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#Hermes like ass
kaciebello · 3 months
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Don’t shoot the messenger
Slytherin boys x Hufflepuff!reader (use of she/her, no use of y/n)
Masterlist
Delivery Express ✿
Summary: The reader sees an opportunity to run an untapped market in Hogwarts and makes her first delivery.
warnings: mention of alcohol and cigarettes, nothing else really
Authors note: English is not my first language so I am sorry for any mistakes beforehand. I wanna spread this into a one-shot series. Proofread by me and me only :(
Next part: Delivery fees
Word count: 1352
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Notes to deliver - 1
The Slytherin bedroom is filled with the usual chatter. Two boys arguing about quidditch tactics over a cigarette, some have given up and just stared at a ceiling while nursing a glass of fire whiskey. You can hear someone's father being mentioned in almost every other sentence. Nothing magical was happening if you omit this being a school of witchcraft and wizardry.
Suddenly, the door busts as if being kicked open. Revealing, to the boys, an unknown girl wearing a green uniform they are all familiar with, her cloak being absend. Her hair is neatly in a braid tied with a bow. All chatter stops and their attention is on her. She, however, paid no mind to anyone in the room and kept looking into her notepad as if nothing happened. Taking a few steps into the room and closing the door was only an interaction with her surroundings.
Nobody says a word for what feels like an hour. “ Who are you?” a voice recognizable as Draco Malfoy spoke. Snaping her head from her notebook she finally scans the room. As if searching for something. An offended scoff is heard from the boy as his question is left without an answer.
“ Sunshine? What are you doing here?” Lorenzo asks as he sits up. Her eyes snap to him the second she hears his voice. A sweet smile spreads on her face and her eyes create moon crescents. “ There you are! I have a note for you.” She says and takes a few steps to his sitting figure.
His friends, still confused by what is this mystery girl doing in their bedroom, could do nothing but stare as she moved across the room with ease. But she seems to pay no attention to anybody but her friend. Passing the neatly folded note to Lorenzo, she sits down and crosses something in her notebook humming happily before turning back to him with the same sweet smile. The boy in question studies the note and opens it to read it. His eyes widen and his ears go red. He turns to the girl in shock. 
“ YOU GAVE ME A LOVE NOTE???” He yells and the second those words leave his mouth all his friends surround the pair like hungry hyenas. Her smile drops and her eyes widen to the point some would think is impossible. “ Eh? Is that what that is??” She goes to snatch the note from him, which proves to be an easy task as Lorenzo is frozen in the spot. Before she could read the note herself, however, it was too snatched from her hand by Theodore Nott and passed around his friend group.
With a frown on her face, she turns to her friend, “ I, didn't give you anything, someone gave you a love note, I just delivered it.” She said making sure to emphasize mentioning her person in the sentence. “ So this is not from you? Because that sure sounds like an excuse, lame one at that,” says Mattheo Riddle as he waves the note in front of her face. She swats his hand away like it's a fly and he passes the note to Blasie Zabini who has yet to read it.
“No, I had no idea it was a love note,” she argues back and places her hand on Lorenzo's shoulder. “ I love you, but not like that.”
“ Are you sure? because-”
“yes.”
“no, like, if you do-”
“no”
“ Maybe we can work-”
“ I would rather jump from the astronomy tower.”
“Ouch,” he said and she just patted him on the back with fake sympathy. The note was passed back to him and he finally had the chance to look at it again. All of his friends return to studying the girl sitting on the bed.  A minute of silence is broken when Blasie speaks up. 
“ Are you, not the Hufflepuff girl sitting next to Enzo in Charms?” Looking up and smiling.
 “Why, yes I am.” she proudly announces to the room. The shock and mumbles did not phase her as her friend got her attention.
“ So who gave you this note?” Lorenzo asks seemingly coming out of his trance from just receiving a love confession. “ I don't know, some girl gave it to me and asked me to give it to you.”  She shrugs and targets the candy bag in Draco's arms, taking a handful without the boy noticing and popping a few chocolate pieces in her mouth. “ and you just did it?” 
“For 5 galleons.” He looks at her in disbelief. 
“ You sold our friendship for galleons?” he asks not believing he's worth a pocket change.
 “ She promised another 5 if I got her an answer.” “oh my god.”  He throws his head back and stares at the ceiling for a second as the girl next gives him a confused look.
“ what? I didn't know it was a love note. Besides-”
“ How did you get in here?” Draco cutes her as he notices her hand sneaking into his bag of candy this time, snatching it away.  The two friends turn to the group of boys standing around them.  “ I do you one better, whose uniform is that?” Mattheo asks pointing out the obvious Slytherin uniform on the Hufflepuff girl. Her eyes narrowed, not enjoying being interrogated. As she was about to answer Lorenzo was just a second faster.
“ Her own you moron, it's a color-changing charm. Good job on that by the way.” He says, getting up from the bed and breaking the circle his friends formed around them. The girl gets up and follows him to his desk. “ That does not answer how she got here.” chimes in Theodor. Leaning on the desk she turns to them and crosses her arms. “I'm a Hufflepuff, we have our ways. It is not that hard to find all the secret passages.” She says nonchalantly. Next to her, Lorenzo is hunched down and scribbling something on a piece of paper. Before any more questions can be said he shoots up with a little ‘aha’ leaving him.  Taking the girl’s hand and turning it, he slaps a little note folded in half in her palm. Then he fishes up what seems to be 10 galleons from his pocket and adds that as well.
“Now sunshine, please don't ever bring me love notes ever again,” he said and started to usher the girl out of the bedroom. She gets up from her spot and walks to the door not that much bothered by her friend kicking her out. “ What if it normal note? Can I bring that?” “ no.” He answers as soon as he hears the first question. ‘You're no fun ‘ can be heard faintly as she says it under her nose. Opening the door she previously so elegantly kicked open, she turns to his friends one last time. “None of you want to send a note? It will cost you only 5 galleons.”
All of them shake their head not wanting to use the girls' service. She gives them a few more seconds before she takes our step outside of the door. “ Wait, sunshine,” Lorenzo stops her with a sheepish smile on his face. Wodlesly she raises an eyebrow at him. “ next time don't forget to change the color of your bow.” he says and motions to the boy keeping her braid together. She looks down and sees it proudly shining the yellow color of her house. She just chuckles and without other words, she steps out of the room and closes the door behind her. 
The room falls silent for a minute before erupting into a bickering over what happened.
Notes to deliver - 0 
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worldformula · 4 months
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you don’t know what you’re asking for.
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puppyeared · 3 months
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fuck it. plaguesona
#i thought of this a couple weeks ago on the bus a couple seats away from someone loudly coughing into the open air#i think something snapped and i decided to make a fuckin. medieval ass plague sona. horseman of pestilence fursona#this is also why i was asking abt animals with medical symbolism.. originally i wanted a two headed snake like the staff of caduceus#but it turns out thats actually hermes symbol. the real symbol for medicine is the rod of asclepius which looks pretty similar#the difference is that theres only one snake and its twined around a stick. ironically mercy from overwatch's weapons are named after#the caduceus despite the misconception LMAOOO#snakes were the most consistent medicine related animal i could find even across multiple cultures so it couldve really worked#if i could actually draw scalies.. one of my earliest sketches had a cobra with a syringe at the end of its tail like a rattlesnake#and it had markings similar to the syringe tube but i didnt have much else going on so i scrapped it#i was also recommended animals with less obvious ties to medicine like jellyfish and horseshoe crabs and learned something new ^_^#im not confident i could pull off a non-mammal furry but they were really good ideas i might put into smth else.. i also thought of#axolotls bc of their regenerative thing and growing back limbs but i think that would suit smth like a surgeon or amputation...#possums and bats were also an option bc theyre actually really resistant to most diseases like rabies but i feel like ppl wouldnt know that#if they saw it so it looks a little ironic at a glance. rabbits rats and mice were my second option bc of animal testing and lab rats#less obvious reference but the moon rabbit in chinese mythology is loosely connected to medicine bc it makes the elixir of life#otherwise lab mice in a pharmacy / modern medicine setting seemed fitting and jerboa tails remind me of cotton buds#and. ironically. jerboas are more closely related to elephants than rats and mice. can you believe it#my art#myart#my oc#sona#plaguesona#cottonbud#fur#furry art#character design#ref sheet#oc ref sheet
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ladysophiebeckett · 4 months
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This post is super long and idk who will read it but if there's anything I love to do on the internet its post aimlessly to no one. (anyway)
It gets said a lot that Betty was naïve in how she entered her relationship with Armando, but we fail to take into account how desperate Betty was to live her own life. From the beginning of her character arc she talks about needing a change.
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It starts with Roman's invitation, saying he has a guy for Betty but she needs to ask permission (at her 25 yrs of age). Don Hermes says no.
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Betty argues back. Don Hermes' excuse is 'you can't go out with strangers'. But Betty isn't really fighting about going out with some guy. Deep down she knows Roman and his neighborhood troublemaking annoying friends are up to no good. It's not about them. It's about her wanting something, asking for it and being denied.
The scene ends like this:
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He says the world is dangerous for women and she doesn't understand that. She claims that she can defend herself and he says the above. Betty runs off crying. Dona Julia goes after her and when she returns Don Hermes asks if she's calmed down. From that question alone, it seems as if this isn't the first time Betty has fought with her dad about the rules he imposes upon her. Nor is it the first time that Betty has ran out of a room crying bc she fought with him and lost.
This has happened before.
I don't want to assume that everyone feels the way I feel about Don Hermes, which is that he's annoying. (I'm using 'annoying' as a broad term to describe his overprotection and the traditional\patriarchal way he runs his household, fyi, I know its there. I see it. But I'm not going to delve in that direction).
But there's a reason he's annoying (overprotective). Everything he does for Betty is laced with good intentions, but those good intentions are a double edged sword. At this stage in the story he appears overprotective and suffocating. It's when Dona Julia is pleading with him to let Betty go out that we hear a mention about Miguel (whose original name was 'Juan Ramon' but gets changed to 'Miguel' later on)--a guy who Betty cared about but 'disappeared'.
Let's backtrack to Betty running out of the room when Don Hermes says no. She cries to her mother about how overprotective and controlling her dad is. It's one of the few times Betty is open with someone about how she feels about the way he treats her. We get brief information about how he decided her education, about how she was sent to catholic school, how she wasn't allowed to hang out with the other girls bc she was too young, that the only male friend she was allowed to have was Nicolas and it was bc they were 'practically raised together' (and bc they knew his mother).
She continues to say ‘how is a man going to see me as a normal woman if you keep me treating me like a child? When the only thing I do is stay locked away in this room with only books and stuffed animals?’ The Miguel Situation gets its first mention and its foreshadowed that it hurt Don Hermes and Dona Julia to see their daughter suffer, but Betty says that one bad experience shouldn’t be a reason why she stays that way the rest of her life (which is very brave of her to say considering we know later how afraid she is of letting herself fall deeper in love with Armando).
The last thing she says to Dona Julia is key,
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Betty's running theme is change. The eagerness of something to change. Either she needs to change or her dad needs to change. Something needs to change bc she knows she can't keep living the way she's living. She's desperate for something, anything to happen in her life. She goes on to say:
'Queira la major estudiante, la tuvo. La queria graduada con honores, especialiaziones, la tuvo. La queira trabajando en un gran empresa, la tiene trabajando en un a gran empresa. Yo ya les cumpli. Ahora quiero cumplir con mi vida.’
Again, it's not only about going out with some guy. It's about Betty living her own life now that she's done all the things that have been asked of her. From Betty's pov, she's played by the rules, so at what point is she free to do what she wants?
She is the quintessential good daughter, quintessential good student, and later on the quintessential loyal employee that becomes the quintessential loyal clandestine girlfriend--bc those were the rules she was told to play by. But she's at a point in her life where that's not enough to sustain her.
After hearing this, Dona Julia goes back to Don Hermes to plead on behalf of her daughter, however she says something concerning:
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Dona Julia is afraid that if Don Hermes doesn't loosen his restrictions, that Betty will have a nervous breakdown and fall into a depression that will cause her to move out of the house.
Sidestepping the 'what if our daughter moves out' comment---
When Betty confides in Armando about her relationship with Miguel and how it ended, she doesn't call it 'depression'--however the way she describes it is very intune with what depression is.
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She didn't want to live, she cried many nights, she missed classes at university. She lost the motivation to do anything. This is more than just a 'break up'. It's a traumatic experience and its aftermath is a period of depression that Betty almost didn't survive. Her parents watched her go through this, helplessly and Betty claims it's why her dad protects her so much.
Here we see her showing that she understands Don Hermes and why he does what he does. However, when we see Betty's childhood flashbacks post letter, we see that Don Hermes has always been this way as a consequence of how the world treats his daughter. We see that Betty gets bullied, marginalized--no loving parent wants their child to suffer. So he isolates her from that world so that nothing bad can ever touch her. He tries to provide her with everything he can--books and stuffed animals. Things to fill a void with.
No one can blame him for wanting to protect his daughter, but by isolating her he inadvertently teaches Betty that the solution to when things get hard is to lock yourself away and internalize everything.
In Don Hermes' defense his child rearing is mostly focused on ethics and math. A parent does what they can. So it's no surprise that after the Miguel Incident, he became even more tightly reigned over Betty's life. But again, it does more harm than good.
After Betty's ghosted by Roman and his sketchy loser friend, she's disappointed and cries. Don Hermes has no idea how to comfort or understand a 25 year old woman as he does not see her as one. He assuages her like a father would a child. He says 'We'll go do something together as a family. We'll go see a movie on Friday, champ'. (Not a literal translation). Then he says to Dona Julia, 'If I hadn't given her permission to begin with, then she wouldn't be upset about being (plantada\ghosted)'. He has no problem being seen as the bad guy in Betty's eyes if it means she avoids getting hurt in a worse way.
A couple days later, Don Hermes insists on driving her to work instead of her walking to her bus stop bc he fears she'll run into Roman and his current loser friends.
Betty says to him:
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'Let me handle it' she says. Don Hermes doesn't look convinced. And then immediately Nicolas shows up at her door:
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Dona Julia is also looking out for Betty and off screen took it upon herself to have Nicolas walk her to the bus stop that morning. She knows Betty needs some kind independence but using Nicolas as an intermediary gives her reassurance.
Betty rejects both options and rushes out the door. Don Hermes, pulling a Dona Julia, takes Nicolas with him and follows Betty on her way to her stop just in case something happens. What they see is Betty doing what she said she would do--handle it.
When left to her own devices Betty can and will handle things on her own, but both her parents insist in their own ways, to keep her in a protective bubble.
As the series progresses we see Betty become friends with el curatel, more specifically Aura Maria. We can all recall when AM has Betty join her on a double date and said date doesn't end well for Betty. Her date is uninterested, rude--despite Betty's best efforts. She gets home late and her dad is not happy. He calls her a 'descarda' when he sees the car dropping her off and then claims she didn't ask permission, to which Betty says 'Well I called my mom and let her know bc you weren't home'. Which leads to this:
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Betty becomes the sole breadwinner of her household at some point but Don Hermes reminds her that that doesn't give her any right to decide what she can do with her free time or what time she can come home at. He then makes claims about AM and the men AM is associated with. Betty then defends her and the men (even tho they were lame):
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Betty's face here is trying to contain herself but you can tell she's upset. Especially bc it wasn't the best evening, so to be getting yelled at over it doesn't feel worth it. But also, you can see Betty has a fire in her eyes; quiet frustration and inner rebelliousness bc she has been reminded yet again, that she has no freedom despite having a job in a 'great company' and having all the graduation merits and on top of that, now financially supporting her family. It's not enough. And might never be enough.
Despite this, Betty reigns her anger in and goes back to being the quintessential good daughter:
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Don Hermes is not fully convinced but he appears to calm down after that.
A lighter altercation between them happens when he takes Betty home after a lanaziamento. He accuses her of taking too many liberties bc of the job that she has, criticizes her being out too much, criticizes her friends. His main worry is that she forgets her traditional values (Betty: Yo sigo siendo de las casa).
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As we know, all Betty does is work and get caught in whatever mess el curatel gets her into. Regardless, Don Hermes doesn't like it. He doesn't like the women Betty surrounds herself with and he doesn't like her work or its events:
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'The (fashion) world is too much, it's not for you'\'I know it's not my world, it's my job'.
I don't think Don Hermes is trying to be cruel when he says this, rather, I think he fears Betty will one day throw away the values and ethics he's taught her. (She kinda sorta does) Before she leaves for Cartagena, he insists she take a picture of him and Dona Julia, which gives weight to another inner fear of his; that Betty will forget her family and where she came from.
He stubbornly refuses to see (and accept) that Betty is an adult woman who wants to act like an adult woman. She does want to go out with her friends and dance and have the occasional drink. She does wants to date and meet someone, fall in love and in return show the love she's capable of giving.
She's desperate for the opportunity but believes it will never happen for her, so she decides to only dedicate herself to work and by doing so--and out of loneliness, she embraces her fantasies of (an) Armando that we know doesn't exist bc he's the only one that sees her value as a person and a professional. But when Mariana reads her the tarot cards---
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Key word here: Change. Both of your lives are going to change.
Betty has been seeking a change in her life. This feeds into her illusions but she doesn't truly start to believe anything could happen until Armando begins to start acting differently around her.
We know it's the plan taking its course but for Betty this is a dream come true. But even in the beginning she's cautious, she doesn't know if the kiss they shared was a mistake and would rather not mention it to him in order to continue keeping the work relationship they already have (and she's happy to maintain if it means to being in his life).
But because Armando seeks her out, it's difficult for her to resist despite the type of relationship he's offering her. In a similar vein to Armando post letter, when he mentally refuses to put the clues together about why she's acting differently--Betty doesn't put together the recent embargo with his sudden interest in her. Where Armando chooses to be blind; Betty's inner frustrations and illusions of having something in her life that's not just work and an over controlled life, speak louder.
There is naiveté in play. It's true that she doesn't know a lot about the world but it's at the result of the overprotectiveness of Don Hermes that Betty doesn't read the signs as clearly until she reads the letter and is cruelly brought down back to earth.
Betty thought that Armando was the change she had been yearning for and her desperation for that change, for that dream to come true---is why she accepts the relationship he's offering her. He's trusted her implicitly until then, so why would she doubt him now?
The Letter happens and Betty's first instinct, the first action she wants to take is to run away. She doesn't want to go back to work, but Catalina reminds her of her responsibilities, that she can't just jump ship when people like Armando are depending on her. Betty especially can't leave as her parents are also depending on her and to quit suddenly with no warning would raise suspicions.
TW: for brief mentions of ED.
(I talk briefly about Betty skipping meals. I don't think the character has an eating disorder per say, but if you gotten this far and this makes the reader uncomfortable, count 5 paragraphs down to skip).
Betty enters the Gaslighting Arc depressed and dead inside. She's no longer a student, she can't afford to take days off to lay comatose in her bed. She also can't let her parents find out that something like Miguel (only worse) has happened to her again.
Post letter on, the series makes a habit of showing Betty either skipping breakfast or skipping dinner. Usually this is just done to show that a character is in a rush and usually bears no importance.
But this happens multiple times. At El Meson she orders vodka and they never get dinner. At Le Noir, despite Nicolas saying they make great eggs, she has him order wine. The night of Armando's last lanzamiento, Armando knows she hasn't eaten and offers to bring her dinner which she rejects. And lastly her diary entry\ voice over from the night she buys the mercedes\rejects Armando's call:
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'Desvanezco' is to 'fade'\'vanish'. '...I am fading away before him while he only cares about his company' (rough translation).
Betty acknowledges here that she's not taking care of herself. In the first entry Post Letter she states that she doesn't have the strength to resuscitate herself again. She's metaphorically dead but the reality is that she's depressed and the only thing sustaining her during this period is her anger. (and alcohol). And once the Junta Directiva happens and everything is revealed, Betty in only left with the hurt.
(TW: End of ED mention)
Audience members get annoyed with Betty in the first half of the Cartagena Arc bc she continues to put herself down--Catalina is almost the audience insert with how put off she is with Betty's self deprecation.
It's not healthy or helpful for Betty to view herself this way and yes, it's a learned behavior that she needs to break desperately. But what the audience forgets is that Betty is tired. This is a woman that has tried to change things in her life and she always gets it wrong. Her first foray into love is a failure bc he used her, her attempts at dating are another failure, when she tries to change her look it's another failure; she put all her love and hope into Armando and then he betrays her.
She's been beaten down so much by those attempts, on top of society's view of her--that of course once in Cartagena she immediately feels out of place. Of course her first instinct, yet again, is to run back to the safe haven her dad has always provided for her.
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'This isn't my world' which harkens back to Don Hermes telling her a similar thing, '...That's not for you'. It's not helpful and fuels Betty's fight or flight. And she's always picking flight.
This is Betty's first time away from home. This is the first time she has ever been away from her parents. That's why the airport scene with them is so dramatic. She's never slept a night away that's not in her house. A 'niña de la casa' no more. This is the opportunity that she's been waiting for but she doesn't see that yet amid the heartbreak.
Catalina has to guide her and essentially push her out of her comfort zone; and challenge her way of thinking and seeing the world and herself. Betty's always wanted changes in her life but she never knew that in order to embrace new things into your life, you have to be open about it mentally. You can't hide and internalize everything in your entire life. It's damaging to oneself.
In the middle of her trip she tells Nicolas, "No. I can't leave. I'm living something very important here. They (the board) can wait'. Betty is finally putting herself first and putting her foot down. Had they insisted on her presence at the beginning of her trip, she would have gone back.
Betty didn't just need to get away from Armando, she needed to get away from her family, specifically her dad. The internal and external changes that Betty goes through in Cartagena would not have been possible in Bogota. Not with Don Hermes breathing down her neck and Dona Julia flustered in the background. It wouldn't have happened as he wouldn't have allowed it.
Betty needed to leave the protective bubble of her family to learn that she can put herself together, that she can handle it and come back stronger.
Don Hermes' goodbye at the airport consists of giving Catalina instructions of things Betty isn't allowed to do (she doesn't drink, she doesn't party). He, again, refuses to see her as an adult woman. But he is forced to when she comes back from Cartagena:
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He goes on to say, 'I feel like I'm lecturing another person, not my daughter'.
But that doesn't stop him as he lectures her into the night:
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This is inadvertently what he's taught her to do tho--run away from a situation bc it became hard.
However Betty defends herself and says she came back to deal with issue at hand and take responsibility for her part in it. She's not proud of what she did.
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'Don't think I did all of that and then went on vacation. I needed a change in my life'.
This is the change Betty truly needed, the one she's been waiting for and the one that sticks. She needed to learn to see the value in herself, realize that she's not the only one who has ever suffered and more importantly learning not to abandon herself as soon she gets hurt.
No one else was ever going to give her that. Not a relationship, not her family, not her friends. Those people (specifically her family) may love her but in certain instances their love and affection is a blind spot for them and can inadvertently hold her back bc of their insistence on protecting her from the world.
My personal feelings for Don Hermes aside, he loves his daughter and everything he does is well intentioned. He's not necessarily a bad person or bad father, but his over protection is suffocating and his refusal to see that his daughter is no longer a child plays a part in Betty's arc about wanting people to see her as she is--A person that is smart and capable and deserving of respect.
He plays a big part in why Betty does what she does, her inner rebelliousness, her frustrations come from the restrictions he imposes on her. He's not wrong about certain things but he's not 100% right about how he goes about them when it comes to Betty.
As a husband...well.
Anyway.
Betty becomes more independent Post Cartagena and her dad kind of slowly accepts it, especially when it's said in passing that she as a midnight curfew. He's still annoying, but that is simply his character trait.
If you made it this far, thank you. There is no prize except for the inner satisfaction of finishing this post.
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hyperfixtime · 1 year
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Doodles, Ideation and Design Refinement of Grian, Tango and Jimmy :) Oh and a lil gif of Skulk infested Grian sneezing :)))
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sleepy-bear-tm · 9 months
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Been thinking about the Odyssey a lot lately
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spirirsstuff · 4 months
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i love it when my friends and i just make up a character and make scenarios and memes but have no clue what to name it so it’s just ‘the child’ or ‘fuel’ as a placeholder
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prommytheus · 1 year
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now for the psychopomps! this format is actually hilarious btw im having the time of my life
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so yesterday I was at senate reading for a bill which I got to read in favor for, and the bill DID pass 3-2 (there's several more steps before it becomes law but this is good)
on the way home I was thanking all the gods I work with, particularly Hermes.
i stopped at my spot on 8th ave because that's where I go for important things to pick up some sticks for my ojo de dios when right by the river as I was looking there was this cool ass knife I found.
all my friends kept yelling at me to put it back, give it to the pigs cops but it is now FIRMLY on Hermes's part of my ofrenda
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transheimdall · 1 year
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plagued with heimes thoughts tonight and yall are going to have to deal w it . anyways siren heimdall and sailor hermes . i am insane but i am free
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kaciebello · 2 months
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Masterlist
Delivery Express ✿
Summary: The reader sees an opportunity to run an untapped market in Hogwarts. Feeling like not doing enough, some books about vampires will help.
 Warnings: Making the reader feel bad, no use of y/n
Authors note: English is not my first language, so I apologize for any mistakes beforehand. Still mad that they took my yellow text coloring ⋋_⋌. Proofread by me and me only (T▽T)
Previously: Too many voicemails
word count: 1.2k
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Notes to deliver: 1057
The dining hall was as busy as always. Piles of food on each table and chatter all over the place. Even the professors talked among themselves. It was hard to hear people next to you, but you for sure could hear the conversations of other people on the other side of the table. Everyone kept to their house, talking to their housemates. And that is why nobody even batted an eye at a girl in a green uniform wearing a suspiciously yellow bow in her hair, sitting next to the Slytherin royalty. The boys did not pay her much attention, talking among themself, in their minds, planning school and world domination as if it was a game of chest. Granted none of them were good at chess but they can still try and play it. In reality, they were planning how to beat Ravenclaw at Quidditch later that week. What weirded them out was the lack of envelopes she liked to have with her. Something about everyone being in the hall made them easy to track. 
She received pointed looks from the boys, not noticing them, however. Draco jabbed Blaise in his ribs, trying to get him to say something. None of them dared to say anything. None of them wanted to look like despraed second years waiting for a note from their crush that had never written back. Well, that was until Lorenzo mustered up the courage.
“Where are your love notes at?” He says reaching for the plate full of chicken and bringing it closer to her. Knowing the girl would crawl over the whole table for them if he didn't.
She shrugs and reaches for the chicken strip, the plate now sitting in the middle of the group. Taking a bite before speaking.
“I sold it.” Confusion on their face as she continued to eat and pile more food on her plate.
“ Wha do you mean you sold it?” Asked Blaise. Fork pointing at her.
“Exactly what I said. I no longer run the delivery business.”
“Who did you sell it to?”
Her eyes sparkled with excitement as she put down her food.
“Okay listen. I had a dream right? na in that dream an owl came to me and said if I sold it to her, she was gonna get me a limited edition of that muggle book I've been wanting. So I agreed and sold it to her.”
“You sold it in a dream?” she nods at his question. “ I don't think that's how business works.” He's sure to give her a bit of a side eyes. Maybe it is one of the muggle ways of conducting business he's not aware of.  Theodor started to laugh and soon enough others joined him.
Others at the table give them looks but they have been unbothered by it. The girl started to pout, not knowing what was so funny. the boys crack more jokes about owls and cryptic dreams, she however did not pay attention to those. Not even understanding the joke about the owl possibly being Mattheo's dads. She felt a bit sad that her friends made fun of her in the dining hall. Mattheo notices this and stops.
“Wait, you were serious?” He yelps, stopping the other boys from laughing. She just nods hint of tears in her eyes.
“I don't get what's so funny.” Her voice was unstable as she said this and rather than engaging in conversations with them, she piles more food on the plate and eats without looking at them. The boys feel bad for making her feel like that, but you can't blame them. It is not every day somebody tells them they sold business to an owl.
Lorenzo feeling the worst of all of them decides to speak up.
“What is the book about?” Just like that. It was like a switch flipped inside her. She turned to them with a wide smile and sparkles in her eyes. Some would even think she was faking it before to make them feel bad. None would dare to say it aloud.
“I'm not sure, it has something to do with vampires and werewolves.” She says, gesturing with her hands, what only the boys could interpret as a werewolf.
“We have werewolfs too.” Says Mattheo, knowing damn well he did not pay attention when they covered them. He could be only half sure. Even less when the girl shook her head.
“These are sexy werewolfs.” She made sure to emphasize the word sexy. Frustrated at not having any proof for her words. Theodor just rolled his eyes at her comment.
“ I can howl if you're interested.” He says gesturing to his body. A disgusted look from Blaise and a sigh from her discouraged him from actually howling.
“What else is it about.” Says Draco, although it was hard to understand him, as he was showing his fifth scone in his mouth.
“Something about the thing that shall not be named.” She says and Mattheo's ears perk up.
“My dad?”
“No, not that one.” Mattheo just made a disappointed sound at her answer.
They have seemingly moved from the conversations. Not bothered by the fact that their friend quit her business and sold it to an owl in her dream. It wasn't so strange after all in a school of magic and wizardry. Well, no, it was strange, but not as much as people would expect.
Lorenzo however stopped his chatter when a little note fell in front of him, catching it before it could touch his food. None of his friends seemed to notice this. All caught up in their conversation, trying to see how many scones can Draco actually stuff in his mouth. So he turned to a girl, leaned closer to her, and whispered.
“I thought you stopped.” A sly smirk appears on his face. The girl looks at him confused before turning red all over her face and ears. Her eyes fell on the note that sat between his fingers. Avoiding his eyes, he put his arm around her shoulders to make her look at him. She took a breath to answer him but she only managed to stutter a few words before a yell from Mattheo interrupted her. Both Lorenzo and her look at the other boy, also holding a note in his hand. They exchanged confused looks before other one fell in front of Blaise.
More and more notes started to fall around them. Along with other mail as the wols flew circles around the hall. Everyone looked up amazed, the amount of love notes made it look like it was snowing. Few love confession howlers could be heard at the other tables. Professor McGonagall was holding a love note on her own, blushing and hiding her face behind her hands.
 That's when they heard a thud on the table. A box set of limited editions of books landed right in front of their friend. The girl squealed in excitement, completely abandoning her food to immediately pull one out to investigate it. They all looked at her in shock not believing their eyes. Lorenzo's note was completely forgotten.  Coos from an owl sounded above their heads. The girl snickered at their shocked faces.
“I guess I did sell the business after all.”
Notes to deliver: 0
Final author note: We have come to the end of the series! Hope you liked it! Don't hesitate to send me questions if you have any. Anyone on the tag list will be automatically added to the sequel tag list, if you're against it please let me know and I will remove you! I hope you're doing well and I'll see you next time. ♡(ŐωŐ人)
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marchlione · 2 months
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lmfao apollo really had beef with a newborn that was literally born the day before
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healingheartdogs · 10 months
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The nice thing about having two really intelligent dogs is that they watch us interact with each other and learn things that way all the time. Rest/stay is not something I've really worked on with Eevee other than at doorways and baby gates because my dogs aren't allowed to rush entries and exits for safety reasons, but we use it with Hermes in lots of different contexts multiple times a day every day and his rest is very solid and generalized. Just a few minutes ago I told Hermes to rest so I could clean something up without him getting in the way or stepping in it but without specifying that I was talking only to him and Eevee also froze in place with him, stopped moving completely, and then eventually laid down (position switching is allowed during rest for my dogs just not directional movement, plus she's baby and I didn't actually mean to tell her to rest anyway so IDC regardless) still in her spot watching me clean and didn't break until I gave her a treat and released her along with him. I was cheering mentally for her the entire time but trying to contain my reaction until I gave them their release cue so she didn't get excited and break the rest before I was done cleaning because I've never used that command in that kind of situation with her before. She's so smart and good though, I love herrrrr
#i compare myself a lot to other non-disabled dog trainers and it makes me feel like my dogs are untrained messes a lot of the time#but then my dogs do something smart every now and then that reminds me that we do actually train small stuff daily like this#and I'm like oh yeah these are still the best trained dogs I've ever known IRL esp compared to the pet people I know#Hermes especially has a LOT of stuff I've taught him forever ago when i was in better health that he still remembers now#despite a lack of refresher training for a lot of it#and everytime he does something to remind me im like... oh shit i forgot youre actually smart as fuck and pretty well trained bro#like we havent worked on Hermes' emergency down/down at a distance in a long ass time#but a couple weeks ago Selene told Hermes to down from a distance and understandably at first he moved closer to her to down#so she started to indicate that was not what she wanted and before he was halfway to her or she even finished telling him#he turned himself around#went back to the EXACT spot he had been standing in#turned around again to face her in that spot#and then laid down and waited for her to come to him with the treat#literally haven't worked on that in years and wasnt expecting him to remember it#to the point where i was about to correct selene for even asking for it when we havent done it in so long without refresher training first#and then he DID IT#i love my dogs a lot and they're smart af thats it thats the TLDR
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WHAT IN THE HAMILTON
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My reaction:
*gasp*
*GASP*
*OH MY GOD LIN MANUEL MIRANDA IS HERM-*
*ohhh Lin Manuel Miranda is Hermes*
*Oh no Hermes*
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4th-son-of-fih · 2 years
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FFXIV Tumblr, I need a vibe check.
I know my thing is more on the side of posting memes every 6 months but like I need to get this out of my brain??
So.
Since Endwalker came out, I've been really irritated with Hermes as an antagonist and I couldn't pinpoint why until now.
To summarize this as quickly as I can, I feel like the game fails to show how Amaurot might have been hostile to his ideas, had he tried seriously to campaign for them? Because, originally, what bothered Hermes was that he felt his people didn't care for the suffering of other creatures. He felt he was the only one who was bothered by the unjust pain and death of Elpis's creations.
And like sure, characters do comment on how odd it is that he cares so much for the creatures in Elpis. But it's never in any outright disrespectful way? It's also not had such a significant impact on his life that he was denied his post of high responsibility in Elpis, and he was even recommended for the seat of Fandaniel!
Basically, anytime he finds ways to be merciful to creations, while regarded as strange, his ideas are still implemented into Elpis. So the messaging of the Elpis section becomes less so one of "society and the universe at large is broken" and more of one of "there's something bothering Hermes but watch him keep it to himself until it's too late". AND IT'S REALLY FRUSTRATING to think that the moment that caused the universe to almost get entirely erased could have been solved by someone introducing the concept of reformism to Hermes lol
I really feel like the game would have benefitted from a more proactive Hermes, similarly to how Amon took things into his own hands in Allag. Perhaps an older Fandaniel might have actually been better?
Like, okay, hear me out here. Picture Hermes already being Fandaniel at the beginning of the Elpis section. DILFandaniel if you will. He is now one of the oldest convocation members there is. Like, he's REALLY old, and he dedicated his whole life to putting a stop to experimentations on creations. All of his attempts were consistently met with failure and contempt from his peers. He is now isolated and a laughingstock in Etheirys.
So here comes the Warrior of Light. We arrive in Elpis and there, we meet Emet-Selch and Hythlodaeus who have come to check ol' Fandanny. From what you hear, the guy's locked himself in there for months and refuses to come back to Amaurot. During that time, ol' Fandango's been working his all on Meteion. He is desperate to learn that life isn't just fundamentally unjust, that people aren't inherently unkind and cruel. And then, well, when Meteion's report drops, he finally loses it completely and decides that if there's no hope elsewhere, we might as well stop living altogether.
I dunno, I feel like it would have worked better? I guess the issue to me is that Hermes as he stands feels very unjustified and almost sort of... whiny? Like I listen to him and I go like 'Have you tried like... doing something about it..?' I find it crazy that nobody in-game ever brings it up? Like he saw injustice and his response was very valid until he skipped the 'let's fix it!' phase to go straight to the 'nothing matters, let's all die' one? Like his conclusion would have felt a lot more valid if he had tried to get things done but had been met with reactionary contempt? (Listen, I just want Fandaniel to be a black-pilled leftist villain okay? Like yes, relatable, very good, I like it, you go king!)
Welp. That 'summary' is long as shit lmao. Whoops. Sorry about that.
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omnirush · 2 years
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sir........KRATOS........,
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