I hate you...*hic* I hate you, I hate you, I hate you!"
Shocked beyond belief. It wasn't like you to just blow up like that, but he couldn't do anything except watch you turn and run away from him after that exclamation.
Kaeya
Sometimes you're not sure if he takes you seriously.
Recently, he's not where he says he is, you don't know why he doesn't just tell you where he is.
He said he'd be working late, but then you find out he's at Angel's Share.
He said he'll be at Angel's Share, but then you catch word from Jean that he's out on a late mission.
He said he's escorting a caravan to Mondstadt but he's actually on assignment in Liyue.
It came to the point where you altogether just stopped looking for him cause half of the time you couldn't find him. It's like he's avoiding you or something, which, actually, seems just about right since he's been so busy with "work"
It reached a breaking point when, for a week, you were unable to bring him the lunch you prepared...because he was not where he said he was going to be. It was starting to get annoying.
"I don't understand why you're lying to me! Why do you have to tell me you'll be at Angel's Share this afternoon when you're not? Do you realize you make me walk all the way there only to come all the way back with nothing achieved?"
"I'm sorry snowflake, that wasn't my intention," though he still chuckles despite knowing full well that you were about to turn away.
"You know what, let me know when you're ready to stop making jokes. Until then, don't bother contacting me,"
He just didn't expect you to actually walk away from him.
Kaveh
Entertains everyone and anyone. Naturally kind at heart, will stop for anyone in trouble...even that flirtatious man/woman who is clearly just pining for his attention.
No he doesn't quite realize this.
The same person had asked for his help at least 4 times now and all 4 times he had been happy to offer a helping hand.
The last straw was when he was invited into the stranger's house, they had apparently needed someone to help them move and re-arrange furniture and he did, working till almost dinner time.
You'd caught him right by the person's door, because Kaveh was actually honest and told you he'd be helping them today, but the person was clearly eyeing Kaveh rather flirtatiously.
"Come again next time," you heard the person say rather happily. Kaveh only replies with "If I have nothing else to do, I suppose,"
"Kaveh, they're coming onto you and you keep letting it happen!"
"I'm not certain what you're talking about...They just needed some help around their house, nothing suspicious happened at all. Even if there was, I won't let anything happen between me and a stranger!"
"Then STOP helping them!"
"There isn't anything wrong with lending a hand...It was a quick move of things, that's all,"
"How would YOU feel if I just went into someone's house and kept helping them "move" things?"
"...I would think that's nice of you,"
You actually threw your hands up. "Oh, forget it! You know what, for someone who LOVES helping others, you're not doing such a great job of helping ME," then walked away and never came back. "Good riddance,"
Kazuha
He's a wandering samurai. You knew what you were getting into but you didn't expect dating him to be so hard.
He was gone for weeks on end, and you were not getting on that boat with him. In essence the two of you were just not ready to follow each other to the end's of the Earth, and that was fair. The two of you were young.
Kazuha kind of saw it coming, whenever he visited you, you seemed less spirited and he had an inkling as to why. The time apart was just too much for you.
It was a rather clean break actually. A real mutual breakup that the two of you agreed on.
"...You could say it's just not the right time for us," you even managed to laugh under your breath and he did the same, though it was barely audible.
"...Mm. There are matters that you need to attend to here...and there are things that I need to do out there," he slowly stood up from his sitting position next to you and still gazed at you rather lovingly. "...Perhaps, in another world, you and I are bound together,"
You gazed back forlornly, "...Just not in this one, it looks like,"
Lyney
because he will always choose his siblings over you. Always.
Though that's not a bad thing because you also think that family is important...somewhere along the way you realized that family is the ONLY thing he had and saw.
Example: Lynette and you had gotten ill at the same time one winter morning. Perhaps it was the cold that was passing around Fontaine. Lyney had been so worried about Lynette, that he seemed to have forgotten about you for the next few days. In fact, Lyney didn't even realize that you caught the cold too. You had only heard from Freminet, who you happened to cross paths with, that Lynette was also ill.
You thought that incident was the end of it, but really it seemed that whenever Lyney wanted to hang out with you, Lynette had to be there too. You tried to understand...after all there's still that mystery of disappearing women in Fontaine.
The breakup was induced when Lyney completely forgot about your birthday, because Freminet's was around the same time as yours. You helped Lyney prepare everything for Freminet, and said nothing about your own.
You realized that there was nothing wrong with choosing family over everything else...but the problem here was that Lyney didn't even have space for you in the first place.
So you left without saying anything. You figured he'd get over it quick. You had even gone so far as to move away from the main city of Fontaine and out into another island, because what would you say if he found you? That you were jealous of his siblings? You weren't going to ruin a family like that and it wasn't right to make him choose...so you just left without a word.
Neuvillette
Had a whole brainrot for this man:
Part 1
Part 2
Scaramouche
surprisingly it's not his anger issues.
It's the way he wouldn't acknowledge your relationship. You wonder how you even got into one with him.
There's no public show of affection, but even behind closed doors it rarely happened.
You knew that he was going to be like that, and so you didn't mind it all that much.
It was getting a bit much though when, out in public, he would walk further in front of you and refused to walk next to you. When he pretended like he didn't even know you. When he didn't stop to help you even when another man had shown interest in you, bordering on uncomfortable.
The more time passed the more you simply felt unloved...but for some reason you still blamed yourself.
"...I...don't know. Maybe you find me undesirable, or just...unappealing. Maybe you're embarrassed of me or...or..." maybe you just didn't care in the first place, you thought to yourself.
There was a long silence. Of you turning your gaze away, of him still piercing into yours. And then...
"Tsk...don't waste my time...Leave if you want to leave, door's open,"
Tartaglia
This one is simple. It's his obsession for fighting plus his complete disregard for himself. It's a constant heart attack for you. At some point the anxiety is just too much for you to handle.
Imagine living every day just wondering if he's safe at the same time knowing that he just loves to look for trouble.
The foul legacy that you know of, he uses it with disregard as well, despite knowing that it wasn't good for him.
And there are even days where you know he was heavily wounded but didn't go to you, in an attempt to shield you from worry.
It's a constant battle trying to stay sane and unworried, until one day it all just becomes too much.
"...Nothing I say will change anything, Tartaglia. This is who you are...This is who you need to be..." you whisper while bandaging his knuckles. He lets out a short hum.
It was silent all up until you finished with his hand, you squeeze it gently. "...I love you but...I can't keep doing this to myself, I'm tired...more so than I have ever been before,"
He lets your hand slip away from his knuckles, and that was the last he saw of you.
Thoma
This one is also simple. He was always taking care of others and running errands for others that he sometimes just couldn't catch a break.
Just a classic case of not enough time for you since he had a job to do for the Kamisato Clan.
He knows it, and feels awful about it. So he's the one who makes the move.
"It hurts that I can't give you what you deserve, Y/N. This isn't it... You deserve more than this but I can't give you that and I'm sorry. Please look for the love that you deserve,"
Tighnari
Remembers everything. Can be critical of things you've done, specially if he thinks there's a better way to do it.
Simply said you just feel stupid in front of him sometimes.
He doesn't mean to, but he sometimes forgets to appreciate or give praise to the things that you do well and even if he does, it tends to be short lived compared to his constructive criticisms.
Pretty soon you felt like he only looks at the bad things you do, and never the good. Though he was really only trying to teach and guide you as an equal.
He in fact feels that you are one of the few people who can keep up educational conversations with him.
The problem is he kind of forgets that you're his lover, and that you would enjoy his praise and affection from time to time.
"Do you... Do you ever have anything nice to say other than 'good work' or 'great observation'?" the words were out of your mouth before you could hold yourself back. Sometimes it was tiring to feel like you weren't good enough.
There's a flash of surprise that crosses Tighnari's expression for a split second, before he recovers. "...Had I not been praising your work enough lately? My apologies... It has a lot of merits, I just thought that you wanted my opinion on how to make it better,"
You opened your mouth to say something, but closed it again right after to ponder on his words. Somehow even that had managed to make you feel embarrassed. It was here you knew that the problem also lied within yourself.
"...Sorry, Tighnari...I think I'll need some time alone,"
He obliges quickly and asks. "That's reasonable. When would you like me to come back?"
"...Let me rephrase that... I need some time away. From us."
Xiao
Unfortunately there's a lot of things wrong here... his lack of affection. His aloof personality. His dedication to his yaksha duties. Despite that he does actually try to be gentlemanly or respectful of you.
The worst of it is that he didn't know how to be in a relationship, in other words he just wasn't ready for one, or perhaps he would never be ready for one.
He didn't understand that humans craved companionship and sometimes touch. He didn't understand that meant having to favour you over others, sometimes even putting you first over his yaksha duties.
Worst of it all was when he shut himself off from you, sometimes for days on end, when his karmic debt was too high. He only really did it to protect you, but never realized how isolated that made you feel.
When you confronted him about it, he felt attacked. Hiding away was the only way he knew how to cope...why couldn't you understand that?
"Let me help you, Xiao,"
"I don't need your help!" his tone would make you wince and just like that he disappears into a billow of smoke.
You never returned to Wangshu Inn after that. If he couldn't let you in, there was no use trying to knock on his heart. Xiao being Xiao, never sought you ought again either.
Zhongli
He had experienced so many things and you had listened to many a tales from him.
This is what caused you to realize that you hadn't even experienced life at all, and yet here you were willing to tie yourself down to him.
It just didn't feel like it added up. Here he was with all this knowledge of the world and here you were who had never even stepped outside of Liyue. By no means were you stupid, but you felt that you could be better not only for him, but for yourself if you learned more.
There was just such a huge gap in life experiences, and though you never expected to get to his level (he was a God who had lived for a long time, you would never catch up to him) you at least wanted to see what was out there with your own eyes instead of through his stories.
He understood that wholeheartedly, and had no qualms in letting you go.
"You will always have a place with me, Y/N. No amount of lifetimes will change that,"
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Disclaimer: Relationships will always have some sort of problem along the way, maybe big, maybe small but I just want to reiterate that breaking up is not always the solution. Communicating is very important. So to those of you who like taking fanfiction too seriously, let it be known that this is just a work of fiction. I don't actually suggest breaking up with someone as soon as there is the slight indication of a problem (Just saw someone commenting on a similar themed post for Haikyuu that this wouldn't happen in the real world if both parties were mature... I mean, sure, but, idk, you must be fun in parties... it's called fiction for a reason...)
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burntoutdaydreamer · 5 months
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Questions I Ask My Beta Readers
"Did you like it?" just doesn't cut it when you're trying to get useful feedback, so here's some questions that get your reader really thinking about your work:
What are your general impressions after reading? How did you feel when the book ended? 
(For fantasy/sci-fi) What did you find most confusing about the world? What did you find the most interesting? What do you want to know more about? 
Were there any scenes that broke your suspension of disbelief? Which ones? Why?
Which chapters were the hardest to get through? Did you find yourself skimming the text at any point in the story? 
Which character was your favorite? Which was your least favorite? Why? (Note that this question is best when asking multiple readers. If one person really dislikes a character, it could be personal preference. If multiple people can't stand a character for the same reason.... well, that's a problem you need to fix. Unless, of course, you want your readers to hate that character. Just make sure that their hatred enhances the reading experience instead of ruining it).
Did you get any characters confused or mixed up? If so, did this make the story hard to follow?
What was the most suspenseful moment in the book? What was your favorite moment of the story? What was your least favorite moment in the story? Why?
Which setting in the book was clearest to you as you were reading it? Which setting was the most difficult to envision?
Did you feel there was a lot of info dumping at any point? If so, where?
How do you feel about the plot? Were there any parts that confused you or seemed nonsensical/ illogical?
Did you feel any part of the story was predictable? Do you have any predictions for the next book(s)? If so, what are they? (Again, another question that's best when asking multiple readers. Be aware of your audience here. Some people, especially those who read a lot, are really good at predicting where stories are going to go. If those people are able to guess what happens next, that might actually be a good thing, because it could indicate that your story is progressing logically. Too much predictability is a problem, but a little isn't bad. This question is just to make sure the plot twists/progression aren't painfully obvious to most readers).
What plot holes did you find in the story so far? 
Were you invested in the story? If so, at what point did you become invested? Did you lose this interest at any point? (The second point here is really good for determining whether you have a slow beginning. Sometimes readers might really like your story overall, but would not have gotten past the first few chapters if they were reading it for fun instead of as a favor for you. This happened to me last time I asked someone to read my work, and it made it clear how much of the beginning I needed to rewrite entirely).
Any other questions or comments? 
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its-your-mind · 8 months
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ALWAYS rotating TAZ: Balance around in my brain like microwave but ESPECIALLY with the announcement of The Suffering Game graphic novel
The dope thing they can do (and are doing) with the graphic novel series is sprinkle in moments of foreshadowing and hints to the reader about what REALLY might be going on here, which is so cool and I’m a huge fan of it, especially when you’re telling a story in this form.
But what is REALLY FUCKING TASTY about Balance as a story is that none of the motherfuckers telling it had any clue what they were doing when they started
Gerblins is dick jokes and not knowing how dice work and making fun of each other for voices. LICHRALLY the scene where Taako grabs the Umbrastaff is immediately proceeded by Clint trying different voices for Merle while Justin begs him to stop, as Taako. Merle gets launched across the room cuz he failed his save, and now Taako has an umbrella. The scene moves on.
Griffin brought them up to the BOB, introduced them to the Director, and gave them memories of a war fought over nameless, lost, powerful but mysterious artifacts. The memory that Taako takes from it is the idea of soured cream (ya know, for his taco quest).
And then they’re off, on different adventures, making friends, saving lives, making more dick jokes, and Griffin is in the background, slowly building in the meta-plot, as all DMs do.
But this meta-plot was HUGE. It was ALL-CONSUMING. It completely changes everything we know about this world and these characters. It takes the moments of dick jokes, and arguments about character voices, and flirting with death, and adds a layer of tragedy and complexity that just wasn’t present the first time they told that story.
AND THAT’S WHY THIS STORY KICKS ASS. The vibe of the story changed as Tres Horny Boys grew closer and closer to remembering the lives they had lost, as Griffin upped the stakes, as people started dying. They still don’t know shit for most of The Suffering Game, but you absolutely could not have predicted the tone of that arc after just listening to Gerblins. It sounds like a completely different story. And so when the other shoe drops, when shit breaks bad, when it’s the end of the world… again, and they have to reclaim their Stolen Century…
It makes sense. The tone has shifted enough to accommodate that kind of change. The characters have grown (back) into themselves enough to make this work.
Because TAZ: Balance is a tragedy. But the tragedy happened before the podcast even started, and had been erased. So of course it started off with goofs and dildo jokes. Of course the three of them started being standoff-ish with each other and making light of every situation that should have had a lot more weight. They didn’t know what they had lost, and we, the audience, didn’t either. So it was easy to laugh and joke… until slowly, it wasn’t so much anymore.
Plenty of people have praised Griffin’s storytelling abilities, but I think the thing that was most impressive to me was how he took the disparate threads laid out behind the Boys on their adventures, and followed them backwards, into the story they had lost, and forwards, into the ending they earned. I fucking love that he settled on Istus as the deity to interact with them, because I don’t think there’s a better representation of the story Griffin was weaving behind the scenes of the arcs.
Story and Song wasn’t really an arc driven by dice rolls and role playing - but it wasn’t railroading either. Griffin took every story they had told, every happy ending they had fought for, and twined them around and through each other. The world was saved not because of a lucky nat 20 roll, but because every person they had helped through the story came out in force to fight beside them to save their world.
And so in the end, the Stolen Century was a tragedy. But The Adventure Zone: Balance was a story of hope, of family, of the power that just a few loveable doofuses can have when they move through the world, making friends and saving lives. So when the world was ending and they needed help, there were dozens of people waiting to hear the Story and the Song that would give them the push they needed to fight, and the hope they needed to win.
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amuseoffyre · 14 days
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I've been rolling around in Good Omens thoughts again and a gifset made something jump out at me.
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This is where the Metatron is going to come undone. He's got the same binary thinking as Heaven. Good or bad. Heaven or hell. Coffee or death. So predictable.
It reminded me of the scene in S1 when Aziraphale is confronted by the angels and they tell him "it's time to choose a side" and this is where it gets chewy and delicious.
Aziraphale points out "there obviously has to be two sides. That's the whole point, so people can make choices. That's what being human means - choices, but that's for them. Our job as angels should be to keep all this working so they can make choices".
He's already arguing for humanity all the way through S1, which is a problem, but it's something he's done consistently. Not questioning. Very much, not questioning. Just... offering suggestions. So this isn't news. He's even made these kind of suggestions to the Metatron before, so not new.
At the end of S1, Crowley points out that he thinks the real 'big one' is coming "Heaven and Hell against humanity". Aziraphale has been sitting with that knowledge for years. He and Crowley have been dancing on the edge of disaster with Heaven and Hell turning up whenever they wanted, invading their space, demanding their time and compliance even though they are seen as rogue agents.
Everything in S2 is Aziraphale trying to maintain the veneer of everything is fine while still dealing with the terror of it all falling apart. The "or death" has been hanging over them the whole time. He saw the attempted execution. He's been told by Heaven that Crowley is under threat.
But the thing about Aziraphale is that he never ever does the predictable thing. Yes, he agreed to go back to Heaven. Yes, the Metatron leveraged Crowley's safety against him to guarantee it. The statement of "I don't want to go back to Heaven" turning around as soon as Crowley's safety is brought into it. Yes, he'll be the Archangel.
But this is the angel who gave away his flaming sword and lied to God's face. This is the angel who interfered in a bet between God and Satan to save the lives of three children. This is the angel who collaborated with a demon so they could have more down time. This is the angel who was swayed towards saving the world because he loves his life there and all his favourite foods and music and indulgences. This is the angel who flipped the bird and dive-bombed out of Heaven to possess a medium and fly a scooter to the end of the world.
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Whatever the Metatron thinks he's done by separating Crowley and Aziraphale, he has no idea what he's unleashed. Crowley's bee metaphor comes to mind here. Angels are fiercely protective of Heaven but once you're inside? Well, that's another story. Aziraphale may look like a bee, but he hasn't been a bee for a long, long time. They knew it at his trial.
And Aziraphale can't say he didn't warn them:
"So you're probably thinking if he can do this, I wonder what else he can do and very, very soon, you're all going to get the chance to find out"
Heaven's got a big storm coming and they let it right in through the front door.
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etirabys · 2 months
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meandering post about reading Orson Scott Card again
I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.
I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.
TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.
The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.
Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:
Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition
And it's pretty interesting to feel this way about Card for, well, the reasons.
(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")
I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,
(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)
it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.
(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)
which is fascinating to me, because... why would you tell on yourself like that
(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)
I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking
(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)
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cassandraclare · 3 months
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*sighs a bit* Okay. Guys. I have been asked this question a lot, and answered it a lot. I don't know how to give a better answer — Dru & Ty&Kit share significance as main characters — so I guess I'll talk a little about comparison and structures.
First, all series have different structures. I don't think it's super useful or predictive to try to map an upcoming, unknown book series onto an existing series. In TLH the main character was Cordelia, everyone else was secondary to her, and people's roles and the significance of them altered from book to book. It was a big ensemble cast and they mostly stayed put in London especially in book 1.
TWP focuses on a smaller group of people. It also has a very different structure. In book one, Dru is not with Kit and Ty. They are in different places, both of which have their own stories that are significant to the plot. There is no way to see Place One without following Dru. There is no way to see Place Two without following Kit and Ty.
I know that TWP is a long way off. I know there are people who are very angry with me that there's such a gap, but there isn't anything currently I can do about that, or about the fact that I don't yet have the schedule for my upcoming books. That rests in the hands of several different publishers who must coordinate the release times and production schedules for four different series. I am not withholding any information about when these books come out. I simply don't know it yet.
I understand that TWP being a long way off makes for anxiety, and that those who are worried Kit and Ty will somehow be secondary are looking for tiny clues in microscopic details — micro-reading the of placement of the word "and" in my newsletter and such — that are meaningless, but I get that it all comes from anxiety. (FTR, those worried Dru will be secondary are equally anxious.)
I think there is only so much I can say. Because there's a big gap between TLH and TWP everything I do say or every image or hint about it is freighted with a weight of assumption it can't really support. Anxiety is always going to trump reassurance. And truly, at the end of the day, if you only care about Kit and Ty and find the idea of a Dru story tiresome, you will feel like they got shafted because when you absolutely hate a plotline, you will always feel like it's taking up way too much space. That's just how our minds work.
I've been doing this long enough that I know no book can survive a hostile reading. I know that Book Three of a trilogy is the one people hate until they don't. (When Clockwork Princess came out people hated it so much I considered quitting writing!) I know that it's wonderful to love a character but can also be a problem for people when I put out books that aren't about that particular character or dynamic. I know that for a lot of people, Sword Catcher and Ragpicker King are just tiresome things that have no business on my schedule because they're not Shadowhunter books. And I get it. But I also have to block it out, because I've been writing a long time, and I've gotten to a point where I know that I have to write the thing I want to be writing, because if I don't, if I sit down and try to force myself to write something I'm not feeling like writing at that time, I'll be making myself physically and mentally sick. And that's no good for anyone, really.
I suppose the positive thing is that, while this would not have been true five years ago, I am at the place where I want very much to be writing Wicked Powers. I missed these characters and am glad to be back with them. I consider this a story in which there are three main characters. And that is all I can say right now because it's all that I know.
(And this was much more of a general response to a lot of things than a specific response to this question, but I did feel like it was stuff that I needed to say. Creators are at the end of the day, just people. Sometimes we are powerless to reassure. Sometimes we are tired. Sometimes we are wrong. Sometimes we try things and they don't work. Sometimes we can't explain to you what our story is going to make you feel, because only reading it is going to tell you that. This may be one of those times.)
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