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#Go read and leave some love
flowercrowngods · 10 months
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when ao3 is back up i want all of you to leave comments on the fics you were interrupted from reading, the fics you were looking to find, the fics you were thinking about re-reading, and the fics left open in your tabs for months now.
when ao3 is back up, i want you all to show some love to your favourite writers, favourite fics, or even just the 600 word one-shot that brought a smile to your face that tuesday three weeks ago.
when ao3 is back up i want you all to remember that comments and explicitly voiced appreciation are what keep writers going.
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saessenach · 1 year
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Runaway
Lyanna and Rhaegar, moments before a choice, commissioned by the lovely ASOIAFside
don't forget to click for better quality!
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introspectivememories · 2 months
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NICO: WE SHARED THE LIFT THIS MORNING! I WAS GOING TO THE POOL TRAMPOLINE WITH MY TWO DAUGHTERS AND HE WAS GOING TO THE RACETRACK. PINKHAM: VERY DIFFERENT LIVES YOU'RE CURRENTLY LEADING.
#that line from nico is like /the/ modern brocedes thesis to me#like this is their happy ending!!! it is not the one they dreamed of all those years ago in greece but is a happy ending.#it's not multiple shared championships or racing against each other for years or anything their 13 year-old-selves would've dreamed up but#it is them achieving their dreams. lewis has 7 wdcs and is aiming for an 8th. nico has a loving wife and 2 daughters he'd die for. they are#both doing the things they love. would it have been nice if those dreams included each other? yeah. would it have been nice that when ppl#mention their names it would be to talk about what great friends they are instead of how they tore each other apart? absolutely! but they#were doomed from the start. so maybe it doesn't matter that they didn't get their traditional 'happy ending'. at least they had a happy#start and a semi-happy middle. at least they have the lift to see each other. at least nico's daughters get to keep lewis in their lives in#a way nico will never get to again. they will never share a bowl of frosties again but at least their roots are so thoroughly tangled#together that they can never look back without haunting each other. at least they still have that.#anyway for all the non-americans who reblog or like this. the poem is 'the road not taken' by robert frost. very famous in america#every middle/high schooler has to analyze/read this poem at some point. i don't know how popular he is outside of america so i thought id#leave a note ig.#anyway. i am going crazy and i need to lie down. that 2nd line was sooo hard to find a photo for. wth does 'hence' even mean???#brocedes edit#brocedes#f1 web weaving#f1#nico rosberg#lewis hamilton#f1 edit#nr6#lh44#web weaving
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shelvesofgold · 1 year
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✨hello folks✨
now with zar taking a much needed break from this fandom i thought it would be a great idea to start hyping up some works in this fandom that i feel don’t get enough love !!!
We’re older now, the light is dim by Winter_Oswin
- jegulily w/ background wolfstar
- wip
- an au where james, lily, and regulus come back to life to fix everything that happened post halloween 1981
- the interactions between harry and regulus are legit top tier
take a shot of holy water by pinkpalaceapartments
- wolfstar fleabag au !!
- completed
- background jily
- remus as the hot priest is what we all need fr
Befriending a Ravenclaw by kreestar
- ravenclaw remus au
- wolfstar w/ background jily
- completed
- remus and sirius being stupid pining idiots who are trying their best
I Want To Be Good by mightydolphin
- canon-compliant fic from sirius pov
- completed
- wolfstar w/ background jily & dorlene
- goes on until a bit after prisoner of azkaban
- as a sirius kinnie this fic made me few things™️
The Mapmakers by Dizzy_Bird
- completed & canon-compliant
- literally such a fun read
- a lot of pranks and adventures
- jily & wolfstar are included but a lot more focus is placed on the friendships of the whole group
- just really well-done
A String of Consequences by semistrawberry
- jegulily w/ background wolfstar and dorlene
- as the title implies it is a string of wacky events that lead to both angst and fluff
- completed
- a lot of povs so there are so many different fun character interactions and i love it
Shackle Me by elixersoflife
- wolfstar soulmate au
- also a modern setting au
- completed
- i am literally obsessed w/ this one and i have frankly reread it an healthy amount of times
- another fic that made me, a sirius kinnie
feel things™️
quite like us by alarainai
- jegulus text fic
- modern setting
- great characterizations !!!
- just a vv fun and easy read
- completed
if anyone has any other recs pls feel free to reblog and add to the list !!
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littledreamling · 1 year
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Stop Asking Neil Gaiman About Fanfiction Challenge 2022
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daswarschonkaputt · 2 years
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an incredibly subjective kinnporsche fic rec list
a few caveats before i get into it: i have probably missed fic. this is all my opinion, and if you disagree with it, that’s fine. i’m not giving these fics ratings, or picking out my extra special favourites because that’s just a dick move and inevitably results in writers feeling like shit. (i’ve been there.) if it’s on this list, i enjoyed it enough to remember it. which is saying something because i read a lot of fic. like, so much firefox fucking crashed when i was opening tabs from my ao3 history. i bsod’d my fucking laptop for this. oh and my fic is on this list because hell yeah i recommend it. i fucking wrote it.
these aren’t in any particular order, because they’re mostly in order of my ao3 history. bear in mind that a lot of these were written whilst the show was airing, so they’re not so much canon as canon-adjacent. where i can remember what they go by over on this hellsite, i’ve tagged the author’s in question. if you know any of the handles for authors i’ve missed, feel free to tag them too.
under a cut because there are quite a few here:
A Guide to Living a Mafia-Adjacent Life by puckbaes https://archiveofourown.org/works/39870123
What? Post-canon fic about Chay adjusting to his new life as a mafia-adjacent college student, and making peace with his relationship with Kim. WIP. 20k, 8/11 chapters posted.
Why? This story primarily makes me feel peaceful, to read. Chay’s just trying to get through his life, whilst trying to pick himself up and move on. It’s such a breath of fresh air whenever it updates. Also P’Bank is the best.
for you (i'd burn the world to the ground) by cuteandtwisted https://archiveofourown.org/works/40134927
What? AU where Porsche grew up with the Theerapanyakul’s, and has been Kinn’s faithful bodyguard the entire time. He and Kinn have a tortured relationship. WIP, 24k, 4/5 chapters posted.
Why? This one is not a peaceful read. This one rips out your heart and stomps on it. But unsurprisingly, I’m an angst queen, and I very much enjoy these losers ruining their lives (and each other). Also badass Porsche. We all love badass Porsche, don’t we?
but you’re everywhere (yes you are) by fortunehasgivenup https://archiveofourown.org/works/39221205
What? Canon-divergence where Porsche remembers the kiss on the pier, and talks to Kinn about it. Despite the summary, they are softer than canon. Complete, 90k.
Why? Reading this I kept expecting the other shoe to drop, and it didn’t. Kinn and Porsche fall into each other and figure each other out. It’s just a nice, long canon-divergence fic with low drama and high heat.
within the ablaze by lightshine https://archiveofourown.org/works/39897795
What? A/B/O mpreg AU. Check out the content warnings on AO3 before you brave this one, folks. Porsche gets pregnant, and has to figure out what he’s going to do about it. WIP, 9k, 3/16 chapters posted.
Why? Okay, so only a few chapters have been posted of this one, but what’s there has me intrigued. There’s some interesting worldbuilding here, but again, check the content warnings on AO3. It’s omegaverse, and some of the trope’s more dystopian elements are folded into the world here. This is one of the fic I am subscribed to and am watching to see how it develops.
You picked a dance with the devil, You lucked out by aby01 https://archiveofourown.org/works/39718185
What? A/B/O AU where Porsche is a feral alpha, terrified of being used as someone’s weapon, and Kinn is, well, Kinn. Porsche would like desperately to steer clear of him for forever – there’s just one problem: Chay’s dating Kim. Alpha!Kinn/Alpha!Porsche. Complete, 34k.
Why? Someone tags their fic with Non-Traditional Alpha/Beta/Omega Dynamics and I am there so quickly, you have no idea. I really enjoyed the worldbuilding here. I followed it right from the first chapter and faithfully read every update – I vibed hard with it.
Where Power Resides by Laughsalot3412 (@laughsalot3412 on tumblr) https://archiveofourown.org/works/38407180
What? Canon-divergent AU circa episode 2. Vegas demands a steeper price for Porsche hurting his brother, and Kinn ends up going along. Somehow this results in them falling into a BDSM relationship. Complete, 65k.
Why? C’mon guys. This is a fandom classic for a reason. Laughs really knocks it out of the park. The BDSM stuff here is mostly non-sexual, and written really tenderly. It’s really clear what Kinn and Porsche each get out of the relationship, and the way they both come to rely on each other is really beautiful. Also I have a soft spot for Laughs’ Kim, who’s my favourite brand of feral.
The power in the taking by iffervescent (@iffervescent on tumblr) https://archiveofourown.org/works/29002584
What? Porsche and Kinn fuck around (sexually) and then find out (about feelings). Kinn’s a dominant asshole, and Porsche hates that that seems to do it for him. Written before the show aired, based on the Filmania trailer, and got a shocking amount really right. Complete, 17k.
Why? Iffy’s a fucking powerhouse, guys. This one is a little darker in tone than the show liked to keep it, but so, so fucking good. Obviously it doesn’t get everything correct canon-wise, but that’s to be expected. It’s still a really good fic.
playing with fire by acrobats (@fractured-ice on tumblr) https://archiveofourown.org/works/39521733
What? Porsche character study through the lens of smoking. Complete, 2.5k.
Why? A short fic that looks at Porsche and his use of smoking as a coping mechanism. Damn good characterisation. Almost meta, really.
i'm the violence in the pouring rain by theleftboobgrabber (@histypeisnice on tumblr) https://archiveofourown.org/works/39205392
What? Porsche has a side-hustle on onlyfans. Kinn has no sense of boundaries. Twisty and incredibly hot. WIP, 20k, 2/3 chapters posted.
Why? Um. I have no excuse? I saw a snippet of this posted on tumblr and was absolutely hooked. When I say I want these losers to ruin each other, I think of fics like this one.
tiny spark, mighty flame by BeStillMySlashyHeart https://archiveofourown.org/works/38828970
What? Soulmate AU where your first touch leaves a mark on your soulmate. Gee, wouldn’t it suck if the first time Kinn and Porsche actually touched was when Kinn strangled him in episode two? Wouldn’t it suck if that was how they found out they were soulmates? (Distant laughter.) Complete, 29k.
Why? This was one of the first soulmate AU fic I read that actually approached the matter that Porsche would need a security detail, once it was discovered. Which: I would recommend it just for that on its own. BUT, it’s also a neat fic. There’s a really cool use of the author’s worldbuilding at the end of the fic, which I won’t spoil, but I still think about it. It’s short, it’s sweet, it hits the mark.
Nosy, Nosy by snickerdoodlles (@thecookiemonster77 on tumblr) https://archiveofourown.org/works/39562044
What? Tankhun and Kim character study. Incredibly in-character, and also incredibly funny. Complete, 13k.
Why? One of the first fic I ever read where the author seemed to just get Tankhun on a subatomic level. This fic is the Tankhun character reference, guys. Also Kim is just so funny to throw at the rest of the cast. Yes, Tankhun. Invade his space. Irritate him. Understand him.
Head.Cars.Bending by hotlemontea https://archiveofourown.org/works/39744693
What? Tankhun ends up halfway across Thailand after a wild night of partying. Porsche and Kinn go to pick him up, and Porsche’s driving puts the fear of God into Kinn. As it fucking should. Complete, 4k.
Why? You ever read a fic that just sets the tone and sticks to it? It’s a simple idea, very straightforward, and utterly sticks the landing. I really enjoyed it. One of the few fic I was able to recall off the top of my head by name when I wrote this list. It’s that good.
Assumptions about you by Sirvaria (@antique-forvalaka on tumblr) https://archiveofourown.org/works/38101582
What? Smut fic, Porsche likes being manhandled. Complete, 6k.
Why? Um. UM. I read it for the… character development? Yeah. We’ll go with that. Seriously though, this is the good shit.
gone fishing by snickerdoodlles https://archiveofourown.org/works/39384114
What? Post-canon social media fic. Chay takes over Wik’s Twitter. Complete, 1.5k.
Why? I didn’t realise until I put together this list that this is the same author as “Nosy, Nosy”. It all makes sense. Cute, funny, in-character, which I guess is snickerdooodlles’s trademark now.
A Stacked Deck by Patterpea (@winterberrysea on tumblr) https://archiveofourown.org/works/40217793
What? Time travel fic where Porsche is sent back in time after taking a bullet for Kinn. WIP, 39k, 4/16 chapters posted.
Why? It’s time travel fic with badass Porsche. Anyone who knows anything about me knows I was all over this the moment it was posted and will continue to be all over it until it’s complete and then probably for a few months after that. This scratches so many itches and I love it to bits already.
fake love and hennessy by yeetlegay (@yeetlegay on tumblr) https://archiveofourown.org/works/39083298
What? Pretty Woman AU. Porsche is a prostitute, and Kinn hires him for a week. They have a lot of sex. WIP, 53k, 8/17 chapters posted.
Why? This is another one of the fandom juggernauts, and for good reason. The writing’s swell, everyone’s in character, and Yeetle works hard to maintain their title as the ruling monarch of the horny Kinnporsche fandom.
The King's Tree by LuckyDragon (@luckydragon10 on tumblr) https://archiveofourown.org/works/39298218
What? Soulmate AU where prior to canon, Kinn got his soulmark removed. Porsche didn’t. Porsche is now faced with a reality where his soulmate was so opposed to his very existence that he had him burned out of his flesh. So, he’s not really best-inclined to letting Kinn in on the secret. WIP, 64k, 12/14 chapters posted.
Why? It’s so good. Like. It’s criminal how underrated this fic is, relatively. Whenever this one updates, I drop everything to go read it. You may know Nemi (the author) from the meta doc – but damn can she write. This one rips my heart out on a daily basis, holds it outside my chest, and then returns it, wrapped in cotton wool. I’m not kidding. It’s so fucking good.
Intent to Cherish by Iffervescent https://archiveofourown.org/works/40304811
What? A/B/O AU with shades of sugar daddy thrown in for fun. Porsche is an atypical omega, and hyperaware of that fact. Kinn wants him really fucking bad – but wants to spoil him more. Complete, 47k.
Why? It lures you in with the promise of scalding hot sex (Iffy’s trademark), only to sucker punch you with fascinating worldbuilding and Kittisawat feels. This fic is so fucking good, guys. This Porsche makes me absolutely lose my mind, and Kinn does too.
cover up, walk away by Ronan Vespertine (Akina1521) https://archiveofourown.org/works/39225051
What? Porsche character study, post-diamond auction. Canon-typical content warnings apply. WIP, 5k, 2/4 chapters posted.
Why? In the aftermath of episode four (and episode five, really, too) I had a lot of feelings about what had happened. In order to process these feelings, I went looking for fic, and cover up was one of the first I found. I enjoyed it a lot, and am secretly waiting for the author to finish it.
whiskey sour by cardamon https://archiveofourown.org/works/39632343
What? Post-canon, a little AU. Kinn and Vegas do business. Pete and Porsche come along. Complete, 1.8k.
Why? It was written before the season finale and it shows, but it’s still pretty fun. All very bloody brutal murder boys. I’d definitely recommend it, if you’re into that.
Tiger Tiger by LuckyDragon  https://archiveofourown.org/works/38000350
What? Slight canon divergence, Kinn investigates Porsche and watches him at the fight ring. Small ficlet. Complete, 2k.
Why? I really love Nemi’s Kinn POV. Just a neat ficlet, with a slight AU to it. Could fit into canon.
A Little Wicked by midnightsurge https://archiveofourown.org/works/40197588
What? Canon-divergent AU. Porsche doesn’t sell the watch, and Kinn doesn’t kidnap him to recruit him. That doesn’t mean he’s prepared to leave him alone. Complete, 11k.
Why? I love canon-divergence. It’s one of my favourite tropes. And fics like this are why. They’re so soft in this one – wound-tending, bathing, all the hurt-comfort tropes. And Porsche’s confused horniness for Kinn is great and wonderfully in character – he really gets kissed once and goes, Okay, I guess I like guys now. Good shit.
All for Us by rebellconquerer (@rebellconquerer on tumblr) https://archiveofourown.org/works/40326297
What? Post-canon character study. Porsche gets a new tattoo. Complete, 3.5k.
Why? rebellconquerer writes these fantastic, short snapshots of character interaction. This is no exception. Wonderful fic, wonderful premise, wonderfully executed. If you want more where this came from, check their tumblr.
wrapped around your finger (is my ring) by kittysawat https://archiveofourown.org/works/40793439
What? Fake relationship AU. Kinn hires Porsche to be his fiancé, to dodge an arranged marriage. WIP, 7k.
Why? So I guess Kinnporsche has cured me of my burning apathy for fake dating because I am all over this shit, and it’s only one chapter in. Author-san I am looking with Both My Eyes for your next update.
Machine Gun Kick by majestictortoise (@majestictortoise on tumblr) https://archiveofourown.org/works/40501785
What? Post-canon fic where Porsche investigates the incident at Yok’s bar during the finale -- and his investigation leads him to Kim. Complete, 14k
Why? I live for the Porsche and Kim dynamic, which we didn’t get to see at all in canon. It’s so much funnier if they actually get along. It’s so good. It feeds us so well. Heartfelt, entertaining, well-written. I love this fic so much.
between the sheets by DasWarSchonKaputt (dat’s me) https://archiveofourown.org/works/39409224
What? Fake dating/bodyguard AU. Porsche is hired to pretend to be Kinn’s boyfriend whilst secretly being his bodyguard. Complete, 70k.
Why? Cards on the table, I wrote this. And I think it’s fucking great. I know that sounds arrogant, but I really do rate this one. If you haven’t read it, or even if fake dating’s not really your thing – give it a shot. For me?
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in the dream i don’t tell anyone, you put your head in my lap ; shoko ieiri
synopsis; ever since the battle in shinjuku came to its conclusion, nothing’s been the same as it used to. but you don’t think anyone is doing quite as badly as shoko. 
word count; 4.5k
contents; shoko ieiri/reader, gn!reader, canon-typical mentions of death (iykyk), angst, hurt/comfort (but not very heavy on the comfort), jjk spoilers (up to chapter 236!!), mild gore (mentions of blood, autopsies and general gore-ish imagery? nothing too bad tho), shoko ieiri deserves better, includes gojo slander (stay safe gojo nation)
a/n; first of all i just wanna apologize to the shoko girlies for writing angst when we’re already so starved of content, i have like 50 fluff drabbles planned for her but chapter 236 threw me into a mental angst pit so </3 yeah. i love my wife!!
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shoko hasn’t been herself for a while.
the thought sneaks its way into your subconscious, as your feet carry you to her morgue — a rotten thought you just can’t seem to rinse away.
it’s not very hard to notice. she doesn’t talk as much, for one. not that shoko was ever much of a talker, but now the silence around her is deafening. thick and heavy like the spine of a knife. and she smiles even less.
you can’t remember the last time you heard her laugh.
the crescents beneath her eyes are darker than ever, darker than you thought possible. a murky purple that you’d find soothing in any other context, but like this it’s just revolting. her eyes are deep and dark, the same as ever, but now they’re glazed over with something you can’t quite put your finger on. 
apathy, maybe.
or bloodlust.
the scent of cigarette smoke that follows her is suffocating. indistinguishable from her natural scent. you don’t know if she’ll ever be able to scrub the tobacco stench off her skin.
(you’ve given up on counting the exact number of cigarettes she smokes each day. you’re not sure you want to know the answer.)
she doesn’t even look alive, anymore. like some part of her already reached its expiration date. a spectre, wandering the hallways, filling the air with the slow, ominous clacking of her heels.
shoko hasn’t been herself for a while — and it’s so obvious. her grief is so heavy, her sleep-deprivation so severe. you’d have to be blind not to notice it. 
so why hasn’t anyone said anything?
you gnaw at your bottom lip, trying to suffocate the bitterness swimming inside your veins. it’s a dumb question, really, because you already know. you don’t want to acknowledge it, because it’s so unfair, but you know. of course you do.
no one has the time to. it’s as simple as that. 
no one’s doing well, anymore. not since shinjuku.
not since gojo died.
shoko’s grief is a fickle thing. always with her, tucked away within those eyebags, in the pockets of her coat. in that smell of tobacco, never-fading, always lingering. it follows her like a ghost, like something she’ll never quite be rid of.
(like something she doesn’t want to be rid of.)
shoko’s grief is a fickle thing, and it always has been. but recently, it’s been downright overwhelming. it used to be subtle, the kind of thing you notice if you look close enough. if you squint. if you even care enough to try.
but now, it’s more like a haunting than a simple ghost.
(geto. nanami. yaga. and now gojo, too.
how many people does she have to lose before whatever’s watching is satisfied?)
shoko hasn’t been herself for a while, and it’s obvious, and it’s sickening. she still does her duty to a tee, but she isn’t quite there anymore. gaze always forlorn, as if she’s trying to convince herself of something.
and yet no one says a thing.
everything is one big mess, right now. you don’t want to blame anyone. everyone’s exhausted, completely and utterly spent, but they’re still planning it all out. even in the midst of their mourning. because they don’t have any other choice. 
this is not the kind of situation where you should be pointing fingers. a part of you is angry, livid even — but you know the others are doing just as badly. it’s not like you aren’t, either.
still, though. isn’t this just too unfair?
”i brought you coffee!”
making sure your voice doesn’t waver is tougher than you initially assumed. just the sight of her sends a tremor running through your ribs; sunken down in her chair, papers in hand, eyes scanning the pages methodically. papers of what, you’d like to ask — but you already know.
(she’s reading through the post-mortem examination report, again. searching for something you don’t understand. you’re not sure she does, either.)
and she looks exhausted.
try as you might, your voice ends up sounding a little stale, as it flows from your lips and reaches her ears. but the attempt is there — the attempt to sound cheerful, calm. normal. to give her something to hold on to.
shoko looks up at you, and her lips curl in a way you think is supposed to form a smile. it doesn’t. her eyes look into yours but it’s like she’s not seeing you at all.
when you go to give her the cup of espresso, your fingertips touch. only for a second, before she curls her fingers around the ceramic handle. she receives the coffee with a small murmur of thanks, but you don’t notice because you’re too busy thinking of how cold her skin feels.
(cold like a ghost. cold like death.)
shaking away the shivers down your spine, you allow your gaze to trail over the morgue. it looks the same as always. cold, empty. foreboding. today, you think it feels just a little chillier than usual. matching the temperature of the outside world, where everything lies buried in heaps of snow and frost.
hesitantly, you plop down in the seat right next to hers. with such a narrow distance, you can smell the tobacco sticking to her clothing. it makes you want to throw up.
(you try not to look over at the couch in the corner of the room, where a certain someone used to slack off. his awkwardly long limbs would dangle off the edges, and shoko would pretend that she didn’t enjoy his company. you were more than content with silently admiring the smile she was trying to hide.)
shoko doesn’t look at you, professional in the way her eyes run across the files. cause of death: damage to central intestines, subsequent loss of blood. from a cut to the stomach, right below the liver and spleen.
you look away before your eyes can read another line.
leaning back in your chair, you exhale a tiny sigh. desperate to fill the silence with something, anything at all. you scramble for topics, racking your brain.
(what could you possibly tell her that she doesn’t already know?)
”the others are still planning everything out,” you speak, playing with your fingers idly to distract yourself. ”i think it’s going well.”
shoko hums, unaffected. ”that’s good.”
she’s speaking to you, but that feeling of unease still won’t go away. her voice sounds still, flat. empty of emotion. but you can tell she’s trying to be polite.
that’s no surprise. shoko isn’t the type to ever show how she’s truly feeling. she’s not the type to ask for help, either. people come to her for help, not the other way around. that’s all she’s ever known.
(in that sense, the two of them were alike.)
but that just makes it all the more important for you to be there. even if you’re a little awkward, and even if you can’t do much. even if it’s only for a moment or two, you want to see her smile. you want to feel for yourself that she’s really there.
looking over at shoko, you wring your hands together, the cold air of the morgue nipping at your sweaty palms. she’s drinking from the cup, one finger around the handle as her other hand flips through the papers.
”does it taste okay?” you ask, softly. if only you could ask her that under better circumstances, with cups of espresso made with better coffee machines than those at jujutsu high. ”i made it myself, so…”
”it’s fine.” shoko takes a sip. dragging her syllables out, as if mustering the will to speak. ”don’t worry.”
short sentences. almost cold, but you know better than that. she just doesn’t have it in her to pretend that everything is normal, anymore.
and it makes you uncomfortable. this silence. 
a couple months ago, it would have felt comforting; a quiet, peaceful kind of solitude shared between the two of you. nostalgic, like the smell of morning dew. or the way moonlight feels on your skin when the world falls asleep.
the silence you had with shoko always felt so tender. a single moment of peace, before the other shoe dropped. just that one moment was enough to give you the hope you needed to make it through another day.
you loved being silent with shoko. you loved her silence, the way she could soothe your very soul without saying a thing.
but now it only stings your skin. you fear that you might drown in it.
there is nothing to say. you want to ask her how she’s doing, but you already know. you want to ask her why she’s still reading the files from gojo’s autopsy, but you already know.
you want to ask her if she can still keep going, like this. but you already know.
she doesn’t have a choice.
(something crumbles, deep inside your chest, like ashes cast into the sea.)
”hey. shoko?”
she hums, again. weak. quiet. absentminded, acknowledging your words but not really hearing them.
you take a deep breath.
”i think i’m going to quit being a sorcerer.”
silence.
for a moment, nothing happens. nothing moves, or speaks. the air is cold and crisp and carries no meaning, no words, nothing at all. 
like time is frozen. frozen like all the bodies shoko’s had to dig inside these past few months. frozen like gojo was when she found him in the snow.
frozen like your youth, a glass marble kept in your pocket for moments when you feel as if the ground beneath your feet is about to slip away. then you’d take it out, and look deep inside it. watch the swirling of greens and blues and purples. that streak of indigo right in the middle of the glass. memories of the past, to give you comfort.
to remind yourself of why you’re doing this. to give you a reason to keep moving forward.
(south or north, it doesn’t matter. stay as you are or move forward, look to the past or to the future — none of it matters if you aren’t alive. that’s the conclusion you came to.)
shoko’s expression, too, is frozen. it doesn’t change, even as you let those loaded words fall from your tongue. you watch her carefully, out of the corner of your eye. she doesn’t even look at you, gaze still glued to the tiny letters detailing exactly what gojo’s pulse was at when he got cut.
but something flickers, in the depths of her irises, so fast you barely catch it. something you can’t identify, but it’s still something. it’s movement. it’s alive.
”not right now, obviously,” you elaborate. suddenly a little nervous, now that the words have been made manifest. ”but… you know. once all this is over.”
not sure what else to say, you trail off, fidgeting with your fingers again. voice wavering pitifully towards the end of the sentence, because deep down you know it’s not a question of once, but a question of if.
(if this ever ends. if i don’t die tomorrow, or the day after that.)
you swallow the lump in your throat, and look at her. trying to find her eyes. trying to keep her alive for as long as you can, this sequence of motion, this moment frozen in time.
trying to reach her.
”you won’t ever have to worry about me dying,” you throw in, like the words are light and not heavy as bricks. but you know she needs to hear them. ”i’ll leave, and then — and then…” 
staring down at your lap, you link your hands together. exhaling, a little breathless. sheepish, in a way. ”… well. i don’t know. i haven’t thought that far ahead, yet.”
you never had the chance to. you didn’t even really think of it as a possibility, as something you could do. and you know it’s not a possibility for shoko. the choice to be a sorcerer was never hers, from the very beginning.
a user of the reverse cursed technique. capable of healing almost any wound, more power and capability than a child should ever have. invaluable. she’s saved so many lives you’re sure she’ll be reborn as a god.
but the choice was never hers.
a soothing kind of ache blooms in both your palms, as your nails dig into the soft skin. hard enough to form crescents, like the ones under shoko’s eyes, that she’ll never be rid of no matter how much she sleeps. the choice was never hers.
isn’t that just too cruel?
they don’t deserve her. none of them do. the elders didn’t, the jujutsu world doesn’t — not even the students. no one deserves it; everything she does for everyone, day and night, just slaving away in the morgue or her office. cutting up curses and old friends. every second of the day, always that same buzzing of her name being called. 
shoko, someone needs healing, come quick! 
shoko, i know it’s 2 am and you have work tomorrow, but there’s a curse that i need you to dissect.
shoko, i think i got a paper cut, would you mind taking a look?
none of them deserve her.
you think of gojo. a flash of white hair, a grin brighter than the sun. a bloodstained smile — one shoko had to wipe away.
something ugly claws its way up your throat.
none of them deserve her. especially not him.
what were you thinking, leaving her all alone like this? so much for being the strongest. you couldn’t even stay alive.
why would you die with a smile on your face? do you have any idea how cruel that is to her?
you idiot. don’t you know how much she missed you?
— yeah. none of them deserve her. gojo doesn’t, the world doesn’t, and neither do you. no one does. 
what shoko deserves is to live a normal life. 
and she never will.
it’s foolish. it’s naive, a juvenile daydream. but you wish for it so, so badly. so much that even just the thought alone feels like too much to bear.
you wish you could bring her with you. 
you wish you could take her hand in yours, and run away. leave it all behind, every single thing, without caring about the consequences. you’d hold her hand and never let it go, and then you’d run and run until you were both high on adrenaline and breathless laughter.
maybe you could go somewhere, together. somewhere better. outside of japan, where there are less curses. money wouldn’t be an issue, you both have more than you know what to do with — one of the perks of having a job that’s bound to kill you. you could settle down in some smaller town, peaceful, maybe a little secluded. just to make sure no one finds you. 
maybe you could open up a little shop, together. or spend all your days tangled up beneath the blankets, catching up on lost sleep. talking and whispering, like you’d do back at the sleepovers you used to have. you’d make her coffee every morning, and tea every evening. you’d spend the rest of your life trying to make her laugh as loud as possible.
there’s nothing you want more. absolutely nothing. there never will be.
— but you can’t ask her.
you can’t ask her to come with you, no matter how much you want to. that’d be the cruelest thing you could possibly do to her.
she would never agree. you’d only be hurting her more. so selfish, all of these wishes. it was so much simpler back when you were just kids. when you didn’t have to care about duties or responsibilities. when your cognitive empathic abilities were just a little more lacking. 
a sigh flows from your lips. resigned, but somewhat hopeful, all the same. tainted with the murmurs of a memory that’ll never happen.
”maybe i’ll open up a bakery, or something.” you tap your fingers against the desk, smiling a little to yourself at the thought. or trying to. ”then you could come visit.”
shoko looks into her cup of coffee. watching the swirling of the vortex, the abyss that gazes back at her. she doesn’t look at you but you can tell she’s listening. then she puts the cup down, and you glance at her now-empty hand. 
shoko’s hands have always been pretty. even when they’re covered in grime, or stained with blood. thin, a little bony, smooth skin obscuring clear blue veins. moles litter her hands like stars in the sky; one right beneath her pinkie, another by her wrist. the more you look, the more you find.
tentatively, you broach the distance between you. curling your fingers around her slender ones, where they rest on her lap. linking hands. it’s a slow movement, drawn out and careful, accompanied by the heavy beating of your heart. 
(her skin is cold to the touch. your skin buzzes with unease, but you don’t let go.)
then you smile. a small thing, not really optimistic, but the attempt is there. something for her to hold on to. looking deep into her eyes, admiring the hazel glow that never quite left them.
”i’ll give you free pastries.”
a moment passes. shoko’s fingers squeeze around yours — weakly, but it’s there. movement, motion, life. a way of reaching out. a way to hold on.
her eyes continue to trail over the page, but you know she’s not reading any of the contents. you’ve caught her attention. a small victory, but you’ll take what you can get.
”i don’t like sweets,” she reminds you, leaning back a little in her chair. allowing her eyes to flutter shut, at last — and it’s not much but it’s something. a moment of relief for those tired, tired eyes. more tired than any 29 year old’s should be.
”i’ll change your mind,” you promise, mustering up enough will to sound smug. ”my pastries will be out of this world. you’ll get a sweet tooth in no time, sho.”
she exhales a breath, vaguely amused. your smile widens, hopelessly. her happiness was always the root of yours, wasn’t it?
then she looks at you, one eyebrow raised in lazy scepticism. ”can you even bake?”
”nope,” you deadpan. ”but i’ll learn. you’ll see.”
this time, shoko almost chuckles — and it’s more than you’ve gotten out of her in recent memory. god, you missed that sound. a little raspy, from all the cigarettes, but still so honeyed and smooth. hearing it makes you feel as if everything will turn out fine, in the end.
(what a powerful thing, for a voice to do. one so lovely it anchors you to the earth.)
a faux pout curls its way to your lips, and you squeeze her hand lightly. ”don’t laugh, i’m being serious!” your pout shifts into a soft grin, a little teasing. ”i’ll get you addicted to sugar instead of nicotine.”
”haha…”
shoko laughs. shoko laughs and it’s beautiful.
shoko laughs, a genuine laugh, and it’s so beautiful that you almost don’t notice the tears in her eyes. almost.
and then you realize your mistake.
a memory comes to you, then. you recall a hushed conversation, beneath a cloudy summer sky. the air was heavy with the scent of lilacs and cigarette smoke. two people were beside you, and all you cared about was listening to the tilt of their voices. that, and nothing more. a time before everything and everyone went south.
(”you know, shoko. you really should drop those death sticks of yours.”
”i don’t want to hear that from the guy who needs 40 grams of pure sugar every day just to function.”
”rude! and as far as addictions go, sugar is a cut above nicotine, don’t ya think?”
”whatever. just worry about yourself, gojo.”)
by the time you realize, it’s already far too late. the tears have already begun to fall. little droplets of grief, sticking to her skin.
they trickle down the contours of shoko’s face, and fall onto the paper in her hand, smudging the letters. she clutches it tightly, crinkling it, just to make the damage worse. her other hand is still holding yours, chipped nails digging into your skin gently.
but she keeps laughing. low, hazy laughter — pained. she sounds like she’s in pain, and that’s because she is. even if no one ever cares to mention it.
(how cruel, for her to be born with the reverse cursed technique. capable of healing any physical wound; leaving her with too many mental ones to count. never to be healed or acknowledged, in this life or the next.)
you can only stare. helpless to her sadness. her eyes are a little red, and she’s biting down on her lip hard enough to draw blood — a drop of scarlet falls onto the paper, and you think of gojo again.
you think of shoko finding him. running to his side. doing all she could to heal him, to patch him up — getting blood all over her hands and clothes. red everywhere, staining the pure white of the snowfall. like something out of a painting.
she did all that she could. pressing down on his chest, positive cursed energy pouring out from her fingertips in tandem with the snow. pressing two shaky fingers to his pulse point, just in case. just to find any sign of life, absolutely anything. hoping so tenderly that she’d feel the flutter of his pulse. that he’d get up, and laugh obnoxiously, and ask her if she really thought he’d leave her behind so easily.
you’d never seen her look so scared. so desperate, a primal kind of fear you’ve learned to associate with self-driven survival. the way some animals can claw their way out of a predator’s stomach if they’re swallowed whole. but she did that to save him. trying to claw him out, herself. from the belly of the beast.
she did all that she could.
but gojo didn’t do anything. he just laid there, split in two. frozen in time, eternally young. watching the sky. smiling.
(what a wonderful way to die. what an awful thing for an old friend to find.)
before your mind can catch up, your body acts. muscle memory, in the way your arms curl around her midriff to bring her close. tucking her into your side while she sniffles and cries. still laughing, like she’s still trying to convince you that she’s fine. like she’s isn’t falling apart at the seams.
the dam breaks. the ice shatters. everything comes crashing down — and you’re there to pick up the pieces. despite everything.
it’s not enough, it never will be. but at least it’s something.
it’s heart-wrenching, the way she clings to you. like you’re the only thing she has. the dry laughter that spills from her throat devolves into sobbing, her chest heaving as she tries to catch her breath, nails clinging to the fabric of your clothing like she’s trying to anchor herself. broken sniffles fill the space between you as she hides away, in the crook of your neck.
(the sound makes you feel like someone drove a knife from your sternum down to your stomach.)
all you can do is hold her. quietly, delicately. as if she could break if you squeeze her too hard. as if she’d shatter like a sheet of glass if you were to say the wrong thing again.
you hold shoko like she’s fragile. because she is, regardless of what anyone else says. because she’s a human being, and she’s grieving, and she needs this.
eventually, she musters up the will to speak — and it’s awful, raspy, broken syllables she has to force out of her throat. 
she chokes on the words like they’re poisonous. like she’s been carrying them around for decades, bubbling beneath the surface, waiting to be let out.
“don’t — don’t end up here,” shoko pleads, voice wavering through the syllables. full of fear. “please.”
you know what she means. she doesn’t have to say it, because you know.
don’t end up in my morgue. don’t end up on my autopsy table. 
shoko sounds meek. she sounds close to falling apart. you’ve never seen her like this before, clutching onto your sleeves as if begging you to stay. 
“you’re — you’re the only one i…”
she doesn’t finish, cut off by a broken sniffle. but she doesn’t need to. 
you’re the only one i have left. i can’t lose you, too.
please don’t die. please don’t leave me behind.
a shaky inhale. your arms tighten around her waist, tugging her closer. praying that she’ll feel the steady beating of your heart, the undeniable proof that you’re alive. that you haven’t left her yet. 
you blink away the tears in your eyes, grasping for control over your wavering voice.
“i won’t.”
and maybe it’s cruel, maybe it’s the cruelest thing you could do to her — making a promise you know you might not be able to keep. but you do so anyway. helpless to her sadness. at the complete mercy of her grief. you’d do anything to stop the tears from falling, to soothe the turmoil in her chest.
“i won’t let you be alone, shoko,” you murmur into her hair, with all the comfort you can possibly muster. ”not now, or ever.”
three words yearn to be spoken, resting on the tip of your tongue. three little syllables, desperate to be heard after living in the back of your throat for so many years. 
and for a second, you think you might say it. 
you think you might say it, breathe life into the statement. you can almost taste it, can almost hear it. can almost see what her expression would look like.
but shoko sniffles, and hugs you tighter. protective, like you’ll leave if she doesn’t. so tightly that it hurts a little.
and you swallow the words, once more. 
right now, this is enough. it’s enough that you’re alive, that you’re here. that’s what shoko needs, right now.
she doesn’t need your love. she just needs you to stay alive.
so you will. you decide that you will, no matter what. you’ll leave, and you’ll open up a shitty bakery that won’t get any customers — and you’ll give her free pastries for the rest of your life. you’ll get her so addicted to sweets that she’ll have no choice but to come back for more.
shoko cries like a child. filling the silence of the morgue with her shaky breaths and quiet sniffles, little hiccups and whimpers. the tears never seem to stop, and you wonder how long it’s been since she last let them fall.
you hold her in your arms, smoothing a palm down her back, counting the bumps of vertebra — and don’t say anything. there’s no need to.
for now, the soft patter of your heartbeat is enough.
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ijichi stands just outside the morgue, unmoving. not saying a thing.
it’s muffled, hushed and quiet, but still audible. the sound of childlike crying. the kind all sorcerers do their best to keep to themselves.
in his arms lie a bundle of papers. the final pages of gojo’s autopsy report. it’s important that shoko sees them — vital, according to her. something about the six eyes, the possibilities they hold. the hope that maybe, just maybe…
— he clutches them tightly, and then walks away.
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aroaessidhe · 9 months
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2023 reads // twitter thread
To Shape A Dragon’s Breath
YA fantasy
a young Indigenous girl finds & bonds with a dragon hatchling - the first time in many generations for her people - and is required to go to the coloniser’s dragon academy in their mainland city, to learn how to raise her dragon and the science of its magic
historical inspired setting on the cusp of industrial revolution with steampunk vibes
bi polyamorous MC, Black lesbian SC, nonverbal autistic SC
#To Shape A Dragon’s Breath#aroaessidhe 2023 reads#this is really really good i loved it!#the chapter titles are all like snippets of a story. or like sentence fragments that match up. which is cool#it is definitely more about being indigenous in a coloniser institution than Dragon School - not Super dragon heavy if you want that#I suspect the subsequent books will get into that when she gets big enough to ride and stuff#t’s also def YA! i’ve seen a few ppl assume it’s adult and be like its very young :( but like. I mean its perfectly reasonable for a 15yo m#definitely a Lot of racism and colonialism which is not fun to read! though it's still through a YA lens. there was def a part of me that#was imagining consequences of the narrative as if it were an adult novel#on that line of thought - at the end a lot of it is kind of solved by them going to the king and he's is like. oh no racism is happening?#that's bad i'll deal with those people! which felt like. a little simplistic. but maybe the easiest way to end the narrative for book 1 -#I don't think the author ACTUALLY is going to portray the king as a Good Guy throughout the series - it just felt conveniently like -#a simple YA solution to some very big and complex elements? if that makes sense? (but again - it is YA so it's allowed I suppose!)#some of the worldbuilding (like all the science learning) is probably setup for next books - we don’t really see any practical application#the romances are also subtle and not Overbearing In Book One which i like - leave some space for the series!#also her getting fanmail from a 10yo mixed race girl who looks up to her 🥺#anyway. i really loved it!#oh also it reminded me a little of leviathan. i guess just the steampunk/time period/european culture....#To Shape A Dragon's Breath
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idaaadivock · 22 days
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not to talk about dune on main but like. lisan al-gaib became an instant meme in the theater i was at. like great acting amazing music (thank you hans zimmer you're a real one) phenomenal photography and setting and fight choreography
but stilgar's LISAN AL-GAIB in every circumstance possible was so funny it made the whole theater erupt into laughter directly after the fight with feyd-rautha which is supposed to be like. poignant ig and powerful and an overall vibe
y'all hit the wrong vibe besties 😭😭
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bobparkhurst · 1 year
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who are they, anyway?
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simgerale · 1 month
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me after attempting to get back into sims and realizing i had a lot more to do than play the game
#hi everyone#I’m going around hugging you all#okay now that we are gathered here today#i will simply acknowledge that i have been gone for a very long time and then also acknowledge that maybe it was for the best#i relied on sims to be my only creative activity even if i tried to write a book at the same time#and also. i prioritized sims over real life responsibilities. that’s just a deadly combination lol#but I recently noticed I just replaced sims with Netflix. with YouTube. with anything that gave me quick dopamine#literally became addicted in a sense. still am but I’ve been cut cold turkey from most everything#I get off work and go. okay I’ve done the dishes and the laundry……..I could read or write or bake….#I try to write and sometimes i get a good hour#then I read for a few hours and then get tired of it#and I made cookies Tuesday so I’m waiting for those to be gone before baking again#I’m just so pitiful that I feel BORED and don’t know what to do#so I said….. okay what if I do sims for an hour.#I downloaded some new cc Tuesday and tried to play yesterday#y’all ……………….. I can’t find the energy anymore to set up elaborate scenes and pose my sims and plan posts#I said wow… this is boring without my intervention and fake story#I said wow…….. all this for what? for tumblr? yes I created cool things and provided joy. but is that inherintly important compared to my#own joy? my own everyday activities I should be doing?#y’all I do not leave the house unless we got out to eat or shop or travel to our parents#.. I have little desire to. I’m trying to find that desire#but my husband is busy with grad school and work and I don’t want to do anything by myself#I’ve found myself in one heck of a slump#I didn’t want to be human for awhile. just had no desires no interests no ambitions#I was slacking off SO HARD at work. I just had no drive to do well#I’m still working on it. I’m still trying to get caught up. I’m still trying to force myself to move every day.#but I am struggling y’all. and I can tell you that sims… sims isn’t helping rn but I want it to so bad. I want to get back into it#I didn’t mean to disappear on everyone. I got married and then life got busy and then I fell into this hole of nothing#I didn’t even WANT to crawl my way out. but my husband has helped a lot. I feel like such a child!!!!#I reached max tags. 🙃 bye love you all. till next time
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panharmonium · 5 months
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Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.
Hi @riemmetric!  It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)
It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start.  People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them.  That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great!  I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.
In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7.  If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi.  That’s not up for interpretation; it’s the text.  But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.  
[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great!  But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]
Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.”  She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”
[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]
So, from the top:
1. the girl with the crush
Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1.  She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father).  But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.
The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time.  This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:
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From that point on, it’s a process of her putting little pieces together.  She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does.  Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation.  She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:
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(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)
I’m not criticizing Naruto for his response here.  I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.  
(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home.  Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!”  And everyone else in the room is like, “....,” because they know better.  Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)
Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark.  This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.  
(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).
Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling.  There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.
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Is this part of her approach irrational and immature and inadvertently self-centered?  Of course it is!  But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!” 
Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention.  The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants.  She’s begging him to stay for the same underlying reason that Naruto is: she cares about him.  She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t.  But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).  
It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction.  She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:
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Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him).  “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish.  It’s irrational.  It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.
Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation.  They both still think they can fix him themselves.  They both think they can save him themselves.  They both think they can convince (or force) him to do what they want, what they think is in his best interests.  Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything.  Their attempts to keep him in the village are immature and unrealistic, yes.  What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests.  They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.
Naruto and Sakura are children.  They’re afraid of losing somebody they care about.  Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES.  He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him.  He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.
2. the greater good
If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.”  She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me.  It’s like a curse mark.”
(INCREDIBLE.  How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )
[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has.  Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about?  Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him.  He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side.  Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]
[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets.  I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys.  She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation).  But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]  
Anyway. Back to a more measured response.  
Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much.  Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki?  Good, appropriate.  The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does?  Also extremely appropriate, very in-character for both of them.  Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden?  Juicy!  AND thematically significant (promises!!!!  the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again).  Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start?  HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT.  Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)?  BRUH.  Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win??  INCREDIBLE.  (Literally the first time I watched this, I said, “Finally!!!  It’s Sakura’s turn to go off the rails!”  I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.)  And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!”  I love her for that.  
And then, of course, in the end - her not being able to do hurt Sasuke after all.  Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him.  She cares about him too much.  This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others.  She can’t do it, and Sasuke almost kills her for her compassion.  
I love the dynamic this sets up between her and Sasuke, for a few reasons:
1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1).  This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be.  Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too.  Time didn’t just stop for them when he left.  While he was turning into someone new, so were they.  They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.  
(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear.  Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return.  He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him.  And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance. 
(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)
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(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way.  The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him.  And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)
2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back.  She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago).  That’s huge!  Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter.  She stayed her hand.  She spared his life.  She loved him too much to hurt him, even when he’d given her every reason to take him down.  She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain.  Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.  
The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation.  This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down.  Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).
3. she only wants to save you
The last stage in their relationship is what Sakura settles into during the war arc.  She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.  
She has no intention of pursuing Sasuke romantically.  She knows full well that Sasuke isn’t interested in her.  She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”).  She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her.  She’s well-aware that he left her to die in the lava pit.  She’s also well-aware that none of this is enough to make her stop loving him.  He doesn’t have to care about her - she still cares about him.  She still wants to help him.  She still wants to save him.
This is not hidden, hard-to-parse character development.  It’s explicitly articulated on the page:
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Sakura’s not trying or wanting to make you hers!  She only wants to save you.
I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality.  The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7).  He’s locked into a false pattern of thinking.  His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.
Sakura’s not trying or wanting to make you hers!  She only wants to save you.
Sasuke matters to Sakura as more than a love interest.  He always has.  She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise.  Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective.  Kakashi is the one who’s explicitly positioned as the voice of the narrative here.  We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.
[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god.  She’s finally going to let him have it.  It’s finally happening - ”  I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me).  But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]
[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.”  That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her.  He thinks about all of them.  Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine.  He cared about her once.  He cared about all of them.  She’s trying to reach the part of him that still does, if it exists.]
[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]
4. the shadow of my family
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This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.
I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story.  I can’t read/watch Naruto while hating one of the protagonists and loving the other three.  It doesn’t work like that for me.  The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.
That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine.  My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.
Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive.  That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else.  You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story. 
TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.
#naruto#meta#replies#anyway that's that! hopefully that is a helpful answer#thank you for the question! i honestly don't think i would have ever gotten around to writing about this if i hadn't been directly asked#i love talking about the stories i enjoy (obviously; we all do; that's why we're here)#but i'm usually ¯\_(ツ)_/¯ about responding to takes that blatantly misread the narrative to justify hating a particular character or ship#mostly because a) it's whatever. as long as people mind their own business and leave me to enjoy myself they can do what they want#and b) some opinions are so divorced from the actual text that they're not worth discussing#like. what's the point of responding to random internet posts saying that sakura was selfishly pursuing sasuke as a lover the entire time#when that is textually and provably not the case?#if you're that committed to experiencing things in direct contradiction to what the narrative is asking of us then just go ahead#is it mildly annoying to me? sure. but so are lots of things and it's better to just let stuff go#like - i initially planned to take this piece of meta all the way up through sakura and sasuke's last scene together#the one where he tells her 'maybe next time' and finally reclaims and redefines itachi's forehead tap (INCREDIBLE. THIS SCENE.)#but ultimately i changed my mind because everything i wrote for that last section was coming out too harsh#i generally prefer to talk about fandom stuff in a chill/friendly approachable way#but i kept thinking about the most obscenely & disrespectfully inaccurate read of that scene i'd ever seen#and i couldn't figure out how to talk about it in a non-scathing way#that scene and the one where naruto gives sasuke's headband back are the ONLY well-written things about the finale of naruto#they are SO perfectly constructed and i can't respond to people slandering either one without feeling an urge to kill#so i just deleted it. partially because again - this is fandom; it's not that serious; people can do what they want#but also because i know i get extra frustrated about people picking over the text and plucking out isolated bits and pieces#to contort into blatantly misinterpreted mutant shapes that 'confirm' whatever pre-existing judgments or ships they had#instead of experiencing the story as a cohesive whole & keeping in mind the greater context of what it's always been trying to communicate#people on this website say 'we all interpret things differently :)' as if it means no one can ever be wrong about what a text is saying#newsflash: not all interpretations of a text are valid. things can't in fact mean whatever you want them to mean.#the ***story*** persists and exists even if the author is dead to you#if you choose to ignore that then that's fine; it's just fandom; who cares. but i'm not going to pretend you're 'analyzing' anything.#(ok now i'm really done. you can see why i deleted this section XD)
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pink-november · 4 months
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here's your daily stp trivia
cheated is the only voice that prevents you from turning around and leaving the cabin during a chapter 3
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showtoonzfan · 1 year
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The Glass Scientists webcomic is that EXACT “messy gay story” that I’m looking for. It involves two men from the earliest century, one of them (Henry Jekyll) has internalized homophobia and spent years convincing himself that any gay or LGBTQ+ relationship is doomed to fail due to the heartbreak he personally experienced in college at the time of meeting his lover, and the other (Robert Lanyon, the POC one) is a stubborn self centered yet deep down caring man who’s afraid of commitment and emotional attachment. Even after they separated after having a fuck buddy fling in college that supposedly on the surface meant nothing to them yet EVERYTHING deep down, they remained close friends as they grew older, Jekyll opening his science society and continued with his work, only this time he has a counterpart, Edward Hyde, who brings out everything he doesn’t like about himself, everything he’s afraid to be. Having Hyde be this unhinged openly sexual person yet someone who paints himself as not having any deep emotions makes sense for the story. Hyde doesn’t need to be this big bad murderer because this is a different adaptation of Jekyll and Hyde. It’s not about a man who wants to do whatever he wants so he creates a potion to get off scott free for everything including murder, it’s about a man who suppresses not only his emotions he feels like he dare not feel, but himself, keeping a perfect gentleman facade in constant fear of what others would think of the real him.
Not that too recently in the webcomic, Jekyll has started to question if Hyde truly is “evil” since that’s all Jekyll saw him as. He doesn’t see Hyde as the suppressed version of himself, being in denial and thinking this is black and white. That’s what I love about this webcomic. Characters like Laynon and ESPECIALLY Jekyll are flawed people who need to be bonked on the head about their emotions and how to deal with them in a healthy way, and the comic doesn’t shy away from that. It opens different perspectives, different beliefs on why the characters act the way they act and the hardships they’re going through. Many of these characters are engaging and likable, even if they are flawed and make mistakes or have not the best beliefs, including a trans character named Jasper, a day manager with a dark past named Rachel, and even Dr. Frankenstein. Recently Jekyll and Lanyon are currently in a clash. Laynon never cared about science, that was Henry’s passion, and yet he still stayed by his friends side. Lanyon was at first thinking about quitting, giving up after trying to help Henry in whatever was going on with him (since no one knows about Hyde) but now due to the fear of losing Henry, Lanyon wants to shut down the entire society before it slowly kills his best friend completely. Henry on the other hand doesn’t react so easily.
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I love how both characters are in the wrong, and yet you can see both of their perspectives as well. Lanyon has been worrying about Jekyll since the beginning of the comic, only for Jekyll to keep his “perfect easy going” facade and push him away. Lanyon is just done, and meanwhile with Jekyll, all those repressed emotions are starting to come out. As readers we learn that Hyde held resentment towards Lanyon, but he never knew why since in his eyes, Jekyll handles the “emotional” aspect of themselves. It’s clear to say however, that despite Jekyll caring deeply of his friend and even putting him up on a pedestal in his brain (something that was revealed in an earlier chapter) he deep down hates Laynon for what he did, leaving him after Robert had to get married and acting like it was nothing. Jekyll spent years hiding everything from everyone, and Robert does have a point, he’s overworking himself and has been for so long, but Jekyll is a very stubborn character, and I love that. This is the most recent page and I have no idea what will happen next, but I’m all for this, these two characters have been bottling SO much up and I think it’s time they snap. Can’t wait for the next update.
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orokay · 11 months
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So idk if I can really articulate the way I'm feeling rn to translate it perfectly, but I want you guys to know how much I truly appreciate everyone who's followed me over the years, who has interacted with me in any way no matter how small, and anyone who has shown up recently. From the bottom of my heart, thank you. It's probably cheesy to say but everyone here has made my life so much brighter and I feel so unbelievably blessed to have been invited into your lives in some way, even if it's just as someone who sometimes shows up on your dash.
I decided to scroll through my tag on here and the way people have supported me over the years though everything really, deeply touched my heart this evening. The people who have drawn fanart for me, the people who have commissioned me, the people who have tagged me in things (I cringe every time bc I feel soooo bad for not seeing them until I look in my tag once in a blue moon, but know I appreciate you trying to include me), the people who tag me when asked who their art inspirations or favorite blogs are (!!!!!!!!!??????), the people who post their art saying that my art inspired them in some way, people who express their excitement when they realize I've followed them (this will never stop being wild to me, what an incredible thing!!!! I'm just me!) everyone. It's absolutely mind boggling to me and I can't stress enough how much it means.
I've had such an incredible time on this site so far and met some of my closest friends here and just.. wow. Thank you so much to all of you, from the very bottom of my heart. I cannot thank you enough for all of your support!! Every little bit of interaction is a blessing to me and I've run out of ways to express that so I'll wrap this up here but yeah!! I hope you all have a lovely evening or whatever time of day it is in your time zone. Know that you've impacted me in a way I can't express and try to give yourselves a little grace, you'll never know how much you've improved the lives of the people around you by just spending a little time in their space ♥
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mel-loly · 4 months
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-“Oh, school has to be something serious, especially this year/something like that!”
The things I did when I was at school (especially in computer class):
TW: cigarette
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I have a lot of memories, and this is certainly one of the most important/best/funniest in my life. I'm really going to miss everything... and I'm already crying lol..
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